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book		50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975. Call No: 802.25 FIF Author: Cowie, Peter Place: South Brunswick, N.J. Publisher: A. S. Barnes PubDate: c1975 PhysDes: 287 p. : ill. ; 29 cm Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO Notes: Includes filmographies and index ISBN: 0498012557 : $20.00 LON: 723676 ID2: 291 More info
book		The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968. Call No: 802.25(73) SAR Author: Sarris, Andrew Edition: [1st ed.] Place: New York Publisher: Dutton PubDate: 1968 PhysDes: 383 p. 22 cm Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON LON: 31835 More info
book		American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273 More info
book		Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998. Call No: 62 DIC Author: Dick, Bernard F Edition: Third edition Source: US/UK Place: New York -- Hampshire Publisher: St Martins Press -- Macmillan Press PubDate: 1998 PhysDes: xv, 302 pages : illustrations ; 23 cm Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover Notes: Previous ed.: 1990 -- Includes bibliographical references and index ISBN: 0312153996 Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library More info
book		Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index More info
book		At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016. Call No: 81WEL GEA Author: Gear, Matthew Asprey Source: US Place: New York Publisher: Wallflower Press PubDate: 2016 PhysDes: ix, 292 pages ; 24 cm Subject: EXPRESSIONISM; FASCISM AND THE CINEMA; WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); MR. ARKADIN (FR/SP/IT, Orson Welles, 1955); CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9780231173414 Donation: donated by Senses of Cinema More info
book		Audio-vision : sound on screen / Michel Chion; foreword by Walter Murch; edited and translated by Claudia Gorbman New York: Columbia University Press, 2019. Call No: 634 CHI Author: Chion, Michel Edition: 2019 Place: New York Publisher: Columbia University Press PubDate: 2019 PhysDes: xxiii, 270 pages : illustrated ; 23cm Subject: SOUND; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; MUSIC AND THE CINEMA; MUSIC IN FILMS; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; WELLES, ORSON; Wenders, Wim; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); PERSONA (SW, Ingmar Bergman, 1966); PSYCHO (US, Alfred Hitchcock, 1960); TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema. This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web site ISBN: 9780231185899 Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index More info
book		The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979. Call No: 70:62 MIL; FOLIO Author: Milsome, Chris [editorial director] Source: UK Place: London Publisher: Artists House PubDate: 1979 PhysDes: 240 p. ; 32 cm Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; SOUND; PRODUCTION; APPRECIATION; CRITICISM; SOCIETY AND THE CINEMA; GENRES; FORD, JOHN; HAWKS, HOWARD; WELLES, ORSON; HITCHCOCK, ALFRED; BERGMAN, INGMAR; GODARD, JEAN-LUC Notes: Includes A-Z filmmakers and actors, and glossary. ISBN: 0861340108 Donation: donated by the family of Wayne Levy, 2006 More info
book		The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000. Call No: 753SHA CAM Author: Jackson, Russell, 1949 Source: UK Place: Cambridge, UK New York Publisher: Cambridge University Press PubDate: 2000 PhysDes: xiv, 342 p. ; 24 cm Series: Cambridge companions to literature Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; BRANAGH, KENNETH; OLIVIER, LAURENCE; WELLES, ORSON; ZEFFIRELLI, FRANCO; HENRY V (UK, Kenneth Branagh, 1989); HENRY V (UK, Laurence Olivier, 1944); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); RICHARD III (US, James Keane, 1912); RICHARD III (US, Richard Loncraine, 1995); RICHARD III (UK, Laurence Olivier, 1955); HAMLET (UK, Laurence Olivier, 1948); HAMLET (UK/US, Kenneth Branagh, 1996); HAMLET (US, Franco Zeffirelli, 1990); MACBETH (US, Orson Welles, 1948); MACBETH (US/UK, Roman Polanski, 1971); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); KING LEAR (UK, Peter Brook, 1953); RAN (JA/FR, Akira Kurosawa, 1985); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURB Notes: Filmography: p. 318-324; Includes bibliographical references and index; Filmography ISBN: 0521630231; 0521639751 (pbk.) LON: 21340333 Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard More info
