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5 LOST AT SEA : (AT, Jessie Martin and Josh Schmidt, 2009)
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54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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Abbott and Costello Lost in Alaska (1952) in Australian film guide vol.1 iss.10 p.2
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AGGET AR LOST! EN HARDKOKT SAGA : (SW, Hans Alfredson, 1975)
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ALL IS LOST : US, J. C. Chandor, 2013
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ALLAN QUARTERMAIN AND THE LOST CITY OF GOLD : (US, Gary Nelson, 1987)
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12
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AMERICA LOST : (US, Richard Redeman, 1981)
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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ATLANTIS, THE LOST EMPIRE : (US, Gray Trousdale & Kirk Wise, 2001)
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmondson and Andrew Pike Canberra: National Library of Australia, 1982.
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AUSTRALIA'S LOST IMPRESSIONIST JOHN RUSSELL : (AT, Catherine Hunter, 2018)
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
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Australian gothic : a cinema of horror / Jonathan Rayner Cardiff: University of Wales Press, 2022.
Call No: 735.2(94) RAYAuthor: Rayner, Jonathan Edition: 2022Place: CardiffPublisher: University of Wales PressPubDate: 2022PhysDes: x, 294 pages : illustrated ; 23 cmSeries: Gothic Literary StudiesSubject: HORROR FILMS. AUSTRALIA ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; DYING BREED (AT, Jody Dwyer, 2008) ; KILLING GROUND (AT, Damien Power, 2016) ; LOST GULLY ROAD (AT, Donna McRae, 2017) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; MAD MAX (AT, George Miller, 1979) ; MYSTERY ROAD (AT Ivan Sen, 2013) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; WOLF CREEK (AT, Greg McLean, 2005) ; WOLF CREEK 2 (AT, Greg Mclean, 2013) Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web siteISBN: 9781786838896Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Baby : a shaggy dinosaur story from Walt Disney Productions in Cinefantastique (January 1985) vol.15 iss.1 p.23, 50
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BABY-SECRET OF THE LOST LEGEND : (US, B.W.L. Norton, 1985)
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BARRY JONES IN SEARCH OF LOST TIME: A FILM STORY : (AT, Garry Sturgess, 2018)
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[Barry Jones in search of lost time: a film story : poster]
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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A Bigger thing : David Lynch's Lost Highway in Practice (Spring/Summer 1997) iss.2 p.59-64
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Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980.
Call No: 81WIL DICAuthor: Dick, Bernard F. Source: USPlace: BostonPublisher: Twayne PublishersPubDate: 1980PhysDes: 188 p. : ill. ; 21 cmSeries: Twayne's Theatrical Arts SeriesSubject: WILDER, BILLY ; APARTMENT, THE (US, Billy Wilder, 1960) ; AVANTI (US, Billy Wilder, 1972) ; ACE IN THE HOLE (US, Billy Wilder, 1951) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FEDORA (GW/FR, Billy Wilder, 1978) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; FORTUNE COOKIE, THE (US, Billy Wilder, 1966) ; FRONT PAGE, THE (US, Billy Wilder, 1974) ; IRMA LA DOUCHE (US, Billy Wilder, 1963) ; KISS ME, STUPID (US, Billy Wilder, 1964) ; LOST WEEKEND, THE (US, Billy Wilder, 1945) ; LOVE IN THE AFTERNOON (US, Billy Wilder, 1957) ; MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970) ; SABRINA (US, Billy Wilder, 1954) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183.ISBN: 0805792740Donation: donated by the family of Wayne Levy, 2006
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Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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BUDDHA'S LOST CHILDREN : (NE, Mark Verkerk, 2006)
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3
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Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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Cassavetes - lost but found in Filmnews (Australia) (May-89) vol.XIX iss.4 p.6
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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CITY OF LOST CHILDREN, THE : (FR/G/SP/BE, Marc Caro/Jean-Pierre Jeunet, 1995)
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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David Lynch / Michel Chion, Robert Julian (trans.) London: British Film Institute, 2006.
Call No: 81LYN CHIAuthor: Chion, Michel Edition: 2nd ed.Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 246 p. : 24 cmSubject: LYNCH, DAVID ; CHION, MICHEL ; GRANDMOTHER, THE (US, David Lynch, 1970) ; ERASERHEAD (US, David Lynch, 1977) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; LOST HIGHWAY (US, David Lynch, 1996) ; STRAIGHT STORY, THE (US/FR/UK, David Lynch, 1999) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: Michel Chion’s study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America’s favourite contemporary directors. In this new edition Chion brings the book up to date to take into account Lynch’s work in the last ten years, including the major features Lost Highway, The Straight Story and Mulholland DriveISBN: 1844570304
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Divided lenses : screen memories of war in East Asia / edited by Michael Berry and Chiho Sawada Honolulu: University of Hawai'i Press, 2016.
