title clippings file
(AT, Steven Faux, 1988) : NO NEED TO STAND
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Interim
book
Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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title clippings file
COLD CHISEL - LAST STAND : (AT, Tony Stevens, 1984)
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poster
[Cold Chisel - last stand : poster]
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still
[Cold chisel - last stand : stills file] / Greg Noakes Captured Live Distribution Pty. Limited (distributor),
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title clippings file
DON'T STAND SO CLOSE TO ME : (AT, Charlotte George, 1999)
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journal article
Edgley and Hoyts in $25m+ venture : Four Ozpix deal in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1
PhysDes: ArticleSubject: HOYTS ; MICHAEL EDGLEY INTERNATIONAL ; PHAR LAP (AT, Simon Wincer, 1983) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.
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journal article
Edinburgh Film Festival in Filmnews (Jan/Feb 1980) vol.X iss.1-2 p.10-11
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title clippings file
EXISTENTIALIST COWBOYS LAST STAND, THE : (AT, Adam Blaiklock, 1995)
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journal article
Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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book
Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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book
Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000.
Call No: 738.1(94) POLLAuthor: Pollak, Michael, 1948 Oct. 23 ; MacNabb, Margaret, 1954 Place: SydneyPublisher: Hale & IremongerPubDate: 2000PhysDes: 399 p. ; 23 cmSubject: ENVIRONMENTAL ISSUES IN FILMS ; STORM BOY (AT, Henri Safran, 1976) ; MAD MAX [...] (AT, 1979-85) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; STREET TO DIE, A (AT, Bill Bennett, 1985) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; WILD (AT, Ross Gibson, 1993) ; GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980) ; ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391ISBN: 0868066923 : $34.95LON: 21288448
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journal article
Hoyts-Edgeley deal provides a boost for local product in Australian film review vol.1 iss.2 p.4
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title clippings file
KOKAKU KIDOTAI: STAND ALONE COMPLEX : [TV] (JA, 2004)
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title clippings file
LAST STAND, THE : (AT, Frank Rijavec, 1987)
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title clippings file
LAST STAND, THE : (US, Kim Jee-woon, 2013)
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still
[Last stand, the : stills file]
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book
Movies about the movies : Hollywood reflected / Christopher Ames Lexington, Ky.: University Press of Kentucky, c1997.
Call No: 750.1 AMEAuthor: Ames, Christopher, 1956 Place: Lexington, Ky.Publisher: University Press of KentuckyPubDate: c1997PhysDes: ix, 254 p. : ill. ; 24 cmSubject: FILMS IN FILMS ; HOLLYWOOD IN FILMS ; STAR IS BORN, A (US, William Wellman, 1937) ; STAR IS BORN, A (US, George Cukor, 1954) ; WHAT PRICE HOLLYWOOD (US, George Cukor, 1932) ; STAND-IN (US, Tay Garnett, 1937) ; BOY MEETS GIRL (US, Lloyd Bacon, 1938) ; STAR, THE (US, Stuart Heisler, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985) ; LAST ACTION HERO (US, John McTiernan, 1993) ; BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; PLAYER, THE (US, Robert Altman, 1992) Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studiosNotes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and indexISBN: 0813120187 (cloth : alk. paper)LON: 12952826
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book
Narrative mortality : death, closure, and new wave cinemas / Catherine Russell Minneapolis: University of Minnesota Press, 1995.
