Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002)

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA KON; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AARON SLICK FROM PUNKIN CRICK (US, Claude Binyon, 1951)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACCOMPAGNATRICE, L' (FR, Claude Miller, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988); STORY OF WOMEN, A (FR, Claude Chabrol, 1988)
ID2: 79

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACE AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); STAR WARS [...] (US, 1977-99); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL NIGHT LONG (US, Jean-Claude Tramont, 1981)

PhysDes: Article
Subject: ALORS, HEUREUX? (FR, Claude Barrois, 1979)
Notes: French language article. - short review.

Author: Grunes, Dennis
PhysDes: Article
Subject: BOUCHER, LE (FR/IT, Claude Chabrol, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AND NOW...LADIES AND GENTLEMEN... (FR/UK, Claude Lelouch, 2002)

Author: Rashish, Peter
PhysDes: Article
Subject: DERNIER METRO, LE (FR, Francois Truffaut, 1980); DIVA (FR, Jean-Jacques Beineix, 1981); UNS ET LES AUTRES, LES (FR, Claude Lelouch, 1981)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: APRES LE VENT DES SABLES (FR/BE/IS, Claude Zaccai, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASTERIX ET OBELIX CONTER CESAR (FR/IT/GG, Claude Zidi, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATTENTION BANDITS (FR, Claude Lelouch, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AU COEUR DU MENSONGE (FR, Claude Chabrol, 1998)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: AUTANT-LARA, CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUTRE HOMME, UNE AUTRE CHANCE, UN (FR/US, Claude Lelouch, 1977)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

PhysDes: Article
Subject: BAR DU TELEPHONE, LE (FR, Claude Barrois, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BASTON, LA (FR, Jean-Claude Missiaen, 1985)

PhysDes: Article
Subject: BEAU SERGE, LE (FR Claude Chabrol, 1958)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAU SERGE, LE (FR, Claude Chabrol, 1958)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: BEING AT HOME WITH CLAUDE (CN, Jean Beaudin, 1992)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BERRI, CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETTY (FR, Claude Chabrol, 1992)

Call No: 761(04) BEY
Author: Warren, Charles, 1948
Place: Hanover, NH
Publisher: University Press of New England
PubDate: 1996
PhysDes: xxviii, 366 p. : ports. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; DIRECTORS; DOCUMENTARY DRAMAS; NEWSREELS; MEMORY IN FILMS; ETHNOGRAPHIC FILMS; BIOGRAPHICAL FILMS; GENOCIDE IN FILMS; WORLD WAR II FILMS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); OPHULS, MARCEL; RESNAIS, ALAIN; SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); BOOMERANG (US, Elia Kazan, 1947); VERTOV, DZIGA; MARKER, CHRIS; FILM PORTAIT (US, Jerome Hill, 1972); GARDNER, ROBERT; MCELWEE, ROSS; ZERKALO (UR, Andrei Tarkovsky, 1975)
Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURB
Notes: Includes bibliographical references (p. 345-350) and index
ISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)
LON: 11642141
Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BICHES, LES (FR/IT, Claude Chabrol, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD OF OTHERS, THE [TV] (CN/FR, Claude Chabrol, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BON ET LES MECHANTS, LE (FR, Claude LeLouch, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BONNES FEMMES, LES (FR/IT, Claude Chabrol, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: BOUCHER, LE (FR/IT, Claude Chabrol, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOUM, LA (FR, Claude Pinoteau, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DE BRUIT ET DE FUREUR (FR, Jean-Claude Brisseau, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BY DESIGN (CN, Claude Jutra, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: C'ETAIT UN RENDEZ-VOUS (FR, Claude Lelouch, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAMILLE OU LA COMEDIE CATASTROPHIQUE (FR, Claude Miller, 1971)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CARRIERE, JEAN-CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: CEREMONIE, LA (FR/GG, Claude Chabrol, 1995)
ID2: 62

PhysDes: Article
Subject: CES MALADES QUI NOUS GOUVERNENT (FR, Claude Vajda, 1979)
Summary: Film documentary based on the book 'when statesman are sick'

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHABROL, CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CHARLIE BRAVO (FR, Claude Bernard-Aubert, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHEVAL D`ORGUEIL, LE (FR, Claude Chabrol, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOSES SECRETES (FR, Jean-Claude Brisseau, 2002)

Call No: 67 RUS
Author: Ruszkoiwski, A
Place: Lyon
PubDate: 1937
Subject: CHARACTERIZATION IN FILMS UF: CHARACTERS IN FILMS; CLAIR, RENE; COWARD, NOEL; DE HAVILLAND, OLIVIA; DUVIVIER, JULIEN; GANCE, ABEL; GARSON, GREER; LANG, FRITZ; LORRE, PETER; PIDGEON, WALTER; PRESLE, MICHELINE; RENOIR, JEAN; MADAME CLAUDE (FR, Just Jaeckin, 1977); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]); VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942)
Language: French

Call No: 70(04) CIN
Author: Cook, Pam
Place: London
Publisher: BFI
PubDate: 1985
PhysDes: vi, 377 p. : ill. ; 30 cm
Subject: HISTORY OF CINEMA; USA; STARS; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; AUTEUR THEORY; AUTHORSHIP; STRUCTURALISM; NARRATIVE IN FILMS; BAZIN, ANDRE; METZ, CHRISTIAN; BARTHES, ROLAND; PROPP, VLADIMIR; LEVI-STRAUSS, CLAUDE
Notes: Includes index
ISBN: 0851701442 (pbk.)
LON: bnb85170144; 4277881

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASSE DE NEIGE, LA (FR, Claude Miller, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLAUDE (US, Cindy Lou Johnson, 1992)

Call No: 81CHA WOO
Copy Management: copy 1; copy 2
Author: Wood, Robin, 1931; Walker, Michael. joint author
Place: London
Publisher: Studio Vista
PubDate: 1970
PhysDes: 144 p. : illus., ports. ; 18 cm
Subject: CHABROL, CLAUDE
ISBN: 0289700388
LON: 70549462; 68944

