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Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Seddell Pty Ltd
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: JONES, ROSEY; NEEDLES, NIQUE; BURSILL, TINA; AFRAID TO DANCE (AT, Denny Lawrence, 1988)
Summary: 5 photographs from the film Afraid to dance

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1986?]
PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm
Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Photographs, slides and negatives relating to Alice to Nowhere
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 769(73) MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2013
PhysDes: viii, 415 pages : ill. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN
Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--
ISBN: 9780520275621
Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss -- Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News -- Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations -- Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Author: Rutherford, Leonie
PhysDes: Article; Bibliography; Illustration(s)
Subject: CHILDREN, PROGRAMMES FOR; PUPPET CHARACTERS ON TV; PUPPET PROGRAMMES; FERALS, THE [TV] (AT, Di Drews & David Evans, 1994); JOHNSON AND FRIENDS [TV] (AT, Ian Munro, 1990)
Summary: Children's television is traced from the opposition between the protected domesticity of programs such as "Andy Pandy", to the more unstable comic urban world depicted in early ninties programming.

Call No: 228.7(94) AUS
Author: Australian International Development Assistance Bureau
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1989
PhysDes: 60 p. ; 25 cm
Series: International development issues ; no. 6
Subject: CULTURAL IMPERIALISM. AUSTRALIA; DISASTERS ON TV. AUSTRALIA; FOREIGN NEWS ON TV; JOURNALISTS ON TV. AUSTRALIA; MEDIA. AUSTRALIA; NEWS PRESENTATION; NEWS PROGRAMMES. AUSTRALIA; TELEVISION JOURNALISM. AUSTRALIA
Summary: "The Australian media has been the target of much strident criticism with regard to the quality and quantity of its coverage of the developing world, particularly within our own region. This criticism has come from within the Australian society and from the developing world itself. This collection of essays aims to take a comprehensive look at the ways in which Australian newspapers, radio and television do cover the news and issues emanating from the Third World. Should we expect and demand better coverage or are the constraints - economic and social - within our own society too overwhelming." - FROM INTRODUCTION
ISBN: 0644097280
ISSN: 0819-4815

Call No: 71(94) AUS
Author: Shirley, Graham, 1949
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: [Sydney]
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 44 p. : ill. ; 30 cm
Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?)
Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies
ISBN: 1875632077 : price unknown
LON: abn92040814; 8713155

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY'S END [BELLE VISITE, LA] (CN, Jean-Francois Caissy, 2010)

Call No: SUBJECT CLIPPINGS FILEu8; JOURNALISM IN THE CINEMA
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: JOURNALISTS IN FILMS; JOURNALISM IN THE CINEMA; TRUTH (US/AT, James Vanderbilt, 2015)
Summary: Overview of journalism as it is depicted in films. A number of films mentioned including TRUTH

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 11 x 17 cm - 20 x 25 cm + 1 transparency : col. ; 120 mm
Subject: DE TELIGA, SARAH; JONES, HELEN; OTTO, BARRY; BUCHANAN, MILES; CURRAN, LYNETTE; CARIDES, GIA; BLISS (AT, Ray Lawrence, 1985)
Summary: Five black and white photographs and one small colour transparency relating to the film Bliss

Call No: 751(73) BAB
Author: Babington, Bruce; Evans, Peter William
Place: Manchester [Greater Manchester] Dover, N.H., USA
Publisher: Manchester University Press
PubDate: c1985
PhysDes: 258 p. : ill. ; 25 cm
Subject: MUSICALS. USA; BERKELEY, BUSBY; ASTAIRE, FRED; ROGERS, GINGER; KELLY, GENE; MINNELLI, VINCENTE; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934); SWING TIME (US, George Stevens, 1936); JOLSON STORY, THE (US, Alfred E. Green, 1946); JOLSON SINGS AGAIN (US, Henry Levin, 1949); SUMMER HOLIDAY (US, Rouben Mamoulian, 1948); IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955); CAROUSEL (US, Henry King, 1956); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); EASTER PARADE (US, Charles Walters, 1948); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); HAIR (US, Milos Forman, 1979)
Notes: Bibliography: p. [248]-258
ISBN: 0719017394 : $19.00
LON: 3592471

Call No: 81(049.5)BON BON
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1990
PhysDes: vii, 129 p. ; 25 cm
Subject: CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; LAW AND TV. AUSTRALIA; LAWSUITS; LICENCES. AUSTRALIA; STATE AND TV. AUSTRALIA; STATE AND THE MEDIA. AUSTRALIA; NINE NETWORK; JOURNALISTS ON TV. AUSTRALIA; BOND GROUP; BOND, ALAN; WENDT, JANA; BJELKE-PETERSON, JOH; CURRENT AFFAIR, A [TV] (AT, 1971- )
Summary: Report on the findings of the Australian Broadcasting Tribunal in the case regarding the investigation into Alan Bond for statements made on A Current Affair on January 21 1988 and how it related to s.17C(1) of the Broadcasting Act 1942 (the Act)
Notes: "Final report" - from cover
ISBN: 0642157286

Call No: 81CAG MCC
Author: McCabe, John
Edition: 1st ed
Source: UK
Place: London
Publisher: Aurum
PubDate: 1998
PhysDes: xvi, 439 p. : ports. ; 24 cm
Subject: WARNER BROS.; CAGNEY PRODUCTIONS; CAGNEY, JAMES; DAY, DORIS; JOHNNY COME LATELY (US, William K. Howard, 1943); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WHITE HEAT (US, Raoul Walsh, 1949); YANKEE DOODLE DANDY (US, Michael Curtiz, 1941)
Notes: Includes bibliographical references (p. 425-429) and index. Filmography: p. 397-422
ISBN: 1854105450
Donation: donated by the family of Wayne Levy, 2006

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Call No: TITLE CLIPPINGS FILE; [SIXTY] 60 MINUTES (AT, 1979-)
Author: Lyons, John
PhysDes: Clippings File Article
Subject: JOURNALISTS ON TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; TELEVISION JOURNALISM. AUSTRALIA; [SIXTY] 60 MINUTES (AT, 1979-)
Summary: Detailed report into SIXTY MINUTES and their involvement with the botched abduction of two children in Lebanon. Lengthy discussion of ethics of journalism and the practice of 'chequebook journalism' in Australian television

