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Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES (IT/UR, Nikita Mihalkov, 1987); OCI CIORNIE (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); MR. BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Author: Quinlivan, Beth
PhysDes: Article
Subject: MCKIMMIE, JACKIE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); STATIONS (AT, Jackie McKimmie, 1983)
Summary: Interview with Jackie McKimmie on her first feature film directorial debut in "Australian Dream". McKimmie, who also wrote the film script, categorises "Australian Dream" as a bizarre comedy but that her main directorial focus was in creating a layered approach to filmmaking
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN DREAM (US, Barbara Kopple, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: AMERICAN DREAM, AN (US, Robert Gist, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARIZONA DREAM (FR, Emir Kusturica, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)

Call No: P AUS
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)
Summary: Image: Photos of four cast members/characters. Text: 'May all your dreams come true.../A prime cut comedy.'
Notes: Tear on right-hand side.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Ronin Films
PhysDes: 1 photograph : b&w ; 13 x 18cm
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)
Summary: 1 black and white photograph of the writer-director, Jackie McKimmie.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN DREAM, THE (AT, Daniel Gordon, 2019)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAT GENERATION: AN AMERICAN DREAM, THE (US, Janet Forman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAFE FLESH (US, Rinse Dream, 1982)

Call No: S CHA
PubDate: [1979?]
PhysDes: 50 leaves
Subject: CHASE THAT DREAM (AT, Ken Cameron, 1979)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASSANDRA'S DREAM (AT, Woody Allen, 2008)

Call No: 81 ARO SKO
Author: Skorin-Kapov, Jadranka
Edition: 2016
Place: London; New York
Publisher: Bloomsbury
PubDate: 2016
PhysDes: xxxii, 184 p. : illus. ; 24 cm
Subject: ARONOFSKY, DARREN; PI (US, Darren Aronosky, 1998); REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000); FOUNTAIN, THE (US, Darren Aronofsky, 2006); WRESTLER, THE (US, Darren Aronofsky, 2008); BLACK SWAN (US, Darren Aronofsky, 2010); NOAH (US, Darren Aronofsky, 2014)
Summary: Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, Darren Aronofsky's Films and the Fragility of Hope is a much-needed study on this American auteur.
ISBN: 9781501306976
Contents: Introduction 1. Pi: Is Mathematics “the Language of Nature”? 2. Requiem for a Dream: Addiction and Broken Dreams 3. The Fountain: Death and the Authenticity of Existence 4. The Wrestler: Melodrama and the Gift of Death 5. Black Swan: Limit Experience and Artistic Perfection 6. Noah: Responsibility, Love, and the Moment of Choice 7. Aronofsky's Themes and Auteur's Signature Appendix: Conversation with Aronofsky Notes Bibliography Index Reviews
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4000419' Checked: 31/08/2021 1:48:10 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM A LITTLE DREAM (US, Marc Rocco, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM CATCHER, THE (US, Edward Radtke, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM DECEIVERS: THE STORY BEHIND JAMES VANCE VS. JUDAS PRIEST (US, David Van Taylor, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DREAM DEMON (UK, Harley Cokliss, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM FOR AN INSOMNIAC (US, Tiffanie DeBartolo, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM GIRLS (US, Kim Longinotto and Jano Williams, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: DREAM HOUSE (AT, Ziyin Wang, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: DREAM HOUSE (AT, Ziyin Wang, 1994)
Summary: Two black and white photographs relating to this documentary Dream house

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM IS ALIVE, THE (CN/US, Graeme Ferguson, 1984)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: DREAM KILLER (US, Andrew Jenks, 2015)
Cross Reference: DREAM KILLER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM LIFE [TV] (AT, Scott Otto Anderson & Sarah Daggar-Nickson, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM LOVER (US, Alan J. Pakula, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM MACHINE, THE (US, Lyman D. Dayton, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM OF KAO-LO, THE (AT, Wolfgang Graesse, 1973?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM ON (US, Ed Harker, 1981)

Call No: SUBJECT CLIPPINGS FILE; SHAKESPEARE [WILLIAM] IN FILMS
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: SHAKESPEARE [WILLIAM] IN FILMS; MIDSUMMER NIGHT'S DREAM, A (UK, Russel T. Davies, 2016)
Summary: Positive review of the 2016 BBC TV movie production of A MIDSUMMER NIGHT'S DREAM

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: DREAM TEAM, THE (US, Howard Zieff, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: DREAM WITH THE FISHES (US, Finn Taylor, 1997)
ID2: 79

