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Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Call No: 620 MED LAR
Author: Medvedkin, Alexander
Place: Chicago; London
Publisher: The University of Chicago Press
PubDate: 2016
PhysDes: xv, 356 pages : illustrations ; 24 cm
Series: Cinema and modernity
Subject: MEDVEKIN, ALEXANDER; MARKER, CHRIS; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935)
Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's website
Notes: Includes notes, glossary and index; translated from Russian
ISBN: 9780266296272
Donation: Senses of Cinema
Contents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”

Call No: 761(04) BEY
Author: Warren, Charles, 1948
Place: Hanover, NH
Publisher: University Press of New England
PubDate: 1996
PhysDes: xxviii, 366 p. : ports. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; DIRECTORS; DOCUMENTARY DRAMAS; NEWSREELS; MEMORY IN FILMS; ETHNOGRAPHIC FILMS; BIOGRAPHICAL FILMS; GENOCIDE IN FILMS; WORLD WAR II FILMS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); OPHULS, MARCEL; RESNAIS, ALAIN; SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); BOOMERANG (US, Elia Kazan, 1947); VERTOV, DZIGA; MARKER, CHRIS; FILM PORTAIT (US, Jerome Hill, 1972); GARDNER, ROBERT; MCELWEE, ROSS; ZERKALO (UR, Andrei Tarkovsky, 1975)
Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURB
Notes: Includes bibliographical references (p. 345-350) and index
ISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)
LON: 11642141
Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe

Call No: 81MAR ACT
Author: Alter, Nora M.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2006
PhysDes: xv, 205 p. : ill., ports, ; 21 cm
Series: Contemporary film directors
Subject: MARKER, CHRIS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); JETEE, LA (FR, Chris Marker, 1963); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967); PRIME TIME IN THE CAMPS (FR, Chris Marker, 1994)
Summary: Alter's careful study includes previously uncollected and untranslated interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational cinematic practice that defies easy classification [taken from back cover]
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 0252073169

Call No: 79 SIL MAR
Author: Marker, Chris
Place: Ohio
Publisher: Wexner Center for the Arts, Ohio State University
PubDate: 1995
PhysDes: 40 pages : illustrations ; 18 x 24 cm.
Subject: SILENT MOVIE (FR?, Chris Marker, 1995); INSTALLATIONS; MARKER, CHRIS; ART CINEMA
Notes: Catalog of the video installation, Silent movie, held at the Wexner Center for the Arts and other venues from Jan. 26, 1995-Jan. 12, 1997. Organized by William Horrigan; edited by Ann Bremner. Includes bibliographical references.
ISBN: 9781881390107
Donation: Adrian Miles

Call No: 79 JET LIE
Author: Liem, Ronco Yaobing
Source: US
Place: Michigan
Publisher: University Microfilms International
PubDate: 1983
PhysDes: 172 pages : illustrations ; 22 cm
Subject: SCIENCE-FICTION FILMS; TIME TRAVEL IN FILMS; TIME IN FILMS; MARKER, CHRIS; JETEE, LA (FR, Chris Marker, 1963)
Notes: Includes bibliographic references and appendix.
ISBN: N/A
Contents: Introduction -- Chapter 1-Introduction to Chris Marker -- Chapter II-Chris Marker: Biographical Information -- Chapter III-Individual films of Chris Marker -- Chapter IV-Chris Marker and Collective Film-Making -- Chapter V-Additional Film Work by Chris Marker -- Chapter VI-Introduction to La Jetee -- Chapter VII-Science Fiction Film -- Chapter VIII-Still Photographs in Motion Pictures -- Chapter IX-Credits and Narration of La Jetee -- Chapter X-Description and analysis of La Jetee -- Chapter XI-Discussion of La Jetee -- Chapter XII-Concluding Remarks -- References -- Appendix-Selected Source Listings

Call No: 81 MAR CAG
Author: Cagiga, Nacho
Source: SP
Place: Valencia [Spain]
Publisher: Ediciones de la Mirada
PubDate: 1998
PhysDes: 69 pages. : illustrations. ; 17 cm
Series: Espejo de Venus : 5
Subject: MARKER, CHRIS
Notes: Includes bibliography
ISBN: 8492286970
Language: Spanish
Donation: donated by the estate of Adrian Miles

