Search Catalogue

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 408.1(46) KIN
Author: Kinder, Marsha
Place: Berkeley
Publisher: University of California Press
PubDate: 1993
PhysDes: xi, 553 p. : ill. ; 24 cm
Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984)
Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index
ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)
LON: 9293143

Call No: 81BUN BAX
Author: Baxter, John, 1939
Place: London
Publisher: Fourth Estate
PubDate: 1995
PhysDes: vi, 324 p., [16] p. of plates : ill., ports. ; 20 cm
Subject: BUNUEL, LUIS; Dali, Salvador
Notes: Includes bibliographical references (p. [314]-315) and index
ISBN: 1857023536 (pbk.)
LON: 12048079
ID2: 5

Call No: 81BUN BAX
Author: Baxter, John
Source: US
Place: London
Publisher: Fourth Estate
PubDate: 1995
PhysDes: 324 p. ; 20 cm
Subject: BUNUEL, LUIS; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972)
Summary: "The authorised biography of Luis Bunuel. Dangerous, enigmatic and elusive, Luis Bunuel counts among the greatest creative artists, and one of the least understood major film makers, of the twentieth century. His films, made over a ffity-year period, from his 1929 debut un Chien Andalou, to a late blossoming in the sixties and seventies with Belle de Jour and The Discreet Charm of the Bourgeoise, still retain their power to shock. John Baxter's superb biography brings Bunuel into the light for the first time, revealing the character behind the anarchism, the sensitivity behind the cynicism, and analysing his calculated use of the bizarre." - BOOK BLURB
Notes: Includes bibliographical references (p. [314]-315) and index.
ISBN: 1857023536

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BUNUEL, LUIS

PhysDes: Article
Subject: BUNUEL, LUIS; Dali, Salvador; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Summary: Article examines the different aims of Bunuel and Dali who co-wrote the scenario for Bunuel's first film 'Un Chien Andalou'

Call No: 79CHI ADA
Author: Adamowicz, Elza
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan
PubDate: 2010
PhysDes: 109 p. : ill. ; 22 cm
Series: Cine´-files : the French film guides
Subject: SURREALISM AND THE CINEMA; DALI, SALVADOR; BUNUEL, LUIS; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Summary: "In 1929 Dali and Bunuel produced a seventeen-minute film, 'Un chien andalou'. On its first screening, Georges Bataille referred to it as 'that extraordinary film ... penetrating so deeply into horror', while Federico Garcia Lorca described it as 'a tiny little shit of a film'. Produced from a script said to be based on two dream images - a woman's eye slit by a razor, ants emerging from a hole in a man's hand - the film shocked audiences. It continues to fascinate, provoke, attract and alienate its viewers. Its eye-slitting sequence and use of dream like images have influenced filmmakers from Alfred Hitchcock to David Lynch. Elza Adamowicz's lucid critical guide to this most enigmatic of works offers new approaches to the film, exploring how it can be seen both within and beyond the confines of Surrealism and reviewing its openness to so many readings and interpretations. She reassesses Dali and Bunuel's account of the film as a model of surrealist work and its reception by the surrealist group. She situates the film within the social and cultural contexts of the 1920s, including those of melodramatic film, Spanish culture, surrealist iconography and gender construction. She assesses the film's resistance to a single interpretation and explores the role of the viewer (detective or dreamer?)."-BOOK BLURB
Notes: includes film credits; includes selected bibliography
ISBN: 9781848850569
Contents: -- introduction: it's dangerous to look inside -- Producing Un chien andalou : myths of origin. From scenario to screen : a close collaboration -- Premie`re and reception of Un chien andalou -- A surrealist film? -- Romantic melodrama or magic theatre? Classic film narrative subverted -- A cinema of attractions -- Psychoanalytic readings -- Symbols or material images? -- Contexts and intertexts : between Fanto^mas and the fairground. Spanish contexts -- Surrealist iconography -- A parody of 1920s' films -- Early cinema and fairground intertexts -- Destabilizing gender roles -- conclusion -- Appendix 1. Synopsis -- Appendix 2. Credits -- appendix 3. Selected bibliography --

