book
Christian Metz and the reality of film / George Agis Cozyris New York: Arno Press, 1980.
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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Film and phenomenology : toward a realist theory of cinematic representation / Allan Casebier Cambridge New York: Cambridge University Press, 1991.
Call No: 626:165.62 CASAuthor: Casebier, Allan Place: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1991PhysDes: vii, 165 p. ; 24 cmSeries: Cambridge studies in filmSubject: HUSSERL, EDMUND ; PHILOSOPHY AND THE CINEMA ; DOCUMENTARY FILMS ; BORDWELL, DAVID ; BAZIN, ANDRE ; MARKER, CHRIS ; KUROSAWA AKIRA ; LACAN, JACQUES ; METZ, CHRISTIAN ; OSHIMA NAGISA ; YASUJIRO OZU ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes index; Bibliography: p. 159-160; Filmography: p. 161-162ISBN: 0521411327 (hardback)LON: 7950801
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book
Film and revolution / James Roy MacBean Bloomington: Indiana University Press, c1975.
Call No: 745.1 MACAuthor: MacBean, James Roy Place: BloomingtonPublisher: Indiana University PressPubDate: c1975PhysDes: viii, 339 p. : ill. ; 29 cmSubject: REVOLUTIONARY THEMES IN FILMS ; MARXISM AND THE CINEMA ; REVOLUTION AND THE CINEMA ; GORIN, JEAN-PIERRE ; GODARD, JEAN-LUC ; METZ, CHRISTIAN ; VERTOV, DZIGA ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; MADE IN U.S.A. (FR, Jean-Luc Godard, 1966) ; ICE (US, Robert Kramer, 1970) ; CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) ; LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) Notes: Includes bibliographical references and indexISBN: 0253321891; 0253201918(pbk.)LON: 737743URL status: URL: 'http://-'
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Genre, the musical : a reader / edited by Rick Altman London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.
Call No: 751 GENAuthor: Altman, Rick Place: London BostonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1981PhysDes: vii, 228 p., [4] leaves of plates : ill. ; 23 cmSeries: British Film Institute readers in film studiesSubject: MUSICALS ; WOMEN IN FILMS ; SEX IN FILMS ; SEMIOLOGY ; METZ, CHRISTIAN ; MINNELLI, VINCENTE ; BERKELEY, BUSBY ; SIDNEY, GEORGE ; GIGI (US, Vincente Minnelli, 1958) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; DAMES (US, Ray Enright, 1934) Notes: Includes index; Bibliography: p. 208-215ISBN: 0710008163 : $21.00; 0710008171 (pbk.) : $10.50LON: 2061102
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Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008.
Call No: 670 INV GRIAuthor: Grieveson, Lee ; Wasson, Haidee Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xxxii, 446 p. : ill. ; 24 cmSubject: American Film Institute ; AVANT-GARDE FILMS ; COMPUTER GENERATED IMAGERY ; CRITICISM ; FILM ART MEDIA ; FILM CULTURE ; FILM NOIR ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES ; HISTORY OF CINEMA. SILENT PERIOD ; MARXISM AND THE CINEMA ; MOTION PICTURE ASSOCIATION OF AMERICA ; MUSEUM OF MODERN ART [NEW YORK] ; PHILOSOPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; REALISM IN FILMS ; SOCIETIES, FILM ; SOCIOLOGY AND THE CINEMA ; SPECTATORSHIP ; ALTHUSSER, LOUIS ; BACHMANN, GIDEON ; BARRY, IRIS ; BAZIN, ANDRE ; BELLOUR, RAYMOND ; BERGSTROM, JANET ; BORDWELL, DAVID ; BRAKHAGE, STAN ; BURGESS, ERNEST ; BUSCOMBE, ED ; CHAPLIN, CHARLES ; COOK, PAM ; DEREN, MAYA ; FOUCAULT, MICHEL ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; HAWKS, HOWARD ; HAYS, WILL ; HEATH, STEPHEN ; HUFF, THEODORE ; MACCABE, COLIN ; METZ, CHRISTIAN ; PARK, ROBERT ; PATTERSON, FRANCES TAYLOR ; PENLEY, CONSTANCE ; RAINER, YVONNE ; RAMSAYE, TERRY ; RICHTER, HANS ; ROTHA, PAUL ; SARRIS, ANDREW ; SCORSESE, MARTIN ; SELDES, GILBERT ; SHORT, REV WILLIAM H ; STERN, SEYMOUR ; THRASHER, FREDRICK ; VOGEL, AMOS ; VON STROHEIM, ERICH ; WEINBERG, HERMAN G ; WHANNEL, PADDY ; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher descriptionNotes: Includes bibliographical references and indexISBN: 9780822342892Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson
-- Making Cinema Knowable --
Cinema Studies and the Conduct of Conduct / Lee Grieveson
Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson
"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick
Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan
-- Making Cinema Educational --
Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson
Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland
Experimental Film and the Development of Film Study in America / Michael Zryd
From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen
-- Making Cinema Legible --
Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest
Screen and 1970s Film Theory / Philip Rosen
(Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis
Little Books / Mark Betz
-- Making and Remaking Cinema Studies --
Footstool Film School: Home Entertainment as Home Education / Alison Trope
Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick
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Looks and frictions : essays in cultural studies and film theory / Paul Willemen Bloomington London: Indiana University Press British Film Institute, 1994.
