Search Catalogue

Call No: TITLE CLIPPINGS FILE; DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Author: McDonald, John
PhysDes: Clippings
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Summary of film and review

Call No: TITLE CLIPPINGS FILE; GONE GIRL (US, David Fincher, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: GONE GIRL (US, David Fincher, 2014)
Summary: McDonald discusses the film GONE GIRL

Call No: 451-053.6(73) COL
Author: Colling, Samantha
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: vii, 167 pages ; 24 cm.
Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003)
Notes: Includes bibliographical references and index.
ISBN: 9781501349010
Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A GIRL (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013)

Author: Daly, Nicola
PhysDes: Article
Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013)
Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN PSYCHO II: ALL AMERICAN GIRL (US, Morgan J. Freeman, 2002)

Call No: N79AME MOO
Author: Moorhouse, Frank
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1972
PhysDes: 220 p. ; 20 cm
Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980); GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970); AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969); MACHINE GUN, THE (AT, Michael Thornhill, 1971)
ISBN: 0207124914
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANOTHER GIRL, ANOTHER PLANET (US, Michael Almereyda, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASK ANY GIRL (US, Charles Walters, 1959)

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
PhysDes: Clippings File Article
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Review of the film GIRL ASLEEP
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Interviuew with the lead actors of the film GIRL ASLEEP, Bethany Whitmore and Harrison Feldman

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: BACHELOR GIRL (AT, Rivka Hartman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD GIRL (AT, Fin Edquist, 2016)

Call No: S BAD
Author: Edquist, Fin; Kearnery, Steve
Edition: 9th draft (shooting)
Place: AT
PubDate: 2015
PhysDes: 86 leaves ; 30 cm.
Subject: BAD GIRL (AT, Fin Edquist, 2016)
Summary: "Bad girl Amy, 17, is given one last chance by her adoptive parents, who think Amy's friendship with local girl Chloe is a step in the right direction. But when Amy discovers Chloe's secret she finds herself fighting for her life, and for the future of the family she herself tried to destroy." Written by Producers - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: 81STR CON
Author: Considine, Shaun
Source: UK
Place: London
Publisher: Century Hutchinson
PubDate: 1986
PhysDes: viii, 394 p. : ill. ; 23 cm
Subject: STREISAND, BARBRA; BEATTY, WARREN; GOULD, ELLIOTT; KRISTOFFERSON, KRIS; O'NEAL, RYAN; PETERS, JON; FUNNY GIRL (US, William Wyler, 1968); HELLO, DOLLY! (US, Gene Kelly, 1969); YENTL (US, Barbara Streisand, 1983)
ISBN: 0712610820

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BIRTHDAY GIRL (US/UK, Jez Butterworth, 2001)

Call No: TITLE CLIPPINGS FILE
Author: Wilson
PhysDes: Clippings
Subject: GIRL ON THE TRAIN, THE (US, Tate Taylor, 2016)
Summary: Wilson reviews the film THE GIRL ON THE TRAIN
Rating: 3 out of 5 stars

PhysDes: Article
Subject: BOY, A GIRL AND A BIKE, A (UK, Ralph Smart, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY MEETS GIRL (FR, Leos Carax, 1984)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET GIRL, THE [CAILIN CIUIN, AN] (IE/UK/US, Colm Bairead, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CALENDAR GIRL (US, John Whitesell, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN LICK ANY GIRL IN THE HOUSE! (UK, Eric Wallace, 1976)

Call No: TITLE CLIPPINGS FILE DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Author: Stratton, David
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Summary: Review of film and synopsis
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Author: McDonald, John
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Summary: Positive reviews of two new films set in the 1970s.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHALET GIRL (UK, Phil Traill, 2011)

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Review of the Australian film GIRL ASLEEP
Rating: 3.5 out of 5 stars

PhysDes: Clippings
Subject: GIRL FROM RIO [CHICA DE RIO] (SP/UK, Christopher Monger, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM THE RED CABARET [CHICA DEL MOLINO ROJO, LA] (SP, Eugenio Martin, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA GIRL (US, Paolo Uccello, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA GIRL (US, Abel Ferrara, 1987)
Notes: Import_Batch 11 32 titles_simon strong

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY GIRL (US, Friedrich Wilhelm Murnau, 1930)

Author: Danks, Adrian
PhysDes: Review; Credits
Subject: CITY GIRL (US, Friedrich Wilhelm Murnau, 1930)

Call No: TITLE CLIPPINGS FILE; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Review and synopsis of story.
Rating: 4.5 out of 5 stars

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

PhysDes: Article
Subject: CONVENTION GIRL (U.S, Luther Reed, 1935)

PhysDes: Article
Subject: CORPO DELLA RAGAZZA, IL (IT, Pascale Festa Campanile, 1979); YOUNG GIRL'S BODY, THE (IT, Pascale Festa Campanile, 1979); MY FAIR BODY (IT, Pascale Festa Campanile, 1979)
Notes: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY GIRL, THE (US, George Seaton, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CUDNA DEVOJKA (YU, Jovan Zivanovic, 1962); STRANGE GIRL, THE (YU, Jovan Zivanovic, 1962) SEE CUDNA DEVOJKA

Author: Peary, Danny
PhysDes: Article
Subject: DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940)
Summary: Credits, synopsis and review of each film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANISH GIRL, THE (UK/US/BE/DK/GG, Tom Hooper, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEAD GIRL, THE (US, Karen Moncrieff, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)

Call No: 626[396] GOD
Author: Godart, Caroline
Edition: 2016
Place: London ; New York
Publisher: Rowman & Littlefield International
PhysDes: xv, 138 pages
Subject: PIANO, THE (AT, Jane Campion, 1993); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); HOLY GIRL, THE [NINA SANTA, LA] (AG/IT/NE/SP, Lucrecia Martel, 2004)
Summary: The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing. While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in women's cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy. -- publisher's web site
Notes: Signed and dedicated on the first page
ISBN: 9781783486557
Contents: Introduction -- 1. The Feminist Distance: Space in Jane Campion's The Piano -- 2. Claire Denis and the Flow of Time: Beau Travail -- 3. Time and Difference: Love in Claire Denis' Trouble Every Day -- 4. Lucrecia Martel and the Curious Body in The Holy Girl -- Conclusion -- Bibliography -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: GIRL AT MY DOOR, A [DOHEE-YA] (KO, July Jung, 2014)
Cross Reference: GIRL AT MY DOOR, A [DOHEE-YA]