Call No: 81MAR ACT
Author: Alter, Nora M.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2006
PhysDes: xv, 205 p. : ill., ports, ; 21 cm
Series: Contemporary film directors
Subject: MARKER, CHRIS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); JETEE, LA (FR, Chris Marker, 1963); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967); PRIME TIME IN THE CAMPS (FR, Chris Marker, 1994)
Summary: Alter's careful study includes previously uncollected and untranslated interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational cinematic practice that defies easy classification [taken from back cover]
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 0252073169

Call No: 81JON KEN
Author: Kenner, Hugh; Jones, Chuck, 1912
Place: Berkeley
Publisher: University of California Press
PubDate: 1994
PhysDes: xiv, 114 p. : ill. ; 21 cm
Series: Portraits of American genius
Subject: JONES, CHUCK
Summary: Creator of the monomaniacal Wile E. Coyote and his endlessly elusive prey, the Road Runner, Chuck Jones has been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Hugh Kenner, master wordsmith and technophile, reveals in cartoon-like sequences the irrepressible humor and profound reflection that shape Chuck Jones's work. Kenner also x-rays the inner world of cartooning, from its beginnings as a technological innovation, through its heyday as six-minute full-animation shorts for the movies, to its eventual shift to television, where Jones animated features such as The Grinch Who Stole Christmas and Rikki Tikki Tavi; Unlike Walt Disney, Chuck Jones and his fellow animators at Warner Bros. were not interested in cartoons that mimicked reality. Instead, they pursued the reality of the imagination, the Toon world where believability is more important than realism and where movement is the ultimate aesthetic arbiter. By describing the erudition and kinetic humor in great works like What's Opera, Doc? and Duck Dodgers in the 24 1/2 century, Hugh Kenner offers a new understanding not only of cartooning culture but also of art's relationship to technology, criticism, freedom, and imagination
Notes: Includes bibliographical references and index
ISBN: 0520087976 (alk. paper)
LON: 93048418; 10647450

Call No: 81JOR ZUC
Author: Zucker, Carole
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2008
PhysDes: xi, 203 p. : ill. ; 24 cm
Series: Directors' cuts
Subject: AESTHETICS; CRITICISM; JORDAN, NEIL
Summary: " The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned Gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. This volume discusses Jordan's entire output as part of the first comprehensive study of his career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the Gothic, romanticism and postmodernism. Incorporating discussion of Jordan's award-winning literary work and benefitting from extensive access to his personal archives, this book explains the mythic and poetic impulses that suffuse the director's work" -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 192-197) and index; Includes filmography
ISBN: 9781905674411
Contents: acknowledgements -- foreword by Stephen Rea -- introduction -- 1: Irish film/history and mythopoesis -- 2: celtic myth and folklore: a dimension beyond existence -- 3: storytelling and performance -- 4: postmodern fairy tales and hybrid genres -- 5: Neil Jordan, author: 'the ache for aliveness' -- 6: dark romaticism -- 7: the gothic: the moment of collapse -- 8: the end of the affair: 'this is a diary of hate' -- 9: fantastic voyage: recent works -- 10: coda: the brave one: 'there's plenty of ways to die' -- notes filmography -- bibliography -- index --

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 81RAY DAS
Author: Das Gupta, Chidananda
Edition: rev. and enl. ed.
Place: New Delhi
Publisher: National Book Trust, India
PubDate: 1994
PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989)
Notes: Includes bibliographical references (p. [201]-204)
ISBN: 8123707533
Donation: donated by the family of Wayne Levy, 2006

Call No: 81 DIC BYR
Author: Byrne, Wayne; Buscemi, Steve
Place: New York; Chichester, U.K.
Publisher: Wallflower Press published by Columbia University Press
PhysDes: x,210 p. : illus. ; 24 cm
Series: Director's Cuts
Subject: DICILLO, TOM; JOHNNY SUEDE (US, Tom DiCillo, 1991); LIVING IN OBLIVION (US, Tom DiCillo, 1995); BOX OF MOONLIGHT (US, Tom DiCillo, 1996); REAL BLONDE, THE (US, Tom DiCillo, 1997); DELIRIOUS (US, Tom Di Cillo, 2006); WHEN YOU'RE STRANGE: A FILM ABOUT THE DOORS (US, Tom DiCillo, 2009); DOWN IN SHADOWLAND (US, Tom Di Cillo, 2014)
Summary: This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analysing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland. -- publisher's web site
ISBN: 9780231185356
Donation: Senses of Cinema
Contents: Acknowledgments Foreword Introduction 1. The Language of Dream: Deciphering DiCillo 2. Johnny Suede (1991) 3. Living in Oblivion (1995) 4. Box of Moonlight (1996) 5. The Real Blonde (1997) 6. Double Whammy (2001) 7. Delirious (2006) 8. When You’re Strange: A Film About The Doors (2009) 9. Down in Shadowland (2014) Notes Filmography Bibliography Index

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: CLIENT, THE (US/GG, Joel Schumacher, 1994); SARANDON, SUSAN; JONES, TOMMY LEE; EDWARDS, ANTHONY
Summary: Scene from the film in which Anthony Edwards portrays Clint Von Hooser, Susan Sarandon portrays Reggie Love and Tommy Lee Jones portrays Roy Foltrigg.
Notes: Sticker on the back of photograph with information about the scene from the film 'The Client'.Sticker also contains information about the film distributor.

Call No: 79COM GRA
Author: Gracey, James
Source: UK
Place: Leighton Buzzard
Publisher: Auteur Publishing
PubDate: 2017
PhysDes: 128 pages ; 19cm
Series: Devil's Advocates
Subject: HORROR FILMS; FANTASTIC FILMS; WEREWOLF FILMS; LITERATURE AND THE CINEMA; JORDAN, NEIL; CARTER, ANGELA; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984)
Summary: "Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling), The Company of Wolves sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood. This Devil's Advocate explores all these aspects, as well as placing the film in the context of the careers of its creators and its position as an example of the "Female Gothic."" -- Angus and Robertson
ISBN: 9781911325314
Contents: -- introduction -- chapter one: once upon a time -- Chapter two : telling tales -- chapter three: red hoods, dark woods -- chapter four: seeing red -- chapter five: the big bad wolf -- chapter six: 'a she-wolf came' -- chapter seven: happily ever after -- bibliography --

Call No: 409.5 NUL
Author: Nulman, Eugene
Edition: 2022
Place: Abingdon, Oxon, UK
Publisher: Routledge
PhysDes: 144 pages ; 25cm
Series: Routledge Advances in Sociology
Subject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019); ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019); PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019); [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019); JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); COVID NINETEEN; TRUMP, DONALD
Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web site
ISBN: 9781032002750
Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index

Author: Richard Luck
PhysDes: Article
Subject: MOLLOY, MICK; HUNTER, BILL; JOHNSON, SAMUEL; CRACKERJACK (AT, Paul Moloney, 2002)
Summary: Review of Cracker Jack

PhysDes: Article
Subject: JOURNALISM; NEWS PROGRAMMES.; VIOLENCE ON TV
Summary: Interview with writer-producer Bob Talbot on the rise of police violence toward journalists and television crews. Discusses the difference in news coverage in Australia and America.