Call No: 737(5-012) DIVSource: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2016PhysDes: viii, 331 pages : illustrations ; 24 cmSubject: WAR AND THE CINEMA ; WAR FILMS ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS ; WORLD WAR II FILMS. JAPAN ; WORLD WAR II FILMS. USA ; WORLD WAR II FILMS. CHINA ; KOREAN WAR FILMS ; SECOND SINO-JAPANESE WAR FILMS ; TAIWAN ; MANGA ; VIDEO GAMES ; COMPUTER GAMES ; NATIONALISM AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002) ; BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973) ; CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007) ; FRIENDS (JP/KO, 2002) ; SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007) Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from coverNotes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and indexISBN: 9780824851514Donation: donated by Senses of CinemaContents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot
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DORA AND THE LOST CITY OF GOLD : (AT/US, James Bobin, 2019)
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DUCK TALES: THE MOVIE - TREASURE OF THE LOST LAMP : (US, Bob Hathcock, 1990)
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EDENS LOST [TV] : AT, Neil Armfield, 1991
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ELVESZETT ILLUZIOK : (HU, Gyula Gazdag, 1983)
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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The film in history : restaging the past / Pierre Sorlin Oxford: Blackwell, 1980.
Call No: 45:93 SORAuthor: Sorlin, Pierre Source: UKPlace: OxfordPublisher: BlackwellPubDate: 1980PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cmSubject: HISTORY AND THE CINEMA ; GRAND ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; NAPOLEON BONAPARTE (FR, Abel Gance, 1935) ; ALDO'S SAYING (IT, unknown, 1945) ; BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952) ; GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945) ; [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; LONG LIVE ITALY (IT, Roberto Rossellini, 1960) ; LOST PATROL, THE (IT, Piero Nelli, 1953) ; CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946) ; SENSO (IT, Luchino Visconti, 1954) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; HORSE SOLDIERS, THE (US, John Ford, 1959) Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexesISBN: 0631195106LON: 1853214Donation: donated by the family of Wayne Levy, 2006
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Four CIC films gather 31 Academy Award Nominations in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
PhysDes: ArticleSubject: REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAGTIME (US, Milos Forman, 1980) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACADEMY AWARDS Summary: List of nominations received for 'Reds', 'Raiders of the Lost Ark', 'Ragtime', and 'Pennies from Heaven'.
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Frank Capra : the catastrophe of success / by Joseph McBride New York: Simon & Schuster, 1992.
Call No: 81CAP MCBAuthor: McBride, Joseph Source: USPlace: New YorkPublisher: Simon & SchusterPubDate: 1992PhysDes: 768 p. : ill. ; 26 cmSubject: COMEDIES ; AUTHORSHIP ; COLUMBIA PICTURES ; DIRECTORS ; COMMUNISM AND THE CINEMA. USA ; Metro-Goldwyn-Mayer ; CAPRA, FRANK ; COHN, HARRY ; RISKIN, ROBERT ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; LADY FOR A DAY (US, Frank Capra, 1933) ; LOST HORIZON (US, Frank Capra, 1937) ; MEET JOHN DOE (US, Frank Capra, 1941) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; WHY WE FIGHT SERIES (US, 1942-44) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]Notes: Filmography: p. [117]-731; Includes bibliographical references and indexISBN: 0671797883 (pbk.); 0671734946 : $27.50LON: abn92038576; 8711584
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From Steel City to Hollywood : the amazing autobiography of Phil Avalon... model, surfer, actor, writer, director and producer / Phil Avalon London: New Holland Publishers Pty Ltd,
Call No: 81 AVA AVAAuthor: Avalon, Phil Edition: 2015Place: LondonPublisher: New Holland Publishers Pty LtdPhysDes: 288 pages : ilustrated ; 25 cmSubject: AVALON, PHILLIP ; SUMMER CITY (AT, Christopher Fraser, 1978) ; LITTLE BOY LOST (AT, Terry Bourke, 1978) ; BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987) ; SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990) ; TUNNEL VISION (AT, Clive Fleury, 1994) ; PACT (AT, Scott Patterson, 1996) ; LIQUID BRIDGE (AT, Phillip Avalon, 2002) ; STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009) Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt.
Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web siteISBN: 9781742577531
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GUAN YUN CHANG = LOST BLADESMAN, THE : (C/HK, Felix Chong/Alan Mak, 2011)
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Hollywood knights : Arthurian cinma and the politics of nostalgia / Susan Aronstein New York: Palgrave Macmillan, 2005.
