Search Catalogue

Call No: 802.27-015 MCC
Author: McCaffrey, Donald W
Place: London New York
Publisher: Zwemmer Barnes
PubDate: 1968
PhysDes: 2-175 p. 20 plates, illus. 16 cm
Subject: Keaton, Buster; CHAPLIN, CHARLES; LLOYD, HAROLD; LANGDON, HARRY; COMEDIANS
Notes: Bibliography: p. 169-175
LON: 709494

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 81CHA MAN
Author: Manvell, Roger, 1909
Place: London
Publisher: Hutchinson
PubDate: 1975
PhysDes: xiii, 240 p. ; 23 cm
Subject: CHAPLIN, CHARLES
Notes: Includes index; Bibliography: p. [227]-230
ISBN: 0091238005 : ª3.50
LON: 75326633; 278988

Call No: 81CHA SOB
Author: Sobel, Raoul; Francis, David, 1935- joint author
Place: London New York
Publisher: Quartet Books
PubDate: 1977
PhysDes: 253 p. : ill., facsims., ports. ; 23 cm
Subject: CHAPLIN, CHARLES
Notes: Includes index; Bibliography: p. 223-227; Filmography: p. 229-242
ISBN: 070432105X; 0704331349 (pbk.) : ª2.95
LON: 80454946; 1235325

Call No: 81CHA ROB
Author: Robinson, David, 1930
Place: London
Publisher: Collins
PubDate: 1985
PhysDes: 792 p., [80] p. of plates : ill., facsims., ports. ; 25 cm
Subject: CHAPLIN, CHARLES
Notes: Includes index; Filmography: p. 699-745; Bibliography: p. 778-782
ISBN: 000216387X : ª15.00
LON: bnb00216387; 3712863

Call No: 81CHA GIF
Author: Gifford, Denis
Place: London
Publisher: Macmillan
PubDate: 1974
PhysDes: 128 p. : ill. (some col.), facsims. (some col.), ports. ; 26 cm
Subject: CHAPLIN, CHARLES
Notes: Includes index; Bibliography: p. 126-127
ISBN: 0333156528 : ª1.95
LON: 74196642; 353811

Call No: 81CHA SMI
Author: Smith, Julian
Source: US
Place: Boston MA
Publisher: Twayne Publishers
PubDate: 1984
PhysDes: 161 p. : ill. ; 23 cm.
Series: Twayne's filmmakers series
Subject: CHAPLIN, CHARLES; COMEDIANS
Notes: Includes index. Bibliography: p. 152-153. Filmography: p. 154-158.
ISBN: 080579302X (pbk.)

Call No: 81CHA SCH
Author: Scheide, Frank; Mehran, Hooman
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2004
PhysDes: 150 p. ; 23 cm
Series: Chaplin
Subject: CHAPLIN, CHARLES; GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Summary: A collection of essays about Charles Chaplin (1899-1977) written by some of the world’s leading authorities on Chaplin and early film comedy. The primary focus of the volume is Chaplin’s 1940 film satire on Nazi Germany, The Great Dictator. This film has recently attracted intense interest during its wide international theatrical and DVD re-release. The Great Dictator is also the subject of a remarkable documentary, The Tramp and the Dictator, by the distinguished historian and film-maker Kevin Brownlow, who serves as adviser to this publication, and has made available research material and interviews gathered in the course of the production. [Taken from back cover]
ISBN: 1844570371

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: CHAPLIN, CHARLES

Call No: 81CHA TYL
Author: Tyler, Parker
Place: [New York]
Publisher: The Vanguard Press
PubDate: 1948
PhysDes: 180 p. [16] p. of plates : ill., ports. ; 21 cm
Subject: CHAPLIN, CHARLES
LON: abn87098784; 5225220

Call No: 81CHA ASP
Author: Asplund, Uno; Austin, Paul Britten. tr
Place: [Melbourne]
Publisher: Wren
PubDate: 1973]
PhysDes: 204p. : ill. ; 25cm
Subject: CHAPLIN, CHARLES
Notes: Indices; Bibliography: p.197-198
ISBN: 0858850869 : $10.50 Aust
LON: anb85885086; 1649706

Call No: TITLE CLIPPINGS FILE; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967)
Author: Wyndham, Frances
PhysDes: Clippings File Article
Subject: CHAPLIN, CHARLES; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967)
Summary: Candid interview with Charles Chaplin with the focus on the recent film 'A Countess from Hong Kong' and the critical backlash he received. Chaplin talks about his cynicism in regards to 'Swinging London', and a movie by the band 'The Beatles'
Notes: old clips pile from June 2015

Call No: 81CHA MIN
Author: Minney, R. J. (Rubeigh James), 1895
Place: London
Publisher: George Newnes
PubDate: 1954
PhysDes: xii, 172 p., [48] p. of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES
LON: abn87059675; 5180769

Call No: 81CHA GED
Author: Geduld, Harry M.
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c1987
PhysDes: 293 p. ; 22 cm
Subject: KEYSTONE; CHAPLIN, CHARLES
Notes: contents: v.1. The keystone films copy signed Includes bibliographies and index.
ISBN: 0253313368
Donation: donated by the family of Wayne Levy, 2006

Call No: 81CHA SIL
Author: Silver, Charles
CorpAuthor: Museum of Modern Art (New York, N.Y.)
Place: New York
Publisher: Museum of Modern Art
PubDate: 1989
PhysDes: 79 p. : ill. ; 27 cm
Subject: CHAPLIN, CHARLES
Notes: "Published in conjunction with the exhibition 'Chaplin: a centennial celebration' at the Museum of Modern Art, New York, January 1-June 30, 1989"--T.p. verso; Includes filmography (p. 70-72)
ISBN: 0870703064
LON: 88063507; 7123988

Call No: 81 CHA WYN
Author: Chaplin, Charles; Introduction by Francis Wyndham.
Place: London
Publisher: Bodley Head
PubDate: 1974
PhysDes: 32 cm ; 320 p.
Subject: CHAPLIN, CHARLES
ISBN: 0370103076

Call No: 81CHA HUF
Author: Huff, Theodore
Place: London
Publisher: Cassell
PubDate: 1952
PhysDes: 320 p. : ill. ; 22 cm
Subject: CHAPLIN, CHARLES
LON: cln00833526; 8128172