Call No: 62(081) WILAuthor: Willemen, Paul CorpAuthor: British Film InstitutePlace: Bloomington LondonPublisher: Indiana University Press British Film InstitutePubDate: 1994PhysDes: 263 p. ; 25 cmSubject: THIRD CINEMA ; NATIONAL IDENTITY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; BAHTIN, MIHAIL ; BRECHT, BERTOLT ; FASSBINDER, RAINER WERNER ; METZ, CHRISTIAN ; MULVEY, LAURA ; OSHIMA, NAGISA ; ROCHA, GLAUBER ; SIRK, DOUGLAS ; OPHULS, MAX ; DWOSKIN, STEPHEN ; EPSTEIN, JEAN ; GITAI, AMOS ; KING, NOEL ; SOLANAS, FERNANDO E. ; TOKYO SENSO SENGO HIWA (JA, Nagisa Oshima, 1971) Notes: Includes bibliographical references and indexISBN: 0851703992 (pbk.); 0851703984LON: 10340810ID2: 346URL status: URL: 'http://-'
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The major film theories : an introduction / J. Dudley Andrew London New York: Oxford University Press, 1976.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: London New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: x, 278 p. : ill. ; 21 cmSubject: THEORY ; PHILOSOPHY AND THE CINEMA ; MUNSTERBERG, HUGO ; ARNHEIM, RUDOLF ; BALAZS, BELA ; KRACAUER, SIEGFRIED ; BAZIN, ANDRE ; MITRY, JEAN ; METZ, CHRISTIAN Summary: "The major film theories is designed for anyone with a serious interest in the art of film. It is both a history film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry and Metz. Andrew sets these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories." The final secion of the book deals with contemporary French film theory which is still in the process of develping. Andrew locates these film theories in the contect of larger intellectual movements, including Gestalt psychology, Russian formalism, Neo-Kantianism and Existentialism." -- Back coverNotes: Includes index; Bibliography: p. 261-272ISBN: 0195019911 : $3.95 (U.S.)LON: 75025465; 741859Contents: Introduction -- Part 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be´la Bala´zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be´la Bala´zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre´ Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame´de´e Ayfre and Henri AgelURL status: URL: 'http://-'
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personality microfilm collection
METZ, CHRISTIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: METZ, CHRISTIAN
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New vocabularies in film semiotics : structuralism, post-structuralism, and beyond / Robert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis London New York: Routledge, 1992.
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Screen reader 2 : cinema & semiotics London: Society for Education in Film and Television, 1981.
Call No: 623.3 SCRCorpAuthor: Society for Education in Film and TelevisionPlace: LondonPublisher: Society for Education in Film and TelevisionPubDate: 1981PhysDes: xiv, 197 p. ; 24 cmSubject: SEMIOLOGY ; STRUCTURALISM ; METZ, CHRISTIAN ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959) Notes: On cover: Brewster, Buscombe, Hanet, Heath, Kristeva, Kuntzel, Metz and Willemen; Includes bibliographical footnotesISBN: 0900676086LON: abn83063607; 2423880
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Theories of cinema, 1945-1995 / Francesco Casetti ; translated by Francesca Chiostri and Elizabeth Gard Bartolini-Salimbeni, with Thomas Kelso Austin: University of Texas Press, 1999.
Call No: 62 CASAuthor: Casetti, Francesco Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1999PhysDes: 368 p. ; 24 cmSubject: THEORY ; PSYCHOANALYSIS AND THE CINEMA ; SEMIOLOGY ; LANGUAGE AND THE CINEMA ; POLITICS AND THE CINEMA ; GENDER AND THE CINEMA ; SOCIETY AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; PERCEPTION ; SPECTATORSHIP ; BELLOUR, RAYMOND ; ADORNO, THEODOR W. ; BARTHES, ROLAND ; BAZIN, ANDRE ; BORDWELL, DAVID ; DELEUZE, GILLES ; KRACAUER, SIEGFRIED ; LACAN, JACQUES ; HORKHEIMER, MAX ; MITRY, JEAN ; MORAN, EDGAR ; LYOTARD, JEAN-FRANCOIS ; METZ, CHRISTIAN Notes: "Revised and updated by the author."; Includes bibliographical references (p. [339]-359) and indexISBN: 0292712065 (hc :acid-free paper); 0292712073 (pbk.)LON: 14328673
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