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; HOLLYWOOD; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM (FR, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE [US, Edward Zwick, 2008]; DR STRANGELOVE (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Call No: 761:626[396] FEM
Author: Waldman, Diane (editor); Walker, Janet (editor)
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1999
PhysDes: ix, 365 p : ill. ; 26 cm
Series: Visible Evidence, volume 5
Subject: DOCUMENTARIES; DOCUMENTARIES. ARMENIA; DOCUMENTARIES. GERMANY; DOCUMENTARIES. TURKEY; FEMINISM AND THE CINEMA; DONT LOOK BACK (US, D.A. Pennebaker, 1967); ARMENIAN JOURNEY, AN (US, Theodore Bogosian, 1988); ROGER AND ME (US, Michael Moore, 1989); AMERICAN DREAM (US, Barbara Kopple, 1990)
Summary: Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominenet scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. This book includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. [Taken from back cover.]
ISBN: 0816630062
Contents: Introduction -- Part I: Historicizing documentary -- 1. Sentimental contracts: dreams and documents of American labor / Paula Rabinowitz -- 2. Flaherty's midwives / Patricia R. Zimmerman -- 3. New subjectivities: documentary and self-representation in the post-verite age / Michael Renov -- 4. Bad girls come and go, but a lying girl can never be fenced in / Alexandra Juhasz -- Part II: Filmmaker/subject: self/other -- 5. (Pass through) the mirror moment and 'Don't look back': music and gender in rockumentary / Susan Knobloch -- 6. Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / Gloria J. Gibson -- 7. Cross-cultural filmmaking, Japanese style / Ann Kaneko -- Part III: Going back (with a camera): gender, nation and documentary returns -- 8. Return, transference and the constructedness of experience in German/Turkish documentary film / Silvia Kratzer Juilfs -- 9. Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / Anahid Kassabian and David Kazanjian -- 10. Fetishes and fossils: notes on documentary and materiality / Laura U. Marks -- 11. On silence and other disruptions / Deborah Lefkowitz -- Part IV: Innovative (auto)biographies -- 12. Fleeing from documentary: autobiographical film/video and the 'ethics of responsibility' / Michelle Citron -- 13. From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / Chris Holmlund -- 14. Women's fragmented consciousness in feminist experimental autobiographical video / Julia Lesage

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANK CAPRA'S AMERICAN DREAM (US, Kenneth Bowser, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOAL! II : LIVING THE DREAM (UK, Jaume Collet-Serra, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAITI: KILLING THE DREAM (UK, Babeth, Katherine Kean & Rudi Stern, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOODISM: JEWS, MOVIES AND THE AMERICAN DREAM (CN, Simcha Jacobovici, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSTITUTE BENJAMENTA, OR THIS DREAM PEOPLE CALL HUMAN LIFE... (UK, Brothers Quay, 1995)

Author: de Bruyn, Dirk
PhysDes: Review; Bibliography; Credits; Illustration(s)
Subject: INSTITUTE BENJAMENTA, OR THIS DREAM PEOPLE CALL HUMAN LIFE... (UK, Brothers Quay, 1995)

Call No: 203 FIN
Author: Finney, Angus
Edition: Second edition
Source: UK/US
Place: Abingdon, Oxon -- New York
Publisher: Routledge
PubDate: 2015
PhysDes: xiv, 287 pages ; 25 cm
Subject: INDUSTRY, FILM; PRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; FINANCING; COPRODUCTION; REDBUS GROUP; RENAISSANCE FILMS; ZENTROPA [company]; ARTS ALLIANCE MEDIA; FILM DEPARTMENT, THE; PIXAR; BARKER, MICHAEL; PHAROAH, ASHLEY; RECKONING, THE (UK/SP, Paul McGuigan, 2002); OPAL DREAM (AT, Peter Cattaneo, 2005); KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010); CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002); MOTHER, THE (UK, Roger Michell, 2003); BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011); CLOVERFIELD (US, Matt Reeves, 2008); VAPOR [Neil LaBute - not made]; GOOD OMENS [Terry Gilliam - not made]
Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect
Notes: Includes bibliographical references (pages 272-275) and index
Contents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KRAVGI GYNAIKON (GR/SZ, Jules Dassin, 1978); DREAM OF PASSION, A (GR/SZ, Jules Dassin, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LANGSTON HUGHES: THE DREAM KEEPER (US, St. Clair Bourne, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST DREAM, THE [TV] (AT, John Pilger, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE IS A DREAM [MÉMOIRE DES APPARENCES] (FR, Raúl Ruiz, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MACARTHUR'S DREAM [TV] (AT, Alan Lindsay, 1999)

Call No: PERSONALITY STILL
Source: AT
Publisher: Ronin films
PubDate: [1987?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); MCKIMMIE, JACKIE
Summary: Jacki Mc Kimme sits In what appears to be either a helicoptor or aeroplane cockpit . She has a bandana holding her hair in place and a set of headphones around her neck, she smiles at the photographer.
Notes: Blu-tac marks on reverse corners; White border surrounds image; Two adhesive labels on reverse of photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (UK, Adrian Noble, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MIDSUMMER NIGHT'S DREAM, A (UK, Elijah Moshinsky, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (US, Casey Wilder Mott, 2017)
ID2: 328

