Search Catalogue

Call No: TITLE CLIPPINGS FILE; VACATION (US, John Daley/Jonathan Goldstein, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: VACATION (US, John Daley/Jonathan Goldstein, 2015)
Rating: 2.5 out of 5 stars

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: ACCUSED, THE (US, Jonathan Kaplan, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AGRONOMIST, THE (US, Jonathan Demme, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARIZONA (US, Jonathan Watson, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: ARTISTS IN CYBERSPACE (AT, Jonathan Cohen, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Ronin Films
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: ARTISTS IN CYBERSPACE (AT, Jonathan Cohen, 1993)
Summary: Black and white photograph of Benoit Maubrey's Audio Ballerinas.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATROCITY EXHIBITION, THE (US, Jonathan Weiss, 2000)

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Prospectus
Subject: BACKSTAGE (AT, Jonathan Hardy, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD GIRLS (US, Jonathan Kaplan, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MANNERS (US, Jonathan Kaufer, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLE: LOS ANGELES (US, Jonathan Liebesman, 2011)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BATTLE OF THE SEXES (UK/US, Jonathan Dayton & Valerie Faris, 2017)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BECKY (US, Jonathan Milott, Cary Murnion, 2020)
Cross Reference: BECKY (US, Jonathan Milott, Cary Murnion, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEFORE HINDSIGHT (UK, Jonathan Lewis, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEGGER'S OPERA, THE (UK, Jonathan Miller, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BELOVED (US, Jonathan Demme, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENEFIT OF THE DOUBT (US, Jonathan Heap, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)

Author: Rebecca Wallwork
PhysDes: Article
Subject: PORTER, SUSIE; WENHAM, DAVID; BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)
Summary: Review of Better Than Sex

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK SHEEP (NZ, Jonathan King, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BREAKDOWN (US, Jonathan Mostow, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BROKEDOWN PALACE (US, Jonathan Kaplan, 1999)

Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Summary: Jake Wilson reviews THE NIGHT BEFORE starring Seth Rogen, Joseph Gordon -Levitt and Anthony Mackie.
Notes: This article was also published in the Sydney Morning Herald and the Canberra Times on 5/12/2015
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNING MAN (UK/AT, Jonathan Teplitzky, 2011)

Author: Phillips, Garry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; PHILLIPS, GARRY; BURNING MAN (UK/AT, Jonathan Teplitzky, 2011)
Summary: Cinematographr Garry Phillips reflects on his thirty-two year career and the role of the cinematographer filming Australian drama, 'Burning Man'

Author: Maddox, Garry
PhysDes: Article
Subject: BACKSTAGE (AT, Jonathan Hardy, 1988)
Summary: Location report on "Backstage"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAGED HEAT (US, Jonathan Demme, 1974)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CAKE, JONATHAN

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CAMP NOWHERE (US, Jonathan Prince, 1994)

PhysDes: Article
Subject: CANNES FILM FESTIVAL; BUSH CHRISTMAS (AT, Henri Safran, 1981); SETTLEMENT, THE (AT, Gillian Leahy, 1977); DUSTY (AT, John Richardson, 1983); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); GINGER MEGGS (AT, Jonathan Dawson, 1982); CLINIC, THE (AT, David Stevens, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); FAR EAST (AT, John Duigan, 1982); CITY'S EDGE, THE (AT, Ken Quinnell, 1983); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANNIBAL WOMEN IN THE AVOCADO JUNGLE OF DEATH (US, J.D. Athens [pseud. of Jonathan Lawton], 1989)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CAOUETTE, JONATHAN

Call No: TITLE CLIPPINGS FILE; RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: Review of Ricki and The Flash
Rating: 3 out of 5 stars

Call No: 720-053 LEB
Author: Lebeau, Vicky
Place: London
Publisher: Reaktion Books
PubDate: 2008
PhysDes: 222 p. : illustrated ; 17 cm
Series: Locations
Subject: CHILDREN IN FILMS; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970); [FOUR HUNDRED] 400 BLOWS, THE [; LOLITA (US, Adrian Lyne, 1997); LOLITA (US, Stanley Kubrick, 1962); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); TARNATION (US, Jonathan Caouette, 2003); WOODSMAN, THE (US, Nicole Kassell, 2004); COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985)
Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself. Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web site
ISBN: 9781861893529

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHURCHILL (UK, Jonathan Teplitzky, 2017)

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITIZEN'S BAND (US, Jonathan Demme, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Publicity; Clippings
Subject: CLUE (US, Jonathan Lynn, 1985)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: COLEMAN, JONATHAN

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUSIN BOBBY (US, Jonathan Demme, 1992)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CURLING, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DAWSON, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY IN THE NIGHT OF JONATHAN MOLE, A (CN, Donald Brittain, 1959)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DEMME, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESCENT INTO THE MAELSTROM (AT, Jonathan Sequeira, 2017)

Call No: P DES
Place: AT
PubDate: [2017]
PhysDes: 1 poster : colour ; 100 x 71cm
Subject: DESCENT INTO THE MAELSTROM (AT, Jonathan Sequeira, 2017)
Summary: Image: The black symbol for Radio Birdman is superimposed on a red background in the center of the poster. The title is placed lower on the poster and has white barb wire on either side of it.
Notes: Good condition.

