Search Catalogue

Call No: TITLE CLIPPINGS FILE VISIT, THE (US, M. Night Shyamalan, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: VISIT, THE (US, M. Night Shyamalan, 2015)
Rating: 3 out of 5 stars

Author: Gow, G.
PhysDes: Article
Subject: HOPPER, DENNIS; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971)
Summary: Study of the career of actor Dennis Hopper and a review of "The American Dreamer". Notably, "The American Dreamer" is a documentary focused on Dennis Hopper as he made his second directorial endeavour with the film "The Last Movie" (which Hopper also wrote and acted in).

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: 81KIA
CorpAuthor: Iran Heritage Foundation
Source: UK
Place: London, UK
PubDate: 2005
PhysDes: 33 p ; 21 cm
Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989)
Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].
Notes: Programme booklet

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACUTE MISFORTUNE (AT, Thomas M. Wright, 2018)

Call No: P ACU
Place: AT
PubDate: 2018
PhysDes: 1 poster : colour ; 101 x 71 cm
Subject: ACUTE MISFORTUNE (AT, Thomas M. Wright, 2018)
Summary: Text: Based on Erik Jensen's award-winning biography of Adam Cullen "An enthralling, complex triumph. The best and most interesting Australian biopic since chopper." The Guardian (this quote is preceded by five stars) There are also four ceremonial wreathes in a row in the middle of the poster: MIFF Winner - The Age Critics Prize, ScreenDaily Best Films of the Year, The Monthly Awards Best Films of the Year, ARIA Awards 2018 Nomination Best Soundtrack Album Image: A man sits on a chair in front of a paint-splattered wall. The head and neck portion of his body is missing.
Notes: Five copies. Four of the copies have a content rating sticker on the lower left corner; one of the copies has a printed content rating sticker on the lower right corner. One of the copies (the copy with the sticker on the lower right corner) has a different texture than the other four copies. There are markings, creases, tears, and worn edges across all five of the copies to varying degrees.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER EARTH (US, M. Night Shyamalan, 2013)

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: ALAMBRISTA! (US, Robert M. Young, 1980)

Author: Enker, Debi
PhysDes: Article
Subject: EXTREMITIES (US, Robert M. Young, 1986)
Summary: Review

Call No: 81ALT THO
Author: Altman, Robert and Thompson, David
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2005
PhysDes: xxii, 306p. ; b+w ill. : 22cm.
Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985)
Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
Notes: Includes index and bibliography
ISBN: 0571220894

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M SO EXCITED! [AMANTES PASAJEROS, LOS] (SP, Pedro Almodovar, 2013); I'M SO EXCITED! [AMANTES PASAJEROS, LOS] (SP, Pedro Almodovar, 2013)

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971)

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CANNIBALS IN THE STREETS [APOCALYPSE DOMANI] (IT/SP, Anthony M. Dawson, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BABY M [TV] (US, James Steven Sadwith, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACK STREET (US, John M. Stahl, 1932)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1986
PhysDes: viii, 382 p. : ports. ; 24 cm
Subject: BENNETT, CHARLES; BURNETT, W. R.; BUSCH, NIVEN; CAIN, JAMES M; COFFEE, LENORE; DUNNE, PHILIP; EPSTEIN, JULIUS J.; GOODRICH, FRANCES; HACKETT, ALBERT; KRASNA, NORMAN; MAHIN, JOHN LEE; MAIBAUM, RICHARD; ROBINSON, CASEY; SCOTT, ALLAN; STEWART, DONALD OGDEN
Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work. The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.
Notes: Includes indexes; Bibliography: p. 349-364
ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)
LON: 85028949; 4218775

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983)

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

PhysDes: Article
Subject: BED, THE (IT, M.Massimo Tarantini)

Call No: 408.1(94) MOL
Author: Molloy, Bruce
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1990
PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; MYTH AND THE CINEMA; CINESOUND STUDIOS; CHAUVEL, CHARLES; BITTER SPRINGS (AT, Ralph Smart, 1950); HERITAGE (AT, Charles Chauvel, 1935); ON OUR SELECTION (AT, Ken G. Hall, 1932); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); DAD RUDD M.P. (AT, Ken G. Hall, 1940); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); IT ISN'T DONE (AT, Ken G. Hall, 1937); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SHIRALEE, THE (AT, Leslie Norman, 1957); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Includes index; Bibliography: p. [219]-229
ISBN: 0702222690 (pbk.)
LON: 6791823
Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSUCKING FREAKS (US, Joel M. Reed, 1982)

Call No: 409 NIC
Author: Nichols, Bill
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xvii, 187 p. ; 25 cm
Subject: ANTHROPOLOGY AND THE CINEMA; AUDIENCES; BODY IN FILMS; DOCUMENTARY FILMS; ETHNOGRAPHIC FILMS; MELODRAMA; NARRATIVE IN FILMS; SEMI-DOCUMENTARIES; SOCIAL HISTORY AND THE CINEMA; KING, RODNEY; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); REALISM ON TV; REALITY TV; RACIAL ISSUES ON TV; RACIAL ISSUES AND TV; TRUTH IN FILMS; VIOLENCE ON TV; WAR AND THE CINEMA; GULF WAR ON TV; ETHICS AND TV
Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURB
Notes: Includes bibliographical references (p. 149-182) and index
ISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)
LON: 10767942

Call No: 623.75 THO
Author: Thompson, Kristin, 1950
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1988
PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm
Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949)
Notes: Includes bibliographical references and index
ISBN: 0691067244 (alk. paper)
LON: 5669174
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE THE (UK/US, Lynette M. Myers & Eric Steel, 2006)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BUT I'M A CHEERLEADER (US, Jamie Babbit, 1999)
URL status: URL: 'http://file://Q:/T/BUT_I'M_A_CHEERLEADER.zip' Checked: 31/08/2021 1:05:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HOPPER, DENNIS; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971)
Summary: Article on the film THE AMERICAN DREAMER and how the film was a reflection of sorts of it's star Dennis Hopper and a collabaoration between him and the directors Lawrence Schiller and L M "Kit" Carson

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Author: Dicastri, Daphne
PhysDes: Article
Subject: M (G, Fritz Lang, 1931)
Summary: Credits; synopsis; ill.

Call No: 629 CON
Author: Conley, Tom
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2007
PhysDes: viii, 265 p. : ill. ; 23 cm
Subject: IMAGE ANALYSIS; CARTOGRAPHY AND THE CINEMA; BAZIN, ANDRE; DELEUZE, GILLES; RENOIR, JEAN; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); AMANTS, LES (FR, Louis Malle, 1958); CASABLANCA (US, Michael Curtiz, 1942); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); DESPERATE JOURNEY (US, Raoul Walsh, 1942); [FOUR HUNDRED] 400 BLOWS, THE [; GLADIATOR (US, Ridley Scott, 2000); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); HIGH SIERRA (US, Raoul Walsh, 1941); MISTONS, LES (FR, François Truffaut, 1957); PARIS QUI DORT (FR, Rene Clair, 1923); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]
ISBN: 0816643571
Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUGHT (US, Robert M. Young, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUSE TOUJOURS TU M`INTERESSES (FR, Edouard Molinaro, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CEUX QUI M'AIMENT PRENDRONT LE TRAIN (FR, Patrice Chereau, 1998)

