personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAN, ROYSTON
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TEZUKA, OSAMU
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personality clippings file
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book
/ by Charles Dickens; re-told and edited by C.M. Martin Woodchester, England: Arthur's Press, (193-?).
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journal article
2:37 in Empire (Australian Ed.) (February 2007) iss.71 p.107
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journal article
The 3-D world of Vlahos in Lumiere (May, 1973) iss.23 p.24-27
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$5k cartoon to save advertisers millions in Sydney Morning Herald [Business news] (3/4/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; ADVERTISINGAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: ADVERTISING ; TECHNOLOGICAL DEVELOPMENTS Summary: Neuroscience is being used by advertisers to examine why some ads are successful and others aren't
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title clippings file
10 CONDITIONS OF LOVE, THE : (AT, Jeff Daniels, 2009)
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10 [TEN] : (FR/IR, Abbas Kiarostami, 2002)
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10 [TEN] ITEMS OR LESS : (US, Brad Silberling, 2006)
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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50 years of TV week Sydney, NSW: ACP Magazines, 2007.
Call No: 915(94) TVSource: ATPlace: Sydney, NSWPublisher: ACP MagazinesPubDate: 2007PhysDes: 94 pages : colour illustrations ; 28 cmSeries: TV WeekSubject: TELEVISION JOURNALISM. AUSTRALIA ; McCune, Lisa ; MCLACHLAN, CRAIG ; NEWTON, BERT ; PARKER, GEORGIE Notes: "Souvenir 50th birthday issue"ISSN: 9313006007005Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha
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55th Academy Award Winners in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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100 Anime / Brophy, Philip London: British Film Institute, 2005.
Call No: 772 (52) BROAuthor: Brophy Philip CorpAuthor: BFIPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 17 cm; 262 ppSeries: BFI Screen GuidesSubject: NEON GENESIS EVANGELION (JA, 199?) ; AKIRA (JA, Katsuhiro Otomo, 1989) ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; STEAMBOY (JA, Katsuhiro Otomo, 2004) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; JAPAN ; ANIMATION ; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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newspaper article
$100m boon in TV tax offset hike in Australian Financial Review (20/10/2015) p.11
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA Summary: The Austalian Subscription Television and Radio Association and Screen Producers Australia have quoted a report that states a stronger tax break for Australian television production would boost economic activity in Australia by $100 million dollars
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journal article
The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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Old collection
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1973 - 1974 : le cinema Suisse a un tournant = der Schweizerfilm an einem wendepunkt = Swiss cinema at the crossroads / Claude Vallon
Call No: 71(494) VALAuthor: Vallon, Claude PhysDes: 7 p. ; 30 cmSubject: SWITZERLAND Summary: A snapshot of the Swiss film industry in 1973-1974
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journal article
A.F.I. to open new cinema in Melbourne in Filmnews (Australia) (Dec-75) vol.VI iss.11 p.4
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title clippings file
THE A LA MENTHE, LE : (FR, Bahloul Bahloul, 1984)
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poster
[A place for me : poster]
Call No: P PLAPhysDes: 4 posters : colour ; 100 x 70 cmSubject: PLACE FOR ME, A (US, Josh Boone, 2012) ; STUCK IN LOVE (US, Josh Boone, 2012) Summary: Image: Top half of poster features floating images of Jennifer Connelly, Greg Kinnear, Kristen Bell, Nat Wolff and Lily Collins. Bottom half of poster features Greg Kinnear and Jennifer Connelly walking on a beach.
Text: "A story about first loves and second chances."Notes: One poster has a small tear at the bottom
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[A summer story : Imogen Stubbs as Megan David sits in a field with James Wilby as Mr Ashton] Filmpac holdings, [1988?].
Call No: TITLE STILL AUSTRALIASource: ATPublisher: Filmpac holdingsPubDate: [1988?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: SUMMER STORY, A (UK/US, Piers Haggard, 1988) ; STUBBS, IMOGEN ; WILBY, JAMES Summary: Imogen stubbs and James Wilby sit in costume in a field of grass.Notes: Slight paperclip damage to upper left corner; Adhesive label on reverse; Crease on upper right corner
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Interim
book
Abbas Kiarostami : visions of the artist London, UK: 2005.
Call No: 81KIACorpAuthor: Iran Heritage FoundationSource: UKPlace: London, UKPubDate: 2005PhysDes: 33 p ; 21 cmSubject: KIAROSTAMI, ABBAS ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].Notes: Programme booklet
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Abbas Kiarostami / Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Urbana, Ill ; Chicago: University of Illinois, 2003.
Call No: 81KIA SAEAuthor: Saeed-Vaffa, Mehrnaz ; Rosenbaum, Jonathan Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of IllinoisPubDate: 2003PhysDes: ix, 151 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: IRAN ; DOCUMENTARY DRAMAS ; KIAROSTAMI, ABBAS ; Rosenbaum, Jonathan ; SAEED-VAFFA, MEHRNAZ ; ABC AFRICA (IR, Abbas Kiarostami, 2001) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; MASHGH-E SHAB (IR, Abbas Kiarostami, 1989) ; ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992) ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]ISBN: 0252071115
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newspaper article
Abbott should back media change rules in Australian Financial Review [Editorials] (16/03/2015) p.42
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: [editorial] PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.Notes: in the Media Australia. 2015 clippings file
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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journal article
About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27
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Abraham Polonsky : twenty years after - in Sydney University Film Group Bulletin (August 1971) iss.55 p.4 - 6
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001.
Call No: 462-054.72 NAFAuthor: Naficy, Hamid Source: USPlace: Princeton, N.J.Publisher: Princeton University PressPubDate: 2001PhysDes: v, 374 p. : ill. ; 24 cmSubject: NATIONAL CULTURE AND THE CINEMA ; EMIGRANT FILM WORKERS ; EGOYAN, ATOM ; KHLEIFI, MICHEL ; NAIR, MIRA ; SOLANAS, FERNANDO E. ; AKERMAN, CHANTAL ; NADERI, AMIR ; MEKAS, JONAS ; MARKER, CHRIS ; GITAI, AMOS ; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index.ISBN: 0691043914
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serial
Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977.
Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource CentreSource: ATPlace: Carlton, Vic.Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operativePubDate: 1977PhysDes: v. : ill. ; 29 cmSubject: OPEN CHANNEL ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video newsISSN: 0158-989XLON: abn83046910; 2611345
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journal article
Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Interim
serial
ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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still
[Act of necessity : stills file]
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book
Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Actors break the fourth wall to mobilise audiences against cuts in The Australian (17/06/2016) p.7
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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
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HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
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NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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Adventures in the b-movie trade / Brian Trenchard-Smith [USA]:
Call No: 81 TRE TREAuthor: Trenchard-Smith, Brian Edition: 2020Place: [USA]PhysDes: 580 pages : illustrated ; 26 cmSubject: TRENCHARD-SMITH, BRIAN ; PAGE, GRANT ; LEE, BRUCE ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976) ; STUNT ROCK (NE, Brian Trenchard-Smith, 1978) ; BMX BANDITS (AT, Brian Trenchard-Smith, 1983) ; FROG DREAMING (AT, Brian Trenchard-Smith, 1985) ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurbISBN: 9798985674705
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017.
Call No: 451-053.6(73) COLAuthor: Colling, Samantha Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: vii, 167 pages ; 24 cm.Subject: TEEN FILMS ; YOUNG PEOPLE IN FILMS ; MEAN GIRLS (US, Mark Waters, 2004) ; HAIRSPRAY (US, John Waters, 1988) ; HOUSE BUNNY, THE (US, Fred Wolf, 2008) ; WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index.ISBN: 9781501349010Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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Affair with 'our Nicole' rekindled in Daily Telegraph [Sydney Confidential] (20/05/2017) p.28
Call No: PERSONALITY CLIPPINGS FILE; KIDMAN, NICOLEAuthor: Rawsthorne, Sally PhysDes: Clippings File ArticleSubject: STARS. AUSTRALIA ; KIDMAN, NICOLE Summary: Looking at the recent postive press that actor Nicole Kidman has received recently for her roles in various films and tv shows
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AFFAIRE DE FEMMES, UNE : (FR, Claude Chabrol, 1988)
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The Affairs of Maupassant (1938) in Australian film guide vol.1 iss.12 p.47
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AFI's new cinema soon in Filmnews (Australia) (Jul-76) p.3
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AFI takes issue in Filmnews (Australia) (Sep-82) vol.XII iss.9 p.2
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After Stations the Australian Dream in Australian film review (7-20th June 1984) vol.2 iss.8 p.25
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6
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AGANTUK : (II, Satyajit Ray, 1991)
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The Age green guide AT: Gregory John Taylor for David Syme : Fairfax, 19--?.
Call No: Held Jan.1973 - incompleteSource: ATPlace: ATPublisher: Gregory John Taylor for David Syme : FairfaxPubDate: 19--?Subject: TELEVISION. AUSTRALIA Notes: Issued weekly with Thursday edition of The AgeMissing Issues: Jan. 04 - Jan. 18 1973; Feb. 15 - March 01 1973; March 15 - April 05 1973; April 26 - May 24 1973; June 07 1973; Oct. 25 - Nov. 01 1973; Nov. 22 1973; July 18 1974; Sept. 12 - Oct. 03 1974; Oct. 24 1974; Nov. 28 1974; Dec. 26 1974; Jan. 02 1975; Jan. 16 - Jan. 23 1975; Feb. 13 1975; April 03 1975; April 24 1975; May 29 1975; Aug. 14 - Sept. 04 1975; Aug. 18 - Aug. 25 1975; Nov. 13 1975; Nov. 27 - Dec. 04 1975; Dec. 18 1975; Jan. 01 1976; Feb. 12 1976; March. 25 1976; June 03 - June 10 1976; Aug. 19 1976; Oct. 21 1976; Nov. 04 1976; April 07 1977; Jan. 12 - Jan. 19 1978; March 02 1978; May 11 - May 18 1978; Jan. 01 1981; Nov. 25 1982; March 15 1984; Nov. 11 1984; April 25 1985; May 16 1985; Oct. 24 1985; Aug. 28 1986; Oct. 30 1986; April 23 1987; March 17 1988; Nov. 01 2001; Sept. 18 2003; June 30 2005; Sept. 07 2006; March 15 2007 - March 22 2007ID2: 7
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The age of uncertainty in Weekend Australian [Review] (16/05/2015) p.3
Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014) ; BINOCHE, JULIETTE ; ASSAYAS, OLIVIER ; STEWART, KRISTEN Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).
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Age-old gags ooze timeless class : [Table 19] in Weekend Australian [Review] (22/04/2017) p.15
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Les ailes du desert ou les invisibles surimpressions : Les dix commandements, de Cecile B. De Mille in Vertigo (1991) iss.6/7 p.149-156
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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title clippings file
AKASEN TAMANOI NUKERAREMASU : (JA, Tatsumi Kumashiro, 1974)
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title clippings file
AKASEN TAMANOI NUKERAREMASU : (JA, Tatsumi Kumashiro, 1974)
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992.
Call No: 79 PSY REBAuthor: Rebello, Stephen Place: LondonPublisher: MandarinPubDate: 1992PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.Subject: BLOCH, ROBERT ; HITCHCOCK, ALFRED ; BASS, SAUL ; STEFANO, JOEY ; HERRMANN, BERNARD ; MILES, VERA ; PSYCHO (US, Alfred Hitchcock, 1960) ; DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index.ISBN: 0749309709Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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Crawford collection
crawford publicity ali
[Alice to nowhere]
Call No: CRAWFORD PUBLICITY ALIPhysDes: 1 folder ; 36 cmSubject: WATERS, JOHN (AT) ; STORM, ESBEN ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Press clippings and publicity brochure for the mini-series Alice to NowhereDonation: Gift of Crawford ProductionsContents: 5 copies of a press clipping from The Sun Leisure Supplement dated January 30th 1986 -- Press cuttings from Australian newspapers and magazines from June- July 1986 (12 leaves) -- 1 publicity brochure for the mini series Alice to Nowhere
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Crawford collection
still
[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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book
Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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book
Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Crawford collection
still
[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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journal article
Alliance win for stunt performer's widow in Encore (Apr 2000) vol.18 iss.3 p.10
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book
Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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newspaper article
Amazon gets into the movie business in Australian Financial Review [General News] (21/01/2015) p.37
Call No: SUBJECT CLIPPINGS FILE; AMAZONPhysDes: Clippings File ArticleSubject: AMAZON ; STREAMING USE: VIDEO ON DEMAND Summary: Amazon is announcing that it will produce and release films for both theatrical and video streaming relaese. Currently only to be available in the US.
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
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The American comic book industry and Hollywood / Alisa Perren and Gregory Steirer London: bfi Publishing,
Call No: 753.5 PERAuthor: Perren, Alisa ; Steirer, Gregory Edition: 2021Place: LondonPublisher: bfi PublishingPhysDes: 250 pages ; 24 cmSubject: COMIC STRIPS AND THE CINEMA ; COMIC STRIPS ; COMIC STRIP CHARACTERS IN FILMS ; SUPERHEROES IN FILMS ; MARVEL ; MARVEL ENTERTAINMENT ; SUPERMAN IN FILMS Summary: The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s.
Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis. -- publisher's web siteISBN: 9781844579419Contents: Introduction: The More Things Change…: The American Comic Book Industry and Hollywood in the Twenty-First Century -- 1 Comics Pros Go to Hollywood: The Historical Evolution of the Comics-Hollywood Relationship -- 2 Comic Books and the Economics of Intellectual Property Production -- 3 Drawing Lines: The Place of Comic Book Artists and Writers in Hollywood -- 4 Synergy in Theory and in Practice: Comic Books and the Contemporary Media Conglomerate -- 5 Organizational (Dis-)Integration: Publisher-Hollywood Relationships in the Twenty-First Century -- 6 From Dental Floss to Dental Tape: The Strange Case of Digital Comics -- Distribution -- Afterword: Days of Future Present: The View from 2020
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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AMERICAN VIDEOGRAPHER September 1998.
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Special issue
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AMERICAN VIDEOGRAPHER April 1999.
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Special issue
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AMERICAN VIDEOGRAPHER April 1998.
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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newspaper article
Animation delivers big ideas but lacks charm in Sydney Morning Herald (22/09/2016) p.15
Call No: TITLE CLIPPINGS FILE; STORKS (US, Nicholas Stoller and Doug Sweetland, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: STORKS (US, Nicholas Stoller and Doug Sweetland, 2016) Summary: Review of the film STORKSNotes: similar article in The Age. Title: Jumbled rendition of old stork fable fails to deliver. same date. p 28.Rating: 2 out of 5 stars
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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Interim
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An Annotated Bibliography on Surrealist Film / Kerrin Parker
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journal article
Announcement from the White House in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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newspaper article
Anti-cuts chorus fails to resonate in The Australian (12/07/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA COUNCILAuthor: Westwood, Matthew PhysDes: Clippings File ArticleSubject: AUSTRALIA COUNCIL ; STATE AND THE CINEMA. AUSTRALIA Summary: Commentary on the lack of effectiveness of Australia's arts organisations campaigning at the recent federal election, who promoted a restoration of previous funding levels from the government
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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journal article
Appointments to the A.F.C. in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995.
Call No: 62 APPAuthor: Hollows, Joanne ; Jancovich, Mark Place: Manchester New York New YorkPublisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1995PhysDes: 203 p. : ill. ; 23 cmSeries: Inside popular filmSubject: GENRES ; AUTEUR THEORY ; FEMINISM AND THE CINEMA ; THEORY ; POPULAR CULTURE AND THE CINEMA ; STARS Notes: Includes bibliographical references (p. [192]-196) and indexISBN: 0719043921; 071904393X (pbk.)LON: 11213175URL status: URL: 'http://-'
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Arnie's return breathes new life into Terminator in Sunday Telegraph (05/07/2015) p.122
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Art and organisation : making Australian cultural policy / Deborah Stevenson St. Lucia, Qld.: Queensland University Press, 2000.
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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newspaper article
Art in stop-motion in Saturday Age [Spectrum] (20/06/2015) p.22-23
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996.
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994.
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newspaper article
Arts budget hammered in The Age (16/12/2015) p.4
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newspaper article
Arts feel sting of government cuts in Sydney Morning Herald (16/12/2015) p.5
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997.
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title clippings file
ARUITEMO ARUITEMO : (JA, Hirokazu Koreeda, 2008)
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995.
Call No: 410.3(94) ATTCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1995PhysDes: v, 46 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the surveyNotes: Includes tables; Catalogue no. 4114.0ISBN: 0642206996LON: 12020268
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989.
Call No: 49[659.1](94) APPAuthor: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.)Place: Kensington, NSW North Sydney, NSWPublisher: Communications Law Centre, University of New South Wales Australian Film CommissionPubDate: 1989PhysDes: 32 pages ; 30 cmSubject: STATISTICS. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of ReportNotes: A report prepared for the Australian Film Commission by the Communications Law CentreISBN: 0858237679LON: 6585339
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Attitudes to television : a report based on surveys made in Adelaide and Sydney during 1969 and 1970 / Australian Broadcasting Control Board [Melbourne]: Australian Broadcasting Control Board, 1971.
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title clippings file
THE AU HAREM D'ARCHIMEDE, LE : (FR, Mehdi Charef, 1984)
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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newspaper article
Aura of an era in Australian Financial Review (12/10/2013) p.48
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
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Australian Bicentennial Travelling Film Retrospective : feasibility study / consultant: Mike Lynseky Canberra: National Film and Sound Archive, 1985.
Call No: 175(94)AUS(047) LYNSource: ATPlace: CanberraPublisher: National Film and Sound ArchivePubDate: 1985PhysDes: xi, 38 [128] p. ; 30 cmSubject: TRAVELLING EXHIBITION ; STATE AND THE CINEMA. AUSTRALIA Summary: A study on the possibility of a travelling exhibition of Australian film to be shown as part of Australia's 1988 Bicentenial celebrations. Includes older reports and submissions on this topic.Contents: Summary -- Recommendations -- Preface -- Acknowledgements -- Introduction -- Report summary -- Programming -- Administration -- Management structure -- Sponsorship -- Budget -- Demand Analysis -- Schools -- Residual impact -- International -- Appendices: iA/ Gil Appleton Report -- iB / Anne Hutton Report -- ii / Region Itineraries Routes 1 - 6 -- iii / Almost Managing Draft Budget -- iv / Option 5 'The National Film and Sound Show' -- v / Sample Program -- vi / Budget Notes -- vii / ABAs Terms and Conditions for Study
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reference folder
Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Interim
book
Australian Broadcasting Tribunal Australian content proposal for commercial television / Australian Broadcasting Tribunal [Australia]: Australian Broadcasting Tribunal, December 1988.
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book
The Australian centre for the moving image East Melbourne, Vic.: State Film Centre of Victoria Council, 1990.
Call No: 11 ACMISource: ATPlace: East Melbourne, Vic.Publisher: State Film Centre of Victoria CouncilPubDate: 1990PhysDes: 21 p. : ill. (some col.) ; 21 x 30 cmSubject: STATE FILM CENTRE OF VICTORIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Summary: Document outlining the benefits of building a 'centre of the moving image' located within Melbourne's 'Southgate'.Notes: Cover title. -- "7 May 1990"--Back of cover.
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book
The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian content on pay tv / Bureau of Transport and Communications Economics Canberra: Australian Govt. Pub. Service, 1997.
Call No: 210.41(94) AUSCorpAuthor: Bureau of Transport and Communications EconomicsSource: ATPlace: CanberraPublisher: Australian Govt. Pub. ServicePubDate: 1997PhysDes: xxi, 97 p. ; 30 cmSeries: Working paper 31Subject: PAY TV. AUSTRALIA ; STATE AND TV. AUSTRALIA ; PROGRAMMING. AUSTRALIA Summary: This "study analyses the economic effects on the production industry and the Pay TV Industry of those options for Australian content which were considered viable by the ABA. -- During the course of the study, BTCE and ABA officers met with representatives from the Pay TV industry, the film and television program production industry and its employer and union groups, free-to-air television, and various government organisations." - TAKEN FROM FOREWORDISBN: 0642271232Contents: Foreword -- Acknowledgments -- Abbreviations -- Executive summary -- 1. Introduction -- 2. Required level of expenditure on Australian programming IF section 102 had operated as intended -- 3. Capacity of the Australian film and television program production industry to supply additional Australian programming -- 4. Expansion required by other options -- 5. Capacity of the Pay TV industry to buy new Australian programs and the implications for government film and television assistance programs of increased output for Pay TV -- Conclusion -- Appendix I. Effect of Section 102 expenditure on industry output -- Appendix II. Estimated effects of increases in film channel costs on channel providers -- Appendix III. Pay TV channels -- Appendix IV. Broadcasting Services Act 1992 Section 215(2) review terms of reference -- References
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Interim
book
Australian film and television checklist : mini-series/telemovies April 1989.
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book
Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985.
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Interim
book
Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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book
Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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book
Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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journal article
Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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Australian film investment : Course materials for the seminar, Sheraton Wentworth Hotel, Sydney, 21 April 1983 / presented by the Australian Film Commission, the Australian Society of Accountants, the Institute of Chartered Accountants in Australia North Sydney: Australian Film Commission, 1983.
Call No: 213(94) AUSCorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in AustraliaPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1983PhysDes: iv, 217 p. : forms ; 31 cmSubject: FINANCING. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; TAXES. AUSTRALIA Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213ISBN: 0642880166 : $15.00 AustLON: abn83066194; 2668728
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Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978.
Call No: 915(94) ADA; FOLIOAuthor: Adamson, Judith, 1930 CorpAuthor: Australian Film InstitutePlace: SydneyPublisher: Currency Press with Australian Film InstitutePubDate: 1978PhysDes: 56p. : chiefly col.ill. ; 37cmSubject: POSTERS ; AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)ISBN: 090802388X : $7.50 AustLON: anb90802388; 1473255Donation: Simon WincerID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977.
Call No: 19EFF BERAuthor: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and MediaPlace: Bundoora, Vic.Publisher: Centre for the Study of Educational Communication and Media, La Trobe UniversityPubDate: 1977PhysDes: 26p. ; 30cmSeries: Media Centre papers ; 7Subject: EFFTEE STUDIO ; THRING, F.W. ; DIGGERS (AT, F.W. Thring, 1931) ; TICKET IN TATTS, A (AT, F. W. Thring, 1934) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; HARMONY ROW (AT, F.W. Thring, 1933) ; STREETS OF LONDON (AT, F.W. Thring, 1935) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) Notes: Bibliography: p.16ISBN: 0858161141 : unpricedLON: 1653335 1622627
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Interim
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Australian films : TV drama & documentaries Woolloomooloo, N.S.W.: Australian Film Commission, 2002.
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box office. australia
Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian multicultural policy and television drama in comparative contexts / by Harvey May Queensland: 2003.
Call No: 409(94) MAYAuthor: May, Harvey Source: ATPlace: QueenslandPubDate: 2003PhysDes: xi, 274 p. ; 30 cmSubject: AUSTRALIA ; DRAMAS. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; SOCIETY AND TV ; SOCIETY AND TV. AUSTRALIA ; ETHNIC GROUPS ON TV. AUSTRALIA ; PIZZA [TV] (AT, Paul Fenech, 2000) ; PIZZA [TV] (AT, Paul Fenech, 2000-) Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004.
Includes bibliographical references (p. 253-274)Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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[Australian summer, an : stills file] AFI Distribution Ltd,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: AFI Distribution LtdPhysDes: 4 photographs : b&w ; 21 x 26 cmSubject: TENNEY, ANNE ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) Summary: 4 black and white photographs of actors posing in various family-related situations.Notes: 1 duplicate of the family standing in front of the car ready to go to the beach.
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Australian survivor : the official handbook / Matthew Benns, Kirsty Hunter Milsons Point, NSW: Random House Australia, 2002.
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Australian taxpayers pay more to subsidise overseas films : press release / statement from Senator Susan Ryan 1982.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Interim
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian Television And International Mediascapes in Metro (1997) iss.111 p.77-78
Author: O'Regan, Tom PhysDes: Book review; Bibliography; Illustration(s)Subject: TELEVISION. AUSTRALIA Summary: Review of 'Australian television and international media landscapes', by Stuart Cunningham and Elizabeth Jacka.
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian television drama series 1956-1981 / Albert Moran (compiler) Sydney: Australian Film Television & Radio School, 1989.
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Australian television writers : Ben Elton, Andrew Hansen, Chris Taylor, Chris Liley, Joanna Murray-Smith, Chas Licciardello, Kenneth G. Ross Memphis TN: Books LLC, 2010.
Call No: 802.24 (94) AUSCorpAuthor: Books LLCSource: ATPlace: Memphis TNPublisher: Books LLCPubDate: 2010PhysDes: v, 121 p. ; 23 cmSubject: TELEVISION WORKERS. AUSTRALIA ; SCRIPTWRITERS ; SCRIPTWRITERS. AUSTRALIA Notes: Includes bibliographical references and index.; Also available in an online version. Each author has hyperlinked version to the chapter.ISBN: 9781155613109Donation: Donated by Senses Of Cinema, 2009Contents: -- introduction -- Abe Forsythe -- Andrew Hansen -- Ben Elton -- Betty Quin -- Catherine Deveny -- Charles Firth (comedian) -- Chas Licciardello -- Chris Lilley (comedian) -- Chris Taylor (comedian) -- Christopher Lee (writer) -- Cliff Green -- Craig Reucassel -- Dominic Knight -- G K Saunders -- Gary McCaffrie -- Gary Reilly -- Geoffrey Atherden -- Gordon Wellesley -- Greg Haddrick -- Ian Smith (actor) -- Joanna Murray-Smith -- Julian Morrow -- Kenneth G. Ross -- Lynn Bayonas -- Mal Fletcher -- Marcia Gardner -- Marty Fields -- Patrea Smallacombe -- Peter Kenna -- Rick Kalowski -- Susan Bower -- Tristan Jepson -- Vanessa Yardley -- index
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Australian tv drama & documentary : a catalogue of tv drama & documentary production October 2002.
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Australian tv drama & documentary catalogue March 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian tv drama & documentary catalogue March 2007 / Australian Film Commission Sydney: Australian Film Commission, 2007.
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Australian tv drama & documentary catalogue September 2005 / Australian Film Commission Sydney: Australian Film Commission, 2005.
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Australian tv drama & documentary catalogue September 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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newspaper article
The Australians making magic behind the scenes in The Age (02/01/2017) p.10
Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: POST-PRODUCTION. AUSTRALIA ; TAXES. AUSTRALIA Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets
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Authoritative star of the local silver screen in The Australian (6/06/2017) p.29
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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The avant-garde finds Andy Hardy / Robert B. Ray Cambridge, Mass.: Harvard University Press, 1995.
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Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties / Jonathan L.Owen New York: Berghahn Books, 2011.
Call No: 64NOU(437) OWEAuthor: Owen, Jonathan L. Place: New YorkPublisher: Berghahn BooksPubDate: 2011PhysDes: viii, 245 p. : ill. ; 24 cmSeries: Berghahn on filmSubject: CZECHOSLOVAKIA ; NOUVELLE VAGUE ; SURREALISM AND THE CINEMA ; CLOSELY WACTHED TRAINS [ ; SEDMIKRASKY (CS, Vera Chytilova, 1966) Summary: The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political backgroundNotes: Includes bibliographical references and indexISBN: 9780857451262Contents: Introduction: Surrealism in and out of the Czechoslovak New Wave -- Chapter one: Inspirations, Opportunities: Cultural and Historical Contexts -- Chapter two: Pavel Juraceks Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier -- Chapter three: Jiri Menzels Closely Observed Trains (1966): Hrabal and the Heterogeneous -- Chapter four: Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova's Daisies (1966) -- Chapter five: Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubiskos The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969) -- Chapter six: Back to Utopia: Returns of the Repressed in Jaromil Jires's Valerie and Her Week of Wonders (1970) -- Chapter seven: Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language -- Conclusion
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Azaria : the mysterious disappearance of Azaria Chamberlain / Richard Shears Surry Hills, NSW: Century Hutchinson Australia, 1982.
Call No: N79EVI SHEAuthor: Shears, Richard Source: ATPlace: Surry Hills, NSWPublisher: Century Hutchinson AustraliaPubDate: 1982PhysDes: 234 p. ; 18 cm.Subject: STREEP, MERYL ; EVIL ANGELS (AT, Fred Schepisi, 1988) Summary: Richard Shears looks at the disappearance of Azaria Chamberlain on 17 August, 1980, the two inquests into the matter, the lengthy murder trial, the Royal Commission, and the development, that led to the controversial release of Lindy Chamberlain from Berrimah Prison in Darwin. A film, starring Meryl Streep, was made of the book.ISBN: 0091691818
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986.
Call No: 205.36(94) AUSSource: ATPlace: [North SydneyPublisher: The Tribunal]PubDate: 1986PhysDes: 39, [30] pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian televisionISBN: 0642117381
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Backlash builds for SBS over 'poverty porn' in The Australian (7/05/2015) p.2
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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journal article
Band of Outsiders in Melbourne Film Bulletin (October 1968) iss.6 p.25-31
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newspaper article
Band says only blanks used in fatal filming in The Age (25/01/2017) p.12
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Barbara Streisand's "Yentl" starts filming in London in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5
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Barbra Streisand : the woman, the myth, the music / Shaun Considine London: Century Hutchinson, 1986.
Call No: 81STR CONAuthor: Considine, Shaun Source: UKPlace: LondonPublisher: Century HutchinsonPubDate: 1986PhysDes: viii, 394 p. : ill. ; 23 cmSubject: STREISAND, BARBRA ; BEATTY, WARREN ; GOULD, ELLIOTT ; KRISTOFFERSON, KRIS ; O'NEAL, RYAN ; PETERS, JON ; FUNNY GIRL (US, William Wyler, 1968) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; YENTL (US, Barbara Streisand, 1983) ISBN: 0712610820
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Interim
book
Basic facts about the Swedish film world : Reprinted from Chaplin 25th anniversary issue : Everything you always wanted to know about Swedish cinema / Rolf Lindfors / Bertil Wredlund / Lars Ahlander Stockholm, Sweden: The Swedish Film Institute, Svenska Filminstitutet, The Swedish Institute, [1984?].
Call No: 71(485) BASAuthor: Lindfors, Rolf ; Wredlund, Bertil ; Ahlander, Lars CorpAuthor: The Swedish Film Institute; Svenska Filminstitutet; The Swedish InstituteSource: SWPlace: Stockholm, SwedenPublisher: The Swedish Film Institute; Svenska Filminstitutet; The Swedish InstitutePubDate: [1984?]PhysDes: 6 p. : ill. ; 30cmSubject: SWEDEN ; SVENSKA FILMINSTITUTET ; NATIONAL CULTURE AND THE CINEMA Notes: Reprinted from 'Chaplin', 25 anniversay issue 1984Contents: Headings: 'The Swedish Film Institute', 'The Film and Video Agreement', 'Cinema Statistics', 'Film Festivals', 'Education and Research', 'Film Censorship', 'Video', 'Distribution'
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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BASTILLE DAY : (UK/FR/US, James Watkins, 2015)
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[Battlers, the: stills file]
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Baz Luhrmann / Pam Cook London: BFI book published by Palgrave Macmillan, 2010.
Call No: 81LUH COOAuthor: Cook, Pam Source: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2010PhysDes: vii, 208 p., [8] p. of plates : ill. (some col.) ; 20 cmSubject: LUHRMANN, BAZ ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: Baz Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: "Strictly Ballroom" (1992), William Shakespeare's "Romeo + Juliet" (1996) "Moulin Rouge!" (2001) and "Australia" (2008). This title offers a study of the work of this Australian film-maker. It aims to explore the genesis of the Red Curtain aesthetic.Notes: Includes bibliographical references (p. [196]-200) and indexISBN: 9781844571581Donation: donated by Pam Cook, 2010Contents: * Once upon a time in Australia
* Strictly ballroom (1992)
* William Shakespeare's Romeo + Juliet (1996)
* Moulin rouge! (2001)
* No. 5 the film (2004) and Australia (2008)
* DVD, the internet and nostralgia.
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Baz Luhrmann : interviews / edited by Tom Ryan Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 81LUH BAZSource: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 159 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: LUHRMANN, BAZ ; MARTIN, CATHERINE ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "In this collection of interviews, Baz Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able maitain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann" - taken from back coverISBN: 9781628461497Contents: Stepping out: behind the scenes of strictly ballroom / Ruth Hessey (1992) -- More than romance colors strictly ballroom / Peter Brunette (1993) -- Romeo + Juliet: "appear thou in the likeness of a sigh . . ." / Mark Mordue (1997) -- Baz Luhrmann's William Shakespeare's Romeo + Juliet / Pauline Adamek (1997) -- Baz on the Bard / Peter Malone (1997) -- Shakespeare in the cinema: a Cineaste interview / Gary Crowdus (1998) -- Baz Luhrmann / Elsie M. Walker (2008) -- Broadly speaking / Sonya Voumard (1997) -- The director: Baz Luhrmann / Bec Smith (2001) -- Moulin rouge! / Serena Donadoni (2001) -- Millennial mambo: Baz Luhrmann messes with the musical because he can-can / Ray Pride (2001) -- The man behind the red curtain / Terry Keefe (2001) -- Baz Luhrmann: the ringmaster / John Lahr (2002) -- Baz Luhrmann / Harvey Kubernik (2006) -- Closing the red curtain with La Boheme / Terry Keefe (2004) -- Australia: Baz Luhrmann interview / Rob Carnevale (2009) -- Strictly Luhrmann: where he leads, we will follow / James Mottram (2010) -- The romantic / Garry Maddox (2013) -- Baz Luhrmann's despair, drive, and gamble behind great Gatsby / Stephen Galloway (2013) -- Past is present in the new Gatsby / Tom Ryan (2013) -- Appendix: notes from John Duigan and Geoffrey Nottage
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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journal article
Beaconsfield in Australian Cinematographer (June 2012) iss.54 p.56-62
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Beautiful story set in horror of war in Sunday Telegraph [Insider] (19/04/2015) p.118
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Becoming Australian : a report on progress toward further representation of Australia's cultural diversity on ABC television / [Australian Broadcasting Corporation] [Australian Broadcasting Corporation], June 1992.
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Bedlam : "Barabbas" / Directed by Guy Slater ; Produced by Norman Stone ; Performed by Joss Ackland ; written by Arnold Wesker. UK: [2000].
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Bedlam : "The Centurion" / Directed by Denny Lawrence ; Produced by Norman Stone ; Performed by James Cosmo ; written by Sergio Casci. UK: [2000].
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Bedlam : "The Mourner" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Eileen Atkins ; written by Murray Watts. UK: [2000].
Call No: S TALAuthor: Watts, Murray Place: UKPubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 7.
Stone & Watts revision of Atkins revision - taken from running titleNotes: Unpublished scriptID2: 340
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Bedlam : "The Politician's Wife" / Directed by Morag Fullarton ; Produced by Norman Stone ; Performed by Claire Bloom ; written by Nigel Forde. UK: [2000].
Call No: S TALAuthor: Forde, Nigel Place: UKPubDate: [2000]PhysDes: 18 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 5 released with the title 'Pilate's Wife'
Revised as shot and editedNotes: Unpublished scriptID2: 340
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Bedlam : "The Servant Girl" / Directed by David Hayman ; Produced by Norman Stone ; Performed by Helen Baxendale ; written by Ann Marie Di Mambro. UK: [2000].
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Bedlam : "Judas" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Tony Robinson ; written by Tony Robinson. [2000].
Call No: S TALAuthor: Robinson, Tony PubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 2 released with the title 'The Best Friend.'
Version 2Notes: Unpublished scriptID2: 340
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script
Bedlam : "The Thief" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Jonathan Pryce ; written by Nigel Forde. UK: [2000].
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Old collection
book
Belgium today : recent films and rediscoveries / the Ministries of Dutch and French Culture [1980?].
Call No: 71(497.2) TOTSource: [BE]PubDate: [1980?]PhysDes: 56 p. : ill. ; 21 cmSubject: BELGIUM ; STORCK, HENRI Summary: Catalog of films shown in exhibition in New York, Washington DC, and San Francisco containing a mixture of feature, short, and animated Belgian film.Notes: Catalog of an exhibition : "New York, Museum of Modern Art, May 1-17; Washington, Smithsonian Institute, May 6-June 17; San Francisco, Alliance Francaise, April 25-June 30."
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title clippings file
BELLE SAISON, LA : (FR/BG, Catherine Corsini, 2015)
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newspaper article
Beneath the skin : Anh's Brush with Fame offers a revealing portrait of the person behind the celebrity in Weekend Australian (20/08/2016) p.27
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still
[Beresford, Bruce : Bruce Beresford with David Stratton at Mr Johnson event]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 21 X 26 cmSubject: BERESFORD, BRUCE ; STRATTON, DAVID Summary: Image of Bruce Beresford and David Stratton sitting together
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The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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Bertrand Tavernier : interviews / edited by Lynn A. Higgins and T. Jefferson Kline Jackson: University Press of Mississippi, 2016.
Call No: 81 TAV TAVAuthor: Tavernier, Bertrand Edition: 2016Place: JacksonPublisher: University Press of MississippiPubDate: 2016PhysDes: xxiv, 205 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: TAVERNIER, BERTRAND ISBN: 9781496840875
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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Interim
book
The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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Levy Collection
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The best of Luck : fifth column / Peter Luck Port Melbourne: William Heinemann Australia, 1990.
Call No: 802.281.3 LUCAuthor: Luck, Peter Source: ATPlace: Port MelbournePublisher: William Heinemann AustraliaPubDate: 1990PhysDes: 292 p. : ill. ; 20 cmSubject: TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION JOURNALISTS ; INDUSTRY, TV. AUSTRALIA Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years.
The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURBNotes: cartoons by Jenny CoopesISBN: 0535613483Donation: donated by the family of Wayne Levy, 2006ID2: 91
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The Best of Modern screen / (compiled by) Mark Bego ; foreword by Debbie Reynolds London: Columbus, 1986.
Call No: 465.2(05) BEGAuthor: Bego, Mark Source: UKPlace: LondonPublisher: ColumbusPubDate: 1986PhysDes: 224 p. : ill., ports ; 27cmSubject: STARS ; ACTORS. USA ; FAN MAGAZINES. USA Notes: California. Los Angeles. Hollywood. Cinema films. Acting. Stars,. ca 1930-1970 (BNB/PRECIS)ISBN: 0862873045 (pbk)LON: 4795627
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Between flops : a biography of Preston Sturges / James Curtis New York: Harcourt, Brace, Jovanovich, 1982.
Call No: 81STU CURAuthor: Curtis, James, 1953 Edition: 1st edPlace: New YorkPublisher: Harcourt, Brace, JovanovichPubDate: 1982PhysDes: xi, 339 p., [32] p. of plates : ill., ports. ; 25 cmSubject: STURGES, PRESTON Notes: Includes index; Filmography: p. 299-328ISBN: 0151119325LON: 81048009; 2175225
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Beverly Hills : Inside the golden ghetto / by Walter Wagner New York: Grosset & Dunlap, 1976.
Call No: 46(794) WAGAuthor: Wagner, Walter Edition: 1976Place: New YorkPublisher: Grosset & DunlapPubDate: 1976PhysDes: 240 p. : illus. ; 24cmSubject: STARS. USA Notes: An intimate portrait of the most fascinating and highly publicized enclave for the rich in America - and the world! Including 32 pages of inside photographs. -- front cover blurb; ex AFTRS LibraryISBN: 0448021633
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood New York : Oxford: Berghahn Books, 2014.
Call No: 451-02(73) SALAuthor: Salzberg, Ana Source: USPlace: New York : OxfordPublisher: Berghahn BooksPubDate: 2014PhysDes: viii, 197 pages ; illustrationsSubject: WOMEN IN FILMS ; STUDIOS, FILM. USA ; STARS. USA ; HISTORY OF CINEMA. USA ; FEMININITY IN FILMS Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURBNotes: Includes bibliographical references and index -- Includes filmographyISBN: 9781782383994Donation: donated by Senses of Cinema, 2014Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATKAuthor: Atkinson, Sarah Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2014PhysDes: xiv, 293 pages ; 24 cm.Subject: AUDIENCES ; DIGITAL MEDIA AND THE CINEMA ; MOBILE AND ONLINE MEDIA ; MOBILE CINEMAS ; POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back coverNotes: Includes bibliographical references, filmography and index.ISBN: 9781501308659Donation: donated by Senses of Cinema, 2016Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017.
Call No: 71-02(94) TOMAuthor: Tomsic, Mary Edition: 2017Place: Carlton, VictoriaPublisher: Melbourne University PressPubDate: 2017PhysDes: vii, 254 pages : 22 cmSeries: MUP AcademicSubject: WOMEN FILMMAKERS. AUSTRALIA ; WOMEN, FILMS MADE BY. AUSTRALIA ; GRAIL FILM GROUP, THE ; SYDNEY FILMMAKERS CO-OPERATIVE ; INDONESIA CALLING (AT, Joris Ivens, 1948) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web siteISBN: 9780522871227
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journal article
Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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journal article
The big con to end all cons- Sting II in Australasian Cinema (24/6/1983) vol.12 iss.11 p.3
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newspaper article
The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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journal article
Bill of rights in Empire (Australian Ed.) (December 2002) iss.21 p.17
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Billion dollar game : how three men risked it all and changed the face of television / Peter Bazalgette London: Time Warner, 2005.
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Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980.
Call No: 81WIL DICAuthor: Dick, Bernard F. Source: USPlace: BostonPublisher: Twayne PublishersPubDate: 1980PhysDes: 188 p. : ill. ; 21 cmSeries: Twayne's Theatrical Arts SeriesSubject: WILDER, BILLY ; APARTMENT, THE (US, Billy Wilder, 1960) ; AVANTI (US, Billy Wilder, 1972) ; ACE IN THE HOLE (US, Billy Wilder, 1951) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FEDORA (GW/FR, Billy Wilder, 1978) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; FORTUNE COOKIE, THE (US, Billy Wilder, 1966) ; FRONT PAGE, THE (US, Billy Wilder, 1974) ; IRMA LA DOUCHE (US, Billy Wilder, 1963) ; KISS ME, STUPID (US, Billy Wilder, 1964) ; LOST WEEKEND, THE (US, Billy Wilder, 1945) ; LOVE IN THE AFTERNOON (US, Billy Wilder, 1957) ; MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970) ; SABRINA (US, Billy Wilder, 1954) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183.ISBN: 0805792740Donation: donated by the family of Wayne Levy, 2006
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A biography of Dracula : the life story of Bram Stoker London New York: W. Foulsham, [c1962].
Call No: 81STO LUDAuthor: Ludlam, Harry Place: London New YorkPublisher: W. FoulshamPubDate: [c1962]PhysDes: 200 p. illus. 23 cmSubject: Stoker, Bram, 1847-1912 LON: 74190968; 734608
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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newspaper article
Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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newspaper article
Black friday in The Saturday Paper (21/05/2016) p.3
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Black Panther : 21st century film essentials / Scott Bukatman Austin: University of Texas Press, 2022.
Call No: 79 BLA BUKAuthor: Bukatman, Scott Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: 2022PhysDes: 222 pagesSubject: BLACK PANTHER (US, Ryan Coogler, 2018) ; BOSEMAN, CHADWICK ; FRUITVALE STATION (US, Ryan Coogler, 2013) ; MARVEL ENTERTAINMENT ; SUPERHEROES IN FILMS ; RACIAL ISSUES AND THE CINEMA Summary: Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. -- publisher's web siteISBN: 9781477325353Contents: Preface -- Introduction: Tell Me a Story -- The Road to Wakanda -- Black Panther’s Black Body -- The Wakandan Dream -- The Killmonger Problem -- Conclusion: Why Do We Hide? -- -- Appreciations -- Notes -- Index
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newspaper article
Blanchett to direct Rau TV drama in Sydney Morning Herald [Arts & Entertainment] (22/07/2015) p.20
Call No: TITLE CLIPPINGS FILE in production; STATELESS in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: STATELESS [TV] (AT, 2020) Summary: Cate Blanchett is to direct a TV darama about Cornelia Rau.
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journal article
Blood and black celluloid : some thoughts on the cinema of Mario Bava in Metro (1997) iss.110 p.55-59
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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The Bond inquiry : a report by the Australian Broadcasting Tribunal on an inquiry into matters relating to television and radio licences associated with Mr. Alan Bond North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1990.
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Both sides of the camera : a souvenir book of television programmes and the people who make them / edited by Marie Donaldson ; designed by Robert Claxton London: Weidenfeld and Nicolson, 1960.
Call No: 71(41) THOAuthor: Donaldson, Marie Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1960PhysDes: [124] p. : chiefly ill. ; 29 cmSubject: TELEVISION. UK LON: 5182069
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[Boulevarde of broken dreams : stills file] / Greg Noakes
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Box of summer fun in Weekend Australian [Review] (24/12/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2017Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: Round-up of TV shows to be broadcast/streamed during the Australian summer holiday period
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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Boycott backdown after PM calls for Q&A change in The Age (11/07/2015) p.4
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t2 trainspotting (uk, danny boyle, 2017)
Boyle's no biff regret in Daily Telegraph [General News] (17/02/2017) p.33
Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)Author: Roach, Vicky PhysDes: ClippingsSubject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017) Summary: Vicky Roach reports on the fall out and reconcilation between director Danny Boyle and actor Ewan McGregor.
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Branded to thrill : the delirious cinema of Susuki Seijun / edited by Simon Field and Tony Rayns London: Institute of Contemporary Arts, 1994.
Call No: 81SUZ BRAAuthor: Field, Simon ; Rayns, Tony CorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1994PhysDes: 48 pSubject: Suzuki, Seijun ISBN: 0905263448 (pbk); 0905263448LON: 11375267
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Brave historical drama should win your vote in Sunday Telegraph (20/12/2015) p.121
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Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988.