Call No: P DES
Place: AT
PubDate: [2017]
PhysDes: 1 poster : colour ; 100 x 70cm
Subject: DESCENT INTO THE MAELSTROM (AT, Jonathan Sequeira, 2017)
Summary: Text: "The best rock documentary ever made" I 94 BAR "Effing brilliant" TRIPLE M "Limited season from July 20" Image: A black and white photograph of six musicians on a red background with the Radio Birdman logo in purple behind the photographs of the musicians and to the lower left of the poster. The title along the top of the poster has white outlines of barb wire on either side of it. Lower-right corner there is an advertisement for the compact disc and limited edition vinyl of a 'Funhouse Jukebox Soundtrack'.
Notes: Good condition.
ID2: 337

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 43 photographs : b&w ; 13 x 18 cm.-21 x 26 cm
Subject: SCHEPISI, FRED; DIGNAM, ARTHUR; BURKE, SIMON; TATE, NICK; HARDY, JONATHAN; FRAWLEY, JOHN; LINDSAY, DANEE; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976)
Summary: Forty three photographs relating to the film The devil's playground
Notes: Contains multiple duplicates. Single image donated by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: DISTINGUISHED GENTLEMAN, THE (US, Jonathan Lynn, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMULSION (AT, Jonathan Ogilvie, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FARM, THE: ANGOLA, USA (US, Liz Garbus & Jonathan Stack, 1997)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: FASTBALL (US, Jonathan Hock, 2016)
Cross Reference: FASTBALL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY FIFTY] 50/50 (US, Jonathan Levine, 2011)

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: TITLE CLIPPINGS FILE; RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: Review and synopsis

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FRAKES, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAME NIGHT (US, John Francis Daley/Jonathan Goldstein, 2018)
Notes: Simon import_20/06/19

Call No: 451-03(94) MCK
Author: McKinnon, Scott
Source: UK/US
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2016
PhysDes: x, 272 pages : illustrations ; 23 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY IN FILMS. AUSTRALIA; SEXUALITY AND THE CINEMA; AUSTRALIA; BROKEBACK MOUNTAIN (US, Ang Lee, 2005); PHILADELPHIA (US, Jonathan Demme, 1993); MILK (US, Gus Van Sant, 2008)
Summary: "Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781783205967
Contents: -- acknowledgments -- introduction -- part one:Friends of Dorothy in the Emerald City -- chapter 1 The 1950s -- Censored from view for all to see -- Gay space, cinema-going and censorship in 1950s Sydney -- Regular guys and `sister boys': Tea and Sympathy -- Friends of Tom Lee: Rebel without a Cause, Cat on a Hot Tin Roof and Some Like it Hot -- chapter 2 The 1960s -- Undeniable -- Gay space, cinema-going and censorship in 1960s Sydney -- Poor unfortunate souls: victim and Advise and Consent -- The real lives of English youth: A Taste of Honey, The Leather Boys and If... -- chapter 3 The 1970s -- Strike up the band -- Gay space, cinema-going and censorship in 1970s Sydney -- A memory of times gone by: The Boys In the Band -- The thrill of the new: Sunday Bloody Sunday and A Very Natural Thing -- chapter 4 The 1980s - Arriving at last, leaving too soon -- Gay space, cinema-going and censorship in 1980s Sydney -- The Hollywood gaze: Fame, Partners, Cruising and Making Love -- an independent eye: Taxi Zum Klo -- chapter 5 The 1990s -- When we were cool -- Gay space, cinema-going and censorship in 1990s Sydney -- Made for them or watched by us? The Sum of Us -- To enlighten and remember: Philadelphia and Longtime Companion -- chapter 6 The 2000s -- In the shadow of the mountain -- Gay space, cinema-going and censorship in 2000s Sydney -- The film that got us good: Brokeback Mountain -- Staying home or going to the festival: Another Gay Movie and Shelter -- part Two Memories of Dorothy: Memory, Movies, Gay Men -- ch. 7 Gay kids at the movies -- Movie memory and queer childhoods -- On-screen memories: Childhood -- Remembering childhood cinema-going -- chapter 8 Others like us - Movie memory and the search for community -- Movie memories at the movies: Identity -- Learning, reciting and refuting memory -- chapter 9 We were there - Movie memory and the search for a queer past -- Heroes and villains: Braveheart and Alexander -- Creating `our' history: Stonewall and Milk -- Conclusion: Gay men at the movies --

Call No: TITLE CLIPPINGS FILE in production; MR CRANKY in production
Author: None
PhysDes: Clippings File Article
Subject: TEPLITZKY, JONATHAN; [MISTER] MR CRANKY in production
Summary: Jonathan Teplistzky is planning to shoot a crime drama MR CRANKY

Author: Prisk, Tracey
PhysDes: Article; Illustration(s)
Subject: BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)
Summary: Prisk outlines the evolution of "Better than sex" and the crew involved.

Call No: S GIN
Author: Latimer, Michael
PubDate: [1982?]
PhysDes: 167 leaves
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982)

Call No: P GIN
Place: AT
PubDate: 1982
PhysDes: 1 poster : colour ; 69 x 34 cm
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982)
Summary: Image: An illustration of several people in various poses including: a schoolmaster flexing his cane; a boy holding a tomato; a dog running; a girl with her arms in a rolled up cloth/blanket; a boy wearing a white hat with his hands in his pockets; a bald man with glasses, sideburns, and agitated body language; a woman with a red and yellow polka dot clothing stirring a bowl with substances; a boy with a green and black dotted hat and a sour expression; and a man pulling at a red-haired boy's bag as the boy looks defiantely into his face. Near the bottom of the poster, there are three portrait shots: one of a schoolmaster with an exaggerated facial expression, the second of a red-haired boy looking over his shoulder, and the third of a man with sideburns wearing a bowler hat.
Notes: The poster has several folds, and slight discolouration.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL (US, Jonathan Kahn, 1998)

PhysDes: Article
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982); PREMIERES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Photographs from the Melbourne premiere of 'Ginger Meggs'

Call No: FESTIVAL CATALOGUE SHELVES held 1988
Source: US
Place: New York, NY
Publisher: [s.n.]
PubDate: 1988
PhysDes: v. ; 28 cm
Subject: FESTIVALS. NEW YORK; DOCUMENTARY FILMS; DEMME, JONATHAN; WATKINS, PETER
Notes: The Global Village Documentary Festival is an important American film festival that is devoted entirely to documentary films. The film festival program is in the form of a typed document and includes introductory notes and a list of the selected films with a synopsis of each film. Located in the Various US Film Festivals A-G section.
ID2: 112