Call No: 802.25 TAY
Author: Taylor, John Russell, 1935
Place: London
Publisher: Methuen
PubDate: 1964
PhysDes: 294 p. : plates ; 22 cm
Subject: Fellini, Federico; ANTONIONI, MICHELANGELO; BUNUEL, LUIS; BRESSON, ROBERT; BERGMAN, INGMAR; HITCHCOCK, ALFRED; TRUFFAUT, FRANCOIS; RESNAIS, ALAIN; GODARD, JEAN-LUC
Notes: Filmgraphies and bibliographies: p. 230-293
LON: 2412522 2412522

Call No: 62 BAZ
Author: Bazin, Andre, 1918-1958
Edition: 1st ed
Place: New York
Publisher: Seaver Books
PubDate: 1982
PhysDes: xvii, 204 p. : ill. ; 21 cm
Subject: CRITICISM; STROHEIN, ERICH VON; DREYER, CARL TH.; STURGES, PRESTON; BUNUEL, LUIS; HITCHCOCK, ALFRED; KUROSAWA AKIRA
Notes: Translation of: Le cinema de la cruaute
ISBN: 0394178262 (pbk.) : $9.95; 039451808X : $12.95
LON: 81013545; 2065704
ID2: 291

Call No: 81BUN BUA
Author: Buache, Freddy
Place: London New York
Publisher: Tantivy Press A. S. Barnes
PubDate: 1973
PhysDes: 207 p. illus., ports. 16 cm
Subject: BUNUEL, LUIS
Notes: Translation of Luis Bunuel; Includes bibliographical references and index
ISBN: 0498013022 (Barnes)
LON: 72005183; 572503

Call No: 670 ROS
Author: Rosenbaum, Jonathan
Edition: 2019
Place: Urbana, Chicago, and Springfield
Publisher: University of Illinois Press
PubDate: 2019
PhysDes: 312 pages ; 23cm
Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON
Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site
ISBN: 9780252084386
Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.

Author: Mogg, Ken and Gillies, Max
PhysDes: Review
Subject: BUNUEL, LUIS
Summary: Review of Luis Bunuel's "The Criminal Life of Archibaldo de la Cruz" ("Ensayo de un Crimen", in the context of the director's recent work.

Call No: 732.5(46) EGE
Author: Egea, Juan F.
Source: US
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 2013
PhysDes: xii, 188 p. : ill. ; 23 cm.
Subject: COMEDIES. SPAIN; BERLANGA, LUIS G.; FERRERI, MARCO; BUNUEL, LUIS; ALMODOVAR, PEDRO
Summary: In Dark Laughter, Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor. Egea begins his analysis with General Fanco's dictatorship in the 1960s- aregime that openedthe country to new economic forces while maintaining its repressivr nature- exploring key works by Luis Garcia Berlanga, Marco Ferreri, Fernando Fernan-Gomez, and Luis Bunuel. Dark Laughterthen moves to the first films of Pedro Almodovar in the early 1980s during the spanish political transition to democracy before examinig Alex de la Iglesia and the new dark comedies of the 1990s...At its core Dark Laughter is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices. -- [Extract taken from the back of the book]
Notes: Includes bibliographical references (p. 171-178) and index
ISBN: 9780299295448
Contents: Machine generated contents note: 1.Familiar Questions -- 2.Movement and Paralysis, Dissidence and Identity: Ferreri's El cochecito -- 3.Complicity Dissected: Berlanga's El verdugo -- 4.Don Jaime's Laughter: Humor and Perversion in Viridiana -- 5.Modernizing Desire: Fernan-Gomez's El extrano viaje -- 6.Almodovar Interlude: Transitional Laughter -- 7.Back with a Vengeance: Laughing Darkly in Post-1992 Spain.