Call No: 81 MAR KEE
Place: [Australia]
Publisher: [s.n.]
PhysDes: Two boxes containing pro forma release, 6 bound volumes, 2 manuscripts & DVD
Subject: KEENEY, GAVIN; MARKER, CHRIS
Summary: The materials are effectively the archive of documents for the book-length study for 'Dossier Chris Marker: The Suffering Image' by Gavin Keeney (Newcastle upon Tyne: Cambridge Scholars Publishing, 2012).
Notes: These images, documents, and files donated to the AFI Research Collection, RMIT University, are the working research files of a PhD conducted at Deakin University, School of Architecture & Building, from November 2011 to November 2012.
Donation: Gavin Keeney
Contents: BOX ONE:- Pro forma release -- DVD 1: Miscellaneous files - Bibliographies, CM Last Rites (obits, etc.), Exhibitions, Interviews, Kosinki/YouTube, Marker Images, Marker Texts, Miscellaneous Essays, Notes, Post-Marxism Volume 1 Folio 1: La Jetée Folio 2: Excerpts from Passages de l'image (1990); Passages de l'image (1991) Folio 3: SLON Folio 4: Sans Soleil Folio 5: Excerpts from Sarah Cooper, 'Chris Marker' (Manchester: Manchester University Press, 2008) Folio 6: Excerpts from Catherine Lupton, 'Chris Marker: Memories of the Future' (London: Reaktion Books, 2005) Volume 2 Folio 7: Excerpts from Nora M. Alter, 'Chris Marker' (Urbana: University of Illinois Press, 2006) Folio 8: Excerpts from Virginia Ann Bonner, 'Cinematic Caesuras: Experimental Documentary and the Politics of Form in Left Bank Films by Resnais, Marker, Varda'. PhD dissertation (Institute for Women's Studies, Emory University, 2003) Folio 9: Excerpts from Jan-Christopher Horak, 'Making Images Move: Photographers and Avant-garde Cinema' (Washington, DC: Smithsonian Institution Press, 1997) Folio 10: Excerpts from Adrian Martin, Raymond Bellour. 'Chris Marker: Owls at Noon Prelude: The Hollow Men' (Brisbane: Institute of Modern Art, 2008) Folio 11: Chris Marker, 'Si j'avais quatre dromadaires', in 'Commentaires 2' (Paris: Editions du Seuil, 1967) Folio 12: Excerpts from 'Film Studies 6' (Summer 2005) Volume 3 Folio 13: Excerpts from 'Film Comment 39', no.4 (July-August 2003). Dossier: "Around the World with Chris Marker, Part II: Time Regained," [pp.]. Dossier edited by Gavin Smith, "The Travels of Chris Marker II" Folio 14: "Staring Back" Folio 15: Excerpts from Birgit Kamper, Thomas Tode, eds., 'Chris Marker: Film essayist. CICIM: Revue pour le cinéma francais' 45-47, Centre d'Information Cinemathographique de l'Institut Francais de Munich (Munich: CICIM, 1997) Folio 16: "Zapping Zone" Folio 17: "Immemory" Folio 18: Giraudoux BOX TWO:- Manuscript 1: Manuscript - Gavin Keeney, 'Dossier Chris Marker: The Suffering Image' (Newcastle upon Tyne: Cambridge Scholars Publishing, 2012) - PhD thesis (draft), Deakin University, School of Architecture & Built Environment - October 2012 Manuscript 2: Manuscript - Gavin Keeney, 'Visual Agency in Art and Architecture' - Confirmation of Candidature Report, Deakin University, School of Architecture & Built Environment - October 2012 Folio 1: Miscellaneous Folio 2: Miscellaneous Folio 3: Miscellaneous images of C.M. (passim) Folio 4: Notes from the AFI Research Collection / RMIT (2012) Folio 5: Bibliographic/Filmographic notes Folio 6: Alain Resnais Folio 7: Jacques Ranciere Folio 8: Jean-Luc Goddard Folio 9: Alain Robbe-Grillet Folio 10: Marxism, etc. Folio 11: Emmanuel Levinas
ID2: 110