Call No: 81 CHA BEA
Author: Beach, Christopher
Edition: 2020
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2020
PhysDes: 232 pages ; 23cm
Series: Conversations with filmmakers
Subject: CHABROL, CLAUDE
Summary: Claude Chabrol (1930–2010) was a founding member of the French New Wave, the group of filmmakers that revolutionized French filmmaking in the late 1950s and early 1960s. One of the most prolific directors of his generation, Chabrol averaged more than one film per year from 1958 until his death in 2010. Among his most influential films, Le Beau Serge, Les Cousins, and Les Bonnes Femmes established his central place within the New Wave canon. In contrast to other filmmakers of the New Wave such as Jean-Luc Godard and Eric Rohmer, Chabrol exhibited simultaneously a desire to create films as works of art and an impulse to produce work that would be commercially successful and accessible to a popular audience. The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Chabrol’s remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects. Chabrol shares anecdotes about his work with such actors as Isabelle Huppert, Gérard Depardieu, and Jean Yanne, and offers fresh perspectives on other directors including Jean-Luc Godard, Fritz Lang, and Alfred Hitchcock. His mistrust of conventional wisdom often leads him to make pronouncements intended as much to shock as to elucidate, and he frequently questions established ideas and normative attitudes toward moral, ethical, and social behaviors. Chabrol’s intelligence is far-reaching, moving freely between philosophy, politics, psychology, literature, and history, and his iconoclastic spirit, combined with his blend of sarcasm and self-deprecating humor, gives his interviews a tone that hovers between a high moral seriousness and a cynical sense of hilarity in the face of the world’s complexities. -- publisher's web site
ISBN: 9781496826756

Author: Brown, Geoff
PhysDes: Article
Subject: HOMME ET UN FEMME, UN (FR, Claude Lelouch, 1966)
Summary: Retrospective; port; ill.

Call No: 81LEL LEV
Author: Lev, Peter, 1948
Place: Rutherford [N.J.] London
Publisher: Fairleigh Dickinson University Press Associated University Press
PubDate: 1983
PhysDes: 184 p. : ill. ; 24 cm
Subject: LELOUCH, CLAUDE
Notes: Includes index; Filmography: p. 170-173; Bibliography: p. 174-177
ISBN: 0838631142
LON: 81072036; 2226634

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I, CLAUDE MONET (UK, Phil Grabsky, 2017)
Notes: Simon import_20/06/19

Call No: 81RAINS SKA
Author: Skal, David J. -- Rains, Jessica
Source: US
Place: Lexington, KN
Publisher: University Press of Kentucky
PubDate: c2008
PhysDes: x, 290 p., [32] p. of plates : ill. ; 24 cm
Series: Screen classics
Subject: RAINS, CLAUDE
Summary: "In Claude Rains: An Actor's Voice, David J. Skal draws on more than thirty hours of newly released Rains interviews to create the first full-length biography of the actor who was nominated multiple times for an Academy Award for Best Supporting Actor. Skal's portrait of the gifted actor also benefits from the insights of Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father's refined screen presence and genteel public persona." "As Skal shows, numerous contradictions informed the life and career of Claude Rains. He possessed an air of nobility and became an emblem of sophistication, but he never shed the insecurities that traced back to his upbringing in an abusive and poverty-stricken family. Though deeply self-conscious about his short stature, Rains drew notorious ardor from female fans and was married six times. His public displays of dry wit and good humor masked inner demons that drove Rains to alcoholism and its devastating consequences.". "Skal's layered depiction of Claude Rains reveals a complex, almost inscrutable man whose nuanced characterizations were, in no small way, based on the more shadowy parts of his psyche. With unprecedented access to episodes from Rains's private life, Skal tells the full story of the consummate character actor of his generation."--BOOK JACKET.
ISBN: 9780813192611
Donation: donated by Senses of Cinema, 2013
Contents: -- Acknowledgments -- Introduction -- 1 Bloody Idiots Who Couldnt Learn Their Lines -- 2 Marriages and Mustard Gas -- 3 An Actor Abroad -- 4 Invisibility and After -- 5 Mr. Rains Goes to Burbank -- 6 Now, Contract Player -- 7 MacGuffins, Deceptions, Domestic Recriminations -- 8 New Stages and Final Curtains -- Appendix: The Work of Claude Rains -- Notes and Sources -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CLEAN-UP SQUAD, THE (CN, Claude Fournier, 1980?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: COEUR EN HIVER, UN (FR, Claude Sautet, 1992)

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUP DE GRACE, LE (FR, Jean Cayrol & Claude Durand, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUSINS, LES (FR, Claude Chabrol, 1959)

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CRI DU HIBOU, LE (FR/IT, Claude Chabrol, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DENTELLIERE, LA (FR/SZ/GW, Claude Goretta, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST OF THE UNJUST, THE [DERNIER DES INJUSTES, LE ] (FR/AU, Claude Lanzmann, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST OF THE UNJUST, THE [DERNIER DES INJUSTES, LE ] (FR/AU, Claude Lanzmann, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESIREE LA SANGSUE (FR, Jean-Claude Boussard, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEUX LIONS AU SOLEIL (FR, Claude Faraldo, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DIAMANTS DU KILAMANJARO, LES (FR, Claude Pialat, 1987)

Call No: 802.25 TAY
Author: Taylor, John Russell
Source: UK
Place: London
Publisher: Eyre Methuen
PubDate: 1975
PhysDes: 327 p. ; 21 cm
Subject: CHABROL, CLAUDE; Pasolini, Pier Paolo; ANDERSON, LINDSAY; KUBRICK, STANLEY; WARHOL, ANDY; MORRISSEY, PAUL; Ray, Satyajit; JANCSO, MIKLOS; MAKAVEJEV, DUSAN
Summary: A study of the cinema of the 1970s based around the films made by the directors Claude Chabrol, Pier Paolo Pasolini, Lindsay Anderson, Stanley Kubrick, Andy Warhol and Paul Morrissey, Satyajit Ray, Miklos Jancso, and Dusan Makavejev.
ISBN: 0413319202

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: DITES-LUI QUE JE L`AIME (FR, Claude Miller, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTEUR] DR M (FR/GW/IT, Claude Chabrol, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMSPEAKER (CN, Claude Jutra, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDDIE AND THE CRUISERS II: EDDIE LIVES (US, Jean-Claude Lord, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDITH ET MARCEL (FR, Claude Lelouch, 1983)

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ENFER, L' (FR, Claude Chabrol, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ENSEMBLE C'EST TOUT (FR, Claude Berri, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: ETUDIANTE, L' (FR/IT, Claude Pinoteau, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVIL BELOW, THE (US, Jean-Claude Dubois, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FANTOMAS [TV] (FR/G, Claude Chabrol & Juan-Luis Bunuel, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FANTOMES DU CHAPELIER, LES (FR, Claude Chabrol, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FEMME DE MENAGE, UNE (FR, Claude Berri, 2002)

