Search Catalogue

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 81 ANT COW
Author: Cowie, Peter
Source: UK/US
Place: London; New York
Publisher: Tantivy Press; Barnes & Co.
PubDate: 1963
PhysDes: 17 cm ; 160 p.
Series: International Film Guide
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; RESNAIS, ALAIN
Donation: donated by the family of Wayne Levy, 2006

Author: Williams, Bruce
PhysDes: Article
Subject: BERGMAN, INGMAR; RELIGION AND THE CINEMA
Summary: Author discusses man's transformation from a belief- to a scientific-based outlook on reality in the Middle Ages, offering this tension as a possible useful entry point into understanding the cinema of Ingmar Bergman. Discussion of the 1958 Bergman film "The Magician" follows.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Publicity; Clippings
Subject: BERGMAN, INGMAR

Call No: 81BER BER
Author: Bergman, Ingmar, 1918
Edition: 1st Da Capo Press ed
Place: New York
Publisher: Da Capo Press
PubDate: 1993
PhysDes: 288 p. : ill. ; 24 cm
Subject: BERGMAN, INGMAR
Notes: Originally published: London : Secker & Warburg, [1973]; Includes index; Filmography: p. 269-285
ISBN: 0306805200 : $13.95
LON: 92041232; 9733117

Call No: 70:62 MIL; FOLIO
Author: Milsome, Chris [editorial director]
Source: UK
Place: London
Publisher: Artists House
PubDate: 1979
PhysDes: 240 p. ; 32 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; SOUND; PRODUCTION; APPRECIATION; CRITICISM; SOCIETY AND THE CINEMA; GENRES; FORD, JOHN; HAWKS, HOWARD; WELLES, ORSON; HITCHCOCK, ALFRED; BERGMAN, INGMAR; GODARD, JEAN-LUC
Notes: Includes A-Z filmmakers and actors, and glossary.
ISBN: 0861340108
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(497.2) HOL
Author: Holloway, Ronald
Place: Rutherford, N.J. London
Publisher: Fairleigh Dickinson University Press Associated Presses
PubDate: c1986
PhysDes: 216 p. : ill. ; 29 cm
Subject: BULGARIA; BERGMAN, INGMAR
Notes: Includes index
ISBN: 0838631835 (alk. paper)
LON: 3188295

Call No: F465 MON
Author: Monaco James
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1978
PhysDes: 258 p. ; 20 cm.
Subject: STAR SYSTEM; STARS; BERGMAN, INGMAR; MAILER, NORMAN
ISBN: 0440509912

Call No: 81BER YOU
Author: Young, Vernon
Source: US
Place: New York
Publisher: Avon
PubDate: [c1971]
PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cm
Series: Equinox books
Subject: FILM STUDY AND RESEARCH; FILMMAKING; SWEDEN; SVENSKA FILMINSTITUTET; BERGMAN, INGMAR; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961); NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960)
Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his films
Notes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331

Call No: 802.25 TAY
Author: Taylor, John Russell, 1935
Place: London
Publisher: Methuen
PubDate: 1964
PhysDes: 294 p. : plates ; 22 cm
Subject: Fellini, Federico; ANTONIONI, MICHELANGELO; BUNUEL, LUIS; BRESSON, ROBERT; BERGMAN, INGMAR; HITCHCOCK, ALFRED; TRUFFAUT, FRANCOIS; RESNAIS, ALAIN; GODARD, JEAN-LUC
Notes: Filmgraphies and bibliographies: p. 230-293
LON: 2412522 2412522

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Author: Wood, Robin
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; BERGMAN, INGMAR; SWEDEN; SJOSTROM, VICTOR
Summary: First in a series of articles by Robin Wood on the national Swedish cinema.