Call No: TITLE CLIPPINGS FILE; GIRL ON THE TRAIN, THE (US, Tate Taylor, 2016)
Author: Stratton, David
PhysDes: Clippings
Subject: GIRL ON THE TRAIN, THE (US, Tate Taylor, 2016)
Summary: Startton reviews THE GIRL ON THE TRAIN decribing it as a competent thriller with good performances by Emily Blunt and Allison Janney.
Rating: 3 out of 5 stars

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FACTORY GIRL (US, George Hickenlooper, 2006)

Author: Luke Goodsell
PhysDes: Article
Subject: PEARCE, GUY; MILLER, SIENNA; FACTORY GIRL (US, George Hickenlooper, 2006)

Call No: 227 FAL
Author: Stern, Lesley; Kouvaros, George
Place: Sydney
Publisher: Power Publications
PubDate: 1999
PhysDes: 314 p. ; 22 cm
Subject: ACTING; COMEDIES; BENJAMIN, WALTER; GARLAND, JUDY; STREISAND, BARBRA; CASSAVETES, JOHN; HARTLEY, HAL; CHAPLIN, CHARLES; Keaton, Buster; FUNNY GIRL (US, William Wyler, 1968); LOVE STREAMS (US, John Cassavetes, 1984); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); SHERLOCK, JR. (US, Buster Keaton, 1924); KING OF COMEDY, THE (US, Martin Scorsese, 1983)
Notes: Includes index
ISBN: 1864870257 : $14.95
LON: 20003607

Call No: TITLE CLIPPINGS FILE; ONE EYED GIRL (AT, Nick Matthews, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: ONE EYED GIRL (AT, Nick Matthews, 2015)
Summary: Review of film One Eyed Girl
Notes: split

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CUT IN TWO, THE [FILLE COUPEE EN DEUX, LA] (FR/GG, Claude Chabrol, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNKNOWN GIRL, THE [FILLE INCONNUE, LA] (BE/FR, Jean-Pierre Dardenne/ Luc Dardenne, 2016)

Call No: 81HAW WIL
Author: Willis, Donald C.
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1975
PhysDes: viii, 235 p. : ill. ; 22 cm.
Subject: HAWKS, HOWARD; BRINGING UP BABY (US, Howard Hawks, 1938); HIS GIRL FRIDAY (US, Howard Hawks, 1940); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); MONKEY BUSINESS (US, Howard Hawks, 1952); TWENTIETH CENTURY (US, Howard Hawks, 1934); BALL OF FIRE (US, Howard Hawks, 1942); SONG IS BORN, A (US, Howard Hawks, 1947); FIG LEAVES (US, Howard Hawks, 1926); MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959); RIO LOBO (US, Howard Hawks, 1970); EL DORADO (US, Howard Hawks, 1966); BIG SKY, THE (US, Howard Hawkes, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939); CEILING ZERO (US, Howard Hawks, 1936); CROWD ROARS, THE (US, Howard Hawks, 1932); GIRL IN EVERY PORT, A (US, Howard Hawks, 1928); TIGER SHARK (US, Howard Hawks, 1932); BARBARY COAST (US, Howard Hawks, 1935); COME AND GET IT (US, Howard Hawks and William Wyler, 1936); SCARFACE (US, Howard Hawks, 1932); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); CRIMINAL CODE, THE (US, Howard Hawks, 1931); LAND OF THE PHARAOHS (US, Howard Hawks, 1955); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); AIR FORCE (US, Howard Hawks, 1943); SARGEANT YORK (US, Howard Hawks, 1941); ROAD TO GLORY, THE (US, Howard Hawks, 1936)
Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.
Notes: Includes bibliographical references and index.
ISBN: 0810808609

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST A GIRL (UK, Victor Saville, 1935)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST GIRL I LOVED (US, Kerem Sanga, 2016)

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Author: Sinyard, Neil
PhysDes: Article
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980)
Summary: Retrospective on Bill Forsyth's career.

Call No: 71(4) MAZ
Author: Mazierska, Ewa; Rascaroli, Laura
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2003
PhysDes: xii, 260 p. : ill. ; 25 cm
Subject: CITIES IN FILMS; EUROPEAN COUNTRIES; CLASS AND THE CINEMA; ALMODOVAR, PEDRO; CHELSOM, PETER; LUNGIN, PAVEL; MACHULSKI, JULIUSZ; MARTONE, MARIO; MICHELL, KEITH; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992); AMORE MOLESTO, L' (IT, Mario Martone, 1995); BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BYE-BYE (FR, Karim Dridi, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995); FUNNY BONES (US, Peter Chelsom, 1995); GIRL GUIDE (PL, Juliusz Machulski, 1995); KIKA (SP, Pedro Almodovar, 1993); KILER (PL, Juliusz Machulski, 1997); LUNA PARK (RU/FR, Pavel Lungin, 1992); MARIUS ET JEANETTE (FR, Robert Guediguian, 1997); NENETTE ET BONI (FR, Claire Denis, 1996); NOTTING HILL (UK, Roger Michell, 1998); SLIDING DOORS (US, Peter Howitt, 1998); TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990); TEATRO DI GUERRA (IT, Mario Martone, 1998); TRAINSPOTTING (UK, Danny Boyle, 1996); TWIN TOWN (UK, Kevin Allen, 1997); WONDERLAND (UK, Michael Winterbottom, 1999)
Summary: Exploring the postmodern city in the context of European cinema.

Author: Chris Murray
PhysDes: Article
Subject: KIDMAN, NICOLE; BIRTHDAY GIRL (US/UK, Jez Butterworth, 2001); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001)
Summary: Feature article and interview tih Nicole Kidman about her role in Birthday Girl, the success of Moulin Rouge and being single.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FUNNY GIRL (US, William Wyler, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEORGIE GIRL (NZ, Annie Goldson and Peter Wells, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEORGY GIRL (US, Silvio Narizzano, 1966)

Call No: 79GEO FOR
Author: Forster, Margaret
Source: UK
Place: London
Publisher: Panther Books
PubDate: 1966
PhysDes: 172 p. ; 18cm
Subject: GEORGY GIRL (US, Silvio Narizzano, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: GET YOURSELF A COLLEGE GIRL (US, Sidney Miller, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL (US, Jonathan Kahn, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL (BE/NE, Lukas Dhont, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: GIRL SIX (US, Spike Lee, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL AND THE PICTURE, THE (US, Vanessa Roth, 2018)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
URL status: URL: 'http://file://Q:/T/GIRL_ASLEEP.zip' Checked: 31/08/2021 1:45:41 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Whittet, Matthew
Edition: Shooting draft; blue amendments
Place: Darlinghurst, NSW
PubDate: 8/01/2015
PhysDes: 95 leaves
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CHEWING GUM, THE (UK, John Smith, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CRAZY (US, Norman Taurog, 1943)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FRIDAY [SERIAL] (AT, Vanessa Burt, 2006-)