Online resource book		Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli; translated and edited by Daniel Fairfax Amsterdam: Amsterdam University Press, 2015. Available at OAPEN (open access) Call No: 62(081) COM Author: Comolli, Jean-Louis Place: Amsterdam Publisher: Amsterdam University Press PubDate: 2015 PhysDes: 345 pages : illustrations ; 24 cm. Series: Film theory in media history Subject: COMOLLI, JEAN-LOUIS; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; LUMIERE, AUGUSTE & LOUIS; MITRY, JEAN; STRAUB, JEAN-MARIE; VERTOV, DZIGA; WELLES, ORSON Notes: Includes bibliographical references and index. ISBN: 9789089645548 Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?. More info
book		Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019. Call No: 670 ROS Author: Rosenbaum, Jonathan Edition: 2019 Place: Urbana, Chicago, and Springfield Publisher: University of Illinois Press PubDate: 2019 PhysDes: 312 pages ; 23cm Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site ISBN: 9780252084386 Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index. More info
book		Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999. Call No: 634 CIN Author: Brophy, Philip CorpAuthor: Australian Film, Television and Radio School Place: North Ryde, N.S.W. Publisher: Australian Film, Television & Radio School PubDate: 1999 PhysDes: vii, 266 p. : ill. ; 21 cm Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION Notes: Includes index ISBN: 187635108X LON: 20110282 Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman More info
book		Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000. Call No: 634 CIN Author: Brophy, Philip CorpAuthor: Australian Film, Television and Radio School Source: AT Place: North Ryde, N.S.W. St. Leonards, N.S.W. Publisher: Australian Film Television & Radio School Allen & Unwin PubDate: 2000 PhysDes: vii, 224 p. : ill. ; 21cm Subject: SOUND; NATIVE AMERICAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; Bibliography ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098 LON: 21470326 Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy More info
		Citizen Kane in University Film Group Bulletin (1964) iss.3 p.2-4 Author: Christopher Bell PhysDes: Article Subject: CITIZEN KANE (US, Orson Welles, 1941); BIOGRAPHICAL FILMS; WELLES, ORSON; CINEMATOGRAPHY; TOLAND, GREGG Summary: A film synopsis and brief overview of the film's production is followed by a discussion of the virtuosity in cinematography and the collaborative nature of the film. Article ends with a comparison of the film's subject and author. More info
book		Coming to terms with Hollywood / edited by Jim Cook and Alan Lovell London: British Film Institute, 1981. Call No: 45:32(73) COM Author: Lovell, Alan; Cook, Jim Place: London Publisher: British Film Institute PubDate: 1981 PhysDes: 83 p. : 30 cm Series: BFI dossier ; no. 11 Subject: POLITICS AND THE CINEMA. USA; CENSORSHIP. USA; ROTHA, PAUL; KAZAN, ELIA; LOSEY, JOSEPH; DMYTRYK, EDWARD; GARFIELD, JOHN; HELLMAN, LILLIAN; POLONSKY, ABRAHAM; RAY, NICHOLAS; WELLES, ORSON; ODETS, CLIFFORD; ROSSEN, ROBERT; ON THE WATERFRONT (US, Elia Kazan, 1954); CROSSFIRE (US, Edward Dmytryk, 1947) Notes: Includes bibliographical references LON: 2888114 More info