Call No: 741.31(73) AROAuthor: Aronstein, Susan Edition: 2005Place: New YorkPublisher: Palgrave MacmillanPubDate: 2005PhysDes: 264 pages ; 22 cmSubject: CAMELOT (US, Joshua Logan, 1967) ; EXCALIBUR (UK, John Boorman, 1981) ; CONNECTICUT YANKEE IN KING ARTHUR'S COURT, A (US, Tay Garnett, 1949) ; KNIGHTRIDERS (US, George A. Romero, 1981) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Summary: Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s. Its analysis of these films explores their proposal of an ideal past - an Americanized Camelot and a democratized chivalry - as the solution to the problems of a troubled present, a solution that will ensure prosperity in the homeland and a globally beneficial American authority abroad. -- publisher's web siteISBN: 9781403966490
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HOME ALONE 2: LOST IN NEW YORK : (US, Chris Columbus, 1992)
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HOMEWARD BOUND II: LOST IN SAN FRANCISCO : (US, David R. Ellis, 1996)
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HOW THE WEST WAS LOST : (AT, David Noakes, 1987)
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journal article
How the west was lost in Filmviews (Summer 1987/88) vol.32 iss.134 p.33-36
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[How the west was lost : production still from the film 'How the west was lost'] [1987?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1987?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: HOW THE WEST WAS LOST (AT, David Noakes, 1987) Summary: Four young aboriginal men stand in the foreground chained together. In the background is an older man with a flowing white beard. The man second from the right is shirtless whilst the others are fully clothed in the sunny weather.Notes: Adhesive stains on reverse of corners; White border surrounds image; 2 adhesive labels on reverse of photograph
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[How the west was lost : Snowy Jittermarra and Billy Thomas present photographs of strike leaders] [1987?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1987?]PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: HOW THE WEST WAS LOST (AT, David Noakes, 1987) Summary: Two elderly indigenous men sit at the foot of a metal tower on dusty ground presenting two photographs to the camera. Each photograph is a portrait of a man.Notes: White border surrounds image; Blu-tak markings on reverse of corners; 2 adhesive labels attached to reverse of photograph
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[How the west was lost : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 cmSubject: HOW THE WEST WAS LOST (AT, David Noakes, 1987) Summary: 2 black and white photographs of Aboriginal members of the Strelley Community taking part in the strikes for better wages and conditions. One photographs is of Dooley Bin Bin and Clancy McKenna.
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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IN SEARCH OF A LOST PRINCESS : (AT, Mike Searle, 1999)
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ISLAND OF LOST SOULS, THE : (US, Erle C. Kenton, 1932)
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The isle of lost ships : a tale of the Sargasso Sea / by Crittenden Marriott London: Readers Library, [1928?].
Call No: N79ISL MARAuthor: Marriott, Crittenden, 1867-1932 Edition: Readers Library Film ed.Place: LondonPublisher: Readers LibraryPubDate: [1928?]PhysDes: 252 p., [8] p. of plates : ill. ; 17 cmSubject: ISLE OF LOST SHIPS (US, Irvin Willat, 1928) Notes: "Illustrated with scenes from the photo play. A first National Pathe' All-Talking Production starring Virginia Valli and Jason Robards"
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J'AI PERDU MON CORPS [I LOST MY BODY] : (FR, Jérémy Clapin, 2019)
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J.J. Abrams : interviews / Edited by Brent Dunham The United States: University Press of Mississippi, 2019.
Call No: 81ABR INTAuthor: Dunham, Brent, (editor.) Source: USPlace: The United StatesPublisher: University Press of MississippiPubDate: 2019PhysDes: xlviii, 182 pages ; 23 cm.Series: Conversations with filmmakers seriesSubject: DIRECTORS ; PRODUCERS ; SCRIPTWRITERS ; USA ; ABRAMS, J.J ; LOST [TV] (US, 2004 -) ; LOST [TV], (US, 2004 -) ; MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006) ; STAR TREK (US/G, J.J. Abrams, 2009) ; STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013) ; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015) ; SUPER 8 (US, J.J. Abrams, 2011) Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.Notes: Includes index, includes filmography, includes chronology.ISBN: 9781496820426Donation: Senses of CinemaContents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 --
TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 --
J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 --
Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 --
J. J. Abrams - George Stephanopoulas/2006 --
The Mystery Box - J. J. Abrams/2007 --
J. J. Abrams - Noel Murray/2008 --
Star Trek: J. J. Abrams Interview - John Hiscock/2009 --
J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 --
Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 --
J. J. Abrams - Charlie Rose/2009 --
Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009
J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 --
An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 --
Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 --
J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011
J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011
J. J. Abrams Interview - Abbie Bernstein/2011 --
Interview: J. J. Abrams
-Star Trek: Into Darkness - Iamag.co/2013 --
J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 --
Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 --
J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 --
Believe: J. J. Abrams Interview UKTV/2014 --
Interview with J. J. Abrams - Andrew Fish/2015 --
J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015
J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016
J. J. Abrams Interview / Erik Nagel/2017.
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JANE AND THE LOST CITY : (UK, Terry Marcel, 1987)
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book
John Ford / Andrew Sinclair London: Allen and Unwin, 1979.
Call No: 81FOR SINAuthor: Sinclair, Andrew Source: UKPlace: LondonPublisher: Allen and UnwinPubDate: 1979PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cmSubject: FORD, JOHN ; IRON HORSE, THE (UK, John Ford, 1924) ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; TOBACCO ROAD (US, John Ford, 1941) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MOGAMBO (US, John Ford, 1953) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; LAST HURRAH, THE (US, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; SEVEN WOMEN (US, John Ford, 1965) Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291ISBN: 0047910380
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The John Ford movie mystery / Andrew Sarris Bloomington IN: Indiana University Press, 1975.
Call No: 81FOR SARAuthor: Sarris, Andrew Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1975PhysDes: 192 p. ; 26 cmSeries: Cinema OneSubject: FORD, JOHN ; SARRIS, ANDREW ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; ARROWSMITH (US, John Ford, 1931) ; AIRMAIL (US, John Ford, 1932) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; INFORMER, THE (US, John Ford, 1935) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; MOGAMBO (US, John Ford, 1953) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; LAST HURRAH, THE (US, John Ford, 1958) ; GIDEON'S DAY (UK, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; TWO RODE TOGETHER (US, John Ford, 1961) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ISBN: 0253331676Donation: donated by the family of Wayne Levy, 2006
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JOSEPH EMIDY: THE LOST COMPOSER : (UK, Steve Cole, 1996)
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Kiss of the beast : From Paris salon to King Kong / Ted Gott (ed.) Brisbane: Queensland Art Gallery, 2005.