Call No: 623.75 THOAuthor: Thompson, Kristin, 1950 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1988PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cmSubject: FORMALISM ; REALISM IN FILMS ; TERROR BY NIGHT (US, Roy William Neill, 1946) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; LAURA (US, Otto Preminger, 1944) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; PLAYTIME (FR, Jacques Tati, 1967) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; LANCELOT DU LAC (FR/IT, Robert Bresson, 1974) ; BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and indexISBN: 0691067244 (alk. paper)LON: 5669174ID2: 291
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Breaking up the ABC / Glyn Davis Sydney: Allen and Unwin, 1988.
Call No: 19ABC DAVAuthor: Davis, Glyn Source: ATPlace: SydneyPublisher: Allen and UnwinPubDate: 1988PhysDes: 150 pages ; 22 cmSubject: AUSTRALIAN BROADCASTING CORPORATION ; FUNDING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; LAW AND TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; STATE AND THE CINEMA. AUSTRALIA Summary: "The life and works of 'Aunty', the Australian Broadcasting Corporation, continue to be the subject of public debate and often heated controversy, but they are seldom analysed in any depth. In this book Glyn Davis sets out to take the ABC apart, layer by layer, to reveal the contradictions in purpose and form which bedevil Australia's public broadcasting network. Emphasising the interplay between the ABC and its social and political context, Breaking Up the ABC subjects the recent internal reforms to careful scrutiny. Will these reforms end 'Aunty's' perennial difficulties? Or is the organisation doomed to permanent crisis? Can the corporation, as David Hill hopes, win back an audience and the political support crucial to its continuing existence? Having broken up the institution, how should the pieces be rearranged? This book offers new combinations to ensure the continuing viability of public broadcasting in Australia."--BOOK BLURBNotes: Includes list of abbreviations, bibliographic references and index -- cover illustration and design by John WindusISBN: 0043370047Donation: Donated by Mike Counihan
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Bring on the stuntman! / Ian B. Jamieson Adelaide: Rigby, 1981.
Call No: 227.5(092) JAMAuthor: Jamieson, Ian B. Source: ATPlace: AdelaidePublisher: RigbyPubDate: 1981PhysDes: 88 p. : ill., ports. ; 29 cmSubject: STUNTS. AUSTRALIA ; JAMIESON, IAN ISBN: 0727014854Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006
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journal article
Bris. charity books 'Table for Five' in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14
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Brisbane Festival in Lumiere (September, 1973) iss.27 p.28
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British cinema and Thatcherism : fires were started / edited by Lester Friedman London: UCL Press, 1993.
Call No: 71(41) FRIAuthor: Friedman, Lester D Place: LondonPublisher: UCL PressPubDate: 1993PhysDes: xxii, 320 p. : ill. ; 23 cmSubject: UNITED KINGDOM ; STATE AND THE CINEMA. UK Notes: Includes index; Includes bibliographical referencesISBN: 1857280725; 1857280733 (pbk.)LON: 10348852 10348852
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British technicolor films / John Huntley London: Skelton Robinson, [1949].
Call No: 71(41) HUNAuthor: Huntley, John, 1921 Place: LondonPublisher: Skelton RobinsonPubDate: [1949]PhysDes: 224 p., [16] p. of plates. : ill (some col.) ; 22 cmSubject: UNITED KINGDOM ; TECHNICOLOR Notes: Includes indexesLON: 1768860
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Interim
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British Television Drama : A History / Lez Cooke London: bfi Publishing, 2003.
Call No: 71(41) COOAuthor: Cooke, Lez Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2003PhysDes: 227 p.: ill. ; 23cmSubject: TELEVISION. UK ; DRAMAS. UK Notes: Select Bibliography: p. 211
Index: p. 216
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Interim
book
Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001.
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Interim
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Broadcast wars : the money, the ego, the power behind your remote control / written by Michael Bodey Sydney: Hachette Australia, 2011.
Call No: 20(94) BODAuthor: Bodey, Michael Source: ATPlace: SydneyPublisher: Hachette AustraliaPubDate: 2011PhysDes: 327 p. ; 24 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; RATINGS. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: "This is an explosive look at the recent tumultuous years in the boardrooms and on the studio floors of Australian television. As the Nine and Seven networks traded blows, new technologies emerged and old personalities and management clung on for dear life, everyone fastened their seatbelts for a bumpy ride. From booze buses to ambulance chasing, mirrorballs to hotplates, from Sunrise to Today, Broadcast Wars gives us a fascinating insight into major media events, boardroom stoushes and fading stars' diva-like demands. Michael Bodey fearlessly analyses the personalities we love (and love to hate), the genres that came and went, and the machinations behind MasterChef, Dancing With The Stars, Underbelly, Packed To The Rafters and all the shows we love to watch and talk about. Broadcast Wars exposes the egos, the money and the powre manipulating our remote controls. ' -- BOOK BLURBNotes: Includes bibliographical references (p. 307- 311) and indexISBN: 9780733627767Contents: -- prologue -- one : Seven on the skids -- two: Reality is king -- three: Sunrise for seven -- four: Seven finally hits an ace -- five: An emperor returns to nine -- six: Eddie arrives -- seven: From Beaconsfield to Lausanne -- eight: The turkey slap -- nine: The war intensifies -- ten: Sea water, cops and dirty Melbourne crims -- eleven: The barbarians grab the remote -- twelve: the format wars -- thirteen: Seven ate nine -- fourteen: Multichanelling -- fifteen: MasterChef and the new nice -- sixteen: Affidavits at ten paces -- author's note -- notes -- bibliography -- acknowledgements -- index --
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967.
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A broader media landscape in The Australian (24/02/2016) p.11
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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Broady awaits its screen test in Herald Sun (15/12/2016) p.9
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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Bruce Beresford makes his U.S. feature debut in Australasian Cinema (10/9/1982) vol.11 iss.16
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The Budapest film school / Hungarofilm Budapest, Hungary: Interpress, [1982?].
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Budget repair holds sway over licence fees in The Australian [Media] (04/04/2016) p.23
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A bumper crop makes a rich harvest in Canberra Times [TV Guide] (12/12/2016) p.3
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Enker, Debi PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; DRAMAS. AUSTRALIA Summary: Overview of television productions on Australian TV in 2016. The author was largely compliementary of the Australian shows for the year.Notes: similar article in Sydney Morning Herald - TV Guide, same date, and The Age - Green Guide, Dec 8 2016
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Burton / Hollis Alpert Markham, Ontario: Paperjacks, 1987.
Call No: 81BUR ALPAuthor: Alpert, Hollis Source: CNPlace: Markham, OntarioPublisher: PaperjacksPubDate: 1987PhysDes: 270 p. ; 18 cmSubject: BURTON, RICHARD ; TAYLOR, ELIZABETH ISBN: 0770105459Donation: donated by the family of Wayne Levy, 2006
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[Bush Christmas : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 13 x 18 cm - 25 x 20 cmSubject: EWART, JOHN ; HOWARD, JOHN ; KIDMAN, NICOLE ; WINGROVE, JAMES ; MANALPUY ; SPAIN, MARK ; BARRON, PAUL D. ; SUMNER, PETER ; O'MALLEY, VINETA ; BUSH CHRISTMAS (AT, Henri Safran, 1981) Summary: Ten black and white photographs relating to the film Bush ChristmasNotes: One image donated by Brian McFarlane
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Bush tracks to red carpets: directing duo win prestigious award in Sydney Morning Herald (1/12/2017) p.14
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Busienss bites : Apple sours....networks cower...recall towers... in Crikey.com.au (27/01/2016) p.-
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Cab's eye view of capital in The Age (24/12/2015) p.28
Call No: TITLE CLIPPINGS FILE; TAXI (IR, Jafar Panahi, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: TAXI (IR, Jafar Panahi, 2015) Summary: Review for the film TEHRAN TAXINotes: film's original title is TAXIRating: 3.5 out of 5 stars
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Cable and subscription television services for Australia : report of the Inquiry by the Australian Broadcasting Tribunal into Cable and Subscription Television Services and Related Matters, August 1982 Canberra: Australian Government Publishing Service, 1982.
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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Calman at the movies / Mel Calman London: Bodley Head, 1990.
Call No: 802(047.53) CALAuthor: Calman, Mel Place: LondonPublisher: Bodley HeadPubDate: 1990PhysDes: 124 p. : ill. ; 21 cmSubject: STEIGER, ROD ; GUINNESS, ALEC ; ANDERSON, LINDSAY ; ALTMAN, ROBERT ; RINGWOOD, BOB ; KLAFF, JACK ; NICHOLLS, ALLAN ; RAPHAEL, FREDERIC ; LAMBERT, VERITY ; PUTTNAM, DAVID ; PRICE, VINCENT ; BROWNE, CAROL ; LEWIS, FIONA ; PERELMAN, S.J. ; YORK, SUSANNAH ; HATTON, MAURICE ; GOETZ, RUTH ; REISZ, KAREL ; NORMAN, BARRY ; HARWOOD, RONALD ; ABBOTT, STEVE ; BLAIR, BETSY ; STAMP, TERENCE ; FREARS, STEPHEN ; WYLER, CATHERINE ; GRIFFITHS, RICHARD ; HART, KITTY CARLISLE ; GUARE, JOHN ; YATES, PETER ; THOMAS, JEREMY ; SCHLESINGER, JOHN ; MORTIMER, JOHN ; CLEMENT, DICK ; LA FRENAIS, IAN ; COATES, ANNE ; PAGE, MARY-ANNE ; WALTON, TONY ; LYNN, JONATHAN ; ADLON, PERCY ; ADLER, LEAH ; MCDOWALL, RODDY ; FISHER, CARRIE ; WILDER, BILLY ; BASS, SAUL Notes: Cinema industries (BNB/PRECIS)ISBN: 0370313917 (pbk)LON: 7171833
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Canberra man captures a revolution on film in Sunday Canberra Times [General News] (8/11/2015) p.3
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Canberra ready for its close up in The Australian (06/06/2016) p.2
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Capital pain in budget fine print in Canberra Times (16/12/2015) p.1
Call No: SUBJECT CLIPPINGS FILE; STATE AND THE CINEMA. AUSTRALIAAuthor: Towell, Noel PhysDes: Clippings File ArticleSubject: STATE AND THE CINEMA. AUSTRALIA Summary: A report on how the recent cuts by the Federal Government will affect various Australian arts organisations, especially those based in Canberra
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Case studies in Australian media management / edited by Elizabeth More, Keith Smith Sydney: Macquarie University, Graduate School of Management, 1992.
Call No: 401(94) CASAuthor: More, Elizabeth ; Smith, Keith (Keith R. A.) CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of ManagementPlace: SydneyPublisher: Macquarie University, Graduate School of ManagementPubDate: 1992PhysDes: x, 204 p. : ill., maps ; 21 cmSubject: TELEVISION. AUSTRALIA ; PAY TV. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; MEDIA. AUSTRALIA ; PACKER, KERRY ; BLACK, CONRAD ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204ISBN: 0858377756 (pbk.)LON: 9454276
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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The cat's whiskers in Sunday Herald Sun [Scene] (12/02/2017) p.4
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Catalyst the difference in funding approaches in The Australian [Arts & Entertainment] (28/06/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; STATE AND THE CINEMA. AUSTRALIAAuthor: Westwood, Matthew PhysDes: Clippings File ArticleSubject: STATE AND THE CINEMA. AUSTRALIA Summary: An article about the political divide between Labour and Liberal parties regarding arts funding s. It compares the arts and cultural policies introduced by the current Coalition governemnt against those promised by Labour.
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Interim
book
The Cathay story / Wong Ain-ling (ed) Hong Kong: Hong Kong Film Archive, 2002.
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CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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CEBIMDEKI YABANCI [STRANGER IN MY POCKET] : (TU, Serra Yilmaz, 2019)
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Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973.
Call No: 81DEM HIGAuthor: Higham, Charles Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1973PhysDes: xii, 335 p. : ill. ; 23 cmSubject: PARAMOUNT STUDIOS ; Metro-Goldwyn-Mayer ; DEMILLE, CECIL B. ; ZUKOR, ADOLPH ; MACPHERSON, JEANIE ; LASKY, JESSE ; KING OF KINGS (US, Cecil B. De Mille, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914) ; SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322.
Includes index.ISBN: 0306801310Donation: donated by the family of Wayne Levy, 2006
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Old collection
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Celebrity : the media as image makers, and, in order of their celebrity / Edited by James Monaco; with contributions from Ingmar Bergman; Norman Mailer et al. New York: Dell Publishing, 1978.
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A century of Australian cinema / edited by James Sabine for the Australian Film Institute Port Melbourne: Mandarin, 1995.
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Interim
book
A century of Chinese cinema : look back in glory / edited by Po Fung...[et al.] Hong Kong: Leisure and Cultural Services Department, 2001.
Call No: 71(51) CENCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Leisure and Cultural Services DepartmentPubDate: 2001PhysDes: 56 p. : b&w ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; CHINA IN FILMS ; TAIWAN Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.htmlISBN: 9628050117
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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dvd
Chances. Volume 1 [DVD] [Australia]: Umbrella Entertainment, [2004].
Call No: D Chances volume 1Edition: 2 disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2004]PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) ; TELEVISION. AUSTRALIA Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries AustraliaNotes: DAVID0334.; Censorship rating: M 15+Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.Technical Details: All region, PAL.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023154Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.
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Change or die, film industry inquiry told in Sunday Age (16/04/2017) p.13
Call No: SUBJECT CLIPPINGS FILE; STATE AND THE CINEMA. AUSTRALIAAuthor: Remeikis, Amy PhysDes: Clippings File ArticleSubject: STATE AND THE CINEMA. AUSTRALIA Summary: Look at the different viewpoints being expressed as part of a federal parliamentary inquiry into Australia's film and tv production industry. Quoted in this article are: Fox Studios, Village Roadshow, Free TV, Screen Producers Australia.Notes: A
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The changing landscape of Australian documentary / Tom Zubrycki Strawberry Hills, N.S.W.: Currency House, 2019.
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Changing standards for Australian content on TV : Proceedings of a workshop hosted by Network Insight, the Australian Film Commission and Allens Arthur Robinson / Edited by Kirsten Harley St Leonards, N.S.W.: Network Insight, RMIT, 2002.
Call No: 205.36 CHAAuthor: Harley, Kirsten Source: ATPlace: St Leonards, N.S.W.Publisher: Network Insight, RMITPubDate: 2002PhysDes: v. 70p. : 30cm.Subject: TELEVISION. AUSTRALIA Notes: Workshop was held on 15th March 2002 in Sydney.ISBN: 0864592027
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Channel Four : television with a difference / Stephen Lambert London: bfi Publishing, 1982.
Call No: 201.24CHA LAMAuthor: Lambert, Stephen Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1982PhysDes: vi, 178 p. : ill. ; 21 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURBNotes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431ISBN: 0851701248Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --
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Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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Interim
book
Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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poster
[Chaykovskiy : poster]
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Cheap shots in Saturday Age [Spectrum] (15/04/2017) p.15
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Chefs step up for movies snackdown in Saturday Age [News] (14/11/2015) p.18
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Chequebook justice in The Australian (22/04/2016) p.11
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Chick flicks : theories and memories of the feminist film movement / B. Ruby Rich Durham, NC: Duke University Press, 1998.
Call No: 626:396 RICAuthor: Rich, B. Ruby Source: USPlace: Durham, NCPublisher: Duke University PressPubDate: 1998PhysDes: xix, 419 p., [8] p. of plates : ill. ; 24 cm.Subject: FEMINISM AND THE CINEMA ; CRITICISM ; RICH, B. RUBY ; DAUGHTER RITE (US, Michelle Citron, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Summary: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks- with its definitive, the-way-it-was collection of essays - captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film crticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in major national publications, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but one of its key players as well. The first book-length work from Rich - whose stature and influence in the world of film criticism and theory continue to grow- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable. " -- BOOK BLURBNotes: A collection of the author's essays from the 1970s and 1980s; Includes indexISBN: 0822321211 (pbk. : alk. paper)LON: 98012052; 13736840Contents: acknowledgements -- preface: Jews without books xv, introduction p1 -- prologue. I found it at the movies p7-- 1: film in the sixties p13 -- prologue. Hippie chick in the Art World p19 -- 2: Carolee Schneemann's Fuses p27 -- prologue. Angst and Joy on the Women's Film Festival Circuit p29 -- 3: Leni Riefenstahl: the deceptive myth p40 -- prologue. Life, Death, and Tragic Homecoming p48 -- 4: Voodoo Verite: Maya Deren's Divine Horsemen p52 -- prologue. An Iguana, Some wolves, and the dawn of theory p57 -- 5: in the name of feminist film criticism p62 -- prologue. O brave new world p85 -- 6: One way or another: Sara Gomez and the Cuban experience p92 -- prologue. A women's declaration of secession from the avant-garde p103 -- 7: sex and the cinema p109 -- prologue. Love's labor lost p116 -- 8: Misconception: laboring under no illusions p121 -- prologue. Cows and hero-worship 125 -- 9: the films of Yvonne Rainer p129 -- prologue. Knokke-Heist and the Fury that was Edinburgh p156 -- 10: Designing desire: Chantal Akerman p169 -- prologue. Euphoria reclaims history p174 -- 11: From repressive tolerance to erotic liberation: Maedchen in Uniform p179 -- prologue. Softball, the goddess, and the lesbian film culture p207 -- 12: The right of re-vision: Michelle Citron's Daughter Rite p212 -- prologue, The allure of alchemy p220 -- 13: Femicide Investigation: Thriller p227 -- prologue. Sour Grapes p233 -- 14. She says, he says: the power of the narrator in modernist film politics p238 -- prologue. Sex, gender, and consumer culture p253 -- 15: Antiporn: soft issue, hard world (Not a Love Story?) p261 -- prologue. Unguided tours p274 -- 16: The feminist avant-garde p281 -- prologue. Attacking the sisters, or the limits of disagreement p386 -- 17: Cinemafeminism and its discontents p291 -- prologue. Libel threats and exile tactics p299 -- 18: Truth, faith and the individual: thoughts on U.S documentary film practice p305 -- Prologue. Disempoerment and the politics of rage p315 -- 19: Lady Killers: A question of silence p319 -- Prologue. Film star as outstanding human being p326 -- 20: Julie Christie goes to Washington p329 -- prologue: Blaming the victim p337 -- 21. Good girls, bad girls: Joyce Chopra's Smooth Talk p344 -- prologue. The berks and the sex wars p347 -- 22: Feminism and sexuality in the Eighties p350 -- Epilogue: charting the Eighties p376 -- notes p391 -- index 409 --
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journal article
Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14
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Un chien andalou : (Luis Bun~uel and Salvador Dali, 1929) / Elza Adamowicz London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2010.
Call No: 79CHI ADAAuthor: Adamowicz, Elza Source: US/UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2010PhysDes: 109 p. : ill. ; 22 cmSeries: Cine´-files : the French film guidesSubject: SURREALISM AND THE CINEMA ; DALI, SALVADOR ; BUNUEL, LUIS ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In 1929 Dali and Bunuel produced a seventeen-minute film, 'Un chien andalou'. On its first screening, Georges Bataille referred to it as 'that extraordinary film ... penetrating so deeply into horror', while Federico Garcia Lorca described it as 'a tiny little shit of a film'. Produced from a script said to be based on two dream images - a woman's eye slit by a razor, ants emerging from a hole in a man's hand - the film shocked audiences. It continues to fascinate, provoke, attract and alienate its viewers. Its eye-slitting sequence and use of dream like images have influenced filmmakers from Alfred Hitchcock to David Lynch.
Elza Adamowicz's lucid critical guide to this most enigmatic of works offers new approaches to the film, exploring how it can be seen both within and beyond the confines of Surrealism and reviewing its openness to so many readings and interpretations. She reassesses Dali and Bunuel's account of the film as a model of surrealist work and its reception by the surrealist group. She situates the film within the social and cultural contexts of the 1920s, including those of melodramatic film, Spanish culture, surrealist iconography and gender construction. She assesses the film's resistance to a single interpretation and explores the role of the viewer (detective or dreamer?)."-BOOK BLURBNotes: includes film credits; includes selected bibliographyISBN: 9781848850569Contents: -- introduction: it's dangerous to look inside -- Producing Un chien andalou : myths of origin. From scenario to screen : a close collaboration -- Premie`re and reception of Un chien andalou -- A surrealist film? -- Romantic melodrama or magic theatre? Classic film narrative subverted -- A cinema of attractions -- Psychoanalytic readings -- Symbols or material images? -- Contexts and intertexts : between Fanto^mas and the fairground. Spanish contexts -- Surrealist iconography -- A parody of 1920s' films -- Early cinema and fairground intertexts -- Destabilizing gender roles -- conclusion -- Appendix 1. Synopsis -- Appendix 2. Credits -- appendix 3. Selected bibliography --
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CHIKAMATSU MONOGATARI : (JA, Kenji Mizoguchi, 1954)
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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The child stars / Norman J. Zierold New York: Coward-McCann, Inc., 1965.
Call No: 802.273 ZIEAuthor: Zierold, Norman J. Source: USPlace: New YorkPublisher: Coward-McCann, Inc.PubDate: 1965PhysDes: 250 pages : illustrations ; 22 cmSubject: STARS ; STARS. USA ; CHILD ACTORS ; COOGAN, JACKIE ; BABY LEROY ; TEMPLE, SHIRLEY ; WITHERS, JANE ; GARLAND, JUDY ; BARTHOLOMEW, FREDDIE ; DURBIN, DEANNA ; ROONEY, MICKEY ; COOPER, JACKIE Summary: A look at successful child actors, their working lives, and their lives when they became adultsLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?
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Childhood and cinema / Vicky Lebeau London: Reaktion Books, 2008.
Call No: 720-053 LEBAuthor: Lebeau, Vicky Place: LondonPublisher: Reaktion BooksPubDate: 2008PhysDes: 222 p. : illustrated ; 17 cmSeries: LocationsSubject: CHILDREN IN FILMS ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; LOLITA (US, Adrian Lyne, 1997) ; LOLITA (US, Stanley Kubrick, 1962) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; TARNATION (US, Jonathan Caouette, 2003) ; WOODSMAN, THE (US, Nicole Kassell, 2004) ; COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985) Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself.
Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web siteISBN: 9781861893529
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Children's television standards : report and determination / by the Tribunal [North Sydney]: The Tribunal, 1984.
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Children without television : social behaviour in three towns with differing television experience / John P. Murray and Susan Kippax North Ryde, NSW: Macquarie University,
Call No: 410 (94) MURAuthor: Murray, John P. ; Kippax, Susan Place: North Ryde, NSWPublisher: Macquarie UniversityPhysDes: 26 pages : 26 cmSeries: Television and socialisation research reports; TVS-1976/6Subject: TELEVISION. AUSTRALIA Donation: Henry Mayer Collection
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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newspaper article
China TV audience up to 2mil in Saturday Age (23/04/2016) p.56
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Lane, Samantha PhysDes: Clippings File ArticleSubject: TELEVISION. CHINA ; AUSTRALIAN FOOTBALL LEAGUE ; SPORT ON TV. AUSTRALIA Summary: Discussion about the viewing numbers of the Australian Football League match that was broadcasted into China on the China Central Television (CCTV) network and the possible amount of people who watched the match in China
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Chinese connections : critical perspectives on film, identity, and diaspora / edited by Tan See-Kam, Peter X Feng, and Gina Marchetti Philadelphia: Temple University Press, 2009.
Call No: 71(51) CHISource: USPlace: PhiladelphiaPublisher: Temple University PressPubDate: 2009PhysDes: vii, 311 p. : ill. ; 23 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ISBN: 9781592132683Donation: donated by Senses of Cinema, 2012Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng -- The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An -- The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park -- Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward -- Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald -- American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh -- Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti -- Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans -- "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin -- Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman -- Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung -- Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry -- Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang -- Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson -- Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam -- Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau -- Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock -- The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau -- Zhang Yimou's hero: the temptations of fascism / Evans Chan
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Chojiku Yosai Macross [TV] : (JA, 1984)
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t2 trainspotting (uk, danny boyle, 2017)
Choose...again in Sun Herald [Inside out] (26/02/2017) p.11
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t2 trainspotting (uk, danny boyle, 2017)
Choose nostalgia, but don't dwell on it in Sydney Morning Herald [Arts & Entertainment] (23/02/2017) p.11
Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)Author: Byrnes, Paul PhysDes: ClippingsSubject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017) Summary: Film review of T2 TRAINSPOTTINGNotes: This review was also published in the Canberra timesRating: 4 out of 5 stars
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Christmas in July : the life and art of Preston Sturges / Diane Jacobs Berkeley: University of California Press, 1992.
Call No: 81STU JACAuthor: Jacobs, Diane Place: BerkeleyPublisher: University of California PressPubDate: 1992PhysDes: xiv, 525 p. : ill. ; 24 cmSubject: STURGES, PRESTON Notes: Includes bibliographical references (p. [509]-511) and indexISBN: 0520079264 (alk. paper)LON: 92019690; 9079797
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newspaper article
Christmas stockings very empty for the arts, with $52m more cut in Crikey.com.au (16/12/2015) p.-
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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The Cineaste interviews : on the art and politics of the cinema / Dan Georgakas, Lenny Rubenstein Chicago: Lake View Press, c1983.
Call No: 45:32 CINAuthor: Georgakas, Dan ; Rubenstein, Lenny CorpAuthor: CineasteSource: USPlace: ChicagoPublisher: Lake View PressPubDate: c1983PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cmSubject: BERTOLUCCI, BERNARDO ; CANBY, VINCENT ; COSTA-GAVRAS, CONSTANTIN ; CRITICISM ; FASSBINDER, RAINER WERNER ; FEMINISM AND THE CINEMA ; FONDA, JANE ; GUTIERREZ ALEA, TOMAS ; LITTIN, MIGUEL ; MAKAVEJEV, DUSAN ; PARKS, GORDON ; PETRI, ELIO ; POLITICS AND THE CINEMA ; PONTECORVO, GILLO ; Ray, Satyajit ; ROCHA, GLAUBER ; ROSI, FRANCESCO ; ROSSELLINI, ROBERTO ; SARRIS, ANDREW ; SAYLES, JOHN ; SCHRADER, PAUL ; SCRIPTWRITERS ; SEMBENE, OUSMANE ; TAVERNIER, BERTRAND ; WERTMULLER, LINA ; Writers Guild of America ; VARDA, AGNES ; WAJDA, ANDRZEJ ; ZANUSSI, KRZYSZTOF Notes: Includes bibliographical references and indexISBN: 0941702022 : $25.00LON: 2921398
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Cinema : Cinema. English / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam Minneapolis: University of Minnesota, 1986-c1989.
Call No: 62 DELAuthor: Deleuze, Gilles Place: MinneapolisPublisher: University of MinnesotaPubDate: 1986-c1989PhysDes: 2 v. ; 23 cmSubject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexesISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95LON: 85028898; 4390071ID2: 343URL status: URL: 'http://-'
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Cinema in Lumiere (January-February, 1972) iss.13 p.12
Author: Timms, Peter PhysDes: ArticleSubject: STORK (AT, Tim Burstall, 1971) ; DEEP END (GW/US, Jerzy Skolimowski, 1970) ; JOE (US, John G. Avildsen, 1970) ; KLUTE (US, Alan J. Pakula, 1971) Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe
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Cinema 2 : The time-image / Gilles Deleuze / translated by Hugh Tomlinson and Robbert Galeta London: The Athlone Press, 1989.
Call No: 62 DELAuthor: Deleuze, Gilles ; Tomlinson, Hugh ; Galeta, Robert Source: UKPlace: LondonPublisher: The Athlone PressPubDate: 1989PhysDes: xviii, 344 pages : illustrations ; 21 cm.Series: Cinema ; v. 2Subject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time.
In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURBNotes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; IndexISBN: 0485120704Language: EnglishDonation: Adrian MilesContents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.ID2: 343
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Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli; translated and edited by Daniel Fairfax Amsterdam: Amsterdam University Press, 2015. Available at OAPEN (open access)
Call No: 62(081) COMAuthor: Comolli, Jean-Louis Place: AmsterdamPublisher: Amsterdam University PressPubDate: 2015PhysDes: 345 pages : illustrations ; 24 cm.Series: Film theory in media historySubject: COMOLLI, JEAN-LOUIS ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; LUMIERE, AUGUSTE & LOUIS ; MITRY, JEAN ; STRAUB, JEAN-MARIE ; VERTOV, DZIGA ; WELLES, ORSON Notes: Includes bibliographical references and index.ISBN: 9789089645548Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.
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Cinema and colour : the saturated image / Paul Coates London: British Film Institute, 2010.
Call No: 633.22 COAAuthor: Coates, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2010PhysDes: 178 p. : col. ill. ; 26 cm.Subject: COLOUR ; COLORIZATION ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972) Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell.
Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]Notes: Includes bibliographical references and indexISBN: 9781844573141Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery
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Cinema and cultural modernity / Gill Branston Philadelphia: Open University Press, 2000.
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Cinema Babel : translating global cinema / Abe Mark Nornes Minneapolis, MA: University of Minnesota Press, 2007.
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema borealis : Ingmar Bergman and the Swedish ethos / Vernon Young New York: Avon, [c1971].
Call No: 81BER YOUAuthor: Young, Vernon Source: USPlace: New YorkPublisher: AvonPubDate: [c1971]PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cmSeries: Equinox booksSubject: FILM STUDY AND RESEARCH ; FILMMAKING ; SWEDEN ; SVENSKA FILMINSTITUTET ; BERGMAN, INGMAR ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his filmsNotes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Cinema, community and policy : contexts and pretexts for the Regional Cinema Program in New South Wales, Australia in Studies in Australasian cinema (2007) vol.1 iss.3 p.377-394
Author: Crowe, Karen PhysDes: ArticleSubject: REGIONAL EXHIBITION. AUSTRALIA ; CINEMAS. AUSTRALIA. STATE (NSW) ; AUDIENCES. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA. NEW SOUTH WALES Summary: This article examines developments relating to regional cinema-going in the Australian state of New South Wales (NSW). It draws on research whose primary case studies comprise four campaigns to revitalize historic cinema spaces in country towns in NSW and the introduction in the late 1990s of a Regional Cinema Program (RCP) designed to promote and support such activity in that state. It examines some of the historic and political contexts that precipitated these projects and the adoption of their concerns by the NSW state government and will consider how claims for the social importance of cinema-going have been reflected and constructed through the practices and discourses of policy-making and place-making. In particular, the essay traces the adoption of regional cinema access as a policy concern of the NSW state government and the aspirations and operations of a ‘community cinema’ in the south-western NSW town of Tumut. In focusing on this case study the article explores the interconnected relationship between trends in social and cultural policy-making, rural revitalization, the social experience of cinema-going and their various roles in the complex and contested construction of a sense of ‘community’. -- Abstract
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Interim
book
Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CINAuthor: Elsaesser, Thomas
Hoffmann, Kay Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1998PhysDes: 312 pages : ill. ; 25 cmSeries: Film culture and translationSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL MEDIA AND THE CINEMA ; DIGITAL TELEVISION ; COMPUTERS AND THE CINEMA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE ARTS ; TELEVISION, FILMS SHOWN ON ; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- BlurbNotes: Includes bibliographical references, notes and indexISBN: 9053563121Donation: Adrien MilesContents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Cinema interval / Trinh T. Minh-ha London: Routledge, 1999.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: LondonPublisher: RoutledgePubDate: 1999PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cmSubject: TRINH, T. MINH-HA ; IMPERIALISM AND THE CINEMA ; CHINA IN FILMS ; VOYEURISM AND THE CINEMA ; VERHOEVEN, DEB ; REYNAUD, BERENICE ; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991) ; TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995) Notes: Includes indexISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00LON: 14606477
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The cinema of Andrei Tarkovsky / Mark Le Fanu London: BFI Pub., 1987.
Call No: 81TAR LEFAuthor: Le Fanu, Mark Place: LondonPublisher: BFI Pub.PubDate: 1987PhysDes: viii, 156 p. : ill. ; 23 cmSubject: TARKOVSKY, ANDREI Notes: Includes bibliographical references and index; Filmography: p. 147-150ISBN: 0851701930; 0851701949 (pbk.)LON: bnb85170193; 5689633
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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Cinema de la cruaute. English : from Bunuel to Hitchcock / by Andre Bazin ; edited and with an introduction by Francois Truffaut ; translated by Sabine d' Estree with the assistance of Tiffany Fliss New York: Seaver Books, 1982.
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
SEE
KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
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TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
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MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
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KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
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SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
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HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
SEE
GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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Interim
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A cinema of loneliness : Penn, Stone, Kubrick, Scorsese, Spielberg, Altman / Robert Kolker New York: Oxford University Press, 2000.
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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Le cinema Suisse / Freddy Buache Lausanne, Switzerland: Editions L'age D'homme, 1974.
Call No: 71(494) BUAAuthor: Buache, Freddy Source: SWPlace: Lausanne, SwitzerlandPublisher: Editions L'age D'hommePubDate: 1974Subject: SWITZERLAND Summary: +Language: French
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Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.] Paris: L'Institut, 1983?].
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Interim
book
The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956.
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Cinema unchained : the films of Quentin Tarantino / Simona Brancati Washington, DC: New Academia Publishing, 2014.
Call No: 81TAR BRAAuthor: Brancati, Simona Edition: EnglishSource: USPlace: Washington, DCPublisher: New Academia PublishingPubDate: 2014PhysDes: x, 186 pages : color facsimiles ; 23 cm.Subject: TARANTINO, QUENTIN ; PULP FICTION (US, Quentin Tarantino, 1994) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; DJANGO UNCHAINED (US, Quentin Tarantino, 2012) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; TRUE ROMANCE (US, Tony Scott, 1993) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; DEATH PROOF (US, Quentin Tarantino, 2007) Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)ISBN: 9780989916981Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.
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Interim
book
Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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The Cinematic apparatus / edited by Teresa de Lauretis and Stephen Heath London: Macmillan, 1980.
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Call No: 670 ROSAuthor: Rosenbaum, Jonathan Edition: 2019Place: Urbana, Chicago, and SpringfieldPublisher: University of Illinois PressPubDate: 2019PhysDes: 312 pages ; 23cmSubject: DIRECTORS ; AKERMAN, CHANTAL ; BROOKS, JAMES L. ; BUNUEL, LUIS ; DEMY, JACQUES ; DREYER, CARL TH. ; GIANVITO, JOHN ; JARMUSCH, JIM ; LEWIS, JERRY ; LINKLATER, RICHARD ; MADDIN, GUY ; MAY, ELAINE ; OLIVEIRA, MANOEL DE ; OLMI, ERMANNO ; YASUJIRO OZU ; POTTER, SALLY ; RAPPAPORT, MARK ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; TARR, BELA ; MING-LIANG, TSAI ; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web siteISBN: 9780252084386Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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Cinematic Ethics : exploring ethical experience through film / Robert Sinnerbrink London ; New York: Routledge, 2016.
Call No: 409 SINAuthor: Sinnerbrink, Robert Source: UK/USPlace: London ; New YorkPublisher: RoutledgePubDate: 2016PhysDes: xiii, 216 pages ; 24 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; STELLA DALLAS (US, King Vidor, 1937) ; TALK TO HER (SP, Pedro Almodovar, 2002)
SEE
HABLE CON ELLA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURBNotes: Includes bibliographical references, index and filmographyISBN: 9781138826168Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --
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The cinematic tango : contemporary Argentine film / Tamara L. Falicov London: Wallflower Press, 2007.
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Cinematographers on the art and craft of cinematography / compiled by Anna Kate Sterling Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 23 STEAuthor: Sterling, Anna Kate Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: x, 131 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; MOHR, HAL ; PERRY, HARRY F. ; RITTAU, GUNTHER ; VINNA, CLYDE DE ; STRUSS, KARL ; MILLER, VIRGIL ; VALENTINE, JOSEPH A. ; O'BRIEN, WILLIS ; GAUDIO, TONY ; BITZER, G.W. [BILLY] ; BROENING, LYMAN ; COURANT, CURT ; SKALL, WILLIAM V. ; RENNAHAN, RAY ; GREENE, W. HOWARD Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes indexISBN: 0810819724LON: 5017179
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Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1999PhysDes: vii, 266 p. : ill. ; 21 cmSubject: SOUND ; COMPOSING ; SHORE, HOWARD ; COEN, JOEL & ETHAN ; SPEECH ; MUSIC, FILM ; ROBBE-GRILLET, ALAIN ; FASSBINDER, RAINER WERNER ; BURWELL, CARTER ; RABEN, PEER ; HISTORY OF CINEMA. SOUND PERIOD ; CAREFUL (CN, Guy Maddin, 1992) ; VOICES ; VOYEURISM AND THE CINEMA ; WELLES, ORSON ; WOMEN IN FILMS ; SYNCHRONIZATION Notes: Includes indexISBN: 187635108XLON: 20110282Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman
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CineTech : film, convergence and new media / Stephen Keane Basingstoke [England]: Palgrave Macmillan, 2007.
Call No: 220.1(-5) KEAAuthor: Keane, Stephen Source: US/UKPlace: New York; Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2007PhysDes: viii, 181 pages ; 22 cmSubject: TIMECODE (US, Mike Figgis, 2000) ; MY LITTLE EYE (UK/US/FR, Marc Evans, 2003) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005) ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) ; RESIDENT EVIL (US, Paul W.S. Anderson, 2002) ; MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003) ; FANS ; TECHNOLOGICAL DEVELOPMENTS ; INTERNET ; CONVERGENCE Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.Notes: Includes bibliographical references (p. 162-176) and index.ISBN: 9781403936943Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.
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Ciobo push for Netflix to film TV in Australia in Australian Financial Review (31/01/2017) p.7
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Circuit listening : Chinese popular music in the global 1960s / Andrew F. Jones Minneapolis: University of Minnesota Press, 2020.
Call No: 751.0 (5) JONAuthor: Jones, Andrew F. Edition: 2020Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2020PhysDes: ix, 274 pages : illustratedSubject: CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; CITY OF SADNESS, A [ ; TAIWAN ; DYLAN, BOB ; MUSIC IN FILMS ; SHAW BROTHERS Summary: What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe.
Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever.
Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. -- publisher's web siteISBN: 9781517902070Contents: Contents -- Acknowledgments -- Introduction. The East is Red: Towards a Sonic History of the 1960s -- 1. Circuit Listening at the Dawn of the Chinese 1960s -- 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China -- 3. Fugitive Sounds of the Taiwanese Musical Cinema -- 4. Pirates of the China Seas: Vinyl Records and the Military Circuit -- 5. Folk Circuits: Rediscovering Chen Da -- 6. Teresa Teng and the Network Trace -- Appendix: “Listening to Songs in the Streets of Taipei” -- Hsu Tsang-Houei -- Notes -- Index
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Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011.
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962].
Call No: 67(04) TYLAuthor: Tyler, Parker Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: [1962]PhysDes: 253 p. : illus. ; 29 cmSubject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAPOLEON (FR, Abel Gance, 1927) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) ; MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958) ; DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931) ; M (G, Fritz Lang, 1931) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]) ; MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933) ; KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; DYBUK (PL, Michal Waszynski, 1938) ; ALEX & EVE (AT, Peter Andrikidis, 2015) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; RASHOMON (JA, Akira Kurosawa, 1950) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; STRADA, LA (IT, Federico Fellini, 1954) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; PICKPOCKET (FR, Robert Bresson, 1959) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKETLON: 712285Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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Close encounters / Mike Wallace and Gary Paul Gates New York: Berkley Book, 1985.
Call No: 81WAL GATAuthor: Wallace, Mike ; Gates, Gary Paul Source: USPlace: New YorkPublisher: Berkley BookPubDate: 1985PhysDes: vi, 519 p. : [16] p. : ill. ; 18 cmSubject: WALLACE, MIKE ; TELEVISION JOURNALISTS ; [SIXTY] 60 MINUTES [TV] (US, 1968-) Summary: The book look at the career of the hard hitting, and contoversial investigative, tv journalst, Mike Wallace, and the world famous people - Reagan, Begin and Sadat, that he interviewedNotes: First published : William Morrow, 1984
Includes IndexISBN: 0425082695
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Close up : Iranian cinema: past, present and future / Hamid Dabashi New York: Verso, 2001.
Call No: 71(55) DABAuthor: Dabashi, Hamid Source: UK / USPlace: London; New YorkPublisher: VersoPubDate: 2001PhysDes: xii, 302 p. : ill. ; 20 cmSubject: IRAN ; NATIONAL CULTURE IN FILMS. IRAN ; KIAROSTAMI, ABBAS ; MAKHMALBAF, MOHSEN ; FARMANARA, BAHMAN ; BEIZI, BAHRAM ; MIX (IR, Dariush Mehrjui, 2000) ; SHAZDEH EHTEJAB (IR, Bahman Farmanara, 1974) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; BOOYE KAFOOR, ATRE YAS (IR, Bahman Farmonara, 2000) ; TAKHTE SIAH (IR/IT, Samira Makhmalbaf, 2000) ; SIB (IR/FR, Samira Makhmalbaf, 1998) ; ZAMANI BARAYE MASTI ASBHA (IR, Bahman Ghobadi, 2000) ; DJOMEH (IR, Hasan Yektapanah, 2000) ; ETERAZ (IR, Massoud Kimiayi, 2000) Notes: Includes filmographies (p. [283]-290).
Includes bibliographical references (p. [291]-297)ISBN: 1859843328
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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Close up : great cinematic performances. Volume 2, International / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01 CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS Notes: Includes bibliographical references and index.ISBN: 9781474431804
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Close-ups : intimate profiles of movie stars by their co-stars, directors scrrenwriters and friends / edited by Danny Peary New York: Workman Publishing Company, 1978.
Call No: 802.27(73) CLOAuthor: Peary, Danny Place: New YorkPublisher: Workman Publishing CompanyPubDate: 1978PhysDes: 606 p. : ill. ; 28 cmSubject: ACTORS. USA ; STARS. USA Notes: contains indexesISBN: 0894800434Donation: donated by the family of Wayne Levy, 2006
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Crawford collection
still
[Cluedo : album #1] Crawford Productions [distributor], [1992?].
Call No: CRAWFORD STILL CLUSource: ATPublisher: Crawford Productions [distributor]PubDate: [1992?]PhysDes: 60 photographs : col. ; 16 x 11 cm - 10 x 9 cm + 1 photographic sheet : b&w ; 26 x 21 cm + 2 negatives ; 26 x 21 cm + 18 transparencies : col. ; 120 mm + 115 negatives : b&w and col. ; 35 mmSubject: DADDO, ANDREW ; PAULL, NICKI ; BADLER, JANE ; MCFADYEN, IAN ; TAFT, DAVID ; MORROW, GEOFF ; MOLONEY, PAUL ; SUMNER, PETER ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Photographs and negatives relating to CluedoNotes: Arrangement: Images are arranged by record type (photographs, 26 x 21 cm negatives, 120 mm transparencies then 35 mm negatives -- Negatives consist of 36 strips of photographic negativesDonation: Gift of Crawford Productions
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Crawford collection
crawford publicity clu
[Cluedo. Publicity]
Call No: CRAWFORD PUBLICITY CLUPhysDes: 1 box ; 38 x 25 x 9 cmSubject: MCFADYEN, IAN ; MALLABY, GEORGE ; SUMNER, PETER ; PAULL, NICKI ; WESTMORE, JOY ; DADDO, ANDREW ; GALLACHER, FRANK ; CLUEDO [TV] (AT, 1992 - 1993) Summary: Newspaper clippings and press kit for CluedoDonation: Gift of Crawford ProductionsContents: 1 box containing the following material:
1 press kit (34 leaves) -- 1 manilla folder labelled 'Cluedo Publicity' containing Australian newspaper and magazine press clippings from February to June 1992, plus undated clippings, (37 leaves), fan mail (1 leaf), publicity card -- 1 manilla folder labelled press clippings containing Australian newspaper and magazine press clippings from February to July 1992 (38 leaves), Cluedo logos (9 leaves), panorama photo of location used for external set of Brindabella masion
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Clueless : American youth in the 1990s / Lesley Speed Abingdon, Oxon, UK: Routledge, 2018.
Call No: 79 CLU SPEAuthor: Speed, Lesley Edition: 2018Place: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2018PhysDes: 118 pages : illustrated ; 23 cmSeries: cinema and youth culturesSubject: CLUELESS (US, Amy Heckerling, 1995) ; TEEN FILMS Summary: Clueless: American Youth in the 1990s is a timely contribution to the increasingly prominent academic field of youth film studies. The book draws on the social context to the film’s release, a range of film industry perspectives including marketing, audience reception and franchising, as well as postmodern theory and feminist film theory to assert the cultural and historical significance of Amy Heckerling’s film and reaffirm its reputation as one of the defining teen films of the 1990s.
Lesley Speed examines how the film channels aspects of Anita Loos’ 1925 novel Gentlemen Prefer Blondes, the 1960s television series Gidget and Jane Austen’s Emma, to present a heightened, optimistic view of contemporary American teenage life. Although seemingly apolitical, Speed makes the case for Clueless as a feminist exploration of relationships between gender, comedy and consumer culture, centring on a contemporary version of the ‘dumb blonde’ type. The film is also proved to embrace diversity in its depiction of African American characters and contributing to an increase in gay teenagers on screen. Lesley Speed concludes her analysis by tracking the rise of the Clueless franchise and cult following. Both helped to cement the film in popular consciousness, inviting fans to inhabit its fantasy world through spinoff narratives on television and in print, public viewing rituals, revivalism and vintage fashion. -- publisher's web siteISBN: 9781138681217Contents: Preface to the series.-- Acknowledgements. -- Introduction.-- 1. Building a fantasy that you could live in: production history and initial reception, Director and writer Amy Heckerling. -- Development and Production. -- Clueless sources. -- Production. -- Release and reception. -- 2. ‘A way normal life’: Clueless as a teen film of the 1990s. -- Clueless, the 1990s and youth culture. -- Youth, adulthood and history. -- ‘It looks like the best-tasting bubble gum’: the world of Clueless. -- 3. All the young girls and dudes: gender and sexuality. -- Girls in teen film. -- Feminism, consumer culture and girls. -- Ethnicity. -- Sexuality. -- 4. ‘It’s, like, a famous quote’: Adaptation, franchise and cult film. -- Clueless as adaptation. -- The Clueless franchise. -- Inhabiting the storyworld: Clueless as a cult film. -- Conclusion: Clueless in the popular cultural landscape. -- Bibliography. -- Appendix: The Clueless novelisations. -- Index
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The CNN effect : The myth of news, foreign policy and intervention / Piers Robinson London: Routledge, 2002.