book		Deleuze on cinema / Ronald Bogue New York: Routledge, 2003. Call No: 620 DEL BOG Author: Bogue, Ronald Source: US Place: New York Publisher: Routledge PubDate: 2003 PhysDes: x, 231 p. ; 24 cm. Subject: BAZIN, ANDRE; DELEUZE, GILLES; CASSAVETES, JOHN; CHAPLIN, CHARLES; EISENSTEIN, SERGEI M.; FELLINI, FEDERICO; GODARD, JEAN-LUC; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; ROUCH, JEAN; WELLES, ORSON Summary: This text provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema. Notes: Includes bibliographical references (pages 219-222) and index. ISBN: 0415966043 Donation: Estate of Adrian Miles Contents: Ch. 1. Bergson and Cinema; Deleuze's Bergson; Three Bergsonian Theses on Movement; Image, Movement, Matter, Light; The Three Movement-Images --Ch. 2. Frame, Shot, and Montage; Frame and Shot; Montage: Organic and Dialectic; Montage: Quantitative and Intensive --Ch. 3. Eighteen Signs (More or Less); Peirce and Signs; The Perception-Image; The Affection-Image; The Impulse-Imag; The Action-Image; The Reflection-Image; The Relation-Image --Ch. 4. Hyalosigns: Crystals of Time; Opsigns; Mnemosigns and Onirosigns; Hyalosigns; Crystalline States --Ch. 5. Chronosigns: The Order of Time and Time as Series; Sheets of the Past, Peaks of the Present; Robbe-Grillet, Welles, and Resnais; Powers of the False; Rouch's Ethnofictions; Bodies and Categories --Ch. 6. Noosigns and Lectosigns: Image and Thought, Sight and Sound; The Classic Image of Thought; The Thought of the Outside; The Spiritual Automaton; Silent and Audible Lectosigns; The Modern Lectosign; A Note on Cinema, Theater, and Television. More info
book		Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973. Call No: 70 CAS Author: Casty, Alan Source: US Place: New York Publisher: Harcourt Brace Jovanovich PubDate: 1973 PhysDes: 425 p. ; 23 cm Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry. ISBN: 0155176226 More info
book		The devil finds work : an essay / James Baldwin New York: Vintage, 2011. Call No: 744.6(73) BAL Author: Baldwin, James Edition: 2011 Place: New York Publisher: Vintage PubDate: 2011 PhysDes: 127 pages ; 21 cm Subject: RACIAL ISSUES AND THE CINEMA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; WELLES, ORSON; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); DEFIANT ONES, THE (US, Stanley Kramer, 1958); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); CHE! (US, Richard Fleischer, 1969); EXORCIST, THE (US, William Friedkin, 1973) Summary: From “the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. -- publisher's web site ISBN: 9780307275950 More info
book		The dynamic frame : camera movement in classical Hollywood / Patrick Keating New York; Chichester, UK: Columbia University Press, Call No: 233.6(73) KEA Author: Keting, Patrick Edition: 2019 Place: New York; Chichester, UK Publisher: Columbia University Press PhysDes: xi,350 pages : illustrated ; 24 cm Subject: BERKELEY, BUSBY; BORDWELL, DAVID; CAMERA ANGLES; CITIZEN KANE (US, Orson Welles, 1941); CONVERGENCE; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); MAMOULIAN, ROUBEN; MURNAU, FRIEDRICH WILHEL; PREMINGER, OTTO; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); TOLAND, GREGG; VIDOR, KING; WELLES, ORSON Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web site ISBN: 9780231190510 Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index More info
book		The fabulous Orson Welles / Peter Noble London: Hutchinson, 1956. Call No: 81WEL NOB Author: Noble, Peter, 1917 Place: London Publisher: Hutchinson PubDate: 1956 PhysDes: 273 p., [32] p. of leaves : ports. ; 24 cm Subject: WELLES, ORSON Notes: Includes index LON: abn80019274; 1779948 More info
book		Film : The Front line 1984 / by David Ehrenstein Denver, Colo.: Arden Press, 1984. Call No: 771 EHR Author: Ehrenstein, David Place: Denver, Colo. Publisher: Arden Press PubDate: 1984 PhysDes: 183 p. : ill. ; 23 cm Subject: EXPERIMENTAL FILMS; SMITH, JACK; JACOBS, KEN; CONNER, BRUCE; SCHROETER, WERNER; RUIZ, RAUL; SONBERT, WARREN; MCDOWELL, CURT; BORDEN, LIZZIE; POTTER, SALLY; JARVIK, LAURENCE; WELLES, ORSON; BROOKS, DAVID; GARREL, PHILIPPE; MOULLET, LUC; DEMOTT, JOEL; KREINES, JEFF; LANDOW, GEORGE Notes: "The Front line is an annual series meant to bring a greater prominence to the work of experimental and personal filmmakers."; Includes indexes ISBN: 0912869054 LON: 6751681 More info