Call No: 81CHA HAI
Author: Haining, Peter
Place: London
Publisher: Foulsham
PubDate: c1989
PhysDes: 144 p. : ill., facsims., ports. ; 25 cm
Subject: CHAPLIN, CHARLES
ISBN: 0572013183

Call No: 81CHA QUI
Author: Quigly, Isabel, 1926
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: 159 p. illus., facsims., ports. 19 cm
Subject: CHAPLIN, CHARLES
ISBN: 028937023X
LON: 75366460; 284963

Call No: 81CHA GOL
Author: Reeves, May; Goll, Claire 1891-1977
Place: Paris : Gallimard, 1935
PhysDes: 194 p. ; 19 cm
Subject: CHAPLIN, CHARLES
Language: French
LON: abn98412549; 14292795

Call No: 81CHA SOU
Author: Soupault, Philippe, 1897
Edition: Edition definitive
Place: Paris
Publisher: Librarie Plon
PubDate: 1957
PhysDes: 210 p. : ill. ; 18 cm
Subject: CHAPLIN, CHARLES
LON: abn98113872; 13776228

Call No: 81CHA MIT
Author: Mitry, Jean, pseud
Place: Paris
Publisher: Edition Universitaires
PubDate: 1957]
PhysDes: 188p
Series: Les Classiques du cinema
Subject: CHAPLIN, CHARLES
LON: flu00037740; 8789712

Call No: 67(04) CIN
Author: MacCann, Richard Dyer; Ellis, Jack C., 1922
CorpAuthor: Cinema Journal
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: 1982
PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cm
Subject: INDUSTRY, FILM. USSR; SAMURAI FILMS; CHAPLIN, CHARLES; VISCONTI, LUCHINO; HITCHCOCK, ALFRED; INDUSTRY, TV. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977)
Notes: Includes bibliographical references
ISBN: 0525474641 (pbk.) : $9.95
LON: abn83062603; 2630261

Author: Ioannou, Simon
PhysDes: Article
Subject: AUTEUR THEORY; CHAPLIN, CHARLES; AUTHORSHIP
Summary: Subjective essay which explores the notion of the director as artist; writer believes that the only true cinematic genius was Charlie Chaplin as he had complete ownership and control over his work.

Author: Coursodon, J. P.
PhysDes: Article
Subject: COMEDIES; AESTHETICS; Keaton, Buster; MARX BROTHERS; CHAPLIN, CHARLES
Summary: Essay examines the genesis and development of "the gag", from its vaudeville/music hall background, to its use on the screen by Buster Keaton and the like. Extract from "Keaton Et Cie"in the "Cinema Aujourd'hui" book series.

Author: Ogilive, George
PhysDes: Article
Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES
Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy.

Call No: 620 DEL BOG
Author: Bogue, Ronald
Source: US
Place: New York
Publisher: Routledge
PubDate: 2003
PhysDes: x, 231 p. ; 24 cm.
Subject: BAZIN, ANDRE; DELEUZE, GILLES; CASSAVETES, JOHN; CHAPLIN, CHARLES; EISENSTEIN, SERGEI M.; FELLINI, FEDERICO; GODARD, JEAN-LUC; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; ROUCH, JEAN; WELLES, ORSON
Summary: This text provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.
Notes: Includes bibliographical references (pages 219-222) and index.
ISBN: 0415966043
Donation: Estate of Adrian Miles
Contents: Ch. 1. Bergson and Cinema; Deleuze's Bergson; Three Bergsonian Theses on Movement; Image, Movement, Matter, Light; The Three Movement-Images --Ch. 2. Frame, Shot, and Montage; Frame and Shot; Montage: Organic and Dialectic; Montage: Quantitative and Intensive --Ch. 3. Eighteen Signs (More or Less); Peirce and Signs; The Perception-Image; The Affection-Image; The Impulse-Imag; The Action-Image; The Reflection-Image; The Relation-Image --Ch. 4. Hyalosigns: Crystals of Time; Opsigns; Mnemosigns and Onirosigns; Hyalosigns; Crystalline States --Ch. 5. Chronosigns: The Order of Time and Time as Series; Sheets of the Past, Peaks of the Present; Robbe-Grillet, Welles, and Resnais; Powers of the False; Rouch's Ethnofictions; Bodies and Categories --Ch. 6. Noosigns and Lectosigns: Image and Thought, Sight and Sound; The Classic Image of Thought; The Thought of the Outside; The Spiritual Automaton; Silent and Audible Lectosigns; The Modern Lectosign; A Note on Cinema, Theater, and Television.

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

Call No: 227 FAL
Author: Stern, Lesley; Kouvaros, George
Place: Sydney
Publisher: Power Publications
PubDate: 1999
PhysDes: 314 p. ; 22 cm
Subject: ACTING; COMEDIES; BENJAMIN, WALTER; GARLAND, JUDY; STREISAND, BARBRA; CASSAVETES, JOHN; HARTLEY, HAL; CHAPLIN, CHARLES; Keaton, Buster; FUNNY GIRL (US, William Wyler, 1968); LOVE STREAMS (US, John Cassavetes, 1984); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); SHERLOCK, JR. (US, Buster Keaton, 1924); KING OF COMEDY, THE (US, Martin Scorsese, 1983)
Notes: Includes index
ISBN: 1864870257 : $14.95
LON: 20003607

Call No: 62 LAW
Author: Lawson, John Howard, 1894
Place: New York
Publisher: Hill and Wang
PubDate: 1964
PhysDes: xx, 380 p., [16] leaves of plates ; 22 cm
Subject: HISTORY OF CINEMA; ADAPTATIONS; GRIFFITH, DAVID WARK; VIOLENCE IN FILMS; CHAPLIN, CHARLES; GRAPES OF WRATH, THE (US, John Ford, 1940); MAT (RU, Vsevolod I. Pudovkin, 1926)
Notes: Includes index; Bibliography: p. 361-368
LON: abn83003386; 2387047
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Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 802.25 FIL
Place: Harmondsworth
Publisher: Penguin
PubDate: 1967
PhysDes: 18 cm; 303 p.
Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH
Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]
ID2: 291