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; AMERICAN FILM MARKET; MALCOLM (AT, Nadia Tass, 1986); BLISS (AT, Ray Lawrence, 1985); ARCHER (AT, Denny Lawrence, 1985); AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); DEVIL IN THE FLESH (AT, Scott Murray, 1986); DOT AND KEETO (AT, Yoram Goss, 1986); FAIR GAME (AT, Mario Andreacchio, 1986); KANGAROO (AT, Tim Burstall, 1986); PERFECTIONIST, THE (AT, Chris Thomson, 1985); TWELFTH NIGHT (AT, Neil Armfield, 1986)
Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTMARE ON ELM STREET 3, A: DREAM WARRIORS (US, Chuck Russell, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTMARE ON ELM STREET 5: THE DREAM CHILD, A (US, Stephen Hopkins, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NORMAN ROCKWELL'S WORLD: AN AMERICAN DREAM (US, Robert Deubel, 1972)

Author: Bright, Greg
PhysDes: Article
Subject: MCKIMMIE, JACKIE; MCKIMMIE, CHRIS; WILD, SUE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)
Summary: Location report on Jackie McKimmie's first feature film directorial debut in "Australian Dream" including finance and shoot details. Reporter Greg Bright notes the film is based on a song written by the director's husband Chris McKimmie, who is also the film's production designer. Bright also provides some filmographic details on both Jackie McKimmie and the film's producer/production manager Sue Wild, as well as brief quotations from actress Noni Hazlehurst
Notes: Location report on "Australian Dream". - photographs by Grant Deardon. - credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: OPAL DREAM (AT, Peter Cattaneo, 2005)

Call No: 79OPA RIC
Author: Rice, Ben
Source: AT
Place: Milsons Point, N.S.W.
Publisher: Vintage Books
PubDate: 2006
Subject: OPAL DREAM (AT, Peter Cattaneo, 2005)
Notes: Two stories published: Opal Dream and Specks in the Sky; Opal Dream originally published as Pobby and Dingan in 2000.
ISBN: 0816649227

Call No: S OPA
Author: Cattaneo, Peter, Rice, Ben and Traill, Phil
Place: AT
PubDate: [2005]
PhysDes: 97 leaves
Subject: OPAL DREAM (AT, Peter Cattaneo, 2005)
Notes: Production script; Donated by the Australian Film Institute

Author: Rod Yates
PhysDes: Article
Subject: COLOSIMO, VINCE; McKENZIE, JACQUELINE; OPAL DREAM (AT, Peter Cattaneo, 2005)
Summary: Review of Opal Dream

PhysDes: Article
Subject: COLOSIMO, VINCE; McKENZIE, JACQUELINE; OPAL DREAM (AT, Peter Cattaneo, 2005)
Summary: Review of Opal Dream

Call No: P OPA
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: OPAL DREAM (AT, Peter Cattaneo, 2005)
Summary: Text: 'Some things have to be believed to be seen'. Image : Has Sapphire Boyce and Christian Byers on it.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATTI SMITH: DREAM OF LIFE (US, Steven Sebring, 2008)

Call No: TITLE CLIPPINGS FILE; DREAM GARDENS [TV](AT, 2017)
Author: MH
PhysDes: Clippings File Article
Subject: DREAM GARDENS [TV](AT, 2017)
Summary: Positive review of the Australian TV gardening show DREAM GARDENS

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000)

Call No: S REQ
Author: Aronofsky, Darren; Selby, Hubert Jr.
Place: US
PubDate: [1999]
PhysDes: 105 leaves
Subject: REQUIEM FOR A DREAM (US, Darren Aronofsky, 2000)
Notes: Unpublished script; Based on the book by: Hubert Selby, Jr.
Donation: donated by the Australian Writers Guild

Author: Garner, Helen
PhysDes: Article
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)
Summary: Helen Garner characterises "Australian Dream" as a purposely gross comedy which is somehow unsatisfying stylistically. Despite the ultimately dismissive review of the film, Garner does praise the acting of Noni Hazlehurst
Notes: Review

PhysDes: Article
Subject: AMERICAN DREAM, AN (US, Robert Gist, 1966)
Summary: Review
ID2: 125

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SELLING THE DREAM: AUSTRALIANS IN CANNES [TV] (AT, Jan Epstein, 2000)

