subject clippings file
AWARDS. CANADA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. CANADA
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Yet to catalogue
book
Beyond broadcasting : into the cable age / Timothy Hollins London: Published for the Broadcasting Research Unit by BFI Pub., 1984.
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subject clippings file
CANADA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CANADA
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Interim
book
Canada 1990 feature film catalogue 1990.
Call No: REFERENCE SECTION; 023(71)"1990" TELCorpAuthor: Telefilm CanadaPubDate: 1990Subject: CANADA ; FILMOGRAPHIES Notes: Catalogue
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Interim
book
Canada 1990 television programme catalogue / Telefilm Canada [1990?].
Call No: REFERENCE SECTION; 023(71)"1990" TELCorpAuthor: Telefilm CanadaPubDate: [1990?]Subject: CANADA ; FILMOGRAPHIES
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CANADA COUNCIL FOR THE ARTS
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Online resource
annual report
Canada Council for the Arts Annual Report S.l.: s.n., 1996/97-. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; Held 1996/97 - 2010/11; DIGITAL FILES; held 1957/58-2021/22CorpAuthor: Canada Council for the ArtsSource: CAPlace: S.l.Publisher: s.n.PubDate: 1996/97-Subject: CANADA ; CANADA COUNCIL FOR THE ARTS Notes: Downloadable from website http://www.canadacouncil.caOrder Notes: Current
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Interim
book
Canadian feature film index / D.J. Turner 1987.
Call No: REFERENCE SECTION; 023(71)"1913/1985" CANCorpAuthor: Public Archives CanadaSource: CAPubDate: 1987Subject: CANADA ; FILMOGRAPHIES Notes: CatalogueISBN: 0660533642
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Old collection
book
Canadian feature films : 1913 - 1969: Part 1 - 1913 1940 / edited by Peter Morris Ottawa: Canadian Film Institute, 1970.
Call No: 71(71) CANAuthor: Morris, Peter Source: CNPlace: OttawaPublisher: Canadian Film InstitutePubDate: 1970PhysDes: v., 20 p. : ill. ; 28 cmSeries: Canadian filmography series, 6Subject: CANADA Summary: An index of Canadian feature films made between 1913 to 1940
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Old collection
book
Canadian feature films : 1914 - 1964 / complied and edited by Peter Morris and Larry Kardish Ottawa: Canadian Film Institute, 1965.
Call No: 71(71) CANAuthor: Morris, Peter ; Kardish, Larry Source: CNPlace: OttawaPublisher: Canadian Film InstitutePubDate: 1965PhysDes: iv., 57 p. ; 28 cmSeries: Canadian Filmography Series, No 1Subject: CANADA Summary: Listing the feature film production in Canada since its inception; in 1914
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book
Canadian film / David Clandfield Toronto: Oxford University Press, 1987.
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Interim
festival catalogue
Canadian film centre's worldwide short film festival Toronto, Ontario: Canadian Film Centre, 2001.
Call No: FESTIVAL CATALOGUE SHELVES held 2001CorpAuthor: Canadian film centreSource: CNPlace: Toronto, OntarioPublisher: Canadian Film CentrePubDate: 2001Subject: FESTIVALS. CANADA. SHORT FILM Order Notes: Current
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book
Canadian film digest 1975 yearbook : of the Canadian film industry / Editor/advertising sales: Barry Silver Toronto: Canadian Film Digest,
CorpAuthor: Canadian Film DigestPlace: TorontoPublisher: Canadian Film DigestPhysDes: 132 p.; 28 cmSubject: CANADA
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Interim
book
A catalogue of 16mm films on anthropology and ethnology (revised) Ottowa: Canadian Film Institute, 1968.
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subject clippings file
CENSORSHIP. CANADA
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book
The cinema and social science : a survey of ethnographic and sociological films Paris: Unesco, 1962.
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book
Cinema as history : Michel Brault and Modern Quebec / by Andre Loiselle Toronto: Toronto International Film Festival Group, c2007.