PhysDes: Article
Subject: BUNUEL, LUIS; JOURNE D'UNE FEMME CHAMBRE, LE (FR/IT, Luis Bunuel, 1964)
Summary: Article is from a review of Bunuel by Raymond Durgnat. In particular it examines Bunuel's development of character in his film 'Diary of a Chambermaid'.

Call No: 220"313" OHA
Author: Ohanian, Thomas A; Phillips, Michael E
Place: Boston
Publisher: Focal Press
PubDate: c1996
PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cm
Subject: DIGITAL TECHNOLOGY; EDITING; PRODUCTION; POST-PRODUCTION; LUCAS, GEORGE; CAMERON, JAMES; BAKER, RICK; JONES, ED
Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]
Notes: Includes bibliographical references (p. 257) and index
ISBN: 0240802195 (paper : alk. paper)
LON: 12009091

Call No: TITLE CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE
Author: Idato, Michael
PhysDes: Clippings
Subject: JONES, ALETHEA; FESTIVALS. PARK CITY. SUNDANCE
Summary: Brief profile of Ms. Jones and survey of Sundance entrants.

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: SUBJECT CLIPPINGS FILE; VICE
Author: Hagey, Keach
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; JOURNALISM; VICE; SMITH, SHANE
Summary: Report on Vice, the digital media company who received $400 million investment from the Disney company, and it's Chief Executive Shane Smith

Call No: 761(73) BLU
Author: Bluem, A. William
Source: US
Place: New York
Publisher: Hastings House
PubDate: [1965]
PhysDes: 311 p. illus., ports. 24 cm
Subject: BIOGRAPHICAL FILMS; DOCUMENTARIES. USA; JOURNALISM IN THE CINEMA; PHOTOGRAPHY AND THE CINEMA; RADIO AND THE CINEMA; TELEVISION JOURNALISM; TELEVISION; TELEVISION. USA; TRUTH IN FILMS; WAR AND TV
Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURB
Notes: Bibliography: p. 297-301
ISBN: 0803815271
LON: 646183 8085578
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Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
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Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
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Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

PhysDes: Article
Subject: EASY MONEY (US, John Signorelli, 1983); ORION PICTURES; PESCI, JOE; DANGERFIELD, RODNEY; FITZGERALD, GERALDINE; JASON-LEIGH, JENNIFER; EWELL, TOM; NOONAN, TOM; JONES, JEFFREY P.
Summary: Cast list for 'Easy Money' which has finished shooting in New York and Florida.

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: TITLE CLIPPINGS FILE; JOURNEY, THE [TV](AT/AF, 2015)
Author: Gartrell, Adam
PhysDes: Clippings File Article
Subject: JOURNEY, THE [TV](AT/AF, 2015)
Summary: The Journey tells the story of a group of Afghans trying to get to Australia by boat. The Australian Immigration Department has said the movie is a key part of its anti-people-smuggling strategy. Lapis Commincations has been paid to promote the movie. Lapis Communications is owned by Saad Mohseni.

Call No: PERSONALITY CLIPPINGS FILE; JOLLIFFE, ANNE
PhysDes: Clippings File Article
Subject: ANIMATION. AUSTRALIA; JOLLIFFE, ANNE
Summary: In depth article where Anne Jolliffe discusses her career as an animator and the process of producing animation. [her name is mispelt as Anne Joliffe]
Notes: old clips pile from June 2015

Call No: 228.57 BLA
Author: Bland, Michael
Source: US
Place: White Plains, N.Y. ; New York
Publisher: Knowledge Industry Publications, Inc. ; Van Nostrand Reinhold Co.
PubDate: 1980
PhysDes: 138 p., [1] leaf of plates : ill. ; 24 cm
Subject: JOURNALISM; INTERVIEWING
Notes: First published in 1979 under title: You're on next
ISBN: 0442233183

Call No: 771 ROS
Author: Rosenbaum, Jonathan
Place: Denver, Colo.
Publisher: Arden
PubDate: 1983
PhysDes: 238 p. : ill. ; 24 cm
Subject: EXPERIMENTAL FILMS; MEKAS, JONAS; AKERMAN, CHANTAL; B, BETH & SCOTT; BENNING, JAMES; GIDAL, PETER; JOST, JON; OTTINGER, ULRIKE; RAINER, YVONNE; RAPPAPORT, MARK; RIVETTE, JACQUES; SNOW, MICHAEL; STRAUB, JEAN-MARIE; HUILLET, DANIELE; BREER, ROBERT; DE LANDA, MANUEL; DRIVER, SARA; HOCK, LOUIS; RAYNAL, JACKIE; THORNTON, LESLIE; GIDAL, PETER
Notes: Includes indexes
ISBN: 0912869038
LON: 3461214

Call No: 802(94) DAR
Author: Darmody, Sarah
Source: AT
Place: Frenchs Forest, N.S.W.
Publisher: New Holland
PubDate: 2002
PhysDes: xiii, 274p. ;21cm.
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; BILCOCK, JILL; JORDAN, GREGOR; MASON, DAVE; SEALE, JOHN; STRATTON, DAVID; WEIR, PETER
Notes: Includes index and useful contact information.
ISBN: 1864368071

