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Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 749.4 HUM
Author: Humprey, Daniel
Edition: 2020
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: Nov. 2020
PhysDes: 172 pages : illustrated ; 24 cm
Subject: PASOLINI, PIER PAOLO; EDIPO RE (IT, Pier Paolo Pasolini, 1967); MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969)
Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts. Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web site
ISBN: 9780814343104

Call No: 81PAS VIA
Author: Viano, Maurizio Sanzio, 1950
Place: Berkeley
Publisher: University of California Press
PubDate: 1993
PhysDes: xix, 368 p. : ill. ; 24 cm
Subject: Pasolini, Pier Paolo
Notes: Includes bibliographical references (p. 347-350) and index; Filmography: p. 351-358
ISBN: 0520078543 (acid-free paper); 0520078551 (pbk. : acid-free paper)
LON: 9271389

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

Call No: 802.25 TAY
Author: Taylor, John Russell
Source: UK
Place: London
Publisher: Eyre Methuen
PubDate: 1975
PhysDes: 327 p. ; 21 cm
Subject: CHABROL, CLAUDE; Pasolini, Pier Paolo; ANDERSON, LINDSAY; KUBRICK, STANLEY; WARHOL, ANDY; MORRISSEY, PAUL; Ray, Satyajit; JANCSO, MIKLOS; MAKAVEJEV, DUSAN
Summary: A study of the cinema of the 1970s based around the films made by the directors Claude Chabrol, Pier Paolo Pasolini, Lindsay Anderson, Stanley Kubrick, Andy Warhol and Paul Morrissey, Satyajit Ray, Miklos Jancso, and Dusan Makavejev.
ISBN: 0413319202

Call No: 632.22 ESS
Author: Papazian, Elizabeth A; Eades, Caroline
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: xi,315 p. : illustrated ; 23 cm
Subject: DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); TREE OF LIFE, THE (US, Terrence Malick, 2011); VERTOV, DZIGA; MARKER, CHRIS; Pasolini, Pier Paolo; AKERMAN, CHANTAL; GODARD, JEAN-LUC; MORETTI, NANNI; DENIS, CLAIRE; MALICK, TERRENCE
Summary: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis. -- publisher's web site
ISBN: 9780231176958
Contents: Acknowledgments -- Notes on Contributors -- Introduction: Dialogue, Politics, Utopia, by Elizabeth A. Papazian and Caroline Eades -- Part I: The Essay Film as Dialogue -- 1. Essayism and Contemporary Film Narrative, by Timothy Corrigan -- 2. Essaying the Forms of Popular Cinema: Godard, Farocki and the Principle of Shot/Countershot, by Rick Warner -- 3. The Practice of Strangeness: L'Intrus, from Jean-Luc Nancy (2000) to Claire Denis (2004), by Martine Beugnet -- 4. Cinéma-vérité and Kino-pravda: Rouch, Vertov, and the Essay Form, by Caroline Eades and Elizabeth A. Papazian -- Part II: The Essay Film as Politics -- 5. Notes for a Revolution: Pasolini's Postcolonial Essay Films, by Luca Caminati -- 6. Chris Marker's Description of a Struggle and the Limits of the Essay Film, by Eric Zakim -- 7. A Woman with a Movie Camera: Chantal Akerman's Essay Films, by Anne Eakin Moss -- 8. 'What Does It Mean Today to Be a Communist?': Nanni Moretti's Palombella rossa and La cosa as Essay Films, by Mauro Resmini -- Part III: The Essay Film as Utopia -- 9. Mohamed Soueid's Cinema of Immanence, by Laura U. Marks -- 10. Inside/Outside: Nicolasito Guillén Landrián's Subversive Strategy in Coffea Arábiga, by Ernesto Livon-Grosman -- 11. American Essays in How to Build a Home: Thoreau, Mekas, Proenneke, by Oliver Gaycken -- 12. 'to speak, to hold, to live by the image': Notes in the Margins of the New Videographic Tendency, by Luka Arsenjuk -- Afterword: The Idea of Essay Film, by Laura Rascaroli -- Index

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: REFERENCE SECTION; 058 INT "1970"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1969
PhysDes: v.
Subject: ANDERSON, LINDSAY; CHABROL, CLAUDE; ICHIKAWA, JUN; Pasolini, Pier Paolo; SKOLIMOWSKI, JERZY; LENIN [V.I.] IN FILMS
ISBN: 900730013

Call No: 71(45) BON
Author: Bondanella, Peter E., 1943
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1983
PhysDes: viii, 440 p. : ill. ; 22 cm
Series: Ungar film library
Subject: ITALY; NEOREALISM; WESTERNS. ITALY; CAVANI, LILIANA; WERTMULLER, LINA; COMENCINI, LUIGI; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; ANTONIONI, MICHELANGELO; Fellini, Federico; BERTOLUCCI, BERNARDO; LEONE, SERGIO; Pasolini, Pier Paolo; FERRERI, MARCO; GERMI, PIETRO; LATTUADA, ALBERTO; MONICELLI, MARIO; PONTECORVO, GILLO; RISI, DINO; ROSI, FRANCESCO; TAVIANI, PAOLO & VITTORIO; OLMI, ERMANNO; PETRI, ELIO; BRUSATI, FRANCO; BELLOCCHIO, MARCO
Notes: Includes index; Bibliography: p. 413-421
ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95
LON: 2315799 2315799