Author: Chase, Donald
PhysDes: Article
Subject: FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CUT IN TWO, THE [FILLE COUPEE EN DEUX, LA] (FR/GG, Claude Chabrol, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FILLES PERDUES, CHEVEUX GRAS (FR, Claude Duty, 2002)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 451-054 (=924) FIL
Author: Davis, Jonathan; Krut, Riva; Schonfield, Jeremy
Source: UK
Place: London
Publisher: The National Film Theatre
PubDate: 1986
PhysDes: 96p. ; 21cm.
Series: NFT Dossier No.2
Subject: JEWS AND THE CINEMA; JEWS IN FILMS; HUNGARY; GENOCIDE IN FILMS; LANZMANN, CLAUDE; SHOAH (FR/SZ, Claude Lanzmann, 1985)
Notes: Includes bibliography, filmography and notes on contributers
ISBN: 0851701906

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO, Fernando Trueba, 1992); BOSSU, LE (FR, Philippe De Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); HUSSARD SUR LE TOIT, LE (FR, Jean-Paul Rappeneau, 1995); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS. BROWN (UK, John Madden, 1997); MRS. DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

PhysDes: Article
Subject: RAGGEDY MAN (US, Jack Fisk, 1981); BY DESIGN (CN, Claude Jutra, 1981); LIANNA (US, John Sayles, 1983); FILMWAYS
Summary: Titles and crew lists of Filmways film that are currently released, are soon to be released, or are in production

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONEY FLOWERS, THE [FLEURS DU MIEL, LES] (FR, Claude Faraldo, 1976)

Call No: 81HIT LAV
Author: La Valley, Albert J. (ed.)
Source: US
Place: Englewood Cliffs
Publisher: Prentice Hall
PubDate: 1972
PhysDes: 186 p. : ill. ; 24 cm
Series: Film Focus
Subject: HITCHCOCK, ALFRED; BAZIN, ANDRE; BOGDANOVICH, PETER; SARRIS, ANDREW; DURGNAT, RAYMOND; AGEE, JAMES; KAEL, PAULINE; CHANDLER, RAYMOND; ROHMER, ERIC; CHABROL, CLAUDE; TRUFFAUT, FRANCOIS; NOTORIOUS (US, Alfred Hitchcock, 1946); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); REAR WINDOW (US, Alfred Hitchcock, 1954); WRONG MAN, THE (US, Alfred Hitchcock, 1957); PSYCHO (US, Alfred Hitchcock, 1960)
ISBN: 0133923657
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction - Albert J. LaValley -- Chronology -- HITCHCOCK ON HITCHCOCK -- I wish I didn't have to shoot the picture: an interview with Alfred Hitchcock - Budge Crawley, Fletcher Markle, and Gerald Pratley -- Interviews with Alfred Hitchcock - Peter Bogdanovich -- Direction - Alfred Hitchcock -- Rear Window - Alfred Hitchcock -- HITCHCOCK ON CONTROVERSY -- Alfred Hitchcock - Lindsay Anderson -- Hitchcock versus Hitchcock - Andre Bazin -- Why we should take Hitchcock seriously - Robin Wood -- Hitchcock - Andrew Sarris -- The strange case of Alfred Hitchcock, part three - Raymond Durgnat -- THE FILMS -- James Agee - Notorious -- Pauline Kael - Three Films -- Raymond Chandler - Notebooks on Strangers on a Train -- Ronald Christ - Strangers on a Train - the pattern of encounter -- Eric Rohmer and Claude Chabrol - The Wrong Man -- Leo Braudy - Hitchcock, Truffaut, and the irresponsible audience -- Raymond Durgnat - Inside Norman Bates -- John Crosby - Macabre Merriment -- Jack Edmund Nolan - Hitchcock's TV films -- Analysis of the Plane and Cornfield Chase sequence in North by Northwest

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FOREST, JEAN CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADMAN, THE [FOU, LE] (SZ, Claude Goretta, 1970)

PhysDes: Article
Subject: TWENTIETH CENTURY-FOX; PIRATE MOVIE, THE (AT, Ken Annakin, 1982); CHRISTIANE F.- WIR KINDER VOM BAHNHOF ZOO (GW, Ulrich Edel, 1981); I OUGHT TO BE IN PICTURES (US, Herbert Ross, 1982); MODERN PROBLEMS (US, Ken Shapiro, 1981); VISITING HOURS (CN, Jean-Claude Lord, 1981); SIX PACK (US, Daniel Petrie, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); AUTHOR! AUTHOR! (US, Arthur Hiller, 1982); VERDICT, THE (US, Sidney Lumet, 1982); MONSIGNOR (US, Frank Perry, 1982); KING OF COMEDY, THE (US, Martin Scorsese, 1983); TOUGH ENOUGH (US, Richard Fleischer, 1983); ENTITY, THE (US, Sidney J. Furie, 1982)
Summary: List of current, coming, and completed Fox films.

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Zwemmer : Cranbury (N. J.) : Barnes
PubDate: 1966-
PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cm
Subject: FRANCE; DIRECTORS. FRANCE; CLAIR, RENE; RENOIR, JEAN; CARNE, MARCEL; OPHULS, MARCEL; COCTEAU, JEAN; CLOUZOT, HENRI-GEORGES; CLEMENT, RENE; BECKER, JACQUES; BRESSON, ROBERT; TATI, JACQUES; GREMILLON, JEAN; LEENHARDT, ROGER; ROUQUIER, GEORGES; AUTANT-LARA, CLAUDE
Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal style
LON: 4021093 4021093

Author: Mogg, Kenneth M.
PhysDes: Review
Subject: KRAMER, STANLEY; RAY, SATYAJIT; APUR SANSAR (II, Satyajit Ray, 1958); VERTIGO (US, Alfred Hitchcock, 1958); HITCHCOCK, ALFRED; RAY, NICHOLAS; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); RENOIR, JEAN; ORFEU NEGRO (FR/IT/BL, Marcel Camus, 1958); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); MALLE, LOUIS; AND GOD CREATED WOMAN (US, Roger Vadim, 1988); VADIM, ROGER; COUSINS, LES (FR, Claude Chabrol, 1959); CHABROL, CLAUDE; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); RESNAIS, ALAIN; NOUVELLE VAGUE
Summary: Reviews of "The Defiant Ones", "The World of Apu", "Vertigo", "Party Girl", "French Can-Can", "Black Orpheus", "The Lovers", "And God Created Woman", "The Cousins", "Hiroshima Mon Amour", "Ivan The Terrible" in the context of the French New Wave and new World Cinema.

