Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY, REBECCA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BOWLEN, KATHY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BOX, JOHN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CATANZARITI, DANIELLE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BROCK, PETER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARR, GILLIAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEACH, ADAM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BUDGE, TOM

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. CRITICS CHOICE. 2007

Subject: BAVEAS, DIMITRI

Subject: BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.

Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 10/5/ 1975, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Hobart and Newcastle

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY (SA/FR/G, Oliver Hermanus, 2011) SEE SKOONHEID
Cross Reference: BEAUTY (SA/FR/G, Oliver Hermanus, 2011) SEE SKOONHEID
CrossTag: 1

Subject: BATTLE OF THE WARRIORS (HK, CHI LEUNG 'JACOB' CHEUNG, 2006) SEE MUK GONG
Cross Reference: BATTLE OF THE WARRIORS (HK, CHI LEUNG 'JACOB' CHEUNG, 2006) SEE MUK GONG

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: [Dent, Nick]
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREACHING TRANSMISSIONS (UK, Sally Golding, 2015)

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA
Summary: Short article on Australian Film Commission's funding for 1982.

Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANE
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: SCRIPTED INK; BRENNAN, SHANE
Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: CAMPION, JANE; LEE, GERARD; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Interviews with a series of 'creative couples.' This section is about Jane Campion and Gerard Lee, especially in relation to their project 'Top of the Lake'

PhysDes: Article
Subject: COMIN' AT YA! (US, Ferdinando Baldi, 1981); 3-D AND THE CINEMA; BOX OFFICE
Summary: Article on the box-office success of 3-D film 'Comin' At Ya!'

PhysDes: Article
Subject: BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); SHOOT THE MOON (US, Alan Parker, 1982); TICKET TO HEAVEN (CN, Ralph Thomas, 1981); GREATER UNION; DISTRIBUTION
Summary: Article on latest films distributed by Greater Union.

Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Author: Hutchinson, Ivan
PhysDes: Article
Subject: BOLERO (US, John Derek, 1984)
Summary: Review

PhysDes: Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE
Summary: Lists nominations for the 1999 AFI Awards.

Author: Quinlivan, Beth; Maddox, Garry
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Status report on distribution of 1982/83 Australian features

Call No: 027(94) AUS
CorpAuthor: Australian Council of Film Societies
Edition: Second
Place: Park Orchards, Vic.
Publisher: Australian Council of Film Societies
PubDate: 1975
PhysDes: 18, 74, 74, 74 74, 4 pages ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; AUSTRALIAN COUNCIL OF FILM SOCIETIES

Call No: 027(94) AUS
CorpAuthor: Australian Council of Film Societies
Edition: Fourth
Place: Park Orchards, Vic.
Publisher: Australian Council of Film Societies
PubDate: 1979
PhysDes: [231] pages ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; AUSTRALIAN COUNCIL OF FILM SOCIETIES
ISBN: 9780959705164

Call No: 027(94) AUS
Author: Turner, John
CorpAuthor: Australian Council of Film Societies
Place: Park Orchards, Vic.
Publisher: Australian Council of Film Societies
PubDate: 1979
PhysDes: 26 pages ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; AUSTRALIAN COUNCIL OF FILM SOCIETIES
ISBN: 9780959705171

Call No: 027(94) AUS
Author: Turner, John
CorpAuthor: Australian Council of Film Societies
Edition: Fourth
Place: Park Orchards, Vic.
Publisher: Australian Council of Film Societies
PubDate: 1980
PhysDes: 31 pages ; 30cm
Subject: DISTRIBUTION. AUSTRALIA; AUSTRALIAN COUNCIL OF FILM SOCIETIES
ISBN: 9780959705188

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: 71(497.2) TWE
Author: Film Bulgaria
CorpAuthor: Film Distribution State Enterprise, Sofia
Source: BU
Publisher: Film Distribution State Enterprise, Sofia
PubDate: 1969 (approx.)
PhysDes: 1 v. : ill., ports. ; 27cm
Subject: BULGARIA; NATIONAL CULTURE AND THE CINEMA; EDUCATIONAL FILMS; ANIMATED FILMS; DOCUMENTARIES; BULGARIAN FILM LIBRARY
Language: English/Bulgarian

Call No: P AWA
PhysDes: 2 posters : gold & white ; 61 x 38 cm
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE
Summary: Image: Lower right of poster features AFI logos arranged into diminishing concentric circles. Text: "Friday 29 October 2004. Regent Theater Melbourne."
Notes: Slightly curled, with light creasing at top of poster. One poster has fold on top left corner.

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

PhysDes: Article
Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: List of Academy Award winners for 1982.

PhysDes: Article
Subject: BRITANNIA MEWS (UK, Jean Negulesco, 1949)

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 675.1 NOR
Author: Norman, Barry
Place: London
Publisher: Orion Media
PubDate: 1999
PhysDes: xiii, 272 p. : ill. (some col.) ; 24cm
Subject: BEST FILMS
Summary: First published by Chapmans in 1992
Notes: Includes index
ISBN: 0752818104
LON: 14324540

Call No: JOURNAL SHELVES. EMPIRE
PubDate: August 1998
Subject: BEST FILMS
Language: English

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: June 1998
Subject: BEST FILMS
Language: English

Author: Wlaschin, Ken
PhysDes: Article
Subject: CAVALCADE (U.S, Frank Lloyd, 1933)
Summary: Review; ill

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); MAN OF FLOWERS (AT, Paul Cox, 1983); COX, PAUL; SCHULTZ, CARL; WEIR, PETER; AUSTRALIAN FILM INSTITUTE AWARDS; INDUSTRY, FILM. AUSTRALIA
Summary: List of nominees for the 1983 AFI awards

Call No: P AWA
Publisher: The Australian
PhysDes: 1 poster : col. ; 38 x 54cm
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE
Summary: Image: AFI trophy with Sydney Opera House in the background. Text: "Thursday October 3; Sydney Opera House; Tickets: 02 250 7406"

PhysDes: List; Credits; Filmography
Subject: AWARDS. ATOM
Summary: Complete listing of finalists in 1997 ATOM awards.