Call No: 71(714) LOIAuthor: Loiselle, Andre Edition: 1st ed.Source: CNPlace: TorontoPublisher: Toronto International Film Festival GroupPubDate: c2007PhysDes: xii, 237 p. : ill. ; 21 cmSubject: FILM ; CANADA ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; BRAULT, MICHEL Notes: Translation of: Le cine´ma de Michel Brault; Includes bibliographical references (p. 221-236); Translated from the FrenchISBN: 0968913261Donation: Donated by Senses of Cinema, 2013Contents: -- Foreword / Piers Handling -- 1: Michel Brault: a witness to the History of (Cinema in) Quebec -- Le Dement du lac Jean-Jeunes -- Mouvement perpetual -- Matin -- Chronique d'un ete -- Petites Medisances -- La Petite Aurore, l'enfant martyre -- La Lutte -- 2: Images and Sounds of a Collectivity: Les Raquetteurs and the Birth of Modern Quebec Cinema -- The Days before Christmas -- Les Raquetteurs -- Les Mains nettes -- Felix Leclerc, trabadour -- Quebec-USA ou l'invasion pacifique -- Seul ou avec d'autres -- 3: The Cinema of the Quiet Revolution: between Modernity and Tradition -- Pour la suite du monde -- Le Temps perdu -- Genevieve -- Les Enfants du silence -- Entre la mer et l'eau douce -- 4: The October crisis and the transformation of Quebec Nationalism -- Les Ordres -- L'Acadie, l'Acadie?!? -- Eloge du Chiac -- Le Son des Francais d'Amerique -- Le Temps de l'avant -- 5: from one referendum to the other: ethnic diversity and nostalgia -- Les Noces de papier -- Shabbat Shalom! -- Mon amie Max -- Diogene -- La Derniere Partie -- Quand je serai parti... vous vivrez encore -- Ozias Leduc... comme l'espace et le temps -- 6: conclusion: territorial nationalism and La Manic -- La Manic -- endnotes -- filmography -- bibliography --
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book
Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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subject clippings file
CINEMATHEQUE CANADA
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book
Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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book
Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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journal article
Deja Vu- With Palms in Lumiere (June 1970) vol.1 iss.1 p.9-10
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book
Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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festival catalogue
Le festival international du film de la critique Quebecoise : Montreal, Canada / Le festival international du film de la critique Quebecoise Canada: [s.n.], 1977.
Call No: FESTIVAL CATALOGUE SHELVES
held 1977Place: CanadaPublisher: [s.n.]PubDate: 1977PhysDes: 38 p. : ill. ; 28 cmSubject: FESTIVALS. CANADA ; FESTIVALS. QUEBEC ; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: Le Festival International du film de la Critique Quebecoise includes a selection of feature length films from around the world. The catalogue also includes numerous black and white stills and film synopses. NB. The entire contents of the catalogue are in French.
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festival catalogue
Festival international du nouveau cinema and video Montreal : Montreal, Canada / Festival international du nouveau cinema and video Montreal Canada: [s.n.], 1982-1998.
Call No: FESTIVAL CATALOGUE SHELVES
held 1982-1983, 1985, 1998Place: CanadaPublisher: [s.n.]PubDate: 1982-1998PhysDes: 4 v. : ill. ; 23-31 cmSubject: FESTIVALS. CANADA ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; DOCUMENTARY FILMS ; ANIMATION Notes: The Festival International du Nouveau Cinema and Video Montreal includes a selection of feature length films, short films, documentaries and animated films. The festival also hosts special programs relating to world cinema such as new Italian cinema and French-Canadian cinema. The catalogues also include numerous black and white stills and film synopses in both French and English languages.
Prior to 1985 the festival title was referred to as the Festival International du Nouveau Cinema Montreal.ID2: 103
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subject clippings file
FESTIVALS. CANADA. HOTDOCS DOCUMENTARY
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Interim
book
Film Canada Canberra, Australia: Canadian High Commission, [198?].
Call No: REFERENCE SECTION; 023(71) FILCorpAuthor: Canadian High CommissionPlace: Canberra, AustraliaPublisher: Canadian High CommissionPubDate: [198?]Subject: CANADA ; FILMOGRAPHIES Notes: Two copies, undated
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Interim
book
Film Canada / Canadian Film Development Corporation [198?].