Call No: 408.1(44) BUS
Author: Buss, Robin
Place: London
Publisher: Batsford
PubDate: 1988
PhysDes: 165 p., [32] p. of plates : ill. ; 25 cm
Subject: NATIONAL CULTURE AND THE CINEMA. FRANCE; FRANCE; SOCIETY AND THE CINEMA. FRANCE; FILMOGRAPHIES. FRANCE; HISTORICAL FILMS. FRANCE; FAMILY IN FILMS. FRANCE; BRESSON, ROBERT; CHABROL, CLAUDE; GODARD, JEAN-LUC; MALLE, LOUIS; PAGNOL, MARCEL; RENOIR, JEAN; CARNE, MARCEL; CLAIR, RENE; DEMY, JACQUES; DUVIVIER, JULIEN; GABIN, JEAN; GANCE, ABEL; TRUFFAUT, FRANCOIS; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984)
Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156
ISBN: 0713453605
LON: 5952835

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GARDE A VUE (FR, Claude Miller, 1981)

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: GENESIS (FR/IT, Claude Nuridsany and Marie Perennoy, 2004)
ID2: 76

Author: Meeker, David; Gillet, John
PhysDes: Article
Subject: DIABLE AU CORDS, LE (FR, Claude Autant-Lara 1947)
Summary: Retrospective;ill

Author: Meeker, David; Gillet, John
PhysDes: Article
Subject: JOUEUR, LE (FR/IT, Claude Autant-Lara, 1958)
Summary: Retrospective; Ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GERMINAL (FR, Claude Berri, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLDEN FIDDLES (AT/CN, Claude Fournier, 1991)

PhysDes: Article
Subject: GRANDS MOMENTS, LES (FR, Claude Lelouch, 1965)

Author: Wlaschin, Ken
PhysDes: Article
Subject: DIVA (FR, Jean-Jacques Beineix, 1981); GUERRE DU FEU, LA (CN/FR/US, Jean-Jacques Annaud, 1981); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); PROVIDENCE (FR, Alain Resnais, 1977); MONSIEUR KLEIN (FR/IT, Joseph Losey, 1976); DERNIER METRO, LE (FR, Francois Truffaut, 1980); COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); GARDE A VUE (FR, Claude Miller, 1981); TESS (FR/UK, Roman Polanski, 1979)
Summary: Short Reviews

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE SIMPLE, UNE (FR/GW, Claude Sautet, 1978)

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HOMME ET UN FEMME, UN (FR, Claude Lelouch, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMME ET UN FEMME: VINGT ANS DEJA, UN (FR, Claude Lelouch, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMMES FEMMES: MODE D'EMPLOI (FR, Claude Lelouch, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOODWINK (AT, Claude Whatham, 1981)

Call No: S HOO
PubDate: [1981?]
PhysDes: 74 leaves
Subject: HOODWINK (AT, Claude Whatham, 1981)
Notes: Unpublished script; Made in Australia by CB Films Pty. Ltd. Sydney Copyright; No script/screenwriter given

Call No: N79 HOO SYN -- RARE BOOK
Author: Synnerdahl, Carl
Source: AT
Place: Sydney
Publisher: Macdonald Futura
PubDate: 1981
PhysDes: 180 p. : [16] ill. ; 18 cm
Subject: HOODWINK (AT, Claude Whatham, 1981)
ISBN: 0867710012

Call No: D Hoodwink
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: 2006
PhysDes: 1 videodisc (DVD) (90 min.) : sd., col. ; 4 3/4 in.
Subject: HOODWINK (AT, Claude Whatham, 1981)
Summary: A bank robber, on capture, feigns blindness to avoid the consequences of his crimes. -- Libraries Australia.
Notes: Originally produced: C.B. Films, 1981. Censorship classification: M.
Technical Details: PAL ; All regions
Credits: Producers: Errol Sullivan, Pom Oliver ; director: Claude Whatham ; screenplay: Ken Quinnell.
Standard Number: 3000000060995
Performer: John Hargreaves, Judy Davis, Dennis Miller, Wendy Hughes.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: David Parker Photography
PhysDes: 2 photograph : b&w ; 13 x 18 cm -26 x 17 cm
Subject: HARGREAVES, JOHN; HOODWINK (AT, Claude Whatham, 1981)
Summary: Two black and white photographs of John Hargreaves as Martin Stang in the film Hoodwink
Notes: Image donated by Brian McFarlane
ID2: 297

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; JEWS IN FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); INDE FANTOME, L' (FR, Louis Malle, 1968); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); VERITES ET MENSONGES (FR/IR, Orson Welles, 1975[prod.1973]); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMMORALE, L` (FR, Claude Mulot [pseud. of Frederic Lansac], 1980)

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS : KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MONSIEUR] M. KLEIN (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); KINDER AUS NO. 67, DIE (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INNOCENTS AUX MAINS SALES, LES (FR/IT/GW, Claude Chabrol, 1975)

PhysDes: Article
Subject: INSPECTEUR LA BAVURE (FR, Claude Zidi, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: INSTINCT DE FEMME (FR, Claude Othnin-Girard, 1982)

Call No: REFERENCE SECTION; 058 INT "1970"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1969
PhysDes: v.
Subject: ANDERSON, LINDSAY; CHABROL, CLAUDE; ICHIKAWA, KON; Pasolini, Pier Paolo; SKOLIMOWSKI, JERZY; LENIN [V.I.] IN FILMS
ISBN: 900730013

Call No: REFERENCE SECTION; 058 INT "1977"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1976
PhysDes: v.
Subject: ALLEN, WOODY; CUKOR, GEORGE; SAUTET, CLAUDE; WERTMULLER, LINA; KOBAYASHI, MASAKI
ISBN: 0904208079

Call No: REFERENCE SECTION; 058 INT "1978"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1977
PhysDes: v.
Subject: GORETTA, CLAUDE; HU, KING; MINNELLI, VINCENTE; SAURA, CARLOS; RITCHIE, MICHAEL
ISBN: 0498021068

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JE VOUS AIME (FR, Claude Berri, 1981)

Author: Kemp, Daniele
PhysDes: Article
Subject: JEAN DE FLORETTE (FR/IT, Claude Berri, 1986)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JEAN DE FLORETTE (FR/IT, Claude Berri, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOUR DES ROIS, LE (FR, Marie-Claude Treilhou, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURS TRANQUILLES A CLICHY (FR/IT/G, Claude Chabrol, 1990); QUIET DAYS IN CLICHY (FR/IT/G, Claude Chabrol, 1990)