PhysDes: Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE
Summary: Dates, venues and feature films for the 1999 AFI Awards Screenings are listed.

Call No: 771(94) TWO
Source: AT
Place: Melbourne
Publisher: National Gallery of Victoria
PubDate: 2004
PhysDes: 221 p. : col. ill. ; 17 x 17 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby

PhysDes: Article
Subject: BOOTH, EMMA; CLUBLAND (AT, Cherie Nowlan, 2007)
Summary: Piece on the rise of Emma Booth in 2007

Call No: TITLE CLIPPINGS FILE; FRISKY (US/AT, Claudia Pickering, 2016)
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIANS IN FILM [Organisation]; PICKERING, CLAUDIA; FRISKY (US/AT, Claudia Pickering, 2015)
Summary: Report about a low budget comedy made by first-time Australian filmnmaker Claudia Pickering, and how it has been a successful and well-received film

PhysDes: Article
Subject: BREATHLESS (US, Jim McBride, 1983); GERE, RICHARD; ORION PICTURES; ADVERTISING FOR FILMS
Summary: Article on the success of 'Breathless' in France, largely acredited to the promotion and marketing of the film

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA
Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.
Notes: Article

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE
Summary: Plans by the AFI to open Longford Cinema.
Notes: Article

Author: Brill, Lesley
PhysDes: Serial
Subject: FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); HERO (US, Stephen Frears, 1992); BONFIRE OF THE VANITIES, THE (US, Brian De Palma, 1990)
Summary: An essay examining the intertextuality of Brian DePalma's "The Bonfire of the Vanities" (1990), Stephen Frear's "Hero" (1992) and Alfred Hitchcock's "Foreign Correspondent" (1940).

Call No: REFERENCE SECTION; 03 KEA
Author: Keating, Chris; Moran, Albert
Place: Lanham, MD
Publisher: Scarecrow Press
PubDate: c2007
PhysDes: xlii, 505 p. ; 22 cm.
Series: A to Z guide series
Subject: BROADCASTING; BROADCASTING. AUSTRALIA
Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURB
Notes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)
ISBN: 9780810868564
Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209' Checked: 31/08/2021 1:20:55 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Callick, Rowan
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Summary: A new award will be part of the AACTA Awards, to be held in December 2017. The award is for the Best Asian Film of the year

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Summary: The rules to enter films into the AACTA awards have changed
Notes: A

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Summary: Report on the changes made to selection for films to be entered into this year's AACTA awards. AACTA Chief Executive Damian Trewhella is interviewed
Notes: A

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY AND THE DOGS [AALA KAF IFRIT] (FR/TI/SW, Khaled Walid Barsaoui, & Kaouther Ben Hania, 2017)

Call No: 201(94) AUS
Author: Australian Broadcasting Authority
Source: AT
Place: [Australia]
Publisher: Australian Broadcasting Authority
PubDate: March 1998
PhysDes: 46 pages ; 30 cm
Subject: AUSTRALIAN BROADCASTING AUTHORITY; BROADCASTING. AUSTRALIA; BROADCASTING SERVICES ACT; COMMERCIAL TV. AUSTRALIA; LEGISLATION. AUSTRALIA; NARROWCASTING. AUSTRALIA
Contents: Overview of the planning process -- Planning criteria -- Legislative framework -- General approach of the ABA to the planning of broadcasting services -- Commercial broadcasting -- Community broadcasting -- Open narrowcasting broadcasting --National broadcasting -- Record of advice and assumptions -- Index of general advice received -- Record of assumptions --

Call No: Rare books - held no.1- Nov. 1992-
CorpAuthor: Australian Broadcasting Authority
Source: AT
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Authority
PubDate: 1992
PhysDes: v. ; 29 cm
Subject: Australian Broadcasting Authority
Notes: Caption title
ISSN: 1039-2750
Order Notes: Current
Frequency: Monthly
LON: abn93032948; 9786515

Call No: 19(94) ABC SEM
Author: Semmler, Clement
Place: Carlton, Victoria
Publisher: Melbourne University Press
PubDate: 1981
PhysDes: [xiv], 232 p., [4] p. of plates ; 22 cm
Subject: SOCIETY AND TV. AUSTRALIA; HISTORY AND TV. AUSTRALIA; POLITICS AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION
Notes: Contains index
ISBN: 052284216x
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008)
Author: Kelly, Joe -- Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; Q & A [TV] (AT, 2008)
Summary: ABC has stated that it would not have gotten controversial criminal Zaky Mallah on the show Q & A had they known he had made misogynist tweets regarding two News Corporation journalists

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Bodey, Michael
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION
Summary: Short article about controversial redundancies at the ABC

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Salter, David
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA; DRAMAS. AUSTRALIA
Summary: Opinion piece on the call for the Australian Broadcasting Corporation to produce more local drama

Author: Harty, Jason
PhysDes: Article
Subject: AUSTRALIAN BROADCASTING CORPORATION
Summary: ABC Gore Hill operations to be relocated to Ultimo.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Lallo, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Dalton, Kim
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Opinion piece on the direction and management of the ABC by a former executive Kim Dalton

Call No: 19ABC ABC
Author: Dix, A. T. (Alexander Thomas), 1927
CorpAuthor: Committee of Review of the Australian Broadcasting Commission
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1981
PhysDes: 3 v.
Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA
Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'
Notes: -- Includes bibliographical references. -- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1
ISBN: 0642060568 (pbk. : v. 1) -- 0642060576 (pbk. : v. 2) -- 0642060584 (pbk. : v. 3) --
Donation: donated by M. S. Counihan
Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments -- Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION
Summary: Report investigating the amount of Australian made content that appears on the ABC. The author believes that reallocation of funding into current affairs has lessened the amount available for original content for ABC produced dramas and comedies