Call No: 175 KISSource: ATPlace: BrisbanePublisher: Queensland Art GalleryPubDate: 2005PhysDes: 127 p. : ill. ; 25 cmSubject: AUSTRALIAN CINEMATHEQUE ; MONSTERS IN FILMS ; ANIMALS IN FILMS ; PREHISTORIC ANIMALS IN FILM ; LOST WORLD, THE (US, Willis O'Brian, 1925) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; FRANKENSTEIN (US, James Whale, 1931) ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; MUMMY, THE (US, Karl Freund, 1932) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; TARZAN AND HIS MATE (US, Cedric Gibbons, 1934) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; BRIDE OF THE GORILLA (US, Curt Siodmok, 1951) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; HSING HSING WANG (HK, Meng-Hwa Ho, 1977) Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.ISBN: 1876509082Donation: Australian Cinematheque, Queensland Art Gallery
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KVINDEN I BURET : (DK/G/SW, Mikkel Norgaard, 2013)
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KVINDEN I BURET [KEEPER OF LOST CAUSES] : (DK/G/SW/NO, Mikkel Norgaard, 2013) Digital clippings file available
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LAND OF THE LOST : (US, Brad Silberling, 2009)
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LASSETER'S BONES [AUSTRALIA'S LOST GOLD: THE LEGEND OF LASSETER] : (AT, Luke Walker, 2012)
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book
Last features : East German cinema's lost generation Rochester, N.Y.: Camden House, 2014.
Call No: 71(430) LASAuthor: Steingrover, Reinhild Place: Rochester, N.Y.Publisher: Camden HousePubDate: 2014PhysDes: xi, 259 pages : illustrations ; 24 cmSeries: Screen cultures: German film and the visualSubject: LOST FILMS ; GERMANY ; MOTION PICTURES - HISTORY - GERMANY ; GERMAN DEMOCRATIC REPUBLIC Summary: "Last Features is the story of forgotten films made during the time of German unification. With leftover GDR funds and under chaotic conditions, a group of young East German filmmakers produced around thirty stylistically diverse films. Most of these films were lost in the political upheaval of the Wende, disappearing until the 2009 Wendeflicks festival in Los Angeles brought them back for an international audience. Now available on DVD, these films provide unique insights into the generational struggle in the DEFA studio, East German youth culture in the 1970s, women directors at DEFA, the relationship between the artist and the state, and the protests of 1989. Last Features focuses in particular on the production group "DaDaeR," the creation of which in 1989 fulfilled a long-standing request by the last generation of DEFA directors for freer production conditions. Drawing on archival research and interviews with the directors, writers, and editors of the films in question, each chapter examines specific films from the last year of DEFA, contextualizing the analysis of these "last features" with a comprehensive discussion of the directors' overall ouevres, the historical changes in the studio and the country, and the lasting importance of these films today." -- BOOK BLURBNotes: Includes bibliographical references (pages 243-251) and index -- Includes filmography (pages (pages 239-241)ISBN: 9781571135551Donation: donated by Senses of Cinema, 2014Contents: Introduction -- On fools and clowns or refusal as engagement in two final DEFA films: Egon Gunther's Stein and Jorg Foth's Letztes aus der DaDaeR -- "Film must fidget": DEFA's untimely poets -- Absurd endgames: Peter Welz's Banale tage -- Flight into reality: the cinema of Helke Misselwitz -- The extraordinary in the ordinary: Andreas Voigt's Leipzig pentalogy, 1986-96 -- Asynchronicity in DEFA's last feature: architects, goats, and Godot --
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journal article
Lenka Kripac in Empire (Australian Ed.) (December 2004) iss.45 p.38
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LET'S GET LOST : (US, Bruce Weber, 1988)
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LITTLE BOY LOST : (AT, Terry Bourke, 1978)
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book
Little boy lost / based on the Terry Bourke screenplay Cammeray, N.S.W.: Horwitz, 1978.
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still
[Little boy lost : stills file] / Roger Gould?
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photographs : b&w ; 21 x 26 cmSubject: ELLIOTT, JAMES ; LESLEY, LORNA ; LITTLE BOY LOST (AT, Terry Bourke, 1978) Summary: 5 black and white photographs of James Elliot as Harry Tickle, Les Foxcroft as Grumps Morgan, a group of searchers looking for missing 4 year old Stephen Walls, Nathan Dawes as Stephen Walls, and Lorna Lesley as Dorrie Walls the mother of Stephen.
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LONG LOST SONS [TV] : (NZ, 2003)
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LOST : (AT, Jo Kennedy, 2000)
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LOST : [TV], (US, 2004 -)
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LOST AND FOUND : (US, Melvin Frank, 1979)
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LOST AND FOUND : (AT, David Blake, 2006)
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script
Lost and found : script / an original screenplay by David Blake [c2004].