PhysDes: Article
Subject: GARDE A VUE (FR, Claude Miller, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUSTE AVANT LA NUIT (FR/IT, Claude Chabrol, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KABLOONAK (FR/CN, Claude Massot, 1994)

Author: Gardner, Geoffrey
PhysDes: Review
Subject: JUTRA, CLAUDE; DOCUMENTARY FILMS. CANADA; DOCUMENTARY FILMS; CINEMA VERITE; EDUCATION, FILM. CANADA
Summary: Review of Claude Jutra's feature documentary "Knowing to Learn", about modern education.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LANZMANN, CLAUDE

PhysDes: Article
Subject: GARDE A VUE (FR, Claude Miller, 1981)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LAUZON, JEAN-CLAUDE

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LELOUCH, CLAUDE

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: LEOLO (CN/FR, Jean-Claude Lauzon, 1992)
ID2: 79
URL status: URL: 'http://file://Q:/T/LEOLO.zip' Checked: 31/08/2021 12:55:51 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIENS DE SANG, LES (FR/CN, Claude Chabrol, 1978)

Author: Dewey, Lang
PhysDes: Article Review
Subject: FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); ILLUSTRATED MAN, THE (US, Jack Smight, 1969)
Summary: Review of the most recent film releases and their reception in London.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LUCIE AUBRAC (FR, Claude Berri, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LIFE AS A COURGETTE [MA VIE DE COURGETTE] (SZ/FR, Claude Barras, 2016)
ID2: 254

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MACBETH (FR/GW, Claude d'Anna, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MADAME BOVARY (FR, Claude Chabrol, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAME CLAUDE (FR, Just Jaeckin, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAME CLAUDE 2 (FR, Francois Mimet, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MALE DU SIECLE (FR/BE, Claude Berri, 1975)

Call No: 79HOM LEL
Author: Lelouch, Claude, 1937; Uytterhoeven, Pierre, joint author
Place: New York
Publisher: Simon and Schuster
PubDate: [1971]
PhysDes: 116 p. illus. 21 cm
Subject: HOMME ET UN FEMME, UN (FR, Claude Lelouch, 1966)
Notes: Translation of the screenplay of the motion picture Un homme et une femme, released by United Artists
ISBN: 0671209639
LON: 52578

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MANON DES SOURCES (FR/IT/SZ, Claude Berri, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MASQUES (FR, Claude Chabrol, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAZEL TOV OU LE MARIAGE (FR, Claude Berri, 1968)

Author: Ryan, Tom
PhysDes: Article
Subject: FESTIVALS. MELBOURNE; RYAN, TOM; BOUCHER, LE (FR/IT, Claude Chabrol, 1970); SCARECROW (US, Jerry Schatzberg, 1973); VALLEE, LA (FR, Barbet Schroeder, 1972); TRASH (US, Paul Morrissey, 1970)
Summary: Tom Ryan's reflection on the films screened at the 1973 Melbourne International FIlm Festival.

Author: Williams, Ross
PhysDes: Article Review
Subject: ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); ROCHA, GLAUBER; QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969); CHABROL, CLAUDE; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); ROHMER, ERIC; SHONEN (JA, Nagisa Oshima, 1969); OSHIMA, NAGISA; WSZYSTKO NA SPRZEDAZ (PL, Andrzej Wajda, 1968); WAJDA, ANDRZEJ; GOTO L'ILE D'AMOUR (FR, Walerian Borowczyk, 1968); BOROWCZYK, WALERIAN; DE ANTONIO, EMILE; SPRY, ROBIN; MEDIUM COOL (US, Haskell Wexler, 1969); WEXLER, HASKELL
Summary: Review of the highlights of the 1970 Melbourne Film Festival. To be continued in M.F.B. No. 14.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MERCI POUR LE CHOCOLAT (FR/SZ, Claude Chabrol, 2000)

Call No: 81NAI MUI
Author: Muir, John Kenneth
Source: US
Place: New York
Publisher: Applause Theatre & Cinema Books
PubDate: c2006
PhysDes: ix, 290 p., [16] p. of plates : col. ill., ports. ; 23 cm
Subject: INDIA; FILM; NAIR, MIRA; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); MISSISSIPPI MASALA (US, Mira Nair, 1991); PEREZ FAMILY, THE (US, Mira Nair, 1995); KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996); MY OWN COUNTRY (US, Mira Nair, 1998); LAUGHING CLUB OF INDIA, THE (US/II, Mira Nair, 1999); MONSOON WEDDING (US/II, Mira Nair, 2001); HYSTERICAL BLINDNESS (US. Mira Nair, 2002); 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002); VANITY FAIR (UK/US, Mira Nair, 2004); NAMESAKE, THE (II/US, Mira Nair, 2006)
Summary: "This is the first book to examine the films of the acclaimed and popular Indian-born and Harvard-educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. Noted film authority John Kenneth Muir analyzes all of Nair's work." "Among those interviewed for this book are the actors Gena Rowlands (Hysterical Blindness) and Naveen Andrews (Kama Sutra: A Tale of Love, 1997); My Own Country, 1998), currently a star of TV's Lost; and Julian Fellowes, the screen writer of Vanity Fair."--BOOK JACKET.
Notes: Includes index; Bibliography: p. [261]-268
ISBN: 9781557836496
Contents: -- acknowledgments -- A local storyteller at the global cinema : an introduction to Mercy in her eyes : the films of Mira Nair -- Ch. 1. Mahurat : the auspicious beginning of Mira Nair's career in film -- Ch. 2. Salaam Bombay! (1998) -- Ch. 3. Mississippi Masala (1991) and The Perez family (1995) -- Ch. 4. Kama Sutra: a tale of love (1997), My own country (1998), and The laughing club of India (1999) -- Ch. 5. Monsoon wedding (2001), Hysterical blindness (2002), 11'09'01 (2002), and Vanity fair (2004) -- Ch. 6. Sneak peek : The namesake (2006) -- Life is such a comedy : a conclusion to Mercy in her eyes -- App. You know you're in a Mira Nair film when you see ... -- notes -- selected bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings; Study guide
Subject: MICROCOSMOS (FR/SZ/IT, Claude Nuridsany & Mary Perennou, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: MISERABLES, LES (FR, Claude Lelouch, 1995)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MORT DE MARIO RICCI, LA (SZ/FR/GW, Claude Goretta, 1983)