PhysDes: Article
Subject: GIRL FROM CHICAGO, THE (US, Ray Enright, 1927)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM MOGADISHU. A (IE/BE/MR, Mary McGuckian, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM MOONOOLOO, THE [TV] (AT, Richard Wherrett, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM PETROVKA, THE (US, Robert Ellis Miller, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM STEEL CITY [TV] (AT,1986-87)

Call No: N79GIR SHI
Author: Shirrefs, Mark; Thompson, John
Source: AT
Place: Sydney
Publisher: Hodder & Stoughton
PubDate: 1990
PhysDes: 215 p. ; 19cm
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)
Summary: Alana, a 14 year old girl ,is transported from the future, and together with two young people from the present, sets out on a dangerous quest [ Taken from the back of the book]
ISBN: 034053463

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm - 20 x 25 cm
Subject: CULLEN, KATHERINE; MARSHALL, MELISSA; GIRL FROM TOMORROW, THE [TV] (AT, 1990)
Summary: Three black and white photographs relating to the television mini-series 'The girl from tomorrow'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL HE LEFT BEHIND, THE (US, David Butler, 1956)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: GIRL IN A MIRROR (AT, Kathy Drayton, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN A SWING (UK/US, Gordon Hessler, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN THE CAFE, THE [TV] (UK/US, Dvid Yates, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN THE PARK, THE (US, David Auburn, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN THE PICTURE, THE (UK, Cary Parker, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN THE SPIDER'S WEB, THE (UK/ GG/SW/CN/US, Fede Alvarez, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN THE WATERMELON, THE (US, Sergio Castilla, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: GIRL, INTERRUPTED (US, James Mangold, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL MODEL (US/UR/JA/FR, David Redmon/Ashley Sabin, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL NEXT DOOR, THE (US, Christine Fugate, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRL NEXT DOOR, THE (US, Luke Greenfield, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: GIRL OF STONE (NE, Jindra Markus, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 17 x 22 cm + 1 transparency: col. ; 6 x 10 cm
Subject: GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921)
Summary: Three black and white photographs and one colour transparency relating to the silent film 'A girl of the bush' featuring New Zealand actress Vera James.

PhysDes: Article
Subject: GIRL ON A MOTORCYCLE (UK/FR, Jack Cardiff, 1968)

Call No: DIGITAL FILE
Author: Wilson, Erin Cassandra; Hawkins, Paula
PhysDes: 96 leaves
Subject: GIRL ON THE TRAIN, THE (US, Tate Taylor, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRL ON THE TRAIN, THE (US, Tate Taylor, 2016)
URL status: URL: 'http://file://Q:/T/GIRL_ON_THE_TRAIN,_THE.zip' Checked: 31/08/2021 1:47:20 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: GIRL STROKE BOY (UK, Bob Kellett, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL TALK (US, Kate Davis, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL, THE (UK/SW, Arne Mattson, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL TV [TV] (AT, Ralph Strasser, 2003)

Call No: 79 GIR KAZ
Author: Kazemi, Farshid
Edition: 2021
Place: Liverpool
Publisher: Auteur Publishing
PhysDes: 118 pages : illustrated ; 19 cm
Series: Devil's Advocates
Subject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014)
Summary: There is something weird and eerie going on in the oneiric Iranian ghost-town Bad City. A mysterious female vampire, clad in a long-black veil, imbued with occult and erotic power, has newly arrived in town and is summarily dispensing with its unsavory characters. Through a chance encounter in a night of luminal darkness, an eternally dark romance begins - baptized in love's blood. Shot in dazzling anamorphic black and white cinematography and accompanied with an intoxicating and mesmeric soundtrack, Ana Lily Amirpour's debut feature film A Girl Walks Home Alone At Night (2014), was an instant popular and critical success. Dubbed 'the first Iranian vampire western' the genre-bending film is a pastiche of genres such as vampire cinema, gothic and horror films, spaghetti westerns, graphic novels, and Iranian cinema; yet the film stands as a new vampire fairy-tale with a unique style all its own. The first full-length study dedicated to the film since its release, this book in the Devil's Advocate series provides a unique approach to the film situated within three theoretical coordinates: the vampire genre, psychoanalytic (film) theory and German Idealism. -- publisher's web site
ISBN: 9781800859210

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014)
URL status: URL: 'http://file://Q:/T/GIRL_WALKS_HOME_ALONE_AT_NIGHT,_A.zip' Checked: 31/08/2021 1:30:33 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WHO SWALLOWED BEES, THE (AT, Paul McDermott, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: GIRL WITH A PEARL EARRING (UK/LU, Peter Webber, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WITH THE DRAGON TATTOO, THE (US, David Fincher, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FRIDAY [MOM] (AT, 2008)

PhysDes: Article
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: GUO award winners

Subject: GIRL IN THE PICTURE, THE (UK, Cary Parker, 1985); SOUNDTRACKS
Summary: Report on Ron Gleesin being chosen to compose for 'Girl in the Picture'

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GONE GIRL (US, David Fincher, 2014)
URL status: URL: 'http://file://Q:/T/GONE_GIRL.zip' Checked: 31/08/2021 1:33:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P GON
PhysDes: 1 poster : col. ; 100 x 69 cm.
Subject: GONE GIRL (US, David Fincher, 2014)
Summary: Image: Ben Affleck as Nick Dunne standing with a lake behind him against a blue, grey and orange sky with two large eyes peering through above a cloud. Text: 'You don't know what you've got 'til it's . . .'
Notes: Have two copies. In fairly good condition with a couple of scratches. Has a reverse side.
Donation: Cinema Nova

Call No: S GOO
Author: White, Mike
PhysDes: 98p
Subject: GOOD GIRL, THE (US, Michael Arteta, 2002)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOOD GIRL, THE (US, Michael Arteta, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOODBYE GIRL, THE (US, Herbert Ross, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980)

Author: Fuller, Graham
PhysDes: Article
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980)
Summary: Review; Ill; Credits

PhysDes: Article
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980); BOX OFFICE; INDUSTRY, FILM. UK
Summary: Brief article on the initial success of 'Gregory's Girl'.