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journal article
Co-ops in Lumiere (March, 1973) iss.21 p.35-36
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journal article
Co-stars selected for Grandview USA in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.17
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newspaper article
Coalition forced to mull 'broader' media reform in Australian Financial Review (10/04/2017) p.29
Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: STATE AND TV. AUSTRALIA Summary: Looking at the delays that the Australian federal government has had in trying to implement media reforms, which is frustrating various Australian commercial broadcasters
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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journal article
The colour photography of A City's Child in Lumiere (July-August 1971) iss.10 p.13-15
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newspaper article
Combat roles in Sydney Morning Herald [Good Weekend Magazine] (3/06/2017) p.1
Call No: PERSONALITY CLIPPINGS FILE; TRAN, MARIAAuthor: Dapin, Mark PhysDes: Clippings File ArticleSubject: STUNTS. AUSTRALIA ; TRAN, MARIA Summary: Feature interview with Australian actor Maria Tran
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journal article
The Coming of Stork in Lumiere (November-December 1971) iss.12 p.24-25
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A commentary on Barrett Hodsdon's report on minority exhibition and distribution / David Roe 1976.
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Commercial media in Australia : economics, ownership, technology and regulation / Allan Brown St Lucia, Queensland: University of Queensland Press, 1986.
Call No: 205.2(94) BROAuthor: Brown, Allan Place: St Lucia, QueenslandPublisher: University of Queensland PressPubDate: 1986PhysDes: xii, 240 p. ; 22 cm.Series: University of Queensland Press scholar's librarySubject: MEDIA ; MEDIA AUSTRALIA ; TELEVISION. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; PRESS AND TV ; OWNERSHIP AUSTRALIA ; OWNERSHIP, TV. AUSTRALIA Summary: This book is intended for teachers and students of courses on media and communications at tertiary institutions, as well as for the general reader with an interest in Australian media policy. It revises and updates my PhD thesis, which was submitted at the University of Queensland in 1981. As far as possible the discussion is non-technical, and plain English has been used instead of economic jargon. The study is contained, however, within a theoretical framework which defines the nature of the economic analysis of the Australian media industries and which provides the basis for the examination of policy issues.Notes: Includes indexISBN: 0702218391Contents: 1. Economics of Newspaper Publishing -- 2. The Australian Newspaper Industry -- 3. Economics of Broadcasting -- 4. The Australian Radio Broadcasting Industry -- 5. The Australian Television Broadcasting Industry -- 6. Cross-Media Ownership and Control -- 7. Technological Developments in Television -- 8. Options for ChangeID2: 357
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Commercial television industry code of practice Sydney: Federation of Australian Commercial Television Stations, 1999.
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Communications futures : final report / Bureau of Transport and Communications Economics Canberra: Australian Government Publishing Service, 1995.
Call No: 409.5(94) BURCorpAuthor: Bureau of Transport and Communications EconomicsEdition: 1995Place: CanberraPublisher: Australian Government Publishing ServicePubDate: 1995PhysDes: 157 pages : illustrations ; 25 cm.Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA ; INTERNET. AUSTRALIA ISBN: 9780644431019
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Compendium : Volume II / School of Media and Communication Melbourne: School of Media and Communications, RMIT University, 2019.
Call No: 00(082) COMCorpAuthor: School of Media and CommunicationPlace: MelbournePublisher: School of Media and Communications, RMIT UniversityPubDate: 2019PhysDes: v, 241 pages, illustrations (some colour), 24cm.Subject: SCORSESE, MARTIN ; GULPILIL, DAVID ; GODZILLA IN FILMS ; VIDEO ART ; TELEVISION. INDIA Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview
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Competition a win for fans in Herald Sun [-] (6/05/2017) p.4
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The complete handbook of Super 8 film making / by R.C. Norris Blue Ridge Summit, Pa.: Tab Books, 1982.
Call No: 234.1-108S NORAuthor: Norris, R. C Edition: 1st edPlace: Blue Ridge Summit, Pa.Publisher: Tab BooksPubDate: 1982PhysDes: viii, 360 p. : ill. ; 21 cmSubject: SUPER-8 MM FILMS Notes: Includes index; Bibliography: p. 356-358ISBN: 0830613781 (pbk.)LON: 2135266
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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Confidential : Cate's new state of play in Herald Sun (22/07/2015) p.26
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Confidential : Melbourne film a hit in Herald Sun (15/02/2017) p.18
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newspaper article
Conflict leaves its scars in Weekend Australian [Review] (25/04/2015) p.14
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CONTE D'ETE : (FR, Eric Rohmer, 1996)
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Contemporary Asian cinema : popular culture in a global frame / edited by Anne Teresa Ciecko Oxford: Berg, 2006.
Call No: 71(5) CONSource: UKPlace: OxfordPublisher: BergPubDate: 2006PhysDes: vi, 250 p. ; 24 cmSeries: Asian CinemaSubject: ASIAN COUNTRIES ; INDONESIA ; MALAYSIA ; SINGAPORE ; VIETNAM ; THAILAND ; PHILIPPINES ; INDIA ; SRI LANKA ; BANGALADESH ; KOREA ; CITY OF SADNESS, A [ ; TAIWAN ; JAPAN Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.ISBN: 1845202376ISSN: 17448719Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.
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Contemporary Australian television / Stuart Cunningham and Toby Miller Sydney, NSW: UNSW Press, 1994.
Call No: 71(94) CUNAuthor: Cunningham, Stuart ; Miller, Toby Place: Sydney, NSWPublisher: UNSW PressPubDate: 1994PhysDes: viii, 184 p., [4] p. of plates : ill., ports. ; 22 cmSubject: HISTORY AND TV. AUSTRALIA ; HISTORY AND TV ; TELEVISION. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA Summary: This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s, and beyond. Traditional formats like news, current affairs, and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, antion, culture, policy, industry, and postmodernity. -BlurbISBN: 0-86840-397-0Contents: Terms and debates--Text--Genre--Audience--Nation--Culture--Policy--Industry--Postmodernity--Continuing debates------Electronic forum--News--Current affairs--Mix and match genres--Four Corners and the truth--Trends in reading the genre------Spectacle of sport--Sport for sport's sake--Sport for TV's sake--Language of sports television------Hard copy, soft porn (by David Rowe)--Regulation of sexualised violence--Sex, violence and genre--Hard Copy: subject and structure--Regulating sexualised violence on television------OZ TV goes global--Television international--Cross-cultural textual and audience analysis--Middle range approach--Australian soaps in Britain------Tomorrow's television--Tele-visions of a nation in the 1990s--ABC in Asia--Software wars: Pay TV--Community TV and diversity.
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Contemporary Japanese film / by Mark Schilling New York: Weatherhill, 1999.
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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newspaper article
Content will play key role say networks in Sydney Morning Herald (25/10/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; TELECOMMUNICATIONS.AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TELECOMMUNICATIONS.AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; MEDIA AUSTRALIA ; OWNERSHIP. USA Summary: Report on the proposed bid of American based telecommunications company AT&T looking to purchase Time Warner and how telecommunications companies are looking to get involved more directly with media companies. Discussion about companies with Australian interests such as Optus and Telstra with quotes from several execuitves from major media companies such as Seven West Media, Prime Media, Network Ten, and Southern CrossNotes: similar reprint in The Age, Australian Financial Review
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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Convergence culture : where old and new media collide / by Henry Jenkins New York, NY: NYU Press, 2006.
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Conversations : volume 1 / Don Shay, designed by Michael Gross Albuquerque: Kaleidoscope Press, 1969.
Call No: 802.27(73) SHAAuthor: Shay, Don Source: USPlace: AlbuquerquePublisher: Kaleidoscope PressPubDate: 1969PhysDes: v. : illus., ports. ; 21 cmSubject: CRABBE, BUSTER ; FALK, PETER ; FONDA, HENRY ; HESTON, CHARLTON ; MALDEN, KARL ; PECK, GREGORY ; ROBINSON, EDWARD G. ; STEIGER, ROD Summary: Interviews with eight US film actors, including: Buster Crabbe, Peter Falk, Henry Fonda, Charlton Heston, Karl Malden, Gregory Peck, Edward G. Robinson, Rod SteigerLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
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still
[Coolangatta gold, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 20 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: FRIELS, COLIN ; TATE, NICK ; KENNY, GRANT ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) Summary: 3 black and white photographs of Grant Kenny preparing for the triaquathon scene, Colin Friels & Nick Tate, and a press release surrounded by newspaper articles about the Coolangatta Gold. 1 image of Joe Lucas (Nick Tate) and son Adam (Colin Friels) cheering.Notes: 1 duplicate of Press release surrounded by newspaper articles about the Coolangatta Gold. 1 image donated by Brian McFarlane
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journal article
Copyright, technology and transaction costs in Lumina (Summer 2010) iss.2 p.216-267
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Corporate support for the arts 1996 : report of a national business survey, with comparisons to earlier surveys in 1986, 1989 and 1993 / commissioned by the Australia Council and prepared by Yann Campbell Hoare Wheeler Redfern, N.S.W.: Australia Council, 1996.
Call No: 213.16(94) CORCorpAuthor: Yann Campbell Hoare Wheeler Research; Australia CouncilPlace: Redfern, N.S.W.Publisher: Australia CouncilPubDate: 1996PhysDes: 48 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; FINANCING. AUSTRALIA ; COMPANY FINANCE. AUSTRALIA Notes: Corporate support for the arts 1996 : survey of expenditure and attitudesISBN: 1862571392LON: 12855921
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title clippings file
A CORPS PERDU : (CN/SZ, Lea Pool, 1988)
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Interim
book
Costume and cinema : dress codes in popular Film / Sarah Street London: Wallflower, 2001.
Call No: 226.4 STRAuthor: Street, Sarah Source: UKPlace: LondonPublisher: WallflowerPubDate: 2001PhysDes: 112 p. : ill. ; 20 cmSeries: Short CutsSubject: COSTUMES ; FASHION AND THE CINEMA ; TITANIC (US, James Cameron, 1997) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; WONDERLAND (UK, Michael Winterbottom, 1999) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) Summary: Presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and films.Notes: Glossary: p.105-108
Bibliography: p.109-112ISBN: 1903364183 (pbk.)
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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Crawford collection
crawford research crime
[CRAWFORD CRIME RESEARCH] AT:
Call No: CRAWFORD RESEARCH CRIMEPlace: ATPhysDes: # boxesSubject: RESEARCH TV ; CRIME ON TV. AUSTRALIA ; CRIME. AUSTRALIA ; CRAWFORD PRODUCTIONS ; HOMICIDE [TV] (AT, 1964-1975) ; DIVISION FOUR [TV] (AT, 1969) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; RYAN [TV](AT, 1973-4) ; SOLO ONE [TV] (AT, 1975-76) ; BLUEY [TV] (AT, 1976-77) ; COP SHOP [TV] (AT, 1977-84) ; CARSON'S LAW [TV] (AT, 1983) ; SPECIAL SQUAD [TV](AT, 1984-1985) ; PRIME TIME [TV] (AT, 1986) ; FEDS, THE [TV] (AT, 1993-1995) ; STATE CORONER [TV] (AT, 1996-7) Summary: Press clippings, writers' research, interviews and journals used references when developing Crawfords crime show storylines. Research covers crime in Australia and overseas, type characters, technical and historical context as well as local and ethnic detail. Where possible Crawford Productions' original organisational system has been retained. The files were intially developed for early crime productions such as Homicide and Division Four. Annotations indicate that this early research was added to and used in later crime show storylines.
Files are organised into general subjects followed by material connected with specific series in chronological order.Notes: Annotations on some clippings -- Labels follow Crawfords designations unless provided by cataloguerDonation: Gift of Crawford ProductionsContents: # archive boxes containing writers' research and technical details used for Crawford Production crime shows.
Folders as listed:
[Victoria Police research]: History and outline of the Victoria Police Force / Victoria Police Department [Rev. Melbourne 1969[ (19 leaves); [Research] (47 leaves)
Files on the victims in murder cases (214 leaves)
Files on the accused in murder cases (151 leaves)
Crime file research files 1-7: Kidnap; Knife attacks; Abduction; Drugs; Drugs - Nugan case; Disappearance; Leonski
Crime file research files 8-16: Azaria Chamberlain; Azaria Chamberlain appeal; Axe killing - murder; Komarnicki - murder; Kane - murder; Blackmail/extortion/threat; Burglary; Bribe; Backyard car business
Crime file research files 17-31: Bikie; Biggs - great train robbery; Raymond Bennett - murderer; Tait - murderer; Toecutter gang - murderers; Poisons - von Burlow/Perry; Police/shot killed attacked; Colin Creed - rogue cop - police corruption; The Bill Allen affair; O'Heally (murderer); Lord & Lady Lucan; Hinkley - attempted assassin; Graeme Thorne (kidnapped & murdered); Frankston psycho killer; Perjury
Research file: Police anecdotes; Involving police
[Research files of Det. J Puls] Victoria Police Association report (12 leaves); Unpublished ruling (9 leaves); Use of written notes to assist police in giving evidence (4 leaves); Accompanied by handwritten notes, typescripts and newspaper clippings
Technical information research file 1: Army; Airways; Banks; Buslines; Cars & trucks; Chemicals; Children; Cryogenics; Customs; Currency; Cults; Dental; Documents; Dogs; Drugs; Eviction; Explosives; Family affairs; Fishing; Greek customs; Hotels; Health department; History; Humor; Immigration; Italian customs; Languages; Locks; Livestock; Marriage; Mechanical and electrical devices; Medical
Technical information master vol 2: Minerals and metal; Music; Name titles; Newsmedia; Poisons; Police; Postage; Prisoners; Private det's; Racing; Rag trade; Quotes; Religion; Social welfare; Security; Speeches; Telephones; Television; Vegetation; Vermin and noxious weeds; War; Wines; Workers' compensation; Women's lib; University
Character insight master file: Anzacs; Assembly workers; Boxer; Company executives/ wives; Divorce; Faith healers; Funeral directors; Geologists; Graduates; Gypsies; Illiteracy; Lawyer; Medical Professionals; Nurse; Prison officers; Psychologist; Quacks; Racing; Security; Supernatural; Surveyors; Vagrants; Wives; Actors; Bushman; Farmer; Grazier; Hill Billy; Law breaker; Nursing sister; Shearers; Shearers' cook; Stockman; Store keeper; Swagman; Eccentrics; Chivalrous colonel
Character research file no. 1: Everyday; Country; Eccentric; Criminal; Juvenile
Character research file no. 2: Bank robbers; Burglars; Car theives; Conmen; Cracksmen; Killers - thrill; Killers - professional; Killers - contract; Petty crims; Recidivists; Shoplifters; Telephone freaks; Wives of convicted criminals; Juv basher; Skinheads; Vandals
Magazine American master detective [ISSN 0025-5017] Jun, Aug 1970; Jun, Jul, Oct, Nov, Dec 1971; Jan, Feb, Mar, Apr 1972; Feb, Mar, Apr May 1973
Homicide masters 3
Homicide research files 1: Accidental and unsolved etc; Abduction; Abortion; Child killers; Family relationships; Juvenile and teenagers; Lovers; Migrants; Monetary gain
Homicide and D24 research file 1-4: The Stewart Royal commission (drugs, police corruption); Police/criminology; Reference information from Gordon Timmons; Police
Homicide and D24 research file 5-11: Police; Passport rackets; Rackets; Silver gun
rapist - Vaitos; Robbery - general; S P Bookies; Youth - violence & vandalism
[Homicide and D24] Research file 11A-15: Sniper; Spy; Spy - Prime British; Underworld; Peter Jansen - race driver; Youth unemployment; Youth - theft/robbery/burglary; Youth - Turana Home and other institutions; Youth crime - general statistics; Youth deaths; Youth - drugs; Youth - gangs; Youth - help/aid; Youth - molesting; Youth - murder; Youth - parent problems; Youth - rape; Youth - riots/mobs; Youth - video/pinball crime; Youth - runaways/homelessness; Youth - alcohol; Youth - sex education; Youth - problems with students/education
Homicide and D24 research file 16-25: Shoplifting; Scandal; Revenge; Robbery; Vigilantes; [Prison]; Wran affair; Drugs; Gordon Liddy/Watergate; Courts
Homicide and D24 research file 26-36: Cycling; Police recruiting; Police games; Diamond smuggling; Police association; Security; Sport; Unemployment; Stuntmen; Tatts lotto; UFO; Uranium; Vietnamese; Ceremonies (religious)
D4 masters 1: Abduction; Blackmail; Bombers & explosives; Caches; Children - child battering; Children - neglect; Children - general; Conflicts - family; Conflicts - marital; Conflicts - others; Drugs; Eviction; Fraud - conmen; Fraud - others; Fugitives - prisoners; Fugitives - others; Gambling; Industrial espionage; Migrants; Poisons; Police - attacks on the police; Police - cases involving
(Duplicate file D4 Research vol. 1)
D4 masters 2: [Robbery - armed]; [Robbery with violence]; [Robbery / violent crime]; [Theft]; [Robbery - general]; [Safe breakers]
D4 masters 3: Sex offences; Siege; Smuggling - goods; Smuggling - people; Social; Supernatural - witchcraft, fortune telling etc; Supernatural - spiritualists, ghosts, etc.; Teenagers - gangs; Teenagers - missing and/or runaway; Teenagers - general; Vice - pornography; Vice - prostitution
(Duplicate file D4 research vol. 3)
Division 4 research bulletin 7.3.69 (3 leaves)
[Matlock police character development cards] (50 cards)
Matlock masters 1: [Unsorted] (
[Cop shop research files 1-5]: Cocaine; Assaults - cabinet committee of inquiry; Kay inquiry - abortion (2 copies); Drugs in sport; Homeless people
Cop shop research file 6-10: Fishing; Spy game; Art fraud; Sexual harassment and rape; White Australia and Ruxton
Cop shop research file 11-20: Video crime; Revivals (50s, 60s, 70s); Computer crime; Sieges; Juries [&] the courts; News + current affairs; William Sinclair; Drugs + drug runners; Pigeons; Lotto winners and losers
Crime file: Abduction; Abo[riginal] crime; Arson; Arson - Fairlea; Assault - general; Assault - bashings
Cop shop research [A]: Abuse; Alcohol; Crime - gen. info; Deaths; Drugs; Gangs; Help/aid; Murder; Parents; Prostitution; Rape; Riots/Mobs; Runaways/homeless; Sex education; Students; Theft/robbery; Turana; Unemployed
Cop shop research [B]: Escapes; Feuds; Forgery/counterfeit; Child battery; Illegal immigrants; Migrant crime
Cop shop research (People/Characters): Pornography; Murder; Call girls; Massage parlor; Mafia/syndicate crime; Psychological effects of crime; Private investigators
Cop shop research memos [1980-1981]
Cop shop memos research [1982-1983]
[Cop shop research files 1-16] A.S.I.O; Builders labour federation; Bodyguards; Boat people; Bakers hobbies; Horses; Aboriginals/general; Aboriginal land rights; Aboriginal racial problems; Commission flats; Video; Blue light disco; [Victoria Police brochure]; Safety house scheme; Consumer affairs; Computers
[Carson's law research]: The complete palmist / Ina Oxenford (photocopy ; 98 leaves); The other love: an historical and contemporary syrvey of homosexuality in Britain / H. Montgomery Hyde (photocopy ; 163 leaves)
[Carson's law historical research]: Contains information on the following topics --Abortion; Advertising; Aviation; Children's games; Contraception; Divorce; Drama; Earnings; Electricity; Entertainment; Education; Fun of the fair; Federal election 1925; Fashion; Films; Games of skill; Health; Household, running the; Houshold and wages; Hotels; Leisure; Magazines; Medicine/health; Music; Marriage; Motor cars; Morality; Newspapers; Pleasures of the picnic; Politics; Public transport; Radio; Spirit of the twenties; Social calendar; Telephones
[Carson's law technical research and memos]: Unsorted research photocopies covering historical and technical developments of the 1920s
[Carson's law - miscellaneous research / specific queries]: Includes summaries of interviews conducted with historians and members of the public on the subject of women in the work force, vice and entertainment in the 1920s
Prime time research file: 17-29: [Greece]; Family court; Execution; Extradition; Education; Italy; Government bonds; Media relations office - Geoff Wilkinson; Media Liaison; Marriage; Karmarn dogs; Missing; Private eye; Story suggestions; [Unsorted]
Miscellany
Scripts: Power without glory : episode 2. Homecomings / (Scene breakdown and script ; iii, 96 leaves);
Barlow at large : [season 2, episode 2. Wanted] / Elwyn Stokes (photocopy ; 53 leaves)
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994].
Call No: 161(94) CRE AUSCorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the ArtsPlace: [Canberra]Publisher: Commonwealth Dept. of Communications and the ArtsPubDate: 1994]PhysDes: 195 p. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the ArtsISBN: 0642224307LON: 11325570
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newspaper article
Creating policy for growth in The Australian (9/05/2017) p.16
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journal article
The creation of Tarzan in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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Creative industries / John Hartley (editor) Malden, MA ; Oxford: Blackwell Publishing, 2005.
Call No: 408.3 HARAuthor: Hartley, John (editor) Source: ATPlace: Malden, MA ; OxfordPublisher: Blackwell PublishingPubDate: 2005PhysDes: xvii, 414 p. ; 23 cmSubject: CULTURE AND THE CINEMA ; ECONOMICS AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA ; INDUSTRY GAMES. AUSTRALIA ; MEDIA ; MEDIA ; TRADE FAIRS ; TECHNOLOGICAL DEVELOPMENTS Summary: Bringing together ground-breaking essays from across the disciplinary spectrum, "Creative Industries" chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience. Thirty essays and new contexualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought- provoking collection of the very best scolarship on modern creative culture [ Taken from the back of the book.]Notes: Includes bibliographical references and indexISBN: 1405101474; 1405101482 (pbk.)
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newspaper article
Credits roll on a film critic's life in Weekend Australian (25/02/2017) p.14
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The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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Crisis cinema : the apocalyptic idea in postmodern narrative film / edited by Christopher Sharrett Washington, D.C.: Maisonneuve Press, 1993.
Call No: 64POS CRIAuthor: Sharrett, Christopher Place: Washington, D.C.Publisher: Maisonneuve PressPubDate: 1993PhysDes: 282 p. : ill. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; DISASTERS IN FILMS ; DISASTER FILMS ; SEX AND THE CINEMA ; DEATH IN FILMS ; REPO MAN (US, Alex Cox, 1984) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; CASANOVA (IT, Federico Fellini, 1976) ; BRAZIL (UK, Terry Gilliam, 1985) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MAD MAX (AT, George Miller, 1979) Notes: Includes bibliographical references and indexISBN: 0944624189 (cloth); 0944624197 (paper)LON: 9605442
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A critical bibliography of research studies of cinema audiences in Australia / Carol Matthews [Melbourne?]: 1982.
Call No: 410(94) CRIAuthor: Matthews, Carol Source: ATPlace: [Melbourne?]PubDate: 1982PhysDes: [106 leaves] ; 33 cmSubject: AUDIENCES. AUSTRALIA ; TELEVISION. AUSTRALIA ; STATISTICS. AUSTRALIA ; CRITICISM. AUSTRALIA Summary: A bibliography for the different resources available on the subject of cinema audiences and cinema going in Australia. There is a section on television audiences within Australia. Includes an essay about cinema going resources and statistics for Australia.LON: abn98335958; 14181471
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Critical business : the new Australian cinema in review / Sandra Hall Adelaide: Rigby, 1985.
Call No: 71(94) HALAuthor: Hall, Sandra, 1942 Place: AdelaidePublisher: RigbyPubDate: 1985PhysDes: 200 p. : ill., ports. ; 22 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; ROAD MOVIES ; ROAD MOVIES. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; CLUB, THE (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; STORM BOY (AT, Henri Safran, 1976) ; PHAR LAP (AT, Simon Wincer, 1983) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; RAZORBACK (AT, Russell Mulcahy, 1984) ISBN: 0727020102 : $16.95 AustLON: anb72702010; 3401972
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journal article
"Cross Creek" filming in Florida in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15
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newspaper article
Crossbench warms to media reforms in The Australian (8/05/2017) p.1
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Crown of Thornton in Saturday Age [Culture] (14/10/2017) p.18
Call No: TITLE CLIPPINGS FILE; SWEET COUNTRY (AT, Warwick Thornton, 2017)Author: Dow, Steve PhysDes: Clippings File ArticleSubject: SWEET COUNTRY (AT, Warwick Thornton, 2017) Summary: "A nice, big-arse western, a massive epic full of horses and guns, men scratching their balls, felt really, really good to me." Warwick Thornton Filmmaker Warwick Thornton's latest offering - a dark, outback, period western - brings the truth of Indigenous history to life through fiction. By Steve Dow.
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Cruisy, sleepy, melancholy : sexual disorientation in the films of Tsai Ming-liang / Nicholas de Villiers Minneapolis: University of Minnesota Press, 2022.
Call No: 81 TSA VILAuthor: de Villiers, Nicholas Edition: 2022Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2022PhysDes: xiv, 220 pages : illustrated ; 21.5 cmSubject: TSAI, MING LIANG ; BU SAN [GOODBYE, DRAGON INN] (TZ, Ming-liang Tsai, 2003) ; HOMOSEXUALITY AND THE CINEMA ; VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994) ; WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005) ; DONG (TZ/FR, Tsai Ming-liang, 1998) ; NI NEI PIEN CHI TIEN (FR/TZ, Tsai Ming-Liang, 2001) ; STRAY DOGS [JIAO YOU] (TZ/FR, Tsai Ming Liang, 2013) Summary: A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.
Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.
Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. -- publisher's web siteISBN: 9781517913182
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Crunch time for our film industry in Sydney Morning Herald (28/02/2017) p.17
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title clippings file
CUDNA DEVOJKA : YU, Jovan Zivanovic, 1962
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Old collection
book
Cultural activities policy : for the creative development branch Australian Film Commission / Australian Film Commission. Creative Development Branch North Sydney: The Policy Unit, Executive Branch, Australian Film Commission, 1984.
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Cultural activities review : [draft papers] / prepared by the Policy Unit, Executive Branch of the Australian Film Commission, with the contribution of consultant, Frank Maloney North Sydney: Australian Film Commission, 1984.
Call No: 205.1 CULCorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1984PhysDes: 1 volume (various pagings) ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND ; AUSTRALIAN FILM INSTITUTE ; CULTURE AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Summary: Collection of material pertaining to a review of the cultural activities of the Australian Film Commission and it's relationship (and funding) to various aspects of Australian film culture, including: exhibition, film education, training/production support, state libraries and archives, festivals, distribution, and Australian film publications. Lists of summaries of over 30 submissions to the 'Cultural Activities Review'. Lists a draft policy of the Australian Film Commission: Cultural Activities. --
These papers are to be 'provided in preparation for public meetings to be held in Australian capital cities' held in June 1984, with recommendations 'presented to the Commission in August for later publication and circulation' [quotes from page 6].Contents: 1. Background / page 1 -- 2. An overview / page 10 -- 3. Summaries of submissions / page 69 -- 4. Draft cultural activities policy
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Cultural funding in Australia : three tiers of government 2004-05 / National Centre for Culture and Recreation Statistics, Australian Bureau of Statistics [Canberra]: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory., c2006.
Call No: 205.34(94) NATCorpAuthor: National Centre for Culture and Rectreation Statistics, Australian Bureau of StatisticsSource: ATPlace: [Canberra]Publisher: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory.PubDate: c2006PhysDes: vi, 45 pages : illustrations ; 30 cmSubject: GOVERNMENT AID. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: "This publication is the eleventh in a series of cultural funding reports produced for the Cultural Ministers Council Statistics Working Group (CMC SWG) by the National Centre for Culture and Recreation Statistics (NCCRS), a section of the Australian Bureau of Statistics (ABS). The publication presents information about cultural funding by each level of government." -preface of report.ISBN: 0642753679Contents: Section 1 - main features -- Section 2 - government funding of culture - an overview -- Australian Government funding -- State and Territory Government funding -- Local Government funding -- Funding per person -- Recurrent and capital funding -- Proportion of total government expenses -- Section 3 - cultural funding by Australian Government -- Sources of funding -- Funding by category -- Recurrent and capital funding -- Section 4 - Cultural funding by State and Territory Governments -- Sources of funding -- Funding by category -- Funding per person -- Recurrent and capital funding -- Section 5 - Cultural funding by Local Government -- Funding by state and territory -- Funding per person -- Recurrent and capital funding -- Section 6 - cultural funding over time -- Funding by level of government -- Funding per person -- Recurrent and capital funding -- Funding by state and territory -- New South Wales -- Victoria -- Queensland -- South Australia -- Western Australia -- Tasmania -- Northern Territory -- Australian Capital Territory -- State and territory funding per person -- Funding by Local Government -- Explanatory notes -- Glossary of terms -- Appendix - funding classification -- Related publications
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A cultural history of the bushranger legend in theatres and cinemas, 1828-2017 / Andrew James Couzens London ; New York: Anthem Press, 2019.
Call No: 408.1(94) COUAuthor: Couzens, Andrew James Edition: 2019Place: London ; New YorkPublisher: Anthem PressPubDate: 2019PhysDes: ix, 246 pages : illustrated ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: NED KELLY IN FILMS ; BUSHRANGERS IN FILMS ; HISTORY OF CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951) ; NED KELLY (UK, Tony Richardson, 1970) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993) ; NED (AT, Abe Forsythe, 2003) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; LUCKY MILES (AT, Michael James Rowland, 2007) Summary: The bushranger legend is an important component of Australia’s cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions.
‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend’s establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend’s development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary.
The cultural history recounted in ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation’s diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is an insight into the process through which the bushranger legend earned its cultural resonance in Australia. -- publisher's web siteISBN: 9781783088911Contents: List of Figures -- Acknowledgements -- Introduction: Defining the Bushranger Legend -- Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole -- Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend -- Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies -- Conclusion --Bibliography -- Index
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Culture, difference and the arts / edited by Sneja Gunew and Fazal Rizvi St Leonards, NSW, Australia: Allen & Unwin, 1994.
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Cut! : Hollywood murders, accidents and other tragedies / Howson, John-Michael Rowville, Vic: The Five Mile Press, 2005.
Call No: 802.27 HOWAuthor: Howson, John-Michael Place: Rowville, VicPublisher: The Five Mile PressPubDate: 2005Subject: HOWSON, JOHN-MICHAEL ; ACTORS. USA ; STARS ; BRETTELL, ANDREW ; ELDER, BRUCE ; IMWOLD, DENISE ; KENNEDY, DAMIEN ; LEONARD, WARREN ; VON ROHR, HEATHER Summary: "For over 100 years, many movie makers have sought to explore the worst facets of human nature in their films. But in the strange world of Hollywood, sordid scandals and gruesome deaths are not limited to the silver screen. From the premature demise of some of Hollywood's brightest child stars to the terrible accidents that have occurred on film sets, the book features gripping true stories of death and despair in Hollywood. Contains hundreds of colour and black & white images accompanying intriguing text, fascinating facts and information about the stars' final resting places."Notes: Includes indexISBN: 1741247322
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Cuts bode ill for young talent time in The Australian (22/12/2015) p.8
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still
[Dad and Dave on our selection : stills file]
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title clippings file
DAEHAKROH : (K, Gee-woong Nam, 2000)
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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Daniel MacPherson in Herald Sun [Hit] (7/05/2015) p.36
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Danny Boyle : interviews / edited by Brent Dunham Jackson, Miss.: University Press of Mississippi, 2011.
Call No: 81BOYLE DANSource: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2011PhysDes: xli, 170 p. ; 24 cmSeries: Conversations with filmmakersSubject: BOYLE, DANNY ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; LIFE LESS ORDINARY, A (US, Danny Boyle, 1997) ; BEACH, THE (US, Danny Boyle, 1999) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MILLIONS (UK, Danny Boyle, 2004) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008) ISBN: 9781604738339Donation: donated by Senses of Cinema, 2013Contents: Lean, mean, and cruel / Ronan Bennett -- The boys are back in town / Geoffrey Macnab -- Trainspotters / Monika Maurer -- Trainspotting : the choice of a new generation / Keith Hopper -- Train conductor: the director who dared to violate the just say no code / Anne Burns -- Fame? they can keep it / Tom Charity -- A team less ordinary / Ben Thompson -- Sink or swim / Simon Hattenstone -- The Leo factor / Stephen Short -- Smack my beach up / Tom Charity -- Back from the beach / Rupert Smith -- All the rage / Tom Charity -- Danny Boyle : a death less ordinary / Genevieve Harrison -- 28 days later : an interview with Danny Boyle / Sandy Hunter -- Danny Boyle : the looking closer interview / Jeffrey Overstreet -- Q& A with Danny Boyle, director of Millions / John Suozzo -- Danny Boyle / Brendan MacDevette -- Zombies, smack addicts, and Starbucks / Brian Libby -- Sunshine superman / Amber Wilkinson -- Danny Boyle talks about Sunshine / Ambrose Heron -- Interview : Danny Boyle / Faisal Latif -- Peter Hawley interviews Danny Boyle / Peter Hawley -- 2007's Space Odyssey : Q& A with Sunshine director Danny Boyle / Kevin Polowy -- Boyle's orders / Hank Sartin -- Slumdog millionaire : Danny Boyle interview / Catherine Bray -- Interview : Danny Boyle on Slumdog millionaire / Ambrose Heron -- Danny Boyle / Tavis Smiley -- Director Danny returns home to a rip-roaring welcome / Bury Times
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Daring flair not enough to save bare plot in Canberra Times [Panorama] (27/06/2015) p.22
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Dark alchemy : the films of Jan Svankmajer / edited by Peter Hames Westport, Conn.: Greenwood Press, 1995.
Call No: 81SVA DARAuthor: Hames, Peter Place: Westport, Conn.Publisher: Greenwood PressPubDate: 1995PhysDes: p. cmSeries: Contributions to the study of popular culture ; no. 46Subject: SVANKMAJER, JAN Notes: Filmography: p; Includes bibliographical references and indexISBN: 0313296987 (alk. paper)LON: 11444053
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Dark desires in Sydney Morning Herald [Spectrum] (20/06/2015) p.1
Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)Author: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: STARS ; CELEBRITIES ; AMY (UK, Asif Kapadia, 2015) Summary: Article about the documentary Amy, which is the story of deceased singer Amy Winehouse, as well as looking at the perils of stardom for entertainers
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[Darling river kids : stills file]
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Dashboard portrayal of Iranian life : Tehran Taxi in The Age (03/08/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS MELBOURNE. 2015Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: FESTIVALS. MELBOURNE ; TAXI (IR, Jafar Panahi, 2015) Summary: Short, positive review of the film TAXI, screening at the Melbourne International Film FestivalNotes: film title listed in article as TEHRAN TAXI
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David Lean and his films / by Alain Silver and James Ursini, foreword by Robert Wise Los Angeles: Silman-James Press, 1992.
Call No: 81LEA SILAuthor: Silver, Alain ; Ursini, James ; Wise, Robert (foreword) Edition: 1st Silman-James Press edition 1992Source: USPlace: Los AngelesPublisher: Silman-James PressPubDate: 1992PhysDes: 294 p. : ill. ; 23 cmSubject: Lean, David ; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942) ; THIS HAPPY BREED (UK, David Lean, 1944) ; BLITHE SPIRIT (UK, David Lean, 1945) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; OLIVER TWIST (UK, David Lean, 1948) ; MADELEINE (UK, David Lean, 1950) ; BREAKING THE SOUND BARRIER (UK, David Lean, 1952) ; SOUND BARRIER, THE (UK, David Lean, 1952) ; HOBSON'S CHOICE (UK, David Lean, 1954) ; PASSIONATE FRIENDS, THE (UK, David Lean, 1949) ; SUMMER MADNESS (UK/US, David Lean, 1955) ; SUMMERTIME (UK/US, David Lean, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; [DOCTOR] DR ZHIVAGO (US, David Lean, 1965) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURBNotes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266ISBN: 1879505002Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --
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David Lynch / Michel Chion, Robert Julian (trans.) London: British Film Institute, 2006.
Call No: 81LYN CHIAuthor: Chion, Michel Edition: 2nd ed.Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 246 p. : 24 cmSubject: LYNCH, DAVID ; CHION, MICHEL ; GRANDMOTHER, THE (US, David Lynch, 1970) ; ERASERHEAD (US, David Lynch, 1977) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; DUNE (US, David Lynch, 1984) ; BLUE VELVET (US, David Lynch, 1986) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; LOST HIGHWAY (US, David Lynch, 1996) ; STRAIGHT STORY, THE (US/FR/UK, David Lynch, 1999) ; MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: Michel Chion’s study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America’s favourite contemporary directors. In this new edition Chion brings the book up to date to take into account Lynch’s work in the last ten years, including the major features Lost Highway, The Straight Story and Mulholland DriveISBN: 1844570304
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David Stratton departs Village Showcase in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: STRATTON, DAVID ; VILLAGE ROADSHOW Summary: Article on David Stratton leaving Village theatres. The 'David Stratton Showcase' at the Double Bay cinema will now be called 'Village Showcase'.
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David Stratton's Great Britain Retro Film Festival in The Australian (30/07/2015) p.16
Call No: PERSONALITY CLIPPINGS FILE; STRATTON, DAVIDAuthor: - PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA [VARIOUS] ; STRATTON, DAVID Summary: Snippet on the upcoming David Stratton's Great Britain Retro Film Festival, which features a selection of classic British films curated by David Stratton
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[Day Neil Armstrong walked on the moon, the : stills file]
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Day of the Dove : based on the exciting television series created by Gene Roddenberry / James Blish New York: Bantam Books, 1975.
Call No: N79STA BLIAuthor: Blish, James Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1975PhysDes: 189 p. ; 18 cmSeries: Star TrekSubject: STAR TREK [TV] [...] (US, 1966-69, 1987-) Notes: previously published under the title Star Trek 11ISBN: 0553251694Donation: donated by the family of Wayne Levy, 2006
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Dear Filmnews in Filmnews (Australia) (Nov-Dec 1982) vol.XII iss.11-Dec p.2
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Death 24x a second : stillness and the moving image / Laura Mulvey London: Reaktion Books, 2006.
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Death of Norma Shearer in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Deathtripping : an illustrated history of the cinema of transgression / [written, edited and compiled by Jack Sergeant] London San Francisco: Creation Books, 1995.
Call No: 771 SARAuthor: Sargeant, Jack Place: London San FranciscoPublisher: Creation BooksPubDate: 1995PhysDes: 252 p. : ill. ; 25 cmSubject: UNDERGROUND FILMS ; B-MOVIES ; ZEDD, NICK ; B, BETH & SCOTT ; KERN, RICHARD ; LUNCH, LYDIA ; TURNER, TOMMY ; WOJNAROWICZ, DAVID ; HUGHES-FREELAND, TESSA ; STARK, CASANDRA ; ROSSI, JERI CAIN ; BAYLOR, RICHARD ; PHILLIPS, TODD ; FINGERED (US, Richard Kern, 1986) ; WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985) ; MY NIGHTMARE (US, Richard Kern, 1993) ; GEEK MAGGOT BINGO (US, Nick Zedd, 1983) Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenesNotes: Includes bibliographical references (p. [241]-244) and indexesISBN: 1871592291 : ª11.95 : $16.95LON: 12298911
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The decline and fall of the love goddesses / Patrick Agan Los Angeles: Pinnacle Books, c1976.
Call No: 465.15 AGAAuthor: Agan, Patrick Place: Los AngelesPublisher: Pinnacle BooksPubDate: c1976PhysDes: ix, 286 p. : illus. ; 28 cmSubject: STARS ; DANDRIDGE, DOROTHY ; DARNELL, LINDA ; FARMER, FRANCES ; GRABLE, BETTY ; HAYWARD, SUSAN ; HAYWORTH, RITA ; HUTTON, BETTY ; LAKE, VERONICA ; MANSFIELD, JAYNE ; MONROE, MARILYN Summary: The stories of ten Hollywood actresses whose fame and glamorous onscreen personas hid troubles within their private lives.
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Delightfully different in Weekend Australian [Review] (30/01/2016) p.14
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Deliver us from evil in Hungarofilm (1978) iss.5 p.3-5
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The Dendy collection '03 : A collection of new cinema from around the Globe Artarmon, NSW: [Dendy Films], [2003].
Call No: F(027)(94)DENCorpAuthor: [Dendy Films]Edition: [2003]Place: Artarmon, NSWPublisher: [Dendy Films]PubDate: [2003]PhysDes: 24 unnumbered pages : illustrated ; 28 cmSubject: DISTRIBUTION. AUSTRALIA ; DENDY FILMS ; DENDY CINEMAS ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; DOGVILLE (DK, Lars Von Trier, 2002) ; TRAVELLING LIGHT (AT, Kathryn Millard, 2003) ; DIARIOS DE MOTOCICLETA (US/AG/CL/PE, Walter Salles, 2004) ; MORVERN CALLAR (UK/CN, Lynne Ramsay, 2002) ; IDOLE, L' (FR, Samantha Lang, 2002)
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Designing dreams : modern architecture in the movies / Donald Albrecht New York, N.Y.: Published by Harper & Row in collaboration with the Museum of Modern Art, 1986.
Call No: 61[72] ALBAuthor: Albrecht, Donald CorpAuthor: Museum of Modern Art (New York, N.Y.)Edition: 1st edSource: USPlace: New York, N.Y.Publisher: Published by Harper & Row in collaboration with the Museum of Modern ArtPubDate: 1986PhysDes: xx, 203 p. : ill. ; 26 cmSubject: ART DIRECTION ; SET DECORATING ; SET DESIGNING ; ARCHITECTURE IN FILMS ; ARCHITECTURE AND THE CINEMA ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; SWING TIME (US, George Stevens, 1936) ; BLACK CAT, THE (US, Edgar G. Ulmer, 1934) ; VOCE IONTANA, LA (IT, Guido Brigone, 1933) Notes: Includes index; Bibliography: p. 191-195; Filmography: p. 179-189ISBN: 0060550201 (hard); 0060961066 (pbk.)LON: 4543437
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Desperately seeking screentime : the Australian guide to a career in television / Bryan Smith Sydney: Simon and Schuster, 1994.
Call No: 209(94)(077) SMIAuthor: Smith, Bryan Source: ATPlace: SydneyPublisher: Simon and SchusterPubDate: 1994PhysDes: 184 p. ; 21 cmSubject: WORKERS IN TV. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: A guide to planning careers within Australian television.Notes: Includes index
CIP confirmed
Bibliography: p. 180ISBN: 0731804198Donation: donated by the family of Wayne Levy, 2006
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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Developing dialogues / Susun Forde, Kerrie Foxwell & Michael Meadows Bristol, UK: Intellect, 2009.
Call No: 201.1-4(94)(=1-81) FORAuthor: Forde, Susan ; Foxwell, Kerrie ; Meadows, Michael Place: Bristol, UKPublisher: IntellectPubDate: 2009PhysDes: 186 p. ; 23 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; RADIO BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The audience-producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study globally to chart the rise of its new relationship. Based on studies of radio and television audiences in Australia, the authors argue that community radio and television worldwide represents an essential service for indigenous and ethnic audiences. "Developing Dialogues" offers international researchers a new social, cultural and historical perspective on the emergence of the unique Australian community broadcasting sector within the context of other global trends. It will appeal to scholars of media and cultural studies, as well as to industry practitioners and policy makersNotes: includes bibliographical references and indexISBN: 9781841502755
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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[Devil's playground : stills file]
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The diary : media law showdown in The Australian (28/03/2016) p.24
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The diary : Bishop's arty side in The Australian (27/06/2016) p.24
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The diary : reform adrift in Fifield triangle in The Australian (13/02/2017) p.24
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: Brook, Stephen PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Commentary on the pace of reform in the Australian media by the current federal Communications Minister Mitch Fifield, as well as the outstanding government appointments to various media bodies such as SBS, ABC, and Scren Australia
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Dickens and film / by A. L. Zambrano New York: Gordon Press, 1976.
Call No: 753DIC ZAMAuthor: Zambrano, A. L Place: New YorkPublisher: Gordon PressPubDate: 1976PhysDes: 442 pages : illustrations ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; LITERATURE AND THE CINEMA ; MUSICALS ; SURREALISM AND THE CINEMA ; THEATRE AND THE CINEMA ; GRIFFITH, DAVID WARK ; EISENSTEIN, SERGEI M. ; DAVID COPPERFIELD (US, George Cukor, 1935) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; OLIVER TWIST (UK, David Lean, 1948) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; TALE OF TWO CITIES, A (US, Jack Conway, 1935) Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.Notes: Includes filmography -- collection's copy is fragile, handle with careISBN: 0879684569LON: 76016479; 174074
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A different kind of cinema : the silent years / Bruce Hodson [Canberra]: National Library of Australia, Australian Council of Film Societies, June 1995.
Call No: 71(94) HODAuthor: Hodsdon, Bruce Place: [Canberra]Publisher: National Library of Australia; Australian Council of Film SocietiesPubDate: June 1995PhysDes: 24 p. : illus. ; 30 cmSubject: HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. SILENT PERIOD ; CORRICK FAMILY ; BIOGRAPH ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; BEN HUR (US, Fred Niblo, 1925) ; CAMERAMAN, THE (US, Edward Sedgwick, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) Notes: Looseleaf sheets in A4 folioISBN: 0642106487
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Difficult men : behind the scenes of a creative revolution : from The Sopranos and The Wire to Mad Men and Breaking Bad / Brett Martin New York: Penguin Books, [2013].