Author: Caroline enjo
Subject: SHOAH (FR/SZ, Claude Lanzmann, 1985); COMMENTARY; GENOCIDE IN FILMS
Summary: Describes reasons for the importance of the spoken word in "Shoah". In French.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVELEY'S MILL [MOULIN DEVELEY SIS A LA QUIELLE, LE] (SZ, Claude Champion, 1971)

Call No: 201 DAL
Author: Dale, Martin
Place: London Herndon, VA, USA
Publisher: Cassell
PubDate: 1997
PhysDes: xi, 340 p. : ill. ; 23 cm
Subject: INDUSTRY, FILM. UK; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. USA; INDEPENDENT PRODUCTION; GOVERNMENT AID. EUROPEAN COUNTRIES; QUOTA. EUROPEAN COUNTRIES; DISTRIBUTORS; ALMODOVAR, PEDRO; PUTTNAM, DAVID; BERLUSCONI, SILVIO; BERRI, CLAUDE; BESSON, LUC
Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heard
Notes: Includes bibliographical references (p. 332-334) and index
ISBN: 0304333867; 0304333875 (pbk.)
LON: gb 97034316; 13222852

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); DAMNED, THE (IT/GW, Luchino Visconti, 1969); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR, CLaude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); LA CINA E VICINA (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit
Subject: NADA (FR/IT, Claude Chabrol, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAPALM (FR, Claude Lanzmann, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: NELLY ET MONSIEUR ARNAUD (FR/IT/GG, Claude Sautet, 1995)

Call No: 761 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: 199 p. : ill. ; 24 cm
Subject: CINEMA VERITE; DOCUMENTARIES; GENOCIDE IN FILMS; KENNEDY [JOHN FITZGERALD] IN FILMS; SOAP OPERAS; ANTONIO, EMILE DE; BROOMFIELD, NICK; DINEEN, MOLLY; LANZMANN, CLAUDE; MARKER, CHRIS; MAYSLES, ALBERT & DAVID; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CRUISE, THE (US, Bennet Miller, 1998); SHOAH (FR/SZ, Claude Lanzmann, 1985)
Summary: "New Documentary: A Critical Introduction provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. This engaging textbook brings the study of documentary up to date by examining critical issues of performance, gender, authorship and spectatorship and suggests how these are important to an understanding of documentary cinema. Areas addressed include: key texts such as Zapruder's film of Kennedy's Assassination, Shoah, The Leader, His Driver and the Driver's Wife and the Atomic Cafe; the works of filmmakers such as Emile de Antonio, Chris Marker, Nicholas Barker, Nick Broomfield, Molly Dineen and Patrick Kieller; an analysis of the key aspects of documentary such as the use of voice-over and archive, American cinema verite, docusoaps and political image-making; an innovative examination of the importance of performance to documentary; interviews with contemporary documentary filmmakers." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 0415182956 (alk. paper); 0415182964 (pbk. : alk paper)
LON: 21418546

Call No: 71(4) "198-199" GAL
Author: Galt, Rosalind
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: viii, 296 p. : ill., maps ; 24 cm
Series: Film and culture
Subject: EUROPEAN COUNTRIES; WORLD WAR II FILMS; COLD WAR AND THE CINEMA; GENRES; LANDSCAPES IN FILMS; REALISM IN FILMS; ART CINEMA; UNITED KINGDOM; NEOREALISM; REED, CAROL; WILDER, BILLY; BENJAMIN, WALTER; TORNATORE, GIUSEPPE; SALVATORES, GABRIELE; KUSTURICA, EMIR; TRIER, LARS VON; MEDITERRANEO (IT, Gabriele Salvatores, 1991); AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988); NUOVO CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988); POSTINO, IL (IT/FR/BE, Michael Radford, 1994); MEDITERRANEO (IT, Gabriele Salvatores, 1991); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995); EUROPA (DK/FR/GG, Lars Von Trier, 1991); FOREIGN AFFAIR, A (US, Billy Wilder, 1948); THIRD MAN, THE (UK, Carol Reed, 1949)
Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]
Notes: Formerly CIP Includes bibliographical references (p. [267]-277) and index Filmography: p. [279]-284
ISBN: 0231137176
Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOCE BLANCHE (FR, Jean-Claude Brisseau, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEDDING IN BLOOD [NOCES ROUGES, LES] (FR/IT, Claude Chabrol, 1973)

Author: Lindley, Howard
PhysDes: Article
Subject: SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969); CREMATOR, THE (CS, Juraj Herz, 1969); GOTO L'ILE D'AMOUR (FR, Walerian Borowczyk, 1968); NEVINOST BEZ ZASTITE (YU, Dusan Makavajev, 1968); FESTIVALS. AUSTRALIA
Summary: Howard Lindley's thoughts on films they thought note-worthy that screened at the Melbourne and Sydney film festivals.

Call No: 64NOU DUR
Author: Durgnat, Raymond
Place: Essex : Motion, 1963
Publisher: MOTION Publications
PhysDes: 90p
Subject: NOUVELLE VAGUE; ALBICOCCO, JEAN-GABRIEL; ASTRUC, ALEXANDRE; BROOK, PETER; CHABROL, CLAUDE; DEMY, JACQUES; FRANJU, GEORGES; GODARD, JEAN-LUC; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; RESNAIS, ALAIN; RIVETTE, JACQUES; ROUCH, JEAN; TRUFFAUT, FRANCOIS; VADIM, ROGER; VARDA, AGNES; MOCKY, JEAN-PIERRE
LON: 5050367

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OEIL DE VICHY, L' (FR, Claude Chabrol, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PALMES DE M. SCHUTZ, LES (FR, Claude Pinoteau, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: PANIQUE (CN, Jean-Claude Lord, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARTAGE DE MINUIT (FR, Claude Chabrol, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PARTENAIRES (FR, Claude D'Anna, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARTIE DE PLAISIR, UNE (FR/IT, Claude Chabrol, 1974)

Call No: TITLE CLIPPINGS FILE
Subject: WAY TO PLEASURE, THE [PARTIE DE PLAISIR, UNE] (FR, Claude Chabrol, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAY TO PLEASURE, THE [PARTIE DE PLAISIR, UNE] (FR, Claude Chabrol, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: PAS SI MECHANT QUE CA... (SZ/FR, Claude Goretta, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PASSERELLE, LA (FR, Jean-Claude Sussfeld, 1988)