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LOST AND FOUND : (AT, Andrew Goldsmith / Bradley Slabe, 2018)
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LOST ANGELS : (US, Hugh Hudson, 1989)
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LOST ARCADE, THE : (US, Kurt Vincent, 2015)
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LOST AVIATOR, THE : (AT/UK/US/FR, Andrew Lancaster, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOST AVIATOR, THE (AT/UK/US/FR, Andrew Lancaster, 2014) URL status: URL: 'http://file://Q:/T/LOST_AVIATOR,_THE.zip'
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LOST BOYS, THE : (US, Joel Schumacher, 1987)
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LOST CITY OF MELBOURNE, THE : (AT, Gus Berger, 2022) Digital clippings file available
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LOST CITY OF Z, THE : (US, James Gray, 2016)
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LOST CITY, THE : (US, Aaron Nee/Adam Nee, 2022) Digital clippings file available
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script
The lost esky [1999?].
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LOST GULLY ROAD : (AT, Donna McRae, 2017)
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LOST HIGHWAY : (US, David Lynch, 1996)
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book
Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
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LOST HORIZON : (US, Frank Capra, 1937)
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LOST HORIZON : (US, Charles Jarrott, 1973)
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LOST HUSBAND, THE : (US, Vicky Wight, 2020) Digital clippings file available
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LOST IN A WARDROBE : (AT, Lis Hoffmann, 1993)
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LOST IN AMERICA : (US, Albert Brooks, 1985) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: LOST IN AMERICA (US, Albert Brooks, 1985) URL status: URL: 'http://file://Q:/T/LOST_IN_AMERICA.zip'
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journal article
Lost in America in Cinema Papers (January 1986) iss.55 p.74
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LOST IN LA MANCHA : (UK, Keith Fulton & Louis Pepe, 2002) Digital clippings file available
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LOST IN SPACE : (US, Stephen Hopkins, 1998)
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LOST IN SPACE [TV] : (US, 2018 - )
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LOST IN THE BUSH : (AT, Peter Dodds, 1973)
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LOST IN TRANSLATION : (US, Sofia Coppola, 2003)
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newspaper article
Lost in translation in Sunday Canberra Times [Relax] (2/04/2017) p.8
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LOST IN YONKERS : (US, Martha Coolidge, 1993)
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LOST KING, THE : (UK, Stephen Frears, 2022) Digital clippings file available
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LOST PRINCE, THE [TV] : (UK, Stephen Poliakoff, 2003)
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LOST PROPHET : (US, Michael de Avila, 1992)
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LOST RIVER : (US, Ryan Gosling, 2014)
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LOST SKELETON OF CADAVRA, THE : (US, Larry Blamire, 2001)
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LOST SON, THE : (UK/FR, Chris Menges, 1999)
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LOST SOULS : (US, Janusz Kaminski, 2000)
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LOST THING, THE : (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
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LOST THINGS : (AT/CN, Martin Murphy, 2003)
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script
Lost things [2003].
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poster
[LOST THINGS : POSTER] AT:
Call No: P LOSPlace: ATPhysDes: 1 poster : col. ; 99 X 68 cm.Subject: LOST THINGS (AT/CN, Martin Murphy, 2003) Summary: Image: Close-up of a girl's eye, forehead. Image within girl's iris is a man running on a beach. Text: 'The last things you hear is your heart'.Notes: Small scratches all over.; Some creasing and small tears on all sides.
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LOST TRIBE, THE : (NZ, John Laing, 1983)
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LOST WEEKEND, THE : (US, Billy Wilder, 1945)
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LOST WORLD: JURASSIC PARK, THE : (US, Steven Spielberg, 1997)
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LOST WORLD, THE : (US, Willis O'Brian, 1925)
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LOST WORLD, THE [TV] : (US/UK/GG, Stuart Orme, 2001)
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LOST WORLD, THE [TV] : (AT/CN, 1999-)
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LOST WORLDS: KING SOLOMON'S TABLET OF STONE [TV] : (UK, 2005)
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LOST ZWEIG : (BL, Silvio Back, 2002)
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book
Love in the film / William K. Everson Seacaucus: Citadel Press, 1979.
Call No: 747.5 EVEAuthor: Everson, William K. Source: USPlace: SeacaucusPublisher: Citadel PressPubDate: 1979PhysDes: 251 p. : ill. ; 29 cmSubject: ALGIERS (US, John Cromwell, 1938) ; ANNIE HALL (US, Woody Allen, 1977) ; BERKELEY SQUARE (US, Frank Lloyd, 1933) ; BRIEF ECSTASY (UK, Edmond T. Greville, 1937) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920) ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DESIRE (US, Frank Borzage, 1936) ; DON JUAN (US, Alan Crosland, 1926) ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; FIRST LOVE (US, Henry Koser, 1939) ; HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933) ; HOT SATURDAY (US, William A. Seiter, 1932) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; LOST HORIZON (US, Frank Capra, 1937) ; MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944) ISBN: 080650644XDonation: donated by the family of Wayne Levy, 2006
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LOVE'S LABOUR'S LOST : (US, Kenneth Branagh, 2000)
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book
Modern European filmmakers and the art of adaptation / edited by Andrew S. Horton and Joan Magretta New York: F. Ungar Pub. Co., 1981.