Call No: 626:396 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham, NC
Publisher: Duke University Press
PubDate: 1998
PhysDes: xix, 419 p., [8] p. of plates : ill. ; 24 cm.
Subject: FEMINISM AND THE CINEMA; CRITICISM; RICH, B. RUBY; DAUGHTER RITE (US, Michelle Citron, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Summary: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks- with its definitive, the-way-it-was collection of essays - captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film crticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in major national publications, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but one of its key players as well. The first book-length work from Rich - whose stature and influence in the world of film criticism and theory continue to grow- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable. " -- BOOK BLURB
Notes: A collection of the author's essays from the 1970s and 1980s; Includes index
ISBN: 0822321211 (pbk. : alk. paper)
LON: 98012052; 13736840
Contents: acknowledgements -- preface: Jews without books xv, introduction p1 -- prologue. I found it at the movies p7-- 1: film in the sixties p13 -- prologue. Hippie chick in the Art World p19 -- 2: Carolee Schneemann's Fuses p27 -- prologue. Angst and Joy on the Women's Film Festival Circuit p29 -- 3: Leni Riefenstahl: the deceptive myth p40 -- prologue. Life, Death, and Tragic Homecoming p48 -- 4: Voodoo Verite: Maya Deren's Divine Horsemen p52 -- prologue. An Iguana, Some wolves, and the dawn of theory p57 -- 5: in the name of feminist film criticism p62 -- prologue. O brave new world p85 -- 6: One way or another: Sara Gomez and the Cuban experience p92 -- prologue. A women's declaration of secession from the avant-garde p103 -- 7: sex and the cinema p109 -- prologue. Love's labor lost p116 -- 8: Misconception: laboring under no illusions p121 -- prologue. Cows and hero-worship 125 -- 9: the films of Yvonne Rainer p129 -- prologue. Knokke-Heist and the Fury that was Edinburgh p156 -- 10: Designing desire: Chantal Akerman p169 -- prologue. Euphoria reclaims history p174 -- 11: From repressive tolerance to erotic liberation: Maedchen in Uniform p179 -- prologue. Softball, the goddess, and the lesbian film culture p207 -- 12: The right of re-vision: Michelle Citron's Daughter Rite p212 -- prologue, The allure of alchemy p220 -- 13: Femicide Investigation: Thriller p227 -- prologue. Sour Grapes p233 -- 14. She says, he says: the power of the narrator in modernist film politics p238 -- prologue. Sex, gender, and consumer culture p253 -- 15: Antiporn: soft issue, hard world (Not a Love Story?) p261 -- prologue. Unguided tours p274 -- 16: The feminist avant-garde p281 -- prologue. Attacking the sisters, or the limits of disagreement p386 -- 17: Cinemafeminism and its discontents p291 -- prologue. Libel threats and exile tactics p299 -- 18: Truth, faith and the individual: thoughts on U.S documentary film practice p305 -- Prologue. Disempoerment and the politics of rage p315 -- 19: Lady Killers: A question of silence p319 -- Prologue. Film star as outstanding human being p326 -- 20: Julie Christie goes to Washington p329 -- prologue: Blaming the victim p337 -- 21. Good girls, bad girls: Joyce Chopra's Smooth Talk p344 -- prologue. The berks and the sex wars p347 -- 22: Feminism and sexuality in the Eighties p350 -- Epilogue: charting the Eighties p376 -- notes p391 -- index 409 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CHILDREN OF THE DAMNED (UK, Anton M. Leader, 1963)

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA: THE PANDA ADVENTURE (US, Robert M. Young, 2001)

Call No: 62(081) COM
Author: Comolli, Jean-Louis
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2015
PhysDes: 345 pages : illustrations ; 24 cm.
Series: Film theory in media history
Subject: COMOLLI, JEAN-LOUIS; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; LUMIERE, AUGUSTE & LOUIS; MITRY, JEAN; STRAUB, JEAN-MARIE; VERTOV, DZIGA; WELLES, ORSON
Notes: Includes bibliographical references and index.
ISBN: 9789089645548
Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.

Call No: 81POW CHR
Author: Ian Christie; Andrew Moor
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 295 p. ; 24 cm
Subject: MASCULINITY IN FILMS; WOMEN IN FILMS; WAR FILMS. UK; Powell, Michael; PRESSBURGER, EMERIC; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); PEEPING TOM (UK, Michael Powell, 1960); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966)
Summary: The films of Michael Powell (1905-90) and Emeric Pressburger (1902-1988), among them I Know Where I’m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them ‘the most successful experimental film-makers in the world’). In this first ever collection of essays on Powell, an international group of scholars explore his film-making landscape, providing new readings of individual films, analysing recurrent techniques and themes, and relating these to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance. [Taken from back of book.]
ISBN: 1844570940

Author: Khoo, Olivia
PhysDes: Article
Subject: MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ASIANS AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; ETHICS AND THE CINEMA; JAMMED, THE (AT, Dee McLachlan, 2007); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); RA CHOI (AT, M. Frank, 2005)
Summary: This article examines the use of realist aesthetics in three Australian films, Dee McLachlan's The jammed (2007), Khoa Do's The Finished People (2003) and M. Frank's Ra Choi (2005) as a way of creating ‘value’ within the terms of an Australian national cinema. ‘These films, among other examples of an emergent Asian Australian cinema’, deploy techniques of realism to build an authenticity of experience for spectators, unfamiliar with seeing portrayals of Asian Australians on screen. This article will consider what is at stake in the accepted, and often replicated, relationship between multiculturalism and realism characterizing filmic representations of Asian Australians, and will shift the focus to explore the place of idealism in the creation of value. By examining the aesthetics of what I will call ‘multicultural realism’ I aim to consider how these stylistic strategies seek to politicize certain representations over others in the films' attempt to build an alternative vision of the Australian nation and its diasporic constituents. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1

Call No: 738.66 CIN
Author: McLean, Adrienne L. (ed.)
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2014
PhysDes: x, 272 p. ; 24 cm ;
Subject: DOGS IN MOTION PICTURES; LASSIE COME HOME (US, Fred M. Willcox, 1943); BABE (AT, Chris Noonan, 1995); BABE: PIG IN THE CITY (AT, George Miller, 1998); THING, THE (US, John Carpenter, 1982); HITCHCOCK, ALFRED; RED DOG (AT, Kriv Stenders, 2011); [EIGHT] 8 BELOW (US, Frank Marshall, 2006); SOUTH AFRICA; ANTARCTICA
Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century. The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed. Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web site
ISBN: 9780813563558
Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index

Call No: 753.1 MUR
Author: Murray, Edward
Source: US
Place: New York
Publisher: Frederick Ungar Publishing Co.
PubDate: 1972
PhysDes: xi, 330 p. ; 22cm.
Subject: ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. HEMINGWAY, ERNEST; ADAPTATIONS. MILLER, ARTHUR; ADAPTATIONS. O'NEILL, EUGENE; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; ADAPTATIONS. WOOLF, VIRGINIA; EXPRESSIONISM; LITERATURE AND THE CINEMA; THEATRE AND THE CINEMA; BRECHT, BERTOLT; EISENSTEIN, SERGEI M.; FAULKNER, WILLIAM; FITZGERALD, F. SCOTT; GREENE, GRAHAM; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ANNA CHRISTIE (US, Clarence Brown, 1930); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); SOUND AND THE FURY, THE (US, Martin Ritt, 1959)
Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.
Notes: Includes bibliographic details
ISBN: 0804426430

Author: Arnwine, Clark & Lerner, Jesse (guest editors)
PhysDes: Article
Subject: LANDSCAPES IN FILMS; ARCHITECTURE AND THE CINEMA; TRAFFIC IN SOULS (US, George Loane Tucker, 1913); M (G, Fritz Lang, 1931)
Summary: A whole Wide Angle edition dedicated to cityscapes, urban landscapes, and architecture in cinema.
Notes: For Cityscapes II see Wide Angle Vol. 20 Iss. 3

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: CLUSTER (NE/US/UK, Zachary M. Newmark, 2010)
Cross Reference: CLUSTER

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 741.9(73) COL
Author: Rollins, Peter C.
Edition: 1st ed.
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2003
PhysDes: xxi, 671 p. : ill. ; 26 cm
Subject: USA; USA. 1895-1930; USA. 1920's; USA. 1927-32; USA. 1930's; USA. 1940's; USA. 1950's; USA. 1960's; USA. 1970's; NIXON [RICHARD M.] IN FILMS
Notes: Includes bibliographical references and index.
ISBN: 023111222X
Donation: Donated by Senses Of Cinema, 2009
Contents: I. Eras-- The Puritan Era and the Puritan Mind-- The 1890s -- The 1920s --The 1930s -- The 1960s -- The 1970s -- The 1980s -- II. Wars and Other Malor Events --The American Revolution -- The Civil War and Reconstruction -- The Cold War-- The Korean War -- The Mexican-American War and the Spanish-American War --The Vietnam War -- Westward Expansion and the Indian Wars -- World War I -- World War-- II: Documentaries -- World War II: Feature Films -- III. Notable People -- The Antebellum Frontier Hero --Christopher Columbus-- The Founding Fathers -- Indian Leaders -- The Kennedys -- Abraham Lincoln --Richard Nixon -- Franklin and Eleanor Roosevelt -- Babe Ruth and Lou Gehrig -- Harry S. Truman -- George Washington -- IV. Groups -- African Americans After World War II-- Arab Americans-- Asian Americans-- Catholic Americans -- Children and Teenagers in the Twentieth Century -- Irish Americans -- Italian Americans--Jewish Americans -- Mexican Americans --Native Americans -- Radicals and Radicalism-- Robber Barons, Media Moguls, and Power Elites -- Women from the Colonial Era to 1900 -- Women in the Twentieth Century-- V. Institutions and Movements -- Baseball -- City and State Government -- Civil Rights-- Congress -- The Family -- Football -- Journalism and the Media -- The Labor Movement and the Working Class--Militias and Extremist Political Movements --The Political Machine -- The Presidency After World War II -- Private Schools -- Public High Schools -- VI. Places -- The Midwest -- The "New" West and the New Western -- New York City--The Sea -- The Small Town -- The South -- Space -- Suburbia -- Texas and the Southwest -- The Trans-Appalachian West -- VII. Themes and Topics -- Crime and the Mafia -- Drugs, Tobacco, and Alcohol -- Elections and Party Politics -- Feminism and Feminist Films-- Railroads --Sexuality -- Slavery -- VIII. Myths and Heroes -- The American Adam-- The American Fighting Man -- Democracy and Equality -- The Frontier and the West -- Hollywood's Detective-- The Machine in the Garden -- Success and the Self-Made Man.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: COMBIEN TU M'AIMES? (FR, Bertrand Blier, 2005); HOW MUCH DO YOU LOVE ME? (FR, Bertrand Blier, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: COMMANDO MENGELE (FR, A. M. Frank Drew White, 1987)