Call No: 81CHA MCD
Author: McDonald, Gerald D. (Gerald Doan), 1905; Conway, Michael. joint author; Ricci, Mark, joint author
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: 1965]
PhysDes: 222 p. : illus., ports. ; 29 cm
Subject: CHAPLIN, CHARLES
LON: 65027094; 713121

Call No: 81CHA MCC
Author: McCaffrey, Donald W. (ed.)
Source: US
Place: New Jersey
Publisher: Prentice Hall
PubDate: [1971]
PhysDes: 174 p. : ill. ; 21 cm
Series: Film Focus
Subject: TYPE CHARACTERS IN FILMS; CHAPLIN, CHARLES; SENNETT, MACK; KID, THE (US, Charles Chaplin, 1921); GOLD RUSH, THE (US, Charles Chaplin, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); CIRCUS, THE (US, Charles Chaplin, 1928); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); LIMELIGHT (US, Charles Chaplin, 1952)
ISBN: 131282077
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction - Donald W. McCaffrey -- CAREER -- A brief overall view - John Montgomery -- Creating the role of Dr. Body in Casey's Court Circus - Charlie Chaplin -- Acting-directing apprenticeship with Mack Sennett - Charlie Chaplin -- WORKING METHOD -- Development of the comic story and the Tramp character - Charlie Chaplin -- What people laugh at - Charlie Chaplin -- Max Linder's and Elsie Codd's views on the working method - Louis Delluc -- A rejection of the talkies - Charlie Chaplin -- ESSAYS -- The art of Charlie Chaplin - Minnie Maddern Fiske -- Is the Charlie Chaplin vogue passing? - Harcourt Farmer -- Everybody's Language - Winston Churchill -- A reaction to the praise given to Chaplin's artistry - George Jean Nathan -- An evaulation of Chaplin's silent comedy films, 1916-36 - Donald W. McCaffrey -- REVIEWS -- Impressions of two early comedy films - Louis Delluc -- An early detailed account of the action in The Pawnshop - Gilbert Seldes -- The Kid - Francis Hackett -- The Pilgrim - Robert E. Sherwood -- With the bunk left out - Charles W. Wood -- The idea in The Gold Rush: a study of Chaplin's use of the comic technique of pathos-humor - Timothy J. Lyons -- A comparison of The Gold Rush and The General - Gerald Mast -- The Circus - Alexander Bakshy -- City Lights and Modern Times: skirmishes with romance, pathos, and social significance - Donald W. McCaffrey -- The Great Dictator - Herman G. Weinberg -- Monsieur Verdoux - Roger Manvell -- The lineage of Limelight - Walter Kerr

Call No: PERSONALITY CLIPPINGS FILE; CHAPLIN, CHARLES
Author: Gordon, Rae Beth
PhysDes: Article
Subject: ACTING; SPECTATORSHIP; PSYCHOLOGY AND THE CINEMA; CHAPLIN, CHARLES
Summary: Gordon discusses the impact of film and whether its relationship is due to an intense feeling of reality or to an equally intense state of hallucinatory hypnotic trance. -- article abstract provided by publisher

Call No: 757-044(73) PIM
Author: Pimpare, Stephen
Source: US
Place: New York, NY
Publisher: Oxford University Press
PubDate: 2017
PhysDes: xxxi, 342 pages : illustrations ; 25 cm.
Subject: BOYZ N THE HOOD (US, John Singleton, 1991); GRAPES OF WRATH, THE (US, John Ford, 1940); CHAPLIN, CHARLES; FISHER KING, THE (US, Terry Gilliam, 1991); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); PRECIOUS (US, Lee Daniels, 2009)
Summary: "Ghettos, Tramps, and Welfare Queens: Down & Out on the Silver Screen explores how American movies have portrayed poor and homeless people from the silent era to today. It provides a novel kind of guide to social policy, exploring how ideas about poor and homeless people have been reflected in popular culture and evaluating those images against the historical and contemporary reality. Richly illustrated and examining nearly 300 American-made films released between 1902 and 2015, Ghettos, Tramps, and Welfare Queens finds and describes representations of poor and homeless people and the places they have inhabited throughout the century-long history of U.S. cinema. It moves beyond the merely descriptive to deliberate whether cinematic representations of homelessness and poverty changed over time, and if there are patterns to be discerned. Ultimately, the text offers a preliminary response to a handful of harder questions about causation and consequence: Why are these portrayals as they are? Where do they come from? Are they a reflection of American attitudes and policies toward marginalized populations, or do they help create them? What does this all mean for politics and policymaking? Of interest to movie buffs and film scholars, cultural critics and historians, policy analysts, and those curious to know more about homelessness and American poverty, Ghettos, Tramps, and Welfare Queens is a unique window into American politics, history, policy, and culture -- it is an entertaining and enlightening journey." -- book jacket
Notes: Includes bibliographical references and index.
ISBN: 9780190660727
Donation: Senses of Cinema
Contents: Key U.S. films discussed, 1902-2015 -- Introduction -- Part 1: In the ghetto: Poor places and the people in them -- The evils of the city -- Modern gangs and ghetto gurls -- The urban hellscape -- Social workers and charity reformers -- Welfare queens -- Teachers to the rescue -- The architecture of poverty -- Escaping the city: rural poverty -- Part 2: On the street, on the road: poor out of doors -- The first tramp -- The last free tramp and the hobo played for laughs -- Imposter tramps -- Forgotten men -- The depression through the eyes of a clever child -- The modern tramp: villains -- The modern tramp: victors -- The modern tramp: victims -- Women and children last -- Conclusion: The propertied gaze.