PhysDes: Article
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980); FORSYTH, BILL; AWARDS
Summary: Article on 'Gregory's Girl' being nominated at the British Academy Award's for Best Film, Best Director, and Best Screenplay- the ward which it won.

Call No: 222(41) JON
Author: Jones, Chris, 1967; Jolliffe, Genevieve
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 448 p. : ill., forms, ports. ; 21 cm
Subject: FINANCING. UK; PRODUCTION. UK; PRE-PRODUCTION. UK; POST-PRODUCTION. UK; PRODUCTION MANAGING. UK; WHITE ANGEL (UK, Chris Jones, 1993); BOY MEETS GIRL (UK, Ray Brady, 1993); STAGGERED (UK, Martin Clunes, 1993); CLOCKWORK MICE (UK, Vadim Jean, 1994); SHOPPING (UK, Paul Anderson, 1994)
Notes: Includes index
ISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540
Order Received: 1997
LON: gb 97008239; 13003901

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HE'S MY GIRL (US, Gabrielle Beaumont, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEALTHY BABY GIRL, A (US, Judith Helfano, 1997)

PhysDes: Article
Subject: HEART OF A FOLLIES GIRL (US, John Francis Dillon, 1928)

Call No: TITLE CLIPPINGS FILE; BAD GIRL (AT, Fin Edquist, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: BAD GIRL (AT, Fin Edquist, 2016)
Summary: Review of the film BAD GIRL
Rating: 3.5 out of 5 stars

Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. ADELAIDE; HIGHLY STRUNG (AT, Scott Hicks, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); SPEAR (AT, Stephen Page, 2015); GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Article about films showing at the 2015 Adelaide International Film Festival, with a focus on the Scott Hicks documentary HIGHLY STRUNG

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL FROM PARIS, THE [HIRONDELLE A FAIT LE PRINTEMPS, UNE] (FR, Christian Carion, 2001)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: HIS GIRL FRIDAY (US, Howard Hawks, 1940)
URL status: URL: 'http://file://Q:/T/HIS_GIRL_FRIDAY.zip' Checked: 31/08/2021 1:01:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW TO BUILD A GIRL (UK, Coky Giedroyc, 2019)

Call No: TITLE CLIPPINGS FILE; ONE EYED GIRL (AT, Nick Matthews, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ONE EYED GIRL (AT, Nick Matthews, 2015)
Summary: Reivew of Australian film, One Eyed Girl
Rating: 2 out of 5 stars

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: INVISIBLE GIRL (AT, Jane Stevenson & Danae Gunn, 1987)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: INVISIBLE GIRL (AT, Jane Stevenson & Danae Gunn, 1987)
Summary: Black and white photograph of young woman in front of a suburban house

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JA'MIE: PRIVATE SCHOOL GIRL [TV] (AT, 2013)

Call No: 81CAM JAN
Author: Campion, Jane; Wexman, Virginia Wright
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c1999
PhysDes: xxvii, 216 p. : ill. ; 23 cm
Series: Conversations with filmmakers series
Subject: CAMPION, JANE; HUNTER, HOLLY; JONES, LAURA; KIDMAN, NICOLE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Notes: Filmography: p. [xxiii]-xxvii; Includes bibliographical references (p. xx) and index
ISBN: 1578060826 (cloth : alk. paper); 1578060834 (pbk. : alk. paper)
LON: 14173448

Author: O'Donnell, Justine
PhysDes: Article
Subject: CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989); PEEL (AT, Jane Campion, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: Analysis of the absurd in Jane Campion's short films and first feature 'Sweetie'.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANIS: LITTLE GIRL BLUE (US, Amy J. Berg, 2015)
URL status: URL: 'http://file://Q:/T/JANIS.zip' Checked: 31/08/2021 1:49:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JERSEY GIRL (US, Kevin Smith, 2004)

Call No: 81SMI LAN
Author: Lanyon, Josephine; Cosgrove, Mark; Parker, Cornelia; Rees, Al; Bourn, Ian; Hamlyn, Nicky; Elwes, Kate; Smith, John
CorpAuthor: Picture This Moving Image; Watershed Media Centre; The Arts Council of England
Source: UK
Place: Bristol
Publisher: Picture This Moving Image; Watershed Media Centre
PubDate: 2002
PhysDes: 135 p. ; ill. ; 21.5 cm
Subject: SMITH, JOHN; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. UK; VIDEO ART; BLIGHT (UK, John Smith, 1996); GIRL CHEWING GUM, THE (UK, John Smith, 1976)
Summary: Published to accompany a retrospective touring exhibition. Includes several essays on the work of John Smith plus an interview with the director. Also includes stills and spoken texts.
Notes: Includes filmography; Includes selected list of screenings and exhibitions 1974-1998; Includes list of television screenings; Includes list of prizes; Includes bibliography p.135
ISBN: 0 9539872 48

Call No: TITLE CLIPPINGS FILE; RIDE LIKE A GIRL (in production)
PhysDes: Clippings File_Article
Subject: RIDE LIKE A GIRL (AT, Rachel Griffiths, 2019)
Summary: Short puff piece including some comments from Teresa Palmer

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)

Call No: TITLE CLIPPINGS FILE; DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Author: Wilson, Jake
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LARS AND THE REAL GIRL (US, Craig Gillespie, 2007)

Call No: 732(73) LAU
Author: Sikov, Ed
Place: New York
Publisher: Columbia University Press
PubDate: 1994
PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cm
Subject: COMEDIES. USA; TRANSVESTISM; HOMOSEXUALITY IN FILMS. USA; LEWIS, JERRY; MARTIN, DEAN; MONROE, MARILYN; SWANSON, GLORIA; MANSFIELD, JAYNE; RUSSELL, JANE; HAWKS, HOWARD; WILDER, BILLY; HITCHCOCK, ALFRED; TASHLIN, FRANK; ARTISTS AND MODELS (US, Frank Tashlin, 1955); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); MONKEY BUSINESS (US, Howard Hawks, 1952); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SOME LIKE IT HOT (US, Billy Wilder, 1959); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957)
Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decade
Notes: Includes bibliographical references (p. [257]-267) and index
ISBN: 0231079826 (alk. paper)
LON: 93048900; 10679624

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: LITTLE DRUMMER GIRL, THE (US, George Roy Hill, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE DRUMMER GIRL, THE [TV] (UK/USA, , 2018)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONER BOY/GOTH GIRL (AT, JAIMAN WELLS, 2008)