Call No: 632.22 ESS
Author: Papazian, Elizabeth A; Eades, Caroline
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: xi,315 p. : illustrated ; 23 cm
Subject: DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); TREE OF LIFE, THE (US, Terrence Malick, 2011); VERTOV, DZIGA; MARKER, CHRIS; Pasolini, Pier Paolo; AKERMAN, CHANTAL; GODARD, JEAN-LUC; MORETTI, NANNI; DENIS, CLAIRE; MALICK, TERRENCE
Summary: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis. -- publisher's web site
ISBN: 9780231176958
Contents: Acknowledgments -- Notes on Contributors -- Introduction: Dialogue, Politics, Utopia, by Elizabeth A. Papazian and Caroline Eades -- Part I: The Essay Film as Dialogue -- 1. Essayism and Contemporary Film Narrative, by Timothy Corrigan -- 2. Essaying the Forms of Popular Cinema: Godard, Farocki and the Principle of Shot/Countershot, by Rick Warner -- 3. The Practice of Strangeness: L'Intrus, from Jean-Luc Nancy (2000) to Claire Denis (2004), by Martine Beugnet -- 4. Cinéma-vérité and Kino-pravda: Rouch, Vertov, and the Essay Form, by Caroline Eades and Elizabeth A. Papazian -- Part II: The Essay Film as Politics -- 5. Notes for a Revolution: Pasolini's Postcolonial Essay Films, by Luca Caminati -- 6. Chris Marker's Description of a Struggle and the Limits of the Essay Film, by Eric Zakim -- 7. A Woman with a Movie Camera: Chantal Akerman's Essay Films, by Anne Eakin Moss -- 8. 'What Does It Mean Today to Be a Communist?': Nanni Moretti's Palombella rossa and La cosa as Essay Films, by Mauro Resmini -- Part III: The Essay Film as Utopia -- 9. Mohamed Soueid's Cinema of Immanence, by Laura U. Marks -- 10. Inside/Outside: Nicolasito Guillén Landrián's Subversive Strategy in Coffea Arábiga, by Ernesto Livon-Grosman -- 11. American Essays in How to Build a Home: Thoreau, Mekas, Proenneke, by Oliver Gaycken -- 12. 'to speak, to hold, to live by the image': Notes in the Margins of the New Videographic Tendency, by Luka Arsenjuk -- Afterword: The Idea of Essay Film, by Laura Rascaroli -- Index

Call No: 632.22 COR
Author: Corrigan, Timothy
Edition: 2011
Place: Oxford ; New York
Publisher: Oxford University Press
PubDate: 2011
PhysDes: 238 pages : illustrated ; 24 cm
Subject: DOCUMENTARY FILMS; MCELWEE, ROSS; VARDA, AGNES; KIAROSTAMI, ABBAS; FOLMAN, ARI; MARKER, CHRIS
Summary: Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnès Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha. -- publisher's web site
ISBN: 9780199781706
Contents: Introduction: Of Film and the Essayistic -- Part I: Toward the Essay Film -- Chapter One:One Thoughts Occasioned by . . .Montaigne to Marker -- Chapter Two:Of the History of the Essay Film: from Vertov, to Varda -- Part II: Essayistic Thinking -- Chapter Three:About Portraying Expression: The Essay Film as Inter-view -- Chapter Four:To Be Elsewhere: Cinematic Excursions on Essayistic Travel -- Chapter Five:On Essayistic Diaries: Or, the Velocities of Non-Peace -- Chapter Six:Of the Currency of Events: The Essay Film as Editorial -- Chapter Seven:About Refractive Cinema: When Films Interrogate Films -- Works Cited -- Index