Call No: 81CHA PAY
Author: Payne, Robert, 1911
Place: Lond.
Publisher: Deutsch
Subject: CHAPLIN, CHARLES
LON: nun00327737; 4114890

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: 81PAR PAR
Author: Parrish, Robert
Place: London
Publisher: Bodley Head
PubDate: 1976
PhysDes: [10], 229 p., [24] p. of plates : ill., facsims., ports. ; 22 cm
Subject: COLUMBIA PICTURES; SCREEN ACTORS GUILD; PARRISH, ROBERT; BORZAGE, FRANK; CHAPLIN, CHARLES; COHN, HARRY; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; FORD, JOHN; GRIFFITH, DAVID WARK; HAMILTON, WILLIAM; HOWE, JAMES WONG; INDRISANO, JOHNNY; ROSSEN, ROBERT; SCHREIBER, LEW; VALENTINO, RUDOLPH; INFORMER, THE (US, John Ford, 1935); ONE IN A MILLION (US, Sidney Lanfield, 1936); DIVINE LADY, THE (US, Frank Lloyd, 1929); CITY LIGHTS (US, Charles Chaplin, 1931); ALL THE KINGS MEN (US, Robert Rossen, 1949); BODY AND SOUL (US, Robert Rossen, 1947); CRY DANGER (US, Robert Parrish, 1951); HAVING WONDERFUL TIME (US, Alfred Santell, 1938)
Summary: "Hollywood has thrown up a host of great actors and directors, geniuses and eccentrics, but remarkably few chroniclers of any brilliance. At last, in Growing up in Hollwood, Robert Parrish has produced a picture of Hollywood which is consistently well-observed, intelligent, evocative and, best of all, very, very funny. Robert Parrish, a child actor in the 1920's (in Chaplin's City Lights he was one of the two pea-shooting news boys), served his apprenticeship both in front of the camreas as an extra, and in the cutting rooms under famous directors in 1950. This book is a series of lively, skillfully told anecdotes of working in motion pictures in the golden days between the coming of talkies and the spread of television. In a series of fascinating close-ups we are shown, for instance, Charlie Chaplin rehearsing a scene from City Lights, Cecil B. de Mille bullying his cast of thousands, Raoul Walsh getting the best out of John Wayne, Ian Keith and an assortment of quadrupeds in The Big Trail, and John Ford cracking his whip on and off the set. What makes these memories so compelling is the charm and vivacity, the clear-sighted innocence of the author (a rare gift in hollywood) and his remarkable ability to bring scenes and dialogue to life so that the reader is constantly ready for more. " BOOK JACKET
ISBN: 0370113128
LON: bnb37011312; 1934872
Contents: -- 1 The black pirate -- 2 A new hero -- 3 Shall we gather at the river? -- 4 Breakfast with champions -- 5 Silent star -- 6 Charlie -- 7 Our gang -- 8 The black pirate returns -- 9 Always say yes -- 10 I left my love at fractured jaw -- 11 Dragnet -- 12 C.B. -- 13 Soap gets in your eyes -- 14 Having a wonderful time -- 15 Billy Hamilton, positive cutter -- 16 The ice age comes to hollywood -- 17 Producer-director relations -- 18 Director-cast relations (female) -- 19 The first lesson -- 20 Director-cast relations (male) -- 21 The battle of midway -- 22 Do good by stealth, etc -- 23 Detente with Russia -- 24 In memoriam -- 25 Linoleum OOgie -- 26 Tiger, tiger, burning bright -- 27 Oscar -- 28 Interior Columbia Studio - day -- 29 You don't want to go to Europe... -- 30 Is it fun yet? -- 31 anybody can direct -- 32 petition -- 33 the final lesson -- 34 the winds of change -- conclusion -acknowledgements -index

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: 49:930.2 HOL
Author: Rollins, Peter C.
Source: US
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: 1983
PhysDes: x, 276 p. : ill. ; 24 cm.
Subject: HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937)
Notes: Includes bibliographical references.
ISBN: 0813101549 (pbk.)

Call No: 802.25(73) KOS
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: xx, 364 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; PORTER, EDWIN S.; GUY-BLACHE, ALICE; BLACKTON, J. STUART; GRIFFITH, DAVID WARK; HART, WILLIAM S.; WEBER, LOIS; SENNETT, MACK; INCE, THOMAS HARPER; INGRAM, REX; NEILAN, MARSHALL; CHAPLIN, CHARLES; FLAHERTY, ROBERT; LLOYD, HAROLD; Keaton, Buster; DWAN, ALLAN; DEMILLE, CECIL B.; VON STROHEIM, ERICH; LANGDON, HARRY; CAPRA, FRANK; FORD, JOHN; MURNAU, FRIEDRICH WILHELM; BORZAGE, FRANK; LUBITSCH, ERNST; VIDOR, KING; ROACH, HAL; MAMOULIAN, ROUBEN; DEMILLE, WILLIAM; MILESTONE, LEWIS; CUKOR, GEORGE; VAN DYKE, W.S.; HOWARD, WILLIAM K.; TUTTLE, FRANK; SCHOEDSACK, ERNEST B.; GARNETT, TAY; CROMWELL, JOHN; OLCOTT, SIDNEY; HORNE, JAMES W.; FITZMAURICE, GEORGE; PARK, IDA MAY; TOURNEUR, MAURICE; FLOREY, ROBERT; MENZIES, WILLIAM CAMERON; VORKAPICH, SLAVKO; BRENNON, HERBERT; CAREWE, EDWIN; NIBLO, FRED; GOULDING, EDMUND; FEJOS, PAUL; BELL, MONTA
Notes: Includes index
ISBN: 0195020855 : $13.95
LON: 761206

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MENTAL HEALTH ISSUES IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; ETHNIC GROUPS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL ISSUES IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Call No: 81CHA TEI
Author: Chaplin, Charles
Source: CZ
Place: Prague
Publisher: [Adolph Synek]
PubDate: [1929]
PhysDes: 146p. ; 25m
Subject: CHAPLIN, CHARLES
Language: Czech

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: 67(04) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1989
PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm
Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED
ISBN: 0747230218
Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"

Call No: 81CHA COT
Author: Cotes, Peter, 1912; Niklaus, Thelma
Edition: Rev. ed
Place: London
Publisher: Bodley Head
PubDate: 1952
PhysDes: 160 p., [33] p. of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES
Notes: Includes bibliography (p. 156-157) and index
LON: abn95196480; 11693541

Call No: TITLE CLIPPINGS FILE
Author: Chaplin, Charles
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. UK; STUDIOS, FILM. UK; CHAPLIN, CHARLES; KING IN NEW YORK (US, Charles Chaplin, 1957)
Summary: Personal reflection on the process of making the film 'A King in New York' at the Shepperton Studios
Notes: old clips pile from June 2015

Author: Eyles, Allen
PhysDes: Article
Subject: MARX BROTHERS; MARX, GROUCHO; CHAPLIN, CHARLES; TATI, JACQUES; FIELDS, W.C.; WEST, MAE; COMEDIANS; SATIRE IN FILMS
Summary: Essay explores the work of the Marx Brothers as examples of important comic personalities who used satire to convey their views of the modern world.