book		Film appreciation / Allan Casebier New York: Harcourt Brace Jovanovich, c1976. Call No: 62 CAS Author: Casebier, Allan Place: New York Publisher: Harcourt Brace Jovanovich PubDate: c1976 PhysDes: ix, 207 p., [2] leaves of plates : col. ill. ; 23 cm Subject: THEORY; AESTHETICS; SOUND; AUDIENCES; REALISM IN FILMS; SURREALISM AND THE CINEMA; EXPRESSIONISM; MYTH AND THE CINEMA; STRUCTURALISM; CRITICISM; WELLES, ORSON; BUNUEL, LUIS; KUBRICK, STANLEY; BAZIN, ANDRE; ARNHEIM, RUDOLF; GODARD, JEAN-LUC; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Notes: Includes index; "Bibliography/filmography": p. [183]-190 ISBN: 0155273701 Order Received: 2000 Order Type: Donation LON: 746910 URL status: URL: 'http://-' Checked: 31/08/2021 1:02:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Film makers on film making : Statements on their art by thirty directors / Geduld, Harry M. (editor) Harmondsworth: Penguin, 1967. Call No: 802.25 FIL Place: Harmondsworth Publisher: Penguin PubDate: 1967 PhysDes: 18 cm; 303 p. Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.] ID2: 291 More info
book		The films of Orson Welles Berkeley: University of California Press, 1970. Call No: 81WEL HIG Author: Higham, Charles, 1931 Place: Berkeley Publisher: University of California Press PubDate: 1970 PhysDes: 210 p. illus., music. 27 cm Subject: WELLES, ORSON Notes: Bibliography: p. 203-204 ISBN: 520015673 LON: 72092677; 595278 More info
Levy Collection book		Focus on Citizen Kane / edited by Ronald Gottesman Englewood, New Jersey: Prentice-Hall, 1971. Call No: 79CIT FOC Source: US Place: Englewood, New Jersey Publisher: Prentice-Hall PubDate: 1971 PhysDes: xi, 178 p. : [8] p. of plates : ill., ports. ; 21 cm Series: Film Focus Subject: WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The contributors to this volume, including Arthur Knight, Andrew Sarris, and Francois Truffaut - as well as those who played key roles in making it - analyze Citizen Kane and its impact on modern film and culture"- Book Blurb Notes: Includes bibliographic references and index ISBN: 0131347594 Donation: donated by the family of Wayne Levy, 2006 More info
		[Get to know your rabbit : Tom Smothers and Orsen Welles walking infront of the Golden Gate bridge, in a scene from 'Get To Know Your Rabbit'] Warner bros, Kinney company, c. 1972. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Warner bros; Kinney company PubDate: c. 1972 PhysDes: 1 photograph : col. ; 21 x 26 cm. Subject: GET TO KNOW YOUR RABBIT (US, Brian De Palma, 1972); WELLES, ORSON; SMOTHERS, TOM Notes: Reverse of corners show damage from remnants of adhesive; Paper clip damage to reverse top left corner; Creasing in lower right of photograph; Yellow bar on bottom of image contains production information More info
book		Great film directors : a critical anthology / edited by Leo Braudy and Morris Dickstein New York: Oxford University Press, 1978. Call No: 802.25 GRE Author: Dickstein, Morris; Braudy, Leo Place: New York Publisher: Oxford University Press PubDate: 1978 PhysDes: xi, 778 p. ; 23 cm Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON Notes: Includes bibliographical references ISBN: 0195023129 : $7.50 LON: 952629 ID2: 291 More info
book		A history of films / John Fell New York: Holt, Rinehart and Winston, 1979. Call No: 70 FEL Author: Fell, John Source: US Place: New York Publisher: Holt, Rinehart and Winston PubDate: 1979 PhysDes: 588 p. : ill. ; 23 cm Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548 Includes index ISBN: 0030363160 Donation: donated by the family of Wayne Levy, 2006 More info
book		Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977. Call No: 802.25(73) HOL Author: Koszarski, Richard Place: New York Publisher: Oxford University Press PubDate: 1977 PhysDes: xvii, 426 p. : ill. ; 22 cm Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959) Notes: Includes index ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95 LON: 851041 More info