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: [Editorial]
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA
Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-)
Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable

Call No: 264(94)ABC JAC
Author: Jacka, Elizabeth
CorpAuthor: Australian Film, Television and Radio School; Australian Film Commission
Place: North Ryde, NSW
Publisher: Australian Film, Television & Radio School
PubDate: 1991
PhysDes: 147 p. ; 21 cm
Subject: Australian Broadcasting Corporation. Drama Dept
Notes: Commissioned by the Australian Film Commission
ISBN: 0642160945
LON: abn91061549; 7827571

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: AUSTRALIAN BROADCASTING CORPORATION
Summary: "ABC Enterprises has signed a distribution deal with Opera Australia that will see it represent a catalogue of opera programs in the global marketplace."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: ABC IVIEW; AUSTRALIAN BROADCASTING CORPORATION
Notes: ABC presses SPA for more flexibility for iView.

Call No: 210.61(94) ECO
Author: Economic Development Committee of the Parliament of Victoria
Source: AT
Place: Melbourne
Publisher: Parliament of Victoria
PubDate: 1999
PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letter
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION TV AUSTRALIA; PRODUCTION, TV. AUSTRALIA; TV AND THE STATE. AUSTRALIA
Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skills
Contents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison

Call No: SUBJECT CLIPPNGS FILE; AUSTRALIAN BROADCASTING CORPORATION. 2016
Author: Mitchell, Jake -- Davidson, Darren
PhysDes: Clippings File Article
Subject: SALE OF FILMS AND PROGRAMMES; AUSTRALIAN BROADCASTING CORPORATION; GUTHRIE, MICHELLE
Summary: Industry commentary on the ABC's Managing Director (Michelle Guthrie) comments about ABC licensing its content with other broadcasters including streaming servies such as Netflix. Commercial broadcasters Seven and Nine comment, as does News Corp

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Booth, Meredith
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION

Call No: TITLE CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; NETFLIX

Call No: DVD RESEARCH FOLDER
Author: Staff writer
Subject: VILLAGE ROADSHOW; AUSTRALIAN BROADCASTING CORPORATION
Summary: "ABC Enterprises has re-appointed Roadshow Entertainment to its video/DVD program catalogue and childrens music catalogue in the Australian and New Zealand marketplace" until 2008.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: TITLE CLIPPINGS FILE; BLUE ZOO [TV] (AT, 2014)
Author: King, Simon
PhysDes: Clippings File Article
Subject: BLUE ZOO [TV] (AT, 2014)
Summary: Second series of Blue Zoo cancelled

Call No: TITLE CLIPPINGS FILE; FOUR CORNERS [TV](AT, 1961-)
Author: Overington, Caroline -- Lewis, Rose
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; [FOUR] 4 CORNERS [TV] (AT, 1961-)
Summary: Report on the government criticism of the ABC TV current affairs show FOUR CORNERS in regards to the footage used in the recent episode on the conditions for refugees seeking asylum in Australia but relocated to Nauru

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION. 2015
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Summary: Report on the recent cuts to production by the Australian Broadcasting Corporation, and the ramifications it has had on a number of producers

Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008)
Author: Knott, Matthew
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; Q & A [TV] (AT, 2008)
Summary: Department of Communications created a report regarding the appearance of Zaky Mallah on the TV show Q&A. Details of the report, a chronology of Mr Mallah and his correspondence with Q & A are discussed

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Lacey, Stephen
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION
Summary: Snippet on ABC obtaining a high workplace satisfaction rating at the Randstad Awards
Notes: located in the AUSTRALIAN BROADCASTING CORPORATION. 2013 file

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Brook, Stephen
Subject: AUSTRALIAN BROADCASTING CORPORATION; MERCHANDISING; GRASSY, GRAHAME; SADDLE CLUB, THE [TV] (AT, 2001-)
Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle Club
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; POLITICS AND TV. AUSTRALIA
Summary: Report on the closure of the ABC's Fact Check division and why this closure is out of step with the trends around the world that show a growth in fact checking units in many countries

Call No: REFERENCE SECTION; 027(94) ABC REF FRONT DESK HELD 1999/2000
CorpAuthor: Australian Broadcasting Corporation
Source: AT
Place: Sydney
Publisher: ABC Video Program Sales
PubDate: 1999
PhysDes: 152 p.ills.
Subject: AUSTRALIAN BROADCASTING CORPORATION

Call No: 71(94) (=1-81) ABO
Source: AT
Place: Canberra
Publisher: Awareness Through Films Group
PubDate: c1988
PhysDes: 56 pages : illustrations, maps, portraits ; 29 cm
Subject: ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND TV; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS ON TV; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ABORIGINAL AUSTRALIAN CINEMA
Summary: Listing of films and documentaries about Aboriginals. The listings include for each production: key crew, running time, format, year of creation, distribution, and synopsis and commentary
Notes: Includes index -- "Distributed by Community Aid Abroad Offices and Awareness Through Films Group" -- inside front cover.
ISBN: 0958779139

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Call No: held v.3, no.3-v.6, no.5 Aug. 1984-Sept. 1987 incomplete
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney
Publisher: The Tribunal
PubDate: 1982-1987
PhysDes: 6 v. ; 30 cm
Subject: AUSTRALIAN BROADCASTING TRIBUNAL
Notes: Broadcasting services. Control. Organisations. Australia. Australian Broadcasting Tribunal. Serials (ANB/PRECIS SIN 0635170); Caption title; Continued by ABTEE newsletter
ISSN: 0810-6118
LON: ans00810611; 2360860 7291885

Call No: held v.6, no.6-v.11, no.4 Sept. 1987-Oct. 1992 incomplete
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney
Publisher: The Tribunal
PubDate: 1987-1992
PhysDes: 6 v. ; 30 cm
Subject: AUSTRALIAN BROADCASTING TRIBUNAL
Notes: Caption title; Continues ABTEE
LON: abn87297792; 5554044 7254840

Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: British Academy of Film & Television Arts
Source: UK
Place: London
PubDate: 2000-
Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS
Missing Issues: Issue 3 June 2000, also Issue 9 June 2001
Order Notes: current

Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: AWARDS. ACADEMY; HISTORICAL FILMS
Summary: Looking at how films based on fact that are nominated for Oscars are criticised for their accuracy.