Call No: F023(71) FILCorpAuthor: Canadian Film Development CorporationPubDate: [198?]Subject: CANADA ; FILMOGRAPHIES Language: English and French
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Interim
book
Film Canadiana
Call No: F023(71)FC"year" FIL
held 1971/72-78/79 [incomplete]CorpAuthor: Canadian Film InstituteSubject: CANADA ; FILMOGRAPHIES Notes: Catalogue
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book
Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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book
Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; ABORIGINAL AUSTRALIAN CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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serial
Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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journal article
Films of Change in Lumiere (September, 1973) iss.27 p.28-30
Author: Taylor, Barbara PhysDes: ArticleSubject: NATIONAL FILM BOARD OF CANADA ; GOVERNMENT AID Summary: Article on the National Film Board of Canada's 'Challenge for Change' programme. The programme allows for government support for Canadian filmmakers who highlight poverty, and also gives them a viewing platform for their films.
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journal article
From the National library in Filmviews (Jun 1983) vol.116 p.25-26
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book
Gendering the nation : Canadian women's cinema / edited by Kay Armatage .. . [et al.] Toronto: University of Toronto Press, 1999.
Call No: 451-02(71) GENAuthor: Armatage, Kay Place: TorontoPublisher: University of Toronto PressPubDate: 1999PhysDes: xi, 329 pSubject: WOMEN IN FILMS. CANADA ; CANADA ; WOMEN, FILMS MADE BY. CANADA ; GENDER AND THE CINEMA. CANADA ; FEMINISM AND THE CINEMA. CANADA ; DOCUMENTARY FILMS. CANADA ; AVANT-GARDE FILMS. CANADA ; LANDSCAPES IN FILMS. CANADA ; IMPERIALISM AND THE CINEMA. CANADA ; NATIONAL IDENTITY AND THE CINEMA. CANADA ; HOMOSEXUALITY AND THE CINEMA. CANADA ; BODY IN FILMS. CANADA ; ROZEMA, PATRICIA ; POIRIER, ANNE CLAIRE ; FAR SHORE, THE (CN, Joyce Wieland, 1975) ; LOYALTIES (CN, Anne Wheeler, 1986) ; MOUVEMENTS DU DESIR (CN/SZ, Lea Pool, 1994) Notes: Includes bibliographical references and indexISBN: 0802041205 (bound) : $70.00; 0802079644 (pbk.) : $21.95; 0802041205 (bound); 0802079644 (pbk.)LON: 14526441
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The Governor General's awards in visual and media arts 2006 = Les prix du Gouverneur general en arts visuels et en arts mediatiques / editors / redacteurs en chef : Lolita Boudreault, Terry O'Grady Ottawa, Ontario: Canada Council for the Arts,
Call No: C11765Author: Boudreault, Lolita ; O'Grady, Terry Edition: [2006?]Place: Ottawa, OntarioPublisher: Canada Council for the ArtsPhysDes: 92 pages : illustrated ; 27 cmSubject: AWARDS. CANADA ; INSTALLATIONS ; VIDEO ART ; BADEN, MOWRY ; BEAUCHEMIN, MICHELINE ; FRENKEL, VERA ; GALE, PEGGY ; LOCHHEAD, KENNETH ; MAGGS, ARNAUD ; WINTONICK, PETER Language: English; French
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Hamilton Babylon : a history of the McMaster Film Board / Stephen Broomer Toronto: University of Toronto Press, 2016.
Call No: 771 (71) BROAuthor: Broomer, Stephen Place: TorontoPublisher: University of Toronto PressPubDate: 2016PhysDes: xii, 264 : illus. ; 24 cmSubject: EXPERIMENTAL FILMS: CANADA ; HOFSESS, JOHN ; REITMAN, IVAN Notes: Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada’s commercial and experimental film communities. McMaster’s student film society quickly became the site of art filmmaking and an incubator for some of the country’s most famous commercial talent – as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess’s Columbus of Sex.