PhysDes: Article
Subject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983); CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983); BOOGENS, THE (US, James L. Conway, 1981); SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983); SPLASH (US, Ron Howard, 1984); MOLLY (AT, Ned Lander, 1983); RAZORBACK (AT, Russell Mulcahy, 1984); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); CROSS CREEK (US, Martin Ritt, 1983)
Summary: Lists of up-coming films and their crew details

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAITI: DREAMS OF DEMOCRACY (US, Jonathan Demme & Jo Mennel, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANDS OF STONE (PN/US, Jonathan Jakubowicz, 2016)

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: TITLE CLIPPINGS FILE; VACATION (USA, John Daley/Jonathan Goldstein, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: VACATION (USA, John Daley/Jonathan Goldstein, 2015)
Summary: Film review
Rating: 2.5 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARDY, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARLEM DIARY: NINE VOICES OF RESILIENCE (US, Jonathan Stack, 1995)

Call No: 409(73) NAT
Author: Natoli, Joseph, 1943
Place: Albany
Publisher: State University of New York Press
PubDate: 1994
PhysDes: xi, 238 p. ; 24 cm
Series: SUNY series in postmodern culture
Subject: SOCIETY AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; NATIONAL CULTURE AND THE CINEMA. USA; CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; NATIVE AMERICANS IN FILMS; ROBIN HOOD IN FILMS; KING, RODNEY; PHOENIX, RIVER; STONE, OLIVER; CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); BASIC INSTINCT (US, Paul Verhoeven, 1992); PRINCE OF TIDES, THE (US, Barbra Streisand, 1991); HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991); OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991); ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991); GRAND CANYON (US, Lawrence Kasdan, 1991); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); WALL STREET (US, Oliver Stone, 1987); UNFORGIVEN (US, Clint Eastwood, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); BOB ROBERTS (US, Tim Robbins, 1992)
Notes: Includes bibliographical references (p. 227-238)
ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)
LON: 10867366

Call No: TITLE CLIPPINGS FILE; SNATCHED (US, Jonathan Levine, 2017)
Author: Romei, Stephen
PhysDes: Clippings
Subject: SNATCHED (US, Jonathan Levine, 2017)
Summary: Film review
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEART LIKE A WHEEL (US, Jonathan Kaplan, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HEBREW HAMMER, THE (IS, Jonathan Kesselman, 2003)

Call No: 81OBS OBS
Author: Obst, Lynda Rosen
Place: Pymble, N.S.W.
Publisher: HarperCollins
PubDate: 1997
PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cm
Subject: INDUSTRY, FILM. USA; PRODUCERS; PRODUCING; STUDIOS, FILM. USA; OBST, LYNDA; BAD GIRLS (US, Jonathan Kaplan, 1994); CONTACT (US, Robert Zemeckis, 1997); FISHER KING, THE (US, Terry Gilliam, 1991); SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993)
Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle. Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.
Notes: First published: Boston : Little, Brown, c1996
ISBN: 0732258618 : $16.95
LON: abn97006410; 12942780

Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Summary: Poor review of THE NIGHT BEFORE
Rating: 2.5 out of 5 stars

Call No: 410 HOL
Author: Maltby, Richard, 1952; Stokes, Melvyn
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 240p. ; 24 cm
Subject: AUDIENCES; SPECTATORSHIP; AUDIENCE RECEPTION; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); FANTASIA (US, Walt Disney, 1940); CENSORSHIP. USA; RELIGION AND THE CINEMA. USA; ON THE BEACH (US, Stanley Kramer, 1959); ETHNIC GROUPS IN FILMS; CINEPHILIA
ISBN: 0851708110; 0851708102(pbk.) : ¦15.99
LON: 21774778

Call No: 62 VAI
Author: Vaidyanathan, T.G.
Source: II
Place: Delhi
Publisher: Oxford University Press
PubDate: 1996
PhysDes: 289 p ; 22cm
Subject: CRITICISM; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); Z (FR/AE, Constantin Costa-Gavras, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); ROSELAND (US, James Ivory, 1977); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); CAPE FEAR (US, Martin Scorsese, 1991); GANDHI (UK/II, Richard Attenborough, 1982); JUNOON (II, Shyam Benegal, 1979); TRIKAL (II, Shyam Benegal, 1986); PATHER PANCHALI (II, Satyajit Ray, 1955); NAYAK (II, Satyajit Ray, 1966); SEEMABADDHA (II, Satyajit Ray, 1971); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKET
Notes: Includes bibliographical references (p. [279]-289)
ISBN: 019563764X
Donation: donated by the family of Wayne Levy, 2006
Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --
URL status: URL: 'http://-' Checked: 31/08/2021 1:13:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982); HOYTS
Summary: Article and photographs of the Hoyts trade-day where 'Ginger Meggs' was screened.

PhysDes: Article
Subject: HOYTS; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); PARADISE (CN, Stuart Gillard, 1982); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); BARBAROSA (US, Fred Schepisi, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); ON GOLDEN POND (US, Mark Rydell, 1981); VICE SQUAD (US, Gary Sherman, 1982); INSIDE MOVES (US, Richard Donner, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); MOONLIGHTING (UK, Jerzy Skolimowski, 1982); BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); WHO DARES WIN (UK, Ian Sharp, 1982); SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982); BEACH GIRLS, THE (US, Pat Townsend, 1982); SOLDIER, THE (US, James Glickenhaus, 1982); ESCAPE ARTIST, THE (US, Caleb Deschanel, 1982); HAMMETT (US, Wim Wenders, 1982); ZAPPED ! (US, Robert J. Rosenthal, 1982); ENIGMA (UK/FR, Jeannot Szwarc, 1983); HUMONGOUS (CN, Paul Lynch, 1982); PHAR LAP (AT, Simon Wincer, 1983)
Summary: List of current and coming Hoyts productions.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: HUSH (US, Jonathan Darby, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMMEDIATE FAMILY (US, Jonathan Kaplan, 1989)