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AACTA
Author: Maddox, Garry
PhysDes: Clippings
Subject: AWARDS. AACTA
Summary: Short piece about LA awards ceremony for AACTA

Call No: PERSONALITY CLIPPINGS FILE; WEAVER, JACKI
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: WEAVER, JACKI; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; GOLDSTONE (AT, Ivan Sen, 2016); BLUNT TALK [TV](US, 2015-)
Summary: An article about Jacki Weaver's return to Australian cinema and an interview with her about her role in the Australian film, Last Cab to Darwin.

Call No: 408.1(94) BEN
Author: Bennett, Tony, 1947; Emmison, Michael; Frow, John, 1948
Place: Cambridge ; Melbourne
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 313 p. ; 24 cm
Subject: PUBLIC BROADCASTING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; RATINGS. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; SPECIAL BROADCASTING SERVICE
Notes: Includes index; Includes bibliographical references: p. 299-307
ISBN: 052163234X : $90.00; 0521635047 (pbk) : $29.95
LON: 14622831

Subject: STONE (AT, Sandy Harbutt, 1974); DOVE, THE (US, Charles Jarrott, 1974); ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Article that analyses Ace's publicity for Stone and The Dove in Western Australia and how this directly helped both films at the box office

Call No: ANNUAL REPORT SHELVES; 2005/6-2010/11 HELD; DIGITAL FILES; held 2005/06-2019/20
CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, VIC
Publisher: Australian Communications and Media Authority
PubDate: 2006 -
PhysDes: v. : ill. ; 25 cm
Subject: AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY
Notes: Also titled: Australian Communications and Media Authority communications report; Downloadable from: http://www.acma.gov.au/WEB/HOMEPAGE/pc=HOME
ISSN: 1834-1519
Order Notes: Current

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Source: AT
Place: Melbourne
Publisher: Australian Centre for the Moving Image
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]
Notes: 2003 - (incomplete)
Order Notes: Current

Call No: 12(94) AUS
Author: Soddell, Jacques
Source: AT
Publisher: Australian Council of Film Societies
PubDate: 1982
PhysDes: [64] p. ; 29 cm
Subject: AUSTRALIAN COUNCIL OF FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA
Summary: Guide discussing how a film society is run and suggestions on how to do it

Call No: 12(94) AUS
Edition: 2nd edition
Source: AT
Publisher: Australian Council of Film Societies
PubDate: 1987
PhysDes: [67] p. ; 29 cm
Subject: AUSTRALIAN COUNCIL OF FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA
Summary: Guide discussing how a film society is run and suggestions on how to do it

Call No: 761 WIN
Author: Winston, Brian; Vanstone, Gail; Chi, Wang
Source: UK
Place: London
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: xii ; 271 pages : illustrations ; 23 cm
Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS
Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA
Notes: Includes bibliographical references and index
ISBN: 9781501309175

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMA
Author: Dondio, Karen
PhysDes: Clippings File Article
Subject: BIRD MATHESON, GEMMA
Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries

Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Call No: 753.1(73) SLE
Author: Slethaug, Gordon E.
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: vi, 275 p. : ill. ; 23 cm.
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB
Notes: Includes bibliographical references (p. [255]-269) and index
ISBN: 9781623564407
Donation: Senses of Cinema
Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing -- -- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

PhysDes: Article
Subject: BINGO BONGO (IT, Pasquale Festa Campanile, 1982)
Summary: Pre-production notes

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Call No: 81GOL GOL
Author: Goldman, William, 1931
Edition: [First paperback ed.]
Place: New York
Publisher: Warner Books
PubDate: 1984
PhysDes: xiii, 594 p.
Subject: SCRIPTWRITERS; SCRIPTWRITING; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "Expanded to include the full screenplay of Butch Cassidy and the Sundance Kid"
ISBN: 0446383864 (Can.); 446391174 (U.S.A.)
LON: abn89270985; 6722351

Call No: 79ADV TRU
Author: Truffaut, Francois
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: 1971
PhysDes: 320 p. : ill ; 23cm.
Subject: SCRIPTS; TRUFFAUT, FRANCOIS; BAISERS VOLES (FR, Francois Truffaut, 1968); [FOUR HUNDRED] 400 BLOWS, THE [; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962); DOMICILE CONJUGAL (FR, Francois Truffaut, 1970)
Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.
Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. Scott
ISBN: 671211218
Donation: donated by the family of Wayne Levy, 2006
ID2: 54

Call No: 81CRO CRO
Author: Crocker, Barry
Source: AT
Place: Sydney
Publisher: Pan Macmillan
PubDate: 2003
PhysDes: 412 p., [32] p. of plates : ill. ports. ; 24 cm
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); CROCKER, BARRY
Notes: Includes index, pp. 404-412.
ISBN: 0732911753

Author: Jones, D. B.
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); HUMPHRIES, BARRY; BERESFORD, BRUCE; INDUSTRY, FILM. AUSTRALIA
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an American perspective.