Call No: 81 EIS EIS
Author: Hetherington, John
CorpAuthor: [Avant-Scene Cinema, Paris]
Edition: 1972
Place: New York
Publisher: E.P. Dutton
PubDate: 1974
PhysDes: 156 pages : illustrated ; 21 cm
Subject: EISENSTEIN, SERGEI M.; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); BEZHIN LUG (UR, Sergei Eisenstein, 1937)
Donation: Megan McMurchy
Contents: The Close-up (unpublished essay by Eisenstein) -- Filmography, biography and bibliography -- Gloumov's Diary -- Strike -- The Battleship Potemkin -- October --The General Live -- Que Viva Mexico -- Bezhin Meadow -- Alexander Nevsky -- The Fergan Canal -- Ivan the Terrible.

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Review of the film SPLIT
Rating: 3.5 out of 5 stars

Call No: 626:396 GRE
Author: Green, Philip, 1932
Place: Amherst
Publisher: University of Massachusetts Press
PubDate: c1998
PhysDes: viii, 262 p. : ill. ; 25 cm
Subject: GENDER AND THE CINEMA. USA; FEMINISM AND THE CINEMA. USA; FILM NOIR. USA; CREED, BARBARA; MULVEY, LAURA; STONE, SHARON; ALIENS (US, James Cameron, 1986); BASIC INSTINCT (US, Paul Verhoeven, 1992); FATAL ATTRACTION (US, Adrian Lyne, 1987); FURNESS, DEBORRA-LEE; GILDA (US, Charles Vidor, 1946); IMPULSE (US, Sandra Locke, 1990); LAST SEDUCTION, THE (US, John Dahl, 1994); MS 45 (US, Abel Ferrara, 1981); NORMA RAE (US, Martin Ritt, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); RIVER WILD, THE (US, Curtis Hanson, 1994); SHAME (AT, Steve Jodrell, 1988); SHAME [TV] (US, 1992); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); THELMA & LOUISE (US, Ridley Scott, 1991); VANISHING, THE (US, George Sluizer, 1993); SPOORLOOS (NE/FR, George Sluizer, 1988)
Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist critics
Notes: Includes bibliographical references (p. [213]-248) and index
ISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)
LON: 13262384
ID2: 290

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY RICH ASIANS (US, Jon M. Chu, 2018)

Call No: S CRA
Author: Chiarelli, Peter; Lim, Adele
Source: US
Place: California
Publisher: Warner Bros. Entertainment
PubDate: 2018
PhysDes: 136 pages, 30cm
Subject: CRAZY RICH ASIANS (US, Jon M. Chu, 2018)
Notes: Published script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRIMINALI DELLA GALASSIA, I (IT, Anthony M. Dawson, 1965)

Author: Lamond, Julianne
PhysDes: Article
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; AUDIENCES. AUSTRALIA; HALL, KEN G.; DAD RUDD M.P. (AT, Ken G. Hall, 1940)
Summary: This article contextualizes Ken G. Hall's 1940 film Dad Rudd, M.P. with the history of Dad Rudd, a fictional character who pervaded Australian popular culture throughout the first half of the twentieth century. It argues that the fiction, theatre, film, cartoon and radio narratives in which he appeared have been instrumental in the creation of the idea of a pupular Australian audience that can be defined in relation to a particular set of national symbols. Addressing Hall's film as well as the promotional material and public debate surrounding it, the article demonstrates that conceptualizations of an Australian national audience have been influenced by the genres and narratives of popular culture, historical circumstance and American cultural production. --Abstract

Call No: 630.1 DEC
Author: Brunette, Peter; Wills, David
Source: US
Place: Cambridge; New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xi, 314 pages : illustrations ; 26 cm
Series: Cambridge studies in new art history and criticism
Subject: DERRIDA, JACQUES; EISENSTEIN, SERGEI M.; ANDY HARDY IN FILMS; BEVERLY HILLS COP (US, Martin Brest, 1984)
Summary: "Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television, and architecture. Working with the ideas of French philosopher Jacques Derrida, these essays explore the full range of his analyses, from Of Grammatology and The Truth in Painting to recent discussions on photography and drawing." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 052144781X
Donation: Adrian Miles
Contents: Introduction -- The spatial arts : an interview with Jacques Derrida / Peter Brunette and David Wills -- Color has not yet been named : objectivity in deconstruction / Stephen Melville -- Light in painting : dis-seminating art history / Mieke Bal -- The dissimulation of painting / Marie-Claire Ropars-Wuilleumier -- The heuristics of deconstruction / Gregory I. Ulmer -- Impure mimesis, or the ends of the aesthetic / D.N. Rodowick -- Starting out from the frame (vignettes) / Jean-Claude Lebensztejn -- Modernity again : the museum as trompe l'oeil / Donald Preziosi -- Brushed path, slate line, stone circle : on Martin Heidegger, Richard Long, and Jacques Derrida / Herman Rapaport -- Frank Stella and Jacques Derrida : toward a postmodern ethics of singularity / Charles Altieri -- Sketch : counterpoints of the eye : hand-eye coordination : translation and ... / John P. Leavey, Jr. -- The domestication of the house : deconstruction after architecture / Mark Wigley -- Tabbles of bower / Jennifer Bloomer -- Cinema-graphia : Eisenstein, Derrida, and the sign of cinema / Laura R. Oswald -- Hermes goes Hollywood : disarticulating the cops 'n' robbers genre / Tom Conley and John M. Ingham -- The signature experiment finds Andy Hardy / Robert B. Ray -- Sending postcards in TV land / Richard Dienst.

Call No: 620 DEL BOG
Author: Bogue, Ronald
Source: US
Place: New York
Publisher: Routledge
PubDate: 2003
PhysDes: x, 231 p. ; 24 cm.
Subject: BAZIN, ANDRE; DELEUZE, GILLES; CASSAVETES, JOHN; CHAPLIN, CHARLES; EISENSTEIN, SERGEI M.; FELLINI, FEDERICO; GODARD, JEAN-LUC; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; ROUCH, JEAN; WELLES, ORSON
Summary: This text provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.
Notes: Includes bibliographical references (pages 219-222) and index.
ISBN: 0415966043
Donation: Estate of Adrian Miles
Contents: Ch. 1. Bergson and Cinema; Deleuze's Bergson; Three Bergsonian Theses on Movement; Image, Movement, Matter, Light; The Three Movement-Images --Ch. 2. Frame, Shot, and Montage; Frame and Shot; Montage: Organic and Dialectic; Montage: Quantitative and Intensive --Ch. 3. Eighteen Signs (More or Less); Peirce and Signs; The Perception-Image; The Affection-Image; The Impulse-Imag; The Action-Image; The Reflection-Image; The Relation-Image --Ch. 4. Hyalosigns: Crystals of Time; Opsigns; Mnemosigns and Onirosigns; Hyalosigns; Crystalline States --Ch. 5. Chronosigns: The Order of Time and Time as Series; Sheets of the Past, Peaks of the Present; Robbe-Grillet, Welles, and Resnais; Powers of the False; Rouch's Ethnofictions; Bodies and Categories --Ch. 6. Noosigns and Lectosigns: Image and Thought, Sight and Sound; The Classic Image of Thought; The Thought of the Outside; The Spiritual Automaton; Silent and Audible Lectosigns; The Modern Lectosign; A Note on Cinema, Theater, and Television.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIAL M FOR MURDER (US, Alfred Hitchcock, 1954)

Call No: 753DIC ZAM
Author: Zambrano, A. L
Place: New York
Publisher: Gordon Press
PubDate: 1976
PhysDes: 442 pages : illustrations ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; LITERATURE AND THE CINEMA; MUSICALS; SURREALISM AND THE CINEMA; THEATRE AND THE CINEMA; GRIFFITH, DAVID WARK; EISENSTEIN, SERGEI M.; DAVID COPPERFIELD (US, George Cukor, 1935); GREAT EXPECTATIONS (UK, David Lean, 1946); GREAT EXPECTATIONS (UK, Joseph Hardy, 1975); OLIVER TWIST (UK, David Lean, 1948); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.
Notes: Includes filmography -- collection's copy is fragile, handle with care
ISBN: 0879684569
LON: 76016479; 174074

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Interview with M. Night Shyamalan where he discusses the making of the film SPLIT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR M (FR/GW/IT, Claude Chabrol, 1990)

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: DOMINICK AND EUGENE (US, Robert M. Young, 1988)

Call No: TITLE CLIPPINGS FILE; I'M A CELEBRITY..GET ME OUT OF HERE [TV](AT, 2015 - )
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Review of the 2017 series of I'M A CELEBRITY...GET ME OUT OF HERE!