In Hamilton Babylon, Stephen Broomer traces the history of the MFB from its birth as an organization for producing and exhibiting avant-garde films, through its transformation into a commercial-industrial enterprise, and into its final decline as a show business management style suppressed many of its voices. The first book to highlight the work of Hofsess, an innovative filmmaker whose critical role in the MFB has been almost entirely eclipsed by Reitman’s legend, Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.ISBN: 9781442647787Donation: donated by Senses of CinemaContents: Chapter One: A Dangerous Precedent
Chapter Two: Assembling Pleasure
Chapter Three: A New President
Chapter Four: Participatory Democracy
Chapter Five: Seize the Projectors
Chapter Six: Sync Sound Arrives, 1970
Chapter Seven: The Film Board Presidents on Trial
Chapter Eight: The Appeal
Chapter Nine: Show Business
Appendix: McMaster Film Board Filmography
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A handbook of Canadian film / [by] Eleanor Beattie Toronto Montreal: P. Martin Associates Take one magazine, c1973.
Call No: 71(71) BEAAuthor: Beattie, Eleanor Gale, 1937 Place: Toronto MontrealPublisher: P. Martin Associates Take one magazinePubDate: c1973PhysDes: vii, 280 p. ill. 20 cmSubject: CANADA Notes: Includes bibliographiesISBN: 0887780733; 0887780741 (pbk.)LON: 340687 340687 2016347
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journal article
'Heart of a Champion' is a winner in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CANADA Summary: Synopsis of 'The Terry Fox Story' (sometimes refered to as 'Heart of a Champion'), including details of its Sydney premier at the Lyceum Theatre which is a charity fundraiser for the Wesley Central Mission.
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Image and Identity : reflections on Canadian film and culture / R. Bruce Elder Waterloo, Ontario, Canada: Wilfred Laurier University Press, Academy of Canadian Cinema & Television, c1989.
Call No: 408.1(71) ELDAuthor: Elder, R. Bruce Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University Press; Academy of Canadian Cinema & TelevisionPubDate: c1989PhysDes: xviii, 483 p. ; 24 cmSubject: CANADA ; HISTORY OF CINEMA. CANADA ; EXPERIMENTAL FILMS ; ART AND THE CINEMA Summary: " In this study of Canadian film, I attempt to demonstrate that there are interrelations among Canadian film, Canadian art and Canadian philosophy. Instead of surveying the development of Canadian film over the last four decades, I have chosen to concentrate on certain key moments in the history of Canadian films, moments in our national filmmaking that most clearly manifest the indigenous style and concerns of our cinema and that disclose certain deeply felt problems that pertain both to our collective psychology and social dynamics and to fundamental issues of artistic representation and expression. What seems to be needed at this stage in our cinematic history is a careful, reasoned assessment of the strengths and weaknesses of our cinematic tradition which establishes the place of the Canadian cinema within Canadian artistic practice." -- PREFACENotes: Includes index; "Filmographies": p. 444-449; Includes bibliographical references (p. 451-465) and indexISBN: 0889209561Contents: -- foreword -- preface -- acknowledgements -- introduction -- part one -- introduction -- chapter 1-- a house divided -- chapter 2 -- two schools of thought -- chapter 3 -- an aesthetics of reconciliation -- part two -- introduction -- chapter 4 -- the documentary film in Canada --chapter 5 -- narrative transmission in American direct Canada films and Canadian candid-eye films -- chapter 6 -- the reality principle: "Goin' down the road" -- chapter 7 -- modes of representation in cinema -- part three - introduction -- chapter 8 -- Michael Snow's 'Wavelength' -- chapter 9 -- from painting into cinema: a study of Jack Chamber's ;circle' -- chapter 10 -- all things in their time: on Michael's snow -- chapter 11 -- the photographic image in Canadian avant-garde film -- chapter 12 -- Michael Snow presents 'presents' -- chapter 13 -- idealism, photography and the Canadian avant-garde film -- chapter 14 -- forms of cinema: models of self -- notes -- appendix: filmography -- bibliography -- index --
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Independent filmmaking around the Globe / edited by Doris Baltruschat and Mary P. Erickson Toronto: University of Toronto Press, c2015.
