title clippings file
ANY GIVEN SUNDAY : (US, Oliver Stone, 1999)
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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title clippings file
BACK TO THE HAPPY EVER AFTER : (AT, Shane Carn & Philip "Sunday" Hopkins & Michael Carn, 1994)
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title clippings file
BLACK SUNDAY : (US, John Frankenheimer, 1977)
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title clippings file
BLOODY SUNDAY : (IE/UK, Paul Greengrass, 2002)
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book
CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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book
An Examination of Australian cultural identity as depicted in four Australian films : The Adventures of Barry McKenzie, Alvin Purple, Sunday too far away and Picnic at Hanging Rock / by Sue Ramadan Kensington, NSW : [s.n.], 1976:
Call No: 408.1(94) RAMAuthor: Ramadan, Sue Place: Kensington, NSW : [s.n.], 1976PhysDes: [79 leaves] ; 30 cmSubject: NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIA ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ALVIN PURPLE (AT, Tim Burstall, 1973) LON: abn98366333; 14228501
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newspaper article
Filming while pregnant was all in the delivery in Sunday Telegraph (26/04/2015) p.128
Call No: TITLE CLIPPINGS FILE; SUNDAY (NZ/AT, Michelle Joy Lloyd, 2015)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: KEENAN, CAMILLE ; CLARE, DUSTIN ; SUNDAY (NZ/AT, Michelle Joy Lloyd, 2015) Summary: Interview with cast about filming of new Australian/New Zealand film 'Sunday', with discussion about key cast member Camille Keenan being pregnant whilst the film was about her character being pregnant.
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book
Finally, Sunday! : a.k.a. confidentially yours / Charles Williams Harmondsworth, England: Penguin, 1983.
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title clippings file
FINANCIAL REVIEW SUNDAY [TV] : (AT, 2013 - 2014)
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title clippings file
GLOOMY SUNDAY: EIN LIED VON LIED UND TOD : (GG/HU, Rolf Schubel, 2000)
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newspaper article
A grand production in Sunday Herald Sun [Other] (3/05/2015) p.93
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title clippings file
IF YOU DON'T COME IN SUNDAY... DON'T COME IN MONDAY : (US, John D. Hershberger, 1976)
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book
It always rains on Sunday : the book of the film / A.J. La Bern London: Nicholson & Watson, 1947.
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book
IT ALWAYS RAINS ON SUNDAY : (UK, Robert Hamer, 1947)
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book
Karel Reisz / Colin Gardner Manchester, UK: Manchester University Press, 2006.
Call No: 81REI GARAuthor: Gardner, Colin Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: 2006PhysDes: x, 310 p. : ill. ; 23 cmSeries: British film makersSubject: CRITICISM ; REISZ, KAREL ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; NIGHT MUST FALL (UK, Karel Reisz, 1964) ; SWEET DREAMS (US, Karel Reisz, 1985) ; GAMBLER, THE (US, Karel Reisz, 1974) ; WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; EVERYBODY WINS (UK/US, Karel Reisz, 1990) Notes: Includes bibliography (p. [279]-293) and index.; Includes filmographyISBN: 0719075483Donation: Donated by Senses Of Cinema, 2009Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.
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book
Masterworks of the British cinema / introduction by John Russell Taylor London: Lorimer, 1974.
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book
Metaphors of femininity and the landscape in Australian cinema : five 'New Wave' films / Robin Wright 1992.