Call No: 632.22 ESS
Author: Alter, Nora M.; Corrigan, Timothy
Place: New York; Chichester, U.K.
Publisher: Columbia University Press
PubDate: 2017
PhysDes: ix,372 : illus. ; 23 cm
Series: Film and culture series
Subject: DOCUMENTARY FILMS; RICHTER, HANS; ASTRUC, ALEXANDRE; MARKER, CHRIS; VERTOV, DZIGA; GODARD, JEAN-LUC; GORIN, JEAN-PIERRE; MULVEY, LAURA; JULIEN, ISAAC
Summary: The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien. -- publishers' web site
ISBN: 9780231172677
Contents: Introduction, by Nora M. Alter and Timothy Corrigan Part I. Foundations 1. "On the Nature and Form of the Essay," by Georg Lukács 2. The Man Without Qualities, by Robert Musil 3. "On the Essay and Its Prose," by Max Bense 4. "The Essay as Form," by Theodor W. Adorno 5. "Preface to The Collected Essays of Aldous Huxley," by Aldous Huxley Part II. The Essay Film Through History 6. "The Film Essay: A New Type of Documentary Film," by Hans Richter 7. "The Future of Cinema," by Alexandre Astruc 8. "Bazin on Marker," by André Bazin Part III. Contemporary Positions 9. "In Search of the Centaur: The Essay-Film," by Phillip Lopate 10. "The Political Im/Perceptible in the Essay Film: Farocki's Images of the World and the Inscription of War," by Nora M. Alter 11. "Essay Questions," by Paul Arthur 12. "The Electronic Essay," by Michael Renov 13. "The Essay Film: Problems, Definitions, Textual Commitments," by Laura Rascaroli 14. "Of the History of the Essay Film: Vertov, to Varda," by Timothy Corrigan 15. "The Cinema and the Essay as a Way of Thinking," by Raymond Bellour 16. "The Essay Film: From Film Festival Favorite to Flexible Commodity Form?," by Thomas Elsaesser Part IV. Filmmakers on the Essayistic 17. "Performing Borders: Transnational Video," by Ursula Biemann 18. "Proposal for a Tussle," by Jean-Pierre Gorin 19. "The Essay as Conformism? Some Notes on Global Image Economies," by Hito Steyerl 20. "On Writing the Film Essay," by Lynne Sachs 21. "Tramp Steamer," by Ross McElwee 22. "The ABCs of the Film Essay," by Harun Farocki and Christa Blümlinger 23. "Riddles as Essay Film," by Laura Mulvey 24. "Certain Obliquenesses," by Renée Green 25. "Essay Documentary: The disembodied narrator and an unclaimed image that floats through space and time," by Rea Tajiri 26. "From Ten Thousand Waves to Lina Bo Bardi, via Kapital," by Isaac Julien Bibliography Contributors Permissions Index

Call No: 626:165.62 CAS
Author: Casebier, Allan
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1991
PhysDes: vii, 165 p. ; 24 cm
Series: Cambridge studies in film
Subject: HUSSERL, EDMUND; PHILOSOPHY AND THE CINEMA; DOCUMENTARY FILMS; BORDWELL, DAVID; BAZIN, ANDRE; MARKER, CHRIS; KUROSAWA AKIRA; LACAN, JACQUES; METZ, CHRISTIAN; OSHIMA NAGISA; YASUJIRO OZU; TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index; Bibliography: p. 159-160; Filmography: p. 161-162
ISBN: 0521411327 (hardback)
LON: 7950801

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; ETHNIC GROUPS IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; YASUJIRO OZU; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MARKER, CHRIS