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: PERSONALITY CLIPPINGS FILE; EISENSTEIN, SERGEI M.
Author: Goodwin, James
PhysDes: Article
Subject: RELIGION IN FILMS; EISENSTEIN, SERGEI M.
Summary: Goodwin examines Sergei Eisenstein's thinking on ecstasy within his practices as a graphic artist, particularly in the form of contour drawing, and in his films. He establishes a more intimate connection between Eisenstein and the intellect and imagination at work in James Joyce's "Ulysses," beyond the novel's most apparent stylistic and structural properties. The principal sites for this connection are to be found in the thematics of contemporary Hebraism and scenes of profane ritual. -- article abstract provided by publisher

Call No: 81EIS ROB
Author: Robertson, Robert
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xii, 239 p. : ill. ; 23 cm
Series: International library of cultural studies; 5
Subject: SOUND; PERCEPTION; EISENSTEIN, SERGEI M.; MEYERHOLD, VSEVOLOD; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932])
Summary: "An introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema (the interaction of music, sound and film)."TAKEN FROM BACK COVER
ISBN: 9781848857315
Contents: -- General Editor's Preface -- List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Chapter 1: Audiovisual Counterpoint -- Chapter 2: Organic Unity -- Chapter 3. Nonindifferent Nature -- Chapter 4. Synaesthesia -- Notes -- Bibliography -- A note on the versions of Einstein's films consulted -- Index --

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: EISENSTEIN, SERGEI M.

PhysDes: Article
Subject: BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983); EMBASSY ROADSHOW; YOUNG, ROBERT
Summary: Article on the deal between Embassay pictures and director Robert Young.

Call No: 631 CHA
Author: Charney, Leo
Place: Durham, London
Publisher: Duke University Press
PubDate: 1998
PhysDes: ix, 189 pages ; 25 cm
Subject: PHILOSOPHY AND THE CINEMA; AESTHETICS; PERCEPTION; SURREALISM AND THE CINEMA; UNCANNY GAZE; MUYBRIDGE, EADWEARD; DULAC, GERMAINE; BRETON, ANDRE; HUSSERL, EDMUND; HEIDEGGER, MARTIN; SAUSSURE, FERDINAND DE; EISENSTEIN, SERGEI M.; EPSTEIN, JEAN
Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- Blurb
Notes: Includes notes, bibliography and index
ISBN: 0822320908
Donation: Adrian Miles
Contents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ENDANGERED SPECIES (KE/US, M.J. Bassett, 2021)

Call No: TITLE CLIPPINGS FILE; KAAKKAA MUTTAI (II, M. Manikandan, 2014)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: CROW'S EGG, THE [KAAKKAA MUTTAI] (II, M. Manikandan, 2014)
Summary: Film review
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXTREMITIES (US, Robert M. Young, 1986)

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE (US, Edward Zwick, 2008); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Call No: 747.7 STE
Author: Steimatsky, Noa
Edition: 2017
Place: New York
Publisher: Oxford Univesity Press
PubDate: 2017
PhysDes: 280 p. : illustrated ; 26 cm
Subject: FACE IN FILMS; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); ANTONIONI, MICHELANGELO; BARTHES, ROLAND; BAZIN, ANDRE; BENJAMIN, WALTER; BRESSON, ROBERT; EISENSTEIN, SERGEI M.; DREYER, CARL TH.; PROCES DE JEANNE D'ARC (FR, Robert Bresson, 1962); GODARD, JEAN-LUC; HITCHCOCK, ALFRED; SEDGWICK, EDIE; WARHOL, ANDY; OUTER AND INNER SPACE (US, Andy Warhol, 1965); WRONG MAN, THE (US, Alfred Hitchcock, 1957); FUNNY FACE (US, Stanley Donen, 1957)
Notes: The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration—these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but—especially in post-classical cinema—also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that—like faces in the world—it still enthralls us? -- publisher's web site
ISBN: 9780199863167
Contents: Acknowledgements -- Preface: Face Moving Image -- A Dispositif -- An Ur-Image -- The Face Against the Image -- Itineraries Chapter One: We Had Faces, Then -- Expressivity in the 1920s -- Joan of Arc, Inevitably -- The Face and its Voices -- Glamour/Anti-Glamour Chapter Two: Roland Barthes Looks at the Stars -- Towards “Visages et Figures,” and circa 1953 Excursus on the Face in Language -- Into the Movie Theater -- Ultra-Face Excursus on the Mask -- From Cult to Charm: Funny Face Chapter Three: Face-to-Face (with The Wrong Man) -- What Godard Saw -- What the Clerk Saw Excursus on Anthropometrics -- Not a Mirror, Not a Lamp Chapter Four: Pass/Fail: Screen Test, Apparatus, Subject -- The Antonioni Screen Test Excursus on the Portrait -- Outer and Inner Space, and the Pathos of Time -- Fail Better Chapter Five: In Reticence (Bresson) -- The Epidermal and the Written -- The Image Against the Face -- Not an Open Book, but a Door Ajar -- Postface: The Two-Shot: Inherent

Author: Chilvers, Keith
PhysDes: Article
Subject: AMERICA: FROM HITLER TO M-X (US, Joan Harvey, 1983)
Notes: Listing of all recomended feature and short films seen by the National Viewing Sessions Committee for Spring 1984

Call No: 626:396 HUM
Author: Humm, Maggie
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 1997
PhysDes: x, 246 p. ; 24 cm
Subject: FEMINISM AND THE CINEMA; AUTEUR THEORY; ETHNIC GROUPS IN FILMS; POSTMODERNISM AND THE CINEMA; CRONENBERG, DAVID; MULVEY, LAURA; KUHN, ANNETTE; KAPLAN, E. ANN; ALTHUSSER, LOUIS; ROSE, JACQUELINE; WOOLF, VIRGINIA; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); DEAD RINGERS (CN, David Cronenberg, 1988); KLUTE (US, Alan J. Pakula, 1971); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
ISBN: 0748609008
Order Received: 1998
LON: abn97233530; 13317515

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 62 DEN
Author: DeNitto, Dennis; Herman, William
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1975
PhysDes: xii, 543 p. : ill. ; 24 cm
Subject: CRITICISM; NARRATIVE IN FILMS; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); M (G, Fritz Lang, 1931); RULES OF THE GAME, THE (FR, Jean Renoir, 1939); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RASHOMON (JA, Akira Kurosawa, 1950); RONDE, LA (FR, Max Ophuls, 1950); SEVENTH SEAL, THE (SW, Ingmar Bergman, 1957); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); WILD STRAWBERRIES (SW, Ingmar Bergman, 1957); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); JULES AND JIM (FR, Francois Truffaut, 1962); JULES ET JIM (FR, Francois Truffaut, 1962)
Notes: Bibliography: p. 527-536 Includes filmographies and index
ISBN: 002328370X
Contents: --Part one -- 1: viewing a film -- 2: interpreting a film -- Part two -- 3: the language of film -- 4: the rhetoric of film -- Part three -- 5: The Last Laugh, Murnau -- 6: The Gold Rush, Chaplin -- 7: M Lang -- 8: Grand Illusion, Renoir -- 9: The Rules of the Game, Renoir -- 10: Beauty and the Beast, Cocteau -- 11: Rashomon Kurosawa -- 12: La Ronde, Ophuls -- 13: The Seventh Seal, Bergman -- 14: Wild Strawberries, Bergman -- 15: Ashes and Diamonds, Wajda -- 16: L'avventura, Anotonioni -- 17: Il Posto, Olmi -- 18: Jules and Jim, Truffaut -- 19: Notes on Six films -- Biographies and filmographies -- bibliographies --index --
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Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; YASUJIRO OZU; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 71(47) TAY
Author: Taylor, Richard; Christie, Ian
Edition: 1988
Place: London
Publisher: Routledge
PubDate: 1988
PhysDes: 458 pages : illustrated ; 25 cm
Subject: USSR; KULESOV, LEV; MEYERHOLD, VSEVOLOD; KOZINTSEV, GRIGORI; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; SHKLOVSKY, VICTOR; SHUB, ESTHER; DOVZENKO, ALEKSANDR; PUDOVKIN, VSEVELOD; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS
ISBN: 9780415052986
Donation: Adrian Miles

Call No: 70"1" JAC
Author: Jacobs, Lea
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: [2015]
PhysDes: xii, 266 pages : illustrations, music ; 24 cm
Subject: DAWN PATROL, THE (US, Edmund Goulding, 1938); DIALOGUE; EISENSTEIN, SERGEI M.; HAWKS, HOWARD; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCARFACE (US, Howard Hawks, 1932); TWENTIETH CENTURY (US, Howard Hawks, 1934); WALT DISNEY PRODUCTIONS; SOUND
Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.
Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.
ISBN: 9780520279650
Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.

