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book		100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004. Call No: 71(73)WOO Author: Wood, Jason Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: xiii, 263 p. : ill. ; 17 cm Series: BFI screen guides Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover]. Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index ISBN: 1844570061 More info
book		American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273 More info
book		American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979. Call No: 71(73) MON Author: Monaco, James Source: US Place: New York Publisher: New American library PubDate: 1979 PhysDes: 544 p. : ill. ; 24 cm Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB Notes: Includes index. Donation: donated by Senses of Cinema, 2010 Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits More info
book		The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998. Call No: 67(04) BES Author: Plimpton, George Place: New York Publisher: St. Martin's Griffin PubDate: 1998 PhysDes: xvi, 265 p. ; 21 cm Subject: PRODUCERS; CAMP; CENTENARY OF CINEMA; HOMOSEXUALITY AND THE CINEMA; SCORSESE, MARTIN; FRY, STEPHEN; CAMPION, JANE; BEATTY, WARREN; STABILE, SALVATORE; POLANSKI, ROMAN; DANDRIDGE, DOROTHY; HITCHCOCK, ALFRED; STREISAND, BARBRA; WATERS, JOHN (US); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026 More info
Interim book		The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999. Call No: 67(04) BES Place: New York Publisher: St. Martin's PubDate: 1999 PhysDes: 280 p. Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832 ID2: 291 More info
journal article		Call it Scorsese in UTS Review (May 1997) vol.3 iss.1 p.216-223 Author: Martin, Adrian PhysDes: Book review; Bibliography Subject: SCORSESE, MARTIN Summary: A book review of 'The Scorsese Connection', by Lesley Stern. More info
book		Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988. Call No: 409(73) RYA Copy Management: Copy 1; Copy 2 Author: Ryan, Michael, 1951; Kellner, Douglas, 1943 Place: Bloomington, Ind. Publisher: Indiana University Press PubDate: 1988 PhysDes: xiii, 328 p. : ill. ; 25 cm Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324 ISBN: 0253313341 LON: 5193671 More info
journal article		CATs and madmen in Metro education (1999) iss.17/18 p.12-15 Author: Eipper, Declan Mortimer PhysDes: Article; Illustration(s) Subject: CASINO (US, Martin Scorsese, 1995); GOODFELLAS (US, Martin Scorsese, 1990); SCORSESE, MARTIN Summary: Eipper analyses the male protagonists in "Casino" and "Goodfellas" in order to define the typical Scorsese æmadmanÆ. More info
book		A cinema of loneliness : Penn, Kubrick, Coppola, Scorsese, Altman / Robert Phillip Kolker New York: Oxford University Press, 1980. Call No: 802.25(73) KOL Author: Kolker, Robert Phillip Place: New York Publisher: Oxford University Press PubDate: 1980 PhysDes: xii, 395 p. : ill. ; 22 cm Subject: PENN, ARTHUR; KUBRICK, STANLEY; COPPOLA, FRANCIS FORD; SCORSESE, MARTIN; ALTMAN, ROBERT Notes: Filmography: p. 351-381; Includes bibliographical references and index ISBN: 0195025881 LON: 1361315 More info
book		A cinema of loneliness : Penn, Kubrick, Scorsese, Spielberg, Altman / Robert Phillip Kolker New York: Oxford University Press, 1988. Call No: 802.25(73) KOL Author: Kolker, Robert Phillip Edition: 2nd ed Place: New York Publisher: Oxford University Press PubDate: 1988 PhysDes: xv, 442 p. : ill. ; 20 cm Subject: PENN, ARTHUR; KUBRICK, STANLEY; SPIELBERG, STEVEN; SCORSESE, MARTIN; ALTMAN, ROBERT Notes: Includes index; Bibliography: p. 383-394; Filmography: p. 395-430 ISBN: 0195053907 (pbk. : alk. paper) : $16.95; 0195053893 (hard : alk. paper); 0195053907 (pbk. : alk. paper) LON: 5669409 More info