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 71(480)FIL
Author: Astala, Erkki
CorpAuthor: Suomen elokuvasaatio; Finnish Film Foundation
Source: FI
Place: Helsinki, Finland
Publisher: Suomen elokuvasaatio; Finnish Film Foundation
PubDate: 1986
PhysDes: 55 p. : ill. ; 28 cm
Subject: FINLAND; NATIONAL CULTURE AND THE CINEMA; TRAVEL IN FILMS; DONNER, JORN; ENGSTROM, INGEMO; HALLSTROM, ARTO AF; HARTZELL, PAIVI; HONKASALO, PIRJO; HUMANLOJA, TIMO; KASSILA, MATTI; KAURISMAKI, AKI; KAURISMAKI, MIKA; KURKVAARA, MAUNU; KYRONSEPPA, KARI; LEHMUSKALLIO, MARKKU; LEHTINEN, VIRKE; MANTTARI, ANSSI; MOLLBERG, RAUNI; NISKANEN, MIKKO; NISKANEN, TUIJA-MAIJA; PAKKASVIRTA, JAAKKO; PARTANEN, HEIKKI; PEIPPO, ANTTI; PYHALA, JAAKKO; ROSMA, JUHA; TORHONEN, LAURI; VAANANEN, KARI; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986); SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986); FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986); NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986); MORENA (FI, Anssi Manttari, 1986); YLOSNOUSEMUS (FI, Anssi Manttari, 1985); RIISUMINEN (FI, Lauri Torhonen, 1986); ROSSO (FI, Mika Kaurismaki, 1985); HUOMENNA (FI, Juha Rosma, 1986); HARMAGEDON (FI, Juha Rosma, 1986); VALKOINEN KAAPIO (FI, Timo Humanloja, 1986); DA CAPO (FI, Pirjo Honkasalo, 1985); SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985); LAULU (FI, Arto af Hallstrom, 1986); PERHOSEN UNI (FI, Maunu Kurkvaara, 1986); NISKAVUORI (FI, Matti Kassila, 1984); CALAMARI UNION (FI, Aki Kaurismaki, 1985); PESSI JA ILLUSIA (FI, Heikki Partanen, 1983); En SMUTSIG HISTORIA (FI, Jorn Donner, 1984); KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984); JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983); RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983); ARVOTTOMAT (FI, Mika Kaurismaki, 1982); SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982); RAKKAUSELOKUVA (FI, Anssi Manttari, 1984); KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982); KOLME MIESTA (FI, Virke Lehtinen, 1984); LINNA (FI, Jaakko Pakkasvirta, 1986); KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986); LUMIKUNINGATAR (FI, Paivi Hartzell, 1986); URSULA (FI, Jaakko Pyhala, 1986); JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987); VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986); ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986); V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986)
Notes: Translation: Ukka and Mark Shackleton
ISBN: 9519349421

Call No: 722.731 FIL
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: 2007
PhysDes: viii, 255 p. : ill. ; 23 cm
Subject: NORTH KOREA; PORNOGRAPHIC FILMS. JAPAN; ARGENTO, DARIO; THRILLERS. SPAIN; HILLS, PAUL; JORDAN, NEIL; LEWIS, HERSCHELL GORDON; MADDIN, GUY; MULLOY, PHIL; SATSUMA, KENPACHIRO; TOMASELLI, DANTE; BARAKU EMPERORU (JA, Mitsuo Yanagimachi, 1976); GODSPEED YOU! BLACK EMPEROR (JA, Mitsuo Yanagimachi, 1976); THUNDERCRACK (US, Curt McDowell, 1976)
ISBN: 9780786429707
Donation: donated by Senses of Cinema, 2010
Contents: "Don't stray from the path" : sexuality, dreams and eroticism in Neil Jordan's The company of wolves / Matthew Edwards -- In the company of the wolf : an interview with Neil Jordan / Matthew Edwards -- Close to the bone : an interview with Paul Hills / Matthew Edwards -- The 2001st maniac : an interview with Herschell Gordon Lewis / Matthew Edwards -- Inside pink / Jasper Sharp -- Thundercrack! and a brief overview and appreciation of the golden age of porn / Mark Edwards -- An interview with Melinda McDowell / Mark Edwards -- Animating the extreme : the animation of Phil Mulloy / Matthew Edwards -- Between the frames : an interview with Phil Mulloy / Matthew Edwards -- Writing argento / Maitland McDonagh -- Requiems for abandoned souls : the new wave of Spanish mystery thrillers / Marcus Stiglegger -- The new throwback : the films of Dante Tomaselli / Matthew Edwards -- Godspeed you! black emperor and the Japanese underground biker phenomenon / Matthew Edwards -- A permanent state of war : a short history of North Korean cinema / Johannes Scho¨nherr -- Godzilla goes to North Korea : an interview with Kenpachiro Satsuma / Johannes Scho¨nherr -- The Winnipeg wonder : an interview with Guy Maddin / Matthew Edwards

Call No: 631.19 PIP
Author: Pippin, Robert B.
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2020
PhysDes: 271 pages : illustrations (some colour) ; 32 cm
Subject: PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; REAR WINDOW (US, Alfred Hitchcock, 1954); TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); CHINATOWN (US, Roman Polanski, 1974); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); JOHNNY GUITAR (US, Nicholas Ray, 1954); IN A LONELY PLACE (US, Nicholas Ray, 1950); THIN RED LINE, THE (US, Terrence Malick, 1998); DARDENNE, JEAN-PIERRE & LUC
Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226672007
Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
ID2: 343

Call No: 736 TUS
Author: Tuska, Jon
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm
Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939)
Notes: Includes index
ISBN: 0385031157 : $14.95
LON: 387748

Author: Conemaker, John
PhysDes: Article
Subject: JOIE DE VIVRE, LA (FR, Anthony Cross & Hector Hoppin, 1934)

Call No: 81JOH JOH
Author: Johnson, Nora
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1979
PhysDes: 369 p., [12] leaves of plates : ill. ; 22 cm
Subject: JOHNSON, NUNNALLY; Johnson, Nora
Notes: Includes index
ISBN: 0385134061 : $11.95
LON: 78018137; 1378866

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 18 x 12 cm
Subject: JOHNSTON, DUANE; MONTGOMERY, FAYE; DRYDEN, STAN; FLY PEEWEE, FLY! (AT, Sally Riley, 1995)
Summary: Three black and white photographs from the film Fly peewee, fly!