Call No: PERSONALITY CLIPPINGS FILE; STRATTON, DAVID
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: STRATTON, DAVID; BERGMAN, INGMAR
Summary: Snippet on David Stratton's presentations in regards to the films of Ingmar Bergman, to be held at ACMI in June 2015

Call No: 62 MAC
Author: MacCann, Richard Dyer
Edition: 1st ed
Place: N.Y.
Publisher: Dutton
PubDate: 1966
PhysDes: 384 p. : movie stills ; 18 cm
Subject: THEORY; AESTHETICS; DOCUMENTARIES; CINEMASCOPE; NEOREALISM; PUDOVKIN, VSEVELOD; CLAIR, RENE; HITCHCOCK, ALFRED; KNOX, ALEXANDER; NICHOLS, DUDLEY; BERGMAN, INGMAR; BALAZS, BELA; SENNETT, MACK; VORKAPICH, SLAVKO; RICHTER, HANS; Grierson, John; ZAVATTINI, CESARE; KRACAUER, SIEGFRIED; ROEMER, MICHAEL; BACHMANN, GIDEON; DREW, ROBERT; LEACOCK, RICHARD; PENNEBAKER, D. A.; DREYER, CARL TH.; VANDERBEEK, STAN; MEKAS, JONAS; KAEL, PAULINE; TRUFFAUT, FRANCOIS; Fellini, Federico
ISBN: 0525471812
LON: 21441213

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 802.25 FIL
Place: Harmondsworth
Publisher: Penguin
PubDate: 1967
PhysDes: 18 cm; 303 p.
Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH
Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]
ID2: 291

Author: Mogg, Kenn
PhysDes: Article
Subject: GODARD, JEAN-LUC; REALISM IN FILMS; AESTHETICS; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; HITCHCOCK, ALFRED; MARNIE (US, Alfred Hitchcock, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Summary: Essay explores the concepts of reality and therapy in cinema: how the characters undergo emotional therapy in a film's narrative, and in particular, how films can act as a therapeutic experience for audiences.

Call No: 802 FIL vol.1
Author: McBride, Joseph
CorpAuthor: American Film Institute
Edition: 1st ed
Place: Los Angeles Boston
Publisher: J.P. Tarcher Distributed by Houghton Mifflin Co.
PubDate: c1983
PhysDes: ports. ; 24 cm
Subject: WALLIS, HAL B.; ZANUCK, RICHARD; BROWN, DAVID; BERGMAN, INGMAR; WILDER, BILLY; POITIER, SIDNEY; BALL, LUCILLE; HOWE, W.J.; PLATT, POLLY; BEATTY, WARREN; BOGDANOVICH, PETER; SILVER, JOAN MICKLIN; SPIELBERG, STEVEN; DIAMOND, I. A. L.; ROSENMAN, LEONARD; FIELDS, VERNA; SYLBERT, ANTHEA; MENGERS, SUE; EAST OF EDEN (US, Elia Kazan, 1955); JAWS (US, Steven Spielberg, 1975); SHAMPOO (US, Hal Ashby, 1975); TARGETS (US, Peter Bogdanovich, 1968)
Notes: Includes bibliographies and indexes
ISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)
LON: 2606290

Call No: 792 BER
Author: Bergman, Ingmar, 1918
Place: London
Publisher: Secker and Warburg
PubDate: 1960
PhysDes: xxii, 329 p., [32] p. of plates : ill. ; 24 cm
Subject: SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); ANSIKTET (SW, Ingmar Bergman, 1958); BERGMAN, INGMAR
Notes: Chronology of films: p. 326-328
LON: 3916826

Call No: 451-02 HAS
Author: Haskell, Molly
Place: Harmondsworth Eng. Baltimore
Publisher: Penguin
PubDate: 1974
PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cm
Subject: WOMEN IN FILMS; ASTOR, MARY; BERGMAN, INGMAR; BOW, CLARA; Crawford, Joan; CUKOR, GEORGE; DAY, DORIS; DIETRICH, MARLENE; HAWKS, HOWARD; HEPBURN, KATHARINE; HOLLIDAY, JUDY; LUBITSCH, ERNST; MONROE, MARILYN; RUSSELL, ROSALIND; VON STERNBERG, JOSEF; WILDER, BILLY; DUNNE, IRENE; WOMEN, THE (US, George Cukor, 1939); BEYOND THE FOREST (US, King Vidor, 1949); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); DESIGN FOR LIVING (US, Ernst Lubitsch, 1933); ADAM'S RIB (US, George Cukor, 1949); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955)
Notes: Includes index
ISBN: 0140039465 : ª0.95 ($3.95 U.S.)
LON: 74194670; 352052