Call No: 753 MODAuthor: Horton, Andrew S. ; Magretta, Joan Source: USPlace: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1981PhysDes: xiv, 383 p. : ill. ; 22 cmSubject: ADAPTATIONS ; EUROPEAN CINEMA ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; TWO WOMEN (IT/FR, Vittorio De Sica, 1960) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971) ; EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974) ; FALSCHE BEWEGUNG (GW, Wim Wenders, 1975) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; FEMME DOUCE, UNE (FR, Robert Bresson, 1969) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; DIARY OF A COUNTRY PRIEST [ ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; RONDE, LA (FR, Max Ophuls, 1950) ; SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976) ; WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976) ; ZAZIE DANS LE METRO (FR, Louis Malle, 1960) ; MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975) Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURBNotes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95LON: 79048073; 1813405Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood
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Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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[MOVIES] : All is lost in Sunday Herald Sun [News] (02/03/2014) p.91
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News from Roadshow in Australasian Cinema (11/3/1983) vol.12 iss.4 p.4
PhysDes: ArticleSubject: ROADSIDE PROPHETS (US, Abbe Wool, 1992) ; EMBASSY ROADSHOW ; TABLE FOR FIVE (US, Robert Lieberman, 1983) ; CLINIC, THE (AT, David Stevens, 1982) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983) Summary: Film news from Roadshow
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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book
The non-Western films of John Ford / by J. A. Place Secaucus, N.J.: Citadel Press, c1979.
Call No: 81 FOR PLAAuthor: Place, J. A. (Janey Ann), 1946- Edition: First editionSource: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: c1979PhysDes: 287 pages : illustrations ; 29 cmSubject: FORD, JOHN ; PILGRIMAGE (US, John Ford, 1933) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; JUDGE PRIEST (US, John Ford, 1934) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; TOBACCO ROAD (US, John Ford, 1941) ; LAST HURRAH, THE (US, John Ford, 1958) ; WHEN WILLIE COMES MARCHING HOME (US, John Ford, 1950) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THIS IS KOREA (US, John Ford, 1951) ; LOST PATROL, THE (US, John Ford, 1934) ; SUBMARINE PATROL (US, John Ford, 1938) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; INFORMER, THE (US, John Ford, 1935) ; PLOUGH AND THE STARS, THE (US, John Ford, 1936) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; UP THE RIVER (US, John Ford, 1930) ; AIRMAIL (US, John Ford, 1932) ; ARROWSMITH (US, John Ford, 1931) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; MOGAMBO (US, John Ford, 1953) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ; FUGITIVE, THE (US/MX, John Ford, 1947) Summary: "J.A. Place's first book, The Western Films of John Ford, presented and analysed all the Ford films laid in the American West and drawing upon its mythology. In this book she turns to Ford's work in other genres: Americana films, Celtic films, political films, military films, and war films. Easch motion picture is carefully re-created in words and pictures." - BOOK BLURBNotes: Continues The Western films of John FordISBN: 0806506431Contents: The American films -- The war films -- The Irish films -- The action films -- The "foreign" films.
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Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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OSS 117: RIO NE REPOND PLUS : (FR, Michel Hazanavicius, 2009)
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The Oxford companion to Australian film / edited by Brian McFarlane, Geoff Mayer, Ina Bertrand Melbourne: Oxford University Press, 1999.
Call No: 71(94) OXF REFAuthor: Mayer, Geoff ; McFarlane, Brian, 1934 ; Bertrand, Ina, 1939 Place: MelbournePublisher: Oxford University PressPubDate: 1999PhysDes: 1 vSubject: AUSTRALIA ; AWARDS. AUSTRALIAN FILM INSTITUTE ; CITIES IN FILMS. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; FOOD IN FILMS ; GENRES. AUSTRALIA ; JEWS IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; LOST FILMS. AUSTRALIA ; PERIODICALS, FILM. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; MELODRAMA. AUSTRALIA ; MUSIC, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; RELIGION AND THE CINEMA. AUSTRALIA ; RURAL LIFE IN FILMS. AUSTRALIA ; SHORT FILMS. AUSTRALIA ; WAR AND THE CINEMA. AUSTRALIA ; MCCALLUM, JOHN ; MILLER, NATALIE ; NEVIN, ROBYN ; RABE, PAMELA ; RUSH, GEOFFREY ; TINGWELL, CHARLES (BUD) ; WILLIAMSON, DAVID ; WITHERS, GOOGIE Notes: Includes index; BibliographyISBN: 0195537971LON: 20072774
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PARADISE LOST: THE CHILD MURDERS AT ROBIN HOOD HILLS : (US, John Berlinger, 1996)
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PARADISE LOST [THREE] 3: PURGATORY : (US, Joe Berlinger, 2011)
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PARIS PIEDS NUS : (FR/BE, Dominique Abel / Fiona Gordon, 2016)
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Peter Dodds' Lost in the Bush in Lumiere (October, 1973) iss.28 p.18-19
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995.