Call No: 734-01 MARAuthor: Martin, Brett Source: USPlace: New YorkPublisher: Penguin BooksPubDate: [2013]PhysDes: 303 pages : illustrations ; 22 cmSubject: CRIME DRAMAS ; TELEVISION. USA ; CABLE TV. USA ; HBO ; BREAKING BAD [TV] (US, 2008-2013) ; DEADWOOD [TV] (US, 2004) ; SHIELD, THE [TV] (US, 2002-) ; SOPRANOS, THE [TV] (US, 1999-) ; WIRE, THE [TV] (US, David Simon, 2002) Summary: "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed." - taken from back cover.Notes: Includes bibliographical references (pages 293-295) and index.ISBN: 9780143125693Contents: Prologue -- Part One: Previously On -- One. In This Maligned Medium -- Two. Which Films? -- Three. A Great Notion -- Four. Should We Do This? Can We Do This? -- Part Two: The Beast in He -- Five. Difficult Men -- Six. The Arguer -- Seven. The Magic Hubig's -- Eight. Being The Boss -- Nine. A Big Piece Of Equipment -- Ten. Have A Take. Try Not To Suck -- Part Three: The Inheritors -- Eleven. Shooting The Dog -- Twelve. See You At The Emmys -- Thirteen. The Happiest Room In Hollywood. -- Epilogue
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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Director's cut : my life in film / Ted Kotcheff with Jeff Young Toronto, Ontario: ECW Press, 2017.
Call No: 81 KOT KOTAuthor: Kotcheff, Ted ; Young, Jeff Edition: 2017Place: Toronto, OntarioPublisher: ECW PressPubDate: 2017PhysDes: 440 pages : illustrated ; 23 cmSubject: KOTCHEFF, TED ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; FOLKS! (US, Ted Kotcheff, 1992) ; JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985) ; NORTH DALLAS FORTY (US, Ted Kotcheff, 1979) ; SPLIT IMAGE (US, Ted Kotcheff, 1982) ; SWITCHING CHANNELS (US, Ted Kotcheff, 1988) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989) ; WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life
Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors.
With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web siteISBN: 9781770413610
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Director to tell real Everest dream in The Age (17/11/2016) p.26
Call No: TITLE CLIPPINGS FILE in production; TENZIG NORGAY FILM in productionAuthor: - PhysDes: Clippings File ArticleSubject: PEEDOM, JENNIFER ; TENZING HERO OF EVEREST (AT/US?, Jen Peedom, 2021) Summary: Jennifer Peedom, the Australian director of documentary SHERPA, is looking to make a feature film focusing on Tenzig Norgay who was the sherpa who helped Sir Edmund Hilary ascend Mount Everest
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Directory of world cinema : Russia Bristol, UK ; Chicago: Intellect., 2011. Available at ProQuest (RMIT login required)
Call No: 71 (47) DIRAuthor: Beumers, Birgit Place: Bristol, UK ; ChicagoPublisher: Intellect.PubDate: 2011PhysDes: 333 p. : ill. ; 25 cm.Series: Directory of world cinema, 2040-7971 ; v.4
Directory of world cinema ; v. 4.Subject: RUSSIA ; RUSSIA IN FILMS ; RUSSIANS IN FILMS ; U.S.S.R. ; U.S.S.R. IN FILMS ; SOVIET UNION ; BAUER, EVGENII ; EISENSTEIN, SERGEI ; VERTOV, DZIGA ; TARKOVSKII, ANDREI ; MIKHALKOV, NIKITA ; SOKUROV, ALEKSANDR ; WOLFY ; VOLCHOK ; KINOTAVR Summary: Analysis of Russian films over the last hundred plus years through the lens of genre (alien to Soviet film culture, which perceived genre as a low-culture, capitalist mass product). Each chapter begins with a broad overview of the films categorised within a particular genre and a description of the political and cultural context in which these films were produced. Films are then individually summarised and critiqued. Preliminary chapters discuss 2009 Film of the Year,Vasilii Sigarev's Wolfy; film production in Russia; Russian directors; and the concept of genre in Russia.Notes: Includes bibliographical references and filmography.ISBN: 9781841503721 (pbk.)
184150372X (pbk.)Donation: Senses of CinemaContents: Film of the year : Vasilii Sigarev's Wolfy (2009) -- Interview : Vasilii Sigarev and Iana Troianova -- Film production in Russia : an industry? -- Festival focus : Kinotavr -- What does zhanr mean in Russian -- Directors : Evgenii Bauer, Sergei Eisenstein, Dziga Vertov, Andrei Tarkovskii, Nikita Mikhalkov, Aleksandr Sokurov -- Historical film : Essay ; Reviews -- War film : Essay ; Reviews -- Comedy and musical comedy : Essay ; Reviews -- Melodrama : Essay ; Reviews -- Literary adaptation : Essay ; Reviews -- Biopic : Essay ; Reviews -- Action/ Red Western : Essay ; Reviews -- Children's films : Essay ; Reviews -- Animation : Essay ; Reviews -- Documentary : Essay ; Reviews -- Recommended reading : Russian Cinema Online.URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=632577'
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DIS-MOI QUI TUER : (FR, Etienne Perier, 1965)
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Interim
book
Discussion paper - establishing a national screen art network / Brian Doherty, Susan Charlton and Maria Haros [Australia]: [s.n.], 1997.
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Disney culture / John Wills New Jersey: Rutgers University Press, 2017.
Call No: 403(73) WILAuthor: Wills, John Edition: 2017Place: New JerseyPublisher: Rutgers University PressPubDate: 2017PhysDes: v, 159 pages ; 19 cmSeries: Quick takes: movies and popular cultureSubject: DISNEY ; THEME PARKS AND THE CINEMA ; TELEVISION ISBN: 9780813583327
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Disney feels the force with Star Wars mania in Weekend Australian (19/12/2015) p.27
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Disney ready for pressure of Star Wars in The Age (07/12/2015) p.27
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Distributing Australian films : a survey of current market conditions and distributors' perceptions. / Presented by: Marketing Branch of the Australian Film Commission. Written by: Mary Anne Reid, with assistance from Diana Berman, Director of Marketing, AFC, and Rosemary Curtis, manager, information and research, AFC. Sydney: Australian Film Commission, 1999.
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Distribution : The Struggle Up North in Lumiere (September 1972) iss.16 p.29
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The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13
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Divided lenses : screen memories of war in East Asia / edited by Michael Berry and Chiho Sawada Honolulu: University of Hawai'i Press, 2016.
Call No: 737(5-012) DIVSource: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2016PhysDes: viii, 331 pages : illustrations ; 24 cmSubject: WAR AND THE CINEMA ; WAR FILMS ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS ; WORLD WAR II FILMS. JAPAN ; WORLD WAR II FILMS. USA ; WORLD WAR II FILMS. CHINA ; KOREAN WAR FILMS ; SECOND SINO-JAPANESE WAR FILMS ; TAIWAN ; MANGA ; VIDEO GAMES ; COMPUTER GAMES ; NATIONALISM AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002) ; BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973) ; CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007) ; FRIENDS (JP/KO, 2002) ; SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007) Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from coverNotes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and indexISBN: 9780824851514Donation: donated by Senses of CinemaContents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot
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Do contemporary women filmmakers share a feminist perspective in their work? / submitted by Lisa French 1995.
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Doctor Who : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79DOC NEWAuthor: Kim Newman Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 138 cmSeries: BFI TV ClassicsSubject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; TELEVISION. UK Summary: From 1963 to 1989, for the most part at teatime on Saturdays on BBC1, Doctor Who was a British TV institution. The series had its roots in British science fiction but grew to take in many other influences: historical drama, Hammer horror, satire, conspiracy thriller, even pantomime. Over the years, it developed a uniquely eccentric style, at once cosily familiar and cosmically terrifying, and many of its characters, creatures and objects have become iconic – the Doctors and his assistants, the TARDIS, the Time Lords, and a panoply of monsters and villains: Cybermen, Ice Warriors, the Master, and, of course, the Daleks…. Kim Newman’s comprehensive study follows the Doctor’s travels through time and space, placing Doctor Who in the context of science-fiction television, and traces the history of the show through its outstanding stories and its recurring themes, from its highs (Jon Pertwee, Tom Baker) to its lows (K-9, Bonnie Langford, and cancellation) and suggests why the programmer has become an enduring television masterpiece and a cultural phenomenon. [Taken from back cover.]ISBN: 1844570908
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: vi, 332 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; COMPILATION FILMS ; DOCUMENTARY FILMS. US ; DOCUMENTARY FILMS. USSR ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; CINEMA VERITE ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; GRIERSON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes index; Bibliography: p. [297]-311ISBN: 0195018354 : $10.95LON: 74079618; 462942
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary explorations : 15 interviews with film makers Garden City, N.Y.: Doubleday, 1971.
Call No: 761 LEVAuthor: Levin, G. Roy Place: Garden City, N.Y.Publisher: DoubledayPubDate: 1971PhysDes: 420p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; WRIGHT, BASIL ; ANDERSON, LINDSAY ; CAWSTON, RICHARD ; GARNETT, TONY ; LOACH, KENNETH ; FRANJU, GEORGES ; ROUCH, JEAN ; STORCK, HENRI ; VAN DYKE, WILLARD ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; MAYSLES, ALBERT & DAVID ; BARRON, ARTHUR ; WISEMAN, FREDERICK ; PINCUS, ED ; SHAMBERG, MICHAEL Summary: "Perhaps no other art form brings art and reality in any closer juxtaposition than the documentary film. Through the lenses of the documentary filmmaker, we have seen firsthand the excitement of rock concerts, the realities of our political leaders, and the lifestyles of exotic cultures. Few people would argue with the almost limitless potential of the medium, but have we seriously considered how "objective" these films really are - or can be? Should the filmmaker be more concerned with social change or objective reality? In this volume, G. Roy Levin discusses these questions, along with a whole range of aesthetic and political considerations, with the most prominent documentary filmmakers of the world. The directors include the Maysles brothers; Frederick Wiseman, responsible for Titicut Follies; Richard Leacock/D.A. Pennebaker, the team that produced Monterey Pop; and fourteen others, from England, France, Belgium and the U.S. The book includes a brief history of documentary film, as well as exhaustive filmographies on each director." -- BOOK BLURBNotes: Includes index; Bibliography: p.[405]-406ISBN: 0385045905LON: 14286490URL status: URL: 'http://-'
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Documentary in American television : form, function, method / A. William Bluem New York: Hastings House, [1965].
Call No: 761(73) BLUAuthor: Bluem, A. William Source: USPlace: New YorkPublisher: Hastings HousePubDate: [1965]PhysDes: 311 p. illus., ports. 24 cmSubject: BIOGRAPHICAL FILMS ; DOCUMENTARIES. USA ; JOURNALISM IN THE CINEMA ; PHOTOGRAPHY AND THE CINEMA ; RADIO AND THE CINEMA ; TELEVISION JOURNALISM ; TELEVISION ; TELEVISION. USA ; TRUTH IN FILMS ; WAR AND TV Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURBNotes: Bibliography: p. 297-301ISBN: 0803815271LON: 646183 8085578URL status: URL: 'http://-'
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Doing it for the kids in The Australian [Review] (07/07/2012) p.16
Call No: TITLE CLIPPINGS FILE; TED (US, Seth MacFarlane, 2012)Author: David Stratton PhysDes: Clippings File ArticleSubject: TED (US, Seth MacFarlane, 2012) Summary: Mixed review. An amusing film filled with pop-culture jokes and references that unfortunately relies a little too heavily on adolescent humourRating: 3.5 out of 5 stars
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The dollar is just one reason big studios have returned to Australia in Sydney Morning Herald [Arts & Entertainment] (27/10/2015) p.11
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Don't Shoot! in Empire (Australian Ed.) (July 2001) iss.4 p.64-67
Author: Lawrie Masterson PhysDes: ArticleSubject: JACKMAN, HUGH ; SWORDFISH (US, Dominic Sena, 2001) ; X-MEN (US, Bryan Singer, 2000) ; KATE & LEOPOLD (US, James Mangold, 2001) Summary: Interview with Hugh Jackman on his career, focusing on Swordfish, X-men, and Kate & Leopold
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Don't write off free to air and cable television just yet in Australian Financial Review [Companies and markets] (31/8/2015) p.19
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Donald Sutherland joins case of 'Revolution' in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.2
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DONG FANG BU BAI: FENG YUN ZAI QI : HK, Siu-Tung Ching and Raymond Lee, 1993
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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The dread of difference : gender and the horror film / edited by Barry Keith Grant Austin: University of Texas Press, 1996.
Call No: 735.2 DREAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1996PhysDes: xv, 456 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: HORROR FILMS ; GENDER AND THE CINEMA ; SLASHER FILMS ; DRACULA IN FILMS ; ARGENTO, DARIO ; CRONENBERG, DAVID ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN 3 (US, David Fincher, 1992) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; CARRIE (US, Brian De Palma, 1976) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CAT PEOPLE (US, Paul Schrader, 1982) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; STEPFATHER, THE (US, Joseph Ruben, 1986) ; LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) Notes: Includes bibliographical references (p. 433-438) and indexISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)LON: 12195767
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A dream of Hitchcock / Murray Pomerance Albany: State University of New York Press, 2019.
Call No: 81 HIT POMAuthor: Pomerance, Murray Place: AlbanyPublisher: State University of New York PressPubDate: 2019PhysDes: 274 pages : illustrated ; 24cmSubject: HITCHCOCK, ALFRED ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; REBECCA (US, Alfred Hitchcock, 1940) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; FAMILY PLOT (US, Alfred Hitchcock, 1976) ; DREAMS IN FILMS Summary: A Dream of Hitchcock examines the recurring motif of the dream in Hitchcock’s work—dreamscapes, dream processes, the dream effect—by focusing on close readings of six celebrated but often misinterpreted films: Strangers on a Train, Rebecca, Saboteur, Rear Window, To Catch a Thief, and Family Plot. The Hitchcockian dream, as invoked here, is not so much a dream as it is a way of understanding, in its dramatic contexts, an “unearthly,” irrational quality in the filmmaker’s work. Rebecca revolves around problems of memory; To Catch a Thief around uncertainty; Saboteur around pungent aspiration; Family Plot around intuition; Rear Windowaround expansive imagination; and Strangers on a Train around delirious madness. All of these films enunciate the return of the past, the invocation of a boundary beyond which experience becomes unpredictable and uncertain, and the celebration of values that transcend narrative resolution. Murray Pomerance’s distinctive method for thinking through Hitchcock’s work allows these films to inform theorization, not the other way around. His original, provocative, and groundbreaking explorations point to the importance of fantasy, improbability, doubt disconcertion, hope, memory, intuition, and belief, through which the oneiric comes to the center of waking life. -- publisher's web siteISBN: 9781438472072
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Dreaming fierce in Daily Telegraph [General News] (9/05/2015) p.70
Call No: PERSONALITY CLIPPINGS FILE; TAPSELL, MIRANDAAuthor: Noone, Richard PhysDes: Clippings File ArticleSubject: TAPSELL, MIRANDA Summary: Tapsell uses her logie speech to call for more indigenous content on Australian television. Summary of her life and career include in article
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Dreaming of a new start in Sydney Morning Herald (22/03/2016) p.16
Call No: PERSONALITY CLIPPINGS FILE; WEERASETHAKUL, APICHATPONGAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: THAILAND ; WEERASETHAKUL, APICHATPONG Summary: Interview with Apichatpong Weerasethakul about his filmmaking philosophies, his career, and why he plans to make films outside of his native Thailand
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Dreyer / by Mark Nash London: British Film Institute, 1977.
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DULCES HORAS : SP/FR, Carlos Saura, 1982
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The dumb blonde stereotype : documentation for classroom material / by Richard Dyer London: BFI Education,
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Dutch courage in Australian Cinematographer (September 2016) iss.71 p.52 - 57
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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Duvall takes the stage : "Tender Mercies" turns one of America's finest actors into a singer in Australasian Cinema (16/07/1982) vol.11 iss.12 p.13
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DUYEOJA IYAGI : (KO, Lee Jung-Cook, 1994)
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DVD pirates face the music in Hobart Mercury (24/05/2006) p.7
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Butterly, Nick Subject: PIRACY. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT Summary: On new laws that the state and federal police can issue on-the-spot fines to pirate DVD sellers. Also talks about the new copyright laws.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Stats from Australian Federation Against Copyright Theft; -- About 47 million illegal copies of DVD movies were thought to be in circulation in Australia last year.; -- Australian consumers bought about 52 million genuine DVDs last year; -- The home entertainment sales sector lost an estimated $107m as a result of piracy, while cinemas and film distributors lost $65m and the rental/retail sector $61m; -- Internet piracy of movies accounted for the largest proportion of lost revenue in Australia -- estimated to be $92m.
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The dynamic frame : camera movement in classical Hollywood / Patrick Keating New York; Chichester, UK: Columbia University Press,
Call No: 233.6(73) KEAAuthor: Keting, Patrick Edition: 2019Place: New York; Chichester, UKPublisher: Columbia University PressPhysDes: xi,350 pages : illustrated ; 24 cmSubject: BERKELEY, BUSBY ; BORDWELL, DAVID ; CAMERA ANGLES ; CITIZEN KANE (US, Orson Welles, 1941) ; CONVERGENCE ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; MAMOULIAN, ROUBEN ; MURNAU, FRIEDRICH WILHEL ; PREMINGER, OTTO ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; TOLAND, GREGG ; VIDOR, KING ; WELLES, ORSON Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.
In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web siteISBN: 9780231190510Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index
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DZIEJE GRZECHU : (PL, Walerian Borowczyk, 1975)
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Eastwood delivers a fine study of heroism in The Age [Arts & Entertainment] (08/09/2016) p.28
Call No: TITLE CLIPPINGS FILE; SULLY (US, Clint Eastwood, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: SULLY (US, Clint Eastwood, 2016) Summary: Film review of SULLYNotes: Also published in the Canberra Times
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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Economic aspects of broadcasting regulation Canberra: Australian Govt. Pub. Service, c1991.
Call No: 205.23(94) BURSource: ATPlace: CanberraPublisher: Australian Govt. Pub. ServicePubDate: c1991PhysDes: xxiv, 270 pages : illustrations ; 25 cmSeries: Report (Australia. Bureau of Transport and Communications Economics) ; 71Subject: BROADCASTING. AUSTRALIA ; STATE AND TV. AUSTRALIA ; OWNERSHIP, TV. AUSTRALIA Summary: "The report presents the findings of an economic study into the effectiveness and efficiency of the main elements of broadcasting regulation in Australia. The study focused on three principal areas of regulation, namely: licensing and other restrictions to entry into the industry; limits on ownership and control of licences; and programming standards." - taken from abstractNotes: Report of a study led by Franco Papandrea. -- AGPS cat. no.: 9115736. -- Bibliography: p. 259-268ISBN: 0644220503Donation: donated by Mick CounihanContents: Foreword -- Abstract -- Summary -- Introduction -- Australian broadcasting and its regulation -- Profile of the Australian broadcasting industry -- Licensing of broadcasters -- Ownership and control -- Program standards and other program regulations -- Costs and effects of program standards -- Efficiency of regulatory arrangements and proposals for change -- Appendix -- Broadcasting regulation overseas -- Ownership of Australia's broadcast media, as at June 1986 and June 1991 -- Television regulation and programming schedules -- Regulation and audience size -- Austrlaian drama development scheme
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t2 trainspotting (uk, danny boyle, 2017)
Edinburgh's lost boys return, still lost in Canberra Times [Arts & Entertainment] (23/02/2017) p.29
Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)Author: Byrnes, Paul PhysDes: ClippingsSubject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017) Summary: Film review of T2 TRAINSPOTTINGNotes: This review was also published in the Sydney Morning HeraldRating: 4 out of 5 stars
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The effects of television / edited by James D. Halloran London: Panther, 1970.
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Electronic eros : bodies and desire in the postindustrial age / by Claudia Springer Austin, TX: University of Texas Press, c1996.
Call No: 735.1 SPRAuthor: Springer, Claudia Source: USPlace: Austin, TXPublisher: University of Texas PressPubDate: c1996PhysDes: x, 182 pages : illustrations ; 23 cmSubject: AUTOMOBILES IN FILMS ; BODY IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTERS AND THE CINEMA ; COMPUTERS IN FILMS ; COMPUTERS AND TV ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; GENDER AND THE CINEMA ; GENDER AND TELEVISION ; POSTMODERNISM AND THE CINEMA ; ROBOTS IN FILMS ; ROBOTS ON TV ; SCIENCE AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEXUALITY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; TECHNOLOGY IN FILMS ; TECHNOLOGY ON TV ; VIRTUAL REALITY ; BLADE RUNNER (US, Ridley Scott, 1982) ; EVE OF DESTRUCTION (US, Duncan Gibbins, 1991) ; LAWNMOWER MAN, THE (US, Brett Leonard, 1992) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURBNotes: Includes indexISBN: 0292776977Donation: M.S. Counihan
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Levy Collection
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The electronic estate : new communications media and Australia / Trevor Barr Melbourne: Penguin Books, 1985.
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The elocution of Benjamin Franklin ; When they send me three and fourpence / by Steve J. Spears Sydney: Currency Press, 1989.
Call No: 79TEL SPEAuthor: Spears, Steve J. Source: ATPlace: SydneyPublisher: Currency PressPubDate: 1989PhysDes: 110 p. : ill. ; 21 cmSubject: TELEPLAY [TV](AT, Richard Wherrett, 1977) Notes: Two plays by Steve J. Spears -- CoverISBN: 0868192171Donation: donated by the family of Wayne Levy, 2006Contents: The elocution of Benjamin Franklin; When they send me three and fourpence
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Elvis : the Hollywood years / by David Bret London: Robson Books, 2001.
Call No: 81ELV BREAuthor: Bret, David Source: UKPlace: LondonPublisher: Robson BooksPubDate: 2001PhysDes: viii, 337 pages, illustrations; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; PRESLEY, ELVIS ; LOVE ME TENDER (US, Robert D. Webb, 1956) ; LOVING YOU (US, Hal Kanter, 1957) ; JAILHOUSE ROCK (US, Richard Thorpe, 1957) ; KING CREOLE (US, Michael Curtiz, 1958) ; G.I. BLUES (US, Norman Taurog, 1960) ; FLAMING STAR (US, Don Siegel, 1960) ; WILD IN THE COUNTRY (US, Philip Dunne, 1961) ; BLUE HAWAII (US, Norman Taurog, 1961) ; FOLLOW THAT DREAM (US, Gordon Douglas, 1962) ; KID GALAHAD (US, Phil Karlson, 1962) ; GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962) ; IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963) ; FUN IN ACAPULCO (US, Richard Thorpe, 1963) ; KISSIN' COUSINS (US, Gene Nelson, 1964) ; VIVA LAS VEGAS (US, George Sidney, 1963) ; ROUSTABOUT (US, John Rich, 1964) ; GIRL HAPPY (US, Boris Sagal, 1965) ; TICKLE ME (US, Norman Taurog, 1965) ; HAREM HOLIDAY (US, Gene Nelson, 1965) ; FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966) ; PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966) ; CALIFORNIA HOLIDAY (US, Norman Taurog, 1966) ; EASY COME, EASY GO (US, John Rich, 1967) ; DOUBLE TROUBLE (US, Norman Taurog, 1967) ; CLAMBAKE (US, Arthur N. Nadel, 1967) ; STAY AWAY, JOE (US, Peter Tewkesbury, 1968) ; SPEEDWAY (US, Norman Taurog, 1968) ; LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968) ; CHARRO! (US, Charles Marquis Warren, 1969) ; TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969) ; CHANGE OF HABIT (US, William Graham, 1969) ; ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970) ; ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972) Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty.
Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKETNotes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'ISBN: 1861054165Donation: Donated by Peter KempContents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180
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EMPIRE'S 100 SEXIEST MOVIE STARS OF 1998 October 1998.
Call No: JOURNAL SHELVES. EMPIREPubDate: October 1998Subject: STARS ; GLAMOUR
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'Empty' a steep learning curve for first-time trio in Encore (Dec 2006) vol.24 iss.12 p.42
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Empty moments : Cinema, modernity, and drift / Leo Charney Durham, London: Duke University Press, 1998.
Call No: 631 CHAAuthor: Charney, Leo Place: Durham, LondonPublisher: Duke University PressPubDate: 1998PhysDes: ix, 189 pages ; 25 cmSubject: PHILOSOPHY AND THE CINEMA ; AESTHETICS ; PERCEPTION ; SURREALISM AND THE CINEMA ; UNCANNY GAZE ; MUYBRIDGE, EADWEARD ; DULAC, GERMAINE ; BRETON, ANDRE ; HUSSERL, EDMUND ; HEIDEGGER, MARTIN ; SAUSSURE, FERDINAND DE ; EISENSTEIN, SERGEI M. ; EPSTEIN, JEAN Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- BlurbNotes: Includes notes, bibliography and indexISBN: 0822320908Donation: Adrian MilesContents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line
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Encounters : Michael Edols ACS and Martin Sharp in Australian Cinematographer (March 2014) iss.61 p.34-36
Author: Burton, Geoff PhysDes: ArticleSubject: DOCUMENTARIES. AUSTRALIA ; SHARP, MARTIN ; EDOLS, MICHAEL ; TINY TIM ; STREET OF DREAMS, THE (AT, Martin Sharp, 1988[prod.1976-]) Summary: Cinematographer, Michael Edols discusses working with eccentric artist, Martin Sharp during their work on the 1988 documentary film, Street of Dreams, about musician,Tiny TimNotes: Interview
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Interim
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Encyclopedia of Chinese film / Zhiwei Xiao / Yingjin Zhang London
New York: Routledge, 1998.
Call No: 71(51) ENCAuthor: Yingjin Zhang ; Zhiwei Xiao Place: London
New YorkPublisher: RoutledgePubDate: 1998PhysDes: 465 p. ; 25 cmSubject: CITY OF SADNESS, A [ ; TAIWAN Summary: This reference work is designed to provide, first of all, a comprehensive coverage of Chinese film in its historical, cultural, geopolitical, generic, thematic and textual aspects; and, secondly, a critical guide to assist the reader to navigate through these multiple aspects and to locate the exact information needed. In addition to the main body of entries on film people, film synopses, genres and subjects presented in alphabetical order, this book also containes: six historcal essays on Chinese, Hong Kong and Taiwan cinemas; classified contents list; cross-referencing throughout; further reading; bibliography; title index; name index; and glossary. [Edited from To The Reader]ISBN: 0415151686
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The end of Japanese cinema : industrial genres, national times, and media ecologies / Alexander Zahlten Durham; London: Duke University Press, 2017.
Call No: 10647Author: Zahlten, Alexander Edition: 2017Place: Durham; LondonPublisher: Duke University PressPubDate: 2017PhysDes: 308 pages : illustrated ; 23 cmSeries: Studies of the Weatherhead East Asian Institute, Columbia UniversitySubject: JAPAN ; EROTIC FILMS. ASIA ; KURAIMUHANTA IKARI NO JUDAN [CRIMEHUNTER - BULLET OF FURY] (JA, Toshimichi Okawa, 1989) ; KUROI YUKI [BLACK SNOW] (JA, Tetsuji Takechi, 1965) ; KINJI FUKASAKU ; TAKECHI TETSUJI ; WAKAMATSU, KOJI Summary: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. -- publisher's web siteISBN: 9780822369448Contents: Acknowledgments -- Introduction -- 1. Establishing Pink Film -- 2. Pink Times and Pink Spaces -- 3. Kadokawa Film -- 4. The Radicalization of Kadokawa Film -- 5. V-Cinema -- 6. Subgenres: Violence, Finances, Sex, and True Accounts -- Conclusion: Present Histories -- Notes -- Bibliography -- Index.
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Ending the affair : the decline of television current affairs in Australia / Graeme Turner Sydney, N.S.W.: UNSW Press, 2005.
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Enticing overload : the sheer quantity of quality drama made 2016 an outstanding year for viewers in Weekend Australian [Review] (17/12/2016) p.27
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ENTRE LES BRAS [STEP UP TO THE PLATE] : (FR, Paul Lacoste, 2012)
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Entropy looks to web for sell-through in Encore (Apr 2000) vol.18 iss.3 p.20
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The Ernst & Young guide to international film production : an overview of business incentives and tax matters. / by the Tax Partners and Professionals of Ernst & Young LLP New York: Ernst & Young, 1999.
Call No: 205.31 ERNCorpAuthor: Ernst & Young LLPPlace: New YorkPublisher: Ernst & YoungPubDate: 1999PhysDes: 519 p. : 21 cm.Subject: TAXES ; TAXES. AUSTRALIA
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[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
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Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
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Essential Bergman : selected by David Stratton in The Australian (09/06/2015) p.14
Call No: PERSONALITY CLIPPINGS FILE; STRATTON, DAVIDAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: STRATTON, DAVID ; BERGMAN, INGMAR Summary: Snippet on David Stratton's presentations in regards to the films of Ingmar Bergman, to be held at ACMI in June 2015
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ESTIU 1993 : (SP, Carla Simón, 2017)
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Eternal youth in Australian Financial Review [Weekend Fin] (24/04/2015) p.51
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Ethnicity and identity in the new Australian cinema in Metro Education (2000) iss.13 p.22-26
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ETRANGE COULEUR DES LARMES DE TON CORPS L' : (BE/ FR/ LU, Hélène Cattet / Bruno Forzani, 2013)
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ETUDA O ZKOUSCE : (CS, Sewald Schorm, 1976)
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ETUDA O ZKOUSCE : (CS, Sewald Schorm, 1976)
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European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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Interim
book
European cinema yearbook Milano: Media Salles, 1999.
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Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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Interim
book
An evaluation of the use of television by Arts Organisations / Richard J. Rowe & Associates Vic: The Australia Council, 1983.
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[Every day every night : stills file]
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[Evil angels : stills file]
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An Examination of Australian cultural identity as depicted in four Australian films : The Adventures of Barry McKenzie, Alvin Purple, Sunday too far away and Picnic at Hanging Rock / by Sue Ramadan Kensington, NSW : [s.n.], 1976:
Call No: 408.1(94) RAMAuthor: Ramadan, Sue Place: Kensington, NSW : [s.n.], 1976PhysDes: [79 leaves] ; 30 cmSubject: NATIONAL IDENTITY IN FILMS. AUSTRALIA ; AUSTRALIA ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ALVIN PURPLE (AT, Tim Burstall, 1973) LON: abn98366333; 14228501
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[Exchange lifeguards : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 26 x 20 cmSubject: ATKINS, CHRISTOPHER ; MCMAHON, JULIAN ; CROSS, REBECCA ; NEWMAN-PHILLIPS, AMANDA ; GOULD, ELLIOTT ; HEMBROW, MARK ; STEELE, VANESSA ; LARIMORE, LOIS ; PATE, CHRISTOPHER ; EXCHANGE LIFEGUARDS (AT, Maurice Murphy, 1993) Summary: Ten black and white photographs relating to the film 'Exchange lifeguards' (original title 'Wet and Wild Summer!')
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newspaper article
Exiles under Main St in Sunday Age [Inside Out] (12/06/2016) p.10
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journal article
Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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Interim
book
Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster London: Routledge, 2002.
Call No: 385.83 DIXAuthor: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 356 p. : ill.; 23 cmSubject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS. USA ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; STRUCTURALISM ; DEREN, MAYA ; ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; BRAKHAGE, STAN ; CONNER, BRUCE ; SNOW, MICHAEL ; FRAMPTON, HOLLIS ; JULIEN, ISAAC ; DASH, JULIE ; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.ISBN: 0415277876
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Eye for justice in The Australian [Review] (19/10/2013) p.16
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The fabulous life & times of Preston Sturges : an American dreamer New York: Curtis Books, [c1973].
Call No: 81STU URSAuthor: Ursini, James Place: New YorkPublisher: Curtis BooksPubDate: [c1973]PhysDes: 240 p. illus. 18 cmSubject: STURGES, PRESTON Notes: On spine: Preston Sturges; Bibliography: p. 211-215; "Filmography": p. 217-240LON: 74168260; 329428
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Levy Collection
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The face on the cutting room floor : the story of movie and television censorship / Murray Schumach New York: Da Capo Press, 1964.
Call No: 44 SCHAuthor: Schumach, Murray Edition: Di Capo Press ed.Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1964PhysDes: 305 p. : ill. ; 22 cm.Series: A Da Capo paperbackSubject: CENSORSHIP ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; SWEET BIRD OF YOUTH (US, Richard Brooks, 1961) ; SPARTACUS (US, Stanley Kubrick, 1960) ; LOLITA (US, Stanley Kubrick, 1962) Summary: "A classic history of censorship practices in film and television, this work provides a panoramic view of American mores today. Hollywood reporter-columnist Murray Schumach documents the motion picture industry's struggle to meet the demands of pressure groups and the government and exposes the censors' bigotry and ignorance. Illustrating each point with a still from the cutting room floor. Schumach tells the behind-the-scenes story of every censored film" - BOOK BLURBNotes: Reprint of the ed. published by Morrow, New York.; Includes index.ISBN: 0306800098Donation: donated by the family of Wayne Levy, 2006Contents: -- 1 the law and the profits -- 2 quality and control -- 3 pressure and politics -- 4 aftermath of cowardice -- 5 boudoirs and blood -- 6 by trial and error -- 7 television censorship -- 8 what next? -- appendices
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Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
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Fahfangoolah! : the despised and indispensable welcome to Woop Woop / Michael Winkler [Melbourne]: [Westbourne Books], May 2016.
Call No: 79 WEL WINAuthor: Winkler, Michael Edition: 2016Place: [Melbourne]Publisher: [Westbourne Books]PubDate: May 2016PhysDes: 158 pages : illustrated ; 22 cmSubject: AUSTRALIA ; TAYLOR, ROD ; SCHAECH, JOHNATHON ; ELLIOTT, STEPHAN ; WELCOME TO WOOP WOOP (AT/UK, Stephan Elliott, 1997) Summary: Welcome to Woop Woop was mocked, knocked and written off like no Australian movie before it. Director Stephan Elliott, riding high from the global success of The Adventures of Priscilla, Queen of the Desert, was a tall poppy. Critics did not just cut him down: they put him and his weird film through the mulcher.
Then a strange thing happened. Over time, the movie derided as crass, unfunny and pointless started to win fans. For some it is a cult entertainment; for others it is a vibrant, visceral satire on old Australia and its values.
Through interviews with stars including Johnathon Schaech, Susie Porter and Maggie Kirkpatrick, and creative powerhouses like Stephan Elliott, Lizzie Gardiner and Mike Molloy, ‘Fahfangoolah!’ examines the film’s bizarre genesis and argues for its place in the Aussie film pantheon. Unforgettable stories of a strange and difficult shoot; a cast of characters that includes Barry Humphries, Rod Taylor and a drunken clown; the mapping of links to other outback movies; and a strong argument for Welcome to Woop Woop’s value as a cultural artefact: this companion is as vibrant, varied and provocative as the film that inspired it. -- author's web siteISBN: 9780994579805
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newspaper article
Falling for the bright, shiny version in Saturday Age [Spectrum] (11/04/2015) p.14
Call No: TITLE CLIPPINGS FILE; WHILE WE'RE YOUNG (US, Noah Baumbach, 2014)Author: Hawker, Phillipa PhysDes: Clippings File ArticleSubject: STILLER, BEN ; WATTS, NAOMI ; DRIVER, ADAM ; WHILE WE'RE YOUNG (US, Noah Baumbach, 2014) Summary: An article/review on the film , While We're Young. There is also an interview with director, Noah Baumbach.
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Falling for you : essays of cinema and performance / edited by Lesley Stern and George Kouvaros Sydney: Power Publications, 1999.
Call No: 227 FALAuthor: Stern, Lesley ; Kouvaros, George Place: SydneyPublisher: Power PublicationsPubDate: 1999PhysDes: 314 p. ; 22 cmSubject: ACTING ; COMEDIES ; BENJAMIN, WALTER ; GARLAND, JUDY ; STREISAND, BARBRA ; CASSAVETES, JOHN ; HARTLEY, HAL ; CHAPLIN, CHARLES ; Keaton, Buster ; FUNNY GIRL (US, William Wyler, 1968) ; LOVE STREAMS (US, John Cassavetes, 1984) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) Notes: Includes indexISBN: 1864870257 : $14.95LON: 20003607
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Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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Fans awaken: the force runs strong in this family in Saturday Age (28/11/2015) p.18
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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Crawford collection
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[Far country, The : albums #1 & #2] / Forrester, Terry Crawford Productions [distributor], [1987?].
Call No: CRAWFORD STILL FARSource: ATPublisher: Crawford Productions [distributor]PubDate: [1987?]PhysDes: 48 photographs : b&w ; 26 x 21 cm + 33 photographic sheets : b&w ; 26 x 21 cmSubject: THORNTON, SIGRID ; YORK, MICHAEL ; EDWARDS, MAUREEN ; TREVARTHEN, NOEL ; BARNINGHAM, JOHN ; BARKER, DON ; RODGERS, ILONA ; JACKSON, SYDNEY ; FERGUSON, MARK ; ROWE, WILLIAM ; STEVENSON, CHRIS ; BRITTINGHAM, TERRY ; CARROLL, GREG ; MILLER, GEORGE T. ; JAMES, BRIAN ; WABIK, SWAWOMIR ; TINGWELL, CHARLES (BUD) ; DICKIE, OLGA ; LUBOMIR, YARICK ; DUGGAN, GERRY ; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987) Summary: Black and white photographs and proof sheets relating to the mini- series The Far CountryNotes: Photographs are each accompanied by promotional sheets with descriptive captions -- Numbers on sheets assigned by Crawford ProductionsDonation: Gift of Crawford Productions
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still
[Farm, the : stills file]
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book
Fashion : Australian memories in black and white / Felicity Robinson, Maggie Tabberer Sydney: Murdoch Books, 2005.
Call No: 721.1(391) ROBAuthor: Robinson, Felicity Edition: 1st ed.Source: AustraliaPlace: SydneyPublisher: Murdoch BooksPubDate: 2005PhysDes: 192 p. : b+w ill. ; 22cmSeries: Australian MemoriesSubject: NEWSREELS ; AUSTRALIA ; CINESOUND STUDIOS ; FASHION AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; NOSTALGIA IN FILMS ; HISTORICAL FILMS. AUSTRALIA ; TABBERER, MAGGIE Summary: The second title in the Australian Memories series, Fashion is a collection of film stills taken from the Cinesound and Movietone newsreels, which played in Australian cinemas from 1933 to 1975. Over the decades the newsreels covered women’s fashions in parades at nightclubs and restaurants, department stores, on the beach and in the streets. Informative captions and excerpts from the original voice-overs are accompanied by succinct and witty essays outlining the history of fashion during this period.
[Taken from back cover]ISBN: 1740456084
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Fashioning Bollywood : the making and meaning of Hindi film costume / Clare Wilkinson-Weber London: Bloomsbury, 2014.
Call No: 226.4(540) WILAuthor: Wilkinson-Weber Source: UKPlace: LondonPublisher: BloomsburyPubDate: 2014PhysDes: x, 212 pages : illustrations, portraits ; 24 cmSubject: INDIA ; INDIAN CINEMA ; FASHION ; FASHION IN FILMS ; COSTUMES. INDIA ; STARS. INDIA Summary: The Hindi film industry, among the most prolific in the world, has delighted audiences for decades with its colourful, exquisite and sometimes startling costumes. But are costumes more than just a source of pleasure? This book, the first in-depth exploration of Hindi film costume, contends that they are a unique source of knowledge about issues ranging from Indian taste and fashion to questions of identity, gender and work. Anthropological and film studies approaches combine to analyze costume as the outcome of production processes and as a cinematic device for conveying meaning. Chapters lead from the places where costume is planned and executed to explorations of characterization, the actor body, spectacles of fashion, to the imagining of historical or fantasy worlds through dress, to the power of stardom to launch clothing styles into the public domain. As well as charting the course of film costume as it parallels important trends in cultural history, the book considers the future of Hindi film costume, in the context of new strains of filmmaking that stress unvarnished realism.Notes: Formerly CIP.
Includes bibliographical references, filmography and indexISBN: 9781847886972Contents: Introduction -- The people and places of costume production -- Costume and character: wearing and being -- Costume and the body -- Fashion and spectacle -- Dressing the past -- Beyond the screen
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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newspaper article
Fasten your seatbelts... in Canberra Times [Panorama] (27/08/2016) p.14
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journal article
Father in Melbourne Film Bulletin (July 1968) iss.4 p.20
Author: Campi, Michael PhysDes: ReviewSubject: SZABO, ISTVAN ; HUNGARY Summary: Review of Istvan Szabo's "Apa" (Father), with comparisons to previous films "Age of Day Dreaming" and "You".
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newspaper article
Fear and Famine in The Australian [Review] (01/12/2012) p.16
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journal article
Feature - Cannes film festival in Encore (May 2000) vol.18 iss.4 p.26-30
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journal article
Feature - studio in Encore (Feb 2000) vol.18 iss.1 p.35-42
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Featuring film : film study in the classroom / Peter Cox and Fred Goldsworthy Melbourne: Oxford University Press, 1995.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Place: MelbournePublisher: Oxford University PressPubDate: 1995PhysDes: vi, 202 p. : ill. ; 26 cmSubject: MACBETH (US/UK, Roman Polanski, 1971) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993) ; MASK (US, Peter Bogdanovich, 1985) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PLAYING BEATIE BOW (AT, Donald Crombie, 1986) ; POWER OF ONE, THE (US, John G. Avildsen, 1992) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PROJECT X (US, Johnathan Kaplan, 1987) ; RADIO FLYER (US, Richard Donner, 1992) ; SILVER BRUMBY, THE (AT, John Tatoulis, 1993) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; BENNY AND JOON (US, Jeremiah S. Chechick, 1993) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; CHOCOLATE WAR, THE (US, Keith Gordon, 1988) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; FLIRTING (AT, John Duigan, 1991) ; FREE WILLY (US, Simon Wincer, 1993) ; HAMLET (US, Franco Zeffirelli, 1990) ; INTO THE WEST (UK/US, Mike Newell, 1992) ; LADYHAWKE (US, Richard Donner, 1985) ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; LEAN ON ME (US, John G. Avildsen, 1989) Notes: CIP confirmed; Includes index; For secondary school students; BibliographyISBN: 0195536452LON: 11238278
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997.
Call No: 626:396 HUMAuthor: Humm, Maggie Place: EdinburghPublisher: Edinburgh University PressPubDate: 1997PhysDes: x, 246 p. ; 24 cmSubject: FEMINISM AND THE CINEMA ; AUTEUR THEORY ; ETHNIC GROUPS IN FILMS ; POSTMODERNISM AND THE CINEMA ; CRONENBERG, DAVID ; MULVEY, LAURA ; KUHN, ANNETTE ; KAPLAN, E. ANN ; ALTHUSSER, LOUIS ; ROSE, JACQUELINE ; WOOLF, VIRGINIA ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; KLUTE (US, Alan J. Pakula, 1971) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008Order Received: 1998LON: abn97233530; 13317515
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journal article
Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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journal article
The field of language in film in October (Summer 1981) iss.17 p.53-60
Author: Wollen, Peter PhysDes: ArticleSubject: SYMBOLIC ORDER ; PATRIARCHAL DISCOURSE ; SEMIOTICS ; LANGUAGE AND THE CINEMA ; GENDER AND THE CINEMA ; WOMEN IN FILMS ; AMY! (UK, Laura Mulvey & Peter Wollen, 1980) ; PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: A lengthy essay/article by Peter Wollen on semiotics and its relationship to a dominant patriarchal symbolic order within film. He explores the problematic of filmmakers attempting to counter patriarchal discourse. Wollen notes that one cinematic path is to avoid verbal language altogether and instead focus on icons, indices, images, and traces. However, Wollen rejects this option as ineffective as he places both verbal and visual language as crucial to the composition of films, in terms of both signifier and signified. Wollen also comments that in his counter-language projects with Laura Mulvey ("Amy!", "Penthesilea", and "Riddles of the Sphinx"), films where women's voices predominate in various modes, a fractured body of language has resulted
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newspaper article
Fifeld has lcence to make his mark in The Australian (28/03/2016) p.24
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newspaper article
Fifield fronts frosty arts debate with no policy in Crikey.com.au (09/06/2016) p.-
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newspaper article
Fifield rejects funding increase in The Australian (21/10/2015) p.15
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newspaper article
Fifield targets budget for enhanced media package in Australian Financial Review (24/04/2017) p.29
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festival catalogue
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: WalesPublisher: [s.n.]PubDate: 1984PhysDes: 1 v. : ill. ; 30 cmSubject: FESTIVALS. WALES ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; TELEVISION. UK ; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.
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Interim
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Fight and flight : the wuxia film in Chinese cinema / Stephen Teo
Call No: 736.35 TEOAuthor: Teo, Stephen PhysDes: 262 p ; 29 cmSubject: TAIWAN ; CITY OF SADNESS, A [ ; GENRES ; HU, KING ; CHANG, CHEH Summary: This dissertation is a history of the wuxia genre demonstrating how it has underpinned the development of three Chinese cinemas: Shanghai, Hong Kong and Taiwan. [Taken from thesis summary.]Notes: PhD thesis
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Figures of desire : a theory and analysis of surrealist film / Linda Williams Urbana: University of Illinois Press, 1981.
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Film : the front line, 1983 / by Jonathan Rosenbaum Denver, Colo.: Arden, 1983.
Call No: 771 ROSAuthor: Rosenbaum, Jonathan Place: Denver, Colo.Publisher: ArdenPubDate: 1983PhysDes: 238 p. : ill. ; 24 cmSubject: EXPERIMENTAL FILMS ; MEKAS, JONAS ; AKERMAN, CHANTAL ; B, BETH & SCOTT ; BENNING, JAMES ; GIDAL, PETER ; JOST, JON ; OTTINGER, ULRIKE ; RAINER, YVONNE ; RAPPAPORT, MARK ; RIVETTE, JACQUES ; SNOW, MICHAEL ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; BREER, ROBERT ; DE LANDA, MANUEL ; DRIVER, SARA ; HOCK, LOUIS ; RAYNAL, JACKIE ; THORNTON, LESLIE ; GIDAL, PETER Notes: Includes indexesISBN: 0912869038LON: 3461214
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Interim
book
Film : it's a contact sport / by Sarah Darmody Frenchs Forest, N.S.W.: New Holland, 2002.