Subject: CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993)
ID2: 30

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: 611 MIT
Author: Mitry, Jean
Source: US
Place: Bloomington and Indianapolis, Indiana
Publisher: Indiana University Press
PubDate: 1997
PhysDes: xv, 403 pages ; 27 cm
Series: The Society for Cinema Studies translation series
Subject: BAZIN, ANDRE; PSYCHOLOGICAL EFFECTS OF FILMS; AESTHETICS; THEATRE AND THE CINEMA
Summary: "The Aesthetics and Psychology of the Cinema supplies the missing link between classical film theorists like Balacz and Munsterberg and the film semioticians like Metz. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic Esthetique et psychologie du cinema concentrates purely on film matter." -- taken from the National Library of Australia Catalogue Record
Notes: "Translated from the abridged edition ... (1990)"--T.p. verso. -- Includes bibliographical references (pages 381-387) and index.
ISBN: 0253333024
Contents: pt. 1: Preliminaries -- Cinema and creation -- Cinema and language -- Word and image -- pt. 2: The film image -- The image itself -- Structures of the image -- pt. 3: Rhythm and montage -- The beginnings of montage -- Cinematic rhythm -- The psychology of montage -- pt. 4: Rhythm and moving shots -- The liberated camera and depth-of-field -- Speech and sound -- pt. 5: Time and space of the drama -- In search of a dramatic structure -- Content and form.

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: PIRACY. AUSTRALIA; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT
Summary: -- On how a Melbourne man (Edwin Slade) was gaoled for pirated DVD's and for a quantity of marijuana.; -- "AFACT investigation revealed that Slade had been selling the pirated discs for $15 per disc at Caribbean Gardens Markets and other markets in the suburbs of Melbourne."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Author: Murdoch, Blake
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM FINANCE CORPORATION; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: In a report to the government, the AFC and FFC outline the small market share of box office that Australian films had in 1999 - 3 %. Recommendations are made for increased government funding. It is unlikely that Australian films can compete with US productions but should look at improving competition with British films.

Author: Prisk, Tracey
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; LOCATION SHOOTING. AUSTRALIA; TRADE FAIRS. USA
Summary: Report on efforts by AFC's Diana Berman and AusFilm's David Pratt to market Australian locations to overseas companies at 1999 American Film Market.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION
Summary: The AFC confirms a Brisbane-based project manager for three years.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; SKRZYNSKI, JOSEPH
Summary: Statement by AFC chief executive Joseph Skrzynski on the formation of the AFC Policy Secretariat and an outline of the position duties.

Author: Leahy, Gillian
PhysDes: Article
Subject: INDEPENDENT DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: Report on meeting of independent filmmakers held in Sydney to discuss changes to the Australian Film Institute distribution contracts and the Australian Film Commission's "Future Options" paper.
Notes: Article

Author: Prisk, Tracey
PhysDes: Article
Subject: FESTIVALS. CANNES; AUSTRALIAN FILM COMMISSION
Summary: The AFC works to promote Australian films at 2000 Cannes Film Festival.

Subject: ADAMS, PHILLIP; AUSTRALIAN FILM COMMISSION; INDUSTRY, FILM. AUSTRALIA
Summary: Report (in brief) of Phillip Adams' AFC meeting in relation to the government changes to the tax concessions on the film industry

Call No: AFC News: held no.1-no.43 Dec 1981-Oct. 1986 lacks no. 25, 32
CorpAuthor: Australian Film Commission
Source: AT
Place: North Sydney, N.S.W.
Publisher: AFC
PubDate: 1983-1986
PhysDes: 39 v. ; 30 cm
Subject: AUSTRALIAN FILM COMMISSION
Notes: Cinema industries. Australia. Serials (ANB/PRECIS SIN 0594482); Caption title; Continued by AFC news
ISSN: 0813-720X; 0729-1639
LON: abn84084049; 3143815; ans00729163; 2196513
ID2: 360

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: AFC News : held no.44- Nov. 1986- no. 196 Jul 2002
CorpAuthor: Australian Film Commission
Source: AT
Place: North Sydney
Publisher: The Commission
PubDate: 1986
PhysDes: v. : ill. ; 28 cm
Subject: AUSTRALIAN FILM COMMISSION
Notes: Caption title; Publication history includes errors. Overlap of publication from Sept 1994; Previously available in electronic format from no. 144 (Dec. 1995) http://www.afc.gov.au/www/AFCNews/issues.html; Continues AFC information update. Final printed issue is No. 196 July 2002. E-newsletters printed from June 2003 - September 2004
ISSN: 0819-4424
Order Notes: Current
LON: abn86330888; 4969711 8003287
ID2: 361

Author: Harty, Jason
PhysDes: Production report; Credits; Illustration(s)
Subject: AUSTRALIAN FILM COMMISSION; GOVERNMENT AID. AUSTRALIA; WRECK A TANGLE, A (AT, Scott Patterson, 1999)
Summary: Report on the making of "A Wreck a tangle", emphasising the production restrictions due to its low budget and the importance of the financial assistance provided by the AFC's Million Dollar Movie initiative and post-production support from Film Australia.

Author: Editorial
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; METRO TELEVISION
Summary: Editorial questioning the AFC's investments with Metro Television and Video Rep

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE BLUM (GE, Erich Engel, 1948); BLUM AFFAIR, THE (GE, Erich Engel, 1948)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Blum Affair" (English title)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966); JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966); BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)

Call No: FRONT DESK
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE

Call No: FRONT DESK
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE

Author: Smith, Bec
PhysDes: Article; Illustration(s)
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; FOX STUDIOS AUSTRALIA
Summary: Overview of 1999 Awards focussing on controversy surrounding impact of Fox Studios on the Australian production industry.