Call No: 62 MON
Author: Montagu, Ivor Goldsmid Samuel, 1904
Source: US
Place: Harmondsworth, England
Publisher: Penguin Books
PubDate: 1964
PhysDes: 327 pages : illustrations ; 18 cm
Subject: AESTHETICS; ART CINEMA; BUDGETING; CINEMATOGRAPHY; EDITING; INDUSTRY, FILM; REALISM IN FILMS; PRODUCTION COSTS; SCIENCE AND THE CINEMA; SOUND; SPECIAL EFFECTS; EISENSTEIN, SERGEI M.
Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]
Notes: Contains index
LON: nla07041764; 6387892
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; LIGHT OF THE MOON, THE (US, Jessica M. Thompson, 2017)
Author: Hogan, Jil
PhysDes: Clippings File Article
Subject: LIGHT OF THE MOON, THE (US, Jessica M. Thompson, 2017)
Summary: Interview with Australian filmmakers Carlo Velayo and Jessica M. Thompson about their film THE LIGHT OF THE MOON, which is screening at the 2017 South by Southwest Festival

Call No: 630.5 FRA
Author: Frampton, Daniel
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: 2006
PhysDes: 254 pages ; 22 cm
Subject: AESTHETICS; ARTAUD, ANTONIN; CAVELL, STANLEY; DELEUZE, GILLES; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; JULIEN DONKEY-BOY (US, Harmony Korine, 1999)
Summary: "Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike." - taken from publisher website.
Notes: "a manifesto for a radically new way of understanding cinema"--Cover. -- Includes bibliographical references (p. 214-247) and index
ISBN: 1904764843
Contents: 1. Film minds -- 2. Film-beings -- 3. Film phenomenology -- 4. Film neominds -- 5. Filmind -- 6. Film narration -- 7. Film-thinking -- 8. Filmgoer -- 9. Film writing -- 10. Filmosophy -- Conclusion

Call No: 412.53 MAL
Author: Malone, Peter
Edition: [1979]
Place: [Melbourne]
Publisher: Chevalier Press
PubDate: [1979]
PhysDes: 192 pages ; 20 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; POINT BLANK (US, John Boorman, 1967); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); EASY RIDER (US, Dennis Hopper, 1969); M*A*S*H (US, Robert Altman, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
ISBN: 0869400169
Donation: SFC Library
Contents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviews
AFIRC Location: Stacks

Call No: 71(520) CAZ
Author: Cazdyn, Eric
Source: US
Place: Durham, NC
Publisher: Duke University Press
PubDate: 2002
PhysDes: xii, 316 p. : ill. ; 23 cm
Subject: JAPAN; CAPITALISM AND THE CINEMA; POLITICS AND THE CINEMA. JAPAN; PORNOGRAPHIC FILMS. JAPAN; CRITICISM. JAPAN; ADAPTATIONS. JAPAN; YASUJIRO OZU; MIZOGUCHI KENJI; KUROSAWA AKIRA; KINUGASA TEINOSUKE; OSHII MAMORU; TSUKAMOTO SHINYA; OKUZAKI KENZO; IMAMURA, SHOHEI; OSHIMA NAGISA; YUKI YUKITE SHINGUN (JA, Hara Kazuo, 1987); ROJO NO REIKON (JA, M. Murata, 1924)
ISBN: 0822329395
Contents: I. Relation: Film, Capital, Transformation -- II. Historiography: Nation, Narrative, Capital -- III. Adaptation: Origin, Nation, Aesthetic -- IV. Acting: Structure, Agent, Amateur -- V. Pornography: Totality, Reality Culture, Films of History -- VI. Re-reading: Canon, Body, Geopolitics.
ID2: 291

Call No: 81 MUR SCH
Author: Schaub, Martin
Source: SW
Place: Zurich
Publisher: Pro Helvetica
PubDate: 1998
PhysDes: 47 p. : ill., ports. ; 30 cm
Subject: MURER, FREDI M

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Author: Clancy, Laurie
PhysDes: Article
Subject: LANG, FRITZ; M (G, Fritz Lang, 1931); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); BIG HEAT, THE (US, Fritz Lang, 1953); AUTEUR THEORY
Summary: Article on the films of Fritz Lang. Mentions the director's belief in auteurism and discusses various themes found throughout his work.

Call No: 701"00" HAS
Author: Haslem, Wendy
Edition: 2019
Place: Bristol
Publisher: Intellect
PubDate: 2019
PhysDes: 191 pages : illustrated ; 24 cm
Subject: COMPUTER GENERATED IMAGERY; COMPUTERS AND THE CINEMA; HISTORY OF CINEMA. SILENT PERIOD; MUYBRIDGE, EADWEARD; MELIES, GEORGES; BENJAMIN, WALTER; COLOUR; EISENSTEIN, SERGEI M.; MULVEY, LAURA; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902)
Summary: From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock’s films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014). -- publisher's web site
ISBN: 9781783209897
Contents: List of Illustrations -- Acknowledgements -- Introduction: Beginnings and Ends: Historical Collusion -- Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital Cinema -- Section I: Early Cinema: Colour and Spectrality -- Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters? -- Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten Thousand Times a Minute' -- Section II: Luminescence, Montage and Frame Ratios -- Chapter 4: Memory and Noir: Neon Contrasts -- Chapter 5: Cutting: Shock and Endurance -- Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age -- Section III: Cinema Beyond the Frame -- Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision -- Chapter 8: Ephemeral Screens: The Muybridgizer -- Bibliography -- Index

Author: Tessitore, John A.
PhysDes: Article
Subject: M (G, Fritz Lang, 1931)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRLFRIEND FROM HELL (US, Daniel M. Peterson, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLASS (US, M. Night Shyamalan, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: GRAUZONE (SZ, Fredi M. Murer, 1979)

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: English edition
Source: AT
Place: Melbourne, Australia
Publisher: Yiannoudes, Peter M.
PubDate: 2010
PhysDes: 190 p. : ill. ; 25 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Published by author; This is the English edition
ISBN: 9789963681204
Contents: -- acknowledgements -- dedication -- preface -- prologue -- chapter 1: the beginning is the half of everything -- chapter 2: Greek cinema and the Greek community -- chapter 3: beginning -- chapter 4: how and by whom were films brought to Australia -- chapter 5: our contacts with producers in Greece -- chapter 6: cinematic activities- new world film entertainment -- chapter 7: Greek film theatre venues -- chapter 8: screenings in the outback with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most popular films in Australia -- chapter 12: Greek artists and their tour in Australia -- chapter 13: video and cinema -- chapter 14: other non-Greek films -- chapter 15: Mikis Theodorakis in Australia -- finale -- appendix 1 -- appendix 2 -- epilogue -- bibliography -- photo index in Greek edition --

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: 1st
Source: AT
Publisher: Touch Editions
PubDate: 2009
PhysDes: 256 p. : ill. (some col.), 29 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 216) and index; Text and captions in Greek and English; This edition mainly in Greek
ISBN: 9789963681204
Contents: -- dedication -- a few words -- preface -- introduction -- chapter 1: a job started is half done -- chapter 2: Greek cinema and the Greek community -- chapter 3: the start -- chapter 4: importers of Greek films in Australia -- chapter 5: our contact people in Greece -- chapter 6: activities -- chapter 7: the venues where we screened Greek films -- chapter 8: moving around Australia with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most commercial and popular films -- chapter 12: Greek artists and their tours in Australia -- chapter 13: video vs. cinema -- chapter 14: importing non-Greek movies -- chapter 15: the tour of Mikis Theodorakis in Australia -- the end -- bibliography -- acknowledgements -- appendicies -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: GUNS AND THE FURY, THE (US, Tony M. Zarindast, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPENING, THE (US/ II, M. Night Shyamalan, 2008)

Call No: 226 NIE
Author: Nieland, Justus
Edition: 2020
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2020
PhysDes: 424 pages : illustrated ; 23 cm
Subject: ART DIRECTION; MODERNISM AND THE CINEMA; BARTHES, ROLAND; COMMUNICATIONS; DEREN, MAYA; EISENSTEIN, SERGEI M.; MCLUHAN, MARSHALL; VAN DER BEEK, STAN; WOLLEN, PETER
Summary: Happiness by Design offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers. Justus Nieland traces how Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age. -- publisher's web site
ISBN: 9781517902056
Contents: Contents -- Introduction -- 1. Happy Furniture: On the Media Environments of the Eames Chair -- 2. The Scale Is the World: Designer Pedagogy and Expanded Cinema -- 3. Management Cinema: Film, Communication, and Postwar World-Making in Aspen -- 4. Memories of Overdevelopment: The Vision Conferences and the Fate of Environmental Design -- 5. Designer Film Theory: Techniques of Happiness -- 6. Designer Film Theory, II: Media Pedagogy and Modernist Information Aesthetics -- Coda: The Norton Chair, Circa 1970: Trilling or Eames? -- Acknowledgments -- Notes -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAT (US, R. M. Richards, 1986)

