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Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 81KAZ CIM
Author: Kazan, Elia; Ciment, Michel, 1938
Place: London
Publisher: Bloomsbury
PubDate: 1988
PhysDes: 237 p. : ill., ports ; 27cm
Subject: KAZAN, ELIA
Notes: Translation of: Une odyssee americaine
ISBN: 0747502412 (pbk) : ª12.95 : CIP rev
LON: bnb74750241; 5807928

Call No: 45:32(73) COM
Author: Lovell, Alan; Cook, Jim
Place: London
Publisher: British Film Institute
PubDate: 1981
PhysDes: 83 p. : 30 cm
Series: BFI dossier ; no. 11
Subject: POLITICS AND THE CINEMA. USA; CENSORSHIP. USA; ROTHA, PAUL; KAZAN, ELIA; LOSEY, JOSEPH; DMYTRYK, EDWARD; GARFIELD, JOHN; HELLMAN, LILLIAN; POLONSKY, ABRAHAM; RAY, NICHOLAS; WELLES, ORSON; ODETS, CLIFFORD; ROSSEN, ROBERT; ON THE WATERFRONT (US, Elia Kazan, 1954); CROSSFIRE (US, Edward Dmytryk, 1947)
Notes: Includes bibliographical references
LON: 2888114

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

Call No: 802.25 KAG
Author: Kagan, Jeremy
Edition: 2nd ed.
Source: US
Place: Lanham, Md.
Publisher: Scarecrow Press
PubDate: 2006
PhysDes: ix, 341p. : ill. ; 26cm.
Subject: AWARDS. DIRECTORS GUILD OF AMERICA; PRODUCTION; KAZAN, ELIA
Summary: Loosely organized by phases in the moviemaking process (preproduction, the cast, the crew, rehearsal, etc.), Kagan lets his subjects discuss their craft without limiting their comments to the movies for which they were nominated.
Notes: Includes index.; Includes essay in Appendix C by Elia Kazan: On what makes a director
ISBN: 081085712X

Call No: 81KAZ KAZ
Author: Kazan, Elia
Edition: 1st ed
Place: New York
Publisher: Doubleday
PubDate: 1989
PhysDes: 848 p. : ill. ; 25 cm
Subject: KAZAN, ELIA
Notes: Includes index
ISBN: 0385261039
LON: 5706777

Call No: 62 FIL
Author: Hughes, Robert
Source: US
Place: New York
Publisher: Grove Press
PubDate: 1959
PhysDes: v. : ill., ports ; 20 cm.
Series: Evergreen Books E140
Subject: PERIODICALS, FILM; ART AND THE CINEMA; SPECTATORSHIP; ANDERSON, LINDSAY; BARDEM, JUAN ANTONIO; BUNUEL, LUIS; CLEMENT, RENE; MEYERS, SIDNEY; DREYER, CARL TH.; HENNING-JENSEN, BJARNE; KAZAN, ELIA; Lean, David; SATYAJIT, RAY; RENOIR, JEAN; FLAHERTY, ROBERT; Fellini, Federico; AGEE, JAMES; ZAVATTINI, CESARE; MEKAS, JONAS; MAN OF ARAN (UK, Robert Flaherty, 1934); ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952)
ISBN: 0195018346

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: REFERENCE SECTION; 058 INT "1971"
Author: Cowie, Peter
Place: London New York
Publisher: Tantivy Press Barnes
PubDate: c1970
PhysDes: 480 p. : ill. ; 17 cm
Subject: AWARDS. ACADEMY; KAZAN, ELIA; MELVILLE, JEAN-PIERRE; OSHIMA, NAGISA; SCHORM, EVALD; DONSKOJ, MARK
Notes: Includes index
ISBN: 0498077047 (U.S.); 090073003X (U.K.)
LON: 4857024

Call No: 67(04) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1989
PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm
Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED
ISBN: 0747230218
Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KAZAN, ELIA

Call No: 81KAZ KAZ
Author: Dombrowski, Lisa (ed)
Source: US
Place: Middletown, Connecticut
Publisher: Wesleyan University Press
PubDate: c2011
PhysDes: xiv, 218 p. : ill. ; 24 cm
Subject: FILM; KAZAN, ELIA; BABY DOLL (US, Elia Kazan, 1956); BOOMERANG (US, Elia Kazan, 1947); PANIC IN THE STREETS (US, Eliz Kazan, 1950)
Summary: "A groundbreaking filmmaker dogged by controversy in both his personal life and career, Elia Kazan was one of the most important directors of postwar American cinema. In landmark motion pictures such as A Streetcar Named Desire, On the waterfront, East of Eden, and Splendor in the Grass, Kazan crafted an emotionally raw form of psychological realism. His reputation has rested on his Academy Award-winning work with actors; his provocative portrayal of sexual, moral, and generational conflict; and his unpopular decision to name former colleagues as Communists before the House Un-American Activities Committee in 1952. But much of Kazan's influential cinematic legacy remains unexamined. Arriving in the wake of his centenery, Kazan Revisited engages and moves beyond existing debates regarding Kazan's contributions to film, tackling the social, political, industrial, and aesthetic significance of his work from a range of critical perspectives. Featuring essays by established film critics and scholars such as Jeanine Basinger (The Star Machine), Leo Braudy (On the Waterfront), Mark Harris (Pictures at a Revolution), Kent Jones (Physical Evidence), Victor Navasky (Naming Names), Jonathon Rosenbaum (Goodbye Cinema, Hello Cinephilia), Richard Schickel (Clint: A Retrospective), and Sam Wasson (Fifth Avenue, 5AM), this book is a must for diehard cinephiles and those new to Kazan alike" -- BOOK JACKET
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780819570840
Contents: --acknowledgements -- Introduction / Lisa Dombrowski -- On Kazan the man / Jeanine Basinger -- The quiet side of Kazan / Kent Jones -- Elia Kazan, seen from 1973 / Jonathan Rosenbaum -- "The director, that miserable son of a bitch" : Kazan, Viva Zapata! and the problem of authority / Leo Braudy -- Mr. Kazan goes to Washington : a case study in misguided ambivalence / Victor Navasky -- Man on a tightrope : Kazan as liberal anticommunist / Brenda Murphy -- "Independence" and the "art film" : Baby doll and after / Brian Neve -- The search for humor and humanity in Baby doll and A face in the crowd / Sam Wasson -- A straight director's queer eye, 1951-1961 / Mark Harris -- The other side of the story : Elia Kazan as director of female pain / Savannah Lee -- Documentary and democracy in Boomerang! and Panic in the streets / Andrew Tracy -- Elia Kazan and the semidocumentary composing urban space / Patrick Keating -- Choreographing emotions : Kazan's cinemascope staging / Lisa Dombrowski -- Lost river / Richard Schickel -- Late Kazan, or the ambiguities / Haden Guest -- filmography as director -- select biography -- contributors -- index --