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: 79MOD MEL
Author: Mellen, Joan
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 87p. : ill. ; 19cm
Series: BFI Film Classics
Subject: CHAPLIN, CHARLES; MODERN TIMES (US, Charles Chaplin, 1936); USA
Summary: Modern Times (1936) was Charlie Chaplin's last full-length silent film, and also his last appearance as the Tramp, probably the most recognisable figure in film history. Social and political concerns had often featured in Chaplin's films, but in Modern Times they culminate in a protest against conditions during the Great Depression. Joan Mellen situates Modern Times within the context of Chaplin's life and his work, exploring its history and influences as well as its ongoing appeal. She explores how the film's themes of oppression, industrialisation and dehumanisation are embodied in the little tramp's struggle to survive in the modern world. The final chapter of the book is dedicated to the fascinating details of the FBI's file on Chaplin, which was opened in 1922 and maintained until long after his death. [Taken from back cover.]
ISBN: 184457122

Call No: 81CHA BES
Author: Bessy, Maurice 1910
Place: Paris : Jacques Damase, 1952
PhysDes: 226 p. ; 19 cm
Subject: CHAPLIN, CHARLES
LON: abn98401292; 14275209

Call No: 79MOV NOR
Author: Norman, Barry
Source: UK
Place: London
Publisher: Hodder and Stoughton
PubDate: 1981
PhysDes: 319 p. ; 24 cm
Subject: MONROE, MARILYN; FINCH, PETER; MARX, GROUCHO; HAWKINS, JACK; ROBINSON, EDWARD G.; DONAT, ROBERT; FIELDS, GRACIE; HOWARD, LESLIE; CHAPLIN, CHARLES
Notes: Includes index pp. 309-319
ISBN: 0340259728
Contents: 1. Marilyn Monroe -- 2. Peter Finch -- 3. Groucho Marx -- 4. Jack Hawkins -- 5. Edward G. Robinson -- 6. Robert Donat -- 7. Gracie Fields -- 8. Leslie Howard -- 9. Charlie Chaplin -- 10. Hollywood

Call No: 81CHA CHA
Author: Chaplin, Charlie
Source: UK
Place: London
Publisher: Bodley Head
PubDate: 1964
PhysDes: 545 p., [21] leaves of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES; VANITY FAIR (US, Chester M Franklin, 1932); KID, THE (US, Charles Chaplin, 1921); CITY LIGHTS (US, Charles Chaplin, 1931); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); WOMAN OF PARIS, A (US, Charles Chaplin, 1923); GOLD RUSH, THE (US, Charles Chaplin, 1925); CIRCUS, THE (US, Charles Chaplin, 1928); LIMELIGHT (US, Charles Chaplin, 1952); KING IN NEW YORK (US, Charles Chaplin, 1957)
Notes: Includes index.
LON: abn84206881; 3369279

Call No: 81CHA CHA
Author: Chaplin, Charles, 1925; Rau, N; Rau, M
Place: London
Publisher: Hamilton
PubDate: 1961
PhysDes: 288 p
Subject: CHAPLIN, CHARLES
Notes: First published London, Longmans, Green & Co Ltd, 1960
LON: vlu00595035; 11656199

Call No: 70"01" BRO
Author: Brownlow, Kevin
Place: Berkeley
Publisher: University of California Press
PubDate: c1968
PhysDes: 577 p. : ill. ; 26 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; PICKFORD, MARY; GRIFFITH, DAVID WARK; DWAN, ALLAN; BROWN, CLARENCE; WELLMAN, WILLIAM; DEMILLE, CECIL B.; VON STERNBERG, JOSEF; FAIRBANKS, DOUGLAS; MELODRAMA; BOOTH, MARGARET; SWANSON, GLORIA; MAYER, LOUIS B.; SELZNICK, DAVID O.; Keaton, Buster; CHAPLIN, CHARLES; GANCE, ABEL; ROSHER, CHARLES G.; BLYTHE, BETTY; THALBERG, IRVING; DENNY, REGINALD; HORNBECK, WILLIAM; FARRAR, GERALDINE; KING, HENRY; SLOMAN, EDWARD; LLOYD, HAROLD; BEN HUR (US, Fred Niblo, 1925); ROBIN HOOD (US, Allan Dwan, 1922)
Notes: Includes index
ISBN: 0520030680 : $9.95
LON: 740138 740138

Call No: 61 [929:7]
Author: Wild, Jennifer
Edition: 2015
Place: Oakland
Publisher: University of California Press
PubDate: 2015
PhysDes: 344, xv p. ; illus. ; 23 cm
Subject: AVANT-GARDE FILMS; AVANT-GARDE FILMS; FRANCE; ART IN FILMS; SURREALISM AND THE CINEMA; FEUILLADE, LOUIS; CHAPLIN, CHARLES
Notes: The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves. -- publisher's web site
ISBN: 9780520279896
Contents: List of Illustrations Acknowledgments INTRODUCTION: THE CINEMA’S LESSONS 1. SEEING THROUGH CINEMA: PROJECTION IN THE AGE OF CUBISM 2. APOLLINAIRE’S AURA: PICABIA, THE DIAGRAM, AND EARLY FILM STARDOM 3. DUCHAMP’S DIAGRAMS: FILM, SPECTATOR, STAR 4. THE VERTICAL GAZE: CINEMATIC BEHOLDING IN THE AGE OF WAR 5. THE RADICAL TIME OF RECEPTION: THE CINEMA OF BALLISTICS 6. THE DISTRIBUTION OF SUBVERSIVE SYSTEMS: DADA, CHAPLIN, AND THE END OF AN AGE Notes Index