Interim book		A cinema of loneliness : Penn, Stone, Kubrick, Scorsese, Spielberg, Altman / Robert Kolker New York: Oxford University Press, 2000. Call No: 802.25(73) KOL Author: Kolker, Robert Edition: 3rd ed. Source: US Place: New York Publisher: Oxford University Press PubDate: 2000 PhysDes: xvii, 484 p. : ill. ; 24 cm Subject: PENN, ARTHUR; STONE, OLIVER; KUBRICK, STANLEY; SCORSESE, MARTIN; SPIELBERG, STEVEN; ALTMAN, ROBERT Notes: Filmography: p. [421]-464. Includes bibliographical references (p. [407]-419) and index ISBN: 0195123506 More info
book		Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011. Call No: 81 JAC JAC Author: Jacob, Gilles Edition: 2011 Place: London; New York Publisher: Phaidon PubDate: 2011 PhysDes: 383 pages : illustrated ; 25 cm Subject: CANNES FILM FESTIVAL; STONE, SHARON; EASTWOOD, CLINT; ALLEN, WOODY; SCORSESE, MARTIN; KUBRICK, STANLEY; DEPARDIEU, GERARD ISBN: 9780714861906 More info
book		Compendium : Volume II / School of Media and Communication Melbourne: School of Media and Communications, RMIT University, 2019. Call No: 00(082) COM CorpAuthor: School of Media and Communication Place: Melbourne Publisher: School of Media and Communications, RMIT University PubDate: 2019 PhysDes: v, 241 pages, illustrations (some colour), 24cm. Subject: SCORSESE, MARTIN; GULPILIL, DAVID; GODZILLA IN FILMS; VIDEO ART; TELEVISION. INDIA Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview More info
book		Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998. Call No: 62 ORR Author: Orr, John, 1943 Place: Edinburgh Publisher: Edinburgh University Press PubDate: c1998 PhysDes: xi,243 p. : ill. ; 24 cm Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover. Notes: Includes bibliographical references and index ISBN: 0748608362(pbk.) : No price LON: 13772409 ID2: 291 More info
newspaper article		A cut above in Sydney Morning Herald [Spectrum] (20/08/2016) p.13 Call No: PERSONALITY CLIPPINGS FILE; SCORSESE, MARTIN Author: McDonald, John PhysDes: Clippings File Article Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; SCORSESE, MARTIN Summary: Review of the Martin Scorsese exhibition at ACMI. The reviewer is largely positive though thinks that the exhibition is less compelling than the movies he made that are featured in the exhibition. Discussion of Scorsese's influences and his religious beliefs More info
book		Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998. Call No: 71(73) BIS Author: Biskind, Peter Place: New York, NY Publisher: Simon & Schuster PubDate: 1998 PhysDes: 506 p. : ill. ; 25 cm Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MASH (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976) Notes:* Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448 ISBN: 0684809966 LON: 98002919; 13698645 More info
book		Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009. Call No: 802.25 CIM Author: Ciment, Michel Source: US Place: New York Publisher: Berg PubDate: 2009 PhysDes: viii, 372 p. ; 25 cm Series: Talking images series Subject: BERTOLUCCI, BERNARDO; BOORMAN, JOHN; BRESSON, ROBERT; CAMPION, JANE; CASSAVETES, JOHN; CRONENBERG, DAVID; EGOYAN, ATOM; FELLINI, FEDERICO; GODARD, JEAN-LUC; GREENAWAY, PETER; HERZOG, WERNER; HOU HSIAO-HSIEN; WONG KAR WAI; KAURISMAKI, AKI; KIAROSTAMI, ABBAS; KIESLOWSKI, KRZYSZTOF; KITANO TAKESHI; IM KWON-TAEK; LEIGH, MIKE; DE OLIVEIRA, MANOEL; RAY, SATYAJIT; SCORSESE, MARTIN; TARKOVSKY, ANDREI; VON TRIER, LARS; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back cover Notes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes index ISBN: 9781845204577 Language: English, translated from the French Contents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou. ID2: 291 More info