Call No: 408.1 PER
Author: Sobchak, Vivian Carol
Source: US
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: 265 pages ; 24 cm
Series: AFI film readers
Subject: TELEVISION; HISTORY AND THE CINEMA; HISTORY AND TV; THEORY; KING, RODNEY; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TEN COMMANDMENTS, THE (UK, Phil Mulloy, 1996); JFK (US, Oliver Stone, 1991); HOLOCAUST (US, Marvin J. Chomsky, 1978); HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969); SHOAH (FR/SZ, Claude Lanzmann, 1985); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MORRIS, ERROL
Summary: "The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible" -- Publisher
Notes: Includes bibliographical references and index.
ISBN: 0415910846
Contents: Introduction: History Happens / Vivian Sobchack -- 1. The Modernist Event / Hayden White -- 2. Cinematic Shots: The Narration of Violence / Janet Staiger -- 3. Historical Consciousness and the Viewer: Who Killed Vincent Chin? / Bill Nichols -- 4. "I'll See It When I Believe It": Rodney King and the Prison-House of Video / Frank P. Tomasulo -- 5. Antimodernism as Historical Representation in a Consumer Culture: Cecil B. Demille's The Ten Commandments, 1923, 1956, 1993 / Sumiko Higashi -- 6. Modernism and the Narrative of Nation in JFK / Robert Burgoyne -- 7. Andrei Rublev: The Medieval Epic as Post-Utopian History / Denise J. Youngblood -- 8. Subject Positions, Speaking Positions: From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List / Thomas Elsaesser -- 9. Historical Ennui, Feminist Boredom / Patrice Petro -- 10. The Future of the Past: Film and the Beginnings of Postmodern History / Robert A. Rosenstone. -- 11. Interrotroning History: Errol Morris and the Documentary of the Future / Shawn Rosenheim -- 12. The Professors of History / Dana Polan. -- Contributors -- Index

Call No: 79PET TRU
Author: Miller, Claude; Truffaut, Francois, 1932; Givray, Claude de
Place: London
Publisher: Faber
PubDate: 1989
PhysDes: xii, 83 p. : ill. ; 22cm
Subject: PETITE VOLEUSE, LA (FR, Claude Miller, 1988)
Notes: Translation from the French; "Claude Millar" - Cover
ISBN: 0571141757 (pbk) : ª5.99 : CIP rev
LON: 6793373

Call No: 45:32 SAR
Author: Sarris, Andrew
Place: New York
Publisher: Columbia University Press
PubDate: 1978
PhysDes: 215 p. : ill. ; 24 cm
Subject: POLITICS AND THE CINEMA; FASCISM AND THE CINEMA; VIOLENCE IN FILMS; PORNOGRAPHY AND THE CINEMA; CENSORSHIP; SEMIOLOGY; AVANT-GARDE FILMS; MONROE, MARILYN; MAILER, NORMAN; FAIRBANKS, DOUGLAS; RIEFENSTAHL, LENI; SONTAG, SUSAN; PROMISED LANDS (FR, Susan Sontag, 1974); MON ONCLE ANTOINE (CN, Claude Jutra, 1971); SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971); CASO MATTEI, IL (IT, Francesco Rosi, 1972); DOG DAY AFTERNOON (US, Sidney Lumet, 1975); FRONT, THE (US, Martin Ritt, 1976); LENNY (US, Bob Fosse, 1974); CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); MAN, THE (US, Joseph Sargent, 1972); CANDIDATE, THE (US, Michael Ritchie, 1972); GODFATHER, THE (US, Francis Ford Coppola, 1972); CONVERSATION, THE (US, Francis Ford Coppola, 1974); ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); HEARTS AND MINDS (US, Peter Davis, 1974)
Notes: Includes index
ISBN: 0231040342
LON: 1221130

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PREMIERE FOIS..., LA (FR, Claude Berri, 1976)

PhysDes: Study guide; Illustration(s)
Subject: MICROCOSMOS (FR/SZ/IT, Claude Nuridsany & Mary Perennou, 1996); TEACHING MATERIALS
Summary: Notes for teaching "Microcosmos" to Primary school students

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); DEUS E O DIABO NA TERRA DO SOL (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 802 PRO v.9
Author: Herpe, Noel; Boorman, John, 1933; Ciment, Michel; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1999
PhysDes: x, 193 p. : ill., ports. ; 23cm
Subject: FRANCE; DIRECTORS. FRANCE; ASSAYAS, OLIVIER; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988); THERESE (FR, Alain Cavalier, 1986); GARDE A VUE (FR, Claude Miller, 1981); ARGENT, L' (SZ/FR, Robert Bresson, 1983); CONTE D'ETE (FR, Eric Rohmer, 1996); CEREMONIE, LA (FR/GG, Claude Chabrol, 1995); AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987); COEUR EN HIVER, UN (FR, Claude Sautet, 1992); VAN GOGH (FR, Maurice Pialat, 1991); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984); RIDICULE (FR, Patrice Leconte, 1996); HOTEL TERMINUS : KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); FAVORIS DE LA LUNE, LES (FR, Otar Ioseliani, 1984); DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991); SENTINELLE, LA (FR, Arnaud Desplechin, 1992); WESTERN (FR, Manuel Poirier, 1997); HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996); HAINE, LA (FR, Mathieu Kassovitz, 1995)
ISBN: 0571193560 (pbk.)
LON: 20163202

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 28 photographs : b&w ; 20 x 26 cm - 21 x 31 cm
Subject: EMMANUEL, TAKIS; ZIGON, YELENA; COWAN, TOM; GERASSIMOU, NIKOS; PETIT, JEAN - CLAUDE; FITZPATRICK, KATE; BLAKE, SALLY; PROMISED WOMAN (AT, Tom Cowan, 1974)
Summary: Photographs relating to the film Promised woman.
Notes: Some are duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PROVINCIALE, LA (FR/SZ, Claude Goretta, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: QUAND J'AVAIS CINQ ANS JE M'AI TUE (FR, Jean-Claude Sussfeld, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUELQUES JOURS AVEC MOI (FR, Claude Sautet, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: QUEST, THE (US, Jean-Claude Van Damme, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET DAYS IN CLICHY (FR/IT/GW, Claude Chabrol, 1990)