Call No: 802.25(73) WHI
Author: Whittemore, Don; Cecchettini, Philip Alan
CorpAuthor: University of California, Berkeley; Film immigrants
Place: New York
Publisher: McGraw-Hill
PubDate: c1976
PhysDes: ix, 558 p. : ill. ; 23 cm
Subject: DIRECTORS. USA; CHAPLIN, CHARLES; VON STROHEIM, ERICH; LUBITSCH, ERNST; CURTIZ, MICHAEL; SJOSTROM, VICTOR; WHALE, JAMES; HITCHCOCK, ALFRED; MURNAU, FRIEDRICH WILHELM; FEJOS, PAUL; VORKAPICH, SLAVKO; LANG, FRITZ; PREMINGER, OTTO; FORMAN, MILOS
Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical references
ISBN: 0070700532; 0070700524 : $10.00
LON: 768655

Call No: 81SEL EVA
Author: Evans, Peter
Source: UK
Place: London
Publisher: New English Library
PubDate: 1980
PhysDes: 256 p., [16] p. of plates : ports ; 18 cm
Subject: ACTORS. UK; TWENTIETH CENTURY-FOX; BOULTING, ROY; CHAPLIN, CHARLES; MILLIGAN, SPIKE; O'TOOLE, PETER; PARRISH, ROBERT; SELLERS, PETER; WILDER, BILLY; MANKOWITZ, WOLF; BEING THERE (US, Hal Ashby, 1979); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); GOON SHOW, THE [TV] (UK, 1968); I'M ALL RIGHT JACK (UK, John Boulting, 1959); LADYKILLERS, THE (UK, Alexander MacKendrick, 1955); WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965); THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970)
Notes: Filmography: p248-250. Includes index.
ISBN: 0450050483
Donation: donated by the family of Wayne Levy, 2006

Call No: 81CHA MCD
Author: McDonald, Gerald D. (Gerald Doan), 1905; Gelman, Woody
Place: New York
Publisher: Nostalgia Press
PubDate: 1965
PhysDes: [62] p. : ill. ; 28 cm
Subject: CHAPLIN, CHARLES
LON: abn87059665; 5180759

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: 71(73) JAC
Author: Jacobs, Lewis
Edition: 1968
Place: New York
Publisher: Teachers College Press
PubDate: c1939
PhysDes: xxxii, 632 p. : ill. ; 23 cm
Series: Studies in culture and communication
Subject: MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; DISNEY, WALT; EXPERIMENTAL FILMS. USA; USA
Notes: Includes index; Bibliography: p. 583-606; With an essay "experimental cinema in America 1921-1947"
LON: 3904022 3904022

Call No: 749.3 DEC
Author: De Coulteray, George
Source: US
Place: New York
Publisher: Castle Books Edition
PubDate: 1965
PhysDes: 191 p., [254] p. of plates ; 19 cm
Subject: SADISM / MASOCHISM IN FILMS; BUNUEL, LUIS; CHAPLIN, CHARLES
Notes: [translated by Steve Hult]
Donation: donated by the family of Wayne Levy, 2006

Call No: 70 MAS
Author: Mast, Gerald, 1940
Edition: 2d ed
Place: Indianapolis
Publisher: Bobbs-Merrill
PubDate: c1976
PhysDes: xii, 575 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA; GERMANY; USSR; HISTORY OF CINEMA. SOUND PERIOD; FRANCE; NEOREALISM; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; SENNETT, MACK
Notes: Includes index; Bibliography: p. 505-544
ISBN: 0672637197
LON: 388748 388748

Call No: 70"01"SIL
Author: Grieveson, Lee (ed); Kramer, Peter (ed)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2004
PhysDes: xvii, 423 p. : ill. ; 26 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; CHAPLIN, CHARLES; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; Keaton, Buster; SWANSON, GLORIA; VALENTINO, RUDOLPH
Summary: The Silent Reader offers a wide-ranging and accessible guide to the development of cinema from its emergence in the 1890s to the introduction of sound in the late 1920s. Combining key essays from leading scholars in the field with extensive introductory chapters written by the editors, the reader covers international developments in film aesthetics, the growth of the American film industry and its interaction with foreign competitors at home and abroad. It also discusses the wider cultutal, social, and political contexts of film production and consumption in the Uniyed States as well as Britain, Russia, France, and Germany.
Notes: Includes index; Includes bibliographical references (p. [401]-415) and index
ISBN: 0415252830
Contents: Prologue -- 1. At the beginning: motion picture production, representation and ideology at the Edison and Lumiere Companies / Charles Musser -- Part I. Film projection and variety shows -- 2. "Now you see it, now you don't": the temporality of the cinema of attractions / Tom Gunning -- 3. The Kiss in the tunnel (1899), G.A. Smith and the emergence of the edited film in England / Frank Gray -- 4. The cinema of attractions in France, 1896-1904 / Richard Abel -- pt. II. Storytelling and the nickelodeon -- 5. Moving towards fictional narratives: story films become the dominant product, 1903-1904 / Charles Musser -- 6. Pathe goes to town: French films create a market for the nickelodeon, 1903-1906 / Richard Abel -- 7. Manhattan nickelodeons: new data on audiences and exhibitors / Ben Singer -- pt. III. Cinema and reform -- 8. From the opium den to the theatre of morality: moral discourse and the film process in early American cinema / Tom Gunning -- 9. How many times shall Caesar bleed in sport: Shakespeare and the cultural debate about moving pictures / Roberta E. Pearson and William Uricchio -- 10. Fighting films: race, morality, and the governing of cinema, 1912-1915 / Lee Grieveson -- pt IV Feature films and cinema programmes -- 11. A star is born: American culture and the dynamics of Charlie Chaplin's star image, 1913-1916 / Charles J. Maland -- 12. An awful struggle between love and ambition: serial heroines, serial stars and their female fans / Shelley Stamp -- 13. Traffic in Souls (1913): an experiment in feature-length narrative construction / Ben Bewster -- 14. Race, melodrama and the Birth of a Nation (1915) / Linda Williams -- 15. The international exploration of cinematic expressivity / Kristin Thompson -- Part V: Classical Hollywood Cinema -- 16. The making of a comic star: Buster Keaton and The Saphead (1920) / Peter Kramer -- 17. "The Perfect lover?": Valentino and ethnic masculinity in the 1920s / Gayln Studlar -- 18. The new woman and consumer culture: Cecil B. Demille's sex comedies / Sumiko Higashi -- 19. The open door: Hollywood's public relations at home and abroad, 1922-1928 / Ruth Vasey -- Part VI: European Cinemas -- 20. New notes on Russian film culture between 1908 and 1919 / Yuri Tsivian -- 21. Early alternatives to the Hollywood mode of production: implications for Europe's avant-gardes / Kristin Thompson -- 22. Monumental heroics: form and style in Eisenstein's silent films / David Bordwell -- 23. Art and industry: German cinema of the 1920s -- Bibliogrpahy -- Index --