Call No: 626:396(94) WRIAuthor: Wright, Robin, 1963 PubDate: 1992PhysDes: 110 leaves : col. ill. ; 30 cmSubject: LANDSCAPES IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) Summary: This thesis examins the representation of the Australian landscape in five Australian films released between 1975 and 1982. The films are 'The Man From Snowy River', 'Sunday Too Far Away', 'We of the Never Never', 'Picnic at Hanging Rock' and 'The Plains of Heaven'. These five texts are examined in light of feminist theories dealing with subjectivity and representation. The analysis of the place and role of femininity within the texts is conducted through the examination of symbols and metaphors associated with the landscape which operate within the film structure. The thesis concludes that the Australian landscape is constructed within these films in such a way as to support the concept of a white, masculine Australian identity..." -- taken from summaryNotes: Submitted in partial fulfilment of the requirements for the degree of Master of Arts, Centre for Womens Studies; Summary: [unpaged] at front of text; Typescript; Includes bibliographical references (leaves 104-110)LON: abn93171145; 10039377Contents: 1. Introduction -- 2. Feminist strategies -- 3. The production context -- 4. The man from Snowy River -- 5. Sunday too far away -- 6. We of the never never -- 7. Picnic at hanging rock -- 8. The plains of heaven -- 9. Ideological position and Australian identity
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Online resource
digital clippings file
MOTHERING SUNDAY : (UK/GG, Eva Husson, 2021) Digital clippings file available
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book
National fictions : literature, film, and the construction of Australian narrative / Graeme Turner St Leonards, NSW: Allen & Unwin, 1993.
Call No: 408.1(94) TURAuthor: Turner, Graeme Edition: 2nd edPlace: St Leonards, NSWPublisher: Allen & UnwinPubDate: 1993PhysDes: xiv, 169 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: NARRATIVE IN FILMS. AUSTRALIA ; LITERATURE AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; WEIR, PETER ; GALLIPOLI (AT, Peter Weir, 1981) ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) Notes: Includes bibliographical references (p. 156-165) and indexISBN: 1863735046LON: 9848099
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book
National fictions : literature, film, and the construction of Australian narrative / Graeme Turner Sydney: Allen & Unwin, 1986.
Call No: 408.1(94) TURAuthor: Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1986PhysDes: vii, 156 p. : ill., ports. ; 23 cmSeries: Australian cultural studiesSubject: NARRATIVE IN FILMS. AUSTRALIA ; LITERATURE AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; WEIR, PETER ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) Notes: Includes index; Bibliography: p. 146-153ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 AustLON: abn98037922; 13658862URL status: URL: 'http://-'
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newspaper article
Networking in Canberra Times [TV Guide] (18/07/2016) p.2
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music lp
Never on Sunday [sound recording] : original soundtrack / music composed by Manos Hadjidakis, edited and produced for records by Jack Lewis Sydney: United Artists Records: distributed by EMI Australia, c1960.
Call No: LP Never on SundayAuthor: Hadjidakis, Manos ; Lewis, Jack Source: USPlace: SydneyPublisher: United Artists Records: distributed by EMI AustraliaPubDate: c1960PhysDes: 1 sound disc (35 min.) : analog, 33 1/3 rpm, mono. ; 12 inSubject: NEVER ON SUNDAY (GR/US, Jules Dassin, 1960) Notes: Synopsis and program notes in English on containerContents: -- side one -- Main title - never on Sunday (2:30) -- Prologue (3:22) -- Bouzoukia (2:20) -- Danse Yorgo (3:02) -- Taki (1:58) -- The charms of Ilya (2:03) -- Ilya (2:32) -- Side two -- never on Sunday (3:22) -- Hasapico (1:47) -- The lantern (2:06) -- Betrayed (1:48) -- Speak softly (1:10) -- The organ grinder (2:227) --
End title - never on Sunday (3:59) --Performer: Orchestra conducted by the composer; title song "Never on Sunday" sung by Melina MercouriMusic Type: Motion Picture MusicPublisher Number: United Artist Records: UAE.7009
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title clippings file
ON ANY SUNDAY : (US, Bruce Brown, 1971)
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title clippings file
OTHER SIDE OF SUNDAY, THE : (NO, Berit Nesheim, 1996)
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title clippings file
SATURDAY NIGHT AND SUNDAY MORNING : (UK, Karel Reisz, 1960)
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title clippings file
SATURDAY NIGHT, SUNDAY MORNING : (AT, Rima Tamou, 1999)
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book
The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2Author: Dermody, Susan ; Jacka, Elizabeth Place: SydneyPublisher: Currency PressPubDate: 1987-<1988PhysDes: v. <1-2 > ; 21 cmSeries: Australian screen seriesSubject: BUDDY FILMS. AUSTRALIA ; AUSTRALIA ; THEORY. AUSTRALIA ; CULTURAL IMPERIALISM. AUSTRALIA ; CLASS AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; POLITICAL FILMS. AUSTRALIA ; SEX IN FILMS. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; GALLIPOLI (AT, Peter Weir, 1981) ; MAD MAX (AT, George Miller, 1979) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MY BROTHER JACK (AT, Gil Brealey, 1965) ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; FAR EAST (AT, John Duigan, 1982) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; HEATWAVE (AT, Phillip Noyce, 1981) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; MAD MAX II (AT, George Miller, 1981) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PALM BEACH (AT, Albie Thoms, 1979) ; PHAR LAP (AT, Simon Wincer, 1983) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; TOWN LIKE ALICE, A (AT, David Stevens, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and indexISBN: 0861911876 (v. 2); 0868191876 (v. 2)LON: 5369777
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book
Sex, class, and realism : British cinema, 1956-1963 / John Hill London: BFI Pub., 1986.