Call No: TITLE CLIPPINGS FILE; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DEATH IN FILMS; DISEASES IN FILMS; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Review of ME AND EARL AND THE DYING GIRL
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Author: Wilson, Jake
PhysDes: Clippings
Subject: DIARY OF A TEENAGE GIRL, THE (US, Marielle Heller, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; BAD GIRL (AT, Fin Edquist, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BAD GIRL (AT, Fin Edquist, 2016)
Summary: Review of the film BAD GIRL
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FAT GIRL [A MA SOEUR] (FR/IT/SP, Catherine Breillat, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN SOM HATAR KVINNOR (SW/DK/G/NO, Niels Arden Oplev, 2009); GIRL WITH THE DRAGON TATTOO, THE (SW/DK/G/NO, Niels Arden Oplev, 2009)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
URL status: URL: 'http://file://Q:/T/ME_AND_EARL_AND_THE_DYING_GIRL.zip' Checked: 31/08/2021 1:35:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I MET A GIRL (AT, Luke Eve, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide
Subject: I MET A GIRL (AT, Luke Eve, 2019)

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; GREATER UNION; TRON (US, Steven Lisberger, 1982); LIAR'S MOON (US, David Fischer, 1982); GREGORY'S GIRL (UK, Bill Forsyth, 1980)
Summary: Article on the current success of Greter Union films and the organisations future plans.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY BEST FRIEND'S GIRL (US, Howard Deutch, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY BEST GIRL (US, Sam Taylor, 1927)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY FRIEND THE POLISH GIRL (UK, Ewa Banaszkiewicz /Mateusz Dymek, 2018)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY GIRL (US, Howard Zieff, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY GIRL 2 (US, Howard Zieff, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LITTLE GIRL (US, Connie Kaiserman, 1986)

Call No: 632 BRA
Author: Branigan, Edward Richard, 1945
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: xv, 325 p. : ill. ; 25 cm
Subject: NARRATIVE IN FILMS; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); SANS SOLEIL (FR, Chris Marker, 1983); GIRL AND HER TRUST, THE (US, David Wark Griffith, 1912); HANGOVER SQUARE (US, John Brahm, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946)
Notes: Includes bibliographical references (p. 218-306) and index
ISBN: 0415075122 (pbk.); 0415075114
LON: 8202041

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ADVENTURES OF OCEAN GIRL, THE [TV] (AT, John Tatoulis & Colin South, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW GIRL [TV] (US, 2011-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW WATERFORD GIRL (CN, Allan Moyle, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLY GIRL, THE [NINA SANTA, LA] (AG/IT/NE/SP, Lucrecia Martel, 2004)

Call No: TITLE CLIPPINGS FILE; GIFT, THE (US, Joel Edgerton, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Film review of Me and Earl and the Dying Girl
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOT BAD FOR A GIRL (US, Lisa Rose Apramian, 1995)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL'S SCHOOL [NUZI XUEXIAO] (TW, Lee Mi-Mi, 1982)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 cm
Subject: CHILDREN AND TV. AUSTRALIA; GODECKI, MARZENA; WALKER, JEFFREY; OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)
Summary: 13 black and white photographs of scenes from the science fiction children's TV show and of the Ocean Girl, Marzena Godecki.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)

Call No: 634.6 DIC
Author: Dickinson, Kay
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2008
PhysDes: xiii, 247 p. : ill. ; 25 cm
Subject: MUSIC AND THE CINEMA; POP MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; SONGS IN FILMS; BELAFONTE, HARRY; JAGGER, MICK; MADONNA; MANSFIELD, JAYNE; PRESLEY, ELVIS; RUSSELL, KEN; VAN DOREN, MAMIE; BLACKBOARD JUNGLE (US, Richard Brooks, 1955); CARMEN JONES (US, Otto Preminger, 1954); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); INFERNO (IT, Dario Argento, 1980); SWEPT AWAY (IT, Lina Wertmuller, 1974); SWEPT AWAY (US, Guy Ritchie, 2002)
Summary: Kay Dickson looks at the failed relationship between some films and their musical scores; films such as Italian horror movies, or those of Elvis Presley, or Madonna . She argues that these failures , between the film and music businesses point to a larger rift between capital and labour, in the culture industry, and the inability of the music industry to properly organise itself. [Taken from the back of the book]
Notes: Bibliography : p. 227-242; Includes index
ISBN: 9780195326642

Call No: 451-02 FRE
Author: French, Brandon, 1944
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xxiv, 165 p. : ill. ; 22 cm
Subject: WOMEN IN FILMS. USA; SUNSET BOULEVARD (US, Billy Wilder, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MARRYING KIND, THE (US, George Cukor, 1952); SHANE (US, George Stevens, 1953); COUNTRY GIRL, THE (US, George Seaton, 1954); MARTY (US, Delbert Mann, 1954); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); PICNIC (US, Joshua Logan, 1955); HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); TENDER TRAP, THE (US, Charles Walters, 1955); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Notes: Includes index; Bibliography: p. 155-157
ISBN: 0804422206; 0804461589 (pbk.)
LON: 78004294; 1220409

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE EYED GIRL (AT, Nick Matthews, 2015)

Call No: DIGITAL FILE
Author: Behenna, Craig; Matthews, Nick
Edition: draft RX5b
Place: Adelaide
PubDate: 18/10/2012
PhysDes: 107 leaves
Subject: ONE EYED GIRL (AT, Nick Matthews, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 753.83 DRU
Author: Druxman, Michael B.
Place: New Jersey
Publisher: A. S. Barnes
PubDate: 1977
PhysDes: 175 p. : ill. ; 29 cm
Subject: SEQUELS; BOYS TOWN (US, Norman Taurog, 1938); TOPPER (US, Norman Z. McLeod, 1937); LITTLE FOXES, THE (US, William Wyler, 1941); MRS MINIVER (US, William Wyler, 1942); JOLSON STORY, THE (US, Alfred E. Green, 1946); BROKEN ARROW (US, Delmer Daves, 1950); KING SOLOMON'S MINES (US, Compton Bennett & Andrew Marton, 1950); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); PEYTON PLACE (US, Mark Robson, 1957); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); ROOM AT THE TOP (UK, Jack Clayton, 1959); HARPER (US, Jack Smight, 1966); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); FUNNY GIRL (US, William Wyler, 1968); THREE MUSKETEERS, THE (PN, Richard Lester, 1973); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-)
Notes: Includes filmographies
ISBN: 0498018067
Contents: Motion pictures. Film sequels. Cinema films Sequels to 1976