book		The future of the movies : interviews with Martin Scorsese, Steven Spielberg, and George Lucas / by Roger Ebert and Gene Siskel Kansas City, Missouri: Andrews and McMeel, c1991. Call No: 802.25 EBE Author: Ebert, Roger; Siskel, Gene Source: US Place: Kansas City, Missouri Publisher: Andrews and McMeel PubDate: c1991 PhysDes: xii, 116 p. : ill. ; 22 cm Subject: FILM; PRODUCERS; DIRECTORS; USA; SPIELBERG, STEVEN; SCORSESE, MARTIN; LUCAS, GEORGE Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURB ISBN: 0836262166 Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel -- More info
		[Goodfellas : Ray Liotta as Henry Hill sits at a dining table with Lorraine Bracco as Karen Hill] Warner Bros, Roadshow distributors, c. 1990. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Warner Bros; Roadshow distributors PubDate: c. 1990 PhysDes: 1 photograph : b&w ; 13 x 18 cm. Subject: GOODFELLAS (US, Martin Scorsese, 1990); LIOTTA, RAY; SCORSESE, MARTIN Summary: "Ray Liotta as Henry Hill and Lorraine Bracco as Karen Hill, enjoying a night on the town in 'Goodfellas'. Notes: Slight paper clip damage to upper left corner; Label attached to reverse of photograph More info
		[Goodfellas : Ray Liotta as Henry Hill yelling at Lorraine Bracco as Karen Hill] / Directed by Martin Scorsese Warner bros, Roadshow distributors, c. 1990. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Warner bros; Roadshow distributors PubDate: c. 1990 PhysDes: 1 photograph : b&w ; 13 x 18 cm. Subject: GOODFELLAS (US, Martin Scorsese, 1990); LIOTTA, RAY; SCORSESE, MARTIN Summary: Ray Liotta wearing a sportjacket yelling and pointing at Lorraine Bracco, in a scene from 'Goodfellas'. Notes: Slight fingerprint on photograph; Label adhered to reverse of photograph with adhesive tape which is yellowing as it is aging More info
		[Guilty by suspicion : Robert DeNiro as David Merril is in a room with Martin Scorsese as Joe Lesser] [1991?]. Call No: TITLE STILL INTERNATIONAL Source: AT PubDate: [1991?] PhysDes: 1 photograph : b&w ; 13 x 18 cm. Subject: GUILTY BY SUSPICION (US, Irwin Winkler, 1991); DE NIRO, ROBERT; SCORSESE, MARTIN Summary: Two men are standing in a room that is used to store film reels. The man on the left is dressed in a dark sweater and the man on the right is dressed in a tweed coat. Notes: White border surrounds image; No bibliographic details on photograph More info
book		Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986. Call No: 71(73) WOO Author: Wood, Robin, 1931 Place: New York Publisher: Columbia University Press PubDate: 1986 PhysDes: x, 328 p. : ill., ports. ; 24 cm Subject: USA; HORROR FILMS; NARRATIVE IN FILMS; WOMEN IN FILMS. USA; BUDDY FILMS; HORROR FILMS. USA; ALTMAN, ROBERT; COHEN, LARRY; SCORSESE, MARTIN; CIMINO, MICHAEL; ROMERO, GEORGE; DE PALMA, BRIAN; LUCAS, GEORGE; SPIELBERG, STEVEN; CHASE, THE (US, Arthur Penn, 1966); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980); BLADE RUNNER (US, Ridley Scott, 1982); POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320 ISBN: 0231057768 (alk. paper); 0231057776 (pbk) LON: 3796463 More info