Call No: 67(081) PLAAuthor: Rosenbaum, Jonathan Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: ix, 337 p. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; BARTHES, ROLAND ; CASSAVETES, JOHN ; TATI, JACQUES ; WELLES, ORSON ; RESNAIS, ALAIN ; RUIZ, RAUL ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; FARBER, MANNY ; TARR, BELA ; RIVETTE, JACQUES ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; OHAYO (JA, Ozu Yasujiro, 1959) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; OTHELLO (MR, Orson Welles, 1951) ; MELO (FR, Alain Resnais, 1986) ; HARDLY WORKING (US, Jerry Lewis, 1980) ; AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979) ; BIRD (US, Clint Eastwood, 1988) ; WHITE DOG (US, Samuel Fuller, 1982) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974) ; RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; DEEP COVER (US, Bill Duke, 1992) ; PANAMA DECEPTION, THE (US, Barbara Trent, 1992) ; SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953) ; BARTON FINK (US, Joel Cohen, 1991) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and indexISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)LON: 93042954; 10612641ID2: 291
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Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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QUEST FOR THE LOST TRIBES OF ISRAEL : (CN, Elliott Halpern & Simcha Jacobovica, 1999)
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RAIDERS OF THE LOST ARK : (US, Steven Spielberg, 1981)
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Raiders of the lost ark / by Campbell Black New York: Corgi, 1981.
Call No: N79RAI BLAAuthor: Black, Campbell Source: USPlace: New YorkPublisher: CorgiPubDate: 1981PhysDes: 181 p. ; 18 cmSubject: RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Summary: Novelisation of the film Radiers of the Lost Ark. Adapted from a screenplay by Lawrence Kasdan, and based on a story by George Lucas and Philip KaufmanISBN: 0552117501
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RAIDERS OF THE LOST ARK - THE ADAPTATION : (US, Chris Strombolis, Eric Zala & Jaysen Lamb, 2004)
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REQIUEM FOR A GENERATION OF LOST SOULS : (AT, Frank Rijavec, 1995)
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The revolution was televised : how The Sopranos, Mad Men, Breaking Bad, Lost, and other groundbreaking dramas changed TV forever / Alan Sepinwall New York: Touchstone, [2012].
Call No: 71(73) SEPAuthor: Sepinwall, Alan Edition: Updated editionSource: USPlace: New YorkPublisher: TouchstonePubDate: [2012]PhysDes: 451 pages ; 22 cmSubject: OZ [TV](US, 1997-2003) ; SOPRANOS, THE [TV] (US, 1999-) ; WIRE, THE [TV] (US, David Simon, 2002) ; DEADWOOD [TV] (US, 2004) ; SHIELD, THE [TV] (US, 2002-) ; LOST [TV] (US, 2004 -) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; 24 [TWENTY-FOUR] [TV] (US, 2001-) ; BATTLESTAR GALACTICA [TV] (US, 2004-2009) ; FRIDAY NIGHT LIGHTS [TV] (US, 2006-2011) ; MAD MEN [TV] (US, 2007) ; BREAKING BAD [TV] (US, 2008-2013) Summary: "In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes." - taken from back cover.ISBN: 9781476739670Contents: Previously, in The Revolution Was Televised... -- Introduction -- Prologue: Let's be careful out there... The shows that paved the way -- Ch. 1: What we were don't matter... Oz blazes a trail -- Ch. 2: All due respect... The Sopranos changes everything -- Ch. 3: All the pieces matter... The Wire as the Great American Novel for television -- Ch. 4: A lie agreed upon... The profane poetry of Deadwood -- Ch. 5: I'm a different kind of cop... The Shield takes anti-heroism to the limit -- Ch. 6: Do you want to know a secret?... The perfect storm of Lost -- Ch. 7: She saved the world. A lot... Buffy the Vampire Slayer gives teen angst some fangs -- Ch. 8: Tell me where the bomb is!... 24 goes to war on terror, boredom -- Ch. 9: So say we all... The thinking man's sci-fi of Battlestar Galactica -- Ch. 10: Clear eyes, full hearts... Friday Night Lights goes deep -- Ch. 11: It's a time machine... AMC gets into the game with Mad Men -- Ch. 12: I am the one who knocks!... Breaking Bad gives the recession the villain it needs -- Epilogue: Don't stop believing... The lasting legacy of the revolution -- Epilogue, Take Two: Listen to the thunder... How TV drama's Wild Wild West has only gotten wilder -- Where are they now? -- Acknowledgments
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Saved by the belle in Weekend Australian [Review] (01/08/2014) p.14
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SEARCH FOR THE LOST SHIP SSS WARATAH, THE : (SA?, Emlyn Brown?, 2001)
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Shorts circuit in Cinema Papers (Jan 1988) vol.67 p.52-53
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SHOTGUN FREEWAY: DRIVES THROUGH LOST L.A. : (US, Morgan Neville & Harry Pallenberg, 1995)
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Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983.
Call No: 81LUC POLAuthor: Pollock, Dale Source: UKPlace: LondonPublisher: Elm TreePubDate: 1983PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cmSubject: AUTOMOBILES IN FILMS ; DIRECTORS ; LUCASFILM ; PRODUCTION. USA ; COPPOLA, FRANCIS FORD ; LADD, ALAN, Jr. ; TANEN, NED ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289ISBN: 0241110343 : ª9.95LON: abn84206746; 3369213
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Smurfs get gender equality lesson in The Lost Village in Canberra Times (30/03/2017) p.19
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Smurfs' holiday adventure is a candy-coloured blast in Sunday Telegraph (2/04/2017) p.99
Call No: TITLE CLIPPINGS FILE; SMURFS: THE LOST VILLAGE (US, Kelly Asbury, 2017)Author: - PhysDes: Clippings File ArticleSubject: SMURFS: THE LOST VILLAGE (US, Kelly Asbury, 2017) Summary: Review of the film SMURFS: THE LOST VILLAGERating: 2.5 out of 5 stars
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SMURFS: THE LOST VILLAGE : (US, Kelly Asbury, 2017)
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Sofia Coppola : a cinema of girlhood / Fiona Handyside London ; New York: I.B. Tauris, 2017.