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

PhysDes: Article
Subject: BUNUEL, LUIS; JOURNE D'UNE FEMME CHAMBRE, LE (FR/IT, Luis Bunuel, 1964)
Summary: Article is from a review of Bunuel by Raymond Durgnat. In particular it examines Bunuel's development of character in his film 'Diary of a Chambermaid'.

Call No: 761 BEA
Author: Beattie, Keith
Place: London
Publisher: Wallflower
PubDate: 2008
PhysDes: xiv, 187 p. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA-DIRECT; COMPILATION FILMS; IMAX; MONTAGE; NON-FICTION FILMS; BUNUEL, LUIS; GRIERSON, JOHN; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; VERTOV, DZIGA; VIGO, JEAN; DONT LOOK BACK (US, D.A. Pennebaker, 1967)
Summary: "Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of 'documentary display' - a practice which emphasises the visual attractions of documentary representation. Works of documentary display explore modes of exhibitionistic 'showing' in which sensation is frequently the vehicle of cognition and knowledge. Such a display is analysed within the popular and prominent forms of found-footage film, 'rockumentary', the city film, nonfiction surf film and video, and certain views of natural science topics. This accessible and informed study - with its focus on entertaining, popular, spectacular and sensational froms of nonfiction representation - makes an important contribution to theoretical analyses of documentary film and video."--BOOK JACKET
Notes: Includes bibliographical references (p. 155-181) and index.
ISBN: 9781905674725 (pbk)
Contents: Introduction -- 1. Show and tell: revealing documentary display -- 2. The corporeal and the urban: from city symphony to global city film -- 3. Direct cinema and performance: it's not only rock and roll -- 4. Found-footage film and history: seeing double -- 5. Nonfiction surf film and video: sick, filthy and delirious -- 6. Natural science film: from microcinema to IMAX -- Afterward

Call No: 761 ROT
Author: Rothman, William
Place: Cambridge, Eng. New York
Publisher: Cambridge University Press
PubDate: 1997
PhysDes: xv, 218 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: DOCUMENTARY FILMS; CINEMA VERITE; NON-FICTION FILMS; BUNUEL, LUIS; LEACOCK, RICHARD; RESNAIS, ALAIN; ROUCH, JEAN; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HURDES, LAS (SP, Luis Bunuel, 1933); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); DONT LOOK BACK (US, D.A. Pennebaker, 1967); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933)
Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVER
Notes: Includes bibliographical references (p. 211-213) and index
ISBN: 0521456819 (pbk); 0521450675 (hbk)
Order Received: 1997
LON: 96014029; 12242459
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

Call No: 64SUR WILL
Author: Williams, Linda, 1946
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1981
PhysDes: xv, 229 p. : ill. ; 24 cm
Subject: SURREALISM AND THE CINEMA; BUNUEL, LUIS; Dali, Salvador; AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes index; Bibliography: p. 219-225
ISBN: 0520078969 (pbk); 0252008782
LON: 80027490; 1856299

Call No: 67(04) FIL
Author: Spinazzola, Vittorio
Place: Milano
Publisher: Feltrinelli
PubDate: 1962
PhysDes: 273 p. 24 plates, 18 cm.
Subject: ITALY; SPAIN; BUNUEL, LUIS; BROOK, PETER; DAMIANI, DAMIANO; DE SICA, VITTORIO; MORIN, EDGAR; OLMI, ERMANNO; PETRI, ELIO; PONTECORVO, GILLO; ROGOSIN, LIONEL; WEISS, JIRI; VIRIDIANA (SP/MX, Luis Bunuel, 1961); BREVE VACANZA, UNA (IT/SP, Vittorio De Sica, 1973); VIRIDIANA (SP/MX, Luis Bunuel, 1961)
Language: Italian