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA
Summary: Venue report.
Notes: Article

Author: Lawson, Sylvia
PhysDes: Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE
Summary: Continuing debate on the processes and criteria for AFI Awards for feature films.
Notes: Article

Author: Colbert, Mary
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE
Summary: Interview with Executive Director of the Australian FIlm Institute, Vicki Molloy, about changes to the AFI Awards in response to controversy surrounding the 1990 Awards.
Notes: Article

Author: Colbert, Mary
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE
Summary: Discussion of the '89 Australian Film Institute awards, focussing on the contrast with the '88 awards, questions about the allocation of certain awards, and comments on the impressive quality of the telecast.
Notes: Article

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA
Summary: Comment on change of date and entry requirements for AFI awards.
Notes: Article

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIAN FILM INSTITUTE; SHAME (AT, Steve Jodrell, 1988); AUSTRALIAN WRITERS GUILD
Summary: Outlines the strong field of contenders assembled for the 88 AFI awards. Examines the controversy over the exclusion of "Shame", and the Australian Writers Guild's boycott of the awards.
Notes: Article

Subject: AWARDS. AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE
Summary: Brief report on the public meeting examining the downgrading of the non-feature category at the '92 Australian Film Institute awards. Includes replies to the coverage and further discussion of this issue by Executive Director of the Australian Film Institute, Vicki Molloy, and Student Film/Video Distribution Manager at the Australian Film, Television and Radio School, Ruth Saunders.
Notes: Article

CorpAuthor: Australian Film Institute
Source: AT
Place: South Melbourne, Vic
Publisher: Australian Film Institute
PhysDes: v. : ill., ports. ; 30 cm
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE
Notes: Title varies according to sponsorship; Former title: Annual AFI awards
Missing Issues: 2009?

Author: Mitchell, Ry
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA
Summary: Detailed criticism of the Australian Film Institute's introduction of a twenty dollar levy to view films nominated for AFI awards.
Notes: Others

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CRAYFORD, PETER; DAWSON, JAN
Summary: New Executive Director, Peter Crayford, restructures AFI.
Notes: Article

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.

Author: Page, Peter
PhysDes: Article
Subject: INDEPENDENT DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Outlines changes to Australian Film Institute distribution agreements in reponse to guide for independent filmmakers by Gillian Leahy in previous issue of "Filmnews".
Notes: Others

PhysDes: Interview; Illustration(s)
Subject: ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; AUSTRALIAN FILM COMMISSION. INDIGENOUS BRANCH; FRANKLAND, RICHARD; SEN, IVAN; HARRY'S WAR (AT, Richard Frankland, 1999); WIND (AT, Ivan Sen, 1998)
Summary: The discussion provides a snapshot history of indigenous film-making in Australia, as well as a perspective of the films and the processes involved in their creation.

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; COLLECTIONS, FILM; LITERATURE, FILM. AUSTRALIA
Summary: Results of AFI elections and new awards categories introduced for 1977 AFI awards.
Notes: Article

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE
Summary: New policy on exhibition at AFI cinemas in Melbourne and Sydney.
Notes: Article

PhysDes: Article
Subject: LITERATURE, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Profile on new staff at the Australian Film Institute.
Notes: Article

Call No: held v.1, no.8-v.5, no.3 Mar. 1988-Sept. 1993
CorpAuthor: Australian Film Institute
Source: AT
Place: [Melbourne]
Publisher: The Institute
PubDate: 1988-1993
PhysDes: v. : ill. ; 30 cm
Subject: AUSTRALIAN FILM INSTITUTE
Notes: Continues Projections; Continued by Projector; Cover title
LON: abn90155798; 7311212

PhysDes: Article
Subject: INDEPENDENT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: AFI and NFTA to merge on July 1, 1979.
Notes: Article

Subject: AWARDS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Briefly comments on a number of contenders for the '90 Australian Film Institute awards. Includes a list of non-feature film nominations.
Notes: Article

Author: Johnston, Lawrence, Birmingham, Catherine & others
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; LITERATURE, FILM. AUSTRALIA; SHAME (AT, Steve Jodrell, 1988); ABORIGINAL AUSTRALIANS IN FILMS
Summary: A number of filmmakers, inlcuding Lawrence Johnston and Catherine Birmingham, respond to the Australian Film Institute's downgrading of the non-feature awards with a list of vital issues for discussion at a public meeting scheduled for July 18.
Notes: Others

PhysDes: Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE
Summary: Change in AFI administrative structure and plans for 1978 awards in Perth.
Notes: Article

Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA; MULLINAR, LIZ
Summary: On the petition challenging the process of preselection for the '90 Australian Film Institute awards, organized by leading Australian casting consultant, Liz Mullinar.
Notes: Article

Author: Molloy, Vicky
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA
Summary: Response to Ry Mitchell's letter in "Filmnews" Sept '90, regarding the new levy for viewing Australian Film Institute award-nominated films by Exectuive Director of the AFI, Vicky Molloy.
Notes: Others

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE
Summary: Plans for the new AFI cinema in Melbourne, the Longford.
Notes: Article

Author: Gibson, Ross
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; LIBRARIES, FILM BOOK. AUSTRALIA
Summary: Head of the organising collective for the fifth Australian History and Film conference '89, Ross Gibson, expresses concern over reports that the Australian Film Institute may abandon its film research collection.
Notes: Others

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos.
Notes: Article

Author: Norris, Kathleen
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Executive director of the AFI responds to criticisms of AFI exhibition programs in "Filmnews" July and Aug '82.
Notes: Others

Call No: TITLE CLIPPINGS FILE; BY THE SEA (US/FR, Angelina Jolie, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BY THE SEA (US/FR, Angelina Jolie, 2015)
Summary: Film review of BY THE SEA directed by and starring Angelina Jolie
Notes: This article was also published in the Canberra Times on November 28, 2015.
Rating: 2 out of 5 stars

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Seddell Pty Ltd
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: JONES, ROSEY; NEEDLES, NIQUE; BURSILL, TINA; AFRAID TO DANCE (AT, Denny Lawrence, 1988)
Summary: 5 photographs from the film Afraid to dance

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950); CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950)

Author: Quinlivan, Beth
PhysDes: Article
Subject: MCKIMMIE, JACKIE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); STATIONS (AT, Jackie McKimmie, 1983)
Summary: Interview with Jackie McKimmie on her first feature film directorial debut in "Australian Dream". McKimmie, who also wrote the film script, categorises "Australian Dream" as a bizarre comedy but that her main directorial focus was in creating a layered approach to filmmaking
Notes: Interview

Call No: 62(04) AFT
Source: K
Place: Abingdon
Publisher: Routledge
PubDate: 2012
PhysDes: viii, 173 pages ; 25 cm.
Subject: B-MOVIES; CRITICISM; RECEPTION; AMATEUR FILMS; LOW BUDGET FILMS; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; POPULAR CULTURE AND THE CINEMA
Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.
Notes: Includes bibliographical references and index.
ISBN: 9780415845939
Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.