Call No: 802(94) DARAuthor: Darmody, Sarah Source: ATPlace: Frenchs Forest, N.S.W.Publisher: New HollandPubDate: 2002PhysDes: xiii, 274p. ;21cm.Subject: INDUSTRY, FILM. AUSTRALIA ; BERESFORD, BRUCE ; BILCOCK, JILL ; JORDAN, GREGOR ; MASON, DAVE ; SEALE, JOHN ; STRATTON, DAVID ; WEIR, PETER Notes: Includes index and useful contact information.ISBN: 1864368071
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Film : an anothology / compiled and edited by David Talbot Berkeley, Calif.: University of California Press, 1966.
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Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film 1964 / a cura di Vittorio Spinazzola Milano: Feltrinelli, 1964.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1964PhysDes: 236 p. 24 plates, 18cm.Subject: BOLOGNINI, MAURO ; DE SICA, VITTORIO ; MONICELLI, MARIO ; ROSI, FRANCESCO ; VISCONTI, LUCHINO ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; SENSO (IT, Luchino Visconti, 1954) ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) Language: Italian
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Film adaptation and its discontents : from Gone with the wind to The Passion of the Christ / by Thomas Leitch Baltimore MD: John Hopkins University Press, 2007.
Call No: 753 LEIAuthor: Leitch, Thomas Edition: John Hopkins paperback edition, 2009Source: USPlace: Baltimore MDPublisher: John Hopkins University PressPubDate: 2007PhysDes: xi, 354 p. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. DOYLE, ARTHUR CONAN ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. DICKENS, CHARLES ; AUTEUR THEORY ; AUTHORSHIP ; LITERATURE AND THE CINEMA ; STONE, OLIVER ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004) ; PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995) Summary: "Most books on film adaptation - the relation between films and their literary sources - focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation.
Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. Leitch's analysis moves beyond literary sources to consider why a small number of adaptors have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adaptated to the screen." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [325]-338) and indexISBN: 9780801892714Contents: -- acknowledgments -- 1: Literature versus literacy -- 2: One-reel epics -- 3: The word made film -- 4: Entry-level Dickens -- 5: Between adaptation and allusion -- 6: Exceptional fidelity -- 7: Traditions of quality -- 8: Streaming pictures -- 9: The hero with a hundred faces -- 10: The adapter as auteur -- 11: Postliterary adaptation -- 12: Based on a true story -- notes -- bibliography -- index --
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Film and reality : an historical survey / Roy Armes Harmondsworth, Middlesex: Penguin, 1974.
Call No: 62 ARMAuthor: Armes, Roy Place: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1974PhysDes: 254 p. ; 18 cmSubject: MODERNISM AND THE CINEMA ; REALISM IN FILMS ; DOCUMENTARIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; NEOREALISM ; EXPRESSIONISM ; SURREALISM AND THE CINEMA ; UNDERGROUND FILMS ; ANIMATION ; HISTORY OF CINEMA. SILENT PERIOD ; STUDIO SYSTEM ; NARRATIVE IN FILMS ; STARS ; AUTHORSHIP ; WALT DISNEY PRODUCTIONS ; WESTERNS ; LUMIERE, AUGUSTE & LOUIS ; MELIES, GEORGES ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; VON STROHEIM, ERICH ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; EDISON, THOMAS ALVA ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; BUNUEL, LUIS ; RESNAIS, ALAIN ; GODARD, JEAN-LUC ; ANGER, KENNETH ; LOACH, KENNETH ; CHAPLIN, CHARLES Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.ISBN: 0140217010URL status: URL: 'http://-'
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Interim
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Film and school : a handbook in moving-picture evaluation / by Helen Rand and Richard Lewis New York; London: D. Appleton-Century Company Incorporated, 1937.
Call No: 51 RANAuthor: Lewis, Richard ; Rand, Helen Source: USPlace: New York; LondonPublisher: D. Appleton-Century Company IncorporatedPubDate: 1937PhysDes: xv. 182p. ; illus. ; 20cm.Subject: FILM STUDY AND RESEARCH ; TEACHING MATERIALS Notes: With the advice and counsel of Edgar Dale and Sarah McLean Mullen; A publication of The National Council of Teachers of English; Includes list of illustrations, source material and index.
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Interim
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Film and television catalogue / Canal+ Image UK Pinewood Rd, Bucks, Ivers: Canal+ Image UK,
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Film and television in Poland / Jacek Fuksiewicz [s.l.]: Interpress Publishers, [197-].
Call No: 71(438) FUKAuthor: Fuksiewicz, Jacek Place: [s.l.]Publisher: Interpress PublishersPubDate: [197-]PhysDes: 254 p., [20] leaves of plates : ill. ; 20 cmSubject: POLAND ; TELEVISION. POLAND Notes: Translation of Film i telewizja w Polsce; Imprint covered by label mounted on t.p.: W. S. Heinman Imported Books, New YorkLON: 1048338
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The film and television industry and the new tax system / compiled by Gill McKinlay, Jane Corden and Maria Benardis Woolloomooloo, N.S.W.: Australian Film Commission, 2000.
Call No: 205.31 AUSAuthor: McKinlay, Gill ; Corden, Jane ; Benardis, Maria CorpAuthor: Australia. GST Start-Up Assistance Office; Australian Film CommissionSource: ATPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 2000PhysDes: 80 p. ; spiral binding; 30 cmSubject: TAXES. AUSTRALIA ; ACTORS. AUSTRALIA Notes: Funded by the GST Start-Up Assistance OfficeISBN: 0642487170LON: 22111238
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000.
Call No: 201(945) VICCorpAuthor: Victorian Film & Industry Task ForceSource: ATPlace: Melbourne, AustraliaPublisher: Victorian Film & Television Task ForcePubDate: September 2000PhysDes: 99 leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA : VICTORIA ; INDUSTRY, FILM. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA : VICTORIA ; Film Victoria ; CINEMEDIA ; MELBOURNE FILM OFFICE ; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019Language: EnglishContents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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Film and the arts : the Australian Labor Party's commitment to an Australian culture / Susan Ryan [Canberra]: [Australian Labor Party], 1980.
Call No: 205(94) RYAAuthor: Ryan, Susan, 1942 CorpAuthor: Australian Labor PartyPlace: [Canberra]Publisher: [Australian Labor Party]PubDate: 1980PhysDes: 61 p. ; 29 cmSubject: STATE AND THE CINEMA. AUSTRALIA Notes: Arts. Policies of Australian Labor Party (ANB/PRECIS SIN 0559873)ISBN: 0858430231 : price unknownLON: anb85843023; 2263057
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998.
Call No: 21(94) "1996-97" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: 30 p. ; 30 cmSubject: PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; Caption title; Includes tablesISBN: 0642256764LON: abn98389714; 14261746
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newspaper article
Film app brings cinema to the blind in The Australian (13/04/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; DISABLED AND THE CINEMAAuthor: Swan, David PhysDes: Clippings File ArticleSubject: PEOPLE WITH DISABILITIES AND THE CINEMA ; DEMAND.FILM ; TECHNOLOGY AND THE CINEMA Summary: Interview with Demand.Film chief David Doepel about his company's innovation called MovieReading, which allows sight imparied people to have a film's audio and a description of events to be played through a mobile phone appNotes: A
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Film appreciation / Allan Casebier New York: Harcourt Brace Jovanovich, c1976.
Call No: 62 CASAuthor: Casebier, Allan Place: New YorkPublisher: Harcourt Brace JovanovichPubDate: c1976PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cmSubject: THEORY ; AESTHETICS ; SOUND ; AUDIENCES ; REALISM IN FILMS ; SURREALISM AND THE CINEMA ; EXPRESSIONISM ; MYTH AND THE CINEMA ; STRUCTURALISM ; CRITICISM ; WELLES, ORSON ; BUNUEL, LUIS ; KUBRICK, STANLEY ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; GODARD, JEAN-LUC ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Notes: Includes index; "Bibliography/filmography": p. [183]-190ISBN: 0155273701Order Received: 2000Order Type: DonationLON: 746910URL status: URL: 'http://-'
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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journal article
Film as text in Metro Education (1997) iss.11 p.29 - 33
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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newspaper article
Film ban call in Daily Telegraph (22/05/1979) p.11
Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)Author: - PhysDes: Clippings File ArticleSubject: STRANGERS IN THEIR OWN LAND [TV](UK, 1979) ; MAD MAX (AT, George Miller, 1979) Summary: Brief mention of a call to censor the film Mad Max, and the British documentary about Indigenous Australians and their situation in the town of Weipa titled Strangers in their Own Land
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Film censorship in Australia / [by] Ina Bertrand St. Lucia, Q.: University of Queensland Press, 1978.
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Interim
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film expo 80 North Melbourne, Victoria: Cinema Papers Pty Ltd, c.1981.
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Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
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Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
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Film financing and television programming : a taxation guide Amsterdam, The Netherlands Los Angeles, CA: KPMG KPMG Peat Marwick LLP [distributor], 1996.
Call No: 205.31 FILCorpAuthor: Peat, Marwick, McLintockPlace: Amsterdam, The Netherlands Los Angeles, CAPublisher: KPMG KPMG Peat Marwick LLP [distributor]PubDate: 1996PhysDes: 281 p. ; 21 cmSubject: TAXES. AUSTRALIA ; TAXES ISBN: 9055220264LON: 12305286
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FIlm follies : the cinema out of order / by Stuart Klawans London: Cassell, 1999.
Call No: 740 KLAAuthor: Klawans, Stuart Edition: 1999Place: LondonPublisher: CassellPubDate: 1999PhysDes: 188pages : illustrated ; 22 cmSubject: EPIC FILMS ; GRIFFITH, DAVID WARK ; INTOLERANCE (US, David Wark Griffith, 1916) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; STROHEIN, ERICH VON ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; GREED (US, Erich von Stroheim, 1925) ; LANG, FRITZ ; METROPOLIS (G, Fritz Lang, 1926) ; DUEL IN THE SUN (US, King Vidor, 1946) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; ISHTAR (US, Elaine May, 1987) ; I AM CUBA [SOY CUBA] (CU/UR, Mihail Kalatozov, 1964) Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web siteISBN: 9780304700547
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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Interim
book
Film in Finland 1986 / Erkki Astala (editor-in-chief) / Taneli Eskola (art director) / Kirsi Tykkylainen (editorial) / Satu Pusa (editorial) Helsinki, Finland: Suomen elokuvasaatio, Finnish Film Foundation, 1986.
Call No: 71(480)FILAuthor: Astala, Erkki CorpAuthor: Suomen elokuvasaatio; Finnish Film FoundationSource: FIPlace: Helsinki, FinlandPublisher: Suomen elokuvasaatio; Finnish Film FoundationPubDate: 1986PhysDes: 55 p. : ill. ; 28 cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TRAVEL IN FILMS ; DONNER, JORN ; ENGSTROM, INGEMO ; HALLSTROM, ARTO AF ; HARTZELL, PAIVI ; HONKASALO, PIRJO ; HUMANLOJA, TIMO ; KASSILA, MATTI ; KAURISMAKI, AKI ; KAURISMAKI, MIKA ; KURKVAARA, MAUNU ; KYRONSEPPA, KARI ; LEHMUSKALLIO, MARKKU ; LEHTINEN, VIRKE ; MANTTARI, ANSSI ; MOLLBERG, RAUNI ; NISKANEN, MIKKO ; NISKANEN, TUIJA-MAIJA ; PAKKASVIRTA, JAAKKO ; PARTANEN, HEIKKI ; PEIPPO, ANTTI ; PYHALA, JAAKKO ; ROSMA, JUHA ; TORHONEN, LAURI ; VAANANEN, KARI ; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986) ; SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986) ; FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986) ; NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986) ; MORENA (FI, Anssi Manttari, 1986) ; YLOSNOUSEMUS (FI, Anssi Manttari, 1985) ; RIISUMINEN (FI, Lauri Torhonen, 1986) ; ROSSO (FI, Mika Kaurismaki, 1985) ; HUOMENNA (FI, Juha Rosma, 1986) ; HARMAGEDON (FI, Juha Rosma, 1986) ; VALKOINEN KAAPIO (FI, Timo Humanloja, 1986) ; DA CAPO (FI, Pirjo Honkasalo, 1985) ; SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985) ; LAULU (FI, Arto af Hallstrom, 1986) ; PERHOSEN UNI (FI, Maunu Kurkvaara, 1986) ; NISKAVUORI (FI, Matti Kassila, 1984) ; CALAMARI UNION (FI, Aki Kaurismaki, 1985) ; PESSI JA ILLUSIA (FI, Heikki Partanen, 1983) ; En SMUTSIG HISTORIA (FI, Jorn Donner, 1984) ; KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984) ; JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983) ; RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983) ; ARVOTTOMAT (FI, Mika Kaurismaki, 1982) ; SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982) ; RAKKAUSELOKUVA (FI, Anssi Manttari, 1984) ; KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982) ; KOLME MIESTA (FI, Virke Lehtinen, 1984) ; LINNA (FI, Jaakko Pakkasvirta, 1986) ; KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986) ; LUMIKUNINGATAR (FI, Paivi Hartzell, 1986) ; URSULA (FI, Jaakko Pyhala, 1986) ; JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987) ; VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986) ; ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986) ; V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986) Notes: Translation: Ukka and Mark ShackletonISBN: 9519349421
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The film in history : restaging the past / Pierre Sorlin Oxford: Blackwell, 1980.
Call No: 45:93 SORAuthor: Sorlin, Pierre Source: UKPlace: OxfordPublisher: BlackwellPubDate: 1980PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cmSubject: HISTORY AND THE CINEMA ; GRAND ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; NAPOLEON BONAPARTE (FR, Abel Gance, 1935) ; ALDO'S SAYING (IT, unknown, 1945) ; BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952) ; GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945) ; [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; LONG LIVE ITALY (IT, Roberto Rossellini, 1960) ; LOST PATROL, THE (IT, Piero Nelli, 1953) ; CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946) ; SENSO (IT, Luchino Visconti, 1954) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; HORSE SOLDIERS, THE (US, John Ford, 1959) Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexesISBN: 0631195106LON: 1853214Donation: donated by the family of Wayne Levy, 2006
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Interim
book
Film in South East Asia : views from the region : - essays on film in 10 South East Asia-Pacific Countries / edited by David Hanan Hanoi: South East Asia-Pacific Audio Visual Archive Association, 2001.
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Film in the aura of art / Dudley Andrew Princeton, N.J.: Princeton University Press, 1984.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1984PhysDes: xiv, 207 p., [17] p. of plates : ill. (some col.) ; 23 cmSubject: Mizoguchi, Kenji ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; ATALANTE, L' (FR, Jean Vigo, 1934) Notes: Includes bibliographical references and indexISBN: 0691065853 : $22.50LON: 84001788; 3055205URL status: URL: 'http://-'
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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journal article
The Film Inquiry in Lumiere (December, 1972) iss.19 p.26-30
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newspaper article
Film jobs fillip in frame as aliens, Thor head our way in Canberra Times (23/10/2015) p.10
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newspaper article
Film jobs to get boost as aliens, Thor set to land in Sydney Morning Herald (23/10/2015) p.9
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964.
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Levy Collection
book
Film making in schools / Douglas Lowndes London: Batsford, 1968.
Call No: REFERENCE SECTION; 036 LOWAuthor: Lowndes, Douglas Source: UKPlace: LondonPublisher: BatsfordPubDate: 1968PhysDes: 128 p. : ill., facsims. ; 26 cm .Subject: CINEMATOGRAPHY ; TEACHING MATERIALS Summary: " This important new book, by a distinguished British film maker and teacher, serves as a manual for teachers and students engaged in film making - a comprehensive programme which can serve as the practical basis for day-to-day work in the classroom. The author begins by analyzing the role of film in school curricula and its integration with other studies. He then surveys the basic equipment: still cameras; 8mm. and 16 mm. motion picture cameras; and tape recorders- with a project for introducing the functions of each. The equipment section is followed by an extensive series of projects which expose the reader to the essential grammar of the film and its wide range of expressive and technical possibilities, including drama, social comment, documentary, silent and sound films, group work, community studies, etc. The volume concludes with a technical section which defines film terminology; lists and describes equipment in greater technical detail; explains the operation of cameras, light meters, editing equipment, sound equipment, lighting and animation; and provides lists of suppliers on both sides of the atlantic. With the aid of many line drawings and photographs, the author proves convincingly that film making in schools can be exciting, enlightening, and not unduly expensive for the school or for the student. Douglas Lowndes is Senior Lecturer in Film Production at Hornsey College of Art, London, and also lectures in Film and Edcuation for the British Film Institute. " - BOOK JACKETDonation: donated by the family of Wayne Levy, 2006Contents: -- Equipment -- projects -- technical notes --
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Film manifestos and global cinema cultures : a critical anthology / [edited by] Scott MacKenzie Berkeley London: University of California Press, 2014.
Call No: 62 FILAuthor: MacKenzie, Scott (ed.) Source: USPlace: Berkeley LondonPublisher: University of California PressPubDate: 2014PhysDes: xxi, 651 p. ; 26 cmSubject: AVANT-GARDE FILMS ; CONSTRUCTIVISM ; SURREALISM AND THE CINEMA ; STRUCTURALISM ; NOUVELLE VAGUE ; IMPERIALISM AND THE CINEMA ; GENDER AND THE CINEMA ; FEMINISM AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; DOCUMENTARY FILMS ; DOCUMENTARIES ; PHILOSOPHY AND THE CINEMA ; WORLD CINEMA ; LATIN AMERICAN COUNTRIES ; AESTHETICS ; ARCHIVES & INSTITUTES, FILM Summary: Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.
This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture. -- extract taken from the back of the bookNotes: Includes index -- Includes bibliographical references and index.ISSN: 9780520276741Contents: Introduction. “An Invention without a Future” -- 1. The Avant-Garde(s) -- The Futurist Cinema (Italy, 1916) F.T. Marinetti, Bruno Corra, et al. --
Lenin Decree (USSR, 1919) Vladimir Ilyich Lenin -- The ABCs of Cinema (France, 1917–1921) Blaise Cendrars -- WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov -- The Method of Making Workers’ Films (USSR, 1925)
Sergei Eisenstein -- Constructivism in the Cinema (USSR, 1928) Alexei Gan --
Preface: Un chien Andalou (France, 1928) Luis Buñuel -- Manifesto of the Surrealists Concerning L’Age d’or (France, 193) The Surrealist Group --
Manifesto on “Que Viva Mexico” (USA, 1933) The Editors of Experimental Film -- Spirit of Truth (France, 1933) Le Corbusier -- An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) László Moholy-Nagy -- Light*Form*Movement*Sound (USA, 1935) Mary Ellen Bute -- Prolegomena for All Future Cinema (France, 1952)
Guy Debord -- No More Flat Feet! (France, 1952) Lettriste International --
The Lettristes Disavow the Insulters of Chaplin (France, 1952) Jean-Isidore Isou, Maurice Lemaître, and Gabriel Pomerand -- The Only Dynamic Art (USA, 1953) Jim Davis -- A Statement of Principles (USA, 1961)
Maya Deren -- The First Statement of the New American Cinema Group (USA, 1961) New American Cinema Group -- Foundation for the Invention and Creation of Absurd Movies (USA, 1962) Ron Rice -- From Metaphors on Vision (USA, 1963) Stan Brakhage -- Kuchar 8mm Film Manifesto (USA, 1964) George Kuchar -- Film Andepandan [Independents] Manifesto (Japan, 1964) Takahiko Iimura, Koichiro Ishizaki, et al. -- Discontinuous Films (Canada, 1967) Keewatin Dewdney -- Hand-Made Films Manifesto (Australia, 1968) Ubu Films, Thoms -- Cinema Manifesto (Australia, 1971)
Arthur Cantrill and Corinne Cantrill -- For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) Hollis Frampton -- Elements of the Void (Greece, 1972) Gregory Markopoulos -- Small Gauge Manifesto (USA, 1980) JoAnn Elam and Chuck Kleinhans -- Cinema of Transgression Manifesto (USA, 1985) Nick Zedd -- Modern, All Too Modern (USA, 1988) Keith Sanborn -- Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) Peggy Ahwesh, Caroline Avery, et al. -- Anti-1 Years of Cinema Manifesto (USA, 1996)
Jonas Mekas -- The Decalogue (Czech Republic, 1999) Jan Švankmajer --
Your Film Farm Manifesto on Process Cinema (Canada, 212) Philip Hoffman --
2. National and Transnational Cinemas --
From “The Glass Eye” (Italy, 1933) Leo Longanesi -- The Archers’ Manifesto (UK, 1942) Michael Powell and Emeric Pressburger -- What Is Wrong with Indian Films? (India, 1948) Satyajit Ray -- Buñuel the Poet (Mexico, 1951)
Octavio Paz -- French Cinema Is Over (France, 1952) Serge Berna, Guy Debord, et al. -- Some Ideas on the Cinema (Italy, 1953) Cesare Zavattini --
A Certain Tendency in French Cinema (France, 1954) François Truffaut --
Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955) Juan Antonio Bardem -- Free Cinema Manifestos (UK, 1956–1959)
Committee for Free Cinema -- The Oberhausen Manifesto (West Germany, 1962) Alexander Kluge, Edgar Reitz, et al. -- Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. -- The Mannheim Declaration (West Germany, 1967)
Joseph von Sternberg, Alexander Kluge, et al. -- Sitges Manifesto (Spain, 1967)
Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos -- How to Make a Canadian Film (Canada, 1967) Guy Glover -- How to Not Make a Canadian Film (Canada, 1967) Claude Jutra -- From “The Estates General of the French Cinema, May 1968” (France, 1968) Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz -- Manifesto of the New Cinema Movement (India, 1968) Arun Kaul and Mrinal Sen --
What Is to Be Done? (France, 1970) Jean-Luc Godard --
The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. -- Hamburg Declaration of German Filmmakers (West Germany, 1979) Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. -- Manifesto I (Denmark, 1984)
Lars von Trier -- Manifesto II (Denmark, 1987)
Lars von Trier --
Manifesto III: I Confess! (Denmark, 199) Lars von Trier --
The Cinema We Need (Canada, 1985) R. Bruce Elder --
Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) Ola Balogun --
Manifesto of 1988 (German Democratic Republic, 1988) Young DEFA Filmmakers --
In Praise of a Poor Cinema (Scotland, 1993) Colin McArthur --
Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) Lars von Trier and Thomas Vinterberg -- I Sinema Manifesto (Indonesia, 1999)
Dimas Djayadinigrat, Enison Sinaro, et al. --
3. Third Cinemas, Colonialism, Decolonization, and Postcolonialism --
Manifesto of the New Cinema Group (Mexico, 1961)
El grupo nuevo cine -- Cinema and Underdevelopment (Argentina, 1962)
Fernando Birri --
The Aesthetics of Hunger (Brazil, 1965) Glauber Rocha -- For an Imperfect Cinema (Cuba, 1969) -- Julio García Espinosa
Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) Fernando Solanas and Octavio Getino --
Film Makers and the Popular Government Political Manifesto (Chile, 1970)
Comité de cine de la unidad popular --
Consciousness of a Need (Uruguay, 1970) Mario Handler --
Militant Cinema: An Internal Category of Third Cinema (Argentina, 1971)
Octavio Getino and Fernando Solanas --
For Colombia 1971: Militancy and Cinema (Colombia, 1971) Carlos Alvarez --
The Cinema: Another Face of Colonised Québec (Canada, 1971)
Association professionnelle des cinéastes du Québec --
8 Millimeters versus 8 Millions (Mexico, 1972) Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. --
Manifesto of the Palestinian Cinema Group (Palestine, 1973)
Palestinian Cinema Group --
Resolutions of the Third World Filmmakers Meeting (Algeria, 1973)
Fernando Birri, Ousmane Sembene, Jorge Silva, et al. --
The Luz e Ação Manifesto (Brazil, 1973)
Carlos Diegues, Glauber Rocha, et al. --
Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976)
Jorge Sanjinés --
Manifesto of the National Front of Cinematographers (Mexico, 1975)
Paul Leduc, Jorge Fons, et al. --
The Algiers Charter on African Cinema (Algeria, 1975)
FEPACI (Fédération panafricaine des cinéastes) --
Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979)
Nicaraguan Institute of Cinema --
What Is the Cinema for Us? (Mauritania, 1979)
Med Hondo --
Niamey Manifesto of African Filmmakers (Niger, 1982)
FEPACI (Fédération panafricaine des cinéastes) --
Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983)
John Akomfrah --
From Birth Certificate of the International School of Cinema and Television in San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986)
Fernando Birri --
FeCAViP Manifesto (France, 1990)
Federation of Caribbean Audiovisual Professionals --
Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990)
SADCC (South African Development Coordination Conference) -- Pocha Manifesto #1 (USA, 1994)
Sandra Peña-Sarmiento --
Poor Cinema Manifesto (Cuba, 24)
Humberto Solás --
Jollywood Manifesto (Haiti, 28)
Ciné Institute --
The Toronto Declaration: No Celebration of Occupation (Canada, 29)
John Greyson, Naomi Klein, et al. --
4. Gender, Feminist, Queer, Sexuality, and Porn Manifestos --
Woman’s Place in Photoplay Production (USA, 1914)
Alice Guy-Blaché --
Hands Off Love (France, 1927)
Maxime Alexandre, Louis Aragon, et al. --
The Perfect Filmic Appositeness of Maria Montez (USA, 1962)
Jack Smith --
On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967)
Yoko Ono --
Statement (USA, 1969)
Kenneth Anger --
Wet Dream Film Festival Manifesto (The Netherlands, 1970)
S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity) --
Women’s Cinema as Counter-Cinema (UK, 1973)
Claire Johnston --
Manifesto for a Non-sexist Cinema (Canada, 1974)
FECIP (Fédération européenne du cinéma progressiste) --
Womanifesto (USA, 1975)
Feminists in the Media --
Visual Pleasure and Narrative Cinema (UK, 1975)
Laura Mulvey --
An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977)
Vilgot Sjöman --
For the Self-Expression of the Arab Woman (France, 1978)
Heiny Srour, Salma Baccar, and Magda Wassef --
Manifesto of the Women Filmmakers (West Germany, 1979)
Verband der Filmarbeiterinnen --
Wimmin’s Fire Brigade Communiqué (Canada, 1982)
Wimmin’s Fire Brigade --
Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986)
Yvonne Rainer --
The Post Porn Modernist Manifesto (USA, 1989)
Annie Sprinkle, Veronica Vera, et al. --
Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991)
FEPACI (Fédération panafricaine des cinéastes) --
Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998)
Vibeke Windeløv, Lene Børglum, et al. --
Cinema with Tits (Spain, 1998)
Icíar Bollaín --
My Porn Manifesto (France, 22)
Ovidie --
No More Mr. Nice Gay: A Manifesto (USA, 29)
Todd Verow --
Barefoot Filmmaking Manifesto (UK, 29)
Sally Potter --
Dirty Diaries Manifesto (Sweden, 29)
Mia Engberg --
5. Militating Hollywood --
Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 193)
Motion Picture Producers and Distributors of America --
Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935)
William Randolph Hearst --
Statement of Principles (USA, 1944)
Motion Picture Alliance for the Preservation of American Ideals --
Screen Guide for Americans (USA, 1947)
Ayn Rand --
White Elephant Art vs. Termite Art (USA, 1962)
Manny Farber --
Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972)
Kuumba Workshop --
The World Is Changing: Some Thoughts on Our Business (USA, 1991)
Jeffrey Katzenberg --
Full Frontal Manifesto (USA, 21)
Steven Soderbergh --
6. The Creative Treatment of Actuality--
Towards a Social Cinema (France, 1930)
Jean Vigo --
From “First Principles of Documentary” (UK, 1932)
John Grierson --
Manifesto on the Documentary Film (UK, 1933)
Oswell Blakeston --
Declaration of the Group of Thirty (France, 1953)
Jean Painlevé, Jacques-Yves Cousteau, Alain Resnais, et al. --
Initial Statement of the Newsreel (USA, 1967)
New York Newsreel --
Nowsreel, or the Potentialities of a Political Cinema (USA, 1970)
Robert Kramer, New York Newsreel --
Documentary Filmmakers Make Their Case (Poland, 1971)
Bohdan Kosinski, Krzysztof Kieslowski, and Tomasz Zygadlo --
The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989)
Kidlat Tahimik, Stephen Teo, et al. --
Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999)
Werner Herzog --
Defocus Manifesto (Denmark, 2)
Lars von Trier --
Kill the Documentary as We Know It (USA, 22)
Jill Godmilow --
Ethnographic Cinema (EC): A Manifesto{ths}/{ths}A Provocation (USA, 23)
Jay Ruby --
Reality Cinema Manifesto (Russia, 25)
Vitaly Manskiy --
Documentary Manifesto (USA, 28)
Albert Maysles --
China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, 211)
By several documentary filmmakers who participated and also who did not participate in the festival --
7. States, Dictatorships, the Comintern, and Theocracies --
Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925)
Willi Münzenberg --
The Legion of Decency Pledge (USA, 1938)
Archbishop John McNicholas --
Creative Film (Germany, 1935)
Joseph Goebbels --
Vigilanti Cura: On Motion Pictures (Vatican City, 1936)
Pope Pius XI --
Four Cardinal Points of A Revolução de Maio (Portugal, 1937)
António Lopes Ribeiro --
From On the Art of Cinema (North Korea, 1973)
Kim Jong-il --
8. Archives, Museums, Festivals, and Cinematheques --
A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898)
Boleslaw Matuszewski --
The Film Prayer (USA, c. 192)
A. P. Hollis --
The Film Society (UK, 1925)
Iris Barry --
Filmliga Manifesto (The Netherlands, 1927)
Joris Ivens, Henrik Scholte, Men’no Ter Bbaak, et al. --
Statement of Purposes (USA, 1948)
Amos Vogel, Cinema 16 --
The Importance of Film Archives (UK, 1948)
Ernest Lindgren --
A Plea for a Canadian Film Archive (Canada, 1949)
Hye Bossin --
Open Letter to Film-Makers of the World (USA, 1966)
Jonas Mekas --
A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968)
Committee for the Defense of La Cinémathèque française --
Filmmakers versus the Museum of Modern Art (USA, 1969)
Hollis Frampton, Ken Jacobs, and Michael Snow --
Anthology Film Archives Manifesto (USA, 1970)
P. Adams Sitney --
Toward an Ethnographic Film Archive (USA, 1971)
Alan Lomax --
Brooklyn Babylon Cinema Manifesto (USA, 1998)
Scott Miller Berry and Stephen Kent Jusick --
Don’t Throw Film Away: The FIAF 7th Anniversary Manifesto (France, 28)
Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Group --
The Lindgren Manifesto: The Film Curator of the Future (Italy, 21)
Paolo Cherchi Usai --
Film Festival Form: A Manifesto (UK, 212)
Mark Cousins --
9. Sounds and Silence --
A Statement on Sound (USSR, 1928)
Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov --
A Rejection of the Talkies (USA, 1931)
Charlie Chaplin --
A Dialogue on Sound: A Manifesto (UK, 1934)
Basil Wright and B. Vivian Braun --
Amalfi Manifesto (Italy, 1967)
Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. --
10. The Digital Revolution --
Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966)
Stan VanDerBeek --
The Digital Revolution and the Future Cinema (Iran, 2)
Samira Makhmalbaf --
The Pluginmanifesto (UK, 21)
Ana Kronschnabl --
Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 23)
Khavn de la Cruz --
11. Aesthetics and the Futures of the Cinema --
The Birth of the Sixth Art (France, 1911)
Ricciotto Canudo --
Memo from Walt Disney to Don Graham (USA, 1935)
Walt Disney --
The Birth of a New Avant Garde: La caméra-stylo (France, 1948)
Alexandre Astruc --
From Preface to Film (UK, 1954)
Raymond Williams --
The Snakeskin (Sweden, 1965)
Ingmar Bergman --
Manifesto (Italy, 1965)
Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. --
Manifesto on the Release of La Chinoise (France, 1967)
Jean-Luc Godard --
Direct Action Cinema Manifesto (USA, 1985)
Rob Nilsson --
Remodernist Film Manifesto (USA, 28)
Jesse Richards --
The Age of Amateur Cinema Will Return (People’s Republic of China, 21)
Jia Zhangke --
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Film noir production : the whodunit of the classic American mystery film / David Landau New York: Routledge, 2017.
Call No: 734.1 LANAuthor: Landau, David Source: USPlace: New YorkPublisher: RoutledgePubDate: 2017PhysDes: xi, 170 pages : illustrations ; 20 cmSubject: FILM NOIR ; NEO-NOIR ; PRODUCTION ; STUDIO SYSTEM ; CRIME IN FILMS ; GANGSTER FILMS ; DETECTIVE FILMS ; FEMME FATALE Summary: "Film Noir Production...is a book for those who like a good character-driven story -- and the noir films always deliver. The book contains behind-the-scenes tales of the productions of hard-boiled film classics and the prime players involved in their creation, from Darryl Zanuck and Raymond Chandler to John Seitz and Billy Wilder." -- BOOK BLURBNotes: Includes bibliographical references, appendices and indexISBN: 9781138201484Donation: donated by Senses of CinemaContents: Noir Comes to Light (The Maltese Falcon) -- The Noir Hero (Murder my sweet) -- The Noir Anti-Hero (This Gun for Hire) -- The Femmes of Noir: They Aren't Always Fatale (Double Indemnity) -- Directors and Studios: A Noir Relationship (Laura) -- The Noir Cast (The Big Sleep) -- Noir Themes (Macao) -- Noir Style; Music, Costumes and Art Direction (My Favorite Brunette) -- Noir Imagery: Lighting and Cinematography (The Big Combo) -- Noir Speak: Dialog & First Person Narrative (Kiss Kiss Bang Bang) -- Noir's Rebirth & Neo Noir (House of Games) -- Cross Genre Noir & Noir Influence (Brick)
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Film on Four 1982/1991 : a survey / John Pym London: bfi Publishing, 1992.
Call No: 201.24CHA PYMAuthor: Pym,John Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1992PhysDes: 224 p. : ill., ports. ; 26 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; FILM ; FILMS SHOWN ON TV ; TELEVISION Summary: "Channel 4 Television went on air on 2 November 1982. This was also a significant date for the British Film industry, since an important plank in the Channel's programme policy was the financing of theatrical feature films. This book is the first comprehensive survey of this major and highly influential initiative. John Pym describes and assesses every one of the 136 features commissioned and transmitted by Channel 4 in its 'Film on Four' slot between 1982 and 1991. Among the film-makers aided by Channel 4 have been Peter Greenaway, James Ivory, Terence Davies, Colin Gregg and Stephen Frears. Film on Four's successes have included Walter; Paris; Texas; My Beautiful Laundrette; Distant Voices; Still Lives and Another Time, Another Place. In addition to an historical chrononlogy of the 1980s, FILM ON FOUR contains his technical credits, cast lists, budgets and viewing figures of all 136 films - much of which primary information is published or the first time." -- BOOK BLURBNotes: Includes index; Used to be on system as Accession Number 3222. Has been re-entered as 8433 (17/1/13 HM)ISBN: 0851703453Contents: -- introduction -- chapter 1: where are you, pigeon? 1982/1983 -- chapter 2: playing on the sea-shore 1984/1985 -- chapter 3: that's her in a movie 1986/1987 -- chapter 4: off the ration 1988/1989 -- chapter 5: thank you, Adolf! 1990/1991 -- appendix a: budgets -- appendix b: credits -- acknowledgments -- index --
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A film poet between utopia and realism / by Christian Dimitriu Zurich: Pro Helvetia Press, 1991.
Call No: 81TAN DIMAuthor: Dimitriu, Christian Place: ZurichPublisher: Pro Helvetia PressPubDate: 1991PhysDes: 39 p. : illSubject: TANNER, ALAIN Notes: Cover titleOrder Received: 1999Order Type: DonationLON: abn92312963; 9350301
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; ABORIGINAL AUSTRALIAN CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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newspaper article
Film rebates 'low and unpredictable' in The Australian (27/06/2016) p.25
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Film reboots / edited by Daniel Herbert and Constantine Verevis Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FILAuthor: Herbert, Daniel ; Verevis, Constantine Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: 244 pages : illustrated ; 25 cmSeries: Screen SerialitiesSubject: REMAKES ; FRANCHISES ; BATMAN IN FILMS ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; GHOSTBUSTERS (US, Paul Feig, 2016) ; STAR TREK ; STAR WARS [...] (US, 1977-2015) Notes: Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today. -- publisher's web siteISBN: 9781474451369Contents: Introduction: Film Reboots / Daniel Herbert and Constantine Verevis.
PART I: INDUSTRY AND COMMERCE -- 1. Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles / Daniel Herbert -- 2. Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom / Erin Hanna -- 3. The Many Reboots of the Batman / Eileen R. Meehan.
PART II: STRUCTURE AND NARRATIVE -- 4. The Edge of Reality: Replicating Blade Runner / Constantine Verevis -- 5. Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight / Jennifer Forrest -- 6. Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising / Matt Hills -- 7. All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot / Nicholas Benson & Jonathan Gray
PART III: POLITICS AND IDENTITY -- 8. Resistance and Empire: Star Wars and the Social Justice Reboot / Derek Johnson -- 9. Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky / Chuck Tryon -- 10. Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot / Claire Perkins
PART IV: FANS AND AUDIENCES -- 11. Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise / Kathleen Loock -- 12. Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies / James Fleury -- 13. Anticipating the Reboot: Teasing Top Gun 2 / Paul Grainge -- 14. A Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema / William Proctor
Contributors -- Notes
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Film remakes, adaptations and fan productions : remake/remodel / edited by Kathleen Loock and Constantine Verevis Basingstoke, England: Palgrave Macmillan, 2012.
Call No: 753.81 FILAuthor: Loock, Kathleen (ed.) ; Verevis, Constantine (ed.) Source: UK/USPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2012PhysDes: xiii, 252 p. : ill. ; 23 cmSubject: ADAPTATIONS ; FANS ; FILM ; REMAKES ; ADVENTURES OF MERLIN, THE [TV] (UK, 2008-) ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; SHERLOCK HOLMES (US/G, Guy Ritchie, 2009) ; STEPFORD WIVES, THE (US, Bryan Forbes, 1975) ; STEPFORD WIVES, THE (US, Frank Oz, 2004) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WUTHERING HEIGHTS (US, William Wyler, 1939) ; WUTHERING HEIGHTS (UK/US, Peter Kosminsky, 1992) ; WUTHERING HEIGHTS (UK, Robert Fuest, 1970) ; WUTHERING HEIGHTS (UK, Andrea Arnold, 2011) Summary: " This book provides a dynamic investigation of processes of cultural reproduction - remaking and remodelling - in film, television and new media. Drawing on a wide variety of Hollywood and other examples, this impressive group of contributors considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin." -- BOOK BLURBNotes: Includes bibliographical references and index; Tertiary/Undergraduate, PostgraduateISBN: 9781137263346Contents: -- list of illustrations -- acknowledgments -- notes on contributors -- introduction: remake,remodel / Kathleen Loock and Constantine Verevis -- pt. I Adapt -- 1: Toto, I Think We're in Oz Again' (and Again and Again) remakes and popular seriality / Frank Kelleter -- 2: Guy Ritchie's Sherlock Bond, the Deerstalker and Remediation / Stephanie Sommerfeld -- 3: a battle on two fronts: Wuthering Heights and adapting the adaptation / Amy Martin -- 4: of political visions and visionary politicians: Adapting All the King's Men to the Big Screen / Birte Otten -- pt. II Remake -- 5: remaking The Stepford Wives, remodeling feminism / Kathryn Schweishelm -- 6: The Return of the Pod People: remaking cultural anxieties in Invasion of the Body Snatchers / Kathleen Loock -- 7: Cyber-noia? remaking The Manchurian Candidate in a global age / Sonja Georgi -- 8: a personal matter: H Story / Constantine Verevis -- pt. III Remodel -- 9: Remaking Texts, Remodeling Scholarship / Robin Anne Reid -- 10."Prince Arthur Spotted Exiting Buckingham Palace!": the re-imagined worlds of fanfic trailers / Sibylle Machat -- 11:you'll never see this on the silver screen: the film trailer as a template for the appropriation and transformation of Hollywood Movies / Lili Hartwig -- 12: spoofin' spidey---rebooting the bat: immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster / Daniel Stein -- index --
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journal article
Film reviews in Sequential (Summer 1989) iss.1 p.26-32
PhysDes: ArticleSubject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989) ; BODYWORK (AT, David Caesar, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MULL (AT, Don McLennan, 1988) ; SWEETIE (AT, Jane Campion, 1989) ; SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988) ; DEAD CALM (AT, Phillip Noyce, 1989) Summary: Review, credits and images of Australian releases
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The film studio : film production in the global economy / Ben Goldsmith and Tom O'Regan Lanham, Md.: Rowman & Littlefield, 2005, 2005.
Call No: 221 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Source: UKPlace: Lanham, Md.Publisher: Rowman & Littlefield, 2005PubDate: 2005PhysDes: xiii, 231 p. ; 24 cmSeries: Critical media studiesSubject: STUDIOS, FILM ; PRODUCTION Summary: "The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 0742536815Contents: Ch. 1. International production and globalization -- Ch 2. Types of studio -- Ch. 3. Studios, the "location interest," and policy -- Ch. 4. Studios, stargates, and urban reimagining -- Ch. 5. Extreme dreams in satellite locations : the rise of the Greenfields Studio -- Ch. 6. From national to international film studios -- Ch. 7. Still exceptional? : London's film studios -- Ch. 8. "The same but different!" : Canadian studios and international production -- Ch. 9. Still the center : studios and the United States -- Bibliography -- Index -- About the authors
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journal article
Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11
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Film Styles in Lumiere (May, 1973) iss.23 p.33
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Film Theory : an introduction / by Robert Stam Malden, MA ; Oxford: Blackwell Publishing, 2000. Available at ProQuest (RMIT login required)
Call No: 62 STAAuthor: Stam, Robert Source: US/UK/ATPlace: Malden, MA ; OxfordPublisher: Blackwell PublishingPubDate: 2000PhysDes: x, 381 pages ; 23 cmSubject: FILM ; THEORY ; AUTEUR THEORY ; FORMALISM ; MOVEMENTS AND STYLES IN FILM HISTORY ; MOVEMENTS IN FILM HISTORY ; STRUCTURALISM ; REALISM IN FILMS ; POSTMODERNISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; RACIAL ISSUES AND THE CINEMA ; POSTCOLONIALISM AND THE CINEMA ; PHILOSOPHY AND THE CINEMA Summary: " Film Theory: An Introduction offers a comprehensive history of film theory during the "century of cinema." The book moves all the way from silent-era theorists like Vachel Lindsay and Hugo Munsterberg through to the latest developments in film theory and cultural studies (cognitive theory, Deleuze, queer theory, postcolonial theory, digital theory), international in scope, the volume ranges over developments in such countries as France, Germany, Russia, Italy, Great Britain, the United States, Mexico, Brazil and Argentina, trying always to stress the links between these developments. The book also contextualizes film theory within larger historical and philosophical currents.Written in sophisticated yet accessible language, Film Theory: An Introduction provides a lucid and coherent introduction to a rich and variegated field. " -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780631206545Contents: -- preface -- introduction -- The antecedents of film theory -- Film and film theory : the beginnings -- Early silent film theory -- The essence of cinema -- The Soviet montage-theorists -- Russian formalism and the Bakhtin School -- The historical avant-gardes -- The debate after sound -- The Frankfurt School -- The phenomenology of realism -- The cult of the auteur -- The Americanization of auteur theory -- Third world film and theory -- The advent of structuralism -- The question of film language -- Cinematic specificity revisited -- Interrogating authorship and genre -- 1968 and the leftist turn -- The classic realist text -- The presence of Brecht -- The politics of reflexitivity -- The search for alternative aesthetics -- From linguistics to psychoanalysis -- From feminist intervention -- The postsructuralist mutation -- Textual analysis -- Interpretation and its discontents -- From text to intertext -- The amplification of sound -- The rise of cultural studies -- The birth of the spectator -- Cognitive and analytic theory -- Semiotics revisited -- Just in time : the impact of Deleuze -- The coming out of queer theory -- Multiculturalism, race, and representation -- Third cinema revisited -- Film and the postcolonial -- The poetics and politics of postmodernism -- The social valence of mass-culture -- Post-cinema : digital theory and the new media -- The pluralization of film theory -- notes -- select bibliography -- index --
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Film Victoria : the second reading speech on the Film Victoria Bill presented to the Legislative Assembly of the Parliament of Victoria by the Hon. Norman Lacy, M.P., Minister for the Arts and Minister of Educational Services, 6 October 1981 / Film Victoria [Australia]: [Film Victoria?], 6 October 1981.
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poster
[Film & video perform : poster] / RMIT Union Arts
Call No: P FILPhysDes: 1 poster : col. ; 49 X 35 cm.Subject: EXHIBITION. MELBOURNE ; STUDENTS, FILMS MADE BY. AUSTRALIA Summary: Image: A television on a wheeled trolley, displaying a comic book style image of a person being punched in the face. Text: ' RMIT Union Arts present- film & video perform. The 4th annual exhibition of works from media & arts students from Rusden College, Phillip Institute, Melb C.A.E. and RMIT...'Notes: Poster is curled, corners are bent.ID2: 135
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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Filmbulletin: Kino in Augenhohe Winterthur, Switzerland: Schueren Verlag Gmbh, [1996-].
Call No: held vol. 5.01 no. 234 - December 2001 - incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALSource: szPlace: Winterthur, SwitzerlandPublisher: Schueren Verlag GmbhPubDate: [1996-]Subject: SWITZERLAND Notes: Replaced Film zoomLanguage: German
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Filmed thought : cinema as reflective form / Robert B. Pippin Chicago: University of Chicago Press, 2020.