Call No: 81COP HANAuthor: Handyside, Fiona Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2017PhysDes: ix, 201 pages : illustrations ; 24 cmSeries: International Library of the Moving Image ; 39Subject: COPPOLA, SOFIA ; STARS. USA ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; HOUSES AND GARDENS IN FILMS ; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010) ; BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013) Summary: Sofia Coppola is widely regarded as one of the most astute, provocative and visionary directors in the contemporary film industry. She has received numerous accolades including an Academy Award and two Golden Globes, and in 2004 became the first ever American woman to be nominated for a Best Director Oscar. From 'The Virgin Suicides' to 'The Bling Ring', her work carves out new spaces for the expression of female subjectivity that embraces rather than rejects femininity. Fiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and the privileged - through their recurrent themes of girlhood, fame, power, sex and celebrityISBN: 9781784537159Contents: Machine generated contents note: 1.Sofia Coppola: Postfeminist [d]au[gh]te[u]r? -- 2.Luminous Girlhoods: Sparkle and Light in Coppola's Films -- 3.`There's No Place Like Home!' The Exploded Home as Postfeminist Chronotope -- 4.Dressing Up and Playing About: Costume and Fashion
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Sofia Coppola : the politics of visual pleasure / Anna Backman Rogers Oxford: Berghahn Books, [2019].
Call No: 81COP BACAuthor: Backman Rogers, Anna Source: USPlace: New York; OxfordPublisher: Berghahn BooksPubDate: [2019]PhysDes: 177 pages : illustrations ; 23 cmSubject: WOMEN, FILMS MADE BY ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; CRITICISM ; USA ; COPPOLA, SOFIA ; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000) ; BEGUILED, THE (US, Sofia Coppola, 2017) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) ; SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013) Summary: "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." - taken from back cover.ISBN: 9781785339752Contents: Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : On Beguilement.
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SPY KIDS 2: THE ISLAND OF LOST DREAMS : (US, Robert Rodriguez, 2002)
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STADT DER VERLORENEN SEELEN : (GW, Rosa von Praunheim, 1983)
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Steven Spielberg / Donald R. Mott, Cheryl McAllister Saunders Bromley, Kent: Columbus, 1986.
Call No: 81SPI MOTAuthor: Mott, Donald R ; Saunders, Cheryl McAllister Source: UKPlace: Bromley, KentPublisher: ColumbusPubDate: 1986PhysDes: xv, 199 p. ; 22 cmSeries: Columbus filmmakersSubject: DIRECTORS ; SUBURBS IN FILMS ; YOUNG PEOPLE AND THE CINEMA ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979) ; POLTERGEIST (US, Tobe Hooper, 1982) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187ISBN: 0862872375 (pbk) : ª5.95LON: bnb86287237; 4636614
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Steven Spielberg / George Perry London: Orion, 1998.
Call No: 81SPI PERAuthor: Perry, George Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 144 p. : ill. (some col.), ports. ; 20 cmSubject: SPIELBERG, STEVEN ; ALWAYS (US, Steven Spielberg, 1989) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; HOOK (US, Steven Spielberg, 1991) ; INDIANA JONES AND THE LAST CRUSADE (US, Steven Spielberg, 1989) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LOST WORLD: JURASSIC PARK, THE (US, Steven Spielberg, 1997) ; [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) ISBN: 0752811940
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TALE OF THE THREE LOST JEWELS : (BE/UK/PA, Michel Khleifi, 1995)
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TARZAN AND THE LOST CITY : (US, Carl Schenkel, 1998)
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newspaper article
Tomb raiders in The Age (17/12/2015) p.34
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United International Pictures Formed in Australasian Cinema (16/4/1982) vol.11 iss.6 p.1
PhysDes: ArticleSubject: UNITED INTERNATIONAL PICTURES ; Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; DISTRIBUTION ; ADVERTISING FOR FILMS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Summary: Article on the formation of United International Pictures which will handle the distribution and marketing for MGM, Paramount, Universal, and U.A. throughout Australian Papua New Guinea and Vanuatu.
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I want to get lost somewhere in Polish film (1980) iss.1 p.[11-16]
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WKW : the cinema of Wong Kar Wai / Wong Kar Wai, John Powers New York: Rizzoli, 2016.
Call No: 81WON POW; FOLIOAuthor: Kar Wai, Wong ; Powers, John Source: USPlace: New YorkPublisher: RizzoliPubDate: 2016PhysDes: 303 pages : illustrations (colour), portraits ; 32 cmSubject: WONG KAR-WAI ; HONG KONG CINEMA ; LEUNG, TONY ; CHEUNG, LESLIE ; CHEUNG, MAGGIE ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]ISBN: 9780847846177Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments
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XUN LONG JUE : (CC, Wuershan, 2015)
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