book		The Hollywood interviews / Cahiers du Cinéma; translated by John Flower Oxford, UK: Berg, 2006. Call No: 802.25 CAH Source: UK Place: Oxford, UK Publisher: Berg PubDate: 2006 PhysDes: v, 154 p. ; 19 cm Subject: AUTEUR THEORY; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SCORSESE, MARTIN; EASTWOOD, CLINT; BURTON, TIM; COEN, JOEL & ETHAN Summary: Interviews with Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, and Tim Burton. Notes: Formerly CIP.; Includes filmographies.; Translated from the French. ISBN: 1845204417 More info
book		Hollywood under siege : Martin Scorsese, the religious right, and the culture wars / Thomas R. Lindlof Lexington, KY: University Press of Kentucky, 2008. Call No: 79 LAS LIN Author: Lindlof, Thomas R. Source: US Place: Lexington, KY Publisher: University Press of Kentucky PubDate: 2008 PhysDes: xi, 394 p. : ill. ; 25 cm. Subject: SCORSESE, MARTIN; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) Notes: Includes bibliographical references (p. [375]-380) and index ISBN: 9780813125176 Contents: 1. Dying Dangerously -- 2. Paramount -- 3. Universal -- 4. Morocco -- 5. Fevers Under the Veil -- 6. Summer of the Locust -- 7. Teeth Bared, Knuckles White -- 8. The Big Wind-Up -- 9. Trouble in Flyover Country -- 10. Scorched Earth Blues More info
book		International film guide 1979 / edited by Peter Cowie ; associate editor: Derek Elley London: Tantivy Press, c1978. Call No: REFERENCE SECTION; 058 INT "1979" Author: Cowie, Peter; Elley, Derek Place: London Publisher: Tantivy Press PubDate: c1978 PhysDes: 528 p. : ill. ; 21 cm Subject: BENEGAL, SHYAM; HERZOG, WERNER; MESZAROS, MARTA; SCORSESE, MARTIN; RADEMAKERS, FONS Notes: Includes index to advertisers ISBN: 0498022412 LON: 21045232 More info
book		Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008. Call No: 670 INV GRI Author: Grieveson, Lee; Wasson, Haidee Source: UK Place: Durham Publisher: Duke University Press PubDate: 2008 PhysDes: xxxii, 446 p. : ill. ; 24 cm Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description Notes: Includes bibliographical references and index ISBN: 9780822342892 Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick More info
book		Italian and Irish filmmakers in America : Ford, Capra, Coppola, and Scorsese / Lee Lourdeaux Philadelphia: Temple University Press, 1990. Call No: 802.25(73) LOU Author: Lourdeaux, Lee Place: Philadelphia Publisher: Temple University Press PubDate: 1990 PhysDes: xi, 288 p. : ill. ; 24 cm Subject: FORD, JOHN; CAPRA, FRANK; COPPOLA, FRANCIS FORD; SCORSESE, MARTIN Notes: Filmography: p. 267-271; Includes bibliographical references (p. 273-281) and index ISBN: 0877226970 (alk. paper) LON: 6778362 More info
book		Martin Scorsese : a journey / Mary Pat Kelly ; with forewords by Steven Spielberg and Michael Powell New York: Thunder's Mouth Press, 1991. Call No: 81SCO KEL Author: Kelly, Mary Pat Place: New York Publisher: Thunder's Mouth Press PubDate: 1991 PhysDes: xvii, 318 p. : ill. ; 24 cm Subject: SCORSESE, MARTIN Notes: Spine title: Scorsese; Includes index; Filmography: p.297-307 ISBN: 1560250445 (pbk.); 0938410792 : $21.95 LON: 91024017; 8200962 More info