Call No: 631.19 PIPAuthor: Pippin, Robert B. Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2020PhysDes: 271 pages : illustrations (some colour) ; 32 cmSubject: PHILOSOPHY AND THE CINEMA ; SPECTATORSHIP ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; CHINATOWN (US, Roman Polanski, 1974) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; THIN RED LINE, THE (US, Terrence Malick, 1998) ; DARDENNE, JEAN-PIERRE & LUC Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9780226672007Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne BrothersID2: 343
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Filming the modern Middle East : politics in the cinemas of Hollywood and the Arab world London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2006.
Call No: 71(53) KHAAuthor: Khatib, Lina Source: UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2006PhysDes: viii, 242 p. : ill. ; 24 cmSubject: ARAB COUNTRIES ; MIDDLE EASTERN COUNTRIES ; MIDDLE EASTERN COUNTRIES IN FILMS ; WORLD CINEMA ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; TERRORISM AND THE CINEMA ; RELIGION IN FILMS Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781845111915Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide
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Filming while pregnant was all in the delivery in Sunday Telegraph (26/04/2015) p.128
Call No: TITLE CLIPPINGS FILE; SUNDAY (NZ/AT, Michelle Joy Lloyd, 2015)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: KEENAN, CAMILLE ; CLARE, DUSTIN ; SUNDAY (NZ/AT, Michelle Joy Lloyd, 2015) Summary: Interview with cast about filming of new Australian/New Zealand film 'Sunday', with discussion about key cast member Camille Keenan being pregnant whilst the film was about her character being pregnant.
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 1 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.1Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: WALLIS, HAL B. ; ZANUCK, RICHARD ; BROWN, DAVID ; BERGMAN, INGMAR ; WILDER, BILLY ; POITIER, SIDNEY ; BALL, LUCILLE ; HOWE, W.J. ; PLATT, POLLY ; BEATTY, WARREN ; BOGDANOVICH, PETER ; SILVER, JOAN MICKLIN ; SPIELBERG, STEVEN ; DIAMOND, I. A. L. ; ROSENMAN, LEONARD ; FIELDS, VERNA ; SYLBERT, ANTHEA ; MENGERS, SUE ; EAST OF EDEN (US, Elia Kazan, 1955) ; JAWS (US, Steven Spielberg, 1975) ; SHAMPOO (US, Hal Ashby, 1975) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Filmmaking : narrative & structural techniques / Bob Foss Los Angeles Hollywood, CA: Silman-James Press Distributed by Samuel French Trade, 1992.
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Filmnews Sydney, N.S.W.: Australian Film Commission,
Call No: MICROFILM v 5 n 1 1975 - v 25 n 5 July 1995CorpAuthor: Sydney Filmmakers Co-operativePlace: Sydney, N.S.W.Publisher: Australian Film CommissionPhysDes: 3 microfilm reels : negative, ill. ; 35 mm.Subject: Sydney Filmmakers Co-operative Periodicals Notes: Description based on: Vol. 10, no. 8 (Nov. 1980)ISSN: 1036-8701Holdings: v.5 no.1-v.25 no.5 Feb. 1975-July 1995LON: abn95239775; 11757188
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Filmnews Index: 1975-82/1986-95
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Filmnews talks to the A.F.C in Filmnews (Australia) (Oct-77) vol.VII iss.9 p.5
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Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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Films about motion pictures and television / compiled by Carolyn Calkins ... [et al.] ; edited by Ann Martin Frederick, MD: University Publications of America, 1981.
Call No: 53 FILAuthor: Martin, Ann ; Calkins, Carolyn CorpAuthor: American Film Institute. Education ServicesEdition: 1st edPlace: Frederick, MDPublisher: University Publications of AmericaPubDate: 1981PhysDes: 54 p. ; 28 cmSeries: Factfile ; 13Subject: TEACHING MATERIALS Notes: "American Film Institute, Educational Services"--Cover; Includes bibliographical references (p. 35-41)ISBN: 0890935718LON: 11543369
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Films about motion pictures and television / compiled by Carolyn Calkins ... [et al.] ; edited by Martin, Ann Washington DC: American Film Institute Education Services, 1981.
Call No: 53 FILAuthor: Martin, Ann Edition: 1stPlace: Washington DCPublisher: American Film Institute Education ServicesPubDate: 1981PhysDes: 54 p. ; 28 cmSeries: Factfile #13Subject: TELEVISION IN FILMS ; FILMS IN FILMS Notes: Includes index.
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Films deliver : teaching creatively with film / Anthony Schillaci and John M. Culkin (eds) New York: Citation Press, 1970.
Call No: 53(035) FILSource: USPlace: New YorkPublisher: Citation PressPubDate: 1970PhysDes: 348 p. : ill. ; 20 cmSubject: TEACHING MATERIALS Summary: Films deliver is a guide to film use in schools. It offers approaches to using film and television in the classroom to spark interest, generate discussion, and develop critical thinking and analytical abilityNotes: Includes title index and appendicesDonation: donated by the family of Wayne Levy, 2006Contents: What films can do for teachers and students - How it's being done today - The nitty-gritty of films in education - Appendices
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book
Films from Australia: mini-series/telemovies : a checklist of film and television production October 1989.
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Films from Australia: mini-series/telemovies : a checklist of film and television production October 1991.
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book
Films from Australia: mini-series/telemovies : a checklist of film and television production April 1992.
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Films from Australia: telemovies/mini-series : a checklist of film and television production October 1992.
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Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1993.
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book
Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1995.
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Films from Australia: telemovies mini-series series and serials : a checklist of film and television production October 1994.
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Films from Australia: TV drama : a checklist of television production October 1996.
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Films from Australia: TV drama : a checklist of film and television production October 1995.
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Films from Australia: TV drama : a checklist of television production April 1996.
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newspaper article
Films, games worth $3b a year in Sydney Morning Herald (16/11/2016) p.13
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Films go offshore for tax breaks in Sunday Telegraph (23/04/2017) p.31
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Silmalis, Linda PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; FOX STUDIOS AUSTRALIA Summary: Fox Studios Australia argues that the producer's offset tax break needs to be raised. This was tabled in a submission to the Senate inquiry on the Australian film and TV industryNotes: A
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Films in distribution winter '76-77 / Artificial Eye Film Company 1977.
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Films in our lives : an approach to film appreciation / by N.H. Rosenthal Director, Department of Visual Aids, University of Melbourne Melbourne, Australia: F.W. Cheshire, 1953.
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The films of Andrei Tarkovsky : a visual fugue / Vida T. Johnson and Graham Petrie Bloomington: Indiana University Press, 1994.
Call No: 81TAR JOHAuthor: Johnson, Vida T., 1947 ; Petrie, Graham Place: BloomingtonPublisher: Indiana University PressPubDate: 1994PhysDes: xvii, 331 p. : ill. ; 24 cmSubject: TARKOVSKY, ANDREI Notes: Filmography: p. [315]-317; Includes bibliographical references (p. [320]-323) and indexISBN: 0253331374 (alk. paper); 0253208874 (pbk. : alk. paper)LON: 93043589; 10613057
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The films of Carl-Theodor Dreyer / David Bordwell Berkley: University of California Press, c1981.
Call No: 81DRE BORAuthor: Bordwell, David Source: USPlace: BerkleyPublisher: University of California PressPubDate: c1981PhysDes: 251 p. : ill., ports. ; 26 cmSubject: DREYER, CARL TH. ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ORDET (DK, Carl Th. Dreyer, 1955) ; GERTRUD (DK, Carl Theodor Dreyer, 1964) ; AESTHETICS ; STRUCTURALISM ; NARRATIVE IN FILMS Summary: Includes index.
Bibliography: p. 242-248.
Filmography: p. 202-227ISBN: 0520039874Language: English
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The films of Carlos Saura : the practice of seeing / Marvin D'Lugo Princeton, New Jersey: Princeton University Press, 1991.
Call No: 81SAU DLUAuthor: D'Lugo, Marvin Place: Princeton, New JerseyPublisher: Princeton University PressPubDate: 1991PhysDes: xii, 251 p. : ill. ; 25 cm.Subject: CRITICISM ; SPAIN ; SAURA, CARLOS ; EL DORADO (SP/FR, Carlos Saura, 1988) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; LLANTO POR UN BANDIDO (SP, Carlos Saura, 1963) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; PEPPERMINT FRAPPE (SP, Carlos Saura, 1967) ; CARMEN (SP, Carlos Saura, 1983) ; STRESS ES TRES TRES (SP, Carlos Saura, 1968) ; JARDIN DE LAS DELICIAS, EL (SP, Carlos Saura, 1970) ; ANA Y LOS LOBOS (SP, Carlos Saura, 1972) ; CRIA CUERVOS (SP, Carlos Saura, 1976) ; OJOS VENDADOS, LOS (SP, Carlos Saura, 1978) ; MAMA CUMPLE 100 ANOS (SP/FR, Carlos Saura, 1979) ; ZANCOS, LOS (SP, Carlos Saura, 1984) ; AMOR BRUJO, EL (SP, Carlos Saura, 1986) ; NOCHE OSCURA, LA (SP, Carlos Saura, 1989) ; MADRIGUERA, LA (SP, Carlos Saura, 1969) Summary: An analysis of the films of Carlos Saura from 1959-1989, looking particularly at the influence of Franco's enforced Spanish cultural identity on the filmmakers works.Notes: Includes bibliographical references (p. 241-247).
Includes index.ISBN: 0691031428
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journal article
Films of change in Lumiere (January/February, 1974) iss.31 p.33-34
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The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
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The films of Ingrid Bergman / by Lawrence J. Quirk Secaucus, N.J.: Citadel Press, 1970.
Call No: 81BER QUIAuthor: Quirk, Lawrence J. Source: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: 1970PhysDes: 224 p. : ill., ports. ; 28cmSubject: BERGMAN, INGRID ; CASABLANCA (US, Michael Curtiz, 1942) ; GASLIGHT (US, George Cukor, 1944) ; BELLS OF ST. MARY'S, THE (US, Leo McCarey, 1945) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STROMBOLI (IT, Roberto Rossellini, 1949) ; YELLOW ROLLS ROYCE, THE (UK, Anthony Asquith, 1965) ; VIAGGIO IN ITALIA (IT/FR, Roberto Rossellini, 1953) Summary: A story of Ingrid Bergman’s life and career. Details of her films and their stories in different time periods are described, from the Swedish period to the renaissance. A summary of information on her stage appearances and television appearances.ISBN: 0806504803
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The films of James Stewart / by Ken D. Jones, Arthur F. McClure [and] Alfred E. Twomey South Brunswick: A. S. Barnes, 1970].
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The films of the eighties : a social history / William J. Palmer Carbondale: Southern Illinois University Press, 1993.
Call No: 409 PALAuthor: Palmer, William J. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xv, 335 pages : illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1980's ; SOCIETY AND THE CINEMA ; VIETNAM WAR IN FILMS ; WAR AND THE CINEMA ; NUCLEAR WARFARE IN FILMS ; TERRORISM AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780809320295Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history
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Films with a purpose : documentary film in Victoria [1973?].
Call No: 11(94)SFC FILSource: ATPubDate: [1973?]PhysDes: 19 p. : ill. ; 22 cmSubject: STATE FILM CENTRE OF VICTORIA Summary: Booklet about the holdings of documentary film at the State Film Centre of Victoria
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newspaper article
Films worth fighting for in Sydney Morning Herald [Letters] (19/12/2015) p.39
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Filmways Busting Loose with Exciting New product at Their Annual Trade Day Convention in Australasian Cinema (10/9/1982) vol.11 iss.16 p.6-7
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Filmways handle international sale of "Stone" in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.5
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Filmways "The Chosen" shatters records in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Filmways US announces Production Schedule in Australasian Cinema (6/8/1982) vol.11 iss.14 p.6
PhysDes: ArticleSubject: LONE WOLF MCQUADE (US, Steve Carver, 1983) ; BREATHLESS (US, Jim McBride, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; STRANGE INVADERS (US, Michael Laughlin, 1983) ; EASY MONEY (US, John Signorelli, 1983) ; CLASS (US, Lewis John Carlino, 1983) ; YELLOWBEARD (UK, Mel Damski, 1983) ; CHEECH & CHONG'S THE CORSICAN BROTHERS (US, Thomas Chong, 1984) ; GORKY PARK (US, Michael Apted, 1983) ; FILMWAYS Summary: List of Filmways films with a 1983 release date.
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title clippings file
FIMPEN : (SW, Bo Widerberg, 1974)
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FIMPEN : (SW, Bo Widerberg, 1974)
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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Finally some navel-gazing in Sydney Morning Herald [TV Guide] (16/02/2015) p.2
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Finding and keeping : research use of audiovisual material / edited by Marjorie Roe Sydney: Audiovisual Services Committee of the Library Association of Australia, 1987.
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Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016.
Call No: 71(943) CRAAuthor: Craven, Allison Source: UK/USPlace: London ; New YorkPublisher: Anthem PressPubDate: 2016PhysDes: xii, 158 pages ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: QUEENSLAND ; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND ; LANDSCAPES IN FILMS. AUSTRALIA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; SEA IN FILMS ; IRISHMAN, THE (AT, Don Crombie, 1978) ; JEDDA (AT, Charles Chauvel, 1955) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008) ; UNINHABITED (AT, Bill Bennett, 2010) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; PETER PAN (US, P.J. Hogan, 2003) ; REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005) ; STRAITS, THE [TV] (AT, 2012-) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destinationISBN: 9781783085491Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion
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Finding true love, one week at a time in Herald Sun [The Score/Sport] (07/08/2015) p.87
Call No: CLIPPINGS FILE; TALE OF BOSOM MALE FRIEND, THE [TV](CC/AT) in productionAuthor: Gullan, Scott PhysDes: Clippings File ArticleSubject: TALE OF BOSOM MALE FRIEND, THE [TV] (CC/AT, 2015) Summary: An article about Chinese TV series, The tale of bosom male friend, filming on location an AFL match in Melbourne suburb of Coburg. Local film company, AMG Media Productions is the co-producer of the series.
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Finidng true love, one week at a time in Herald Sun (07/08/2015) p.87
Call No: TITLE CLIPPINGS FILE in production; TALE OF BOSOM MALE FRIEND, THE [TV](CC/AT) in productionAuthor: Gullan, Scott PhysDes: Clippings File ArticleSubject: TALE OF BOSOM MALE FRIEND, THE [TV] (CC/AT, 2015) Summary: Report on the shooting of an Australian Rules Football match as part of a new Chinese/Australian produced tv show for Chinese audiences called (in english) THE TALE OF BOSOM MALE FRIEND
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Finnish cinema / Peter Cowie Helsinki: VAPK-Pub., 1990.
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Finnish cinema / Peter Cowie Cranbury, New Jersey: Tantivy Press, A.S. Barnes & Co., 1976.
Call No: 71(480) COWAuthor: Cowie, Peter Source: UK/USPlace: London; Cranbury, New JerseyPublisher: Tantivy Press; A.S. Barnes & Co.PubDate: 1976PhysDes: 128 p. : ill., ports. ; 18cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TAPIOVAARA, NYRKI ; BLOMBERG, ERIK ; KASSILA, MATTI ; WITIKKA, JACK ; KURKVAARA, MAUNU ; DONNER, JORN ; MOLLBERG, RAUNI ; JARVA, RISTO ; KIVIKOSKI, ERKKO ; NISKANEN, MIKKO ; PAKKASVIRTA, JAAKKO ; MAKINEN, AITO ; VALKOINEN PEURA (FI, Erik Blomberg, 1953) Notes: Includes index; Bibliography, p. 126-127; Published in association with the Finnish Film Foundation, HelsinkiISBN: 0498020126 (USA); 0904208567 (UK)
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First stage : profiles of the new American actors / Kathy Henderson New York: Quill, 1985.
Call No: 802.27(73) HENAuthor: Henderson, Kathy, 1954 Edition: 1st Quill edSource: USPlace: New YorkPublisher: QuillPubDate: 1985PhysDes: 159 p. : ill. ; 28 cmSubject: WEAVER, SIGOURNEY ; BACON, KEVIN ; BRODERICK, MATTHEW ; CLOSE, GLENN ; CROUSE, LINDSAY ; HINES, GREGORY ; HURT, MARY BETH ; HURT, WILLIAM ; IVEY, JUDITH ; KLINE, KEVIN ; LITHGOW, JOHN ; MALKOVICH, JOHN ; PATINKIN, MANDY ; REED, PAMELA ; ROBERTS, ERIC ; SHEA, JOHN ; STREEP, MERYL ; WELLER, PETER ; WILLIAMS, JOBETH ; WILLIAMS, TREAT Notes: Includes indexISBN: 0688047009 (pbk.)LON: 3795658
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First watch : the place we call home in Weekend Australian [Review] (05/11/2016) p.23
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Five for Hollywood / John Parker London: Macmillan London, 1989.
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Old collection
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Five Hungarian artists of the cinema / Istvan Zsugan [Brochures of Information],
Call No: 71(439.1) ZSUAuthor: Zsugan, Istvan Publisher: [Brochures of Information]PhysDes: 42 p. ; 17 cmSubject: FABRI, ZOLTAN ; JANCSO, MIKLOS ; KOVACS, ANDRAS ; SZABO, ISTVAN ; KOSA, FERENC ; HUNGARY Summary: Interivews with Zoltan Fabri, Miklos Jancso, Andras Kovacks, Istvan Szabo, and Ferenc Kosa
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Five screenplays / by Preston Sturges ; edited with an introduction by Brian Henderson. Berkeley, California: University of California Press, 1985.
Call No: 792 STUAuthor: Sturges, Preston ; Henderson, Brian Robert Source: USPlace: Berkeley, CaliforniaPublisher: University of California PressPubDate: 1985PhysDes: vii, 848 pages : illustrations, photographs ; 23 cmSubject: GREAT MCGINTY, THE (US, Preston Sturges, 1940) ; CHRISTMAS IN JULY (US, Preston Sturges, 1940) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; HAIL THE CONQUERING HERO (US, Preston Sturges, 1943) ; STURGES, PRESTON Summary: "Brian Henderson's introduction provides an overview of Sturges criticism and brief biographical material. Each script is preceded by a prefatory essay discussing its evolution. The insights provided by this volume will be useful to film students and aspiring screenwriters, and fascinating to anyone interested in screen comedy..." -- Publisher descriptionNotes: Includes bibliographical references.ISBN: 0520055640Contents: Foreword -- Introduction -- The great McGinty -- Christmas in July -- The Lady Eve -- Sullivan's travels -- Hail the conquering hero
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'Flashback' digs into the past at Film World in Encore (Mar 2000) vol.18 iss.2 p.30
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Flesh and excess : on underground film / Jack Sargeant Los Angeles, CA: Amok Books, 2015.
Call No: 771.3 SARAuthor: Sargeant, Jack Place: Los Angeles, CAPublisher: Amok BooksPubDate: 2015PhysDes: 222 p. : illustrations ; 23cmSubject: EXPERIMENTAL FILMS ; SURREALISM AND THE CINEMA ; BALDWIN, CRAIG ; ZEDD, NICK ; LUNCH, LYDIA ; PHILLIPS, TODD ; LABRUCE, BRUCE ; KERN, RICHARD ; STARK, CASANDRA Summary: Jack Sargeant's first new book dedicated to Underground Film since 1999 sees the cult author return to the physical, body-focused and transgressive films that first seduced him. With Flesh & Excess: On Underground Film, the focus is now divided between the historical, theoretical and philosophical. Starting with an exploration of the return to the shock of the body in underground film in the 1980s and the growth of underground film in the '90s, he explores and defines an underground cinema that remains radical and contemporary, informing subcultures and independent cinema today. Primarily focusing on a handful of key works by two award-winning underground filmmakers (Usama Alshaibi and Aryan Kaganof), Sargeant examines the the desire - even the need - for a shocking bodily representations and interventions. Punctuating his writing with philosophical analysis, explorations of areas as diverse as industrial culture, surrealism, butoh dance, fine art and medical fetishism, the book challenges the reader to examine the very nature of pleasure, of viewing and of experiencing cinema. Comprehensively illustrated throughout. -- publisher's web siteISBN: 9781878923288ID2: 285
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Edition: 2nd edSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: viii, 248 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CITIZEN KANE (US, Orson Welles, 1941) ; CHARACTERIZATION IN FILMS ; CLUELESS (US, Amy Heckerling, 1995) ; COOLBAROO CLUB, THE (AT, Roger Scholes, 1996) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EMMA (UK, Douglas McGrath, 1996) ; FRONTLINE [TV] (AT, 1994- ) ; GALLIPOLI (AT, Peter Weir, 1981) ; GENRES ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; HOUSEKEEPING (US, Bill Forsyth, 1987) ; MITT LIV SOM HUND (SW, Lass Hallestrom, 1985) ; MURIEL'S WEDDING (AT, P.J. Hogan, 1994) ; NARRATIVE IN FILMS ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; POLICE ON TV ; PROOF (AT, Jocelyn Moorhouse, 1991) ; REALISM IN FILMS ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SEINFELD [TV] (US, 1990-98) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAME (AT, Steve Jodrell, 1988) ; SHINE (AT/UK, Scott Hicks, 1996) ; SITUATION COMEDY ; STAR WARS (US, George Lucas, 1977) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: BibliographyISBN: 0195506774 : $26.95; 0195506774 (pbk.)LON: 13455821ID2: 290
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[Flirting : stills file]
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Interim
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Focus 1999 : world market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 1999.
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Interim
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Focus 2000 : world film market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 2000.
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Interim
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Focus 2002 : World film market trends. Tendances du marche mondial du film / Executive director Jerome Paillard France: Marche du film, European Audiovisual Observatory, 2002.
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Focus on Films in Australasian Cinema (11/2/1983) vol.12 iss.2 p.5
Author: Salter, Denbeigh PhysDes: ArticleSubject: NIGHT SHIFT (US, Ron Howard, 1982) ; SWORD AND THE SORCERER, THE (US, Albert Pyun, 1982) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CRITICISM Summary: Reviews of 'Blade Runner', 'Night Shift', and 'The Sword and the Sorcerer' by Denbeigh Salter.
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Focus on Hitchcock / Albert J. La Valley Englewood Cliffs: Prentice Hall, 1972.
Call No: 81HIT LAVAuthor: La Valley, Albert J. (ed.) Source: USPlace: Englewood CliffsPublisher: Prentice HallPubDate: 1972PhysDes: 186 p. : ill. ; 24 cmSeries: Film FocusSubject: HITCHCOCK, ALFRED ; BAZIN, ANDRE ; BOGDANOVICH, PETER ; SARRIS, ANDREW ; DURGNAT, RAYMOND ; AGEE, JAMES ; KAEL, PAULINE ; CHANDLER, RAYMOND ; ROHMER, ERIC ; CHABROL, CLAUDE ; TRUFFAUT, FRANCOIS ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ISBN: 0133923657Donation: donated by the family of Wayne Levy, 2006Contents: Introduction - Albert J. LaValley -- Chronology -- HITCHCOCK ON HITCHCOCK -- I wish I didn't have to shoot the picture: an interview with Alfred Hitchcock - Budge Crawley, Fletcher Markle, and Gerald Pratley -- Interviews with Alfred Hitchcock - Peter Bogdanovich -- Direction - Alfred Hitchcock -- Rear Window - Alfred Hitchcock -- HITCHCOCK ON CONTROVERSY -- Alfred Hitchcock - Lindsay Anderson -- Hitchcock versus Hitchcock - Andre Bazin -- Why we should take Hitchcock seriously - Robin Wood -- Hitchcock - Andrew Sarris -- The strange case of Alfred Hitchcock, part three - Raymond Durgnat -- THE FILMS -- James Agee - Notorious -- Pauline Kael - Three Films -- Raymond Chandler - Notebooks on Strangers on a Train -- Ronald Christ - Strangers on a Train - the pattern of encounter -- Eric Rohmer and Claude Chabrol - The Wrong Man -- Leo Braudy - Hitchcock, Truffaut, and the irresponsible audience -- Raymond Durgnat - Inside Norman Bates -- John Crosby - Macabre Merriment -- Jack Edmund Nolan - Hitchcock's TV films -- Analysis of the Plane and Cornfield Chase sequence in North by Northwest
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Focus on reel Australia : a collection of early Australian feature films / presented by the Australian Council of Government Film Libraries in association with the National Film & Soung Archive Hendon, S. Aust.: Australian Council of Government Film Libraries, 1990.
Call No: 71(94) FOCCorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)Place: Hendon, S. Aust.Publisher: Australian Council of Government Film LibrariesPubDate: 1990PhysDes: 64 p. : ill. ; 30 cmSubject: AUSTRALIA ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928) ; ENEMY WITHIN, THE (AT, Rowland Stavely, 1918) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; SILKS AND SADDLES (AT, John K. Wells, 1921) ; NATION IS BUILT, A (AT, Frank Hurley, 1937) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915) ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) Notes: Includes bibliographiesISBN: 0730817245 : price unknownLON: abn90241521; 7460866
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Focus on the horror film / edited by Roy Huss and T.J. Ross Englewood Cliffs, N.J.: Prentice-Hall, c1972.
Call No: 735.2 FOCAuthor: Ross, T. J. (Theodore J.) ; Huss, Roy, 1927 Place: Englewood Cliffs, N.J.Publisher: Prentice-HallPubDate: c1972PhysDes: vi, 186 p. : ill. ; 21 cmSubject: HORROR FILMS ; VAMPIRE FILMS ; DRACULA IN FILMS ; LEWTON ,VAL ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; REPULSION (UK, Roman Polanski, 1965) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Bibliography: p. 180-184ISBN: 0133947599; 0133947424 (pbk)LON: 573005
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Focus shifts to star critic's cinematic life in Weekend Australian (25/02/2017) p.9
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The Fondas : a hollywood dynasty / Peter Collier New York: G.P. Putnam's Sons, c1991.
Call No: 82FON COLAuthor: Collier, Peter Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: c1991PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cmSubject: ACTORS. USA ; Metro-Goldwyn-Mayer ; BARDOT, BRIGITTE ; BEATTY, WARREN ; FONDA, BRIDGET ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; HAYDON, TOM ; LANE, NATHAN ; NICHOLSON, JACK ; Stewart, James ; STRASBERG, LEE ; Sullavan, Margaret ; SELZNICK, DAVID O. ; SUTHERLAND, DONALD ; VADIM, ROGER ; WAYNE, JOHN ; ZANUCK, DARRYL F. ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; CHINA SYNDROME, THE (US, James Bridges, 1979) ; EASY RIDER (US, Dennis Hopper, 1969) ; KLUTE (US, Alan J. Pakula, 1971) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SHAG (UK, Zelda Barron, 1988) Notes: Includes index.ISBN: 0399135928Donation: donated by the family of Wayne Levy, 2006
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Force awakens the inner Jedi in Saturday Age [Spectrum] (14/11/2015)
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Force smashes cinema records in The Australian (22/12/2015) p.3
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Foreign crew entry 'not cricket' in The Australian [Media] (16/02/2015) p.25
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Foreign film tax mooted in South Africa in Encore (Online)
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Forever, Sophia : an intimate portrait / Alain Levy London: Magnum, 1979.
Call No: 81LOR LEVAuthor: Levy, Alain Source: UKPlace: LondonPublisher: MagnumPubDate: 1979PhysDes: xii, 227 p., [16] p. of plates : ill., ports. ; 20 cmSubject: LOREN, SOPHIA ; PONTI, CARLO ; TWO WOMEN (IT/FR, Vittorio De Sica, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; GIRASOLI, I (IT/UR, Vittorio De Sica, 1970) ; SUNFLOWER (IT/UR, Vittorio De Sica, 1970) Summary: Journalist Alan Levy tells the inside story of Sophia Loren, from childhood in the slums of Naples to international fame, critical recognition and personal fulfilment.ISBN: 0417055005Donation: donated by the family of Wayne Levy, 2006
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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Four Corners : twenty-five years / Robert Pullan Sydney: ABC Enterprises for the Australian Broadcasting Corporation, 1986.
Call No: 79FOU PULAuthor: Pullan, Robert Source: ATPlace: SydneyPublisher: ABC Enterprises for the Australian Broadcasting CorporationPubDate: 1986PhysDes: 162 p., [27] p. of plates : ports. ; 24 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; [FOUR] 4 CORNERS [TV] (AT, 1961-) Summary: "Four Corners - Twenty-five Years recalls programs which broke new ground for television public affairs and events which made news in their time. The author's incisive style produces images and powerful stories whose strength remains undiminished by the passing years. This book is not an inventory of the subjects the program has tackled, nor does it catalogue all the people who have made Four Corners the extraordinary success story it is. Robert Pullan, himself a journalist and author, went to people who had worked for Four Corners to find his material, to past and present Four Corners journalists who selected highlights of their work. 'No one program has the power by itself to widen the agenda of public debate' Pullan says, 'but it seemed to me that Four Corners had been on the cutting edge of major changes and that it would be interesting to tell the story from this perspective'. " -- BOOK BLURBISBN: 0642527334Donation: Levy collectionContents: -- contents -- introduction -- 'A quality Sunday newspaper' -- the Charlton-Raymond show -- Allan Ashbolt and the RSL -- the invisible execution -- character and the camera -- secret worlds -- sex and sensitivity -- mining the environment -- the big league -- handle with care -- the rainbow warrior and 'branded' -- out of sight, out of mind -- acknowledgements -- presenter/comperes 1961-1986 -- executive producers 1961-1986 --
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Four scripts / [by] Cliff Green South Yarra, Vic.: Hyland House, 1978.
Call No: 792 GREAuthor: Green, Cliff, 1934 Place: South Yarra, Vic.Publisher: Hyland HousePubDate: 1978PhysDes: 216 p. ; 22 cmSubject: GREEN, CLIFFORD ; SHINING MORNING FACE [TV] (AT, David Cahill, 197?) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; POWER WITHOUT GLORY [TV] (AT, 1976) ; END OF SUMMER [TV] (AT, Oscar Whitbread, 1977) Summary: "Four scripts, four examples showing how the creative artist can work within the straitjackets of finance, novel adaptation, criteria as strict as Aristotle's, and producer's hunches, for script writing, like architecture, is an art form which must keep its feet firmly on the ground. In an illuminating introduction Cliff Green tells of the genesis of each script, the differing artistic and commercial criteria, restriction of budget, the demands of the market-place, such contingencies as the availabilty of talent, the geography of locations, even the idiosyncracies of the weather." -- BACK COVERNotes: Drama in English Australian writers, 1945 - Texts (ANB/PRECIS SIN00049IX)"... Published with the assistance of the Literature Board of Australia Council" - verso t.p.ISBN: 0908090064 : $7.95 AustLON: 1653908Contents: Shining morning face -- Summerfield -- Divine intervention -- End of summer
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Four-Star scripts, actual shooting scripts and how they are written / ed. by Lorraine Noble New York, 1936:
Call No: 224 FOUPlace: New York, 1936Subject: SCRIPTWRITING ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; LITTLE WOMEN (US, George Cukor, 1933) ; LADY FOR A DAY (US, Frank Capra, 1933) ; STORY OF LOUIS PASTEUR, THE (US, Wilhelm Dieterle, 1936) LON: 1767657
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Levy Collection
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The Fox Girls / by James Robert Parish Castle Books, 1972.
Call No: 802.27 PARAuthor: Parish, James Robert Publisher: Castle BooksPubDate: 1972PhysDes: 722 p. : ill. ; 26 cmSubject: ACTORS ; TWENTIETH CENTURY-FOX ; BARA, THEDA ; GAYNOR, JANET ; TEMPLE, SHIRLEY ; FAYE, ALICE ; YOUNG, LORETTA ; HENIE, SONJA ; DARNELL, LINDA ; GRABLE, BETTY ; TIERNEY, GENE ; BAXTER, ANNE ; MIRANDA, CARMEN ; HAVER, JUNE ; CRAIN, JEANNE ; MONROE, MARILYN ; NORTH, SHEREE ; WELCH, RAQUEL Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.ISBN: 0870001280
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newspaper article
Foxtel deal smacks of being sweetener in Sunday Age [Editorials] (6/08/2017) p.30
Call No: SUBJECT CLIPPINGS FILE; FOXTELAuthor: [Editorial] PhysDes: Clippings File ArticleSubject: STATE AND TV. AUSTRALIA ; FOXTEL Summary: Comment on the $30 million the Federal Government have given to Foxtel on the basis of helping them broadcasting 'unrepresented sports', whilst refusing to hand over documentation describing the specific nature of the payment
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Old collection
book
Fragments : Janet Hills 1919-1956 / Janet Hills Stroud: H., M. and C. Hills, [1956].
Call No: F81HIL HILAuthor: Hills, Janet Source: UKPlace: StroudPublisher: H., M. and C. HillsPubDate: [1956]PhysDes: 143 p., [6] leaves of plates : ports. ; 22 cm.Subject: TELEVISION. UK Notes: Poems; newspaper articles; film and television criticism from The Times educational supplement; short storiesLanguage: English
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still
[Fragments of war: the story of Damien Parer : stills file]
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Framer framed / Trinh T. Minh-Ha New York London: Routledge, 1992.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: New York LondonPublisher: RoutledgePubDate: 1992PhysDes: viii, 276 p. : ill. ; 24 cmSubject: TRINH, T. MINH-HA ; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983) ; NAKED SPACES (US, Trinh T. Minh-ha, 1985) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) Notes: Scripts and interviews; Bibliography: p. 269-276ISBN: 0415905613; 0415905621 (pbk.)LON: 8665219
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Framing culture : criticism and policy in Australia / Stuart Cunningham North Sydney: Allen & Unwin, 1992.
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Interim
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Framing piracy : Globalization and film distribution in Greater China / Shujen Wang Rowman and Littlefield, 2003.
Call No: 30(51) WANPublisher: Rowman and LittlefieldPubDate: 2003PhysDes: 234 cm ; 23 cmSubject: CITY OF SADNESS, A [ ; DISTRIBUTION ; PIRACY ; COPYRIGHT ; TAIWAN Summary: Framing Piracy examines film distribution - both legal and illegal - in the largest, mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of politics, globalization, and technology. It features a wealth of original research, new distribution data, and interviews with film distributors, government officials, and film pirates. With changes afoot in China upon its entry into the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory and practice. [Taken form back cover].ISBN: 072519805
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title clippings file
FRAMLING STEG AV TAGET, EN : (SW, Lars G. Thelestam, 1974)
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title clippings file
FRAMLING STEG AV TAGET, EN : (SW, Lars G. Thelestam, 1974)
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The franchise era : managing media in the digital economy / edited by James Fleury, Bryan Hikari Hartzheim and Stephen Mamber Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FRAAuthor: Fleury, James ; Hartzheim, Bryan Hikari ; Mamber, Stephen Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: xvi, 320 pages : illustratedSubject: FRANCHISES ; ALIEN [...] (UK/US, 1979-92) ; CRITTERS (US, Stephen Herek, 1986) ; DISNEY ; VIDEO GAMES ; STAR WARS [...] (US, 1977-2015) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010) ; TELEVISION ; MOBILE AND ONLINE MEDIA ; VIRTUAL REALITY Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms.
Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web siteISBN: 9781474477741Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber
PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert
PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher
PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison
PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler
PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury
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Francois Ozon / Andrew Asibong Manchester, UK: Manchester University Press, c2008.
Call No: 81OZO ASIAuthor: Asibong, Andrew Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: c2008PhysDes: viii, 157 p. : ill. ; 21 cmSeries: French Film DirectorsSubject: DIRECTORS. FRANCE ; OZON, FRANCOIS ; SITCOM (FR, Francois Ozon, 1998) ; REGARDE LA MER (FR, Francois Ozon, 1997) ; GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000) ; SOUS LE SABLE (FR, Francois Ozon, 2000) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004) Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmographyISBN: 9780719074233Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --
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Franju / Raymond Durgnat London: Studio Vista, c1967.
Call No: 81FRA DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Studio VistaPubDate: c1967PhysDes: 144 p. : ill. ; 17 cm.Series: Movie paperbacksSubject: DOCUMENTARY FILMS ; POETIC REALISM ; SURREALISM AND THE CINEMA ; AVANT-GARDE FILMS ; FRANJU, GEORGES ; SANG DES BETES, LE (FR, Georges Franju, 1948) ; PREMIERE NUIT, LA (FR, Georges Franju, 1958) ; EN PASSANT PAR LA LORRAINE (FR, Georges Franju, 1951) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; GRAND MELIES, LE (FR, Georges Franju, 1952) ; POUSSIERES, LES (FR, Georges Franju, 1954) ; A PROPOS D'UNE RIVIERE (FR, Georges Franju, 1955) ; NOTRE DAME CATHEDRALE DE PARIS (FR, Georges Franju, 1956) ; TETE CONTRE LES MURS, LA (FR, Georges Franju, 1959) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) ; PLEINS FEUX SUR L'ASSASSIN (FR, Georges Franju, 1960) ; THOMAS L'IMPOSTEUR (FR, Georges Franju, 1965) ; RIDEAUX BLANCS, LES (FR, Georges Franju, 1965) Notes: Bibliography: p. 143-144.ISBN: 0289277973
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Frank Tashlin / edited by Claire Johnston and Paul Willemen [Edinburgh]: Edinburgh Film Festival in association with Screen, the journal of the Society for Education in Film and Television, 1973.
Call No: 81TAS FRAAuthor: Tashlin, Frank ; Johnston, Claire ; Willemen, Paul Place: [Edinburgh]Publisher: Edinburgh Film Festival in association with Screen, the journal of the Society for Education in Film and TelevisionPubDate: 1973PhysDes: 151 p. : ill. ; 17 cmSubject: TASHLIN, FRANK ISBN: 090067606X : ª1.10LON: 75311511; 265521
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Freak scenes : American indie cinema and indie music cultures / Jamie Sexton Edinburgh: Edinburgh University Press, 2023.
Call No: 751.0(73) SEXAuthor: Sexton, Jamie Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPubDate: 2023PhysDes: viii, 202 pages : illustratedSeries: Music and the moving image seriesSubject: ROCK MUSIC IN FILMS ; INDEPENDENT FILMS. USA ; ARAKI, GREGG ; COPPOLA, SOFIA ; SMITHEREENS (US, Susan Seidelman, 1982) ; SUBURBIA (US, Penelope Spheeris, 1983) ; PARIAH (US, Randolph Kret, 1998) ; SORRY TO BOTHER YOU (US, Boots Riley, 2018) ; DECLINE OF WESTERN CIVILISATION, THE (US, Penelope Spheeris, 1981) ; LADIES AND GENTLEMEN THE FABULOUS STAINS (CN, Lou Adler, 1982) Summary: The first academic book to explore indie music and indie music cultures on screen.
Combines historical, cultural, aesthetic and industry analysis to explore the functions and broader appeal of indie music on film
Includes analyses of indie punk scenes on film
Examines gender and racial issues within indie music and film
Freak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s. Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking.
Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns. Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film. -- publisher's web siteISBN: 9781474414067Contents: Introduction -- A Brief History of Indie Music in American Indie Film -- Sonic Authorship 1: Gregg Araki -- Sonic Authorship 2: Sofia Coppola -- Documenting Scenes and Performers 1: Punk, Smithereens and Suburbia -- Documenting Scenes and Performers 2: Grunge and Riot Grrrl -- Indie Music, Film, and Race 1: Medicine for Melancholy and Pariah -- Indie Music, Film, and Race 2: Sorry to Bother You -- Conclusion -- Notes -- Bibliography -- Index
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Fred Astaire : Hollywood's magic people / Howard Thompson New York: Falcon Enterprises, 1970.
Call No: 81AST THOAuthor: Thompson, Howard Source: USPlace: New YorkPublisher: Falcon EnterprisesPubDate: 1970PhysDes: 154 p . ill.Subject: MUSICALS. USA ; ASTAIRE, FRED ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DAMSEL IN DISTRESS, A (US, George Stevens, 1937) ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SECOND CHORUS (US, H.C. Potter, 1941) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; SWING TIME (US, George Stevens, 1936) ; TOP HAT (US, Mark Sandrich, 1935) ; YOU WERE NEVER LOVELIER (US, William A. Seiter, 1942) Donation: donated by the family of Wayne Levy, 2006
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newspaper article
Free-to-air fatigue no bar to small-screen pleasures in The Australian (28/11/2016) p.26
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2016Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: An overview of the author's tips for the best and worst made (with a focus on local) shows on Australian tv in 2016
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newspaper article
Free-to-air networks should pay for licence fee cuts, say rivals in Australian Financial Review (10/08/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; LICENCES. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: LICENCES. AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Discussion about the possibility of the Australian Federal Government handing over a licence fee reduction to the free to air networks, and whether this is a good idea. Various industry groups and stakeholders voice their opinion.
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newspaper article
Free-to-air TV bosses strengthen calls for licence fee cuts in Australian Financial Review (28/09/2016) p.2
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newspaper article
Free TV protection past its use-by date in The Australian (01/02/2016) p.24
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French cinema since 1946 London: Zwemmer : Cranbury (N. J.) : Barnes, 1966-.
Call No: 71(44) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Zwemmer : Cranbury (N. J.) : BarnesPubDate: 1966-PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cmSubject: FRANCE ; DIRECTORS. FRANCE ; CLAIR, RENE ; RENOIR, JEAN ; CARNE, MARCEL ; OPHULS, MARCEL ; COCTEAU, JEAN ; CLOUZOT, HENRI-GEORGES ; CLEMENT, RENE ; BECKER, JACQUES ; BRESSON, ROBERT ; TATI, JACQUES ; GREMILLON, JEAN ; LEENHARDT, ROGER ; ROUQUIER, GEORGES ; AUTANT-LARA, CLAUDE Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal styleLON: 4021093 4021093
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journal article
Fritz Lang : cinema of nightmare and fable in Sydney University Film Group Bulletin (June 1971) iss.54 p.19 - 21
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From Hollywood : the careers of 15 great American stars / DeWitt Bodeen South Brunswick [N.J.]: A. S. Barnes, c1976.
Call No: 802.27 BODAuthor: Bodeen, DeWitt, Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1976PhysDes: 352 p. : ill. ; 26 cmSubject: BARA, THEDA ; FARRAR, GERALDINE ; BARRYMORE, JOHN ; CHANEY, LON ; DANIELS, BEBE ; FAIRBANKS, DOUGLAS ; CLARK, MARGUERITE ; LOCKWOOD, HAROLD ; ALLSION, MAY ; REID, WALLACE ; STEWART, ANITA ; TALMADGE, CONSTANCE ; COSTELLO, DOLORES ; BRADY, ALICE ; COMPSON, BETTY ; DEL RIO, DOLORES ; DIX, RICHARD Notes: Includes filmographies and indexISBN: 0498013464 : $15.00LON: 724351
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From Moscow to Madrid : postmodern cities, european cinema / Ewa Mazierska and Laura Rascaroli London: I.B. Tauris, 2003.
Call No: 71(4) MAZAuthor: Mazierska, Ewa ; Rascaroli, Laura Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2003PhysDes: xii, 260 p. : ill. ; 25 cmSubject: CITIES IN FILMS ; EUROPEAN COUNTRIES ; CLASS AND THE CINEMA ; ALMODOVAR, PEDRO ; CHELSOM, PETER ; LUNGIN, PAVEL ; MACHULSKI, JULIUSZ ; MARTONE, MARIO ; MICHELL, KEITH ; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992) ; AMORE MOLESTO, L' (IT, Mario Martone, 1995) ; BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BYE-BYE (FR, Karim Dridi, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) ; FUNNY BONES (US, Peter Chelsom, 1995) ; GIRL GUIDE (PL, Juliusz Machulski, 1995) ; KIKA (SP, Pedro Almodovar, 1993) ; KILER (PL, Juliusz Machulski, 1997) ; LUNA PARK (RU/FR, Pavel Lungin, 1992) ; MARIUS ET JEANETTE (FR, Robert Guediguian, 1997) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; NOTTING HILL (UK, Roger Michell, 1998) ; SLIDING DOORS (US, Peter Howitt, 1998) ; TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990) ; TEATRO DI GUERRA (IT, Mario Martone, 1998) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; TWIN TOWN (UK, Kevin Allen, 1997) ; WONDERLAND (UK, Michael Winterbottom, 1999) Summary: Exploring the postmodern city in the context of European cinema.
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From Steel City to Hollywood : the amazing autobiography of Phil Avalon... model, surfer, actor, writer, director and producer / Phil Avalon London: New Holland Publishers Pty Ltd,
Call No: 81 AVA AVAAuthor: Avalon, Phil Edition: 2015Place: LondonPublisher: New Holland Publishers Pty LtdPhysDes: 288 pages : ilustrated ; 25 cmSubject: AVALON, PHILLIP ; SUMMER CITY (AT, Christopher Fraser, 1978) ; LITTLE BOY LOST (AT, Terry Bourke, 1978) ; BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987) ; SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990) ; TUNNEL VISION (AT, Clive Fleury, 1994) ; PACT (AT, Scott Patterson, 1996) ; LIQUID BRIDGE (AT, Phillip Avalon, 2002) ; STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009) Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt.
Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web siteISBN: 9781742577531
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journal article
From storyboard to screen in Metro Education (1997) iss.11 p.8-12
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From the dark side : survey of the portrayal of Aborigines and Torres Strait Islanders on commercial television / by Lester Bostock North Sydney: Australian Broadcasting Authority, c1993.