book		Hollywood voices : interviews with film directors / edited by Andrew Sarris London: Secker & Warburg, c1967. Call No: 802.25 HOL Author: Sarris, Andrew Place: London Publisher: Secker & Warburg PubDate: c1967 PhysDes: 180p. : millus. ; 21 cm Subject: CUKOR, GEORGE; MAMOULIAN, ROUBEN; PREMINGER, OTTO; STURGES, PRESTON; HUSTON, JOHN; LOSEY, JOSEPH; RAY, NICHOLAS; POLONSKY, ABRAHAM; WELLES, ORSON ISBN: 0436441519 LON: 13212256 13212256 Donation: Patrick O'Brien More info
journal article		Inside Hollywoood : Robert Wise interviewed by Michael Thornhill in Melbourne Film Bulletin (October 1969) iss.10 p.19-31 Author: Thornhill, Michael and Gardner, Geoffrey PhysDes: Article Subject: WISE, ROBERT; CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LEWTON ,VAL; TOURNEUR, JACQUES; ROBSON, MARK; HAUNTING, THE (US, Robert Wise, 1963); WEST SIDE STORY (US, Robert Wise, 1961); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles. More info
Interim book		International film guide 1964 / edited by Peter Cowie London: Tantivy Press, 1963. Call No: REFERENCE SECTION; 058 INT "1964" Author: Cowie, Peter Place: London Publisher: Tantivy Press PubDate: 1963 PhysDes: v. Subject: VISCONTI, LUCHINO; WELLES, ORSON; TRUFFAUT, FRANCOIS; WAJDA, ANDRZEJ; HITCHCOCK, ALFRED; RESNAIS, ALAIN More info
book		"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989. Call No: 67(04) WAL Author: Walker, Alexander Source: UK Place: London Publisher: Headline Book Publishing PubDate: 1989 PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED ISBN: 0747230218 Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?" More info
book		The making of Citizen Kane / Robert L. Carringer Berkeley: University of California Press, c1985. Call No: 79CIT CAR Copy Management: Copy 1; Copy 2 Author: Carringer, Robert L Place: Berkeley Publisher: University of California Press PubDate: c1985 PhysDes: xiv, 180 p. : ill. ; 24 cm Subject: CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON Notes: Includes index; Bibliography: p. 165-171 ISBN: 0520053672 LON: 84008777; 3270611 More info
book		Movie wars : how Hollywood and the media conspire to limit what films we can see / by Jonathan Rosenbaum Chicago: A Capella, 2000. Call No: 409 ROS Author: Rosenbaum, Jonathan Place: Chicago Publisher: A Capella PubDate: 2000 PhysDes: v, 234 p. ; 24 cm Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes index ISBN: 1556524064 LON: 21468355 More info
book		Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997. Call No: 45:32 ROS Author: Rosenbaum, Jonathan Place: Berkeley, Calif. Publisher: University of California Press PubDate: 1997 PhysDes: xi, 359 p. ; 24 cm Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL ISSUES IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and index ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper) Order Received: 1997 LON: 96009916; 12700123 More info
book		Movies of the forties / edited by Ann Lloyd ; consultant editor David Robinson London: Orbis Publishing, 1982. Call No: 70 MOV Author: Robinson, David, 1930; Lloyd, Ann, 1945 Place: London Publisher: Orbis Publishing PubDate: 1982 PhysDes: 219 p. : ill. (some col.) ; 30 cm. Subject: HISTORY OF CINEMA. 1940's; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); HAWKS, HOWARD; BERGMAN, INGRID; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO; DE SICA, VITTORIO; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); WYLER, WILLIAM; GOLDWYN, SAMUEL; REED, CAROL; THIRD MAN, THE (UK, Carol Reed, 1949); Powell, Michael; GUINNESS, ALEC; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); Lean, David; HUSTON, JOHN; MALTESE FALCON, THE (US, John Huston, 1941); BOGART, HUMPHREY; GARFIELD, JOHN; HAYWORTH, RITA; KELLY, GENE; DONEN, STANLEY; GARLAND, JUDY; BALCON, MICHAEL; DISNEY, WALT; MCLAREN, NORMAN; WELLMAN, WILLIAM; STURGES, PRESTON; HEPBURN, KATHARINE; WALSH, RAOUL Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas. Notes: Includes index. Includes filmographies. ISBN: 0856134546 More info
