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Audio-vision : sound on screen / Michel Chion; foreword by Walter Murch; edited and translated by Claudia Gorbman New York: Columbia University Press, 2019.
Call No: 634 CHIAuthor: Chion, Michel Edition: 2019Place: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: xxiii, 270 pages : illustrated ; 23cmSubject: SOUND ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; WELLES, ORSON ; Wenders, Wim ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; PERSONA (SW, Ingmar Bergman, 1966) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.
In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.
This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web siteISBN: 9780231185899Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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The cinema of Wim Wenders : image, narrative, and the postmodern condition / edited by Roger F. Cook and Gerd Gemnnden Detroit, Mich.: Wayne State University Press, 1997.
Call No: 81WEN CINAuthor: Cook, Roger F., 1948 ; Gemnnden, Gerd, 1959 Place: Detroit, Mich.Publisher: Wayne State University PressPubDate: 1997PhysDes: 284 p. : ill. ; 23 cmSeries: Contemporary film and television seriesSubject: Wenders, Wim Notes: Filmography: p. 257-262; Includes bibliographical references (p. 263-279) and indexISBN: 0814325785 (pbk. : alk. paper)LON: 12489365
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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The films of Wim Wenders : cinema as vision and desire / Robert Phillip Kolker, Peter Beicken Cambridge [England] New York: Cambridge University Press, 1993.
Call No: 81WEN KOLAuthor: Kolker, Robert Phillip ; Beicken, Peter, 1943 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1993PhysDes: xi, 197 p. : ill. ; 24 cmSeries: Cambridge film classicsSubject: Wenders, Wim Notes: Includes index; Bibliography: p. 185-189; Filmography: p. 173-184ISBN: 0521380642 (hardback); 0521389763 (paperback)LON: 92016238; 9041162
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journal article
The German Undergound in Lumiere (September-October 1971) iss.11 p.37-39
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International film guide. 1980 / edited by Peter Cowie ; associate editor Derek Elley London: Tantivy Press [etc.], 1979.
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Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
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Narrative mortality : death, closure, and new wave cinemas / Catherine Russell Minneapolis: University of Minnesota Press, 1995.
Call No: 747.19 RUSAuthor: Russell, Catherine, 1959 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1995PhysDes: vii, 271 p. : ill. ; 24 cmSubject: NOUVELLE VAGUE ; NARRATIVE IN FILMS ; DEATH IN FILMS ; ALLEGORY IN FILMS ; MELODRAMA ; LANG, FRITZ ; Wenders, Wim ; OSHIMA, NAGISA ; GODARD, JEAN-LUC ; ALTMAN, ROBERT ; BENJAMIN, WALTER ; LYNCH, DAVID ; Peckinpah, Sam ; PENN, ARTHUR ; RAY, NICHOLAS ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NASHVILLE (US, Robert Altman, 1975) ; NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979) ; SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960) ; SHONEN (JA, Nagisa Oshima, 1969) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Notes: Includes bibliographical references (p. 253-262) and indexISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)LON: 10942855
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New German cinema : from Oberhausen to Hamburg / James Franklin London: Columbus, 1986, c1983.
Call No: 71(430.1) FRAAuthor: Franklin, James, 1943 Place: LondonPublisher: ColumbusPubDate: 1986, c1983PhysDes: [230] p. : ill., ports ; 22cmSubject: GERMANY ; KLUGE, ALEXANDER ; HUILLET, DANIELE ; SCHLONDORFF, VOLKER ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; Wenders, Wim ; SYBERBERG, HANS JURGEN ; STRAUB, JEAN-MARIE Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and indexISBN: 086287209X : ª5.95 : CIP confirmedLON: 4636613
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The new German cinema / John Sandford London: Eyre Methuen, 1981.
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New German filmmakers : from Oberhausen through the 1970s / edited by Klaus Phillips New York: Ungar Pub. Co., c1984.
Call No: 802.25(430.1) HEWAuthor: Phillips, Klaus Place: New YorkPublisher: Ungar Pub. Co.PubDate: c1984PhysDes: xxv, 462 p. : ill., ports. ; 22 cmSubject: DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; BRUSTELLIN, ALF ; COSTARD, HELLMUTH ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HAUFF, REINHARD ; HERZOG, WERNER ; KLUGE, ALEXANDER ; LILIENTHAL, PETER ; SCHLONDORFF, VOLKER ; TROTTA, MARGARETHE VON ; STOCKL, ULA ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; SYBERBERG, HANS JURGEN ; Wenders, Wim ; BOHM, HARK ; SINKEL, BERNHARD ; REITZ, EDGAR ; SPILS, MAY ; ENKE, WERNER Notes: Includes index; Bibliography: p. 428-462ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95LON: 3146469
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The other side : European avant-garde cinema, 1960-1980 : a film exhibition / organized by the American Federation of Arts New York, N.Y.: The Federation, c1983.
Call No: 771.1 OTHAuthor: Cornwell, Regina, 1941 CorpAuthor: American Federation of ArtsPlace: New York, N.Y.Publisher: The FederationPubDate: c1983PhysDes: 91 p. : ill. ; 23 cmSubject: AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; HEIN, BIRGIT & WILHEIM ; KREN, KURT ; NEKES, WERNER ; POTTER, SALLY ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; TAIT, MARGARET ; Wenders, Wim ; ZWARTJES, FRANS ; WELSBY, CHRIS ; WYBORNY, KLAUS ; SMITH, JOHN ; LEGGETT, MIKE ; LE GRICE, MALCOM ; MOMMARTZ, LUTZ ; O., DORE ; GOTOVAC, TOMISLAV ; KRISTL, VLADO ; NOOIJER, PAUL DE ; BODY, GABOR ; BOLTANSKI, CHRISTIAN ; BARUCHELLO, GIANFRANCO Notes: Bibliography: p. 88-89; Includes filmographiesISBN: 0917418743 (pbk.)LON: 3032991
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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The real gaze : film theory after Lacan / Todd McGowan Albany, NY: State University of New York Press, c2007.
Call No: 626[159.964.2] MCGAuthor: McGowan, Todd Place: Albany, NYPublisher: State University of New York PressPubDate: c2007PhysDes: xii, 254 p. ; 24 cm.Subject: PSYCHOANALYSIS AND THE CINEMA ; LACAN, JACQUES ; SPECTATORSHIP ; KUBRICK, STANLEY ; LEE, SPIKE ; MANN, MICHAEL ; FELLINI, FEDERICO ; NOUVELLE VAGUE ; WELLES, ORSON ; DENIS, CLAIRE ; NEOREALISM ; HOWARD, RON ; SPIELBERG, STEVEN ; GRIFFITH, DAVID WARK ; TARKOVSKY, ANDREI ; Wenders, Wim ; LYNCH, DAVID Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements.Notes: Includes index.ISBN: 9780791470398
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personality clippings file
WENDERS, WIM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Clippings; Publicity; StillsSubject: Wenders, Wim
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personality clippings file
WENDERS, WIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: Wenders, Wim
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Wim Wenders / by Jan Dawson ; translated by Carla Wartenberg New York: New York Zoetrope, 1976.
Call No: 81WEN DAWCopy Management: Copy 1; Copy 2Author: Dawson, Jan ; Wenders, Wim Place: New YorkPublisher: New York ZoetropePubDate: 1976PhysDes: 32 p. : ill. ; 28 cmSubject: Wenders, Wim Notes: Copy 1 is Fifth printing. Copy 2 is Sixth printing.LON: abn83181836; 2971906
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