Call No: 71(73) HAM
Author: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932
Place: London
Publisher: Noel Douglas
PubDate: 1932
PhysDes: 456 p., 125 p. of illus. 23 cm
Subject: BIOGRAPH; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CHAPLIN, CHARLES; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; HART, WILLIAM S.; HOLLYWOOD MEMORY IN FILMS; LAEMMLE, CARL; LASKY, JESSE; PARAMOUNT STUDIOS; PICKFORD, MARY; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SENNETT, MACK; ZUKOR, ADOLPH
LON: 13776404 13776404

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Call No: 81HIT HIT
CorpAuthor: St. Lucia University College
Source: AT
Place: Queensland
Publisher: University of Queensland
PubDate: 1966
PhysDes: 50 p. ; 24cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); ROPE (US, Alfred Hitchcock, 1948); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964)
Notes: Incudes festival programme

Author: Street, Sarah
PhysDes: Serial
Subject: SYMBOLISM IN FILMS; FEMININITY IN FILMS; HITCHCOCK, ALFRED; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); MARNIE (US, Alfred Hitchcock, 1964)
Summary: Looks at the symbolism of the "feminine object" of the handbag in Hitchcock's films; most notably in "Dial M for Murder", "Rear Window", "Vertigo", "Psycho", and "Marnie." Discusses the representation of femininity and the ways in which it can be used in a powerful, resourceful and often subversive manner in the context of the patriarchal, pre-second-wave-feminism society in which Hitchcock's films were made.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HOHENFEUER (SZ, Fredi M. Murer, 1985)

Call No: 744(=924)(73) GON
Author: Gonshak, Henry
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: [2015]
PhysDes: x, 357 pages : illustrations ; 24 cm
Series: Film and History
Subject: WORLD WAR II FILMS; WORLD WAR II FILMS. USA; WORLD WAR II AND THE CINEMA; JEWS IN FILMS. USA; JEWS AND THE CINEMA; HOLOCAUST IN FILMS; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); HITLER'S CHILDREN (US, Edward Dymtryk, 1943); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961); PAWNBROKER, THE (US, Sidney Lumet, 1964); CABARET (US, Bob Fosse, 1972); ODESSA FILE, THE (UK/GW, Ronald Neame, 1974); MARATHON MAN (US, John Schlesinger, 1976); BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MOTHER NIGHT (US, Keith Gordon, 1996); GREY ZONE, THE (US, Tim Blake Nelson, 2001)
Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the Introduction
Notes: Includes bibliographical references (pages 343-349) and index
Contents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?

Call No: 737(73) BIN
Author: Binns, Daniel
Edition: 2017
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect Books
PubDate: 2017
PhysDes: 172 pages : illustrated ; 23 cm
Subject: WAR FILMS. USA; VIETNAM WAR FILMS. USA; WORLD WAR II FILMS. USA; VIDEO GAMES; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COPPOLA, FRANCIS FORD; FULL METAL JACKET (UK, Stanley Kubrick, 1987); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); M*A*S*H (US, Robert Altman, 1969); PATTON (US, Franklin J. Schaffner, 1970); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); STEEL HELMET, THE (US, Samuel Fuller, 1951)
Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web site
ISBN: 9781783207541
Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
Author: Mathieson, Craig
PhysDes: Clippings
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Film review of SPLIT
Notes: This review was also published in the SUN HERALD 22/01/2017
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE VISIT, THE (US, M. Night Shyamalan, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: VISIT, THE (US, M. Night Shyamalan, 2015)
Rating: 3 out of 5 stars

Call No: N79 HOW SPE
Author: Spencer, Thos.E
Source: AT
Place: Windsor, Vic
Publisher: Currey O'Neil
PubDate: 1980
PhysDes: 293 p. : ill., port. ; 18 cm
Subject: HOW M'DOUGALL TOPPED THE SCORE (AT, V. Upton Brown, 1924)
Notes: First published: Sydney: NSW Bookstall, 1908
ISBN: 0855503106

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
URL status: URL: 'http://file://Q:/T/I'M_A_CELEBRITY_GET_ME_OUT_OF_HERE.TV.zip' Checked: 31/08/2021 1:29:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M DANCING AS FAST AS I CAN (US, Jack Hofsiss, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M DANGEROUS TONIGHT (US, Tobe Hooper, 1990)

Subject: I'M DEPENDENT YOU'RE ADDICTED (UK [BBC - TV] 1972)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M FROM HOLLYWOOD (US, Lynne Margulies, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M GONNA GIT YOU SUCKA (US, Keenen Ivory Wayans, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M LOSING YOU (US, Bruce Wagner, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M NO ANGEL (US, Wesley Ruggles, 1933)

Subject: I'M NO ANGEL (US, Wesley Ruggles, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M NOT A RAPPAPORT (US, Herb Gardner, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M NOT DEAD YET (AT, Janine Hosking, 2011)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: I'M NOT THERE (US/GW, TODD HAYNES, 2007)
URL status: URL: 'http://file://Q:/T/I'M_NOT_THERE.zip' Checked: 31/08/2021 1:15:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M SO LONESOME I COULD CRY (NZ, Michael Hurst, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M STILL ALIVE! A PERSON WITH AIDS TELLS HIS STORY (GW, Michael Aue, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M STILL HERE (US, Casey Affleck, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M THE ONE I WANT (US, Lionel Coleman, 2000)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M THINKING OF ENDING THINGS (US, Charlie Kaufman, 2020)
Cross Reference: I'M THINKING OF ENDING THINGS (US, Charlie Kaufman, 2020)

Call No: P IM
PhysDes: 1 poster : colour ; 69 x 100 cm
Subject: I'M WANITA (AT, Matthew Walker, 2021)
Summary: Image: Mid shot of a Warhol-style image of a female country singer with vintage microphone against purple background. Text: "F*#k everything, I'm going to Nashville"
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I'M WITH LUCY (US/FR, John Sherman, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M YOUR MAN (US, Bob Bejan & Bill Franzblau, 1992)

Call No: 761 HAM
Author: Hammond, Charles Montgomery
Place: New York
Publisher: Hastings House
PubDate: c1981
PhysDes: 285 p. : ports. ; 25 cm
Series: Communication arts books; Studies in public communication
Subject: CBS; DOCUMENTARIES; KENNEDY FAMILY ON TV; NBC TELEVISION NETWORK; NEWS PROGRAMMES; NIXON [RICHARD M.] ON TV; NON-FICTION PROGRAMMES; POLITICS AND TV; SOCIAL PROBLEMS ON TV; VIETNAM WAR ON TV
Summary: "During the volatile years of 1965-1975, television emerged as the single most potent medium for bringing truth to the American public. Unforgettably vivid images and thought-provoking, soul-stirring commentary came right into the living room, creating a new and exciting awareness of world events. Documentary became a form of television that could best speak the truth. The Image Decade describes the evolution of commercial network relevision news and theme documentary during those turbulent years, offering theory, criticism, history, and practical illustrations. Provocative analyses of the work of outstanding documentary producers and reporters at NBC, CBS and ABC are provided, revealing how these men and women brought the great domestic issues, scientific advances and space explorations, war stories from Vietnam, the Middle East and Northern Ireland, and the successive power struggles in Washington into the American home. Throughout this period, events both wonderful and terrible took place all over the world. Television was there to capture them, with the result that newsgathering became an essential public service offered by the networks. Television documentary took this service one step further by presenting an innovative visual manifestation of history. With its lively descriptions and informative appraisals, The Image Decade sheds a bright light on the major part television news and documentary has played in our lives." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 267-269
ISBN: 0803834322 (pbk.); 0803834314
LON: 1892916
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE HEIGHTS (US, Jon M. Chu, 2021)

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE I'M DANCING (UK/IE/FR, Damien O'Donnell, 2004)

Author: Colaciello, Robert
PhysDes: Article
Subject: CARSON, L.M. KIT; HOPPER, DENNIS; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971)
Summary: Robert Colaciello interviews Kit Carson on how he got involved with Dennis Hopper, what happened during filming "The American Dreamer", and the distribution of that film through EYR (college distributor)
Notes: Illustration

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: INVITATION, THE (US/HU, Jessica M. Thompson, 2022)

Call No: TITLE CLIPPINGS FILE; I'M A CELEBRITY..GET ME OUT OF HERE (AT, 2015 - )
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Damning review of the TV show I'M A CELEBRITY...GET ME OUT OF HERE