book		Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997. Call No: 81SCO DOU Author: Dougan, Andy Source: UK Place: London Publisher: Orion PubDate: 1997 PhysDes: 144 p. : ill., ports. ; 20 cm. Subject: SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); CAPE FEAR (US, Martin Scorsese, 1991); CASINO (US, Martin Scorsese, 1995); GOODFELLAS (US, Martin Scorsese, 1990); KING OF COMEDY, THE (US, Martin Scorsese, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); LAST WALTZ, THE (US, Martin Scorsese, 1978); KUNDUN (US, Martin Scorsese, 1997); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968); ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974); BOXCAR BERTHA (US, Martin Scorsese, 1972); COLOUR OF MONEY,THE (US, Martin Scorsese, 1986); NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit lists ISBN: 0752811754 More info
book		Martin Scorsese and Michael Cimino / by Michael Bliss Metuchen, N.J.: Scarecrow Press, 1985. Call No: 802.25(73) BLI Author: Bliss, Michael, 1947 Place: Metuchen, N.J. Publisher: Scarecrow Press PubDate: 1985 PhysDes: ix, 301 p., [1] p. of plates : ill. ; 22 cm Subject: SCORSESE, MARTIN; CIMINO, MICHAEL Notes: Includes index; Bibliography: p. 293-296 ISBN: 0810817837 LON: 3947473 More info
book		Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017. Call No: 81 SCO SCO Author: Ribera, Robert; Scorsese, Martin Edition: Revised and updated edition Place: Jackson Publisher: University Press of Mississipp PubDate: 2017 PhysDes: xxxi, 250 pages ; 24 cm. Subject: CRITICISM; HISTORY OF CINEMA. 1970's; UNDERGROUND FILMS. USA; SCORSESE, MARTIN; TAXI DRIVER (US, Martin Scorsese, 1976); RAGING BULL (US, Martin Scorsese, 1980); COLOR OF MONEY, THE (US, Martin Scorsese, 1986); MEAN STREETS (US, Martin Scorsese, 1973); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); GOODFELLAS (US, Martin Scorsese, 1990); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); DEPARTED, THE (US, Martin Scorsese, 2006); HUGO (US, Martin Scorsese, 2011); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005); BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance. Notes: Includes index. Formerly CIP. Includes filmography. Also issued online. ISBN: 9781496809476 Donation: Senses of Cinema Contents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014). More info
book		Martin Scorsese, the first decade / Mary Pat Kelly ; [introduced by Francis Ford Coppola and Michael Powell] Pleasantville, N.Y.: Redgrave Pub. Co., 1980. Call No: 81SCO KEL Author: Kelly, Mary Pat; Scorsese, Martin Place: Pleasantville, N.Y. Publisher: Redgrave Pub. Co. PubDate: 1980 PhysDes: x, 206 p. : ill., ports. ; 22 cm Subject: SCORSESE, MARTIN Notes: Filmography: p. 197-202 ISBN: 0913178675 (pbk.) LON: 81124298; 2025314 More info
book		Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press, Call No: 62(081) MAR Author: Martin, Adrian Edition: 2018 Place: Amsterdam Publisher: Amsterdam University Press PhysDes: 424 pages ; 24 cm Series: film culture in transition Subject: AVANT-GARDE FILMS; CINEPHILIA; CRITICISM: METHODOLOGY OF FILM CRITICISM; THEORY. AUSTRALIA; FILM HISTORY; AKERMAN, CHANTAL; ALMODOVAR, PEDRO; CASSAVETES, JOHN; DE PALMA, BRIAN; FULLER, SAMUEL; GARREL, PHILIPPE; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; POLANSKI, ROMAN; RESNAIS, ALAIN; RUIZ, RAUL; SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); COTTON CLUB, THE (US, Francis Ford Coppola, 1984); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web site ISBN: 9789462986831 Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez Notes -- Sources of Texts -- Index More info