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: JOHNSON, CHRISTOPHER; ZAMBRANO, JESUS; YELDHAM, JOSHUA; FRAILEJON (AT, Joshua Yeldham, 1994)
Summary: Five black and white photographs relating to the Bunyip Productions film Frailejon, which documents the expedition made by Joshua Yeldham and Stephan de Kwiatkowski and crew to Mt Humboldt in Venezuela.

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Author: Meeker, David; Gillet, John
PhysDes: Article
Subject: JOUEUR, LE (FR/IT, Claude Autant-Lara, 1958)
Summary: Retrospective; Ill

PhysDes: Article
Subject: JOUR SA VIE (CN, Giles Carle & Camille Coudari, 1982)
Summary: Review; Ill

Call No: 626:396 ROB
Author: Robertson, Pamela, 1964
Place: Durham
Publisher: Duke University Press
PubDate: 1996
PhysDes: ix, 195 p. : ill. ; 24 cm
Subject: CAMP; FEMINISM AND THE CINEMA; SPECTATORSHIP; WOMEN IN FILMS; BURLESQUE; TRANSVESTISM; FANS; MUSICALS; BAXTER, WARNER; CAGNEY, JAMES; DOANE, MARY ANN; DYER, RICHARD; GARBO, GRETA; BERKELEY, BUSBY; FISCHER, LUCY; OTTINGER, ULRIKE; MONROE, MARILYN; MADONNA; Crawford, Joan; WEST, MAE; DESIGNING WOMEN [TV] (US, 1986-89); BELLE OF THE NINETIES (US, Leo McCarey, 1934); FOOTLIGHT PARADE (US, Lloyd Bacon, 1933); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); JOHNNY GUITAR (US, Nicholas Ray, 1954)
Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and index
ISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)
LON: 12009413

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: FEENY-CONNOR, SHANE; JONES, ANNIE; HARBOURSIDE (AT, Phillip Emannel,1994)
Summary: One black and white photograph from the film Harbourside

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 802.27(084.2) KOB
Author: Kobal, John
Edition: 1st Quill ed.
Source: US
Place: New York
Publisher: Quill
PubDate: c1981
PhysDes: 159 p. : col. ill. ; 30cm
Subject: ACTORS; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; FIELDS, W.C.; WEST, MAE; COLBERT, CLAUDETTE; DIETRICH, MARLENE; LAMOUR, DOROTHY; SWANSON, GLORIA; SOTHERN, ANN; MACDONALD, JEANETTE; Stewart, James; YOUNG, LORETTA; COOPER, GARY; LEIGH, VIVIEN; TURNER, LANA; GARLAND, JUDY; ROONEY, MICKEY; MONTEZ, MARIA; DE HAVILLAND, OLIVIA; FONTAINE, JOAN; FAIRBANKS, DOUGLAS; DAVIS, BETTE; BOGART, HUMPHREY; LAMARR, HEDY; SHERIDAN, ANN; TIERNEY, GENE; LAKE, VERONICA; LADD, ALAN; CAGNEY, JAMES; BERGMAN, INGRID; GODDARD, PAULETEE; WAYNE, JOHN; GRABLE, BETTY; COOPER, GARY; TAYLOR, ROBERT; POWER, TYRONE; HUTTON, BETTY; ASTAIRE, FRED; DARNELL, LINDA; SINATRA, FRANK; ROGERS, ROY; TRIGGER (Horse); PAL (Canine actor); BACALL, LAUREN; LANCASTER, BURT; SCOTT, LIZABETH; DOUGLAS, KIRK; MIRANDA, CARMEN; JONES, JENNIFER; FORD, GLENN; BALL, LUCILLE; OBERON, MERLE; PECK, GREGORY; DIETRICH, MARLENE; GRAHAME, GLORIA; GRANT, CARY; HAYWORTH, RITA; VALLI, ALIDA; JOURDAN, LOUIS; TAYLOR, ELIZABETH; ROBERT, RYAN; MITCHUM, ROBERT; CHARISSE, CYD; BARKER, LEX; RUSSELL, JANE; GARBO, GRETA; CLIFT, MONTGOMERY; GARDNER, AVA; TURNER, LANA; MONROE, MARILYN; CRAWFORD, JOAN; DEAN, JAMES; NOVAK, KIM; MANSFIELD, JAYNE; PRESLEY, ELVIS; BRANDO, MARLON
Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull. The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKET
Notes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actors
ISBN: 0688007538

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 751.1(73) MOR
Author: Mordden, Ethan, 1947
Place: Newton Abbot
Publisher: David & Charles
PubDate: 1982, c1981
PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cm
Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; CHEVALIER, MAURICE; CROSBY, BING; GARLAND, JUDY; JOLSON, AL; KEELER, RUBY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; EDDY, NELSON; CANTOR, EDDIE; POWELL, DICK; DANIELS, BEBE; BROADWAY MELODY, THE (US, Harry Beaumont, 1929); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933)
Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes index
ISBN: 0715383191 : ª7.95 : CIP rev
LON: 2211755

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MENTAL HEALTH ISSUES IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; ETHNIC GROUPS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL ISSUES IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Call No: 71(41) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Orion
PubDate: 2004
PhysDes: xxiv, 328 p. ; colour illustrations ; 22 cm
Subject: ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); GOVERNMENT AID. UK; ATTENBOROUGH, RICHARD; BRITISH BROADCASTING CORPORATION; JAMES BOND IN FILMS; BRITISH FILM INSTITUTE; CANNES FILM FESTIVAL; CHANNEL FOUR; [FOUR] 4 WEDDINGS AND A FUNERAL (UK, Mike Newell, 1994); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); GOLAN, MENAHEM; GOLAN-GLOBUS PRODUCTIONS; GLOBUS, YORAM; GOLDCREST FILMS; GREENAWAY, PETER; JORDAN, NEIL; KILLING FIELDS, THE (UK, Roland Joffe, 1984); LOACH, KENNETH; MERCHANT IVORY PRODUCTIONS; MIRAMAX FILMS; PUTTNAM, DAVID; SHAKESPEARE, WILLIAM; WISH YOU WERE HERE (UK, David Leland, 1987); WOOLLEY, STEPHEN; WORKING TITLE
Summary: "FOUR WEDDINGS AND A FUNERAL, NOTTING HILL, THE FULL MONTY, BRIDGET JONES' DIARY - all made in Britain, all huge successes, but none financed by British money... Walker's previous volumes, HOLLYWOOD ENGLAND and NATIONAL HEROES, covered the period until 1984. This final volume tells the inside story right up to date of why a nation that produces actors of the calibre of Kenneth Branagh, Daniel Day-Lewis, Hugh Grant, Emma Thompson, Robert Carlyle, Kate Winslet and directors such as Anthony Minghella, Sam Mendes, Stephen Frears, Neil Jordan, Peter Greenaway, Ken Loach and Guy Ritchie cannot sustain a native film industry. Walker's revelations on the iniquities of National Lottery funding of movies - over £200m to date and hardly a profitable film among those so far produced - have been headline news. Walker relates the extraordinary events of the past two decades years through the individuals, the companies and the studios." -- from book jacket (abridged)
Notes: Includes introduction by Joseph Connelly, includes preface and index
ISBN: 0752856103
Donation: Bruce Hodsdon
Contents: Before the title: The Chinese butterfly -- 1. Alive and kicking -- 2. Self-congratulatory trumpet flourish -- 3. Cannon a go-go -- 4. The Coca-cola kid -- 5. Cannon self-destructs -- 6. Talents at work -- 7. From the depths -- 8. Contemporary and traditional -- 9. Independant struggles -- 10. Talking film finance -- 11. Just one film -- 12. Lottery promise -- 13. No rank revival -- 14. Hit the screen running -- 15. Fool's gold -- 16. Thrown away - 17. Ends and beginnings