Call No: 222(-091) ELS
Author: Elsey, Eileen; Kelly, Andrew
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xvi, 171p. : illus. : 24cm.
Subject: DIGITAL TECHNOLOGY; SHORT FILMS; CALDER, EMMA; GLAZER, JONATHAN; HARDWICK, JOHN; MINGHELLA, ANTHONY; O'DONNELL, DAMIEN; PARK, NICK; RAMSAY, LYNNE; SHERIDAN, TESSA; SMITH, JOHN; WRIGHT, KEITH; YOHANNES, WINTA
Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth Evans
ISBN: 0851708935

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT (US, Mark Jonathan Harris, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IO (US, Jonathan Helpert, 2019)
Notes: Simon import_20/06/19

Call No: 81DEMME JON
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: c2009
PhysDes: l, 183 p. : port. ; 24 cm
Series: Conversations with filmmakers series
Subject: DEMME, JONATHAN; CORMAN, ROGER; AGRONOMIST, THE (US, Jonathan Demme, 2003); BELOVED (US, Jonathan Demme, 1998); CITIZEN'S BAND (US, Jonathan Demme, 1977); HANDLE WITH CARE (US, Jonathan Demme, 1977); MARRIED TO THE MOB (US, Jonathan Demme, 1988); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); PHILADELPHIA (US, Jonathan Demme, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STOP MAKING SENSE (US, Jonathan Demme, 1984); SWING SHIFT (US, Jonathan Demme, 1984); NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006)
ISBN: 9781604731187
Donation: donated by Senses of Cinema, 2013
Contents: Demme's Monde: A B-Movie Maker Makes the Grade / TOM ALLEN -- Demme Monde / CARLOS CLARENS -- Director Continues Small-Town Romance / JOANNA CONNORS -- Jonathan Demme: On the Line / MICHAEL SRAGOW -- Start Making Sense: An Interview with Jonathan Demme / MICHAEL DARE -- Could This Also Be the Start of Something Big? / HARRY HAUN -- Something Wilder / J. HOBERMAN -- Kael and Demme: Meeting of Two American Film Heavies / ROB NELSON -- Interview with Jonathan Demrne / MICHAEL HENRY AND HUBERT NIOGRET -- Identity Check / GAVIN SMITH -- Demme's Monde / AMY TAUBIN -- Still Burning -- Demme's Philadelphia Story / ANN KOLSON -- The Rolling Stone Interview: Jonathan Demme / ANTHONY DECURTIS -- The Guardian/ NFT Interview: Jonathan Demme / ADRIAN WOOTTON -- Breaking the Rules for Beloved / ERIC HARRISON -- A Conversation with Director Jonathan Demme / CHARLIE ROSE -- Young Director Tells a Veteran How He Did It / ROB SCHMIDT AND JONATHAN DEMME -- The Onion A.V. Club Interview: Jonathan Demme / SCOTT TOBIAS -- An Interview with Jonathan Demme / THEAGRONOMIST.COM -- Film-makers on Film: Jonathan Demme on Jared Hess's Napoleon Dynamite / SHEILA JOHNSTON -- Mind Control / DAVID THOMPSON -- Interview: Singer Neil Young and Director Jonathan Demme / TERRY GROSS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONATHAN LIVINGSTONE CEO (AT, Joe Villanti, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JONATHAN OF THE BEARS (IT/RU, Enzo G. Castellari [pseud. of Enzo Girolami], 1994)

Call No: TITLE CLIPPINGS FILE; RAILWAY MAN, THE (AT/UK/SZ, Jonathan Teplitzky, 2013)
Author: Williams, Evan
PhysDes: Clippings File Article
Subject: RAILWAY MAN, THE (AT/UK/SZ, Jonathan Teplitzky, 2013)
Summary: Review
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: K ING LEAR (UK, Jonathan Miller, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIN (US, Jonathan Baker/Josh Baker, 2018)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KING, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KING, MURRAY (US, David Hoffman & Jonathan Gordon, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIRLIAN WITNESS, THE (US, Jonathan Sarno, 1978)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KOS-READ, JONATHAN

Author: Luke Dennehy
PhysDes: Clippings File Article
Subject: LAPAGLIA, JONATHAN; AUSTRALIAN SURVIVOR [TV] (AT, 2002)
Summary: Positive comments on Jonathan LaPaglia's hosting role on Australian Survivor

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAPAGLIA, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST EMBRACE (US, Jonathan Demme, 1979)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LESTER, JONATHAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LIPNICKI, JONATHAN

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
URL status: URL: 'http://file://Q:/T/LITTLE_MISS_SUNSHINE.zip' Checked: 31/08/2021 1:13:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Angie Errigo
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: Review of Little Miss Sunshine

Author: Michael Adams
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: D.V.D. review of Little Miss Sunshine

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LIVET I 8 BITAR (SW, Pontus Klange/Jonathan Metzger, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG SHOT (US, Jonathan Levine, 2019)
Notes: Simon import_190718

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE IN BRIGHT LANDSCAPES (AT, Jonathan Alley, 2021)
Cross Reference: LOVE IN BRIGHT LANDSCAPES (AT, Jonathan Alley, 2021)

Call No: P LOV
PhysDes: 1 poster : colour ; 69 x 100 cm
Subject: LOVE IN BRIGHT LANDSCAPES (AT, Jonathan Alley, 2021)
Summary: Image: David McComb with guitar giving a clenced fist salute.
Donation: Cinema Nova

Call No: 735.2 ROC
Author: Roche, David
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c2014
PhysDes: vii, 335 pages : illustrations ; 24 cm
Subject: HORROR FILMS; REMAKES; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TEXAS CHAINSAW MASSACRE [...] (US, 1974-); TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003); TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006); DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HILLS HAVE EYES, THE (US, Alexandre Aja, 2006); HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986)
Summary: An expansive treatment of the meanings and qualities of original and remade American horror movies
Notes: Includes bibliographical references (317-328), filmography and index.
ISBN: 9781617039621
Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.

