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Call No: N79BRI WAU
Author: Waugh, Alec
Source: UK
Place: London
Publisher: W. H. Allen
PubDate: 1975
PhysDes: 188 p. ; 18 cm
Subject: BRIEF ENCOUNTER (UK/US, Alan Bridges, 1974)
Notes: Based on Carlo Ponti's film (screenplay by J. Bowen) of the play by N. Coward
ISBN: 0352300663
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIEF ENCOUNTER (UK, David Lean, 1945)
ID2: 224

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIEF ENCOUNTER (UK/US, Alan Bridges, 1974)

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: 81LEA SIL
Author: Silver, Alain; Ursini, James; Wise, Robert (foreword)
Edition: 1st Silman-James Press edition 1992
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1992
PhysDes: 294 p. : ill. ; 23 cm
Subject: Lean, David; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942); THIS HAPPY BREED (UK, David Lean, 1944); BLITHE SPIRIT (UK, David Lean, 1945); BRIEF ENCOUNTER (UK, David Lean, 1945); GREAT EXPECTATIONS (UK, David Lean, 1946); OLIVER TWIST (UK, David Lean, 1948); MADELEINE (UK, David Lean, 1950); BREAKING THE SOUND BARRIER (UK, David Lean, 1952); SOUND BARRIER, THE (UK, David Lean, 1952); HOBSON'S CHOICE (UK, David Lean, 1954); PASSIONATE FRIENDS, THE (UK, David Lean, 1949); SUMMER MADNESS (UK/US, David Lean, 1955); SUMMERTIME (UK/US, David Lean, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LAWRENCE OF ARABIA (UK, David Lean, 1962); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); RYAN'S DAUGHTER (UK, David Lean, 1970); PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURB
Notes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266
ISBN: 1879505002
Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --

Call No: 408.1(41) HUN
Author: Hunter, Jefferson
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xii, 357 p. ; 23 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. ORWELL, GEORGE; BRITISH CINEMA; CRIME DRAMAS; LITERATURE AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA. UNITED KINGDOM; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS. UK; BRIEF ENCOUNTER (UK, David Lean, 1945); CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); LOOK BACK IN ANGER (UK, Tony Richardson, 1959); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986)
Summary: "Jefferson Hunter examines English films and television dramas as they relate to English culture in the twentieth century. He traces themes such as the influence of US crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward also leads to a discussion of music and image in works including Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day." - BOOK BLURB
Notes: Includes notes and index
ISBN: 9780253221773

Call No: 747.5 EVE
Author: Everson, William K.
Source: US
Place: Seacaucus
Publisher: Citadel Press
PubDate: 1979
PhysDes: 251 p. : ill. ; 29 cm
Subject: ALGIERS (US, John Cromwell, 1938); ANNIE HALL (US, Woody Allen, 1977); BERKELEY SQUARE (US, Frank Lloyd, 1933); BRIEF ECSTASY (UK, Edmond T. Greville, 1937); BRIEF ENCOUNTER (UK, David Lean, 1945); CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920); DADDY LONG LEGS (US, Jean Negulesco, 1955); DESIRE (US, Frank Borzage, 1936); DON JUAN (US, Alan Crosland, 1926); ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933); FIRST LOVE (US, Henry Koser, 1939); HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933); HOT SATURDAY (US, William A. Seiter, 1932); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LOST HORIZON (US, Frank Capra, 1937); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944)
ISBN: 080650644X
Donation: donated by the family of Wayne Levy, 2006

Call No: 792(41) MAS
Copy Management: Copy 1; Copy 2
Place: London
Publisher: Lorimer
PubDate: 1974
PhysDes: 352 p. : ill. ; 21 cm
Subject: BRIEF ENCOUNTER (UK, David Lean, 1945); THIRD MAN, THE (UK, Carol Reed, 1949); SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949)
ISBN: 0856470392 : ª3.50
LON: 266062

Call No: 79 BRI MCF
Author: Mcfarlane, Brian
Edition: 2019
Place: Manchester
Publisher: Manchester University Press
PubDate: 2019
PhysDes: xii,120 pages : illus ; 24 cm
Subject: BRIEF ENCOUNTER (UK, David Lean, 1945); BRIEF ENCOUNTER (UK/US, Alan Bridges, 1974)
Summary: This is a book for all those who have been absorbed and moved by Brief Encounter in the seventy or so years since its first appearance. It explores the central relationship of the film, where two people who fall unexpectedly in love come to realise that there is more to life than self-gratification. Mores have undoubtedly changed, for better or worse, but that essential moral choice has never lost its power. While acknowledging this, the book goes further in an effort to account for the way the film has passed into the wider culture. People born decades after its first appearance are now adept at picking up references to it, whether a black-and-white scene in a much later film or a passing joke about a bald man in a barber's shop. -- publisher's web site
ISBN: 9781526124401
Donation: Donated by the author
Contents: Introduction / 1 Predecessors / 2 Brief Encounter in 1945 / 3 In the wake / 4 Descendants - on radio, stage and screen / 5 Quotations / 6 Echoes / 7 From big screen to small - and elsewhere / 8 Odds and ends / 9 What is it about railway stations? / Conclusion / Index

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 71(410) MUR
Author: Murphy, Robert
Source: US/UK
Place: London; New York
Publisher: Routledge
PubDate: 1992
PhysDes: xiii, 278 pages : illustrations ; 24 cm
Series: Cinema and society series
Subject: BRITAIN; BRIEF ENCOUNTER (UK, David Lean, 1945); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942); LIFE AND DEATH OF COLONEL BLIMP, THE (UK, Michael Powell & Emeric Pressburger, 1943); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944); PASSIONATE FRIENDS, THE (UK, David Lean, 1949); GILLIAT, SIDNEY
Summary: "Robert Murphy examines critically despised genres such as melodrama, gangster films, black thrillers, comedies, and costume pictures, finding them more immediately relevant to the desires and aspirations of the wartime audience than the cosy reassurance of 'realist' films. He shows that the conflict between ' realism' and 'tinsel' is not the simple dichotomy it might appear, and that the heritage of British cinema in the 1940s is much richer and more valuable than has hiterhto been realised." -- taken from back cover
Notes: Includes bibliographical references (p. 260-265) and indexes
ISBN: 0415076846
Contents: List of Illustrations -- General Editor's Preface -- Acknowledgements -- Introduction -- 1 Britain Alone -- 2 War Culture -- 3 Realism and Tinsel -- 4 The Rank Empire -- 5 Great Expectations -- 6 Passionate Friends? -- 7 Exotic Dreams -- 8 The Spiv Cycle -- 9 Morbid Burrowings -- 10 Nothing to Laugh at at All -- 11 Challenge to Hollywood -- Conclusion -- Chronology: Cinema and Society in the Forties -- Notes -- Bibliography -- Index of Film Titles -- General Index

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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