Call No: 772 ILL
Author: Cholodenko, Alan
CorpAuthor: Power Institute of Fine Arts
Place: Sydney
Publisher: Power Publications, in association with the Australian Film Commission, Sydney
PubDate: 1991
PhysDes: 312 p. : ill. ; 21 cm
Subject: ANIMATION; CONFERENCES. AUSTRALIA. AMIMATION; CARTOONS; JONES, CHUCK; MAGIC TOYSHOP, THE (UK, David Wheatley, 1986); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); FLY, THE (US, David Cronenberg, 1986)
Notes: Published by the Power Institute of Fine Arts, University of Sydney; "Based on ... The Illusion of life, the world's first international conference on animation and Australia's first large-scale international festival of animation" -- p. 9; Includes bibliographical references
ISBN: 0909952183
LON: 7242798
Contents: Introduction / Alan Cholodenko -- What's up, down under? / Chuck Jones talks at THE ILLUSION OF LIFE conference -- The animation of sound / Philip Brophy -- Saturday Morning Fever / Ben Crawford -- Life-threatening life: Angela Carter and the uncanny / Robyn Ferrell -- Animation - AIDS in science/fiction / Rosalyn Diprose and Cathryn Vasseleu -- The work-shop of filty animation / Peter Hutchings -- For the noise of a fly / Lisa Trahair -- 'Who Framed Roger Rabbit', or the framing of animation / Alan Cholodenko -- PRHSTHR: The T(r)opology of pyromania / Keith Clancy -- The illusion of illusion / Keith Broadfoot and Rex Butler -- Mosaic infinity / Edward Colless and David Kelly -- Appendix

Author: Marks, Dick
PhysDes: Article
Subject: BALKAN WAR IN FILMS; SEMLER, DEAN; JOLIE, ANGELINA; IN THE LAND OF BLOOD AND HONEY (US, Angelina Jolie, 2011)
Summary: Director of Photography, Dean Semler discusses his cinematography career and working with writer/director Angelina Jolie on her directorial debut, 'In the land of blood and honey'

Call No: 81MAS MAS
Author: Masters, Chris
Source: AT
Place: Pymble, N.S.W.
Publisher: Angus & Robertson
PubDate: 1992
PhysDes: viii, 248 p. ; 20 cm
Subject: MASTERS, CHRIS; JOURNALISTS ON TV. AUSTRALIA; [FOUR] 4 CORNERS [TV] (AT, 1961-)
Notes: Filmography: p. [244]-248
ISBN: 020716763
Contents: Forward -- Preface -- 1. Innocent bystander -- 2. 'The big league' -- 3. 'The moonlight state' -- 4. 'French connections' -- 5. 'Branded' -- 6. 'Banned aid' -- 7. 'The dead heart' -- 8. 'Two confessions' -- 9. Dirty secrets -- Appendix

Call No: TITLE CLIPPINGS FILE in production; WAR MACHINE in produciton
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: STARS; PITT, BRAD; JOLIE, ANGELINA; WAR MACHINE (US, David Michôd, 2017); FIRST THEY KILLED MY FATHER (CB/US, Angelina Jolie, 2017)
Summary: Looking at the film projects of stars Brad Pitt and Angelina Jolie, with detail on WAR MACHINE which is directed by Australian David Michod

Call No: 771.3(73) REN
Author: Renan, Shelton
Edition: 1st ed.
Place: New York
Publisher: E.P. Dutton
PubDate: 1967
PhysDes: 318 p. : ill. ; 19 cm.
Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY
Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.
Notes: Bibliography: p. 295-296 Includes index.
Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema

Call No: 451-054(=1 .415/.73) PRA
Author: Pramaggiore, Maria
Source: US
Place: Albany
Publisher: State University of New York Press
PubDate: 2007
PhysDes: ix, 245 p. : ill. ; 24 cm
Series: The SUNY series, cultural studies in cinema/video
Subject: ETHNIC GROUPS IN FILMS; WHITES IN FILMS; HISTORY OF CINEMA. IRELAND; HISTORY OF CINEMA. USA; IDENTITY IN FILMS; THEORY; LEE, SPIKE; JORDAN, NEIL
Summary: "Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET.
Notes: Formerly CIP; Includes bibliographical references (p. 209-237) and index
ISBN: 9780791470954
Contents: Ch. 1. Identifying others -- Ch. 2. Sampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- Ch. 3. "It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- Ch. 4. Culturing violence : masculine identification in Irish and African American gangster films -- Ch. 5. "Both sides of the epic" : identification and the nonessentialist Western -- Conclusion : film identification and postmodern identity politics.