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 81REN BRA
Author: Braudy, Leo
Edition: 1st Edition
Source: US
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1972
PhysDes: 286 p. : ill. ; 22 cm
Subject: RENOIR, JEAN; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); MARSEILLAISE, LA (FR, Jean Renoir, 1938); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CHIENNE, LA (FR, Jean Renoir, 1931); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); BETE HUMAINE, LA (FR, Jean Renoir, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964); GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); ELENA ET LES HOMMES (FR, Jean Renoir, 1956); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961)
Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall vision
Notes: Bibliography: p. [272]-276 Filmography: p. 219-271 Includes index
ISBN: 0860510050
LON: 71171280; 558387

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSH AND S.A.M. (US, Billy Weber, 1993)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JUSTIN BIEBER'S BELIEVE (US, Jon M. Chu, 2013)
URL status: URL: 'http://file://Q:/T/BELIEVE.zip' Checked: 31/08/2021 1:33:49 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROW'S EGG, THE [KAAKKAA MUTTAI] (II, M. Manikandan, 2014)

PhysDes: Article
Subject: DAD RUDD M.P. (AT, Ken G. Hall, 1940); HALL, KEN G.; INDUSTRY, FILM. AUSTRALIA
Summary: Article and photograph of Ken Hall at a screening of 'Dad Rudd, M.P.'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLER FISH (BL/FR, Anthony M. Dawson [pseud. of Antonio Margheriti], 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I KNOW I'M NOT ALONE (US, Michael Franti, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I KNOW I'M NOT ALONE (US, Michael Franti, 2005)

Call No: 79IKN COO
Author: Cook, Pam
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 79p. : illus. :19cm.
Series: BFI film classics
Subject: I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945)
Notes: Includes notes, credits and bibliography
ISBN: 0851708145

Call No: 81 IKN BRI
Author: Eric Britton
Source: UK
Place: London
Publisher: Shakespeare Head
PubDate: 1947
PhysDes: 76, [10] p. : ill. ; 18 cm
Subject: I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); HILLER, WENDY; Powell, Michael; PRESSBURGER, EMERIC
Notes: At head of title: A production of the Archers; includes cast of characters, facts about the film, and notes on Roger Livesey, Wendy Hiller, Capt. Knight and Mr. Ramshaw the Golden Eagle.
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KOURASTIKA NA SKOTONO TOUS AGAPITIKOUS SOU (GR, NIKOS PANAYOTOPOULOS, 2002); I'M TIRED OF KILLING YOUR LOVERS (GR, Nikos Panayotopoulos, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KRZYSZTOF KIELSLOWSKI: I'M SO-SO... (DK, Krzysztof Wierzbicki, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LADY IN THE WATER (US, M Night Shyamalan, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LASSIE COME HOME (US, Fred M. Willcox, 1943)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST AIRBENDER, THE (US, M. Night Shyamalan, 2010)

Call No: TITLE CLIPPINGS FILE; AMANTES PASAJEROS, LOS [I'M SO EXCITED!] (SP, Pedro Almodovar, 2013)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: I'M SO EXCITED! [AMANTES PASAJEROS, LOS] (SP, Pedro Almodovar, 2013)
Summary: Review of film I'm So Excited! (it's original title is Los Amantes Pasajeros, but it isn't used in this review).
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAWERENCE. M, HANNA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAVE HER TO HEAVEN (US, John M. Stahl, 1945)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LEONARD COHEN: I'M YOUR MAN (US, Lian Lunson, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIGHT OF THE MOON, THE (US, Jessica M. Thompson, 2017)

Call No: 753 RIC
Author: Richardson, Robert D., 1934
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1969
PhysDes: ix, 149 p. 22 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. SHAKESPEARE, WILLIAM; LITERATURE AND THE CINEMA; POETRY AND THE CINEMA; AGEE, JAMES; EISENSTEIN, SERGEI M.; FELLINI, FEDERICO; GRIFFITH, DAVID WARK
Summary: "Beginning with the simple but possibly crucial observation that, in general, literature and film are storytelling arts, Mr. Richardson presents a lucid and straightforward analysis arguing that film and literature are not the entirely different, antithetical disciplines that they are widely held to be. He shows clearly the relationship of film to literature, outlining differences as well as similarities, and common goals as well as divergent aims appropriate to the two arts, demonstrating how each form and its associated criticism is frequently able to illuminate and enliven the other. A film's consciousness sharpens the reader's alertness to the visual and aural qualities that mark much great writing, and literary training, in turn, adds depth and perspective to appreciation of film. Mr. Richardson goes on to present some of the literary influences, such as the writings Dickens and Flaubert, that have significantly affected film since the era of D.W. Griffith, and he discusses film's major influences on modern literature. The author concludes with an extended exploration of the relationship of film to poetry, suggesting that while the two forms have been concerned with similar thematic material and make use of similar techniques, film has dealt more significantly with the question of how to find a humane, noncoercive order in life.
Notes: Bibliography: p. 133-142
ISBN: 0253148456
LON: 72085098; 589352

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOTTE EISNER IN GERMANY (US, S. M. Horowitz, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE AND A .45 (US, C.M. Talkington, 1994)

Call No: 747.5 EVE
Author: Everson, William K.
Source: US
Place: Seacaucus
Publisher: Citadel Press
PubDate: 1979
PhysDes: 251 p. : ill. ; 29 cm
Subject: ALGIERS (US, John Cromwell, 1938); ANNIE HALL (US, Woody Allen, 1977); BERKELEY SQUARE (US, Frank Lloyd, 1933); BRIEF ECSTASY (UK, Edmond T. Greville, 1937); BRIEF ENCOUNTER (UK, David Lean, 1945); CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920); DADDY LONG LEGS (US, Jean Negulesco, 1955); DESIRE (US, Frank Borzage, 1936); DON JUAN (US, Alan Crosland, 1926); ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933); FIRST LOVE (US, Henry Koser, 1939); HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933); HOT SATURDAY (US, William A. Seiter, 1932); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LOST HORIZON (US, Frank Capra, 1937); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944)
ISBN: 080650644X
Donation: donated by the family of Wayne Levy, 2006

Call No: 79M LAN
Author: Lang, Fritz, 1890-1976; Garnham, Nicholas
Place: London
Publisher: Lorrimer
PubDate: 1968
PhysDes: 108 p., [24] p. of plates : ill. ; 21 cm
Series: Classic film scripts ; 7
Subject: M (G, Fritz Lang, 1931)
ISBN: 0900855185
LON: 4299242

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M (AT, Geoffrey Wright, 2006)

PhysDes: Article
Subject: WORTHINGTON, SAM; M (AT, Geoffrey Wright, 2006)
Summary: Review of M. mentioned in '100 films you should see in 2006'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M (G, Fritz Lang, 1931)

Call No: 79 M LAN
Author: Deighan, Samm
Edition: 2019
Place: Leighton Buzzard
Publisher: Auteur
PubDate: 2019
PhysDes: 106 pages : illustrated ; 20 cm
Series: Devil's Advocates
Subject: M (G, Fritz Lang, 1931)
Summary: Fritz Lang’s first sound feature, M (1931), is one of the earliest serial killer films in cinema history and laid the foundation for future horror movies and thrillers, particularly those with a disturbed killer as protagonist. Peter Lorre’s child killer, Hans Beckert, is presented as monstrous, yet sympathetic, building on themes presented in the earlier German Expressionist horror films like The Cabinet of Dr. Caligari and The Hands of Orlac. Lang eerily foreshadowed the rising fascist horrors in German society, and transforms his cinematic Berlin into a place of urban terror and paranoia. Samm Deighan explores the way Lang uses horror and thriller tropes in M, particularly in terms of how it functions as a bridge between German Expressionism and Hollywood’s growing fixation on sympathetic killers in the ‘40s. The book also examines how Lang made use of developments within in forensic science and the criminal justice system to portray a somewhat realistic serial killer on screen for the first time, at once capturing how society in the ‘30s and ‘40s viewed such individuals and their crimes and shaping how they would be portrayed on screen in the horror films to come. -- publisher's web site
ISBN: 9781911325772
Donation: Senses of Cinema
Contents: Contents -- Introduction: Fire, Voices and Torment -- 1: A Murderer Among Us -- 2: In the Hall of the Mountain King -- 3: The Vampire of Düsseldorf and the Butcher of Hanover -- 4: While the City Sleeps -- 5: The Pleasure to End All Pleasures -- Bibliography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M.A.S.H (US, Robert Altman, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M*A*S*H [TV] (US, 1972-83)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: M. BUTTERFLY (US, David Cronenberg, 1993)
URL status: URL: 'http://file://Q:/T/M_BUTTERFLY.zip' Checked: 31/08/2021 12:57:21 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M IS FOR MAN, MUSIC, MOZART [TV] (UK, Peter Greenaway, 1991)

PhysDes: Article
Subject: WORTHINGTON, SAM; M (AT, Geoffrey Wright, 2006)
Summary: Interview with Sam Worthington and synopsis of the upcomming M.