Call No: TITLE CLIPPINGS FILE; RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: Mamie Gumner and her role in Ricki and the Flash. Mamie plays Julie, daughter of a rock-star mother Ricki who is playe dby Meryl Streep.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: MARRIED TO THE MOB (US, Jonathan Demme, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MELVIN AND HOWARD (US, Jonathan Demme, 1980)

Call No: 735.2 CLO
Author: Clover, Carol J., 1940
Place: London
Publisher: B.F.I. Publishing
PubDate: 1992
PhysDes: 260 p. : ill. ; 25 cm
Subject: HORROR FILMS; SLASHER FILMS; CRIME IN FILMS; AUDIENCES; DEVIL IN FILMS; ENDINGS OF FILMS; EXPLOITATION FILMS; FAMILY IN FILMS; LOOK IN FILMS; HOMOSEXUALITY IN FILMS; IDENTIFICATION; REPRODUCTION IN FILMS; SADISM / MASOCHISM IN FILMS; SUPERNATURAL IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); ALIEN [...] (UK/US, 1979-92); DELIVERANCE (US, John Boorman, 1972); EXORCIST, THE (US, William Friedkin, 1973); FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HUNTER'S BLOOD (US, Robert C. Hughes, 1986); MS 45 (US, Abel Ferrara, 1981); PEEPING TOM (UK, Michael Powell, 1960); POLTERGEIST (US, Tobe Hooper, 1982); PSYCHO (US, Alfred Hitchcock, 1960); SCANNERS (CN, David Cronenberg, 1981); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); WITCHBOARD (US, Kevin S. Tenney, 1987)
Notes: Includes bibliographical references (p. [237]-253) and index
ISBN: 0851704190 (pbk.); 0851703313
LON: 8882059

Call No: PERSONALITY CLIPPINGS FILE; STREEP, MERYL
Author: Cummings, Pip
PhysDes: Clippings File Article
Subject: STREEP, MERYL; RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: An article about Meryl Streep's new film, Ricki and the Flash. There is an interview with Streep and her daughter Mamie Gummer who is also her co-star.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [MISTER] MR BILLION (US, Jonathan Kaplan, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MONDOVINO (FR/US, Jonathan Nossiter, 2004)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w 13 x 18 - 21 x 26 cm
Subject: SMART, REBECCA; HARDY, JONATHAN; GRUBB, ROBERT; LUCAS, BETTY; HACKFORTH-JONES, PENNE; WALLACE, ROWENA; MOIR, RICHARD; MORE LOVE STORIES (AT, Robert Randall & Frank Bendinelli, 1984); MORE WINNERS [TV] (AT, 1991)
Summary: 9 black and white photographs from the 'More Winners' series of Rebecca Smart, Steven Scott-Young, David Presser, Erica Kennedy, Jonathon Hardy, Simon Grey, Scott Major, Robert Grubb, Betty Lucas, Tamblyn Lord, Penne Hackforth-Jones, Nathan Croft, Richard Moir, Rowena Wallace, Bruno Lawrence, Justin Rozniak, and Cameron Nugent.

Call No: 802 CHE
Author: Chell, David
Source: US
Place: Redmond, Wash
Publisher: Microsoft Press
PubDate: 1987
PhysDes: ix, 357 p. : ill. ; 24 cm
Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN
Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.
ISBN: 1556150032
Donation: donated by the family of Wayne Levy, 2006

Call No: 67(04) ROS
Author: Rosenbaum, Jonathan
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xvii, 202 p. : ill. ; 23 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; Rosenbaum, Jonathan; BROOKS, RICHARD; NEWMAN, PAUL; PAGE, GERALDINE; BIRD OF PARADISE (US, Delmer Davves, 1951); FREAKS (US, Tod Browning, 1932); ON MOONLIGHT BAY (US, Roy Del Ruth, 1951); PLAYTIME (FR, Jacques Tati, 1967); SWEET BIRD OF YOUTH (US, Richard Brooks, 1961); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953)
Notes: Originally published: 1st ed. New York : Harper & Row, c1980; Includes bibliographical references and index
ISBN: 0520089073 (pbk. : alk. paper)
LON: 11018207

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Author: Robbins, Bruce
PhysDes: Article; Bibliography
Subject: CLASS AND THE CINEMA; SPIVAK, GAYATRI CHAKRAVORTY; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991)
Summary: The article explores how the complex relationship between intellectuals and communities, particularly working class audiences, are negotiated within popular culture.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: MY COUSIN VINNY (US, Jonathan Lynn, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY FLESH AND BLOOD (US, Jonathan Karsh, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY SCIENCE PROJECT (US, Jonathan Betuel, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MYSTERY DATE (US, Jonathan Wacks, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEIL YOUNG JOURNEYS (US, Jonathan Demme, 2011)

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: NIX, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NUNS ON THE RUN (UK, Jonathan Lynn, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 cm
Subject: CHILDREN AND TV. AUSTRALIA; GODECKI, MARZENA; WALKER, JEFFREY; OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)
Summary: 13 black and white photographs of scenes from the science fiction children's TV show and of the Ocean Girl, Marzena Godecki.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OGILVIE, JONATHAN