Call No: 410.1=1-81 BOSAuthor: Bostock, Lester CorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: North SydneyPublisher: Australian Broadcasting AuthorityPubDate: c1993PhysDes: 38 p ; 30 cmSeries: Monograph (Australian Broadcasting Authority) ; 3 supplementSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; TELEVISION. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY Summary: Research arising from the Australian Broadcasting Tribunal study reported in 'The people we see on TV - cultural diversity on television'. This study was commissioned to investigate attitudes of Aborigines and Torres Strait Islanders to their portrayal on national television.Notes: Supplement to monograph 3; At head of title: Kuri Productions Pty. Ltd.ISBN: 0642191905
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From Vanuatu village to the world : The nation's first film has recieved international praise in The Australian [Arts & entertainment] (5/11/2015) p.15
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newspaper article
Front portrait in Australian Financial Review [AFR Magazine] (26/02/2016) p.23
Call No: PERSONALITY CLIPPINGS FILE; STONE, SIMONAuthor: Albert, Jane PhysDes: Clippings File ArticleSubject: STONE, SIMON Summary: Interview with theatre and film director Simon Stone, where he mentions his film work THE DAUGHTER
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FTPAA welcomes change in film investment in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Functional criticism : cinematic space/time theory and phenomenology / Rosemary L. Matich Ann Arbor Mich.: UMI, 1989.
Call No: 631 MATAuthor: Matich, Rosemary L Source: USPlace: Ann Arbor Mich.Publisher: UMIPubDate: 1989PhysDes: 357 pages. : 22cm.Subject: PHILOSOPHY AND THE CINEMA ; ROSE, PETER ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; SLOW MOVES (US, Jon Jost, 1984) Summary: "This dissertation confronts problems in involving translation of the primary philosophy of Martin Heidegger and Maurice Merleau-Ponty -- the temporal nature of consciousness and the spatiality of perception -- into film theory. It describes qualities of aesthetic experience according to technique, intentionaliy and consciousness/flux" - taken from abstractNotes: Thesis (Ph.D.) - Northwestern University, 1989. Inlcudes bibliography and referencesDonation: donated from the estate of Adrian MilesContents: Chapter I: Creative consciousness and the brain image -- Chapter II: Temporality and theoretical perspectives -- Chapter III: Spatiality and theoretical perspectives -- Chapter IV: Space/time, practice -- Chapter V: Analogies: studies in the movement of time -- Chapter VI: Stranger than paradise -- Chapter VII: Slow moves -- Chapter VIII: See you at the MaoID2: 343
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Funding Australian content on 'small screens': a draft blueprint : A review of Screen Australia's role and objectives in television funding / Screen Australia [Sydney]: Screen Australia, 25 November 2010.
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newspaper article
Funny business in Weekend Australian [Review] (21/03/2015) p.23
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL ISSUES IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
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PIANISTE, LA ; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
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TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
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DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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FUTATSUME NO MADO [STILL THE WATER] : (FR/JA/SP, Naomi Kawase, 2014) Digital clippings file available
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Future directions for commercial television : volume 1: report / Department of Communications Canberra: Australian Government Publishing Service, 1985.
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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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newspaper article
Gameau sweetens up for 'Sugar Film' in The Age [Arts & Entertainment] (12/02/2015) p.20
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The games / John Clarke and Ross Stevenson Sydney: ABC Books, 1999.
Call No: 79GAM CLAAuthor: Clarke, John ; Stevenson, Ross CorpAuthor: ABCSource: AustraliaPlace: SydneyPublisher: ABC BooksPubDate: 1999PhysDes: 232 p. : ill. ; 25cmSubject: SCRIPTS. AUSTRALIA ; SPORTS ; SATIRE ON TV. AUSTRALIA. ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDY TV.AUSTRALIA ; DOCUMENTARY-STYLE PROGRAMS. AUSTRALIA ; SYDNEY ; SYDNEY 2000 OLYMPIC GAMES ; OLYMPICS ; JOHN CLARKE ; GINA RILEY ; BRYAN DAWE ; ABC TV Summary: Scripts for the 1998-2000 ABC television series, 'The Games', written by John Clarke and Ross Stevenson, starring John Clarke, Gina Riley and Bryan Dawe. 'The Games' is a mock-documentary (or 'mockumentary') about the Sydney Organising Committee for the Olympic Games (SOCOG). Episodes include: 'The Press Conference', 'Funding', 'Robbo and the 100 Metres', 'Past Sports Stars and Gender', 'Interlude', 'Dead Man', 'J'Accuse', 'A Management Course', 'A Conflict of Interest', and 'Transport'.ISBN: 073330799X
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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newspaper article
Gather no moss in Saturday Age [Spectrum] (1/08/2015) p.15
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Gender agenda in Weekend Australian [Review] (16/01/2016) p.1
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Gender and Australian celebrity culture / edited by Anthea Taylor and Joanna McIntyre Oxon: Routledge, 2021.
Call No: 465(94) GENAuthor: Taylor, Anthea ; McIntyre, Joanna Edition: 2021Place: OxonPublisher: RoutledgePubDate: 2021PhysDes: 236 pages ; 24 cmSubject: GENDER AND THE CINEMA. AUSTRALIA ; HARRIS, ROLF ; CROWE, RUSSELL ; GADSBY, HANNAH ; SPICER, TRACEY ; CARLOTTA ; SZUBANSKI, MAGDA ; KEDDIE, ASHER ; OFFSPRING [TV] (AT, 2010) ; ME TOO Summary: This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations.
Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption.
This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies. -- publisher's web siteISBN: 9781138366220Contents: Introduction: ‘Gendering Australian celebrity’, Anthea Taylor and Joanna McIntyre
Part I - Celebrity masculinities and settler colonialism -- Chapter One: ‘From mild colonial boy to Jake the Paed: Rolf Harris and Australian celebrity masculinity in the UK’, Tanya Serisier -- Chapter Two: ‘The manly whiteness of Russell Crowe’, Sean Redmond -- Chapter Three: ‘Johnathan Thurston, Indigeneity, and technologies of masculinity in Australian sporting celebrity culture’, Holly Randell-Moon
Part II - Feminist politics and celebrity feminisms -- Chapter Four: ‘Celebritised anger: Theorising feminist rage, voice, and affective injustice through Hannah Gadsby’s Nanette’, Jilly Kay Boyce -- Chapter Five: ‘Clementine Ford, online misogyny, and the labour of celebrity feminism’, Anita Brady -- Chapter Six: "Good" girl turned "bad": Tracey Spicer’s memoir, celebrity feminist journalism, and #MeToo activism in Australia’, Anthea Taylor
Part III - Queer celebrity and marginalised subjectivities -- Chapter Seven: ‘Interviewing a queer national celebrity: Carlotta as an "outsider within" Australian celebrity culture’, Joanna McIntyre -- Chapter Eight: ‘"It was nice for me watching that, because [Magda Szubanski] was very calming": LGBTIQ+ Australians respond to marriage equality activism’, Lucy Watson
Part IV - Self-presentation and celebrity femininities -- Chapter Nine: ‘"I can call myself Australian if I want to": Natalie Tran and Asian Australian femininity on YouTube’, Sara Tomkins -- Chapter Ten: ‘Disarming femininity: Annabel Crabb, celebrity, politics and culture’, Frances Bonner -- Chapter Eleven: ‘"Australian TV’s golden girl": Asher Keddie, Offspring, and the celebrity motherhood narrative’, Renee Middlemost
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Gender and early television : mapping women's role in emerging US and British media, 1850-1950 / Sarah Arnold London: Bloomsbury Academic, 2021.
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Interim
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General catalogue : BBC TV programmes 1962.
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Generation multiplex : the image of youth in American Cinema since 1980 / Timothy Shary ; foreword by Stephen Tropiano ; afterword by Catherine Driscoll Austin, Texas: University of Texas Press, 2014.
Call No: 451-053.6(73) SHAAuthor: Shary, Timothy Edition: Revised editionSource: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2014PhysDes: xvii, 414 pages : illustrations ; 23 cmSubject: TEEN FILMS ; EDUCATION IN FILMS ; CRIME FILMS. USA ; HORROR FILMS. USA ; ROMANTIC FILMS. USA Summary: "This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres - school, deliquency, horror, and romance - Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything..., Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga and The Hunger GamesISBN: 9780292756625Contents: Machine generated contents note: One.Introduction: The Cinematic Image of Youth -- Social Representation and Genre Theory -- The Study of Youth, In and Out of Movies -- Two.Youth in School: Academics and Attitude -- Contexts and Trends in the Subgenre -- School Kids -- Transforming the Nerd -- Delinquents and Their Avenues of Anger -- Resisting Rebels -- The Labor of Being Popular -- The Sensitive Athlete -- Conclusion -- Three.Delinquent Youth: Having Fun, on the Loose, in Trouble -- Contexts and Trends in the Subgenre -- Delinquent Styles -- Deviant Dancing -- Natural Encounters -- Tough Girls -- Crime Until 1999 -- Crime after Columbine -- Conclusion -- Four.The Youth Horror Film: Slashers and the Supernatural -- Contexts and Trends in the Subgenre -- Horror Stories -- The Slasher/Stalker Film -- Supernatural Movies -- Conclusion -- Five.Youth Romance: Falling in Love and the Fallout of Sex -- Contexts and Trends in the Subgenre -- From Adolescent Ardor to Juggling Gender -- Family Matters -- Proms -- Losing Virginity -- Being Queer -- Pregnancy -- Conclusion -- Six.Conclusion: Youth Cinema into a New Century.
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Genese d'une exposition : L'Histoire d'Adele H., de Francois Truffaut et Jean Gruault in Vertigo (1991) iss.6/7 p.21-48
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The genius of the system : Hollywood filmmaking in the studio era / Thomas Schatz London: Simon & Schuster, 1989.
Call No: 71(73) SCHAuthor: Schatz, Thomas, 1948 Place: LondonPublisher: Simon & SchusterPubDate: 1989PhysDes: xii, 514 p. : ill. ; 25 cmSubject: USA ; STUDIO SYSTEM Notes: Includes index; California. Los Angeles. Hollywood. Cinema industries,. history (BNB/PRECIS); Bibliography: p. 493-507ISBN: 0671697080 : ª16.95LON: 6577834
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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Genre matters : essays in theory and criticism / Garin Dowd, Lesley Stevenson, Jeremy Strong [editors] Bristol, UK: Intellect Books, 2006.
Call No: 622 GENAuthor: Dowd, Garin ; Stevenson, Lesley ; Strong, Jeremy Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2006PhysDes: 178 p. ; 23cmSubject: GENRES ; PROGRAMME GENRES ; GENDER AND TELEVISION ; GENDER AND THE CINEMA ; DERRIDA, JACQUES ; TESS (FR/UK, Roman Polanski, 1979) Summary: This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and applications of thinking about genre from Aristotle to Derrida and beyond. The essays focus on economies of expectation and competency, genre as media form, recent developments in television broadcast genres, translation and genericity, the role played by genre in film publicity, gender and genre, genre in fiction, and the problematics of classification. An introductory essay places the contributions in the context of a wide range of thinking about genre in the arts, media and humanities. [Taken from the back of the book]Notes: Bibliography: p. 169-170; Includes indexISBN: 1841501077Donation: Donated by Senses Of Cinema, 2009Contents: Introduction: Genre Matters in Theory and Criticism/ Garin Dowd -- Genre Theory: Cultural and Historical Motives Engendering Literary Genre/ Brian G Caraher -- Objectivity and Immanence in Genre Theory/ Paul Cobley -- The Genericity of Montage: Derrida and Genre Theory/ Jeff Collins -- Ohio Impromptu, Genre and Beckett on Film/ Garin Dowd -- Translating Genre/ Susan Bassnett -- Tess, Jude and the Problem of Adapting Hardy/ Jeremy Strong -- " Mixing and Matching": the Hybridising Impulse in Today's Factual Television Programming/ Richard Kilborn -- "So What Kind of Film is it?": Genre, Publicity and Critical Practice/ Mike Chopra-Gant -- Three Faces of Ruth Rendell: Feminism, Popular Fiction and the Question of Genre/ Margaret Russett -- The Historical Novel?: Novel, History and the "End of history"/ Martin Ryle -- Contributors' Details
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The geopolitical aesthetic : cinema and space in the world system / Fredric Jameson Bloomington London: Indiana University Press BFI Pub., 1992.
Call No: 62 JAMAuthor: Jameson, Fredric Place: Bloomington LondonPublisher: Indiana University Press BFI Pub.PubDate: 1992PhysDes: xvi, 220 p. : ill. ; 23 cmSubject: POSTMODERNISM AND THE CINEMA ; SOCIETY AND THE CINEMA ; CONSPIRACY FILMS ; AESTHETICS ; MEDIA ; NARRATIVE IN FILMS ; TECHNOLOGY AND THE CINEMA ; THIRD WORLD ; GODARD, JEAN-LUC ; RENOIR, JEAN ; TARKOVSKY, ANDREI ; TAHIMIK, KIDLAT ; GIDE, ANDRE ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; BLOWOUT (US, Brian De Palma, 1981) ; PARALLAX VIEW, THE (US, Alan J. Pakula, 1974) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; VIDEODROME (CN, David Cronenberg, 1983) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; UNDER FIRE (US, Roger Spottiswoode, 1983) Notes: Includes bibliographical references and indexISBN: 0253330939 (U.S.); 0851703119 (England)LON: 8458641
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George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998.
Call No: 81LUC SALAuthor: Salewicz, Chris Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 143 p. : ill. (some col.) ; 20 cmSubject: DIRECTORS. USA ; LUCASFILM ; SCRIPTWRITERS. USA ; WARNER BROS. ; COPPOLA, FRANCIS FORD ; KURTZ, GARY ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; KAGEMUSHA (JA, Akira Kurosawa, 1980) ; RETURN OF THE JEDI (US, Richard Marquand, 1983) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141ISBN: 0752813188Donation: donated by the family of Wayne Levy, 2006
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George Stevens : an American romantic New York: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn, 1970].
Call No: 81STE RICAuthor: Richie, Donald, 1924 Place: New YorkPublisher: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, ConnPubDate: 1970]PhysDes: 104 p. illus., ports. 21 cmSubject: STEVENS, GEORGE LON: 68054916; 7174
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German film & literature : adaptations and transformations / edited by Eric Rentschler New York: Methuen, 1986.
Call No: 71(430) GERAuthor: Rentschler, Eric Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: x, 385 p. : ill. ; 24 cmSubject: GERMANY ; ADAPTATIONS. GERMANY ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; LIEBELEI (G, Max Ophuls, 1933) ; LEBENZEICHEN (GW, Werner Herzog, 1968) ; LOTTE IN WEIMAR (GE, Egon Gunther, 1975) ; LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956) ; JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966) ; WOZZECK (G, Georg C. Klaren, 1947) ; UNTERTAN, DER (GE, Wolfgang Staudte, 1951) ; FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940) ; ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937) Notes: Includes index; Bibliography: p. [366]-378ISBN: 0416603416 (pbk.); 0416603319LON: 4216378
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Get close : lean team documentary filmmaking / Rustin Thomas Oxford: Oxford University Press, 2019.
Call No: 761 THOAuthor: Thomas, Rustin Edition: 2019Place: OxfordPublisher: Oxford University PressPubDate: 2019PhysDes: viii, 204 pages : illustrated ; 26 cmSubject: PRODUCTION ; DOCUMENTARY FILMS ; LOW BUDGET FILMS ; PRODUCTION COSTS ; BROOMFIELD, NICK ; HERZOG, WERNER ; MAYSLES, ALBERT ; MAYSLES, DAVID ; SUNDANCE INSTITUTE Summary: A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking. -- publisher's web siteISBN: 9780190909901Contents: Acknowledgements -- Introduction -- Lean Team Filmmaking Will Liberate You -- Chapter One: My Lean Team Epiphany -- The Revolution Was Televised -- Chapter Two: Get Close -- Eliminate Barriers and Plan Your Project -- Chapter Three: The Lean Team Toolkit -- Essential gear and supporting equipment -- Chapter Four: The Shoot -- Field Production in the Lean Team Style -- Chapter Five: The Edit -- Cutting as a Lean Team Filmmaker -- Chapter Six: Film Festivals and Distribution -- Keep Your Lean Team Soul and Find an Audience
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Get the picture : essential data on Australian film, television, video and new media / Australian Film Commission, [edited by Rosemary Curtis and Cathy Gray] Sydney: Australian Film Commission, 1998.
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Gettin' Square director gets cranky in The Age (25/05/2017) p.26
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GHARIBEH-VA-MEH : (IR, Bahram Beiza'I, 1975)
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GHARIBEH-VA-MEH : (IR, Bahram Beiza'I, 1975)
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Ghibli Museum, Mitaka / Kanako Abiru (Studio Ghibli) Tokyo: The Tokuma Memorial Cultural Foundation for Animation, 2017.
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Giant $10mill. telemovie project PBL Productions and AFC set deal in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; PACKER, KERRY ; TAXES. AUSTRALIA Summary: Article on the deal struck between the Australian Film Commission and PBL Productions (Kerry Packer's production company) to make eight 'quality' telemovies. they are eligable for tax concessions under Division 10B.
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Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020.
Call No: 81 ARM ERHAuthor: Erhart, Julia Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: x, 189 pages : illustrations ; 22 cmSeries: VisionariesSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; WOMEN FILMMAKERS. AUSTRALIA ; ARMSTRONG, GILLIAN ; SATDEE NIGHT (AT, Gillian Armstrong, 1973) ; GRETEL (AT, Gillian Armstrong, 1973) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001) ; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007) ; FIRES WITHIN (US, Gillian Armstrong, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005) ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]Notes: Includes bibliographical references and indexISBN: 9781474434324Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema
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[Glenn Miller story, The : James Stewart as Glen Miller plays trombone in jam session with jazz band] Universal city studios, c. 1953.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Universal city studiosPubDate: c. 1953PhysDes: 1 photograph (2 images) : b&w ; 26 x 21 cm.Subject: GLENN MILLER STORY, THE (US, Anthony Mann, 1954) ; Stewart, James ; ARMSTRONG, LOUIS Summary: In both images James Stewart stands in front of a jazz band playing the trombone. He wears eye glasses and has his hair slicked back.Notes: Slight crease on upper left corner; 2 images on 1 photograph; White border surrounds images and contains credit information at bottom of photograph
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The global media atlas / Mark Balnaves, James Donald and Stephanie Hemelryk London: British Film Institute, 2001.
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Global melodramas : nation, body, and history in contemporary film / Carla Marcantonio Basingstoke: Palgrave Macmillan,
Call No: 733 MARAuthor: Marcantonio, Carla Edition: 2015Place: BasingstokePublisher: Palgrave MacmillanPhysDes: xii, 190 ; 23 cmSubject: MELODRAMA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; BUBBLE (US, Steven Soderbergh, 2005) ; BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006) ; GRAVITY (US/UK, Alfonso Cuaron, 2013) ; JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006) ; SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004) Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurbISBN: 9781137530615
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Gloria Swanson / [by] Richard M. Hudson and Raymond Lee South Brunswick: A. S. Barnes, 1970].
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The glorious modernity of Kong Ngee Hong Kong: Hong Kong Film Archive, 2006.
Call No: 71(512.317) GLOCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2006PhysDes: 300 p. ; 27 cm.Subject: HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; STUDIOS, FILM ; GENRES ; SINGAPORE ; MALAYSIA Summary: What made [Hong Kong studio] Kong Ngee productions fascinating was its urban touch. The company was initially formed through the tutelage of The Union Film Enterprise Limited veterans, who acted as mentors for a new generation of actors, in works like the company’s founding film The Rouge Tigress (1955), Mother’s Boy Parts One and Two (1956), Blood is Thicker (1956) etc. The company then proceeded to make films on location in Malaysia and Singapore, which led to the ‘Nanyang Trilogy’ – Blood Stains the Valley of Love (1957), China Wife (1957), Moon over Malaya (1957). These films turned newcomers Patrick Tse, Nam Hung and Kar Ling into stars, and gradually fashioned a studio style that set Kong Ngee apart from other Cantonese productions of the time. Kong Ngee made its name with modern romance, both tragic and comic. Reviewing the history of Kong Ngee, from its smooth beginning to its disappointing end, the company started out in the footsteps of the Union tradition but effortlessly moved on from the cultural milieu of the May Fourth Movement to cultivate a modern urban bourgeois sensibility. Regrettably, towards the end of the 1960s, it was thrown off course by the restless pulse of that era and has since fallen by the wayside. To this day, we have not been able to revive this urban cosmopolitan drama that was once part of Hong Kong cinema. Writers in this volume have put together their efforts for a multifaceted study on Kong Ngee, encompassing subjects from the star image to urban media, from genre development to literary adaptation, alongside comparisons between creative talents and individual companies. Last but not least the complex relations between Hong Kong cinema and its Singapore/Malaysian financiers. [Abridged from introduction].ISBN: 9628050389
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The glossary of t.v. terms / Brian Armstrong London: Barrie and Jenkins,
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[God knows why, but it works : stills file]
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Goddess : fierce women on film / Bethan Lloyd Johnson; Matt Millikan Port Melbourne: Thames & Hudson,
Call No: 45[3-02] GODAuthor: Johnson, Bethan Lloyd ; Millikan, Matt Edition: 2023Place: Port MelbournePublisher: Thames & HudsonPhysDes: 272 pages : illustrated ; 24cmSubject: WOMEN AND THE CINEMA ; MAGNANI, ANNA ; LI, GONG ; PICKFORD, MARY ; MONROE, MARILYN ; LUI, NAKHAH ; BERGMAN, INGRID ; WEST, MAE ; DUNYE, CHERYL ; BOW, CLARA ; LINGYU, RUAN ; COLLINS, JOAN ; NORMAND, MABEL ; FEARLESS, NADIA ; GRIER, PAM ; Yeoh, Michelle ; THERON, CHARLIE ; SEDMIKRASKY (CS, Vera Chytilova, 1966) ; SWEETIE (AT, Jane Campion, 1989) ; I WAS A TEENAGE SERIAL KILLER (US, Sarah Jacobson, 1993) ; MARLINA THE MURDERER IN FOUR ACTS (IO/ FR / MY / TH, Mouly Surya, 2017) Summary: The screen goddess is a formidable figure, renowned for her power, complexity and so often beauty. From Joan Crawford and Bette Davis to Laverne Cox and Michelle Yeoh, these women disrupted and redefined the female ideal by pushing boundaries, fighting gender stereotypes and transcending tired tropes.
Goddess examines cinema history through a feminist lens, charting the evolution of women’s on-screen representation and challenging dominant narratives and misconceptions. Contributors, including film critics, actors, podcasters, journalists and academics, share behind-the-scenes stories and celebrate some of cinema’s most memorable female characters at a time when the film industry is undergoing a long-awaited reckoning. -- publisher's web siteISBN: 9781760763466
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Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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The good life : Lunch with Kriv Stenders in Saturday Age [Spectrum] (26/9/15) p.4
Call No: PERSONALITY CLIPPINGS FILE; STENDERS, KRIVAuthor: Quinn, Karl PhysDes: ClippingsSubject: STENDERS, KRIV Summary: Interview with the maker of 'Red Dog' etc.
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newspaper article
Gordon expands media empire with Nine stake in Australian Financial Review (21/10/2015) p.13
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Gordon holds a strong hand in the game of media poker in Australian Financial Review (21/10/2015) p.18
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Government considering $100m TV licence fee cuts in Australian Financial Review (1/05/2017) p.29
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journal article
Government reaffirms pledge to Oz film industry in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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newspaper article
The grand legacy of Star Wars in The Australian (16/12/2015) p.16
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A grand production in Sunday Herald Sun [Other] (3/05/2015) p.93
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Grandma's scrapbook of silent movie stars / by John M. Kaduck Des Moines, Iowa: Wallace-Homestead Book Co., 1976.
Call No: 802.27(73) KADAuthor: Kaduck, John M. Edition: c1976Source: USPlace: Des Moines, IowaPublisher: Wallace-Homestead Book Co.PubDate: 1976PhysDes: 116 pages : illustrations ; 28 cmSubject: USA. 1895-1930 ; HISTORY OF CINEMA. SILENT PERIOD ; STARS. USA Summary: A collection of images of cinema actors from the silent period of American cinemaNotes: Includes index. -- Bibliography: page 115Levy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
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Graphic violence on the screen / edited by Thomas R. Atkins New York: Monarch Press, c1976.
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Grass roots : Series one / Geoffrey Atherden Sydney: Currency Press, 2002.
Call No: 79GRA ATHAuthor: Geoffrey Atherden ; Katherine Thomson ; Michael Brindley Place: SydneyPublisher: Currency PressPubDate: 2002PhysDes: 24 cm ; 334 pSubject: TELEVISION. AUSTRALIA ; POLITICS AND TV. AUSTRALIA Summary: Welcome to Arcadia Waters, where the beaches are beautiful, the headland pristine, and the local politicians dream and scheme. As the locals do battle over garbage collection, the neighbour's noisy dog and a vexatious demolition order, their representatives in council do battle over, well, everything. Join Col Dunkley, his adversaries and allies, for an entertaining year of local drama and intrigue. The first series of Grass Roots won five AFI Awards, including Best Screenplay in a Television Drama. All eight scripts are published here together with a preface from Leichardt's former mayor, Larry Hand. [Taken from back cover].ISBN: 0868196894
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The great Australian movie boom : the sequel in Australian Financial Review (23/10/2015) p.7
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Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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Greater Union film distributors : Forthcoming Attractions: Independent/ Walt Disney/ Australian/ Thorn EMI Films in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.4-5
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983) ; BOOGENS, THE (US, James L. Conway, 1981) ; SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983) ; SPLASH (US, Ron Howard, 1984) ; MOLLY (AT, Ned Lander, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; CROSS CREEK (US, Martin Ritt, 1983) Summary: Lists of up-coming films and their crew details
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Green light for film investors in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Greens offer media reform compromise in Australian Financial Review (21/06/2017) p.9
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[Grendel, grendel, grendel : stills file]
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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The Gruen Transfer / by Jon Casimir Pymble, N.S.W: ABC Books, 2010.
Call No: 79 GRU CASAuthor: Casimir, Jon CorpAuthor: ABCSource: ATPlace: Pymble, N.S.WPublisher: ABC BooksPubDate: 2010PhysDes: 287 p. ; 26 cmSubject: ADVERTISING ; ADVERTISING. TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; GRUEN TRANSFER, THE [TV] (AT, 2008) Summary: " With it's compelling, fascinating and downright gobsmacking insights into the advertising that surrounds us. The Gruen Transfer lifts the lid on the persuassion business examing how advertising works and how it works on us. " -- BOOK JACKETNotes: Includes bibliographical references (p. 286)ISBN: 9780733327872
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GST: the lowdown on distribution in Encore (Apr 2000) vol.18 iss.3 p.45
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Guerilla television / Michael Shamberg and Raindance Corporation New York: Holt, Rinehart and Winston, 1971.
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Guide to pay TV anti-siphoning provisions / Australian Broadcasting Authority Sydney: Australian Broadcasting Authority, 1996.
Call No: 303.333(94) AUSAuthor: Australian Broadcasting Authority Source: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 31 pages ; 30 cmSubject: PAY TV. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY ; TELEVISION. AUSTRALIA ; BROADCASTING RIGHTS. AUSTRALIA ; BROADCASTING. AUSTRALIA ; LEGISLATION. AUSTRALIA ; LICENSING LAWS. AUSTRALIA ; SPORT AND TV. AUSTRALIA ; SPORT ON TV. AUSTRALIA Summary: "This guide provides an overview of anti-siphoning provisions contained in the [Broadcasting Services] Act and outlines a number of issues which have arisen since the anti-siphoning list came into force. The Act sets out the rules that are designed to prevent 'siphoning' of certain programs broadcast on national and commercial television (free-to-air television) and gives particular powers to the ABA and to the Minister in relation to the operation of these rules. Siphoning means the obtaining by a pay TV licensee of the exclusive rights (i.e. both free-to-air and pay TV rights) to broadcast an event (or events), such that those events could not be received on free-to-air television and would only be available to subscribers of the pay TV service. Without fettering the Minister's discretion to exercise his powers, this guide indicates how the ABA will approach certain situations. The ABA hopes this will provide guidance to parties wishing to negotiate rights to events that may be broadcast on Australian free-to-air or pay-tv services." - IntroductionContents: Definitions -- Development of guidelines -- Introduction -- Anti-siphoning provisions -- Role of the ABA -- Role of the minister -- Limitations of anti-siphoning list in the case of newly created events -- Other issues arising from the operation of the anti-siphoning list -- Attachements: anti-siphoning list and amendments; extracts Broadcasting Services Act 1992; Directions to the ABA; Consideration of terms and phrases contained in section 115 examples
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Guidelines for 'new Australian drama' on pay TV / Australian Broadcasting Authority Sydney: Australian Broadcasting Authority, 1996.
Call No: 43(94) AUSSource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 46 pages ; 30x21Subject: PAY TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; STATE AND TV. AUSTRALIA ; DRAMAS. AUSTRALIA Contents: Overview -- Part 1: the 'new Australian drama' licence condition -- purpose of Section 102 -- review of Australian content on pay TV -- explanation of terms -- enforcement of licence conditions -- Part 2: measuring the obligation -- Pay TV - a background -- Pay TV models - measuring the obligation -- Model 1: channels provided by overseas program suppliers -- Model 2: Channels obtained from domestic channel providers -- Model 3: Channels produced by pay TV licensees or broadcasters -- Measuring the obligation over the financial year -- program expenditure -- franchised predominantly drama services -- reporting -- Part 3: assessing whether the obligation has been met -- Australian drama programs -- pooling expenditure -- minimum annual requirement on each channel - no offsetting -- time-frame for expenditure -- Pay TV models - expenditure on new Australian drama -- Model 1: Channels provided by overseas program suppliers -- Model 2: channels obtained from domestic channel providers -- Model 3: channels produced by pay TV licensees or broadcasters -- Reporting -- Appendices
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HABLE CON ELLA : (SP, Pedro Almodovar, 2002)
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journal article
Hail Cesar! : 10 Award winning French Films in National Film Theatre (September/October 1983) p.36-38
Author: Wlaschin, Ken PhysDes: ArticleSubject: DIVA (FR, Jean-Jacques Beineix, 1981) ; GUERRE DU FEU, LA (CN/FR/US, Jean-Jacques Annaud, 1981) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; PROVIDENCE (FR, Alain Resnais, 1977) ; MONSIEUR KLEIN (FR/IT, Joseph Losey, 1976) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; GARDE A VUE (FR, Claude Miller, 1981) ; TESS (FR/UK, Roman Polanski, 1979) Summary: Short Reviews
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Stockade : A play based on the novel Bring larks and heroes : A musical play of the Eureka Stockade / Thomas Kenneally / Kenneth Cook Harmondsworth: Penguin Books, 1975.
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The Hamer Arts Ministry in Lumiere (October, 1972) iss.17 p.19
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Hamlet study guide in Metro Education (1997) iss.11 p.44-50
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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Hank and Eastwood at their best in heroic tale in Canberra Times [Arts & Entertainment] (09/09/2016) p.19
Call No: TITLE CLIPPINGS FILE; SULLY (US, Clint Eastwood, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: SULLY (US, Clint Eastwood, 2016) Summary: Favourable review of the Clint Eastwood film SULLYRating: 4 out of 5 stars
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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Hard data on Oz film in Filmnews (Australia) (Jun-88) vol.XVIII iss.4 [ie: 5] p.5
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[Hard word, the : stills file]
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Hartigan urges return of media reform as landscape changes in The Age [Business News] (2/03/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIAAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: STATE AND TV. AUSTRALIA ; PRIME MEDIA GROUP Summary: Prime Australia CEO John Hartigan is urging the Abbott government to active their media reform package as the current situation harms traditional media companies.Notes: filed in the STATE AND TV. AUSTRALIA 2015 folder
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / [by] Lotte H. Eisner [translated from the French by Roger Greaves] London: Thames & Hudson, 1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Place: LondonPublisher: Thames & HudsonPubDate: 1969PhysDes: 360 p. illus. 25 cmSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347ISBN: 0500500010LON: 110813 110813
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / by Lotte H. Eisner Berkeley: University of California Press, 1973, c1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Edition: 1st California pbk. edPlace: BerkeleyPublisher: University of California PressPubDate: 1973, c1969PhysDes: 360 p. : ill., portsSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354ISBN: 0520024796LON: 8931538
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Hauntings : popular film and American culture, 1990-1992 / Joseph Natoli Albany: State University of New York Press, 1994.
Call No: 409(73) NATAuthor: Natoli, Joseph, 1943 Place: AlbanyPublisher: State University of New York PressPubDate: 1994PhysDes: xi, 238 p. ; 24 cmSeries: SUNY series in postmodern cultureSubject: SOCIETY AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; NATIVE AMERICANS IN FILMS ; ROBIN HOOD IN FILMS ; KING, RODNEY ; PHOENIX, RIVER ; STONE, OLIVER ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; PRINCE OF TIDES, THE (US, Barbra Streisand, 1991) ; HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991) ; OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991) ; ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991) ; GRAND CANYON (US, Lawrence Kasdan, 1991) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; WALL STREET (US, Oliver Stone, 1987) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Includes bibliographical references (p. 227-238)ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)LON: 10867366
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Have gun-will travel / by Gaylen Studlar Detroit: Wayne State University Press, c2015.
Call No: 79HAV STUAuthor: Studlar, Gaylyn Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2015PhysDes: viii, 194 pages : black and white illustrations, portraits ; 18 cmSeries: TV Milestones seriesSubject: TELEVISION ; WESTERNS ; HAVE GUN WILL TRAVEL [TV] (US, Herb Meadow and Sam Rolfe, 1957–1963) Summary: "A smart, illuminating, and entertaining return to this memorable TV show. Along the way, Gaylyn Studlar situates the landmark series' hero in multiple fascinating contexts ranging from the lone Westerner to the Victorian dandy to the postwar playboy bachelor, just as she traces the overlapping layers of cultural history, past and present, which the show draws upon. " -- Steven Cohan (back of the book)ISBN: 9780814339763Donation: Senses of CinemaContents: -- acknowledgments -- introduction -- 1: Making the Dandy Mythic -- 2: Kisses for My Paladin -- 3: Corpses Enough for Shakespeare -- 4: Liberalism, Gradualism, and the Failure of Human Solidarity -- 5: Auteurism, Aesthetics, and the Cinematic Impulse -- legacy -- notes works cited -- index --
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He Died With A Falafel In His Hand in Empire (Australian Ed.) (September 2001) iss.6 p.41
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Head on: multicultural representations of Australian identity in 1990s national cinema in Studies in Australasian cinema (2007) vol.1 iss.1 p.61-78
Author: Bennett, James PhysDes: ArticleSubject: NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; HEAD ON (AT, Ana Kokkinos, 1998) Summary: ...1990s Australian cinema provides a key site for the examination of Australian identity in multicultural terms. Drawing on the work of Ghassan Hage, Stuart Hall and Daniel Nourry, this article investigates how notions of Australian identity in a multicultural society are played out (and with) by Australian cinema in the 1990s. Particular attention is paid to Head on (Kokkinos, 1998) and Strictly ballroom (Lurhmann, 1992), as examples of different approaches to this issue. -- Taken from Abstract
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[Healthy, wealthy and wise : stills file] / Greg Noakes
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'Heart of a Champion' is a winner in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CANADA Summary: Synopsis of 'The Terry Fox Story' (sometimes refered to as 'Heart of a Champion'), including details of its Sydney premier at the Lyceum Theatre which is a charity fundraiser for the Wesley Central Mission.
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Hearths of darkness : the family in the American horror film / Tony Williams Jackson: University Press of Mississippi, c2014.
Call No: 735.2 WILAuthor: Williams, Tony Edition: Updated ed.Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: Tony WilliamsSubject: ADAPTATIONS. KING, STEPHEN ; FAMILY IN FILMS ; HORROR FILMS. USA ; PSYCHO (US, Alfred Hitchcock, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986) ; NIGHTMARE ON ELM STREET (US, Wes Craven, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre
to certain aspects of American culture and classical Hollywood cinema. Far
from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.
After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]Notes: Includes bibliographical references (pages 333-346) and indexISBN: 9781628461909Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.
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Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000.
Call No: 738.1(94) POLLAuthor: Pollak, Michael, 1948 Oct. 23 ; MacNabb, Margaret, 1954 Place: SydneyPublisher: Hale & IremongerPubDate: 2000PhysDes: 399 p. ; 23 cmSubject: ENVIRONMENTAL ISSUES IN FILMS ; STORM BOY (AT, Henri Safran, 1976) ; MAD MAX [...] (AT, 1979-85) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; STREET TO DIE, A (AT, Bill Bennett, 1985) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; WILD (AT, Ross Gibson, 1993) ; GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980) ; ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391ISBN: 0868066923 : $34.95LON: 21288448
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Heavenly bodies : film stars and society / Richard Dyer London: Routledge, 2004.
Call No: 465.1 DYEAuthor: Dyer, Richard Edition: second editionSource: UKPlace: LondonPublisher: RoutledgePubDate: 2004PhysDes: 210 p. ; 24 cmSubject: SEX IN FILMS ; STARS ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS ; ETHNIC GROUPS IN FILMS ; MONROE, MARILYN ; ROBESON, PAUL ; GARLAND, JUDY Summary: Focusing on the lives and careers of three of the biggest names in Hollywood history – Marilyn Monroe, Paul Robeson and Judy Garland – Dyer details how their screen image was constructed. Through subtle readings of their films and wealth of background material, he goes on to survey the development of each star’s image in relation to particular social groups. Monroe is discussed in the context of 1950s sexuality and the image of woman; Robeson in terms of black identity and different white and black perceptions of it; and Garland as a gay icon. All three are set in the wider context of the social significance of the very idea of stardom.ISBN: 041531027X
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Heavenly Bodies : film stars and society / Richard Dyer Basingstoke, Hampshire: Macmillan Education, 1986.
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Hector : the story of Hector Crawford and Crawford Productions North Melbourne, Victoria: ARCADIA, the general books' imprint of Australian Scholarly Publishing, 2015.
Call No: 81CRA BAZAuthor: Bazzani, Rozzi Source: ATPlace: North Melbourne, VictoriaPublisher: ARCADIA, the general books' imprint of Australian Scholarly PublishingPubDate: 2015PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cmSubject: TELEVISION ; AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; PRODUCERS ; PRODUCING. AUSTRALIA ; DIRECTORS ; BROADCASTING ; CRAWFORD PRODUCTIONS ; CRAWFORD, HECTOR ; HOMICIDE [TV] (AT, 1964-1975) ; BOX, THE [TV] (AT, 1974-77) ; BOX, THE [TV] (AT, 1974-77) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; CARSON'S LAW [TV] (AT, 1983) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURBNotes: Incudes bibliographical references (pages 303-315) and indexISBN: 9781925003734Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --
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HEKAYAT-E DARYA [TALE OF THE SEA] : (IR, Bahman Farmanara, 2018)
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Hello, he lied : and other truths from the Hollywood trenches / Lynda Obst Pymble, N.S.W.: HarperCollins, 1997.
Call No: 81OBS OBSAuthor: Obst, Lynda Rosen Place: Pymble, N.S.W.Publisher: HarperCollinsPubDate: 1997PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cmSubject: INDUSTRY, FILM. USA ; PRODUCERS ; PRODUCING ; STUDIOS, FILM. USA ; OBST, LYNDA ; BAD GIRLS (US, Jonathan Kaplan, 1994) ; CONTACT (US, Robert Zemeckis, 1997) ; FISHER KING, THE (US, Terry Gilliam, 1991) ; SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993) Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle.
Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.Notes: First published: Boston : Little, Brown, c1996ISBN: 0732258618 : $16.95LON: abn97006410; 12942780
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Henri Storck : ou, La traversee du cinema / Jean Queval Bruxelles, r. Royale 266: Festival national du film belge, 1976.
Call No: 81STO QUEAuthor: Queval, Jean Place: Bruxelles, r. Royale 266Publisher: Festival national du film belgePubDate: 1976PhysDes: 116 p., [16] leaves of plates : ill. ; 20 cmSubject: STORCK, HENRI Notes: Filmography: p. 81-100; Bibliography: p. 107-111LON: 78362294; 1264000
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Hey hey it's Saturday : volume III Elwood, Vic.: Bridgewater Books, 1988.
Call No: 79 HEY HEYSource: ATPlace: Elwood, Vic.Publisher: Bridgewater BooksPubDate: 1988PhysDes: 96 p. : col. ill. ; 28 cmSubject: COMEDY PROGRAMMES. AUSTRALIA ; LIGHT ENTERTAINMENT. AUSTRALIA ; TELEVISION. AUSTRALIA ; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999) ; SOMERS, DARYL ; SYMONS, RED Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORDNotes: Dedicated to the late Ricky MayISBN: 0864362056
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Hey, SBS... don't dump on the west in Daily Telegraph [General News] (5/05/2015) p.1
Call No: TITLE CLIPPINGS FILE; STRUGGLE STREET [TV](AT, 2015-)Author: Godfrey, Miles PhysDes: Clippings File ArticleSubject: STRUGGLE STREET [TV](AT, 2015-) Summary: Anger grows over Struggle Street program. Protest to be held outside SBS's offices
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Hidden Hitchcock / by D.A. Miller Chicago and London: University of Chicago Press, 2016.
Call No: 81 HIT MILAuthor: Miller, D.A. Edition: 2016Source: UK/USPlace: Chicago and LondonPublisher: University of Chicago PressPubDate: 2016PhysDes: 186 pages : illustrations ; 23 cmSubject: HITCHCOCK, ALFRED ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; ROPE (US, Alfred Hitchcock, 1948) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) Summary: "No filmmaker has more successfully courted mass-audience understanding than Alfred Hitchcock, and none has been studied more intensively by scholars. In Hidden Hitchcock, D. A. Miller does what seems impossible: he discovers what has remained unseen in Hitchcock’s movies, a secret style that imbues his films with a radical duplicity.
Focusing on three films—Strangers on a Train, Rope, and The Wrong Man—Miller shows how Hitchcock anticipates, even demands a “Too-Close Viewer.” Dwelling within us all and vigilant even when everything appears to be in good order, this Too-Close Viewer attempts to see more than the director points out, to expand the space of the film and the duration of the viewing experience. And, thanks to Hidden Hitchcock, that obsessive attention is rewarded. In Hitchcock’s visual puns, his so-called continuity errors, and his hidden appearances (not to be confused with his cameos), Miller finds wellsprings of enigma.
Hidden Hitchcock is a revelatory work that not only shows how little we know this best known of filmmakers, but also how near such too-close viewing comes to cinephilic madness." -- BOOK JACKETNotes: Includes bibliographical references (pages 154-186)ISBN: 9780226374673Donation: Senses of CinemaContents: Hidden pictures (Strangers on a train) -- Understyle (Rope) -- The long Wrong Man
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The hidden persuaders / Vance Packard Harmondsworth, Middlesex: Penguin, 1957.
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA. USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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journal article
High Goon On The Sunstruck Set... in Lumiere (December, 1972) iss.19 p.8-9
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High hopes in Sydney Morning Herald [Arts & Entertainment] (22/01/2015) p.22
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High hopes for Sundance debuts in The Age [Arts & Entertainment] (22/01/2015) p.22
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High-quality glut about to peak in Sydney Morning Herald (04/01/2016) p.4
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: - PhysDes: Clippings File ArticleSubject: TELEVISION. USA ; FX NETWORKS Summary: Discussion about the 'high-quality' tv phenomenon and predictions that the amount of these types of shows are close to peaking
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hindsight : on third go, Survivor hits it s stride in Sydney Morning Herald [TV Guide] (05/09/2016) p.3
Call No: TITLE CLIPPINGS FILE; SURVIVOR [TV](AT, 2016)Author: Enker, Debi PhysDes: Clippings File ArticleSubject: SURVIVOR [TV](AT, 2016) Summary: Positive review of the most recent Australian series of SURVIVOR and a look at how the show has fared so far ratings-wise
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HISSATSU 3: URA KA OMOTE KA : (JA, Kudo Eiichi, 1989)
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HISSATSU 4: URAMI HARASHIMASU : (JA, Fukasaku Kinji, 1987)
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HISTOIRE D'ADELE H., L' : (FR, Francois Truffaut, 1975)
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HISTOIRE D'O : (FR, Just Jaeckin, 1975)
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Histoire du cinema Suisse : films de fiction, 1896-1965 / Herve Dumont ; preface de Freddy Buache Lausanne: Cinematheque Suisse, c1987.
Call No: 71(494) DUM; FOLIOAuthor: Dumont, Herve Place: LausannePublisher: Cinematheque SuissePubDate: c1987PhysDes: 591 p. : ill. ; 34 cmSubject: SWITZERLAND Notes: Includes indexes; Bibliography: p. 586ISBN: 2882670001LON: 6199539
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HISTOIRES D'A : (FR, Charles Belmont & Marielle Issartel, 1973)
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HISTOIRES D'A : (FR, Charles Belmont & Marielle Issartel, 1973)
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HISTORIAS DE LA REVOLUTION : (CU, Tomás Gutiérrez Alea, 1960)
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History must answer to man : the contemporary Hungarian cinema / Graham Petrie [Budapest]: Corvina KiadGo, 1981.
Call No: 71(439.1) PETAuthor: Petrie, Graham Edition: 2nd edPlace: [Budapest]Publisher: Corvina KiadGoPubDate: 1981PhysDes: viii, 284 p., [28] leaves of plates : ill. ; 19 cmSubject: HUNGARY ; SZABO, ISTVAN ; JANCSO, MIKLOS Notes: Includes index; Bibliography: p. [249]-251; Filmography: p. [252]-276ISBN: 9631313042LON: 2342173
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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A history of narrative film / David A. Cook New York: Norton, c1981.
Call No: 70 COOAuthor: Cook, David A Edition: 1st edPlace: New YorkPublisher: NortonPubDate: c1981PhysDes: xxiii, 721 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1950's ; NARRATIVE IN FILMS ; STAR SYSTEM ; EXPRESSIONISM ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; ITALY ; NEOREALISM ; WAR AND THE CINEMA ; FILM NOIR ; NOUVELLE VAGUE ; WIDE-SCREEN SYSTEMS ; EASTERN EUROPEAN COUNTRIES ; JAPAN ; THIRD WORLD ; GERMAN FEDERAL REPUBLIC ; USSR ; MELIES, GEORGES ; PORTER, EDWIN S. ; GRIFFITH, DAVID WARK ; PUDOVKIN, VSEVELOD ; CHAPLIN, CHARLES ; Keaton, Buster ; VON STROHEIM, ERICH ; CITIZEN KANE (US, Orson Welles, 1941) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes index; Bibliography: p. 671-692ISBN: 0393090221 (pbk.); 0393013707LON: 1583335 1583335
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A history of regional commercial television in Australia / Michael Thurlow Switzerland: Palgrave Macmillan,
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Hitchcock / by Francois Truffaut with the collaboration of Helen G. Scott New York: Simon and Schuster, 1967].