Call No: 81MON WAY
Author: Wayne, Jane Ellen
Source: UK
Place: London
Publisher: Warner Books
PubDate: 1993, c1992
PhysDes: 241 p. ; 21 cm
Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; GABLE, CLARK; HUGHES, HOWARD; HUSTON, JOHN; LAWFORD, PETER; MILLER, ARTHUR; MONTAND, YVES; SCHENCK, JOSEPH M.; SIGNORET, SIMONE; SINATRA, FRANK; STRASBERG, LEE; ZANUCK, DARRYL F.; BUS STOP (US, Joshua Logan, 1956); MISFITS, THE (US, John Huston, 1961)
ISBN: 0751501131
Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006

Call No: N79MAS HOO
Author: Hooker, Richard
Source: UK
Place: London
Publisher: Sphere Books
PubDate: 1970
PhysDes: 190 p. ; 18 cm
Subject: M*A*S*H (US, Robert Altman, 1969)
ISBN: 0722146558

Call No: 792(430) MAS
Place: London
Publisher: Lorrimer Pub
PubDate: [1973]
PhysDes: 300 p. illus. 21 cm
Subject: DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); GOLEM, THE [; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); M (G, Fritz Lang, 1931)
ISBN: 085647021X
LON: 471685

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MATANGI/MAYA/M.I.A. (UK/US/CE, Steve Loveridge, 2018)

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Review of the film SPLIT
Rating: 3 out of 5 stars

Call No: 626:159.964.2 ZIZ
Author: Zizek, Slavoj
Place: London New York
Publisher: Verso
PubDate: 1994
PhysDes: vi, 221 p. ; 24 cm
Series: Wo es war
Subject: PSYCHOANALYSIS AND THE CINEMA; LYNCH, DAVID; LACAN, JACQUES; BLUE VELVET (US, David Lynch, 1986); M. BUTTERFLY (US, David Cronenberg, 1993); CRYING GAME, THE (UK, Neil Jordan, 1992); SHORT CUTS (US, Robert Altman, 1993)
Notes: Includes bibliographical references and index
ISBN: 086091688X (pbk.); 0860914445
LON: 10986477

PhysDes: Article
Subject: BELVE IN FUGA (IT, Michelle M Tarantini, 1984)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MILLER, HARRY M.

Call No: 408.1(44) AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xv, 409 p. : ill. ; 24 cm
Subject: FRANCE; NATIONAL CULTURE AND THE CINEMA. FRANCE; POETIC REALISM; SURREALISM AND THE CINEMA; ALLEGRET, MARC; BECKER, JACQUES; BERNARD, RAYMOND; CHENAL, PIERRE; FEUILLADE, LOUIS; FEYDER, JACQUES; GREMILLON, JEAN; MAC ORLAN, PIERRE; MEERSON, LAZARE; PREVERT, JACQUES; VIGO, JEAN; ZOLA, EMILE; PAGNOL, MARCEL; RENOIR, JEAN; BUNUEL, LUIS; CARNE, MARCEL; CLAIR, RENE; DUVIVIER, JULIEN; GABIN, JEAN; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ATALANTE, L' (FR, Jean Vigo, 1934); BELLE EQUIPE, LA (FR, Julien Duvivier, 1936); PEPE LE MOKO (FR, Julien Duvivier, 1937); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CASQUE D'OR (FR, Jacques Becker, 1952); CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); MARSEILLAISE, LA (FR, Jean Renoir, 1938); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes bibliographical references (p. [391]-396) and indexes
ISBN: 0691008833 (pbk.); 0691056862 (hard)
LON: 10901107

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Stratton, David
PhysDes: Clippings
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Stratton reviews the film SPLIT
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity
Subject: [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976)

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUNNABHAI M.B.B.S. (II, Rajkumar Hirani, 2003)

Call No: 81CHA CHA
Author: Chaplin, Charlie
Source: UK
Place: London
Publisher: Bodley Head
PubDate: 1964
PhysDes: 545 p., [21] leaves of plates : ill., ports. ; 22 cm
Subject: CHAPLIN, CHARLES; VANITY FAIR (US, Chester M Franklin, 1932); KID, THE (US, Charles Chaplin, 1921); CITY LIGHTS (US, Charles Chaplin, 1931); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); WOMAN OF PARIS, A (US, Charles Chaplin, 1923); GOLD RUSH, THE (US, Charles Chaplin, 1925); CIRCUS, THE (US, Charles Chaplin, 1928); LIMELIGHT (US, Charles Chaplin, 1952); KING IN NEW YORK (US, Charles Chaplin, 1957)
Notes: Includes index.
LON: abn84206881; 3369279

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAKED ACTS (US, Bridgett M. Davis, 1996)

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTALIA
Author: Ellis, Scott
PhysDes: Clippings File Article
Subject: INDUSTRY, TV. AUSTRALIA; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015); HOGES: THE PAUL HOGAN STORY [TV] (AT, 2016); FULLER HOUSE [TV] in production; RECRUIT, THE [TV] (AT, 2014-); I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Review of Australian TV news including: decisions need to be made for the FremantleMedia production of the Paul Hogan story; list of the Austrailan TV AACTA award winners, FULLER HOUSE - a reboot of the US sitcom FULL HOUSE, Mick Malthouse to join THE RECRUIT

Author: Wlaschin, Ken
PhysDes: Article
Subject: GARM HAVA (II, M.S Sathyu, 1974)
Summary: Short credits and synopses for each fiml in programme; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIST & THE MAIDEN [NIEBLA Y LA DONCELLA, LA] (SP, Andrés M. Koppel, 2017)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NIXON [RICHARD M.] IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SURVIVORS: THE MYSTERIOUS LOSS OF THE H.M.A.S SYDNEY (AT, Mike De Cane, 1993)

Call No: 623 EIS
Author: Eisenstein, Sergei, 1898-1948; Marshall, Herbert, 1906
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1987
PhysDes: xxv, 428 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: THEORY; EISENSTEIN, SERGEI M.
Notes: Translation of: Neravnodushnadi8a priroda; Includes bibliographical references and index
ISBN: 0521324157
LON: 86033457; 5018398

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOW YOU SEE ME 2 (US, Jon M. Chu, 2016)
URL status: URL: 'http://file://Q:/T/NOW_YOU_SEE_ME_TWO.zip' Checked: 31/08/2021 1:43:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NUDE...SI MORE (IT, Anthony M. Dawson [pseud of Antonio Margheriti], 1967)

Call No: 210.2(73) ROS
Author: Rosen, David (David M.); Hamilton, Peter
Edition: 1st ed
Place: New York
Publisher: Grove Weidenfeld
PubDate: 1990
PhysDes: xx, 326 p. : ill. ; 24 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT DISTRIBUTION; ADVERTISING FOR FILMS; STAND AND DELIVER (US, Ramon Menendez, 1988); BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983); COLD FEET (US, Bruce van Dusen, 1983); EATING RAOUL (US, Paul Bartel, 1982); NORTE, EL (US, Gregory Nava, 1983); GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984); HEARTLAND (US, Richard Pearce, 1979); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); MY DINNER WITH ANDRE (US, Louis Malle, 1981); OLD ENOUGH (US, Marisa Silver, 1984); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981); WILD STYLE (US/GW, Charlie Ahearn, 1983)
Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."
ISBN: 0802131875 (pa)
LON: 6416531

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: OKTIABR [OCTOBER] (UR, Sergei M. Eisenstein, 1928)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE-TRICK PONY (US, Robert M. Young, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONLY YESTERDAY (US, John M Stahl, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PALMES DE M. SCHUTZ, LES (FR, Claude Pinoteau, 1997)

Call No: 81SEL EVA
Author: Evans, Peter
Source: UK
Place: London
Publisher: New English Library
PubDate: 1980
PhysDes: 256 p., [16] p. of plates : ports ; 18 cm
Subject: ACTORS. UK; TWENTIETH CENTURY-FOX; BOULTING, ROY; CHAPLIN, CHARLES; MILLIGAN, SPIKE; O'TOOLE, PETER; PARRISH, ROBERT; SELLERS, PETER; WILDER, BILLY; MANKOWITZ, WOLF; BEING THERE (US, Hal Ashby, 1979); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); GOON SHOW, THE [TV] (UK, 1968); I'M ALL RIGHT JACK (UK, John Boulting, 1959); LADYKILLERS, THE (UK, Alexander MacKendrick, 1955); WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965); THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970)
Notes: Filmography: p248-250. Includes index.
ISBN: 0450050483
Donation: donated by the family of Wayne Levy, 2006

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index