Call No: 71(45) SOR
Author: Sorlin, Pierre
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: viii, 202 p. : ill. ; 23 cm
Series: National cinemas series
Subject: ITALY; NEOREALISM; TELEVISION AND THE CINEMA. ITALY; FASCISM AND THE CINEMA. ITALY; DOCUMENTARY FILMS. ITALY; ANTONIONI, MICHELANGELO; BLASETTI, ALESSANDRO; PAGANO, BARTOLOMEO; NAZZARI, AMEDEO; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; Pasolini, Pier Paolo; Fellini, Federico
Notes: Filmography: p. (181)-202; Includes bibliographical references and index
ISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)
LON: 12008493

Call No: 745.2(450)RES
Author: Resmini, Mauro
Edition: 2022
Place: Boston
Publisher: University of Minnesota Press
PubDate: 2022
PhysDes: 302 pages : illustrated ; 22cm
Subject: PASOLINI, PIER PAOLO; BERTOLUCCI, BERNARDO; ANTONIONI, MICHELANGELO; BELLOCCHIO, MARCO; RISI, DINO; PETRI, ELIO; POLITICAL FILMS; POLITICS IN FILMS; ITALY
Summary: Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68. Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time. -- publisher's web site
ISBN: 9781517911386
Donation: Senses of Cinema
Contents: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction. Cinema/Politico -- Chapter 1. For a Figural Theory of Political Cinema -- Chapter 2. Subjectivity within and against Capital -- Chapter 3. Figuring Reproductive Labor -- Chapter 4. The Dialectic of Enjoyment -- Chapter 5. An Ethics of Autonomy -- Chapter 6. Totality as Conjuration -- Chapter 7. The Tyrant, the Intriguer, the Martyr -- Epilogue. The Cinema of '68, the '68 of Cinema -- Acknowledgments -- Notes -- Index -- About the Author

Call No: 71(45) WIT
Author: Witcombe, R. T. (Rick Trader), 1943
Place: New York
Publisher: Oxford University Press
PubDate: 1982
PhysDes: x, 294 p. : ill. ; 22 cm
Subject: ITALY; FERRERI, MARCO; ANTONIONI, MICHELANGELO; CAVANI, LILIANA; BERTOLUCCI, BERNARDO; Pasolini, Pier Paolo; Fellini, Federico; ROSI, FRANCESCO; TAVIANI, PAOLO & VITTORIO; VISCONTI, LUCHINO; WERTMULLER, LINA; BRASS, TINTO; BELLOCCHIO, MARCO; BOLOGNINI, MAURO; PETRI, ELIO; OLMI, ERMANNO; BRUSATI, FRANCO; BERTOLUCCI, GIUSEPPE; DEL MONTE, PETER; MORETTI, NANNI
Notes: Includes index
ISBN: 019520381X : $19.95
LON: 2332499

Author: Hibberd, Jack
PhysDes: Review; Article
Subject: MAMMA ROMA (IT, Pier Paolo Pasolini, 1962); Pasolini, Pier Paolo
Summary: Review of Pasolini's "Mamma Roma", which compares it to his first film, 'Accattone", in terms of the world he creates on film.

Call No: 81PAS SIC
Author: Siciliano, Enzo, 1934
Place: London
Publisher: Bloomsbury
PubDate: 1987, c1982
PhysDes: xi, 435p, [16]p of plates : ill., ports ; 24cm
Subject: Pasolini, Pier Paolo
Notes: Italian cinema films. Directing. Pasolini, Pier Paolo,. 1922-1975 (BNB/PRECIS); Originally published: New York : Random House, 1982; Translation of: Vita di Pasolini; Bibliography: p421-422. - Includes index
ISBN: 0747500312 (pbk) : ª8.95; 0747500304 (cased) : ª20.00 : CIP rev
LON: bnb74750030; 5247646

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: Pasolini, Pier Paolo

Call No: 81PAS ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: x, 230 p. : ill. ; 24 cm
Series: Perspectives series
Subject: Pasolini, Pier Paolo
Notes: INcludes bibliographies and index
ISBN: 0851705189 (pbk.); 0851705170 (hbk.) : ª14.95 : CIP entry (Oct.)
LON: bnb85170518; 11802842 11802841