book		A personal journey with Martin Scorsese through American movies / Martin Scorsese and Michael Henry Wilson London: Faber, 1997. Call No: 71(73) SCO Author: Scorsese, Martin; Wilson, Michael Henry Place: London Publisher: Faber PubDate: 1997 PhysDes: 191 p. : ill. ; 26 cm Subject: SCORSESE, MARTIN; USA; DIRECTORS. USA; WESTERNS; MUSICALS. USA; GANGSTER FILMS. USA Summary: "From one of the world's most acclaimed directors comes an absorbing and informative look at American film and its practitioners, from silents to the movies of the 1970s, and how it shaped Martin Scorsese's own artistic vision." [Taken from book jacket] Notes: Originally published: New York : Hyperion, 1997; Filmography (p. 170-189) ISBN: 0571192424 (cased); 0571194559 (pbk) LON: abn97323264; 13458435 More info
book		Phantasms / Adrian Martin Ringwood, Vic.: McPhee Gribble, 1994. Call No: 403 MAR Author: Martin, Adrian Place: Ringwood, Vic. Publisher: McPhee Gribble PubDate: 1994 PhysDes: xii, 212 p. ; 21 cm Subject: POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND TV; VIETNAM WAR FILMS; THRILLERS; MYTH AND THE CINEMA; COMEDIES; BLOCKBUSTERS; SURREALISM AND THE CINEMA; YOUNG PEOPLE IN FILMS; CITIES IN FILMS; ENDINGS OF FILMS; CAPRA, FRANK; EDWARDS, BLAKE; SCORSESE, MARTIN; THIRTYSOMETHING [TV] (US, 1987-91); JFK (US, Oliver Stone, 1991); BENNY HILL SHOW, THE [TV] (UK, 1979); DUNLEAVY [TV] (US, 1992?); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) Notes: Includes index; CIP confirmed; Subtitle on cover: The dreams and desires at the heart of our popular culture; Bibliography: p. 199-201 ISBN: 0869142917 (pbk.) LON: 10669030 More info
book		Projections 4 : film-makers on film-making / edited by John Boorman ... [et al.] London: Faber and Faber, 1995. Call No: 802 PRO v.4 Author: Boorman, John, 1933 Place: London Publisher: Faber and Faber PubDate: 1995 PhysDes: xi, 333 p. : ill., ports; 24 cm Subject: WARD, VINCENT; TOLKIN, MICHAEL; SCORSESE, MARTIN; TOBACK, JAMES; PENN, ARTHUR; MALLE, LOUIS; MOORE, JULIEANNE; MURCH, WALTER; POTTER, SALLY; Fellini, Federico; ANDERSON, LINDSAY; FORD, JOHN; LUMIERE, LOUIS; BROWNLOW, KEVIN; BURNS, KEN; HOWARD, SYDNEY; GREGORY, ANDRE; BERNER, FRED; SHAWN, WALLACE; PINE, LARRY; FOWLIE, EDDIE; SEALE, JOHN; KELLY, GENE; DENNIS, SANDY; MORTENSEN, VIGGO; QUIET MAN, THE (US/IR, John Ford, 1952) ISBN: 0571173632 LON: abn95260853; 11807172 More info
book		Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997. Call No: 802 PRO v.7 Author: Boorman, John, 1933; Donohue, Walter Place: London Publisher: Faber & Faber PubDate: 1997 PhysDes: x, 301 p. : ill., ports. ; 24 cm Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA Notes: Filmography: p. 300-301 ISBN: 0571190332 LON: abn97280608; 13386768 More info
newspaper article		Scorsese by Stratton : director's great body of work in limelight in Canberra Times [Arts & Entertainment] (30/06/2016) p.6 Call No: PERSONALITY CLIPPINGS FILE; SCORSESE, MARTIN Author: Freebury, Jane PhysDes: Clippings File Article Subject: SCORSESE, MARTIN; STRATTON, DAVID Summary: 'Scorsese by Stratton' is on at Arc Cinema at the NFSA- 17 films from the oeuvre of Scorsese and currated by David Stratton. More info
book		The Scorsese connection / Lesley Stern London: British Film Institute, 1995. Call No: 81SCO STE Author: Stern, Lesley Place: London Publisher: British Film Institute PubDate: 1995 PhysDes: vii, 257 p. : ill. ; 24 cm Subject: SCORSESE, MARTIN; REMAKES; RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); CAPE FEAR (US, Martin Scorsese, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); SEARCHERS, THE (US, John Ford, 1956); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); WIZARD OF OZ, THE (US, Victor Fleming, 1939); BLUE VELVET (US, David Lynch, 1986); DUEL IN THE SUN (US, King Vidor, 1946); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GONE WITH THE WIND (US, Victor Fleming, 1939); NIGHT OF THE HUNTER (US, Charles Laughton, 1955) Notes: Includes bibliographical references and index ISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk) LON: bnb85170512; 11802839 More info