Call No: 210.4 INDAuthor: Baltruschat, Doris (ed.) ; Erickson, Mary P. (ed.) Source: USPlace: TorontoPublisher: University of Toronto PressPubDate: c2015PhysDes: xii, 313 pages : illustrations ; 23 cm.Subject: FILMMAKING ; INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DIRECTORS ; DIRECTORS ; PRODUCERS ; CRITICISM ; EUROPEAN CINEMA ; BRITISH CINEMA ; UNITED KINGDOM ; AUSTRALIA ; PERU ; GREECE ; TURKEY ; IRAQ ; CITY OF SADNESS, A [ ; AFRICA ; MALAYSIA ; CANADA ; USA Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints.
With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOKNotes: Includes bibliographical references and filmographyISBN: 9781442626836Donation: Senses of CinemaContents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --
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subject clippings file
INDUSTRY, FILM. CANADA
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Interim
book
International film guide 1987 / edited by Peter Cowie London: Tantivy Press, 1986.
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Interim
book
International film guide 1989 / edited by Peter Cowie London: Tantivy Press, 1988.
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IQC : Institut quebecois du cinema Montreal: Institut quebecois du cinema, 1980.
Call No: REFERENCE SECTION; 027(71) IQCCorpAuthor: Institut quebecois du cinemaSource: CNPlace: MontrealPublisher: Institut quebecois du cinemaPubDate: 1980PhysDes: [40 p.] : col. ill. ; 23 cmSubject: CANADA Summary: Disctirbution catalogue of Quebec and Canadian films from 1980Language: French; English
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journal article
Knowing to Learn in Melbourne Film Bulletin (July 1968) iss.4 p.24
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LOCATION SHOOTING. CANADA
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Making our voices heard : Canadian broadcasting and film for the 21st century / Mandate Review Committee, CBC, NFB, Telefilm [Ottawa, Ont.]: Ministry of Supply and Services, 1996.
Call No: 201(71) MANCorpAuthor: Mandate Review Committee, CBC, NFB, Telefilm (Canada); Canada. Canadian HeritagePlace: [Ottawa, Ont.]Publisher: Ministry of Supply and ServicesPubDate: 1996PhysDes: 299 p. : ill. ; 28 cmSubject: INDUSTRY, FILM. CANADA ; INDUSTRY, TV. CANADA ; NATIONAL FILM BOARD OF CANADA ; TELEFILM CANADA ; CANADIAN BROADCASTING CORPORATION Notes: Simultaneously published in French as: Faire entendre nos voix : le cinema et la tTlTvision du Canada au 21e si¯ ecle; Subtitle on spine: Report of the Mandate Review Committee, CBC, NFB, Telefilm; Canadian broadcasting and film for the 21st centuryISBN: 0662241053LON: 12400027
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subject clippings file
NATIONAL FILM BOARD OF CANADA
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Interim
book
National Film Board of Canada catalogue
Call No: REFERENCE SECTION; 023(71)NFB"year" NAT
held 1955-1994/95 [incomplete]Subject: CANADA ; NATIONAL FILM BOARD OF CANADA ; FILMOGRAPHIES Notes: variously titled Films (1955-1963), National Film Board of Canada Film Catalogue International Edition (1971-72) & Candian Edition (1971-72), , A Selection of Recent National Film Board of Canada Productions (1973), National Film Board of Canada Film Catalogue (1974-76), National Film Board of Canada Catalogue (1980), National Film Board of Canada (1992-93), National Film Board of Canada Productions (1994-1995) and National Film Board of Canada International Film and Video Guide
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The Price of being Australian : report of the proceedings of a Conference held to mark the tenth anniversary of the Australian Broadcasting Tribunal and to coincide with the International Institute of Communications Conference, 31 August-1 September 1987, Sydney, Australia. North Sydney: Australian Broadcasting Tribunal, 1988.