Call No: 71(44) RED
Author: Bandy, Mary Lea
CorpAuthor: Museum of Modern Art (New York, N.Y.)
Place: New York Boston
Publisher: Museum of Modern Art Distributed by New York Graphic Society Books, Little, Brown
PubDate: c1983
PhysDes: 220 p. : ill. ; 26 cm
Subject: FRANCE; FRANCE. 1927-1932; CLAIR, RENE; PAGNOL, MARCEL; GREMILLON, JEAN; GABIN, JEAN; COCTEAU, JEAN; RENOIR, JEAN; RESNAIS, ALAIN; LUMIERE, LOUIS; MELIES, GEORGES; FEUILLADE, LOUIS; GANCE, ABEL; FEYDER, JACQUES; BRESSON, ROBERT; BECKER, JACQUES; MELVILLE, JEAN-PIERRE; CARNE, MARCEL; JAUBERT, MAURICE; GUITRY, SACHA; ARLETTY; LUMIERE D'ETE (FR, Jean Gremillon, 1942); DOUCE (FR, Claude Autant-Lara, 1943)
Notes: Published in conjunction with an exhibition organized by the Museum, and others; Includes index; Filmography: p. 167-193; Bibliography: p. 195-210
ISBN: 0870703358 (pbk.)
LON: 3145053

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIEN NE VA PLUS (FR/SZ, Claude Chabrol, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: RIPOUX CONTRE RIPOUX (FR, Claude Zidi, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: RIPOUX, LES (FR, Claude Zidi, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROBERT ET ROBERT (FR, Claude Lelouch, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: ROMAN DE GARE (FR, Claude Lelouch, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUPTURE, LA (FR/BE/IT, Claude Chabrol, 1970)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: SAUTET, CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UN SECRET (FR, Claude Miller, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SECRET, UN (FR, Claude Miller, 2007)

Author: Lord, Stuart
PhysDes: Review; Bibliography; Credits; Illustration(s)
Subject: [SEPT] 7 PCHS CAPITAUX, LES (FR/IT, Sylvain Dhomme & Edouard Molinaro & Philippe de Broca & Jacques Demy & Jean-Luc Godard & Roger Vadim & Claude Chabrol, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme; Stills
Subject: SHOAH (FR/SZ, Claude Lanzmann, 1985)

Call No: 79SHO LAN
Author: Lanzmann, Claude
Edition: 1st American Ed
Source: US
Place: New York
Publisher: Pantheon Books
PubDate: 1985
PhysDes: xii, 200 p. : ill., ports. ; 22 cm
Subject: SHOAH (FR/SZ, Claude Lanzmann, 1985)
Notes: Translated from the French
ISBN: 0394551427
Donation: donated by the family of Wayne Levy, 2006
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:46 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRL FRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SI C'ETAIT A REFAIRE (FR, Claude Lelouch, 1976)

PhysDes: Article
Subject: HISTOIRE SIMPLE, UNE (FR/GW, Claude Sautet, 1978)
Summary: Review of "A Simple Story" (Une Histoire Simple); Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOBIBOR, 14 OCTOBRE 1943, 16 HEURES (FR, Claude Lanzmann, 2001)

Author: Crawley, Tony
PhysDes: Article
Subject: HOODWINK (AT, Claude Whatham, 1981)
Summary: review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEET WILLIAM (UK, Claude Whatham, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYDNEY AT WAR: THE UNTOLD STORY (AT, Claude Gonzalez, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SO LONG, STOOGE [TCHAO PANTIN] (FR, Claude Berri, 1983)

PhysDes: Article
Subject: DITES-LUI QUE JE L`AIME (FR, Claude Miller, 1977)
Summary: Review

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 14 photographs : b&w ; 11.5 x 16.5 cm.-18 x 24 cm
Subject: BERRI, CLAUDE; TENO (AT, Margot Nash, 1984)
Summary: 14 black and white photographs of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THAT'LL BE THE DAY (UK, Claude Whatham, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THEMROC (FR, Claude Faraldo, 1973)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1990?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: IL Y A DES JOURS...ET DES LUNES (FR, Claude Lelouch, 1990)
Summary: IN focus in the foreground is a profile view of a mans face. He has stubble and is squinting. In the background there is a woman who is out of focus.
Notes: No information on personnel included on item; Adhesive label attached to reverse of photograph; White border surrounds image

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THERESE DESQUEYROUX (FR, Claude Miller, 2012); THERESE (FR, Claude Miller, 2012)
URL status: URL: 'http://file://Q:/T/THERESE_D.zip' Checked: 31/08/2021 1:31:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Bence, Bill
PhysDes: Article
Subject: CHOSES DE LA VIE, LES (FR, Claude Sautet, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIGRE AIME LA CHAIR FRAICHE, LE (FR/IT, Claude Chabrol, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TOTALE!, LA (FR, Claude Zidi, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TOUT CA...POUR CA! (FR, Claude Lelouch, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TOUTE UNE VIE (FR, Claude Lelouch, 1974)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TRAMONT, JEAN-CLAUDE

Call No: TITLE CLIPPINGS FILE
Subject: PIG ACROSS PARIS, A [TRAVERSEE DE PARIS, LA] (FR, Claude Autant-Lara, 1956)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PIG ACROSS PARIS, A [TRAVERSEE DE PARIS, LA] (FR, Claude Autant-Lara, 1956)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TSAHAL (IS, Claude Lanzmann, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNS ET LES AUTRES, LES (FR, Claude Lelouch, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: URANUS (FR, Claude Berri, 1990)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: VAN DAMME, JEAN-CLAUDE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: VAN DAMME, JEAN-CLAUDE

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; FINANCING. AUSTRALIA; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982); BAD BLOOD (NZ, Mike Newell, 1981); SMASH PALACE (NZ, Roger Donaldson, 1981); SCARECROW, THE (NZ, Sam Pillsbury, 1982); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); FATTY FINN (AT, Maurice Murphy, 1980); HOODWINK (AT, Claude Whatham, 1981)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production. New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980. Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills
Subject: VAUTOURS, LES (CN, Jean-Claude Labrecque, 1975)

Call No: TITLE CLIPPINGS FILE
Subject: VINCENT, FRANCOIS, PAUL AND THE OTHERS… [VINCENT, FRANCOIS, PAUL ET LES AUTRES…] (FR, Claude Sautet, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VINCENT, FRANCOIS, PAUL AND THE OTHERS… [VINCENT, FRANCOIS, PAUL ET LES AUTRES…] (FR, Claude Sautet, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: VISITING HOURS (CN, Jean-Claude Lord, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIVANT QUI PASSE, UN (FR, Claude Lanzmann, 1979?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIVE DES FEMMES! (FR, Claude Confortes, 1984)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WHATHAM, CLAUDE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WICKHAM, PHILLIP CLAUDE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IL Y A DES JOURS...ET DES LUNES (FR, Claude Lelouch, 1990); THERE WERE DAYS AND MOONS (FR, Claude Lelouch, 1990)