Call No: 744.1(41) HILAuthor: Hill, John Place: LondonPublisher: BFI Pub.PubDate: 1986PhysDes: 228 p. : ill. ; 24 cmSubject: UNITED KINGDOM ; SOCIAL-REALISM IN FILMS. UK ; SOCIAL PROBLEMS IN FILMS. UK ; WORKING CLASS IN FILMS. UK ; ANDERSON, LINDSAY ; DEARDEN, BASIL ; WILLIS, TED ; RANK ORGANISATION ; BLUE LAMP (UK, Basil Dearden, 1949) ; CAGE OF GOLD (UK, Basil Dearden, 1950) ; I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952) ; SAPPHIRE (UK, Basil Dearden, 1959) ; VIOLENT PLAYGROUND (UK, Basil Dearden, 1957) ; BOYS, THE (UK, Sidney J. Furie, 1962) ; ENTERTAINER, THE (UK, Tony Richardson, 1960) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; KIND OF LOVING, A (UK, John Schlesinger, 1962) ; PETTICOAT PIRATES (UK, David MacDonald, 1961) ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; SOME PEOPLE (UK, Clive Donner, 1962) ; WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; VICTIM (UK, Basil Dearden, 1961) Notes: "Select filmography": p. 180-222; Includes bibliographies and indexISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)LON: 87111868; 5748139
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title clippings file
SIX WAYS TO SUNDAY : (US, Adam Bernstein, 1998)
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title clippings file
STREIK IST KEINE SONNTAGSCHULE, EIN : (SZ, Hans Sturm, Mathias Knauer, Nina Sturm, 1975)
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title clippings file
STREIK IST KEINE SONNTAGSCHULE, EIN : (SZ, Hans Sturm, Mathias Knauer, Nina Sturm, 1975)
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title clippings file
SUNDAY : (US, Jonathan Nossiter, 1997)
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title clippings file
SUNDAY : (NZ/AT, Michelle Joy Lloyd, 2015)
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Online resource
script
Sunday / By Camille Keenan, Dustin Clare & Michelle Joy Lloyd AT: 2014. Digital clippings file available
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book
Sunday afternoon with Peter Ross / Peter Ross Sydney: ABC Enterprises for the Australian Broadcasting Corporation, 1990.
Call No: 79SUN ROSAuthor: Ross, Peter Source: ATPlace: SydneyPublisher: ABC Enterprises for the Australian Broadcasting CorporationPubDate: 1990PhysDes: 191 p. ; 29 cmSubject: SUNDAY AFTERNOON [TV](AT, 1987-?) Summary: transcription of interviews between Peter Ross and : Thea Astley; Roger Woodward; Roberta Sykes; Russel Braddon; Mirka Mora; Elizabeth Jolley; Richard Wherrett; Kate Grenville; Elizabeth Riddell; Eric Rolls; Dorothy Hewett; Gay Bilson; Sally Morgan; Manning ClarkISBN: 0733300391Donation: donated by the family of Wayne Levy, 2006
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title clippings file
SUNDAY ARTS : [TV] (AT, 2005)
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title clippings file
SUNDAY, BLOODY SUNDAY : (UK, John Schlesinger, 1971)
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title clippings file
SUNDAY HUNGRY : (AT, Lawson Bayly, 1998)
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journal article
A Sunday in the country in Fade-In (February 1987) vol.27 iss.2 p.1
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title clippings file
SUNDAY IN THE COUNTRY : (CN, John Trent, 1974)
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title clippings file
SUNDAY IN THE COUNTRY : (CN, John Trent, 1974)
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title clippings file
SUNDAY LOVERS : (FR/IT, Bryan Forbes & Edouard Molinaro & Dino Risi & Gene Wilder, 1980)
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title clippings file
SUNDAY NIGHT [TV] : (AT, Mark Llewellyn, 2010)
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book
Sunday too far away! / [by] John Dingwall Richmond, Vic.: Heinemann Educational Australia, 1978.