Call No: 761 RAS
Author: Rascaroli, Laura
Source: Adrian Miles
Place: United States
Publisher: Wallflower Press
PubDate: [2009]
PhysDes: viii, 226 p. : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; FAROCKI, HARUN; MARKER, CHRIS; GODARD, JEAN-LUC; SOKUROV, ALEKSANDR; PASOLINI, PIER PAOLO
Summary: "The Personal Camera is an exploration of an elusive but increasingly compelling field: essayistic cinema. The essay film, together with its cognate forms - the diary, the travelogue, the notebook and the self-portrait - is cinema in the first person. It is a cinema of thought, of investigation and self-reflection in which the filmmaker, instead of withdrawing behind the camera, comes out into the open to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avantgarde and political filmmaking, and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. By engaging with directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Aleksandr Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Jonas Mekas and Agnes Varda, this book -- provides novel answers to some of the seminal questions of cinema: on the nature of the cinematographic experience, on authorship and spectatorship, on the filmic commitment to truth and on the state of subjectivity today." --Book Jacket.
Notes: Formerly CIP. Includes bibliographical references and index.
ISBN: 9781906660123

Call No: 81PAS PIE
Author: Willemen, Paul
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: vii, 88 p. ; 21 cm
Subject: Pasolini, Pier Paolo
Notes: Contains articles originally published in various sources; "Filmography": p. 78-86; Bibliography: p. 87-88
ISBN: ª0.75
LON: 77374134; 1063450

Call No: 81 PAS PIE
Author: Breillat, Catherine; Donshen, Luise; Donschen, Nike; Zhangke, Jia; Jude, Radu; Kapadia, Payal; Koberidze, Alexandre; Komljen, Dane; Leigh, Mike; Llinas, Mariano; Minervini, Giada; Minervini, Roberto; Massadian, Valerie; Moullet, Luc; Rivers, Ben; Schanelec, Angela; Seidl, Ulrich; al-Sharif, Basma; Stratman, Deborah; Suwichakornpong, Anocha; Vinagre, Gustavo; Wittmann, Helena; Pasolini, Pier Paolo
Edition: 2022
Place: Berlin
Publisher: Fireflies Press
PubDate: November 2022
PhysDes: 160 Pages : illustrated ; 23 cm
Subject: PASOLINI, PIER PAOLO
Summary: Published on the centenary year of Pasolini’s birth, Pier Paolo Pasolini: Writing on Burning Paper is a dual edition that stages a dialogue between cinema today and Pasolini’s timeless films and words. The two complementary volumes slide into one another, forming a unique set that evokes and celebrates Pasolini’s enduring influence. The smaller book features his epic autobiographical poem ‘Poet of the Ashes’, in a revised translation by esteemed poet Stephen Sartarelli; the larger book comprises original tributes by vital filmmakers from across the contemporary cinema landscape. Twenty filmmakers shared personal reflections in the form of essays, poems, photographs, drawings and more: Catherine Breillat, Luise Donschen & Helena Wittmann, Jia Zhangke, Radu Jude, Payal Kapadia, Alexandre Koberidze, Dane Komljen, Mike Leigh, Mariano Llinás, Roberto Minervini, Valérie Massadian, Luc Moullet, Ben Rivers, Angela Schanelec, Ulrich Seidl, Basma al-Sharif, Deborah Stratman, Anocha Suwichakornpong and Gustavo Vinagre. -- publisher's web site
Notes: additional volume of poetry (36 pages) attached to inside front cover
ISBN: 9780645454727

Call No: 756 ROH
Author: Rohdie, Sam, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: viii, 280 p. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; CULTURE AND THE CINEMA; BAZIN, ANDRE; CITIZEN KANE (US, Orson Welles, 1941); GIDE, ANDRE; GODARD, JEAN-LUC; ART AND THE CINEMA; Pasolini, Pier Paolo; ROHMER, ERIC; ROSSELLINI, ROBERTO; MODERNISM AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0851708536(pbk.) : ¦15.99; 0851708544(cased) : ¦48.00
LON: 22645289

Author: Pasolini, Pier Paolo
PhysDes: Article
Subject: Pasolini, Pier Paolo; ACCATTONE (IT, Pier Paolo Pasolini, 1961); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); THEORY; SEMIOLOGY
Summary: Article by Pasolini on the relationshiop of literature and film, and the moment a scenario from one medium becomes complete within itself in another medium. Pasolini takes a structualist and semiotic perspective.

Author: Dewey, Langdon
PhysDes: Review Article
Subject: OLMI, ERMANNO; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MELVILLE, JEAN-PIERRE; RESNAIS, ALAIN; SHINODA, MASAHIRO; KOSHIKEI (JA, Nagisa Oshima, 1968); OSHIMA, NAGISA; ROHMER, ERIC; FENYES SZELEK (HU, Miklos Jancso, 1969); JANCSO, MIKLOS; SONTAG, SUSAN; VARDA, AGNES; ZERT (CS, Jaromil Jires, 1969); JIRES, JAROMIL; Pasolini, Pier Paolo; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969)
Summary: Review of the highlights of the 13th London Film Festival in 1969.