Call No: 81HIT TRUAuthor: Truffaut, Francois, 1932 ; Hitchcock, Alfred, 1899 Place: New YorkPublisher: Simon and SchusterPubDate: 1967]PhysDes: 256 p. illus., ports. 28 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SUSPICION (US, Alfred Hitchcock, 1941) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; VERTIGO (US, Alfred Hitchcock, 1958) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; PSYCHO (US, Alfred Hitchcock, 1960) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; MARNIE (US, Alfred Hitchcock, 1964) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Summary: Dialogue between Truffaut and HitchcockNotes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254LON: 67016729; 1121663ID2: 206
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Hitchcock film festival / St. Lucia University College Queensland: University of Queensland, 1966.
Call No: 81HIT HITCorpAuthor: St. Lucia University CollegeSource: ATPlace: QueenslandPublisher: University of QueenslandPubDate: 1966PhysDes: 50 p. ; 24cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; ROPE (US, Alfred Hitchcock, 1948) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) Notes: Incudes festival programme
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A Hitchcock reader / edited by Marshall Deutelbaum and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2009.
Call No: 81HIT HITEdition: 2nd edSource: UK/USAPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2009PhysDes: xxvii, 394 p. : ill. ; 25 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) ; PSYCHO (US, Alfred Hitchcock, 1960) Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9781405155564Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.
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Hitchcock's people, places, and things / John Bruns Evanston, Illinois: Northwestern Univesity Press, 2019.
Call No: 81HIT BRUAuthor: Bruns, John Source: USPlace: Evanston, IllinoisPublisher: Northwestern Univesity PressPubDate: 2019PhysDes: ix, 215 pages: illustrations; 23cmSubject: HITCHCOCK, ALFRED ; HUMAN RELATIONS IN FILMS ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; CROWDS IN FILMS ; MARNIE (US, Alfred Hitchcock, 1964) ; I CONFESS (US, Alfred Hitchcock, 1953) ; SUPERNATURAL IN FILMS ; URBAN LIFE IN FILMS ; LANDSCAPES IN FILMS Summary: "Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work.
This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience." -- FROM BLURBNotes: Includes bibliography and index.ISBN: 9780810139954Donation: Senses of CinemaContents: Acknowledgments -- Introduction: Navigating the Hitchcock Landscape -- Chapter 1. Hitchcock's Crowds -- Chapter 2. Hitchcock's Newspaper: A Thing of the Crowd -- Chapter 3. Hitchcock's Apartment Plot, or ""The Case of Mr. Pelham -- Chapter 4. Lost and Found in Hitchcock -- Chapter 5. Our Old Friend Telepathy -- Afterword: How to Keep Hitchcock Flat -- Notes -- Bibliography -- Index
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journal article
Hitchcockian haberdashery in Hitchcock annual (1995-96) p.23-37
Author: Street, Sarah PhysDes: SerialSubject: SYMBOLISM IN FILMS ; FEMININITY IN FILMS ; HITCHCOCK, ALFRED ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: Looks at the symbolism of the "feminine object" of the handbag in Hitchcock's films; most notably in "Dial M for Murder", "Rear Window", "Vertigo", "Psycho", and "Marnie." Discusses the representation of femininity and the ways in which it can be used in a powerful, resourceful and often subversive manner in the context of the patriarchal, pre-second-wave-feminism society in which Hitchcock's films were made.
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Hoffman vs Hoffman : the actor and the man / Patrick Agan London: R Hale, 1987.
Call No: 81HOF AGAAuthor: Agan, Patrick Source: UKPlace: LondonPublisher: R HalePubDate: 1987PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cmSubject: HOFFMAN, DUSTIN ; TIGER MAKES OUT (US, Arthur Hiller, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; JOHN AND MARY (US, Peter Yates, 1969) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971) ; STRAW DOGS (UK, Sam Peckinpah, 1971) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; LENNY (US, Bob Fosse, 1974) ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; AGATHA (UK, Michael Apted, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; TOOTSIE (US, Sydney Pollack, 1982) Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstarNotes: Includes index; Filmography: p 151-159ISBN: 045041731
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Hollywood : stars and starlets, tycoons and flesh-peddlers, moviemakers and moneymakers, frauds and geniuses, hopefuls and has-beens, great lovers and sex symbols / Garson Kanin New York: Viking Press, [1974].
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Interim
book
Hollywood : the haunted house / by Paul Mayersberg London: Penguin, 1967.
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Hollywood : the haunted house / Paul Mayersberg Harmondsworth: Penguin Books, 1969.
Call No: New Holdings ShelvesAuthor: Mayersberg, Paul Source: UKPlace: HarmondsworthPublisher: Penguin BooksPubDate: 1969PhysDes: 172 p ; 18 cmSubject: INDUSTRY, FILM. USA ; HISTORY OF CINEMA. 1960's ; FILM WORKERS ; BROOKS, RICHARD ; CUKOR, GEORGE ; DAVES, DELMER ; HITCHCOCK, ALFRED ; KRAMER, STANLEY ; STURGES, JOHN Summary: This book by a young British critic is an experience of Hollywood today, and an inside account of the process of modern film-making - how Hollywood movies are planned, financed, written, directed, shot, cut and publicized... -- Book coverNotes: Includes bibliographyDonation: donated by the family of Wayne Levy, 2006Contents: 1. The haunted house -- 2. The big break -- 3. Above and below the thin red line -- 4. The wench is dead -- 5. The world's greatest train set -- 6. The great rewrite -- 7. The conscience of the crowd -- 8. The formula for failure -- 9. The paper cup -- 10. Epilogue
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Hollywood : stars and starlets, tycoons and flesh-peddlers, movie-makers and moneymakers, frauds and geniuses, hopefuls and have-beens, great lovers and sex symbols / Garson Kanin St Albans, UK: Hart Davis, MacGibbon, 1975, c1967.
Call No: 71(73) KANAuthor: Kanin, Garson Source: UKPlace: St Albans, UKPublisher: Hart Davis, MacGibbonPubDate: 1975, c1967PhysDes: 350 p. ; 24 cmSubject: STARS ; GOLDWYN, SAMUEL ; KANIN, GARSON ISBN: 024610862XDonation: donated by the family of Wayne Levy, 2006
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Hollywood album : lives and deaths of Hollywood stars from the pages of the New York Times / edited by Arleen Keylin and Suri Fleischer New York: Arno Press, 1977.
Call No: 465.1(092.1) KEYAuthor: Keylin, Arleen ; Fleischer, Suri Place: New YorkPublisher: Arno PressPubDate: 1977PhysDes: v, 311 p. : ill. ; 29 cmSubject: OBITUARIES ; STARS Summary: Obituaries of over 200 Hollywood stars as they appeared in the New York Times.ISBN: 0405103115
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Interim
book
Hollywood cameramen : sources of light / Charles Higham London: Thames and Hudson in association with the British Film Institute, 1970.
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; GRABLE, BETTY ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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Hollywood destinies : European directors in America, 1922-1931 / Graham Petrie London Boston: Routledge & Kegan Paul, 1985.
Call No: 802.25 PETAuthor: Petrie, Graham Place: London BostonPublisher: Routledge & Kegan PaulPubDate: 1985PhysDes: xii, 257 p. : ill. ; 24 cmSeries: Cinema and societySubject: MURNAU, FRIEDRICH WILHELM ; LUBITSCH, ERNST ; STILLER, MAURITZ ; SJOSTROM, VICTOR ; CHRISTENSEN, BENJAMIN ; FEJOS, PAUL ; LENI, PAUL ; MAGNUSSON, CHARLES Notes: Includes indexes; Bibliography: p. 249-251ISBN: 0710201613 : ª19.95 (est.)LON: 3711813
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Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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Hollywood down under : Australians at the movies, 1896 to the present day / Diane Collins North Ryde, N.S.W.: Angus & Robertson, 1987.
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Hollywood genres : formulas, filmmaking, and the studio system / Thomas Schatz New York, N.Y.: Random House, c1981.
Call No: 64GEN SCHAuthor: Schatz, Thomas, 1948 Edition: 1st edPlace: New York, N.Y.Publisher: Random HousePubDate: c1981PhysDes: xiv, 297 p. : ill. ; 24 cmSubject: GENRES ; STUDIO SYSTEM Notes: Includes index; Bibliography: p. 275-284ISBN: 039432255X : $7.95LON: 1823206 1823206
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Hollywood in the age of television / edited by Tino Balio Boston: Unwin Hyman, 1990.
Call No: 71(73) HOLAuthor: Balio, Tino Place: BostonPublisher: Unwin HymanPubDate: 1990PhysDes: 428 p. ; 24 cmSubject: USA ; TELEVISION AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0044458371; 0044458363 (pbk.)LON: 7164383
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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newspaper article
Hollywood limelight to shine in Australia in The Age (26/12/2016) p.8
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Bowden, Ebony -- Maddox, Garry PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; AUSFILM Summary: Looking to 2017 production schedules for Hollywood films that are being shot in Australia. Comments by Ausfilm CEO Debra Richards about how Australia's location offset tax is very low compared to the rest of the world and this puts the country at a disadvantage to attract more overseas productions to make their films in Australia
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Hollywood now / William Fadiman; foreword by Irving Wallace New York: Liveright, 1972.
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The Hollywood Reporter. A Special Report on Location in Australia in The Hollywood Reporter (05/01/1988) vol.300 iss.27 p.s1-s128
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Hollywood's children : an inside account of the child star era / Diana Serra Cary Boston: Houghton Mifflin, 1979.
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The Hollywood sequel : history & form, 1911 - 2010 / Stuart Henderson Houndmills, Basingstoke, Hampshire New York, NY: Palgrave Macmillan on behalf of the British Film Institute, 2014.
Call No: 753.83(73) HENAuthor: Henderson, Stuart Source: US/UKPlace: Houndmills, Basingstoke, Hampshire New York, NYPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2014PhysDes: viii, 220 pages : illustrations ; 24 cmSubject: SEQUELS ; INDUSTRY, FILM. USA ; STARS ; GENRES ; NARRATIVE IN FILMS ; INTERTEXUALITY ; TARZAN IN FILMS Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--Notes: A BFI book.
Formerly CIP.
Includes bibliographical references (pages 204-207) and indexISBN: 9781844576524Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
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The Hollywood studio system / Douglas Gomery Basingstoke: Macmillan, 1986.
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The Hollywood studio system : a history London: British Film Institute, 2005.
Call No: 210.31(73) GOMAuthor: Douglas Gomery CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 333 p. ; 23 cmSubject: Metro-Goldwyn-Mayer ; WARNER BROS. ; COLUMBIA PICTURES ; UNITED ARTISTS ; RKO ; STUDIOS, FILM. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; ZUKOR, ADOLPH ; WASSERMAN, LEW ; HISTORY OF CINEMA Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]ISBN: 1844570649
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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Hollywood voices : interviews with film directors / edited by Andrew Sarris London: Secker & Warburg, c1967.
Call No: 802.25 HOLAuthor: Sarris, Andrew Place: LondonPublisher: Secker & WarburgPubDate: c1967PhysDes: 180p. : millus. ; 21 cmSubject: CUKOR, GEORGE ; MAMOULIAN, ROUBEN ; PREMINGER, OTTO ; STURGES, PRESTON ; HUSTON, JOHN ; LOSEY, JOSEPH ; RAY, NICHOLAS ; POLONSKY, ABRAHAM ; WELLES, ORSON ISBN: 0436441519LON: 13212256 13212256Donation: Patrick O'Brien
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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title clippings file
HOMBRE ROBADO, EL : (AG, Matías Pineiro, 2007)
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still
[Home and away : stills file] / Julia Morrell The Seven Network,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: The Seven NetworkPhysDes: 16 photographs : b&w ; 22 x 17 cm - 20 x 25 cmSubject: BRUMMER, DIETER ; FISHER, ISLA ; COARD, DENNIS ; AMMANN, SHANE ; GEORGE, MELISSA ; DECKERT, TEMPANY ; CRAIG, DIANE ; AMALM, DANIEL ; TESTONI, NIC ; QUILTER, NICOLA ; LEE, ADRIAN ; GLAISTER, COREY ; HOME AND AWAY [TV] (AT, 1988 -) Summary: Sixteen black and white photographs, including a number of publicity stills, for 'Home and away'
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newspaper article
Home is a way south for actor in Daily Telegraph (30/09/2017) p.24
Call No: PERSONALITY CLIPPINGS FILE; TAYLOR, JEREMY LINDSAYAuthor: Jonathan Chancellor PhysDes: Clippings File ArticleSubject: TAYLOR, JEREMY LINDSAY Summary: Kiama backyard for Taylor's family Former Home And Away star Jeremy Lindsay Taylor and wife Marnie have moved from Curl Curl to the Illawarra, buying a house on the outskirts of Kiama.
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Home is where the heart is : studies in melodrama and the woman's film / edited by Christine Gledhill London: BFI Pub., 1987.
Call No: 733 HOMAuthor: Gledhill, Christine CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1987PhysDes: 364 p. : ill. ; 22 cmSubject: MELODRAMA ; FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; MINNELLI, VINCENTE ; SIRK, DOUGLAS ; GRIFFITH, DAVID WARK ; NOW, VOYAGER (US, Irving Rapper, 1942) ; STELLA DALLAS (US, King Vidor, 1937) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) Notes: Includes index; Bibliography: p. 350-356ISBN: 0851702007 (pbk.); 085170199X : ª18.00LON: bnb85170199; 5363079
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journal article
Home sweet home in Australian Cinematographer (September 2015) iss.67 p.40 - 45
Author: Cole, Tracey PhysDes: ArticleSubject: PLACE TO CALL HOME, A [TV] (AT, 2013 -) ; STOKES, JOHN Summary: Cinematographer John Stokes talks about working on the Australian TV series A Place to Call Home. He talks about working on a period piece, the tight shooting schedule and the program switching networks between seasons.
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newspaper article
Home truths come from taxi's front seat in Sydney Morning Herald (07/01/2016) p.27
Call No: TITLE CLIPPINGS FILE; TAXI (IR, Jafar Panahi, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: TAXI (IR, Jafar Panahi, 2015) Summary: Review of the film TEHRAN TAXIRating: 3.5 out of 5 stars
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The Honeymooners / by David Sterritt Detroit: Wayne State University Press, c2009.
Call No: 79HON STEAuthor: Sterritt, David Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2009PhysDes: vii, 107 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: TELEVISION ; TELEVISION. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; HONEYMOONERS, THE [TV] (US, Frank Satenstein, 1955-1956) Summary: "The Honeymooners chronicles the lives of New York City bus driver Ralph Kramden and his wife, Alice, as they search for domestic happiness inside a confining Brooklyn apartment. As a stand-alone television program, it ran for just thirty-nine weeks from 1955 to 1956, but its characters appeared in long-running sketches on Cavalcade of Stars and The Jackie Gleason Show and the program has lived on for generations in reruns and home video releases. David Sterritt investigates The Honeymooners as an enduring and valuable index of societal norms and televisual tastes in the 1950s - a project made all the more intriguing by the diverse ways in which The Honeymooners both reaffirms and diverges from the typical broadcast idioms of its day."-- LIBRARIES AUSTRALIANotes: Contemporary approaches to film and television series.; TV milestonesISBN: 9780814333969Donation: This book donated by Senses of Cinema, 2013Contents: -- Introduction: "better living through TV" -- 1: "Principle of the thing": The honeymooners and postwar America -- 2: "Opportunity knocks, but": social and cultural issues -- 3: "Unconventional behavior": psychological perspectives -- 4: "You're in the picture": Honeymooners aesthetics -- Conclusion: "please leave the premises" -- notes -- bibliography -- videography -- index --
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Hopper : a savage American journey / Tom Folsom New York: It Books, 2013.
Call No: 10667Author: Folsom, Tom Edition: 2013Place: New YorkPublisher: It BooksPubDate: 2013PhysDes: 306 pages : illustrated ; 23 cmSubject: HOPPER, DENNIS ; BRANDO, MARLON ; DEAN, JAMES ; FONDA, PETER ; NICHOLSON, JACK ; STOCKWELL, DEAN ; WOOD, NATALIE ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLUE VELVET (US, David Lynch, 1986) ; EASY RIDER (US, Dennis Hopper, 1969) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Notes: Easy Rider. Apocalypse Now. Blue Velvet. Rebel Without a Cause.
An unflinching adventure through American pop culture, Hopper is a wild ride amid the many lives of Hollywood outlaw Dennis Hopper-mentored by James Dean, a collaborator with Andy Warhol, a confidant of Elvis Presley, a favorite of Charles Manson. Hopper races full speed ahead to the decadent heights of fame as the visionary director of Easy Rider crashes and burns in drug-addled madness in the desert . . . only to reemerge in one of the greatest Hollywood comebacks of all time. -- publisher's web siteISBN: 9780062206954Donation: Megan McMurchy
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The horror reader / edited by Ken Gelder New York, NY: Routledge, 2000.
Call No: 735.2 HORAuthor: Gelder, Ken, 1955 Place: New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xiii, 414 p. ; 25 cmSubject: CANNIBALISM IN FILMS ; DRACULA IN FILMS ; ETHNOGRAPHIC FILMS ; FAN MAGAZINES ; FANTASTIC FILMS ; GENDER AND THE CINEMA ; GHOST FILMS ; HOMOSEXUALITY AND THE CINEMA ; HORROR FILMS ; HORROR FILMS. HONG KONG ; HORROR FILMS. ITALY ; HORROR FILMS. USA ; IMPERIALISM AND THE CINEMA ; MONSTERS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SERIAL KILLERS IN FILMS ; SLASHER FILMS ; THEORY ; VAMPIRE FILMS ; WOMEN AND THE CINEMA ; ARGENTO, DARIO ; BAVA, MARIO ; CASTLE, TERRY ; CHEUNG, LESLIE ; CORMAN, ROGER ; CRONENBERG, DAVID ; TODOROV, TZVETAN ; AMERICAN GOTHIC (US, John Hough, 1987) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIDAY THE 13TH (US, Sean S. Cunningham, 1980) ; HALLOWEEN (US, John Carpenter, 1978) ; HAUNTING, THE (US, Robert Wise, 1963) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; OPERA (IT, Dario Argento, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SUSPIRIA (IT, Dario Argento, 1977) ; YANZHI KOU (HK, Stanley Kwan, 1987) Notes: Includes bibliographical references and indexISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)LON: 21262689
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Hot air : all talk, all the time / by Howard Kurtz New York: BasicBooks, 1997.
Call No: 759.7 KURAuthor: Kurtz, Howard Source: USPlace: New YorkPublisher: BasicBooksPubDate: 1997PhysDes: viii, 423 p. ; 21 cmSubject: TALK SHOWS ; TALK SHOWS. USA Summary: "America is awash in talk. Loud talk. Angry talk. Conspiratorial talk. This cacophony of rumor, opinion, and invective has produced a high-decibel revolution that is transforming the nature of politics and journalism. How these television and radio talk shows have become so powerful and why we should be concerned about them is the subject of Howard Kurtz's fascinating and maddening new book, Hot Air. With the penetrating analysis that has distinguished him as one of the nation's most influential media journalists, Kurtz goes behind the scenes to explore the allure and impact of America's biggest mouths: Rush Limbaugh, Phil Donahue, Michael Kinsley and Don Imus.
Kurtz also goes backstage at Nightline and Larry King Live, two outposts of sanity, and describes how such programs are put together. He takes an amusing tour of the airwaves with provocateur Howard Stern and a corps of influential local hosts. He explores the bizarre world of daytime talk and explains why civilized conversation has given way to a procession of freaks and food fights. Along the way, Kurtz shows how journalism is threatened by some of these shows and illustrates how the inherent negativity of talk on the airwaves corrodes the political process...." -- IntroductionNotes: Includes bibliographical references (p. 391-405) and indexISBN: 0465030742Contents: 1. The talkathon culture -- 2. The art of the blurt -- 3. Daytime dysfunction -- 4. The king of schmooze -- 5. Caught in the crossfire -- 6. Toe to toe with Ted -- 7. Video verite -- 8. Sunday ritual -- 9. Talking for dollars -- 10. The rush hour -- 11. Radio rebels -- 12. The influence game -- 13. Blurring the lines -- 14. A personal odyssey -- 15. The future of talk
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walt disney animation australia
How Disney's tax bill was McDucked in Australian Financial Review [General News] (12/12/2014) p.1
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journal article
How I Learned to Stop Worrying : (And Love Colin Bennett!) Part 2 in Montage (September 1970) p.9-13
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How should a federal or state government or merchant bank assess the viability of a planned feature film project. How should the A.F.C. distribute each year its available government feature film financing moneys between the continuing stream of qualified applicants deemed to have viable feature film projects / [F.T.P.A.A.] Balmain, N.S.W: Film and Television Production Association of Australia, 1978.
Call No: NEW HOLDINGS SHELVES; 162(94)(066.2)CorpAuthor: Film and Television Production Association of AustraliaSource: ATPlace: Balmain, N.S.WPublisher: Film and Television Production Association of AustraliaPubDate: 1978PhysDes: 132 leaves ; 33cmSubject: STATE AND THE CINEMA. AUSTRALIA ; FUNDING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; AUSTRALIAN FILM COMMISSION Notes: Feature film industries. Financial assistance by governments. Australia. Conference proceedings (ANB/PRECIS SIN 0274429) -- Cover title. -- Available from The Secretary, Film and Television Production Association of Australia, P.O. Box 52, Balmain, N.S.W. 2041ISBN: 0959555307Contents: Contents: part 1. Transcript of July 1978 seminar. part 2. Comments and answers to questions on notice.
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How sweet it is : the Jackie Gleason story / James Bacon New York: St. Martin's Press, 1985.
Call No: 81GLE BACAuthor: Bacon, James Source: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1985PhysDes: xvi, 214 p., [32] p. of plates : ill., ports. ; 22cmSubject: GLEASON, JACKIE ; HUSTLER, THE (US, Robert Rossen, 1961) ; SKIDOO (US, Otto Preminger, 1968) ; DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994) ; SMOKEY AND THE BANDIT (US, Hal Needham, 1977) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; SMOKEY AND THE BANDIT II (US, Hal Needham, 1980) ; TOY, THE (US, Richard Donner, 1982) ; STING II, THE (US, Jeremy Paul Kagan, 1983) ; HELLZAPOPPIN' (US, H.C. Potter, 1941) Summary: The book deals with Jackie Gleason's success as a movie and tv star; his story is told by such people as Paul Newman, Burt Reynolds, and Bob HopeNotes: Includes indexISBN: 0312902298
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How the vote was won in Weekend Australian [Review] (26/12/2015) p.10
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How the war was remembered : Hollywood & Vietnam / Albert Auster & Leonard Quart New York: Praeger, 1988.
Call No: 737.9:959.7 AUSAuthor: Auster, Albert ; Quart, Leonard Place: New YorkPublisher: PraegerPubDate: 1988PhysDes: xv, 171 p. : ill. ; 24 cmSubject: VIETNAM WAR FILMS ; VIETNAM WAR IN FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; RAMBO [...] (US, 1982-1988) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) Notes: Includes index; Bibliography: p. [157]-161ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)LON: 5685995
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journal article
Hoyts Product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.8
PhysDes: ArticleSubject: HOYTS ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; PARADISE (CN, Stuart Gillard, 1982) ; ONE FROM THE HEART (US, Francis Ford Coppola, 1982) ; BARBAROSA (US, Fred Schepisi, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; VICE SQUAD (US, Gary Sherman, 1982) ; INSIDE MOVES (US, Richard Donner, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; MOONLIGHTING (UK, Jerzy Skolimowski, 1982) ; BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; WHO DARES WIN (UK, Ian Sharp, 1982) ; SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982) ; BEACH GIRLS, THE (US, Pat Townsend, 1982) ; SOLDIER, THE (US, James Glickenhaus, 1982) ; ESCAPE ARTIST, THE (US, Caleb Deschanel, 1982) ; HAMMETT (US, Wim Wenders, 1982) ; ZAPPED ! (US, Robert J. Rosenthal, 1982) ; ENIGMA (UK/FR, Jeannot Szwarc, 1983) ; HUMONGOUS (CN, Paul Lynch, 1982) ; PHAR LAP (AT, Simon Wincer, 1983) Summary: List of current and coming Hoyts productions.
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Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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The hunger games : Spectacle, risk and the girl action hero / Catherine Driscoll and Alexander Heatwole Abingdon: Routledge, 2018.
Call No: 79 HUN DRIAuthor: Driscoll, Catherine ; Heatwole, Alexandra Edition: 2018Place: AbingdonPublisher: RoutledgePubDate: 2018PhysDes: 112 pages : illustrated ; 23 cmSeries: cinema and youth culturesSubject: HUNGER GAMES, THE (US, Gary Ross, 2012) ; HUNGER GAMES, THE : CATCHING FIRE (US, Francis Lawrence, 2013) ; HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014) ; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015) ; TEEN FILMS Summary: The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge. -- publisher's web siteISBN: 9781138683068Contents: Introduction ‘The Hunger Games’
Chapter 1 Choose Your Own Adventure: Survival, Adulthood and Other Fantasies
Chapter 2 Katniss Everdeen, Girl Hero
Chapter 3 The Train from District 12: Panem as Dystopia
Chapter 4 Team Katniss: In the Arena of Romance
Chapter 5 ‘The Hunger Memes’: Film, Fans, and Speculation as Critique
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journal article
I-ing film in Critical Inquiry (Summer 1986) vol.12 iss.4 p.654-671
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I'll be back - but this time nothing carries much weight in The Age (02/07/2015) p.20
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I'm Going To Tell You a Secret in Australian Cinematographer (March 2015) iss.65 p.18-25
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The "I" of the camera : essays in film criticism, history, and aesthetics / William Rothman Cambridge [England] New York: Cambridge University Press, 1988.
Call No: 67(04) ROTAuthor: Rothman, William Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1988PhysDes: xix, 210 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: USA ; THEATRE AND THE CINEMA ; ADAPTATIONS ; EROTICISM IN FILMS ; MELODRAMA ; GRIFFITH, DAVID WARK ; RENOIR, JEAN ; BOGART, HUMPHREY ; CHAPLIN, CHARLES ; GRANT, CARY ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; GUZZETTI, ALFRED ; BACALL, LAUREN ; ASTOR, MARY ; JUDITH OF BETHULIA (US, David Wark Griffith, 1913) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; RED DUST (US, Victor Fleming, 1932) ; STELLA DALLAS (US, King Vidor, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; RIVER, THE (II/US, Jean Renoir, 1951) ; FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TRUE HEART SUSIE (US, David Wark Griffith, 1919) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VERTIGO (US, Alfred Hitchcock, 1958) Notes: Includes index; Bibliography: p. xviii-xixISBN: 0521368286 (pbk.); 052136048XLON: 5831391
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Icons : intimate portraits / by Denise Worrell New York: Atlantic Monthly, 1989.
Call No: 802.27 WORAuthor: Worrell, Denise Source: USPlace: New YorkPublisher: Atlantic MonthlyPubDate: 1989PhysDes: xvii, 270 p. : ill. ; 24 cm.Subject: MADONNA ; SPIELBERG, STEVEN ; MARTIN, STEVE ; NEWMAN, PAUL ; KINSKI, NASTASSJA ; DYLAN, BOB ; Lean, David ; LUCAS, GEORGE ; MIDLER, BETTE ; STONE, OLIVER ; JACKSON, MICHAEL Summary: "The in-depth psychological portraits presented in Icons are unlike any collection of celebrity profiles ever published. Most of these people have been interviewed so many times their answers had been turned to stone. Interviewers, too, are icon builders, and ask the same questions over and over. Celebreties, despite fame, are struggling to maintain their own living voices. It is Worrell's special gift as an interviewer and writer to hold up a mirror to the most closely held of reflections. Icons reads like a collection of finely honed short storie and raises the craft of celebrity reporting to the finest journalism." -- BOOK BLURBISBN: 0871133067Donation: Donated by Simon WincerContents: Author's note -- Acknowledgements -- Introduction by Otto Friedrich -- Madonna is her given name -- The Eternal Childhood of Steven Spielberg -- Steve Martin in color -- Plain-wrap superstar Paul Newman -- Nastassia Kinski: wild child -- Bob Dylan down executioner's row -- David Lean on the far horizon -- The dark side of George Lucas -- Very very Bette Midler -- Oliver Stone goes to war -- Michael Jackson in Never-Never Land.
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Illuminating shadows : the mythic power of film / Geoffrey Hill Boston: Shambhala, 1992.
Call No: 632.43 HILAuthor: Hill, Geoffrey Michael, 1950 Place: BostonPublisher: ShambhalaPubDate: 1992PhysDes: viii, 319 p. : ill. ; 23 cmSubject: MYTH AND THE CINEMA ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SHANE (US, George Stevens, 1953) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; BLUE VELVET (US, David Lynch, 1986) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; REPO MAN (US, Alex Cox, 1984) ; SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; INSIGNIFICANCE (UK, Nicolas Roeg, 1985) ; ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984) ; BABETTES GAESTEBUD (DK, Gabriel Axel, 1987) ; LITTLE SHOP OF HORRORS (US, Frank Oz, 1986) ; LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960) ; TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985) ; GRADUATE, THE (US, Mike Nichols, 1967) ; SANTA SANGRE (IT, Alexandro Jodorowsky, 1989) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) Notes: Includes bibliographical references (p. 313-319)ISBN: 0877736456 (pbk. : alk. paper)LON: 8202303
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title clippings file
ILYA MUROMETS : (UR, Aleksandr Ptushko, 1956)
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journal article
Image Bank moves online in Encore (Mar 2000) vol.18 iss.2 p.31
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The image makers : sixty years of Hollywood glamour / text by Paul Trent / designed by Richard Lawton London: Octopus Books,
Call No: 465.1(084.2) TRE; FOLIOAuthor: Trent, Paul Edition: 1973Place: LondonPublisher: Octopus BooksPhysDes: 328 p. ; illus. ; 32 cmSubject: STARS ISBN: 0706402448
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"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996.
Call No: 409(04) IMMAuthor: Moser, Mary Anne
MacLeod, Douglas Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: c1996PhysDes: xxv, 339p. : ill. ; 24cmSubject: VIRTUAL REALITY ; TECHNOLOGY AND THE CINEMA ; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture.Notes: Includes bibliographical references and indexISBN: 0262133148Language: EnglishContents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie.
Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.
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Immortal, invisible : lesbians and the moving image / edited by Tamsin Wilton London New York: Routledge, 1995.
Call No: 749.4 IMMAuthor: Wilton, Tamsin Place: London New YorkPublisher: RoutledgePubDate: 1995PhysDes: xvi, 235 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; CAMP ; LANG, K.D. ; SCHILLER, GRETA ; TREUT, MONIKA ; WEAVER, SIGOURNEY ; WEISS, ANDREA ; ANNE TRISTER (CN, Lea Pool, 1986) ; DESERT HEARTS (US, Donna Deitch, 1985) ; INTERNAL AFFAIRS (US, Mike Figgis, 1990) ; MY FATHER IS COMING (US/GG, Monika Treut, 1991) ; ORANGES ARE NOT THE ONLY FRUIT [TV] (UK, Beeban Kidron, 1990) ; PORTRAIT OF A MARRIAGE [TV] (UK, Stephen Whittaker, 1990) ; PUMPING IRON II ; THE WOMEN (US, George Butler, 1984) ; RED SONJA (US, Richard Fleischer, 1985) ; VERFURUNG - DIE GRAUSAME FRAU (GW, Elfi Mikesch & Monika Treut, 1985) ; TINY AND RUBY : HELL DIVIN' WOMEN (US, Greta Schiller & Andrea Weiss, 1988) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; LIVING END, THE (US, Gregg Araki, 1992) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; ALIEN [...] (UK/US, 1979-92) Notes: Filmography: p. 225-227; Includes bibliographical references and indexISBN: 0415107245; 0415107253 (pbk)LON: 10899929
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journal article
In Brief in Lumiere (December, 1973) iss.30 p.37
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In conversation with Jack Thompson in Empire (Australian Ed.) (October 2007) iss.79 p.92-96
PhysDes: ArticleSubject: THOMPSON, JACK ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; CLUB, THE (AT, Bruce Beresford, 1980) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; DECEMBER BOYS (AT/UK/US, Rod Hardy, 2006) Summary: Interview with Jack Thompson on his career, what drove him towards, and his 'legacy' as an Australian film star
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newspaper article
In defence of a soft landing in Weekend Australian [Review] (10/09/2016) p.12
Call No: TITLE CLIPPINGS FILE; SULLY (US, Clint Eastwood, 2016)Author: Stratton, David PhysDes: Clippings File ArticleSubject: SULLY (US, Clint Eastwood, 2016) Summary: Favourable review of the Eastwood film SULLYRating: 4 out of 5 stars
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In Defence of Peckinpah in Lumiere (November, 1972) iss.18 p.7-9
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In glorious technicolor : a century of film and how it has shaped us / Francine Stock with Stephen Hughes London: Pimlico, 2011.
Call No: 70 STOAuthor: Stock, Francine ; Hughes, Stephen Source: UKPlace: LondonPublisher: PimlicoPubDate: 2011PhysDes: 344 p. ; 25 cm.Subject: HISTORY AND THE CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. 1990's ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920)
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CABINET DES DR. CALIGARI, DAS ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; SCARFACE (US, Howard Hawks, 1932) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; BAMBI (US, David Hand, 1942) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; STRADA, LA (IT, Federico Fellini, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; PEEPING TOM (UK, Michael Powell, 1960) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CARRIE (US, Brian De Palma, 1976) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ANNIE HALL (US, Woody Allen, 1977) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; TOP GUN (US, Tony Scott, 1986) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: BLANC ; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; AVATAR (US, James Cameron, 2009) ; UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010) Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.ISBN: 9781845951993
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In ink and image : studying screen adaptations / Dinah Partridge South Melbourne: Oxford University Press, c2000.
Call No: 512.1 PARAuthor: Partridge, Dinah Place: South MelbournePublisher: Oxford University PressPubDate: c2000PhysDes: xxi, 210 p. : ill. ; 26 cmSubject: ADAPTATIONS ; TEACHING MATERIALS ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; ANIMAL FARM (UK, John Halas & Joy Batchelor, 1954) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; HAMLET (US, Franco Zeffirelli, 1990) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OF MICE AND MEN (US, Gary Sinise, 1992) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; RADIANCE (AT, Rachel Perkins, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; WASHINGTON SQUARE (US, Agnieszka Holland, 1997) ; WELL, THE (AT, Samantha Lang, 1997) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ISBN: 0195508491LON: 21264241
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In Person: Gary Sweet in Empire (Australian Ed.) (June 2003) iss.27 p.48-49
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In Person: Noah Taylor in Empire (Australian Ed.) (September 2001) iss.6 p.34-35
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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INCONNU DU LAC, L' : (FR, Alain Guiraudie, 2013)
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INCONNU DU LAC, L' [STRANGER BY THE LAKE] : (FR, Alain Guiraudie, 2013) Digital clippings file available
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Incredibly strange films / [editors V. Vale and Andrea Juno] San Francisco, Calif.: RE/Search Publications, 1986.
Call No: 722.731 INCAuthor: Vale, V ; Juno, Andrea Place: San Francisco, Calif.Publisher: RE/Search PublicationsPubDate: 1986PhysDes: 211, 17 p. : ill., ports. ; 28 cmSeries: RE/Search ; 10Subject: CULT FILMS ; DELINQUENTS IN FILMS ; MOTORCYCLE FILMS ; BEACH MOVIES ; DRUGS IN FILMS ; PRISON FILMS ; MONDO FILMS ; SEX FILMS ; ROMERO, GEORGE ; LEWIS, HERSCHELL GORDON ; WISHMAN, DORIS ; WOOD, EDWARD D., JR. ; HENENLOTTER, FRANK ; STECKLER, RAY DENNIS ; MIKELS, TED V. ; MEYER, RUSS ; BAKALYAN, RICHARD ; SARNO, JOSEPH W. ; FRIEDMAN, DAVID F. ; COHEN, LARRY ; YOUNG PLAYTHINGS (SW?, Joseph W. Sarno, 1972?) ; SPIDER BABY OR, THE MADDEST STORY EVER TOLD (US, Jack Hill, 1965) ; DEMENTIA [DAUGHTER OF HORROR] (US, John Parker, 1953) ; BLAST OF SILENCE (US, Allen Baron, 1961) ; GOD TOLD ME TO (US, Larry Cohen, 1976) Notes: Cover title; Includes index; Filmography: p. [212]-[213]ISBN: 0940642093LON: 6230876
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Indecent exposure : a true story of Hollywood and Wall Street / David McClintick New York: William Morrow & Co., Inc., c1982.
Call No: 19COL MCCAuthor: McClintick, David Place: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1982PhysDes: 544 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; FINANCING ; INDUSTRY, FILM ; LAW AND THE CINEMA ; BEGELMAN, DAVID ; JAFFE, LEO ; ROBERTSON, CLIFF ; STARK, RAY ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) Summary: "Here is the brilliantly rendered story of the greatest scandal and most bitter power struggle in Hollywood's history. It began in the middle of 1977 with what seemed a serious but completely contained incident of embezzlement: David Begelman's forgery of Cliff Robertson's name on a $10,000 check. But by the time a year had gone by, the lives of these men and dozens of other very powerful Hollywood figures would be engulfed in a holocaust of controversy and pain that would rock the foundations of the world's most glamorous industry for years to come." [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 068801349XDonation: Simon Wincer
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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The industry and European new cinema in Sydney University Film Group Bulletin (June 1971) iss.54 p.1 - 15
PhysDes: ArticleSubject: STRAUB, JEAN-MARIE ; JANCSO, MIKLOS ; ROCHA, GLAUBER ; CLEMENTI, PIERRE Summary: Transcription of a discussion between Jean-Marie Straub, Miklos Jancso, Glauber Rocha and Pierre Clementi. Artistic and commercial trends in cinema in the early 1970s is discussed.Notes: Transcribed from film by Patrick Letessier, translated by John Mathews and published in 'Cinematics' no.4
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Industry warms to new media in Encore (June 2000) vol.18 iss.5 p.14-15
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA Summary: Overview of session at the National Association of Broadcasters Convention 2000 on the effect new media technologies are having on the film and television production industry.
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Interim
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Ingrid Bergman : my story / Ingrid Bergman and Alan Burgess Great Britain: Sphere Books, 1981, c1980.
Call No: 81BER BERAuthor: Bergman, Ingrid ; Burgess, Alan Edition: Sphere edSource: UKPlace: Great BritainPublisher: Sphere BooksPubDate: 1981, c1980PhysDes: xvii, 556 p., [16] p. of plates : ill., ports ; 18 cmSubject: BERGMAN, INGRID ; GRANT, CARY ; MAGNANI, ANNA ; ROSSELLINI, ISABELLA ; ROSSELLINI, ROBERTO ; SELZNICK, DAVID O. ; STROMBOLI (IT, Roberto Rossellini, 1949) Summary: A winner of three Academy Awards and three New York Film Critics Circle Awards, Ingrid Bergman provides her true story of her personal life- her childhood, her marriages and her battle against cancer. A history of her films and film-making, plays and players, are described.ISBN: 0722154488ID2: 69
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Inner views : filmmakers in conversation / David Breskin Boston: Faber and Faber, c1992.
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Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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Inquiry into the effects of government-funded national broadcasting on Victoria / Economic Development Committee Melbourne: Economic Development Committee, 1999.
Call No: 205.1(94) AUSCorpAuthor: Victoria. Parliament. Economic Development CommitteeSource: ATPlace: MelbournePublisher: Economic Development CommitteePubDate: 1999PhysDes: xviii, 267 p. ; 25 cmSeries: Parliamentary paper (Victoria. Parliament) ; no. 49Subject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; GOVERNMENT AID. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; WILDSIDE [TV] (AT, 1997-9) ; NEWS PROGRAMMES. AUSTRALIA Summary: The report examines: The current and long-term distribution of government-funded national broadcasting resources and the effect of this distribution in Victoria; the effects on industry, including broadcasting, film and video production and mulitmedia; the effects on the arts and cultural life in Victoria including whether government-funded national broadcasters adequately service Victoria, and Melbourne, as Australia's second largest city; and the programming mix available from government-funded national broadcasters and how programming decisions are made and whether the programming which is delivered is geographically balanced. -from Terms of Reference, page vii.Notes: "Final report"ISBN: 0731152646LON: 20167830
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Inquiry into the future use of the sixth television channel : issues paper Sydney: Australian Broadcasting Authority, 1996.
Call No: 205.26(94) AUSCorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 51 pages ; 30 cmSubject: BROADCASTING. AUSTRALIA ; LICENCES. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: An paper that the Australian Broadcasting Authority created as to raise issues for public consultation in relation to the statement "the ABA invites comment on the national benefits which may accure from possible uses of the sixth channel that should be considered as part of this inquiry".LON: abn96289654; 12653174Contents: Comments invited as part of this inquiry -- Part 1: Introduction -- Part 2: Background -- Part 3: The current use of the sixth channel and issues for its future use -- Part 4: Some options -- Part 5: Regulation and implementation implications -- Attachments
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newspaper article
Insanity all his own in Sunday Herald Sun [Arts & Entertainment] (7/08/2016) p.87
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journal article
Inside a magic factory in Lumiere (September, 1972) iss.16 p.32-34
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Inside Hollywoood : Robert Wise interviewed by Michael Thornhill in Melbourne Film Bulletin (October 1969) iss.10 p.19-31
Author: Thornhill, Michael and Gardner, Geoffrey PhysDes: ArticleSubject: WISE, ROBERT ; CITIZEN KANE (US, Orson Welles, 1941) ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LEWTON ,VAL ; TOURNEUR, JACQUES ; ROBSON, MARK ; HAUNTING, THE (US, Robert Wise, 1963) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAR (US, Robert Wise, 1968) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles.
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Levy Collection
book
Inside Warner Bros. (1935-1951) : the battles, the brainstorms, and the bickering-from the files of Hollywood's greatest studio / selected, edited and annotated by Rudy Behlmer London: Weidenfield and Nicolson, 1987.
Call No: 19WAR BEHAuthor: Behlmer, Rudy Source: UKPlace: LondonPublisher: Weidenfield and NicolsonPubDate: 1987PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cmSubject: FILMMAKING ; INDUSTRY, FILM. USA ; PRODUCERS. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION. USA ; STAR SYSTEM ; STUDIO SYSTEM ; WARNER BROS. ; BOGART, HUMPHREY ; HUSTON, JOHN Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURBNotes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS)
Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986.
Includes index.ISBN: 0297792423Donation: donated by the family of Wayne Levy, 2006
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Insider : Brad and Ange still share one thing - new film releases in Sunday Telegraph (25/09/2016) p.113
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Interfacing with the on-line world : pay TV, broadband, standards and access / by Ross Kelso and Mark Armstrong Melbourne VIC: Media and Telecommunications Policy Group, 1997.
Call No: 39(94) KELAuthor: Kelso, Ross ; Armstrong, Mark Source: ATPlace: Melbourne VICPublisher: Media and Telecommunications Policy GroupPubDate: 1997PhysDes: 62 pages : illustrated ; 30 cmSubject: PAY TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; TECHNOLOGY AND TV Summary: "This research report deals with some issues which are vital to the development of our communications system. Networks have been buit to deliver broadband services, and more will be built before the year 2000. The financing and growth of the networks depend on business and domestic consumers, who will use the networks to access information and entertainment or to communicate with others. The underlying question is how conveniently a user can access the on-line world from any device, be it a TV receiver, a computer or a new multimedia device; and at what price." -from the preface.Notes: Spiral boundContents: Preface; Summary -- Consumer needs: towards a universal interface -- Will the pathways to the consumer converge? -- The role of standards -- Regulation: the access regime -- Competition; The round table -- The transcript -- About the participants; The research paper -- Introduction -- The role of standards -- Government policies affecting competition and access -- Capacity limitations: bandwidth versus technology -- Broad issues -- Appreciating conditional access -- Australian policy development -- Pay TV carrier associate services -- Proposed access regime post-1997 -- Digital terrestrial television broadcasting -- Australian digital video standards for pay TV & other services -- Overseas developments -- European standards and regulations affecting access -- Regulating access in the United Kingdom -- US video dialtone and open video system policies; Figures -- Fig 1 Typical arrangement for conditional access -- Fig 2 Comparison of Optus Vision and Moco (Telstra Multimedia/Foxtel) proposals -- Fig 3 Desirable open access regime for digital terrestrial television broadcasting -- Fig 4 Illustrative compromise underpinning the European digital video broadcasting standards -- Fig 5 Chart of the relationships under the proposed framework for digital terrestrial broadcasting in the UK -- Fig 6 Possible 'level one' gateway configurations
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Interim
book
International film guide 1969 / edited by Peter Cowie London: Tantivy Press, 1968.
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International film guide. 1980 / edited by Peter Cowie ; associate editor Derek Elley London: Tantivy Press [etc.], 1979.
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Interim
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International film guide 1982 / edited by Peter Cowie London: Tantivy Press, 1981.
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International TV & video guide 1987 / edited by Richard Paterson London New York: Tantivy Press New York Zoetrope, c [1987].
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Interim
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Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005.
Call No: 771(94) INTAuthor: Tofts, Darren Source: ATPlace: Fishermens Bend, Vic.Publisher: Craftsman HousePubDate: 2005PhysDes: 145 p. ; 24 cmSeries: New ArtSubject: VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] ; AESTHETICS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].ISBN: 097573038X
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