book		On the history of film style / David Bordwell Cambridge, Mass.: Harvard University Press, 1997. Call No: 62 BOR Author: Bordwell, David Place: Cambridge, Mass. Publisher: Harvard University Press PubDate: 1997 PhysDes: x, 322 p. : ill. ; 25 cm Subject: THEORY; EDITING; CAHIERS DU CINEMA; LENSES; MODERNISM AND THE CINEMA; MONTAGE; REALISM IN FILMS; WIDE-SCREEN SYSTEMS; BAZIN, ANDRE; BURCH, NOEL; ASTRUC, ALEXANDRE; BARDECHE, MAURICE; BENJAMIN, WALTER; BRASILLACH, ROBERT; COMOLLI, JEAN-LOUIS; GUNNING, TOM; KULESOV, LEV; LEENHARDT, ROGER; LUMIERE, LOUIS; WYLER, WILLIAM; MELIES, GEORGES; TOLAND, GREGG; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes bibliographical references and index ISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper) LON: 97004016; 13106257 Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth More info
book		Orson Welles : the road to Xanadu / Simon Callow London: Jonathan Cape, 1995. Call No: 81WEL CAL Author: Callow, Simon, 1949 Place: London Publisher: Jonathan Cape PubDate: 1995 PhysDes: xvi, 640 p., 24 p. of plates : ill. ; 25 cm Subject: WELLES, ORSON Notes: Includes bibliographical references (p. 611-613) and index ISBN: 0224038524 LON: bnb22403852; 11420039 More info
book		Orson Welles : the rise and fall of an American genius / Charles Higham London: New English Library, 1986, c1985. Call No: 81WEL HIG Author: Higham, Charles, 1931 Place: London Publisher: New English Library PubDate: 1986, c1985 PhysDes: xii, 377 p., [16] p. of plates : ill., ports ; 24 cm Subject: WELLES, ORSON Notes: American cinema films. Directing. Welles, Orson. -Biographies (BNB/PRECIS); Includes index; Originally published : New York : St. Martin's, 1985; Bibliography: p. 349-351 ISBN: 0450392848 : ª10.95 : CIP confirmed LON: bnb45039284; 4453814 More info
book		Orson Welles : a biography / by Barbara Leaming London: Weidenfeld and Nicolson, 1985. Call No: 81WEL LEA Author: Leaming, Barbara Place: London Publisher: Weidenfeld and Nicolson PubDate: 1985 PhysDes: xii, 562 p., [16] p. of plates : ill. ; 24 cm Subject: WELLES, ORSON Notes: Also published: New York : Viking, 1985; Includes bibliographical references and index ISBN: 0297784765 LON: abn86009262; 4244385 More info
book		Orson Welles / Joseph McBride London: Secker and Warburg in association with the British Film Institute, 1972. Call No: 81WEL MCB Copy Management: Copy 1; Copy 2 Author: McBride, Joseph CorpAuthor: British Film Institute Place: London Publisher: Secker and Warburg in association with the British Film Institute PubDate: 1972 PhysDes: 192 p. : ill., ports. ; 20 cm Series: Cinema one ; 19 Subject: WELLES, ORSON Notes: List of films: p. 167-181; Bibliography: p. 188-190 ISBN: 0436099276 (pbk.); 0436099268 LON: 72195802; 627996 More info
book		Orson Welles Paris: Seghers, 1963. Call No: 81WEL BES Author: Bessy, Maurice, 1910 Place: Paris Publisher: Seghers PubDate: 1963 PhysDes: 223 p. : illus., ports Subject: WELLES, ORSON LON: nud00048297; 6176962 More info
book		Orson Welles London: Pendulum Publications, 1946. Call No: 81WEL FOW Author: Fowler, Roy Alexander Place: London Publisher: Pendulum Publications PubDate: 1946 PhysDes: 100 p. : ill., ports ; 16 cm Series: Pendulum popular film series ; no. 1 Subject: WELLES, ORSON LON: nla05083681; 6580867 More info
book		Orson Welles's last movie : the making of The Other Side of the Wind / Josh Karp New York: St. Martin's Press, 2015. Call No: 79 OTH KAR Author: Karp, Josh Edition: First edition Source: US Place: New York Publisher: St. Martin's Press PubDate: 2015 PhysDes: 336 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm. Subject: WELLES, ORSON; BOGDANOVICH, PETER; HUSTON, JOHN; HOPPER, DENNIS; OTHER SIDE OF THE WIND, THE (US/FR/IR, Orson Welles, 2018) Summary: In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen." Notes: Includes bibliographical references (pages 277-321) and index. ISBN: 9781250007087 Contents: Prologue: After "The End" --Backstory: Before the Beginning --Orsonology: What You Must Know --The Greatest Home Movie Ever Made --Act One --Act Two --Act Three --Afterlife --Now What? --Acknowledgements --Notes --Bibliography --Index More info