Call No: 71(417) MCL
Author: McLoone, Martin
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 234 p. : ill. ; 24 cm
Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND; LANDSCAPES IN FILMS; BUTCHER BOY, THE (US, Neil Jordan, 1997); POLITICAL FILMS; POLITICS AND THE CINEMA; FLAHERTY, ROBERT; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); JORDAN, NEIL; MAEVE (UK/IE, Pat Murphy & John Davies, 1981); MAN OF ARAN (UK, Robert Flaherty, 1934); NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995); OUR BOYS (IE, Cathal Black, 1981); PATRIOT GAMES (US, Philip Noyce, 1992); QUIET MAN, THE (US/IR, John Ford, 1952); SHERIDAN, JIM; THIS IS MY FATHER (US, Paul Quinn, 1998); TITANIC (US, James Cameron, 1997)
Notes: Includes bibliographical references and index
ISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99
LON: 21663034 21663034

Call No: CRAWFORD STILL JAC
Source: AT
Publisher: Crawford Productions[distributor]
PhysDes: 20 photographs : b&w ; 18 x 26 cm - 20 x 26 cm + 16 slides : col.
Subject: JONES, ANNIE; BURSILL, TINA; MCCUBBIN, DAVID; MITCHELL, WARREN; HARDY, PETER; JACKAROO (AT, Michael Carson, 1990)
Summary: Photographs and slides relating to the mini series 'Jackaroo'
Notes: Arranged by record type, photographs and then slides. Each image has an accompanying publicity sheet
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL JAC
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 120 photographic sheets : b&w ; 14 x 23 cm - 21 x 26 cm + 35 negatives : b&w ; 35 mm + 101 slide : col.
Subject: JONES, ANNIE; BURSILL, TINA; MCCUBBIN, DAVID; MITCHELL, WARREN; JACKAROO (AT, Michael Carson, 1990)
Summary: Photographic proof sheets, slides and negatives relating to the mini series 'Jackaroo'
Notes: Kept in original order recieved from Crawford Producions -- Negatives consist of 6 strips of photographic negatives
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY JAC
PhysDes: 1 box ; 39 x 25 x 8 cm
Subject: MITCHELL, WARREN; JONES, ANNIE; MCCUBBIN, DAVID; JACKAROO (AT, Michael Carson, 1990)
Summary: Media clippings, publicity brochure and press kit for the mini series 'Jackaroo'
Donation: Gift of Crawford Productions
Contents: Media clippings (33 leaves) -- Colour brochure -- Brochure copy (10 leaves) -- Treatment (12 leaves) -- Press book (133 leaves) plus original unbound copy -- Duplicate copies of the Press book are in storage

Call No: 81CAM JAN
Author: Campion, Jane; Wexman, Virginia Wright
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c1999
PhysDes: xxvii, 216 p. : ill. ; 23 cm
Series: Conversations with filmmakers series
Subject: CAMPION, JANE; HUNTER, HOLLY; JONES, LAURA; KIDMAN, NICOLE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Notes: Filmography: p. [xxiii]-xxvii; Includes bibliographical references (p. xx) and index
ISBN: 1578060826 (cloth : alk. paper); 1578060834 (pbk. : alk. paper)
LON: 14173448

Call No: N79JAZ DEH
Author: De Haas, Arline
Edition: Readers Library Film ed.
Place: London
Publisher: Readers Library
PubDate: [1927?]
PhysDes: 252 p., [8] p. of plates : ill. ; 17 cm
Subject: JAZZ SINGER, THE (US, Alan Crosland, 1927); RAPHAELSON, SAMSON; JOLSON, AL
Notes: "Illustrated with scenes from the photoplay. A Warner Bros. Production starring Al Jolson"

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHN OLSEN: JOURNEY THROUGH YOU BEAUT COUNTRY (AT, Don Bennetts, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN PEEL'S RECORD BOX (UK, Elaine Shepard, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHN Q (US, Nick Cassavetes, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN SAFRAN'S RACE RELATIONS [TV] (2009)

Author: Matt Coyte
PhysDes: Article
Subject: JOHN SAFRAN VS GOD [TV] (AT, Craig Melville, 2004)
Summary: D.V.D. review of John Safran vs. God

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN SAFRAN VS GOD [TV] (AT, Craig Melville, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN SAFRANIS MUSIC JAMBOREE[TV](AT, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN TUCKER MUST DIE (US, Betty Thomas, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN WICK (US, Chad Stahelski, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN WICK 3: PARABELLUM (US, Chad Stahelski, 2019)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN WICK: CHAPTER 2 (US/HK/IT/CN, Chad Stahelski, 2017)

Author: Rothenbuecher, Bea
PhysDes: Article
Subject: JOHNNY APPLESEED AND THE FRONTIER WITHIN (US, Harvey Bellin & Tom Kieffer, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHNNY BE GOOD (US, Bud Smith, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY BELINDA (US, Jean Negulesco, 1948)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY CIEN PESOS (CL, Gustavo Graef Marino, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY DANGEROUSLY (US, Amy Heckerling, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOHNNY ENGLISH (UK, Peter Howitt, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY ENGLISH REBORN (US/FR/UK, Oliver Parker, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY ENGLISH STRIKES AGAIN (UK/ FR/ US, David Kerr, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY GHOST (AT, Donna McRae, 2011)

Call No: N79 JOH TRU
Author: Trumbo, Dalton
Source: US
Place: New York
Publisher: Bantam
PubDate: 1970
PhysDes: 243 p. ; 18 cm
Subject: JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
ISBN: 55305483095

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY GUITAR (US, Nicholas Ray, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHNNY HANDSOME (US, Walter Hill, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOHNNY LARSEN (DK, Morten Arnfred, 1979)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHNNY MNEMONIC (US, Robert Longo, 1995)
URL status: URL: 'http://file://Q:/T/JOHNNY_MNEMONIC.zip' Checked: 31/08/2021 1:04:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JOHNNY MONROE (FR, Renaud Saint-Pierre, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: JOHNNY MONTANA (US, John Daniel Gavin, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY O'KEEFE: THE WILD ONE (AT, John Moyle and Albie Thoms, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY SHORTWAVE (US, Michael Brockner, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: JOHNNY STECCHINO (IT, Roberto Benigni, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: JOHNNY SUEDE (US, Tom DiCillo, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHNNY WEST (GW, Roald Koller, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNS (US, Scott Silver, 1996)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNS, ANDREW