Call No: 733.3(73)"5" HAR
Author: Harvey, James
Edition: 2001
Place: New York
Publisher: Alfred A. Knopf
PhysDes: 464 pages : illustrated ; 25 cm
Subject: ACTORS; STARS; DIRECTORS; HITCHCOCK, ALFRED; RAY, NICHOLAS; KAZAN, ELIA; SIRK, DOUGLAS; SIODMAK, ROBERT
Summary: From the author of Romantic Comedy (“brilliant, meticulous, a monumental work of scholarship” —Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men—Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the “post-classical” movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the “serious” directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. -- publisher's blurb
ISBN: 9780394585918
Donation: James Sabine

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 79ONT BRA
Author: Braudy, Leo
Edition: 1st ed
Source: UK
Place: London, UK
Publisher: British Film Institute, London
PubDate: 2005
PhysDes: 88p ; 18.5 cm + b&w ill.
Series: BFI Film Classics
Subject: SOCIETY AND THE CINEMA. USA; CLASS AND THE CINEMA; POLITICS AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; TYPE CHARACTERS IN FILMS; COMMUNISM AND THE CINEMA. USA; PRODUCTION. USA; FINANCING. USA; IMAGE ANALYSIS; LABOUR; FINANCING; LABOUR ISSUES IN FILMS; HUMAN RELATIONS IN FILMS; RELIGION IN FILMS; KAZAN, ELIA; BRANDO, MARLON; SAINT, EVA MARIE; MILLER, ARTHUR; BERNSTEIN, LEONARD; SCHULBERG, BUDD; SPIEGEL, SAM; MALDEN, KARL; STEIGER, ROD; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945); BABY DOLL (US, Elia Kazan, 1956)
Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].
Notes: includes film credits
ISBN: 184457072X

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 81(044) KAZ DEV
Author: Albert J. Devlin and Marlene J. Devlin
Edition: Illustrated edition
Place: New York
Publisher: Alfred A. Knopf
PubDate: 2014
PhysDes: 1 volume : illustrations ; 25 cm
Subject: KAZAN, ELIA; BRANDO, MARLON; DEAN, JAMES; BEATTY, WARREN; DE NIRO, ROBERT; WARNER BROS.; ZANUCK, DARRYL F.; MILLER, ARTHUR; WILLIAMS, TENNESSEE
Notes: Formerly CIP.
ISBN: 9780307267160
Language: English

Call No: 734.2(73) MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1972
PhysDes: 176 p. illus., ports. 20 cm
Subject: GENRES; GANGSTER FILMS. USA; THRILLERS. USA; LANG, FRITZ; HUSTON, JOHN; DASSIN, JULES; SIODMAK, ROBERT; KAZAN, ELIA; RAY, NICHOLAS; FULLER, SAMUEL; SIEGEL, DON; MELVILLE, JEAN-PIERRE; PUBLIC ENEMY, THE (US, William Wellmen, 1931); BIG HEAT, THE (US, Fritz Lang, 1953); MALTESE FALCON, THE (US, John Huston, 1941); BIG SLEEP, THE (US, Howard Hawkes, 1946); LITTLE CAESAR (US, Mervyn LeRoy, 1931); SCARFACE (US, Howard Hawks, 1932)
ISBN: 0436098857 0436098849 (pbk.)
LON: 73155714; 541899

Author: Hosford, Peter
PhysDes: Article
Subject: VIOLENCE IN FILMS; REPULSION (UK, Roman Polanski, 1965); POLANSKI, ROMAN; BONNIE AND CLYDE (US, Arthur Penn, 1967); CHASE, THE (US, Arthur Penn, 1966); PENN, ARTHUR; SIEGEL, DON; HELL IS FOR HEROES (US, Don Siegel, 1961); KILLERS, THE (US, Don Siegel, 1964); FULLER, SAMUEL; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); ALDRICH, ROBERT; KAZAN, ELIA; ON THE WATERFRONT (US, Elia Kazan, 1954); PAWNBROKER, THE (US, Sidney Lumet, 1964); JAMES BOND IN FILMS
Summary: Essay discusses the importance of cinematic violence in terms of four categories with reference to particular films, acknowledging that violence can be beautiful.