Call No: 732 KER; FOLIO
Author: Kerr, Walter, 1913
Edition: 1st ed
Place: New York
Publisher: Knopf
PubDate: 1975
PhysDes: 372 p. : ill. ; 31 cm
Subject: COMEDIANS; COMEDIES; Keaton, Buster; HARDY, OLIVER; LAUREL, STAN; GRIFFITH, RAYMOND; LANGDON, HARRY; SENNETT, MACK; LLOYD, HAROLD; CHAPLIN, CHARLES
Notes: Includes index
ISBN: 0394469070 : $17.95
LON: 384380

Call No: 70"01" PRA
Author: Pratt, George C
Edition: [Rev. ed.]
Place: Greenwich, Conn.
Publisher: New York Graphic Society
PubDate: [1973]
PhysDes: xi, 548 p. illus. 28 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; GRIFFITH, DAVID WARK; INCE, THOMAS HARPER; CHAPLIN, CHARLES; LUBITSCH, ERNST
Notes: Includes bibliographical references
ISBN: 0821204866; 0821204890 (pbk.)
LON: 586019

Call No: 465 WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Michael Joseph
PubDate: 1970
PhysDes: 392 p. ; 23 cm.
Subject: STARS; HISTORY OF CINEMA; RACIAL ISSUES AND THE CINEMA; GRIFFITH, DAVID WARK; GISH, LILLIAN; CHAPLIN, CHARLES; FAIRBANKS, DOUGLAS; SENNETT, MACK; VALENTINO, RUDOLPH; DAVIS, BETTE; Crawford, Joan; GABLE, CLARK; WAYNE, JOHN
ISBN: 0718100832

Call No: 465 MOR
Author: Morin, Edgar
Source: US
Place: New York
Publisher: Grove Press
PubDate: 1960
Series: Evergreen profile book 7
Subject: STAR SYSTEM; STARS; CHAPLIN, CHARLES; DEAN, JAMES

Call No: C11499
Author: Andersen, Joceline
Edition: 2020
Place: Detroit, Michigan
Publisher: Wayne State University Press
PhysDes: viii, 292 pages : illustrated ; 24 cm
Series: Contmporary Approaches to Film and Media Series
Subject: CELEBRITIES IN FILMS; AROUND THE WORLD IN EIGHTY DAYS (US, Michael Anderson, 1956); IT'S A MAD MAD MAD MAD WORLD (US, Stanley Kramer, 1963); CHAPLIN, CHARLES; HITCHCOCK, ALFRED; KEATON, BUSTER
Summary: Stars and Silhouettes: The History of the Cameo Role in Hollywood traces the history of the cameo as it emerged in twentieth-century cinema. Although the cameo has existed in film culture for over a century, Joceline Andersen explains that this role cannot be strictly defined because it exists as a constellation of interactions between duration and recognition, dependent on who is watching and when. Even audiences of the twenty-first century who are inundated by the lives of movie stars and habituated to images of their personal friends on screens continue to find cameos surprising and engaging. Cameos reveal the links between our obsession with celebrity and our desire to participate in the powerful cultural industries within contemporary society. Chapter 1 begins with the cameo’s precedents in visual culture and the portrait in particular—from the Vitagraph executives in the 1910s to the emergence of actors as movie stars shortly after. Chapter 2 explores the fan-centric desire for behind-the-scenes visions of Hollywood that accounted for the success of cameo-laden, Hollywood-set films that autocratic studios used to make their glamorous line-up of stars as visible as possible. Chapter 3 traces the development of the cameo in comedy, where cameos began to show not only glimpses of celebrities at their best but also of celebrities at their worst. Chapter 4 examines how the television guest spot became an important way for stars and studios to market both their films and stars from other media in trades that reflected an increasingly integrated mediascape. In Chapter 5, Andersen examines auteur cameos and the cameo as a sign of authorship. Director cameos reaffirm the fan’s interest in the film not just as a stage for actors but as a forum for the visibility of the director. Cameos create a participatory space for viewers, where recognizing those singled out among extras and small roles allows fans to demonstrate their knowledge. Stars and Silhouettes belongs on the shelf of every scholar, student, and reader interested in film history and star studies.
ISBN: 9780814346914

Call No: 802 MOR
Author: Morley, Sheridan
Source: US
Place: New York
Publisher: Viking Press
PubDate: c1983
PhysDes: 237p., [16] p. of plates; ill. ; 24cm
Subject: UNITED KINGDOM; USA; ACTORS; MORLEY, ROBERT; COLMAN, RONALD; CHAPLIN, CHARLES; HARRISON, REX; GRANT, CARY; LEIGH, VIVIEN; OLIVIER, LAURENCE; NIVEN, DAVID; HOWARD, LESLIE; HITCHCOCK, ALFRED; HARDWICKE, CEDRIC; COWARD, NOEL; FAIRBANKS, DOUGLAS; HEPBURN, AUDREY
Summary: "Sheridan Morley, who spent the best part of his eighth year in Hollywood with his grandmother, the same Gladys Cooper, and his father, Robert Morley, provides here the first detailed history of the colonization of Hollywood by the British, from the coming of sound through fifty years to the final dismantling of the old studios by television." (Taken from back cover)
ISBN: 0670691623
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: 62 TYL
Author: Tyler, Parker
Place: New York
Publisher: Thomas Yoseloff
PubDate: 1960]
Subject: EXPERIMENTAL FILMS; DOCUMENTARY FILMS; ART AND THE CINEMA; INDUSTRY, FILM. USA; CHAPLIN, CHARLES; RASHOMON (JA, Akira Kurosawa, 1950); MIRACOLO A MILANO (IT, Vittorio de Sica, 1951)
LON: 60010847; 5581269
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Call No: 21(73) LEW
Author: Lewis, Jerry
Source: UK
Place: London
Publisher: Vision
PubDate: 1974
PhysDes: 208p. : ill. ; 22cm
Subject: DIRECTION; INDUSTRY, FILM. USA; PRODUCTION; BRANDO, MARLON; CHAPLIN, CHARLES; HARDY, OLIVER; LAUREL, STAN; LEWIS, JERRY; WISE, ROBERT; WYLER, WILLIAM; BONNIE AND CLYDE (US, Arthur Penn, 1967); MODERN TIMES (US, Charles Chaplin, 1936)
Summary: "Adapted from his lectures to university post-graduate students, The Total Film-Maker is Jerry Lewis's frank, sometimes irreverent account, from the director's viewpoint, of the splendours and miseries of film-making. Replete with anecdotes and asides, the book details almost every aspect of the production of a motion picture, including the marshalling of actors and technicians, the preparation for filming itself, the cutting and editing processes, and the not always amicable transactions with distributors and would-be exploiters that follow the making of a film. The final section deals with the art of film comedy: how it is created, what makes it work, and who the great comedians are and why" -Book blurb
ISBN: 01854780238
Donation: donated by the family of Wayne Levy, 2006
Contents: To the reader -- Prologue -- Part one - production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Part two - post-production -- Editing -- Music and dubbing -- distribution and exploitation -- Other film-makers, other films -- Part three - comedy -- Laughs are our thing -- The visuals of comedy -- The comedians -- Kind of a wrap