Call No: 747.19 RUSAuthor: Russell, Catherine, 1959 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1995PhysDes: vii, 271 p. : ill. ; 24 cmSubject: NOUVELLE VAGUE ; NARRATIVE IN FILMS ; DEATH IN FILMS ; ALLEGORY IN FILMS ; MELODRAMA ; LANG, FRITZ ; Wenders, Wim ; OSHIMA, NAGISA ; GODARD, JEAN-LUC ; ALTMAN, ROBERT ; BENJAMIN, WALTER ; LYNCH, DAVID ; Peckinpah, Sam ; PENN, ARTHUR ; RAY, NICHOLAS ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NASHVILLE (US, Robert Altman, 1975) ; NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979) ; SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960) ; SHONEN (JA, Nagisa Oshima, 1969) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Notes: Includes bibliographical references (p. 253-262) and indexISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)LON: 10942855
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title clippings file
NO NEED TO STAND : (AT, Steven Faux, 1989)
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book
Off-Hollywood : the making and marketing of independent films / David Rosen, with Peter Hamilton New York: Grove Weidenfeld, 1990.
Call No: 210.2(73) ROSAuthor: Rosen, David (David M.) ; Hamilton, Peter Edition: 1st edPlace: New YorkPublisher: Grove WeidenfeldPubDate: 1990PhysDes: xx, 326 p. : ill. ; 24 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION ; ADVERTISING FOR FILMS ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983) ; COLD FEET (US, Bruce van Dusen, 1983) ; EATING RAOUL (US, Paul Bartel, 1982) ; NORTE, EL (US, Gregory Nava, 1983) ; GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984) ; HEARTLAND (US, Richard Pearce, 1979) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; MY DINNER WITH ANDRE (US, Louis Malle, 1981) ; OLD ENOUGH (US, Marisa Silver, 1984) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981) ; WILD STYLE (US/GW, Charlie Ahearn, 1983) Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."ISBN: 0802131875 (pa)LON: 6416531
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title clippings file
ONE NIGHT STAND : (US, Mike Figgis, 1997)
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title clippings file -- afi distribution clippings file: restricted accesss
ONE NIGHT STAND : (AT, John Duigan, 1984)
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title clippings file
ONE NIGHT STAND : (US, Talia Shire, 1995)
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still
[One night stand : stills file]
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title clippings file
PLEASE STAND BY : (US, Ben Lewin, 2017)
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journal article
Projects approved by the AFC Sept., Oct., Nov., 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND ; INDUSTRY, FILM. AUSTRALIA ; FAST TALKING (AT, Ken Cameron, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; UNDERCOVER (AT, David Stevens, 1983) ; WINDS OF JARRAH (AT, Mark Egerton, 1983) ; FLUTEMAN (AT, Peter Maxwell, 1982) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; ON GUARD (AT, Susan Lambert, 1984) ; PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987) ; CLEANING, THE (AT, Robert Grant, 1984) ; BOXER (AT, Laurie McInnes, 1984) Summary: List of films approved for Australian Film Commission funding.
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newspaper article
Reviews : The Last Stand in Sunday Herald Sun (17/02/2013) p.90
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title clippings file
STAND : (FR/RU/UE, Jonathan Taieb, 2014)
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title clippings file
STAND AND DELIVER : (US, Ramon Menendez, 1988)
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journal article
Stand and Deliver in Empire (Australian Ed.) (April 2006) iss.61 p.48-55
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title clippings file
STAND BY ME : (US, Rob Reiner, 1986)
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title clippings file
STAND-IN, THE : (US, Robert N. Zagone, 1984)
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Online resource
digital clippings file
STAND-INS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: STAND-INS URL status: URL: 'http://file://Q:/S/STAND-INS.zip'
Checked: 31/08/2021 1:05:31 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
STAND, THE : [TV] (US, Mick Garris, 1994)
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title clippings file
STAND UPS SIT DOWN [TV] : (AT, 2013)
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title clippings file
STEVE LACY: LIFT THE BAND STAND : (US, Peter Bull, 1986?)
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book
The X-men films : a cultural analysis / edited by Claudia Bucciferro Lanham, Maryland: Rowman & Littlefield, c2016.
