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Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 734.1 HIR
Author: Hirsch, Foster
Edition: [1st Limelight ed.]
Place: New York
Publisher: Limelight Editions
PubDate: [1999]
PhysDes: 398 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; FILM NOIR. FRANCE; FULLER, SAMUEL; CHANDLER, RAYMOND; Wenders, Wim; WOOLRICH, CORNELL; Tarantino, Quentin; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); CRISS CROSS (US, Robert Siodmak, 1948); GETAWAY, THE (US, Sam Peckinpah, 1972); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LAST SEDUCTION, THE (US, John Dahl, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BETRAYED (US, Constantin Costa-Gavras, 1988); BLUE VELVET (US, David Lynch, 1986); BOYZ N THE HOOD (US, John Singleton, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); CHINATOWN (US, Roman Polanski, 1974); CONVERSATION, THE (US, Francis Ford Coppola, 1974); DEATH WISH (US, Michael Winner, 1974)
Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and index
ISBN: 0879102888
Order Received: 2000
LON: 20214725

Call No: 802.25(73) SHE
Author: Sherman, Eric; Rubin, Martin, 1947- joint author; Rubin, Martin, joint author; Boetticher, Budd, 1916
Edition: [1st ed.]
Place: New York
Publisher: Atheneum
PubDate: 1970 [c1969]
PhysDes: vii, 200 p. : ill., ports. ; 22 cm
Subject: BOETTICHER, BUDD; BOGDANOVICH, PETER; FULLER, SAMUEL; PENN, ARTHUR; POLONSKY, ABRAHAM
LON: 79086559; 100899

Call No: 734 FIL
Author: Silver, Alain, 1947; Ursini, James
Edition: 1st Limelight ed. July 1999
Place: New York
Publisher: Limelight Editions
PubDate: 1999
PhysDes: x, 346 p. : ill., ports. ; 23 cm
Subject: FILM NOIR; POLICE FILMS; OPENINGS OF FILMS; JAZZ IN FILMS; FILM NOIR. UK; FEMME FATALE; WOMEN IN FILMS; WOOLRICH, CORNELL; HITCHCOCK, ALFRED; FULLER, SAMUEL; POSTMAN ALWAYS RINGS TWICE, THE (US, Bob Rafaelson, 1981); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); FILE ON THELMA JORDON, THE (US, Robert Siodmak, 1949); PUSHOVER (US, Richard Quine, 1954); BIG HEAT, THE (US, Fritz Lang, 1953); KISS ME DEADLY (US, Robert Aldrich, 1955); DOUBLE INDEMNITY (US, Billy Wilder, 1944)
Notes: Includes bibliographical references
LON: 21222408

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FULLER, SAMUEL

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: 408 STA
Author: Stanfield, Peter
Source: US
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2011
PhysDes: xiii, 227 p. : ill. ; 24 cm
Subject: ADAPTATIONS. THOMPSON, JIM; ADAPTATIONS. SPILLANE, MICKEY; FULLER, SAMUEL; EXPLOITATION FILMS; CULT FILMS; BEST FILMS; CULTURE AND THE CINEMA. USA; THEORY; AESTHETICS; POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA. USA; FILM CULTURE; GODARD, JEAN-LUC; FARBER, MANNY; KISS ME DEADLY (US, Robert Aldrich, 1955)
Summary: A study on pulp movies (such as Kiss me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome) impacted upon and influenced the critics, cinephiles, and filmmakers of the day (people such as Jean-Luc Godard, Manny Farber, Lawerence Alloway, Paulene Kael). The critics 'championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rareified, and ossified art objects. Against the legitimate and in the defense of the illegitimate, in an insolent and unruly manner, these critics agitated for the recognition of lurid sensational crime stories. War pictures, fast-paced Westerns, thillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture - the foundation upon which modern film studies sits.' - taken from Back Cover
ISBN: 9780813550626
Contents: Introduction : yours till the boys come home -- Position papers : in defense of pulp movies -- A genealogy of pulp : Black mask to Mickey Spillane -- A world of small insanities : the critical reception of Kiss me deadly -- American primitive : Samuel Fuller's pulp politics -- Authenticating pulp : Jim Thompson adaptations and neo-noir -- Conclusion : hiding out in cinemas