book		Orson Welles. / Translated by Ciba Vaughan / by Maurice Bessy New York: Crown Publishers, [c1971]. Call No: 81WEL BES Author: Bessy, Maurice Source: US Place: New York Publisher: Crown Publishers PubDate: [c1971] PhysDes: viii, 195 p. : illus. ; 17 cm Series: Editions Seghers' Cinema d'aujourd'hui in English Subject: WELLES, ORSON Language: English More info
Interim book		Pauline Kael on the best film ever made / by Pauline Kael London: Methueun Publishing Ltd., c.1971 (2002). Call No: 79CIT KAE Author: Kael, Pauline Source: UK Place: London Publisher: Methueun Publishing Ltd. PubDate: c.1971 (2002) PhysDes: 146 p. : 18cm. Series: Sight and sound supplement Subject: WELLES, ORSON; KAEL, PAULINE; CITIZEN KANE (US, Orson Welles, 1941) Notes: First published as "Raising Kane" in The New Yorker 1971.; This edition was produced as a supplement to Sight and Sound magazine September 2002. More info
book		Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995. Call No: 67(081) PLA Author: Rosenbaum, Jonathan Place: Berkeley Publisher: University of California Press PubDate: 1995 PhysDes: ix, 337 p. ; 24 cm Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and index ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper) LON: 93042954; 10612641 ID2: 291 More info
journal article		Production notes "Butterfly" in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2 PhysDes: Article Subject: BUTTERFLY (US, Matt Cimber, 1982); WELLES, ORSON; ZADORA, PIA Summary: Article on the up-coming 'Butterfly'. More info
book		Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997. Call No: 802 PRO v.7 Author: Boorman, John, 1933; Donohue, Walter Place: London Publisher: Faber & Faber PubDate: 1997 PhysDes: x, 301 p. : ill., ports. ; 24 cm Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA Notes: Filmography: p. 300-301 ISBN: 0571190332 LON: abn97280608; 13386768 More info
book		The real gaze : film theory after Lacan / Todd McGowan Albany, NY: State University of New York Press, c2007. Call No: 626[159.964.2] MCG Author: McGowan, Todd Place: Albany, NY Publisher: State University of New York Press PubDate: c2007 PhysDes: xii, 254 p. ; 24 cm. Subject: PSYCHOANALYSIS AND THE CINEMA; LACAN, JACQUES; SPECTATORSHIP; KUBRICK, STANLEY; LEE, SPIKE; MANN, MICHAEL; FELLINI, FEDERICO; NOUVELLE VAGUE; WELLES, ORSON; DENIS, CLAIRE; NEOREALISM; HOWARD, RON; SPIELBERG, STEVEN; GRIFFITH, DAVID WARK; TARKOVSKY, ANDREI; Wenders, Wim; LYNCH, DAVID Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements. Notes: Includes index. ISBN: 9780791470398 More info
book		A ribbon of dreams : the cinema of Orson Welles South Brunswick: A. S. Barnes, 1973]. Call No: 81WEL COW Author: Cowie, Peter Place: South Brunswick Publisher: A. S. Barnes PubDate: 1973] PhysDes: 262 p. illus. 27 cm Subject: WELLES, ORSON Notes: "Revised and enlarged version of ... The cinema of Orson Welles, published in 1965."; Bibliography: p. 249-258 ISBN: 0498079988 LON: 79037809; 99857 More info
book		Rosebud : the story of Orson Welles / David Thomson London: Little, Brown and Co, 1996. Call No: 81WEL THO Author: Thomson, David Source: UK Place: London Publisher: Little, Brown and Co PubDate: 1996 PhysDes: 463 p. : ill. ; 24 cm Subject: WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); XANADU (US, Robert Greenwald, 1980) Notes: Includes index. Includes bibliography ISBN: 0316881953 More info
book		Shakespeare on film / Jack J Jorgens Bloomington: Indiana University Press, c1977. Call No: 753SHA JOR Author: Jorgens, Jack.J Source: US Place: Bloomington Publisher: Indiana University Press PubDate: c1977 PhysDes: xii, 337 p. : ill. ; 24cm Subject: FILM STUDY AND RESEARCH; SHAKESPEARE [WILLIAM] IN FILMS; SHAKESPEARE, WILLIAM; EDUCATION AND THE CINEMA; DIETERLE, WILLIAM; ZEFFIRELLI, FRANCO; MANKIEWICZ, JOSEPH L.; WELLES, ORSON; OLIVIER, LAURENCE; SCHAEFER, GEORGE; KUROSAWA AKIRA; KOZINTSEV, GRIGORI; MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); HENRY V (UK, Laurence Olivier, 1944); RICHARD III (UK, Laurence