Call No: 753SHA JOR
Author: Jorgens, Jack.J
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1977
PhysDes: xii, 337 p. : ill. ; 24cm
Subject: FILM STUDY AND RESEARCH; SHAKESPEARE [WILLIAM] IN FILMS; SHAKESPEARE, WILLIAM; EDUCATION AND THE CINEMA; DIETERLE, WILLIAM; ZEFFIRELLI, FRANCO; MANKIEWICZ, JOSEPH L.; WELLES, ORSON; OLIVIER, LAURENCE; SCHAEFER, GEORGE; KUROSAWA AKIRA; KOZINTSEV, GRIGORI; MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); CHIMES AT MIDNIGHT (SP/SZ, Orson Welles, 1966); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); HENRY V (UK, Laurence Olivier, 1944); RICHARD III (UK, Laurence Olivier, 1955); MACBETH; KUMONOSU-JO (JA, Akira Kurosawa, 1957); GAMLET (RU, Grigori Kozintsev, 1964); OTELLO (IT, Franco Zeffirelli, 1986); KING LEAR (UK, Peter Brook, 1953)
Summary: This book looks at films made of Shakespeare plays and is an evaluation of such films and focuses on what is good and interesting about them as well attemping to interpret them.It is ultimately an appreciation of the films made of Shakespeare's plays. It provides the reader with the vocabulary of film and a cinematic way of expressing Shakespeare's characters, settings, themes, structures and verbal and dramatic styles.It looks at the strenghts of the works of filmakers such as Zeffirelli, or Olivier
Notes: Includes bibliographical references and index
ISBN: 0253351960
ID2: 291

Call No: 753 SHA MOR
Author: Morris, Peter, 1937
Place: Ottawa
Publisher: Canadian Film Institute
PubDate: March 1964
PhysDes: ii, 19 p. : ill. ; 23 cm
Subject: ADAPTATIONS. SHAKESPEARE, WILLIAM; TAMING OF THE SHREW, THE (USA, Sam Taylor, 1929); MIDSUMMER NIGHT'S DREAM, A (USA, Max Reinhardt and William Dieterle, 1935); ROMEO AND JULIET (UK, George Cukor, 1936); HENRY V (UK, Laurence Olivier, 1944); OTHELLO (MR, Orson Welles, 1951); MACBETH (US, Orson Welles, 1948); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); RICHARD III (UK, Laurence Olivier, 1955); OTELLO (UR, Sergej Jutkevic, 1956)
LON: cn 73001317; 726403

PhysDes: Article
Subject: DREAM FLIGHT (CN, 1983)
Summary: Short film appraisals

Author: O'Donnell, Justine
PhysDes: Article
Subject: SHORT FILMS. AUSTRALIA; ORDINARY WOMAN, AN (AT, Sue Brooks, 1989); SEX RULES (AT, Pip Karmel, 1988); CONTRADICTIONS (AT, David Knaus, 1988); SHADOW PANIC (AT, Margot Nash, 1989); DREAM (AT, Mark Southerland, 1989); LITTLE LIFE, A (AT, Deborah Howlett, 1988)
Summary: Predicts a rich and varied film industry future from the strength of short films produced in Australia in 1989.

Call No: S SID
Author: Bennetts, Don
CorpAuthor: Australian Broadcasting Commission
PubDate: AT 1982, Jun. 25
PhysDes: 182 leaves
Subject: SIDNEY NOLAN: AN AUSTRALIAN DREAM [TV] (AT, Don Bennetts, 1982)
Notes: Unpublished script; Full title: "Post-production script and copyright details of Sidney Nolan: an Australian dream"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SNOWY - A DREAM OF GROWING UP, THE [TV] (AT, Stephen Ramsey, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM DREAMT IN SICILY, A [SOGNO FATTO IN SICILIA, UN] (IT, Marc Evans, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOL DEL MEMBRILLO, EL (SP, Victor Erice, 1992); QUINCE TREE SUN, THE (SP, Victor Erice, 1992); DREAM OF LIGHT (SP, Victor Erice, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I STILL DREAM OF JEANNIE (US/CN, Joseph Scanlan, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: THEOREM - A DREAM OF CHANGE (AT, David Morgan, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 18 x 25 cm
Subject: WHERE IS THE DREAM OF YOUTH (AT, John Ruane, 1977)
Summary: 4 black and white photographs of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WILDEST DREAM, THE (US, Anthony Geffen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WILLIAM SHAKESPEARE'S A MIDSUMMER NIGHT'S DREAM (US, Michael Hoffman, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WISDOM OF THE DREAM, THE (UK, Stephen Segaller, 1990)

Call No: P YUM
PhysDes: 1 poster : col. ; 71 X 33 cm.
Subject: YUME MIRUYONI NEMURITAI (JA, Kaizo Hayashi, 1986); TO SLEEP SO AS TO DREAM (JA, Kaizo Hayashi, 1986)
Summary: Image: Contains illustrated images of cast/characters.