Author: Greenland, Hall
PhysDes: Article
Subject: SYDNEY FILMMAKERS CO-OPERATIVE; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Analysis and discussion of the battle to select a contender to inherit the assets and government funding of the liquidated independent film distribution agency, the Sydney Filmmakers Co-Operative.
Notes: Article

Call No: 19 AFT AFT:510.11(94) AFT
CorpAuthor: Australian Film Television & Radio School
Edition: [2010]
Place: [Strawberry Hills, NSW]
Publisher: Australian Film Television and Radio School
PhysDes: 52 pages : illustrated ; 21 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL

Call No: ANNUAL REPORT SHELVES; Held: 1987,1991,1993,1994,1995,1996, 2006
Place: North Ryde, NSW
Publisher: AFTRS Publications
PubDate: 1991 -
PhysDes: v. ; ill. ; 15 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL
Notes: Catalogued from 1991 issue

Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014); BINOCHE, JULIETTE; ASSAYAS, OLIVIER; STEWART, KRISTEN
Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).

Call No: TITLE CLIPPINGS FILE; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015)
Author: Deeks, Steven
PhysDes: Clippings File Article
Subject: AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015)
Summary: Whedon talks about the success of the second Avengers film

Call No: SUBJECT CLIPPINGS FILE; ADVERTISING STANDARDS. AUSTRALIA
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: AUSTRALIAN ASSOCIATION OF NATIONAL ADVERTISING; ADVERTISING STANDARDS. AUSTRALIA
Summary: Dispute amongst advertising agencies about new guidelines proposed by the Australian Association of National Advertisers

Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INK
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: SCRIPTED INK; AUSTRALIAN WRITERS GUILD; BRENNAN, SHANE
Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: DVD RESEARCH FOLDER
Author: Williams, Fiona; Hull, David
Subject: CONFERENCE AUSTRALIAN INTERNATIONAL MOVIE CONVENTION 2005; AUDIENCE RESEARCH. AUSTRALIA; BOX OFFICE; DVD, FILMS ON; DISTRIBUTION. DVD. AUSTRALIA
Summary: -- How various people involved in the film industry describe why audiences at cinemas are falling. DVD's aren't to blame they say.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Author: Webb, Dan
PhysDes: Article
Subject: BROADCASTING RIGHTS. AUSTRALIA; LEGISLATION. AUSTRALIA; OWNERSHIP. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA
Summary: An address given to the Television Society in Melbourne by Dan Web on the increasingly restricted ownership of the mass media in Australia and how it compares to the US.

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Author: Kraft, David
PhysDes: Article
Subject: BACK TO THE FUTURE (US, Robert Zemeckis, 1985)
Summary: On Alan Silvestri's score for the film

Call No: 79 PSY REB
Author: Rebello, Stephen
Place: London
Publisher: Mandarin
PubDate: 1992
PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.
Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955)
Notes: Originally published: London : Boyars, 1990. Bibliography: p. 207-211. Includes index.
ISBN: 0749309709
Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath

Call No: SUBJECT CLIPPINGSFILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)
Author: Hawker, philippa
PhysDes: Clippings File_Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949); ALICE IN WONDERLAND (US, Tim Burton, 2010); ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Summary: Review of new "Alice" exhibition coming to ACMI discussing ongoing interpetation's of Carroll's work.

Call No: TITLE CLIPPINGS FILE; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Summary: Report on the box office performance of the film ALIEN: COVENANT as well as the Australian box office figures in general

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: PUPPET DESIGN; PUPPETRY; BESWICK, DOUG; L.A. EFFECTS GROUP; ALIENS (US, James Cameron, 1986)
Summary: Description of some of the puppetry used in "Aliens" in terms of design, creation, and manipulation

Call No: 735.1 KUH
Author: Kuhn, Annette
Source: UK/US
Place: London New York
Publisher: Verso
PubDate: 1990
PhysDes: viii, 231 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 229-231)
ISBN: 0860912787; 0860919935 (pbk.)
LON: 6923144
Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: Vickery, Colin
PhysDes: Clippings File Article
Subject: BOOTH, EMMA; GLITCH [TV](AT, 2015-)
Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series

Call No: TITLE CLIPPINGS FILE; BLACK SEA (UK/US/RU, Kevin Macdonald, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BLACK SEA (UK/US/RU, Kevin Macdonald, 2014)

Subject: ALL OF ME (US, Carl Reiner, 1984); BOX OFFICE. USA
Summary: Reviews of 'All of Me' and report on its performance at the US box-office

Call No: TITLE CLIPPINGS FILE; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Author: Molloy, Shannon
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; GIBSON, MEL; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Summary: Report on the success of the Mel Gibson directed film HACKSAW RIDGE at the 2016 AACTA awards
Notes: earlier edition

Call No: 81 BIS BIS
Author: Bisley, Steve
Source: AT
Place: Richmond, Victoria
Publisher: Echo, a division of Bonnier Publishing Australia
PubDate: 2017
PhysDes: 247 pages ; 21 cm
Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016)
Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
ISBN: 9781760400842