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNS, MATTHEW

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNS, STRATFORD

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, ALBERT

Call No: S JOH
PubDate: 1991
PhysDes: 254 leaves
Subject: Johnson and friends [TV] (AT John Patterson, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON AND FRIENDS [TV] (AT, Ian Munro, 1990)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, ANNA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, BEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, CHRISTOPHER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, DAKOTA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, DARLENE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, DON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, DWAYNE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, FIONA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: Johnson, Ian

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, JAMIE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, KIM

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, LIZ

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, MARK STEVEN

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, MICHAEL

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, PATRICIA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSON, ROBIN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: Johnson, Ryan

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, SAMUEL

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: JOHNSON, SAMUEL
Summary: Head and shoulders portrait of samuel Johnson
Notes: The Actors Agency details on reverse side

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, STEPHEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, VAN

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSTON, BECKY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSTON, JANE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSTON, JOE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSTON, KRISTEN

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOHNSTON, LAWRENCE

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOI BABA FELUNATH (II, Satyajit Ray, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOI GIN A LONG (HK, Johnnie To, 1999); WHERE A GOOD MAN GOES (HK, Johnnie To, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOI-UCHI (JA, Masaki Kobayashi, 1967)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOINT, ALF

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOJO'S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE - CHAPTER 1 [JOJO NO KIMYO NA BOKEN: DAIYAMONDO WA KUDAKENAI - DAI-ISSHO] (JA, Takashi Miike, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JOKER (US/CN, Todd Phillips, 2019)
Notes: Import_Simon_batch12_190919

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JOKER FOLIE A DEUX (US, Todd Phillips, 2024)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOKER POKER [TV] (AT, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: JOLI COEUR, LE (FR, Francis Perrin, 1984)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLIE, ANGELINA
URL status: URL: 'http://file://Q:/P/JOLIE,_ANGELINA.zip' Checked: 31/08/2021 1:01:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLLEY, TIMOTHY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLLIFFE, ANNE

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLLIFFE, ANNE COMRIE

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOLSON, AL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLSON SINGS AGAIN (US, Henry Levin, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOLSON STORY, THE (US, Alfred E. Green, 1946)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOM (SG, Babacar Samb-Makharam, 1981)

Call No: N79 JON STO
Author: Stone, Louis
Edition: Arkon ed.
Source: UK
Place: London
Publisher: Angus & Robertson
PubDate: 1981
PhysDes: 216 p. ; 18 cm.
Series: Arkon paperbacks
Subject: JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63)
Notes: On cover: now an ABC TV series; First published: London : Methuen, 1911.
ISBN: 0207147698

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONAH FROM TONGA [TV] (AT, 2014-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONAS BROTHERS: THE 3D CONCERT EXPERIENCE, THE (US, Bruce Hendricks, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONAS ET LILA: A DEMAIN (SZ/FR, Alain Taner, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONAS - QUI AURA 25 ANS EN L'AN 2000 (FR/SZ, Alain Tanner, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONAS Y LA BALLENA ROSADA (BO/MX, Juan Carlos Valdivia, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONATHAN LIVINGSTONE CEO (AT, Joe Villanti, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JONATHAN OF THE BEARS (IT/RU, Enzo G. Castellari [pseud. of Enzo Girolami], 1994)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, ALETHEA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, AMY

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, ANNIE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: JONES, BARRY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, CAROLYN

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, CATHERINE ZETA

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, CATHERINE ZETA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, CHERRY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, CHRIS

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, CHUCK

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, DAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, DANIEL P

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, DAVE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, DUNCAN

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, ED

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, EVAN

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES-EVANS, STEVEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, FELICITY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, FRANK

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, GILLIAN

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, GRACE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: JONES, HELEN

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 20 X 26 cm.
Subject: JONES, HELEN
Summary: Informal actors head shot of Helen Jones

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 11 X 17 cm.
Subject: JONES, HELEN; BLISS (AT, Ray Lawrence, 1985)
Summary: Head shot of Helen Jones looking at a candle
Notes: Title label on the back reads 'Honey sits alone'

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, HENRY

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, IAN

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, JAMES EARL

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, JANNINE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, JANUARY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, JENNIFER

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, KELLIE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, KIRK

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, LAURA

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: JONES, LUCINDA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, MIKE MCCOLL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, NICK

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, PAUL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, PETE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, ROHAN

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: JONES, ROSEY

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: JONES, RUTH

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, STEPHEN

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: JONES, SUE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, TERRY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, TOBY

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, TOMMY LEE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, TONY

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, VINNIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONI (US, James F. Collier, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JONNY ROOVA (SW, John O. Olsen, 1985)

PhysDes: Article
Subject: JONSSOMLIGAN & DYNAMIT - HARRY (SW, Mikael Ekman, 1982)
Summary: Review; Cred; Ill

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONSSON, REIDAR

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JONSSONLIGAN DYKER UPP IGEN (SW, Mikael Ekman, 1986)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONZE, SPIKE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, DOROTHY

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, GREGOR

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, JULIET

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, LARRY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, MICHAEL

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JORDAN, NEIL

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JORG RATGEB, MALER (GE, Bernhard Stephan, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JORN UTZON THE MAN AND THE ARCHITECT (AT, Lene Borch Hansen/Anna von Lowzow, 2018)
Notes: Simon_Batch 18_191212

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JORY (US, Jorge Fons, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOS CARBONE (CN, Hugues Tremblay, 1976)

PhysDes: Article
Subject: JOSEF KILIAN (CZ, Jan Scmidt & Pavel Juracek)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOSEM, MARK

Subject: JOSEM, MARK
Summary: Report on the election of Mark Josem to President of World Film Alliance

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSEPH [TV] (US, Roger Young, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSEPH ANDREWS (UK, Tony Richardson, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSEPH EMIDY: THE LOST COMPOSER (UK, Steve Cole, 1996)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSEPH, KIMBERLEY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOSEPH, PHILIP

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSEPHA (FR, Christopher Frank, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSH AND S.A.M. (US, Billy Weber, 1993)

Call No: S JOS
Author: Mushin, Pip
PubDate: [2001]
PhysDes: 110 leaves
Subject: JOSH JARMAN (AT)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: JOSH JARMAN (AT, Pip Mushkin, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOSHUA COOKS (AT, Penny Robenstone, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSHUA TREE (US, Vic Armstrong, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSIE (US, Eric England, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOSIE AND THE PUSSYCATS (US, Harry Elfont & Deborah Kaplan, 2001)