Call No: 81 BER BLA
Author: Blackwell, Marilyn Johns
Place: Columbia, SC
Publisher: Camden House
PhysDes: 232 p. ; 24 cm
Series: Studies in Scandinavian literature and culture
Subject: BERGMAN, INGMAR
ISBN: 1571130942

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: 81BER SIC
Author: Siclier, Jacques
Place: Paris
Publisher: Editions Universitaires
PubDate: 1960
PhysDes: 204 p. : ill. ; 18 cm
Series: Biblioth¯eque du cinGema. Classiques du cinGema
Subject: BERGMAN, INGMAR
Notes: Includes filmographpy
LON: abn87054085; 5135822

Call No: 81BER SIC
Author: Siclier, Jacques
Source: FR
Place: Paris
PubDate: 1958
Series: Les Grands Createurs du Cinema ; 12/13
Subject: BERGMAN, INGMAR
Notes: Les Grands Createurs du Cinema ; 12/13
Language: French

Call No: 81BER WOO
Author: Wood, Robin, 1931
Place: London
Publisher: Studio Vista
PubDate: 1969
PhysDes: 192 p. : ill., port. ; 17 cm
Series: Movie paperbacks
Subject: BERGMAN, INGMAR
Notes: Bibliography: p. 191; List of films: p. 185-190
ISBN: 0289796695
LON: 73427278; 412167

Call No: 81BER COW
Author: Cowie, Peter
Place: London
Publisher: Secker & Warburg
PubDate: 1982
PhysDes: xi, 397 p. : ports ; 24 cm
Subject: BERGMAN, INGMAR
Notes: Includes index; Bibliography: p. 355-359; Filmography: p. 361-383
ISBN: 0436108852
LON: abn83101201; 2769797

Call No: 81BER STE
Author: Steene, Birgitta, 1928
Place: New York
Publisher: Twayne Publishers
PubDate: 1968]
PhysDes: 158 p. 21 cm
Subject: BERGMAN, INGMAR
Notes: Includes bibliographical references
LON: 67025201; 675746

Call No: 81BER MOS
Author: Mosley, Philip
Place: London
Publisher: Boyars
PubDate: 1981
PhysDes: 192 p. : ill., 1 port ; 23 cm
Subject: BERGMAN, INGMAR
Notes: Swedish cinema films. Directing. Bergman, Ingmar. - Critical studies (BNB/PRECIS); List of films: p. 13-14; Includes index; Bibliography: p. 188-189
ISBN: 0714526444 : ª8.95 : CIP rev
LON: bnb71452644; 2090028

Call No: 81BER NEL
Author: Nelson, David R
Place: Boston
Publisher: Boston University, Communication Arts Division
PubDate: 1964
PhysDes: 60 p. ; 29 cm
Subject: BERGMAN, INGMAR
Notes: Includes bibliography
LON: abn87053848; 5135434

Call No: 81BER COW
Author: Cowie, Peter
Edition: 2nd ed
Place: [London] : Motion, 1962
PhysDes: 40 p. ; 25 cm
Subject: BERGMAN, INGMAR
LON: abn98396635; 14271705

Call No: 81BER BER
Author: Koskinen, Maaret
Place: Stockholm
Publisher: Swedish Institute
PubDate: 1993
PhysDes: 32 p. : illus. ; 18 cm
Series: Swedish Portraits
Subject: BERGMAN, INGMAR
ISBN: 9152002977

Call No: 81BER MAN
Author: Manvell, Roger, 1909
Place: New York
Publisher: Arno Press
PubDate: 1980
PhysDes: 114 p., [9] leaves of plates : ill. ; 24 cm
Series: Dissertations on film 1980
Subject: BERGMAN, INGMAR
Notes: "This study ... originated in the Whidden lectures ... at McMaster University, Hamilton, Ontario, Canada in January 1976."; Bibliography: p. [104]-106; Filmography: p. 107-114
ISBN: 040512936X
LON: 79006697; 1674198