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 CAS
Author: Casebier, Allan
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: c1976
PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cm
Subject: THEORY; AESTHETICS; SOUND; AUDIENCES; REALISM IN FILMS; SURREALISM AND THE CINEMA; EXPRESSIONISM; MYTH AND THE CINEMA; STRUCTURALISM; CRITICISM; WELLES, ORSON; BUNUEL, LUIS; KUBRICK, STANLEY; BAZIN, ANDRE; ARNHEIM, RUDOLF; GODARD, JEAN-LUC; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971)
Notes: Includes index; "Bibliography/filmography": p. [183]-190
ISBN: 0155273701
Order Received: 2000
Order Type: Donation
LON: 746910
URL status: URL: 'http://-' Checked: 31/08/2021 1:02:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 FIL
Author: Hughes, Robert
Source: US
Place: New York
Publisher: Grove Press
PubDate: 1959
PhysDes: v. : ill., ports ; 20 cm.
Series: Evergreen Books E140
Subject: PERIODICALS, FILM; ART AND THE CINEMA; SPECTATORSHIP; ANDERSON, LINDSAY; BARDEM, JUAN ANTONIO; BUNUEL, LUIS; CLEMENT, RENE; MEYERS, SIDNEY; DREYER, CARL TH.; HENNING-JENSEN, BJARNE; KAZAN, ELIA; Lean, David; SATYAJIT, RAY; RENOIR, JEAN; FLAHERTY, ROBERT; Fellini, Federico; AGEE, JAMES; ZAVATTINI, CESARE; MEKAS, JONAS; MAN OF ARAN (UK, Robert Flaherty, 1934); ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952)
ISBN: 0195018346

Call No: 802.25 FIL
Place: Harmondsworth
Publisher: Penguin
PubDate: 1967
PhysDes: 18 cm; 303 p.
Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH
Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]
ID2: 291

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Author: Mogg, Ken and Gillies, Max
PhysDes: Review
Subject: TORRE NILSSON, LEOPOLDO; BUNUEL, LUIS
Summary: Review of Leopoldo Torre Nilsson's "House of the Angel" ("La Casa Del Angel") in comparison with Luis Bunuel "Ensayo de un Crimen".

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: REFERENCE SECTION; 058 INT "1965"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1964
PhysDes: v.
Subject: Fellini, Federico; MALLE, LOUIS; BUNUEL, LUIS; KUBRICK, STANLEY; Ray, Satyajit

Call No: 64SUR HED
Author: Hedges, Inez, 1947
Place: Durham, N.C.
Publisher: Duke University Press
PubDate: 1983
PhysDes: xxi, 166 p. : ill. ; 24 cm
Subject: SURREALISM AND THE CINEMA; BRETON, ANDRE; ERNST, MAX; ARTAUD, ANTONIN; BUNUEL, LUIS
Notes: Includes bibliographical references and index
ISBN: 0822304937 : $25.00 (est.)
LON: 82014738; 2308649

Call No: 81BUN ARA
Author: Aranda, J. Francisco, 1926
Edition: 1st American ed
Place: New York
Publisher: Da Capo Press
PubDate: 1976, c1975
PhysDes: 327 p. : ill. ; 21 cm
Subject: BUNUEL, LUIS
Notes: Includes index; Filmography: p. 288-306; Bibliography: p. 307-315
ISBN: 0306707543. 0306800284 pbk
LON: 75031793; 743406

Call No: 81BUN LUI
Place: Paris : Lettres Modernes, 1963
PhysDes: 268 p. ; 19 cm
Subject: BUNUEL, LUIS
LON: abn98395863; 14271215

Call No: 81BUN DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Studio Vista
PubDate: 1967
PhysDes: 144 p. : ill. ; 17 cm
Subject: BUNUEL, LUIS
Notes: Includes index; Filmography & bibliography: p. 139-144
LON: abn87152326; 5337749

Call No: 81BUN KYR
Author: Kyrou, Adonis, 1923
Place: Paris
Publisher: Seghers
PubDate: 1962
Series: Cinema d'aujourd'hui ; 4
Subject: BUNUEL, LUIS
LON: nun00464151; 4160758