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newspaper article
Reel time : Horror film crew takes over the asylum in The Australian [Arts & Entertainment] (04/03/2015) p.15
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newspaper article
Reeltime : Lawson sex comedy wins US festival award in The Australian [Arts & Entertainment] (25/03/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; FESTIVALS. CANADA. HOTDOCS DOCUMENTARY ; WILLIAMS, EVAN ; LITTLE DEATH, THE (AT, Josh Lawson, 2014) Summary: Snippets on: The Little Death winning audience award at the South by Southwest Film Festival and its retitling as 'A Funny Kind of Love' in the UK; Evan Williams receiving the Film Critics Circle of Australia life membership; Box Office figures for March 23 2015; the Australian features showing at the HotDocs festival are: Maybe Baby, Sam Klemke's Time Machine, The Bolivian Case.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 2015 file
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Responses : in honour of Peter Harcourt / edited by Blaine Allan, Michael Dorland, Zuzana M. Pick Kingston, Ont.: Responsibility Press = GEditions La ResponsabilitGe, 1992.
Call No: 67(04) RESAuthor: Allan, Blaine ; Dorland, Michael, 1948 ; Pick, Zuzana M ; Harcourt, Peter, 1931 Place: Kingston, Ont.Publisher: Responsibility Press = GEditions La ResponsabilitGePubDate: 1992PhysDes: ix, 290 p. : ill. ; 24 cmSubject: HARCOURT, PETER ; CANADA ; EDUCATION, FILM. CANADA ; DIVINE MANNEQUIN (CN, David Rimmer, 199?) ; MOURIR A TUE-TETE (CN, Anne Claire Poirier, 1979) ; CARTAS DEL PARQUE (CU, Tomas Gutierrez Alea, 1988) Notes: Includes some text in French; Includes bibliographical referencesISBN: 0969619103 : $60.00LON: cn 92094290; 9212060
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Reverse shots : indigenous film and media in an international context / edited by Wendy Gay Pearson and Susan Knabe Waterloo, Ontario, Canada: Wilfred Laurier University Press, c2015.
Call No: 451-054 (=1-81)(71):(93):(94) REVAuthor: Pearson, Wendy Gay (ed.) ; Knabe, Susan (ed.) Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University PressPubDate: c2015PhysDes: xi, 372 pages : illustrations ; 23 cmSeries: Film and media studies series; Film + media studiesSubject: CRITICISM ; MEDIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; INDIGENOUS ; AUSTRALIA ; NEW ZEALAND ; NEW ZEALAND
MAORI CINEMA ; NORWAY ; CANADA ; DIGITAL TECHNOLOGY ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; ETHNIC GROUPS IN FILMS Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity.
The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. "
--BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781554583355Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --
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Seeing Canada : films for Canadian studies / prepared by James E. Page [Montreal]: National Film Board of Canada, 1980.
Call No: 756(71) PAGAuthor: Page, James E CorpAuthor: National Film Board of CanadaPlace: [Montreal]Publisher: National Film Board of CanadaPubDate: 1980PhysDes: vi, 267 p. : ill. ; 22 cmSubject: NATIONAL FILM BOARD OF CANADA Notes: Includes indexISBN: 0772200041LON: cn 80090035; 1993876
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Shoot it! : Hollywood inc. and the rising of independent film / David Spaner Vancouver: Arsenal Pulp Press, 2012.
Call No: 721.210.4 SPAAuthor: Spaner, David Edition: 2012Place: VancouverPublisher: Arsenal Pulp PressPubDate: 2012PhysDes: 304 pages : illustrated ; 23 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT FILMS ; POLITICS AND THE CINEMA ; FRANCE ; UNITED KINGDOM ; KOREA ; MEXICO ; ROMANIA ; CANADA ; USA Summary: Shoot It! is a revealing history of how Hollywood, with its eye on the bottom line, lost its ability to support the work of creative filmmakers; it is also a passionate portrait of the independent filmmakers who have risen up to fill the void.
The book examines the Hollywood studio system over several decades, from the period when it produced more quality yet commercially viable films, to today, when studios seem only interested in surefire sequels and comic-book adaptations aimed at a global audience. By the same token, Shoot It! also celebrates today's great movies produced outside of the studio system, chronicling the international independent film movement in seven countries (the United States, Canada, Mexico, Britain, France, Romania, and South Korea), from its roots (European New Waves, New York independents) to the revolutionary impact of digital technology. It also features commentary from indie film notables such as Mike Leigh, Gus Van Sant, Claire Denis, Miranda July, Woody Allen, Atom Egoyan, Catherine Breillat, Sally Potter, John Sayles, and Ken Loach.