Call No: 81BER BER
Author: Bergom-Larsson, Maria, 1942
Place: London South Brunswick, N.J.
Publisher: Tantivy Press A. S. Barnes, in collaboration with the Swedish Film Institute and the Swedish Institute
PubDate: 1978
PhysDes: 127 p. : ill. ; 18 cm
Series: Film in Sweden
Subject: BERGMAN, INGMAR
Notes: Includes index; Bibliography: p. 119-120; Filmography: p. 121-127
ISBN: 0498021953 : $7.95
LON: 77084788; 1084228

Call No: 81BER LIV
Author: Livingston, Paisley, 1951
Place: Ithaca
Publisher: Cornell University Press
PubDate: 1982
PhysDes: 291 p. : ill. ; 24 cm
Subject: BERGMAN, INGMAR
Notes: Includes index; Filmography: p. 271-275; Bibliography: p. 276-287
ISBN: 0801414520
LON: 81017440; 2135183

Call No: 81BER SIM
Author: Simon, John, 1925
Edition: [1st ed.]
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1972]
PhysDes: 315 p. illus. 22 cm
Subject: BERGMAN, INGMAR
Notes: "A creation of Halcyon Enterprises."; Includes bibliographical references
ISBN: 0151443777
LON: 72078460; 584672

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEARCHING FOR INGMAR BERGMAN [INGMAR BERGMAN, VERMACHTNIS EINES JAHRHUNDERTGENIES] (GG/FR, Felix Moeller & Margarethe von Trotta, 2018)

Call No: REFERENCE SECTION; 058 INT "1973"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1972
PhysDes: v.
Subject: BERGMAN, INGMAR; BRESSON, ROBERT; MAKAVEJEV, DUSAN; RESNAIS, ALAIN; SCHLESINGER, JOHN
ISBN: 900730579

Call No: 81BER BER
Author: Bergman, Ingmar, 1918
Place: London New York, N.Y., U.S.A.
Publisher: Hamish Hamilton Viking Penguin
PubDate: 1988
PhysDes: 312 p., [16] p. of plates : ill., ports. ; 24 cm
Subject: BERGMAN, INGMAR
Notes: Translation of: Laterna magica; Includes index; "Ingmar Bergman, a chronology by Peter Cowie": p. 293-303
ISBN: 0241121477 : ª14.95
LON: bnb24112147; 5813796

Call No: 81 EKM GUS
Author: Gustafsson, Fredrik
Place: New York; Oxford
Publisher: Berghahn Books
PubDate: 2017
PhysDes: 168 p. ; Illus. ; 23 cm
Subject: EKMAN, HASSE; BERGMAN, INGMAR; SWEDEN
Notes: Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents. Yet today his work is virtually unknown outside of Sweden, eclipsed by the filmography of his occasional collaborator (and frequent rival) Ingmar Bergman. This comprehensive introduction—the first ever in English—follows Ekman’s career from his early days as a film journalist, through landmark films such as Girl with Hyacinths (1950), to his retirement amid exhaustion and disillusionment. Combining historical context with insightful analyses of Ekman’s styles and themes, this long overdue study considerably enriches our understanding of Swedish film history. - publisher's web site
ISBN: 9781785332869
Contents: List of Illustrations Acknowledgements Introduction Chapter 1. On Auteurs and National Cinema Chapter 2. The Social Context Chapter 3. Swedish Cinema Chapter 4. Hasse Ekman in the Renaissance Chapter 5. The Early 1950s Chapter 6. The Final Years Chapter 7. Ideas and Legacy Conclusion Filmography Works cited Index

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Author: Gardner, Geoffrey and Mogg, Ken and Simpson, Brian
PhysDes: Article
Subject: BJORKMAN, STIG; DIRECTORS. SWEDEN; BERGMAN, INGMAR; SWEDEN; GODARD, JEAN-LUC
Summary: Interview with Swedish director Stig Bjorkman, who comments not only on his film "I Love, You Love", but on the work of his contempories, especially Bergman and Godard.