Call No: 79SUN DINAuthor: Dingwall, John, 1940 Place: Richmond, Vic.Publisher: Heinemann Educational AustraliaPubDate: 1978PhysDes: 120p. : ill. ; 24cmSeries: Australian theatre workshop ; 18Subject: SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Notes: Final shooting script from the film of the same title produced by the S.A. Film CorporationISBN: 0858591804 : $3.50 AustLON: 1474511
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Online resource
digital clippings file
SUNDAY TOO FAR AWAY : (AT, Ken Hannam, 1975) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Posters; Press kit; Publicity; Study guide; TransparencySubject: SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) URL status: URL: 'http://file://Q:/T/SUNDAY_TOO_FAR_AWAY.zip'
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poster
[Sunday too far away : poster] AT: [1975].
Call No: P SUNPlace: ATPubDate: [1975]PhysDes: 1 poster : colour ; 76 x 35 cmSubject: SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: Image: A photograph of Foley (Jack Thompson) walking while smoking a cigar/cigarette. Below him are photographs of the various characters/actors featured in the film.
Text: '...so the toughest bloke in the toughest pub sent me down a beer... I know I'm only 21, but I AM the gun shearer...'
Friday night he's too tired, Saturday night too drunk,Notes: Numerous folds and creases.
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still
[Sunday too far away : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cm + 3 transparencies : col. ; 5 x 5 - 6 x 7 cmSubject: THOMPSON, JACK ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: 1 photograph Black Arthur (Peter Cummins) and Foley (Jack Thompson) , poised for action in the race for top shearer. 3 colour transparencies of the Sunday too Far away promotional poster, and Jack Thomspon shearing a sheep and in a car.
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title clippings file
SUNDAY [TV] : (AT, 1981-2008)
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book
Who killed Channel 9? : the death of Kerry Packer's mighty TV dream machine / Gerald Stone Sydney: Pan Macmillan Australia, 2007.
Call No: 19NIN STOAuthor: Stone, Gerald Source: ATPlace: SydneyPublisher: Pan Macmillan AustraliaPubDate: 2007PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cmSubject: NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; SEVEN NETWORK ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; ETHICS AND TV ; PUBLISHING AND BROADCASTING LTD ; PACKER, KERRY ; PACKER, JAMES ; ALEXANDER, JOHN ; MUNRO, MIKE ; WENDT, JANA ; LECKIE, DAVID ; MEAKIN, PETER ; GYNGELL, DAVID ; NOBLE, KRIS ; GRAEME-EVANS, POSIE ; BOWER, SUSAN ; STEPHENS, JOHN ; CRESS, JULIAN ; BARBOUR, DAVID ; CHISHOLM, SAM ; WALEY, JIM ; BOLAND, ADAM ; LLEWELLYN, MARK ; MCGUIRE, EDDIE ; LYONS, JOHN ; [SIXTY] 60 MINUTES (AT, 1979-) ; BLOCK, THE [TV] (AT, 2003-) ; CURRENT AFFAIR, A [TV] (AT, 1971- ) ; McLEOD'S DAUGHTERS [TV] (AT, 2001-) ; SUNDAY [TV] (AT, 1981-) ; SUNRISE [TV] (AT, 2003-) ; TODAY [TV] (AT, 1982-) ; TODAY TONIGHT [TV] (AT, 1995-) Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.ISBN: 9781405038157
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