Call No: 721.210.4(73) TAY
Author: Taylor, Charles
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2017
PhysDes: 199 pages ; 22 cm.
Subject: VANISHING POINT (UK, Richard C. Sarafian, 1971); HICKEY AND BOGGS (US, Robert Culp, 1972); TWO LANE BLACKTOP (US, Monte Hellman, 1971); COFFY (US, Jack Hill, 1973); FOXX, JAMIE; ULZANA'S RAID (US, Robert Aldrich, 1972); AMERICAN HOT WAX (US, Floyd Mutrux, 1978); HARD TIMES (US, Walter Hill, 1975); CITIZEN'S BAND (US, Jonathan Demme, 1977); WINTER KILLS (US, Bill Richert, 1979); EYES OF LAURA MARS (US, Irvin Kershner, 1978); BRING ME THE HEAD OF ALFREDO GARCIA (MX/US, Sam Peckinpah, 1974)
Summary: When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity." - Book jacket
ISBN: 9781632868183
Contents: Prevues of coming attractions -- On the hoof, on the barrel: Prime Cut -- The challenger: Vanishing Point -- Farewell to the first golden era: Cisco Pike -- Bebop/ silence: Hickey & Boggs -- Shut down, volume 2: Two-land Blacktop -- A queen without a throne: Coffy and Foxy Brown -- White man's burden: Ulzana's Raid -- Aloha and good night, two by Floyd Mutrux: Aloha, Bobby and Rose and American Hot Wax -- Stranger in town: Hard Times -- E pluribus loonum: Citizens Band -- The goosing of the President: Winter Kills -- Eye of the beholders: Eyes of Laura Mars -- Even the losers: Bring Me the Head of Alfredo Garcia -- When the lights go up
ID2: 343

PhysDes: Article
Subject: GINGER MEGGS (AT, Jonathan Dawson, 1982); HOYTS; ADVERTISING FOR FILMS
Summary: Article and photographs of Hoyts' launching of 'Ginger Meggs' wherein they transported those invited by train to Bowral to watch the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PADRE, THE (CN, Jonathan Sobol, 2018)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LA PAGLIA, JONATHAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PEASE, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT KISS, THE (US, Jonathan Demme, 1985)

Call No: PERSONALITY CLIPPINGS FILE; LAPAGLIA, JONATHAN
Author: Schipp, Debbie
PhysDes: Clippings File Article
Subject: LAPAGLIA, JONATHAN
Notes: LaPaglia's comments on Underbelly: Badness and Love Child.

Call No: 630.5 STA
Author: Staiger, Janet
Source: US
Place: New York
Publisher: New York University Press
PubDate: c2000
PhysDes: vi, 242 p. ; 24 cm
Subject: AUDIENCE RESEARCH; AUDIENCE RECEPTION; PERCEPTION; AUDIENCES THEORY; AESTHETICS; GENRES; VIOLENCE IN FILMS; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982)
Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.
ISBN: 081478139X

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: PHILADELPHIA (US, Jonathan Demme, 1993)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLEASURE AT HER MAJESTY'S (UK, Roger Graef and Jonathan Miller, 1976)

Call No: 62 POS
Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.)
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1996
PhysDes: 564 p. : 23 cm
Series: Wisconsin studies in film
Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988)
Notes: Includes bibliographical references and index
ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)
LON: 95037052; 11859923

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POWWOW HIGHWAY (UK/US, Jonathan Wacks, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit
Subject: PROJECT X (US, Jonathan Kaplan, 1987)

Call No: 802 PRO v.1 - v.12
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber
PubDate: 1992
PhysDes: viii, 283 p. : ill. ; 23 cm
Subject: PRESSBURGER, EMERIC; HARTLEY, HAL; VAN SANT, GUS; CUKOR, GEORGE; BOORMAN, JOHN; FULLER, SAMUEL; DEMME, JONATHAN; ALMENDROS, NESTOR; PHOENIX, RIVER; MANN, MICHAEL; CAMPION, JANE; WARD, VINCENT; LOWENSTEIN, RICHARD; SURVIVING DESIRE (US, Hal Hartley, 1992)
Notes: "Issue No. 1" - cover
ISBN: 0571167292 (pbk.) : ¦9.99
LON: bnb57116729; 8676208

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PRYCE, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PUNISHER, THE (US, Jonathan Hensleigh, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEST (US, Jonathan Olshefski, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RACHEL GETTING MARRIED (US, Jonathan Demme, 2008)

Call No: P RAC
PhysDes: 1 poster : col. ; 102 X 69 cm.
Subject: RACHEL GETTING MARRIED (US, Jonathan Demme, 2008)
Summary: Image: on the left is a close-up head shot of Anne Hathaway and on the right is a smaller blurred photo of a bride and groom.
Notes: Printed on the reverse side.

Call No: S RAI
Author: Boyce, Frank Cottrell; Paterson, Andy
Place: AT
PubDate: 2012c
PhysDes: 106 leaves
Subject: RAILWAY MAN, THE (AT/UK/SZ, Jonathan Teplitzky, 2013)
Notes: Unpublished script
Donation: Australian Film Institute
URL status: URL: 'http://file://Q:/scripts/RAILWAY_MAN,_THE.zip' Checked: 31/08/2021 1:51:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAILWAY MAN, THE (AT/UK/SZ, Jonathan Teplitzky, 2013)
URL status: URL: 'http://file://Q:/T/RAILWAY_MAN,_THE.zip' Checked: 31/08/2021 1:26:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 734.4 BER
Author: Bergman, Paul, 1943; Asimow, Michael
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1996
PhysDes: xix, 338 p. : ill. ; 23 cm
Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947)
Notes: Includes bibliographical references (p. [321]-326) and index
ISBN: 0836210352 (pbk.)
LON: 11957271

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Zion, Lawrie
Subject: DVD, FILMS ON; BOX OFFICE; AUSTRALIAN FILM FINANCE CORPORATION. FUNDING APPROVALS; BLACK SHEEP (NZ, Jonathan King, 2006)
Summary: A number of tibits here but evidence that whilst box office is down, revenue is up for studios by 9per cent for studio produced films. This rise is mainly due to rise in DVD sales of 14per cent is US and 46per cent in the rest of the world.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Author: White, Mimi
PhysDes: Article
Subject: LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); FEMINISM AND THE CINEMA; WORLD WAR II FILMS; WOMEN IN FILMS
Summary: Article on the representation of women in the films 'The Life and Times of Rosie the Riveter' and 'Swing Shift', both films being set in World War II and focusing on women in the workforce.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESIDENT ALIEN (US, Jonathan Nossiter, 1990)