Author: Williams, Ross
PhysDes: Article; Review
Subject: JOE (US, John G. Avildsen, 1970); TRUFFAUT, FRANCOIS; ROHMER, ERIC; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); GODARD, JEAN-LUC; ANDRADE, JOAQUIM PEDRO DE; SKOLIMOWSKI, JERZY; KUROSAWA AKIRA; TRISTANA (SP/IT/FR, Luis Bunuel, 1970); BUNUEL, LUIS; FAUTE DE L'ABBE MOURET, LA (FR/IT, Georges Franju, 1970); FRANJU, GEORGES; KES (UK, Kenneth Loach, 1970); LOACH, KENNETH; SZABO, ISTVAN
Summary: Review of the highlights of the 1971 Melbourne Film Festival.
ID2: 291

Call No: 408.1(44) AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xv, 409 p. : ill. ; 24 cm
Subject: FRANCE; NATIONAL CULTURE AND THE CINEMA. FRANCE; POETIC REALISM; SURREALISM AND THE CINEMA; ALLEGRET, MARC; BECKER, JACQUES; BERNARD, RAYMOND; CHENAL, PIERRE; FEUILLADE, LOUIS; FEYDER, JACQUES; GREMILLON, JEAN; MAC ORLAN, PIERRE; MEERSON, LAZARE; PREVERT, JACQUES; VIGO, JEAN; ZOLA, EMILE; PAGNOL, MARCEL; RENOIR, JEAN; BUNUEL, LUIS; CARNE, MARCEL; CLAIR, RENE; DUVIVIER, JULIEN; GABIN, JEAN; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ATALANTE, L' (FR, Jean Vigo, 1934); BELLE EQUIPE, LA (FR, Julien Duvivier, 1936); PEPE LE MOKO (FR, Julien Duvivier, 1937); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CASQUE D'OR (FR, Jacques Becker, 1952); CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); MARSEILLAISE, LA (FR, Jean Renoir, 1938); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes bibliographical references (p. [391]-396) and indexes
ISBN: 0691008833 (pbk.); 0691056862 (hard)
LON: 10901107

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 45:32 ROS
Author: Rosenbaum, Jonathan
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1997
PhysDes: xi, 359 p. ; 24 cm
Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL ISSUES IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972)
Notes: Includes bibliographical references and index
ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)
Order Received: 1997
LON: 96009916; 12700123

Call No: 81BUN BUN
Author: Bunuel, Luis
Place: London
Publisher: Jonathan Cape
PubDate: 1984
PhysDes: 256 p., 16 p. of plates : ill. ; 23 cm
Subject: BUNUEL, LUIS
ISBN: 0224020730

Call No: 81BUN BUN
Author: Bunuel, Luis, 1900-1983
Edition: 1st Vintage Books ed
Place: New York
Publisher: Vintage Books
PubDate: 1984, c1983
PhysDes: 256 p., [16] p. of plates : ill., ports. ; 21 cm
Subject: BUNUEL, LUIS
Notes: Translation of: Mon dernier soupir. Paris : Editions Robert Laffont, 1982; This translation originally published by Alfred A. Knopf, 1983
ISBN: 0394725018 (pbk.) : $6.95
LON: 84040010; 3130327

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1954); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: 79OLV POL
Author: Polizzotti, Mark
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 87 p. : 19 cm
Series: BFI Film Classics
Subject: OLVIDADOS, LOS (MX, Luis Bunuel, 1951); BUNUEL, LUIS; MEXICO
Summary: Los Olvidados (1950) established Luis Buñuel’s reputation as a world-class director. Set in the slums of Mexico City, it follows the crime-filled and violent lives of a group of juvenile delinquents. The film exhibits some of Buñuel’s trademark themes – unrequited love, social injustice and surrealism – but with a layer of compassion that sets it apart from many of his other films. In 2003, Los Olvidados was inducted into UNESCO’s Memory of the World programme, which preserves documentary heritage of world significance. Mark Polizzotti explores the historical context, aesthetic importance ad biographical significance of the film, providing the first complete overview of Los Olvidados in English. He also presents an introduction to the Mexican film industry and places Buñuel and his films within it. While many critics have taken Los Olvidados as a film about urban poverty, Mark Polizzotti sees it as a much more personal and mysterious statement about yearning, loss and the need for redemption. By taking the notion of hunger as its structural principle, he explores the themes of betrayal, desire and death that make the film such a powerful statement more than fifty years after its release. [Taken from back cover.]
ISBN: 1844571211