Call No: 745.2 MAR
Edition: 2015
Place: London; New York
Publisher: Berghahn Books
PubDate: July 2015
PhysDes: 290 p. : illus. ; 23 cm
Subject: MEDVEKIN, ALEXANDER; GODARD, JEAN-LUC; MARKER, CHRIS; STRAUB, JEAN-MARIE; HUILLET, DANIELE; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); PALESTINE
Notes: In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films. -- publisher's web site
ISBN: 9781782386421
Contents: CONTENTS List of Figures Introduction -- Ewa Mazierska and Lars Kristensen PART I: PAST ACTIVISM Chapter 1. Between socialist modernisation and cinematic modernism: the revolutionary politics of aesthetics of Medvedkin’s cinema-train -- Gal Kirn Chapter 2. Politics and Aesthetics within Godard’s Cinema -- Jeremy Spence Chapter 3. Marker, Activism and Melancholy: Reflections on the Radical ‘60s in the later films of Chris Marker. -- Jon Kear Chapter 4. Marx Immemorial: workers and peasants in the cinema of Jean-Marie Straub and Danièle Huillet -- Manuel Ramos Martinez Chapter 5. In the Heat of the Factory: The Global Fires of The Hour of the Furnaces -- Bruce Williams PART II: PRESENT ACTIVISM Chapter 6. Contemporary political cinema: the impossibility of passivity -- William Brown Chapter 7. Cultural resistance through film: The case of Palestinian cinema -- Haim Bresheeth Chapter 8. The Contemporary Landscape of Video-Activism in Britain -- Steve Presence Chapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement -- Lars Kristensen Chapter 10. Tales of a video blogger -- Michael Chanan Chapter 11. Recovering the Future: Marxism and Film Audiences -- Martin Barker Notes on Contributors Index

Call No: 761 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: 199 p. : ill. ; 24 cm
Subject: CINEMA VERITE; DOCUMENTARIES; GENOCIDE IN FILMS; KENNEDY [JOHN FITZGERALD] IN FILMS; SOAP OPERAS; ANTONIO, EMILE DE; BROOMFIELD, NICK; DINEEN, MOLLY; LANZMANN, CLAUDE; MARKER, CHRIS; MAYSLES, ALBERT & DAVID; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CRUISE, THE (US, Bennet Miller, 1998); SHOAH (FR/SZ, Claude Lanzmann, 1985)
Summary: "New Documentary: A Critical Introduction provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. This engaging textbook brings the study of documentary up to date by examining critical issues of performance, gender, authorship and spectatorship and suggests how these are important to an understanding of documentary cinema. Areas addressed include: key texts such as Zapruder's film of Kennedy's Assassination, Shoah, The Leader, His Driver and the Driver's Wife and the Atomic Cafe; the works of filmmakers such as Emile de Antonio, Chris Marker, Nicholas Barker, Nick Broomfield, Molly Dineen and Patrick Kieller; an analysis of the key aspects of documentary such as the use of voice-over and archive, American cinema verite, docusoaps and political image-making; an innovative examination of the importance of performance to documentary; interviews with contemporary documentary filmmakers." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 0415182956 (alk. paper); 0415182964 (pbk. : alk paper)
LON: 21418546

Call No: 761 RAS
Author: Rascaroli, Laura
Source: Adrian Miles
Place: United States
Publisher: Wallflower Press
PubDate: [2009]
PhysDes: viii, 226 p. : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; FAROCKI, HARUN; MARKER, CHRIS; GODARD, JEAN-LUC; SOKUROV, ALEKSANDR; PASOLINI, PIER PAOLO
Summary: "The Personal Camera is an exploration of an elusive but increasingly compelling field: essayistic cinema. The essay film, together with its cognate forms - the diary, the travelogue, the notebook and the self-portrait - is cinema in the first person. It is a cinema of thought, of investigation and self-reflection in which the filmmaker, instead of withdrawing behind the camera, comes out into the open to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avantgarde and political filmmaking, and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. By engaging with directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Aleksandr Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Jonas Mekas and Agnes Varda, this book -- provides novel answers to some of the seminal questions of cinema: on the nature of the cinematographic experience, on authorship and spectatorship, on the filmic commitment to truth and on the state of subjectivity today." --Book Jacket.
Notes: Formerly CIP. Includes bibliographical references and index.
ISBN: 9781906660123

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 11072
Author: Roth, Laurent; Bellour, Raymond
Source: FR
Place: Paris
Publisher: Centre Georges Pompidou; Yves Gevaert
PubDate: 1997
PhysDes: 157 pages. : illustraions. ; 20 cm
Subject: MARKER, CHRIS
Notes: Other title "Qu'est-ce qu'une Madeleine?"
ISBN: 2858509425
Language: French; English
Donation: donated from the estate of Adrian Miles