Call No: 403 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: x, 178 p. : ill. ; 24 cm
Subject: ENTERTAINMENT; POPULAR CULTURE AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; CAMP; TURNER, LANA; ZIEGFELD GIRL (US, Robert Z. Leonard, 1941); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); SOUND OF MUSIC, THE (US, Robert Wise, 1965); SWEET CHARITY (US, Bob Fosse, 1969); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references and index
ISBN: 0415057167; 0415057175 (pbk.)
LON: 8685741

Author: Will Lawrence
PhysDes: Article
Subject: BANA, ERIC; OTHER BOLEYN GIRL, THE (UK/US, Justin Chadwick, 2008)
Summary: Review of The Other Boleyn Girl

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER BOLEYN GIRL, THE (UK/US, Justin Chadwick, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER BOLEYN GIRL, THE [TV] (UK, Philippa Lowthorpe, 2003)

Author: Hull, David
PhysDes: Article
Subject: [WRONG GIRL (AT, Michael Jenkins, never completed)]
Summary: Newspaper reports questioning the right of filmmakers to dramatise a much-publicised Sydney rape case has members of the industry protesting.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OZ GIRL TV (AT, Nicholas Carlton, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARTY GIRL (US, Daisy von Scherler Mayer, 1995)

Call No: TITLE CLIPPINGS FILE
Subject: PARTY GIRL (US, Nicholas Ray, 1969)
ID2: 282

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: PARTY GIRL (FR, Marie Amachoukeli, Claire Burger, Samuel Theis, 2014)
Cross Reference: PARTY GIRL

Call No: 81SEL EVA
Author: Evans, Peter
Source: UK
Place: London
Publisher: New English Library
PubDate: 1980
PhysDes: 256 p., [16] p. of plates : ports ; 18 cm
Subject: ACTORS. UK; TWENTIETH CENTURY-FOX; BOULTING, ROY; CHAPLIN, CHARLES; MILLIGAN, SPIKE; O'TOOLE, PETER; PARRISH, ROBERT; SELLERS, PETER; WILDER, BILLY; MANKOWITZ, WOLF; BEING THERE (US, Hal Ashby, 1979); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); GOON SHOW, THE [TV] (UK, 1968); I'M ALL RIGHT JACK (UK, John Boulting, 1959); LADYKILLERS, THE (UK, Alexander MacKendrick, 1955); WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965); THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970)
Notes: Filmography: p248-250. Includes index.
ISBN: 0450050483
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETITE CHARTREUSE, LA (FR, JEAN-PIERRE DENIS, 2005); GIRL FROM CHARTREUSE, THE (FR, JEAN-PIERRE DENIS, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POOR LITTLE RICH GIRL (US, Charles Jarrott, 1987)

PhysDes: Article
Subject: GREGORY'S GIRL (UK, Bill Forsyth, 1980); Reagan, Ronald; SAMUEL GOLDWYN CO.
Summary: Brief article on U.S. President Reagan viewing 'Gregory's Girl' after its success in America.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: PYJAMA GIRL (AT, Maryanne Lynch, 2000)

Call No: N79PYJ COL
Author: Coleman, Robert
Source: AT
Place: Melbourne
Publisher: The Hawthorn Press
PubDate: 1978
PhysDes: v, 223 p. : [8] p. plates ; 23 cm.
Subject: CRIME. AUSTRALIA; PYJAMA GIRL MYSTERY; AGOSTINI, LINDA; AGOSTINI, ANTONIO; RAGAZZA DAL PIGIAMA GIALLO, LA (IT/SP, Flavio Mogherini, 1977)
Summary: A thorough account telling the full story of the Pyjama Girl mystery, a case sparked off by the discovery of a badly burned and disfigured corpse near Albury in 1934. The finding instigated one of the longest and most infamous police investigations in Australia - an investigation full of coincidences and false leads. It took 10 years to identify the body as Linda Agostini, with her husband Antonio being identified as the killer. However this did not end speculation about the case, and to this day it remains a subject of controversy.
Notes: Includes index.
ISBN: 0725602139

Call No: N79RAG GED
Author: Geddes, Hugh
Source: AT
Place: South Melbourne, Vic.
Publisher: Sun Books
PubDate: 1978
PhysDes: 18 cm. ; 158 p.
Subject: RAGAZZA DAL PIGIAMA GIALLO, LA (IT/SP, Flavio Mogherini, 1978); PYJAMA GIRL CASE, THE (IT/SP, Flavio Mogherini, 1978)
ISBN: 0725102993

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 15 x 10 cm - 18 x 13 cm
Subject: PYJAMA GIRL (AT, Maryanne Lynch, 2000)
Summary: Four black and white photographs relating to the film Pyjama girl

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL BY THE LAKE, THE [RAGAZZA DEL LAGO, LA] (IT, Andrea Molaioli, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAGAZZA IN PIGIAMA GIALLO, LA (IT/SP, Flavio Mogherini, 1978); PYJAMA GIRL CASE, THE (IT/SP, Flavio Mogherini, 1978)

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; ETHNIC GROUPS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL SIX (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

Call No: 71(73) BOR
Author: Bordwell, David
Place: Chicago
Publisher: The university of Chicago press
PubDate: 2017
PhysDes: 572 pages ; 24 cm.
Subject: ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); COVER GIRL (US, Charles Vidor, 1944); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); HITCHCOCK, ALFRED; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); PSYCHOANALYSIS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; SNAKE PIT (US, Anatole Litvak, 1948)
Summary: In the 1940s, American movies. changed. flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer.
Notes: Includes bibliographical references and index.
ISBN: 9780226487755
Contents: Introduction: the way Hollywood told it The frenzy of five fat years; Interlude: Spring 1940: lessons from our town Time and time again; Interlude: Kitty and Lydia, Julia and Nancy Plots: the menu; Interlude: Schema and revision, between rounds Slices, strands, and chunks; Interlude: Mankiewicz: modularity and polyphony What they didn't know was; Interlude: identity thieves and tangled networks Voices out of the dark; Interlude: Remaking middlebrow modernism Into the depths Call it psychology; Interlude: Innovation by misadventure From the Naked City to Bedford Falls I love a mystery; Interlude: Sturges, or showing the puppet strings Artifice in excelsis; Interlude: Hitchcock and Welles: The lessons of the masters Conclusion: the way Hollywood keeps telling it.