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Davidson, John
Subject: BLU-RAY
Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Xbox Mod Chipped; -- Playstation 3

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1983?]; [1990?]
PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.
Subject: WATERS, JOHN (AT); THORNTON, SIGRID; WRIGHT, ADRIAN; BURNS, CAROL; TINGWELL, CHARLES (BUD); COGHILL, NIKKI; FAWDON, MICHELE; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983); ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Photographs and slides relating to All The Rivers Run
Notes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storage
Donation: Gift of Crawford Productions

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Syvret, Paul
Subject: PORNOGRAPHIC FILMS. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; OFFICE OF FILM AND LITERATURE CLASSIFICATION; PORNOGRAPHIC DVD. AUSTRALIA; PORNOGRAPHIC FILMS AND THE INTERNET; DISTRIBUTION. DVD. AUSTRALIA; AXIS; CALVISTA AUSTRALIA; GALLERY GLOBAL NETWORKS; TRANSACT BROADBAND; NEWNHAM, HUI
Summary: An overview of the sex industry in Australia. It has a large focus on the DVD (adult video industry) and looks at government restrictions on X rated material.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Calvista general manager Hui Newnham says it produces 10,000 DVDs a week for distribution in Australia. That's sine half a million X-rated movies a year, from just one company.; -- Groups such as Calvista estimate the bulk of the adult retail market in Australia (books, toys and films) to be worth $1.6 billion to $1.7 billion a year. But Newnham says legally compliant operators such as Calvista and Gallery make up only about 40 per cent of the wholesale market. The rest at best operate in a grey zone, or at worst, just flog pirated material that would be unlikely to pass muster with the Office of FIlm and Literature Classification.

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; COLLINS, ALAN; CAAMA (Central Australian Aboriginal Media Association)
Summary: Interview with indigenous Australian Director of Photography, Allan Collins, who discusses his experience in the Australian film industry, his photography techniques and work with CAAMA (Central Australian Aboriginal Media Association)
Notes: Interview

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: TITLE CLIPPINGS FILE; CAFE SOCIETY (US, Woody Allen, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: ALLEN, WOODY; CAFE SOCIETY (US, Woody Allen, 2016)
Summary: Looking at the film CAFE SOCIETY, which the reviewer thinks repeats many themes in numerous other Woody Allen films

Subject: BOX OFFICE. AUSTRALIA
Summary: Pieces of news from N.S.W., Queensland and South Australia

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; FILMWAYS; GREATER UNION
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BOX OFFICE. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOSTAGE: THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); BOX OFFICE. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); BIRCH CARROLL AND COYLE; VICTOR/VICTORIA (UK, Blake Edwards, 1982); SOUTH AUSTRALIAN FILM CORPORATION
Summary: Film news from across Australia

PhysDes: Article
Subject: RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); GREATER UNION; HOYTS; BOX OFFICE
Summary: Film news from across Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; HOYTS; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

Author: Thoms, Albie
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Article on the failings of the current Australian distribution systems and proposed developments. Mentions problems with different and conflicting state-by-state distribution practices within Australia.

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 81ALT THO
Author: Altman, Robert and Thompson, David
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2005
PhysDes: xxii, 306p. ; b+w ill. : 22cm.
Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985)
Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
Notes: Includes index and bibliography
ISBN: 0571220894

Call No: 79ALV LUM
Author: Lumby, Catharine
CorpAuthor: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press .
PubDate: 2008
PhysDes: 77 p. : ill, ports. ; 19 cm
Series: Australian screen classics
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; SEXUALITY AND THE CINEMA; BLUNDELL, GRAEME; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple was the most commercially successful Australian movie of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era, in which it was made, and the forces which fueled its success.
Notes: The Australian Screen Classics series is edited by Jane Mills; Bibliography: p.77-78
ISBN: 9780868198446

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1973?]
PhysDes: 1 photograph : b&w ; 19 x 25 cm.
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); BLUNDELL, GRAEME
Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.
Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 19 x 25 cm
Subject: BLUNDELL, GRAEME; FINNEY, ALAN; GORMAN, REG; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: 3 black and white photographs. Alvin standing, Alvin with bookmaker, Alvin playing pool with another character

Call No: SUBJECT CLIPPINGS FILE; AWARDS. LOGIE
Author: Panahi, Rita
PhysDes: Clippings File Article
Subject: AWARDS. LOGIE; ALY, WALEED
Summary: Critical appraisal of the TV Week Logie Awards and the 2016 winner of the awards Waleed Aly

Author: Daly, Nicola
PhysDes: Article
Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013)
Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea

Call No: 620 HOI
Author: Law, Hoi Lun
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 26/02/2021
PhysDes: ix, 191 pages : illustrated
Series: Palgrave close readings in film and television
Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb
ISBN: 9783030629472
Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Author: Grunes, Dennis
PhysDes: Article
Subject: BOUCHER, LE (FR/IT, Claude Chabrol, 1970)

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: GOLAN, MENAHEM; ENGELBACH, DAVID; CANNON FILM GROUP; GOLAN-GLOBUS PRODUCTIONS; AMERICA 3000 (US, David Engelbach, 1986)
Summary: Details the shooting details, budget, and schedule of the film "America 3000", noting that its working title was "Thunder Warriors". Writer Sheldon Teitelbaum also makes clear the tension between the director/writer David Engelbach and Golan-Globus Productions, particularly the difficulties arising from Golan-Globus' insistence on Israel as the shoot location

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: 71(73) EAG
Author: Eagan, Daniel
Source: US
Place: New York : London
Publisher: Continuum
PubDate: 2010
PhysDes: xxvii, 818 p. : ill. ; 26 cm
Subject: BEST FILMS; BEST FILMS. US; CRITICISM; FILM; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; LIBRARY OF CONGRESS; USA
Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them. Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURB
Notes: Formerly CIP
ISBN: 9780826429773
Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273