Call No: 744.7 CRE
Author: Creed, Barbara
Edition: 2022
Place: New York
Publisher: Routledge
PubDate: 2022
PhysDes: x, 168 pages
Subject: FEMINISM AND THE CINEMA; HORROR FILMS; BABADOOK , THE (AT, Jennifer Kent, 2014); HANDMAID'S TALE, THE [TV] (US, 2017 - ); PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020); REVENGE (FR, Coralie Fargeat, 2017); NIGHTINGALE, THE (AT, Jennifer Kent, 2017); NOMADLAND (US/GG, Chloé Zhao, 2020); CAROL (UK/US/FR, Todd Haynes, 2015); ASSISTANT, THE (US, Kitty Green, 2019); GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014); UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013); JENNIFER'S BODY (US, Karyn Kusama, 2009); LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015); THELMA (NO/FR/DK/SW, Joachim Trier, 2017); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002); SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017); WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web site
ISBN: 9780367478162
Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: REYNOLDS, JONATHAN

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RHYS MEYERS, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICKI AND THE FLASH (US, Jonathan Demme, 2015)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: Rosenbaum, Jonathan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUBY SPARKS (US, Jonathan Dayton/Valerie Faris, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: [SERGEANT] SGT BILKO (US, Jonathan Lynn, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEX, DRUGS AND DEMOCRACY (NE, Jonathan Blank, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEX SELLS: THE MAKING OF TOUCHE (US, Jonathan Liebert, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SEXY BEAST (UK, Jonathan Glazer, 2000)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SHIER, JONATHAN

Call No: PERSONALITY CLIPPINGS FILE PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SHIFF, JONATHAN M.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SHTEINMAN, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHVITZ, THE (US, Jonathan Berman, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIGNS AND WONDERS (FR, Jonathan Nossiter, 2000)

Call No: 79SIL TAS
Author: Tasker, Yvonne
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2002
PhysDes: 95 p. : ill. (some col.) ; 19 cm
Series: BFI modern classics
Subject: HORROR FILMS; SERIAL KILLERS IN FILMS; TRANSVESTISM; DEMME, JONATHAN; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991)
ISBN: 0851708714

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SILVERMAN, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SNATCHED (US, Jonathan Levine, 2017)

PhysDes: Article
Subject: SOMETHING WICKED THIS WAY COMES (US, Jack Clayton, 1983); ROBARDS, JASON; PRYCE, JONATHAN; LADD, DIANE
Summary: Review of 'Something Wicked This Way Comes'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOMETHING WILD (US, Jonathan Demme, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SONG OF THE SHIRT, THE (UK, Susan Clayton & Jonathan Curling, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAND (FR/RU/UE, Jonathan Taieb, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR TREK: FIRST CONTACT (US, Jonathan Frakes, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STAR TREK: INSURRECTION (US, Jonathan Frakes, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STOP MAKING SENSE (US, Jonathan Demme, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STOREFRONT HITCHCOCK (US Jonathan Demme, 1998)

Call No: 632.2(73) THO
Author: Thompson, Kristin, 1950
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1999
PhysDes: 398 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; TOOTSIE (US, Sydney Pollack, 1982); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); GROUNDHOG DAY (US, Harold Ramis, 1993); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); AMADEUS (US, Milos Forman, 1984); HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990); PARENTHOOD (US, Ron Howard, 1989); ALIEN (UK, Ridley Scott, 1979); HANNAH AND HER SISTERS (US, Woody Allen, 1986); FIELD, SYD; JAWS (US, Steven Spielberg, 1975); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references and index
ISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95
LON: 14524218

Call No: TITLE CLIPPINGS FILE; RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: RICKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: Glowing review of Meryl Streep rock film
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; RIKKI AND THE FLASH (US, Jonathan Demme, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: STREEP, MERYL; KLINE, KEVIN; RIKKI AND THE FLASH (US, Jonathan Demme, 2015)
Summary: Review of the film, Rikki and the Flash.
Rating: 4 out of 5 stars

Call No: REFERENCE SECTION; 036-02 STR
Author: Clarke, Nicola; Gordon, Stephen; Johnston, Louise; Khan, Ayesha; Smart, Emma
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2001
PhysDes: 77 p ; 30 cm
Series: National Library 16+ guides
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ALLY MCBEAL [TV] (US, 1997-); BASIC INSTINCT (US, Paul Verhoeven, 1992); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BOUND (AT, Serhat Caradee, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CHARLIE'S ANGELS (US, McG, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); ELIZABETH (UK, Shekhar Kapur, 1998); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); LARA CROFT: TOMB RAIDER (US, Simon West, 2001); LAST SEDUCTION, THE (US, John Dahl, 1994); NIKITA (FR/IT, Luc Besson, 1990); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ROSEANNE [TV] (US, 1988- ); RUN LOLA RUN (G, Tom Tykwer, 1998); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); XENA: WARRIOR PRINCESS [TV] (US, 1995-); X-FILES, THE [TV] (US, 1993-); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+
ID2: 150

Call No: 735.27 AIO
Author: Aiossa, Elizabeth
Edition: 2018
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc
PhysDes: 186 pages ; 23 cm
Series: contributions to zombie studies
Subject: ZOMBIES IN FILMS AND TV; ROMERO, GEORGE; DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); DAY OF THE DEAD (US, George A. Romero, 1985); DEAD GIRL, THE (US, Karen Moncrieff, 2006); GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016); IN THE FLESH [TV] (UK, 2013-2015); LAND OF THE DEAD (CN/FR/US, George Romero, 2005); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); WALKING DEAD, THE [TV] (US, 2010 - ); WARM BODIES (US/CN, Jonathan Levine, 2013); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web site
ISBN: 978147666730
Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNDAY (US, Jonathan Nossiter, 1997)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SWEET, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SWIMMING TO CAMBODIA (US, Jonathan Demme, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: SWING SHIFT (US, Jonathan Demme, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAMING OF THE SHREW, THE (UK, Jonathan Miller, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TARNATION (US, Jonathan Caouette, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEENAGE MUTANT NINJA TURTLES (US, Jonathan Liebesman, 2014)