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 62(081) MAR
Author: Martin, Adrian
Edition: 2018
Place: Amsterdam
Publisher: Amsterdam University Press
PhysDes: 424 pages ; 24 cm
Series: film culture in transition
Subject: AVANT-GARDE FILMS; CINEPHILIA; CRITICISM: METHODOLOGY OF FILM CRITICISM; THEORY. AUSTRALIA; FILM HISTORY; AKERMAN, CHANTAL; ALMODOVAR, PEDRO; CASSAVETES, JOHN; DE PALMA, BRIAN; FULLER, SAMUEL; GARREL, PHILIPPE; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; POLANSKI, ROMAN; RESNAIS, ALAIN; RUIZ, RAUL; SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); COTTON CLUB, THE (US, Francis Ford Coppola, 1984); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999)
Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web site
ISBN: 9789462986831
Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez Notes -- Sources of Texts -- Index

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1954); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: 802 PRO v.1 - v.12
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber
PubDate: 1992
PhysDes: viii, 283 p. : ill. ; 23 cm
Subject: PRESSBURGER, EMERIC; HARTLEY, HAL; VAN SANT, GUS; CUKOR, GEORGE; BOORMAN, JOHN; FULLER, SAMUEL; DEMME, JONATHAN; ALMENDROS, NESTOR; PHOENIX, RIVER; MANN, MICHAEL; CAMPION, JANE; WARD, VINCENT; LOWENSTEIN, RICHARD; SURVIVING DESIRE (US, Hal Hartley, 1992)
Notes: "Issue No. 1" - cover
ISBN: 0571167292 (pbk.) : ¦9.99
LON: bnb57116729; 8676208

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 81FUL GAR
Author: Garnham, Nicholas
Source: UK
Place: London
Publisher: Secker and Warburg in association with the British Film Institute
PubDate: 1971
PhysDes: 176 p. : ill., ports. ; 20 cm.
Series: Cinema one ; 15
Subject: FULLER, SAMUEL
Notes: Filmography: p.161-176
ISBN: 0436099179
Language: English

Call No: 734.2(73) MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1972
PhysDes: 176 p. illus., ports. 20 cm
Subject: GENRES; GANGSTER FILMS. USA; THRILLERS. USA; LANG, FRITZ; HUSTON, JOHN; DASSIN, JULES; SIODMAK, ROBERT; KAZAN, ELIA; RAY, NICHOLAS; FULLER, SAMUEL; SIEGEL, DON; MELVILLE, JEAN-PIERRE; PUBLIC ENEMY, THE (US, William Wellmen, 1931); BIG HEAT, THE (US, Fritz Lang, 1953); MALTESE FALCON, THE (US, John Huston, 1941); BIG SLEEP, THE (US, Howard Hawkes, 1946); LITTLE CAESAR (US, Mervyn LeRoy, 1931); SCARFACE (US, Howard Hawks, 1932)
ISBN: 0436098857 0436098849 (pbk.)
LON: 73155714; 541899

Author: Hosford, Peter
PhysDes: Article
Subject: VIOLENCE IN FILMS; REPULSION (UK, Roman Polanski, 1965); POLANSKI, ROMAN; BONNIE AND CLYDE (US, Arthur Penn, 1967); CHASE, THE (US, Arthur Penn, 1966); PENN, ARTHUR; SIEGEL, DON; HELL IS FOR HEROES (US, Don Siegel, 1961); KILLERS, THE (US, Don Siegel, 1964); FULLER, SAMUEL; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); ALDRICH, ROBERT; KAZAN, ELIA; ON THE WATERFRONT (US, Elia Kazan, 1954); PAWNBROKER, THE (US, Sidney Lumet, 1964); JAMES BOND IN FILMS
Summary: Essay discusses the importance of cinematic violence in terms of four categories with reference to particular films, acknowledging that violence can be beautiful.