Call No: 802.25 DUT
Author: Datta, Utpal
Place: Calcutta
Publisher: M.C. Sarkar & Sons
PubDate: 1994
PhysDes: 91 p. : ill. ; 22 cm
Subject: KUROSAWA AKIRA; RAY, SATYAJIT; DUTT, UTPAL; CHAPLIN, CHARLES; SEN, MRINAL; MRIGAYAA (II, Mrinal Sen, 1977); GENESIS (II/FR/BE/SZ, Mrinal Sen, 1986)
Summary: Criticisms on the work of film makers, chiefly from India; articles
ISBN: 817157050X : Rs50.00 ($10.00 U.S.)
LON: 95902318; 11731845
ID2: 291

Call No: 19UNI BAL
Author: Balio, Tino
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1976
PhysDes: xviii, 323 p. : ill. ; 24 cm
Subject: UNITED ARTISTS; SCHENCK, JOSEPH M.; CHAPLIN, CHARLES; SELZNICK, DAVID O.; PICKFORD, MARY; GRIFFITH, DAVID WARK
Notes: Includes bibliographical references and index
ISBN: 0299069400 : $15.00
LON: 387258

Call No: 19UNI BAL
Author: Balio, Tino
Place: Madison, Wis.
Publisher: University of Wisconsin Press
PubDate: 1987
PhysDes: xi, 446 p. : ill. ; 24 cm
Subject: UNITED ARTISTS; EAGLE-LION; MIRISCH CORPORATION; JAMES BOND IN FILMS; BROCCOLI, ALBERT R.; CHAPLIN, CHARLES; KRAMER, STANLEY; LANCASTER, BURT; GRIMALDI, ALBERTO; FIDDLER ON THE ROOF (US, Norman Jewison, 1971); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); MARTY (US, Delbert Mann, 1954); MOON IS BLUE, THE (US, Otto Preminger, 1953)
Notes: Includes indexes; Bibliography: p. 403-421
ISBN: 0299114406 : $32.50
LON: 5464312

Call No: 81CHA LUF
Author: Luft, Friedrich
Place: Berlin : Rembrandt Verlag, 1957
PhysDes: 63 p. ; 19 cm
Subject: CHAPLIN, CHARLES
LON: abn98412512; 14292776

Call No: 802.27 BOG
Author: Bogdanovich, Peter
Edition: 2005
Place: London
Publisher: Faber and Faber Limited
PubDate: 2004
PhysDes: 528 pages ; illustrated ; 20 cm
Subject: ACTING; BOGDANOVICH, PETER; GISH, LILLIAN; BOGART, HUMPHREY; BRANDO, MARLON; ADLER, STELLA; CLIFT, MONTGOMERY; GRANT, CARY; LEMMON, JACK; LEWIS, JERRY; MARTIN, DEAN; MINEO, SAL; Stewart, James; WAYNE, JOHN; FONDA, HENRY; KARLOFF, BORIS; CASSAVETES, JOHN; CHAPLIN, CHARLES; CAGNEY, JAMES; DIETRICH, MARLENE; Perkins, Anthony; SINATRA, FRANK; GAZARRA, BEN; HEPBURN, AUDREY; POITIER, SIDNEY; PHOENIX, RIVER; MONROE, MARILYN
Summary: From Peter Bogdanovich - director, screenwriter, actor, and cinema scholar - 26 fascinating portraits of Hollywood's most acclaimed movie actors and actresses: stars whom he has known, admired, and occasionally worked with. Within these pages is Bogdanovich on Charlie Chaplin, Humphrey Bogart, Audrey Hepburn, James Cagney, John Wayne, Henry Fonda, Marlene Dietrich, Jack Lemmon, Boris Karloff, Dean Martin, Marilyn Monroe, James Stewart, Frank Sinatra, and many more. With an acute and affectionate eye, Bogdanovich shows us Lillian Gish, the first virginal hearth goddess of the silver screen; Marlon Brando, refusing to play the same from one picture to the next, yet ever recognisable as the great actor, in spite of himself; Jerry Lewis, whose goofy comedy represented the nine-year-old in all of us; and Cary Grant, the epitome of screen elegance, benignly aware that in life even he could never live up to his own legend. Bogdanovich captures brilliantly - in their own words and his - the personality, the work, the style and the enduring iconic appeal of America's movie greats. -- publisher's web site
ISBN: 9780571224319
Donation: James Sabine

Author: Rees, Sidney; Waters, Don
CorpAuthor: Society for Education in Film and Television
Edition: rev.
Source: UK
Place: London
Publisher: Society for Education in Film and Television
PubDate: 1963
PhysDes: 20 p. ; 20 cm
Subject: DICKSON, W. K. L.; EDISON, THOMAS ALVA; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; HEPWORTH, CECIL; PAUL, ROBERT; PICKFORD, MARY; REYNAUD, EMILE; SENNETT, MACK
Donation: donated by the family of Wayne Levy, 2006