Author: Hull, David
PhysDes: Article
Subject: TENDER HOOK, THE (AT, Jonathan Ogilvie, 2008)
Summary: Jonathan Ogilvie incorporates archival footage into his film THE TENDER HOOK

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TEPLITZKY, JONATHAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006)

Author: Cameron, Allan
PhysDes: Article
Subject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND; HORROR FILMS. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; FANTASTIC FILMS; LOCALS, THE (NZ, Greg Page, 2003); BLACK SHEEP (NZ, Jonathan King, 2006); FERRYMAN, THE (NZ/UK, Chris Graham, 2007); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006)
Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.
Notes: Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror’s characteristic focus on questions of otherness to the otherness of local and global cultural identities. In this way, they subject New Zealand cinema’s Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized or displaced. In a number of these films (several of which are international co-productions) the Gothic even comes untethered from the local landscape and moves across national frontiers. By reworking the tropes of New Zealand horror, these films take up the challenge of re-articulating New Zealand identities for the early twenty-first century, producing a palimpsestic vision of nationhood determined not by essences but by codes.--Abstract

Call No: P TEN
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: TENDER HOOK, THE (AT, Jonathan Ogilvie, 2008)
Summary: Image: Has a photo of Rose Byrne, one of Hugo Weaving and one of Matt Le Nevez on it. Text: 'Love is a prize and the winner takes all'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THEODORE REX (US, Jonathan Betuel, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS FILM IS A DOG (AT, Jonathan Ogilvie, 1996)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: THOMAS, JONATHAN TAYLOR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIGHTEN YOUR BELTS, BITE THE BULLET (US, James Gaffney & Martin Lucas & Jonathan Miller, 1981)

Call No: TITLE CLIPPINGS FILE; DESCENT INTO THE MAELSTROM (AT, Jonathan Sequeira, 2017)
Author: Mathieson, Craig
PhysDes: Clippings
Subject: DESCENT INTO THE MAELSTROM (AT, Jonathan Sequeira, 2017)
Summary: Review
Rating: 2.5 out of 5 stars

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; CHETTY, DEVESH; CLARK, AL; GUDINSKI, MICHAEL; HANNAY, DAVID; KNIGHT, ANDREW; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAIL AND ERROR (US, Jonathan Lynn, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: TRUNK (AT, Jonathan Ogilvie, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: UNLAWFUL ENTRY (US, Jonathan Kaplan, 1992)

Call No: 721.210.4(73) PER
Author: Perkins, Claire; Verevis, Constantine
Edition: 2015
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2015
PhysDes: vi, 230 p. : illus. ; 25 cm
Subject: ALL THE REAL GIRLS (US, David Gordon Green, 2003); BUBBLE (US, Steven Soderbergh, 2005); BUFFALO 66 (US, Vincent Gallo, 1998); FROZEN RIVER (US, Courtney Hunt, 2008); JESUS' SON (US, Alison Maclean, 1999); KICKING AND SCREAMING (US, Jesse Dylan, 2005); LAUREL CANYON (US, Lisa Cholodenko, 2002); LIVING IN OBLIVION (US, Tom DiCillo, 1995); LOVELY AND AMAZING (US, Nicole Holofcener, 2001); OLD JOY (US, Kelly Reichardt, 2006); PARIAH (US, Randolph Kret, 1998); PRIMER (US, Shane Carruth, 2004); RACHEL GETTING MARRIED (US, Jonathan Demme, 2008); SECRETARY (US, Steven Shainberg, 2001)
Notes: In contemporary film and popular culture the terms ‘independent’ and ‘indie’ hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose ‘maverick’ personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview—figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors—who are almost wholly excluded from the dominant indie canon—these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. -- publisher's blurb
ISBN: 9780748692446
ID2: 338

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VACATION (US, John Daley/Jonathan Goldstein, 2015)

Author: Chambers, Ross
PhysDes: Article; Bibliography
Subject: AIDS IN FILMS; HOMOSEXUALITY IN FILMS. USA; OPERA IN FILMS; PARTING GLANCES (US, Bill Sherwood, 1986); PHILADELPHIA (US, Jonathan Demme, 1993); RSVP (US, Laurie Lynd, 1991)
Summary: Article explores the thematic relevance of operatic quotations as forms of visitations or possessions within three films about Aids and homosexuality.

Author: Rouse, Jeremy
PhysDes: Article
Subject: JONATHAN (DE, Piotr J. Lewandoski, 2016); ROUSE, JEREMY
Summary: Cinematographer Jeremy Rouse talks about his experiences shooting the German film Jonathan. He talks about dealing with the langiage barrier of working on a film in another language and his close relationship with the director Piotr J. Lewandoski.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: WACKNESS, THE (US, Jonathan Levine, 2008)

Call No: P WAC
Place: AT
PhysDes: 1 poster : col. ; 69 x 100cm
Subject: WACKNESS, THE (US, Jonathan Levine, 2008)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: WALD, JONATHAN

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WARM BODIES (US/CN, Jonathan Levine, 2013)
URL status: URL: 'http://file://Q:/T/WARM_BODIES.zip' Checked: 31/08/2021 1:26:31 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WHOLE NINE YARDS, THE (US, Jonathan Lynn, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WILL TO PROVOKE (US, Jonathan Reiss, ?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WRATH OF THE TITANS (US/SP, Jonathan Liebesman, 2012)