Call No: 744.7 CRE
Author: Creed, Barbara
Edition: 2022
Place: New York
Publisher: Routledge
PubDate: 2022
PhysDes: x, 168 pages
Subject: FEMINISM AND THE CINEMA; HORROR FILMS; BABADOOK , THE (AT, Jennifer Kent, 2014); HANDMAID'S TALE, THE [TV] (US, 2017 - ); PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020); REVENGE (FR, Coralie Fargeat, 2017); NIGHTINGALE, THE (AT, Jennifer Kent, 2017); NOMADLAND (US/GG, Chloé Zhao, 2020); CAROL (UK/US/FR, Todd Haynes, 2015); ASSISTANT, THE (US, Kitty Green, 2019); GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014); UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013); JENNIFER'S BODY (US, Karyn Kusama, 2009); LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015); THELMA (NO/FR/DK/SW, Joachim Trier, 2017); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002); SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017); WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web site
ISBN: 9780367478162
Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICH GIRL (US, Joel Bender, 1991)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RIDE LIKE A GIRL (AT, Rachel Griffiths, 2019)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIDE LIKE A GIRL (AT, Rachel Griffiths, 2019)

Call No: P RID
Place: AT
PubDate: 2019
PhysDes: 1 poster : colour ; 100 x 69 cm
Subject: RIDE LIKE A GIRL (AT, Rachel Griffiths, 2019)
Summary: Text: The inspirational true story of Michelle Payne Every story begins with family "I absolutely loved it! You laugh, you cry, you cheer." - Lisa Wilkinson, The Project Image: Michelle Payne (Teresa Palmer) has her arm over her brother Stevie's shoulder. Paddy Payne (Sam Neil) and a horse stand to the left of Michelle Payne. Only the head and neck of the horse is visible.
Notes: Two copies. Double-sided. Worn edges and creases.

Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: 732(73) HAR
Author: Harvey, James, 1929
Edition: 1st ed
Source: US
Place: New York
Publisher: Knopf
PubDate: 1987
PhysDes: xii, 716 p. : ill. ; 25 cm
Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948)
Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]
Notes: Includes index
ISBN: 0394503392
LON: 5273661

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN GIRL (AT, Renny Wijeyamohan, 2022)

Call No: 81SCO STE
Author: Stern, Lesley
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 257 p. : ill. ; 24 cm
Subject: SCORSESE, MARTIN; REMAKES; RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); CAPE FEAR (US, Martin Scorsese, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); SEARCHERS, THE (US, John Ford, 1956); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); WIZARD OF OZ, THE (US, Victor Fleming, 1939); BLUE VELVET (US, David Lynch, 1986); DUEL IN THE SUN (US, King Vidor, 1946); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GONE WITH THE WIND (US, Victor Fleming, 1939); NIGHT OF THE HUNTER (US, Charles Laughton, 1955)
Notes: Includes bibliographical references and index
ISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk)
LON: bnb85170512; 11802839

Call No: 626:159.964.2 GRE
Author: Greenberg, Harvey R
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: 277 p. : ill. ; 24 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; CASABLANCA (US, Michael Curtiz, 1942); MALTESE FALCON, THE (US, John Huston, 1941); RED DAWN (US, John Milius, 1984); FIRST BLOOD (US, Ted Kotcheff, 1982); PSYCHO (US, Alfred Hitchcock, 1960); ALIEN (UK, Ridley Scott, 1979); BOSTONIANS, THE (UK/US, James Ivory, 1984); ALWAYS (US, Steven Spielberg, 1989); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); WORKING GIRL (US, Mike Nichols, 1988)
Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in Hollywood
Notes: Includes bibliographical references (p. [241]-268) and index
ISBN: 0231072864 (acid-free paper)
LON: 92041710; 9733268

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEX AND THE SINGLE GIRL (US, Robert Quine, 1964)

Call No: 749.0 SIE
Author: Siegel, Carol
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2015
PhysDes: 230, x ; illus. ; 23 cm
Subject: SEX IN FILMS. USA; BURTON, TIM; PORNOGRAPHY; FAT GIRL [A MA SOEUR] (FR/IT/SP, Catherine Breillat, 2000); EASTERN PROMISES (UK/CN, DAVID CRONENBERG, 2007); PANIC ROOM (US, David Fincher, 2002); PEOPLE UNDER THE STAIRS, THE (US, Wes Craven, 1991); THIRTEEN (US, Catherine Hardwicke, 2003); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); MYSTIC RIVER (US, Clint Eastwood, 2003)
Notes: In this provocative study of cinematic and televisual representations of "sex radicalism," Carol Siegel explores how representations of sexually explicit content on film have shaped American cultural visions of sex and sexual politics in the 21st century. Siegel distinguishes between a liberal approach to visual representations, which has over-emphasized normative equal opportunity while undervaluing our distinctive erotic selves, and a radical approach to visual representation, which portrays forbidden sexualities and desires. She illustrates how visual media participates in and even drives political policies related to pedophilia, prostitution, interracial relationships, and war. By examining such popular film and television shows as Mystic River, The Wire, Fifty Shades of Grey, Batman Returns, and the HBO hits, Sex and the City and Girls, Siegel takes the discussion of radical sex in the movies out of the margins of political discussions and puts it in the center, where, she argues, it has belonged all along. -- publisher's web site
ISBN: 9780253018069
Contents: Acknowledgments Introduction: Recent Changes in the Representation of Sex and Politics in American Cinema 1. The Sexuality of Minors: Family Values and Mysteries of Pedophilia 2. Sex Trafficking Films, Or Taken for a Ride 3. Sex and Anti-Militarism 4. Interracial Sex and Architectures of American Horror 5. Tim Burton's Films, Children, and Perversity Conclusion: The Future, No Future Notes Bibliography Index

Author: Riley, Vicky; Breen, Marous
PhysDes: Article
Subject: INVISIBLE GIRL (AT, Jane Stevenson & Danae Gunn, 1987)
Summary: Reviews of short films - 'The Invisible Girl,' 'Morena,' 'Informo' and 'Painting the Town.'

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. CINEFESTOZ; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: GIRL ASLEEP was awarded $100000 by CinefestOZ for its best film award. The film's director says the money will be put towards more advertising and the award recognition has mean extra cinemas will release the film

Call No: TITLE CLIPPINGS FILE in production; RIDE LIKE A GIRL (in production)
Author: Maddox, Garry
PhysDes: Clippings
Subject: GRIFFITHS, RACHEL; RIDE LIKE A GIRL (AT, Rachel Griffiths, 2019)
Summary: Rachel Griffith's interview where she talks about a new Australian film in pre production called RIDE LIKE A GIRL. The film is about Michelle Payne who is the first female jockey to win the Melbourne Cup horserace

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Author: None
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN FILM CRITICS ASSOCIATION; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Report on the winners of various Australian film awards, with the latest Best Film award from the Australian Film Critics Association given to GIRL ASLEEP

Call No: TITLE CLIPPINGS FILE; BAD GIRL (AT, Fin Edquist, 2016)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: BAD GIRL (AT, Fin Edquist, 2016)
Summary: Review of the film BAD GIRL
Notes: split
Rating: 3 out of 5 stars

PhysDes: Article
Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980)
Summary: Ill.