Olivier, 1955); MACBETH; KUMONOSU-JO (JA, Akira Kurosawa, 1957); HAMLET [GAMLET] (UR, Grigori Kozintsev, 1964); OTELLO (IT, Franco Zeffirelli, 1986); KING LEAR (UK, Peter Brook, 1953) Summary: This book looks at films made of Shakespeare plays and is an evaluation of such films and focuses on what is good and interesting about them as well attemping to interpret them.It is ultimately an appreciation of the films made of Shakespeare's plays. It provides the reader with the vocabulary of film and a cinematic way of expressing Shakespeare's characters, settings, themes, structures and verbal and dramatic styles.It looks at the strenghts of the works of filmakers such as Zeffirelli, or Olivier Notes: Includes bibliographical references and index ISBN: 0253351960 ID2: 291 More info
book		Shots in the dark : writings on film by Jonathan Baumbach / Jonathan Baumbach New York: Cat Thread Books, 2019. Call No: 67(049.32) BAU Author: Baumbach, Jonathan Edition: First printing Place: New York Publisher: Cat Thread Books PubDate: 2019 PhysDes: xviii, 172 pages ; 20.5 cm Subject: TWELVE ANGRY MEN (US, Sidney Lumet, 1957); PATHS OF GLORY (US, Stanley Kubrick, 1957); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); GETAWAY, THE (US, Sam Peckinpah, 1972); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972); LOSEY, JOSEPH; LONG GOODBYE, THE (US, Robert Altman, 1973); SISTERS (US, Brian De Palma, 1972); SERPICO (US, Sidney Lumet, 1973); DAISY MILLER (US, Peter Bogdanovich, 1974); BADLANDS (US, Terrence Malick, 1973); WEDDING IN BLOOD [NOCES ROUGES, LES] (FR/IT, Claude Chabrol, 1973); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); CHINATOWN (US, Roman Polanski, 1974); AMARCORD (IT/FR, Frederico Fellini, 1973); SCENES FROM A MARRIAGE [SCENER UR ETT AKTENSKAP] [TV] (SW, 1973); ARGENT DE POCHE, L' (FR, Francois Truffaut, 1976); OSSESSIONE (IT, Luchino Visconti, 1943); KAEL, PAULINE; BREATHLESS (FR, Jean-Luc Godard, 1959); GODARD, JEAN-LUC; WELLES, ORSON; BRESSON, ROBERT; KING LEAR (US/SZ, Jean-Luc Godard, 1987); EXISTENZ (CN/UK, David Cronenberg, 1999); CONTE D'AUTOMNE (FR, Eric Rohmer, 1998) Notes: edition of 500 ISBN: 9780999468340 More info
book		Study Unit 9 : Orson Welles / notes compiled by Peter Wollen [London] ; [s.n.], 1969: Call No: 81WEL WOL Author: Wollen, Peter Place: [London] ; [s.n.], 1969 PhysDes: 34 p. : 30 cm Subject: WELLES, ORSON LON: abn98255218; 14057016 More info
book		This is Orson Welles / Orson Welles and Peter Bogdanovich ; Jonathan Rosenbaum ; editor New York, NY: HarperCollins, 1992. Call No: 81WEL WEL Author: Welles, Orson, 1915-1985; Bogdanovich, Peter, 1939; Rosenbaum, Jonathan Edition: 1st ed Place: New York, NY Publisher: HarperCollins PubDate: 1992 PhysDes: xxxv, 533 p. : ill. ; 25 cm Subject: WELLES, ORSON Notes: Includes index ISBN: 0060166169 : $30.00 LON: 92052601; 8912326 More info
journal article		The Trial in Montage (1966) iss.2 p.6-8 Author: Lord, John PhysDes: Article Review Stills Subject: PROCES, LE (FR/IT/GW, Orson Welles, 1962); WELLES, ORSON; ADAPTATIONS Summary: Essay analyses "The Trial" as an example of Orson Welles' themes of power and humanity. More info
book		The war of the worlds : Mars' invasion of earth, inciting panic and inspiring terror from H.G. Wells to Orson Welles and beyond / written by H.G. Wells; CD narrated by John Callaway; forword by Ray Bradbury; afterword by Ben Bova Naperville, Ill.: Sourcebooks, 2005. Call No: 79 WAR WEL Author: Wells, H.G.; Welles, Orson; Bradbury, Ray; Bova, Ben Place: Naperville, Ill. Publisher: Sourcebooks PubDate: 2005 PhysDes: xx, 265 pages : illustrated ; 24 cm + 1 CD ROM (4 3/4 in) Subject: WELLES, ORSON; INDEPENDENCE DAY (US, Roland Emmerich, 1996); MARS ATTACKS! (US, Tim Burton, 1996); WAR OF THE WORLDS (US, Byron Haskin, 1953); WELLS, H.G Notes: CD is in sleeve inside back cover ISBN: 9781570719851 More info
personality clippings file		WELLES, ORSON Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: WELLES, ORSON More info

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