Call No: 79(04)XME XMEAuthor: Bucciferro, Claudia Source: USPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2016PhysDes: 241 pages ; 24 cmSubject: THEORY ; SCIENCE-FICTION FILMS ; UTOPIA IN FILMS ; FANTASY FILMS ; WOMEN IN FILMS ; MASCULINITY IN FILMS ; RACIAL ISSUES AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; X-MEN (US, Bryan Singer, 2000) ; X-MEN 2 (US, Bryan Singer, 2003)
SEE
X2 ; X2 (US, Bryan Singer, 2003) ; X-MEN: THE LAST STAND (US, Brett Ratner, 2006) ; X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009) ; X-MEN: FIRST CLASS (US, Matthew Vaughn, 2011) ; X-MEN : DAYS OF FUTURE PAST (US/ UK, Bryan Singer, 2014) Summary: " In The X-Men Films: A Cultural Analysis, Claudia Bucciferro has assembled a collection of essays that draw from work in communication, cultural studies, and media studies. With contributions from a diverse group of scholars, the chapters analyze issues that include gender, sexuality, disability, class, and race. The contributors pose intriguing questions about the franchise, such as: What do “mutants” really represent? What role do women and people of color play in the narratives? Why does it matter that Professor X is disabled? Why is Mystique often shown naked? What facilitated Wolverine’s rise to prominence? And how do topics regarding identity, trauma, and bioethics, figure in the stories? Exploring issues relevant for a multicultural world and connecting thematic elements from the films to political debates and social struggles, the book seeks to make a thoughtful contribution to the scholarship of popular culture. The X-Men Films will appeal to media scholars and students, as well as to anyone interested in the X-Men series." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781442265332Contents: -- acknowledgments -- introduction / Claudia Bucciferro -- part I Utopian and Immersive Experiences -- 1: Mutopia: American Utopianism and the Mutant Superhero / Matt Yockey -- 2: The Immersive Marketing Campaign for X-Men: Days of Future Past / Nicolo Gallio -- part: II Agency and Authority -- 3: Superhuman Authority: Fascism and Bioethics in the X-Men Films / Evan Hayles Gledhill -- 4: Magneto's Dilemma: The Technological Limitations of Mutant Transhumanism / Ron Von Burg and D. Stokes Piercy -- 5: PTXD: Gendered Narratives of Combat, Trauma, and the Civil-Military Divide / Christina M Knopf and Christine M Doran -- part III Women and Power -- 6: Containing the X-Women: De-powering and De-queering Female Characters / Carolyn Cocca -- 7: Shape-Shifting Identity: Mystique's Embodied Agency / Jason Zingsheim -- 8: The "Stolen" Superpowers of Marvel's Rogue / Julie Davis and Robert Westerfelhaus -- 9: The Curious Case of "Dr" Jean Grey, Mystique, and Mariko / Barbara Cook Overton, Athena du Pre, Loretta L Pecchioni and John H Overton -- part IV Masculinity and Race -- 10: Wolverine in Transition: Shifting Portrayals of Masculinity and Identity / Nathan Miczo -- 11: Techno-Orientalist Villains and White Masculinity in the Wolverine Movies / David C Oh -- 12: Reframing Disabled Masculinity: Xavier as Marvel's Supercrip / Jessica Benham -- 13: Mutating Minorities: White Racial Framing and Group Positioning / Jason Smith -- part V Passing and Otherness -- 14: Passing While Homo Superior / Kat Overland -- 15: Mutancy, Otherness, and Empathy in the X-Men / Claudia Bucciferro -- epilogue / Jason Zingsheim and Claudia Bucciferro -- index -- about the editor and contributors --
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title clippings file
X-MEN: THE LAST STAND : (US, Brett Ratner, 2006)
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journal article
X-Men: The Last Stand in Empire (Australian Ed.) (June 2006) iss.63 p.26
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journal article
X-Men: The Last Stand in Empire (Australian Ed.) (July 2006) iss.64 p.20
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journal article
X-Men: The Last Stand in Empire (Australian Ed.) (November 2006) iss.68 p.104
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