Author: Cordaiy, Hunter; Burrell, Kim
PhysDes: Article
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1984)

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRLFRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 22 x 17 cm
Subject: SKIPPING GIRL (AT, Anna Grieve, 1986)
Summary: One black and white photograph relating to the film 'Skipping girl'

Author: Cunningham, James
PhysDes: Article
Subject: COMMIS, ANDREW; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Interview with cinematographer Andrew Commis ACS about the film Girl Asleep and the challanges of making a stylistically heightened film. He also talks about the pre-productions process and colaborating with the director Rosemary Myers.

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: 451 02 "192" CON
Author: Conor, Liz
Edition: 1st ed.
Source: USA
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2004
PhysDes: 334 p. : b+w ill. ; 23 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOMEN, FILMS FOR; PROSTITUTES IN FILMS; POPULAR CULTURE AND THE CINEMA; HISTORY AND THE CINEMA; MEDIA; TECHNOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; ADVERTISING; CARTOONS; CELEBRITIES IN FILMS; IMPERIALISM AND THE CINEMA; FASHION AND THE CINEMA; MODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; DE BEAUVOIR, SIMONE; KELLERMAN, ANNETTE; VALENTINO, RUDOLPH; LYELL, LOTTIE; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GREENHIDE (AT, Charles Chauvel, 1926)
Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].
ISBN: 0253216702

Call No: 735.27 AIO
Author: Aiossa, Elizabeth
Edition: 2018
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc
PhysDes: 186 pages ; 23 cm
Series: contributions to zombie studies
Subject: ZOMBIES IN FILMS AND TV; ROMERO, GEORGE; DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); DAY OF THE DEAD (US, George A. Romero, 1985); DEAD GIRL, THE (US, Karen Moncrieff, 2006); GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016); IN THE FLESH [TV] (UK, 2013-2015); LAND OF THE DEAD (CN/FR/US, George Romero, 2005); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); WALKING DEAD, THE [TV] (US, 2010 - ); WARM BODIES (US/CN, Jonathan Levine, 2013); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web site
ISBN: 978147666730
Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: TANK GIRL (US, Rachel Talalay, 1995)

Call No: CLIPPINGS FILE; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
PhysDes: Clippings File Article
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Review of the teen-orientated film
Rating: 3.5 out of 5 stars

PhysDes: Clippings
Subject: THIS MARCHING GIRL THING (AT, Kelli Simpson, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col. ; 10 x 15 cm.
Subject: THIS MARCHING GIRL THING (AT, Kelli Simpson, 1994); COLLETTE, TONI; DAY, MATT
Summary: One colour photograph relating to the short film This Marching Girl Thing
ID2: 289

Call No: TITLE CLIPPINGS FILE; BAD GIRL (AT, Fin Edquist, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; WEAVING, SAMARA; WEST, SARA; BAD GIRL (AT, Fin Edquist, 2016)
Summary: Interview with the lead actors of Australian film BAD GIRL, Samara Weaving and Sara West

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL WHO LEPT THROUGH TIME, THE [TOKI O KAKERU SHOJO] (JA, Momoru Hosoda, 2006)

Call No: N79GIR SHI
Author: Shirrefs, Mark; Thomson, John
CorpAuthor: Film Australia
Source: AT
Place: Rydalmere, NSW
Publisher: Hodder and Stoughton
PubDate: 1991
PhysDes: 221 p. ; 18 cm.
Series: The girl from tomorrow
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)
ISBN: 0340549602

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)

Call No: S TOP
Author: Campion, Jane and Lee. Gerard
Edition: Shooting script (Pink amendments)
Place: AT
PubDate: 2016 Mar. 3
PhysDes: 30 leaves ; 30 cm
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)
Notes: Unpublished script -- See-Saw Films
Donation: AFI / AACTA

Call No: 752.81 TRA
Author: Verevis, Constantine; Smith, Iain Robert
Edition: 2017
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: x,238 p. : illustrated ; 23 cm
Series: Traditions in World Series
Subject: REMAKES; GIRL WITH THE DRAGON TATTOO, THE (US, David Fincher, 2011); QUARANTINE (US, John Erick Dowdle, 2008); DRACULA IN FILMS; OLDEUBOI (KO, Park Chan-wook, 2003); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CHIENNE, LA (FR, Jean Renoir, 1931)
ISBN: 9781474407243

Call No: TITLE CLIPPINGS FILE; DANISH GIRL, THE (UK/US/BE/DK/GG, Tom Hooper, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DANISH GIRL, THE (UK/US/BE/DK/GG, Tom Hooper, 2015)
Summary: Review of the film DANISH GIRL
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
Subject: GIRL IN A TRUNK [VALISE A TROIS TEMPS] (CN, Fernand Rivard, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL IN A TRUNK [VALISE A TROIS TEMPS] (CN, Fernand Rivard, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: VALLEY GIRL (US, Martha Coolidge, 1983)

Author: Gelley, Ora
PhysDes: Article
Subject: FAT GIRL [A MA SOEUR] (FR/IT/SP, Catherine Breillat, 2000)

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REAL YOUNG GIRL, A [VRAIE JEUNE FILLE, UNE] (FR, Catherine Breillat, 1976)
Notes: Simon_Batch 18_191212

Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Review of the Australian film GIRL ASLEEP
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WHAT A GIRL WANTS (US, Dennie Gordon, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHITE GIRL (US, Elizabeth Wood, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: WHO'S THAT GIRL (US, James Foley, 1987)

Call No: TITLE CLIPPINGS FILE; DANISH GIRL, THE (UK/US/BE/DK/GG, Tom Hooper, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: DANISH GIRL, THE (UK/US/BE/DK/GG, Tom Hooper, 2015)
Summary: Review of the film THE DANISH GIRL. The reviewer says the film is almost too polite for the viewer to feel the pain of the transgender journey of Lili and his wife Gerda

Author: Judaj, Tara
PhysDes: Serial
Subject: I AM A GIRL (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WORKING GIRL (US, Mike Nichols, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WRONG GIRL, THE [TV] (AT, 2016)