Call No: 62 BEL
Author: Bellour, Raymond; Hardyck, Allyn
Edition: English ed.
Source: SZ
Place: Zurich
Publisher: JRP/ Ringier
PubDate: [2012]
PhysDes: 413 pages, 8 unnumbered pages : illustrations ; 21 cm
Series: Documents series ; 6
Subject: GODARD, JEAN-LUC; MARKER, CHRIS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; HILL, GARY; VIOLA, BILL
Summary: "Between-the-images brings together 20 illustrated essays written by Raymond Bellour between 1981 and 1989. Considering the works and the strategies of artists and filmmakers such as Kuntzel, Godard, Marker, Bergman, Antonioni, Hill and Viola, he examines the slow but inexorable change in moving images, putting an emphasis on three major areas of transformation: between stillness and movement, inside the photographic analogy, and between language and image"--P. [4] of cover.
Notes: "The present publication is an English adaptation of L'Entre-images : photos, cine´ma, vide´o, first published by Les Editions de La Diffe´rence in 1990"--Colophon. - Includes bibliographical references and index. - Translated from the French.
ISBN: 9783037641446
Contents: Between-the-images -- Analysis in flames -- Thierry Kuntzel and the return of writing -- Video utopia -- When the photograph of cinema is written -- The pensive spectator -- The phantom's due -- The crystal duration -- 'I am an image' -- The film stilled -- Six films (in passing) -- The limits of fiction -- From in-between the bodies -- Images of the world -- Burning memory -- Video according to Saint John -- The last man on the cross -- The art of demonstration -- The form my gaze goes through -- "The letter goes on..." -- Self-portraits.

Call No: 175 REM
CorpAuthor: Australian Centre for the Moving Image
Place: Melbourne, Australia
Publisher: Australian Centre for the Moving Image
PubDate: 2003
PhysDes: 22 cm; 151 pp
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; BENNING, SADIE; MARKER, CHRIS; SOKUROV, ALEKSANDR; SEN, IVAN; VIDEO ART; EXPERIMENTAL FILMS
Summary: Memory works in a myriad ways: it can trick, it can go missing, it can confuse, and it can lay claim to undiscovered truths. The moving image has taken a wondrous path through memory over the last century. With the increasing creative potential of digital technologies, filmmakers and artists can express a multitude of parallel memories at once. This collection of works is not so much about what we remember, but how we remember through the moving image. Remembrance and the Moving Image is the first in a series of publications dedicated to the Exhibition Collection of the ACMI. [Taken from Preface.]
Notes: Exhibition catalogue
ISBN: 192080501X

Author: Andrews, Gary
PhysDes: Article
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA; DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); PERRY, JOSEPH; MARKER, CHRIS; ANTONIONI, MICHELANGELO; POLANSKI, ROMAN; ROSI, FRANCESCO; WILLIAMS, KENNETH; GODFREY, BOB
Summary: An overview of a weekend program of screenings in Hepburn Springs, Victoria. Films discussed include Orders to Kill, Love Me Love Me Love Me, Le Joli Mai, Toccata for Toy Trains, Do it Yourself Cartoon Kit, Two Men and a Wardrobe, La Notte, Joseph Perry's 'Entertainment', Munro, Murder by Neglect and Salvatore Giuliano.

Call No: 761.2 ISS
Author: Issari, M. Ali (Mohammad Ali); Paul, Doris A. (Doris Atkinson) joint author
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1979
PhysDes: vi, 208 p. : ill. ; 23 cm
Subject: CINEMA VERITE; PHILOSOPHY AND THE CINEMA; DOCUMENTARIES; NOUVELLE VAGUE; VERTOV, DZIGA; FLAHERTY, ROBERT; ROUCH, JEAN; LEACOCK, RICHARD; RUSPOLI, MARIO; ROZIER, JACQUES; MARKER, CHRIS; MAYSLES, ALBERT; JERSEY, WILLIAM C.
Notes: Includes index; Filmography: p. 179-185; Bibliography: p. 186-198
ISBN: 0810812533
LON: 79020110; 1491302 1830040