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Call No: 71(4) MAN
Author: Manvell, Roger, 1909
Place: London New York
Publisher: Studio Vista Dutton
PubDate: [1966]
PhysDes: 160 p. front., illus. 19 cm
Subject: EUROPEAN COUNTRIES; BERGMAN, INGMAR
LON: 663120

Call No: 70 (04) CHA
Author: Chapman, James and Glancy, Mark and Harper, Sue
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: xi, 256p. : 23cm.
Subject: MOTION PICTURES - HISTORY; HISTORY AND THE CINEMA; NATIONAL IDENTITY AND AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS; INDUSTRY, FILM. UK; SCRIPTWRITERS; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); NOW, VOYAGER (US, Irving Rapper, 1942); GONE WITH THE WIND (US, Victor Fleming, 1939); GALLIPOLI (AT, Peter Weir, 1981); BLACKMAIL (UK, Alfred Hitchcock, 1929); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); WICKER MAN, THE (UK, Robin Hardy, 1973); FONDA, JANE; BERGMAN, INGMAR
Notes: Includes bibliographical references and index; Contents:; Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes; History and representation : the case of 1970s British cinema / Sue Harper 27; Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly 41; 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman 55; Art in context : British film design of the 1940s / Laurie Ede 73; The author as author : restoring the screenwriter to British film history / Andrew Spicer 89; When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Kramer 104; The politics of the swashbuckler / Jeffrey Richards 119; The Stalinist musical / Richard Taylor 137; Now, voyager (1942) : melodrama then and now / Martin Shingler 152; From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby 166; Blackmail (1929), Hitchcock and film nationalism / Mark Glancy 185; British cinema, American reception : Black Narcissus (1947) and the legion of decency / Sarah Street 201; Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter, and Tim Bergfelder 215; The wicker man (1973) email digest : a case study in Web ethnography / Justin Smith 229
ISBN: 9780230001695
Language: English

Call No: 792 BER
Author: Bergman, Ingmar, 1918
Place: London
Publisher: Calder and Boyars
PubDate: 1972
PhysDes: 2-191 p. illus., port. 21 cm
Subject: PERSONA (SW, Ingmar Bergman, 1966); SKAMMEN (SW, Ingmar Bergman, 1968); BERGMAN, INGMAR
ISBN: 0714507571 (pbk.); 0714507563
LON: 538650

Call No: 81BER DON
Author: Donner, Jorn, 1933
Place: Bloomington [Ind.]
Publisher: Indiana University Press
PubDate: 1964
PhysDes: 276 p. : ill. ; 21 cm
Subject: BERGMAN, INGMAR
Notes: Translation of: Djavulens ansikte : Ingmar Bergmans filmer; Includes film index; Bibliography: p. 225-265
LON: abn80017619; 1760140

Call No: 802 PRO v.15
Author: Cowie, Peter; Edelmann, Pascal
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2007
PhysDes: xxxii, 356 pages : illustrations ; 21 cm
Subject: DOGMA; EUROPEAN CINEMA; FILMMAKING; FILM STUDY AND RESEARCH; HOMOSEXUALITY AND THE CINEMA; INDEPENDENT FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; ALMODOVAR, PEDRO; ANGELOPOULOS, THEO; BARDEM, JAVIER; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; CANTET, LAURENT; DARDENNE, JEAN-PIERRE & LUC; HOLLAND, AGNIESZKA; JACOB, IRENE; LOACH, KENNETH; MAKAVEJEV, DUSAN; MOREAU, JEANNE; DE OLIVEIRA, MANOEL; OZON, FRANCOIS; RIKLIS, ERAN; STORARO, VITTORIO; STEEN, PAPRIKA; SZABO, ISTVAN; TANOVIC, DANIS; THOMAS, JEREMY; ULLMANN, LIV; Wenders, Wim; WINTERBOTTOM, MICHAEL; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997)
Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurb
Notes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film Academy
ISBN: 9780571235292
Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA

Call No: 62 BEL
Author: Bellour, Raymond; Hardyck, Allyn
Edition: English ed.
Source: SZ
Place: Zurich
Publisher: JRP/ Ringier
PubDate: [2012]
PhysDes: 413 pages, 8 unnumbered pages : illustrations ; 21 cm
Series: Documents series ; 6
Subject: GODARD, JEAN-LUC; MARKER, CHRIS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; HILL, GARY; VIOLA, BILL
Summary: "Between-the-images brings together 20 illustrated essays written by Raymond Bellour between 1981 and 1989. Considering the works and the strategies of artists and filmmakers such as Kuntzel, Godard, Marker, Bergman, Antonioni, Hill and Viola, he examines the slow but inexorable change in moving images, putting an emphasis on three major areas of transformation: between stillness and movement, inside the photographic analogy, and between language and image"--P. [4] of cover.
Notes: "The present publication is an English adaptation of L'Entre-images : photos, cine´ma, vide´o, first published by Les Editions de La Diffe´rence in 1990"--Colophon. - Includes bibliographical references and index. - Translated from the French.
ISBN: 9783037641446
Contents: Between-the-images -- Analysis in flames -- Thierry Kuntzel and the return of writing -- Video utopia -- When the photograph of cinema is written -- The pensive spectator -- The phantom's due -- The crystal duration -- 'I am an image' -- The film stilled -- Six films (in passing) -- The limits of fiction -- From in-between the bodies -- Images of the world -- Burning memory -- Video according to Saint John -- The last man on the cross -- The art of demonstration -- The form my gaze goes through -- "The letter goes on..." -- Self-portraits.

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: 71(48) COW
Author: Cowie, Peter
CorpAuthor: Scandinavian Films
Place: London Hollywood
Publisher: Tantivy Press on behalf of "Scandinavian Films" Distributed in the United States by Samuel French Trade
PubDate: c1992
PhysDes: 288 p. : ill, ports. ; 24 cm
Subject: SCANDINAVIAN COUNTRIES; DENMARK; FINLAND; ICELAND; NORWAY; SWEDEN; BERGMAN, INGMAR; DREYER, CARL TH.
Notes: "Originally published in French in the series CinGema/pluriel"--T.p. verso; Includes filmographies; Includes bibliographical references (p. 283-284) and index
ISBN: 0573699119 : $24.95
LON: 9729347

Call No: 81BER GIB
Author: Gibson, Arthur, 1922
Edition: [1st ed.]
Place: New York
Publisher: Harper & Row
PubDate: 1969]
PhysDes: 171 p. : ill. ; 21 cm
Subject: BERGMAN, INGMAR
LON: 76085048; 176673

Call No: F71(485) COW
Author: Cowie, Peter
Source: UK; US
Place: London; New York
Publisher: A. Zwemmer; A.S. Barnes
PubDate: 1970
PhysDes: 256 p. ; 21cm
Series: Screen Series
Subject: SWEDEN; SJOSTROM, VICTOR; STILLER, MAURITZ; SJOBERG, ALF; SUCKSDORFF, ARNE; BERGMAN, INGMAR; WIDERBERG, BO; SJOMAN, VILGOT; DONNER, JORN
Notes: Parts of this book are reprinted from 'Swedish Cinema'; See also 'Sweden 1'; Bibliography: v. 2, p. 251-256
ISBN: 302020101 (UK); 498074196 (US)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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PhysDes: Article
Subject: BERGMAN, INGMAR; SMULTRONSTALLET (SW, Ingmar Bergman, 1957)
Summary: Article discusses the themes in 'Wild Strawberries' and the suggestion that the film has a sense of musical structure.

PhysDes: Review Credits
Subject: NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962); BERGMAN, INGMAR
Summary: Review of Ingmar Bergman's "Winter Light", regarding it as perhaps the most "sombre and concentrated" of all his films.

Call No: 451-02 MEL
Author: Mellen, Joan
Place: London
Publisher: Davis-Poynter
PubDate: 1974
PhysDes: 255 p. : ports ; 24 cm
Subject: WOMEN IN FILMS; HOMOSEXUALITY IN FILMS; SEX AND THE CINEMA; BERGMAN, INGMAR; ROHMER, ERIC; WEST, MAE; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); FOX, THE (US, Mark Rydell, 1968); UP THE SANDBOX (US, Irvin Kershner, 1972)
ISBN: 0706701534 : ª3.50
LON: 75312480; 266398