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: 749.3 DEC
Author: De Coulteray, George
Source: US
Place: New York
Publisher: Castle Books Edition
PubDate: 1965
PhysDes: 191 p., [254] p. of plates ; 19 cm
Subject: SADISM / MASOCHISM IN FILMS; BUNUEL, LUIS; CHAPLIN, CHARLES
Notes: [translated by Steve Hult]
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 COA
Author: Coates, Paul, 1953
Place: London
Publisher: Verso
PubDate: 1985
PhysDes: 167 p. ; 21 cm
Subject: SOCIETY AND THE CINEMA. POLAND; REALISM IN FILMS; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BERTOLUCCI, BERNARDO; BUNUEL, LUIS; COPPOLA, FRANCIS FORD; GODARD, JEAN-LUC; HERZOG, WERNER; ROSI, FRANCESCO; TARKOVSKY, ANDREI; TRUFFAUT, FRANCOIS; WAJDA, ANDRZEJ; SKOLIMOWSKI, JERZY; ZANUSSI, KRZYSZTOF
Notes: Includes indexes; Bibliography: p. [159]-161
ISBN: 0860911004 : ª20.00 ($25.00 U.S.)
LON: bnb86091100; 3801747

Call No: 620 BAK STA
Author: Stam, Robert
Place: Baltimore
Publisher: John Hopkins University Press
PubDate: 1989
PhysDes: xiii, 274 pages ; 24 cm.
Series: Parallax
Subject: BAHTIN, MIHAIL; ALLEN, WOODY; BUNUEL, LUIS; CANNIBALISM IN FILMS; BRAZIL; SEMIOLOGY; DIALOGUE; FORMALISM; GODARD, JEAN-LUC; PORNOGRAPHY; SHAKESPEARE, WILLIAM; ZELIG (US, Woody Allen, 1983)
Summary: Applying Bakhtin's critical methods to film, mass-media and cultural studies, Stam draws on Bakhtin's corporal semiotics of "the grotesque body" to analyze eroticism in the cinema, and explores issues including the "translinguistic" critique of Saussurean semiotics and Russian formalism.
Notes: Includes bibliographical references (pages 241-258) and index.
ISBN: 0801845092
Donation: Adrian Miles
Contents: Translinguistics and Semiotics -- Language, Difference, and Power -- Film, Literature, and the Carnivalesque -- Of Cannibals and Carnivals -- The Grotesque Body and Cinematic Eroticism -- From Dialogism to Zelig -- Envoi: Bakhtin and Mass-Media Critique.
ID2: 343

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Hibberd, Jack
PhysDes: Article Review
Subject: BUNUEL, LUIS; NAZARIN (MX, Luis Bunuel, 1959); VIRIDIANA (SP/MX, Luis Bunuel, 1961)
Summary: Essay examines two Bunuel films, interpreting them as male and female counterparts for each other. "Nazarin" is noted for its display of Brechtian endistancement, while "Viridiana"is better defined by its character development.

Call No: 81BUN WOR
Author: Mellen, Joan
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 428 p. : ill. ; 22 cm
Subject: BUNUEL, LUIS
Notes: Filmography: p. 405-411; Includes bibliographical references and index
ISBN: 0195023986 : $12.00. 0195023994 pbk. : $4.95
LON: 77026743; 1073403