personality clippings file		Scorsese, Martin Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: SCORSESE, MARTIN More info
book		Scorsese on Scorsese / edited by David Thompson and Ian Christie London: Faber, 1996. Call No: 81SCO SCO Author: Scorsese, Martin; Christie, Ian, 1945; Thompson, David Edition: Updated ed Place: London Publisher: Faber PubDate: 1996 PhysDes: xxi, 254 p. : ill., ports. ; 22 cm Subject: SCORSESE, MARTIN Notes: Previous ed.: 1989; Includes index; Bibliography: p. 242-246 ISBN: 0571178278 (pbk) : ¦8.99 LON: gb 96068600; 12743353 More info
book		Scorsese's men : melancholia and the mob Melbourne, Australia: Pluto Press, 2004. Call No: 81:747.5SCO NIC Author: Mark Nicholls CorpAuthor: Pluto Press Place: Melbourne, Australia Publisher: Pluto Press PubDate: 2004 PhysDes: 24 cm; 191 pp Subject: SCORSESE, MARTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MEN IN FILMS. USA Summary: Martin Scorsese is the most influential director of his generation and, with his work regularly included among the top twenty films of all time, his place in cinema history is indisputable. Scorsese’s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema. Join author Mark Nicholls as he traces Martin Scorsese’s central theme of melancholia, nostalgia and loss through five films from the legendary director: The Age of Innocence, Raging Bull, Taxi Driver, Goodfellas and Cape Fear. Scorsese’s melancholic hero, Nicholls argues, is the Hamlet of Hollywood cinema. His journey is driven by an encounter with a corrupt and conservative mob and by his own overpowering experience of loss. Refusing to renounce that loss, under pressure from the mob, Scorsese’s men construct an elaborate and intriguing fantasy of perverse male desire. [Taken from back cover.] ISBN: 1864031565 ID2: 45 More info
book		Screening the past : memory and nostalgia in cinema / Pam Cook London ; New York: Routledge, 2005. Call No: 409.1 COO Author: Cook, Pam Source: UK Place: London ; New York Publisher: Routledge PubDate: 2005 PhysDes: xiii, 246 p. : ill. ; 24 cm Subject: HISTORY AND THE CINEMA; NOSTALGIA IN FILMS; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; GENDER AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; SEXUALITY AND THE CINEMA; TYPE CHARACTERS IN FILMS; MELODRAMA; WESTERNS; SCORSESE, MARTIN; BIGELOW, KATHRYN; HAYNES, TODD; WONG KAR WAI; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MILDRED PIERCE (US, Michael Curtiz, 1945); RAGING BULL (US, Martin Scorsese, 1980); MANDY (UK, Alexander Mackendrick, 1952); DANCE WITH A STRANGER (UK, Mike Newell, 1985) Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKET Notes: Includes bibliographical references and index (pp. 241-46) ISBN: 0415183758 (pbk. : alk. paper) Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow. More info
book		Taxi driver London: Faber and Faber, 1990. Call No: 79TAX SCH Author: Schrader, Paul Place: London Publisher: Faber and Faber PubDate: 1990 PhysDes: 61 p. Subject: TAXI DRIVER (US, Martin Scorsese, 1976); SCORSESE, MARTIN; SCHRADER, PAUL Notes: Interview with Martin Scorsese by Paul Schrader; Screenplay; Free with Sight and Sound ISBN: 0571202152 More info

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