While the studios envisage a generic universe, repressing local film cultures along the way, talented independents continue to tell local stories with universal appeal. This book is a celebration of those determined filmmakers who, despite it all, overcome every obstacle and just shoot it. -- publisher's web siteISBN: 9781551524085
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journal article
Short film appraisals : Around Perception in Filmviews (Winter 1985) vol.30 iss.123 p.49
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festival catalogue
Stratford international film festival : Ontario, Canada / Stratford international film festival Canada: [s.n.], 1971-1974.
Call No: FESTIVAL CATALOGUE SHELVES
held 1971, 1973-1974Place: CanadaPublisher: [s.n.]PubDate: 1971-1974PhysDes: 3 v. : ill. ; 28 cmSubject: FESTIVALS. CANADA ; FOREIGN FILMS
USE: IMPORT OF FILMS ; FAIRBANKS, DOUGLAS ; WILLIAMS, RICHARD ; PICKFORD, MARY Notes: The Stratford International Film Festival includes a selection of feature length films, as well as career retrospectives that take into account the films of noted actors such as Douglas Fairbanks and Mary Pickford. The catalogues also contains numerous black and white stills and film summaries and a section that includes press notices and film reviews.ID2: 100
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Le succes est au film parlant francais / Pierre Veronneau Montreal: Cinematheque quebecoise, Musee du cinema, c1979.
Call No: 71(71) VERAuthor: Veronneau, Pierre, 1946 CorpAuthor: Cinematheque quebecoise. Musee du cinemaPlace: MontrealPublisher: Cinematheque quebecoise, Musee du cinemaPubDate: c1979PhysDes: 164 p. : ill. ; 28 cmSubject: CANADA Notes: Caption title; Includes bibliographical references and indexLanguage: FrenchLON: 1814586
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TELEFILM CANADA
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Online resource
annual report
Telefilm Canada Annual report / Telefilm Canada [MontrGeal]: The Corporation, [1984]. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1995/96, 1998/99-; DIGITAL FILES; held 1998/99-2021/22CorpAuthor: Telefilm CanadaPlace: [MontrGeal]Publisher: The CorporationPubDate: [1984]PhysDes: v. : ill. ; 30 cmSubject: TELEFILM CANADA Notes: Title from coverISSN: 0837-2446Language: Text in English and French; French text on inverted pagesFrequency: AnnualLON: 6928612 6928614
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Interim
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Telefilm Canada projects financed in 1989-1990 : films and television programmes / Telefilm Canada Montreal: Telefilm Canada, [1989?].
Call No: REFERENCE SECTION; 023(71)"1989" TELCorpAuthor: Telefilm CanadaSource: CAPlace: MontrealPublisher: Telefilm CanadaPubDate: [1989?]Subject: CANADA Notes: Catalogue
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festival catalogue
Universiade international student film festival : Edmonton, Alberta, Canada / Universiade international student film festival Canada: [s.n.], 1983.
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festival catalogue
Vancouver international amateur film festival : Vancouver, Canada / Vancouver international amateur film festival Canada: [s.n.], 1962-1964.
Call No: FESTIVAL CATALOGUE SHELVES
held 1962, 1964Place: CanadaPublisher: [s.n.]PubDate: 1962-1964PhysDes: 2 v. : ill. ; 23 cmSubject: FESTIVALS. CANADA ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; DOCUMENTARY FILMS ; ANIMATION Notes: The Vancouver International Amateur Film Festival includes a selection of feature length films, short films, documentaries and animated films made by amateur filmmakers. The catalogues also include numerous black and white stills and film synopses.
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festival catalogue
Vancouver international film festival : Vancouver, Canada / Vancouver international film festival Canada: [s.n.], 1961-2008.
Call No: FESTIVAL CATALOGUE SHELVES
held 1961-1963, 1965, 2001, 2008Place: CanadaPublisher: [s.n.]PubDate: 1961-2008PhysDes: 6 v. : ill. ; 23-28 cmSubject: FESTIVALS. CANADA ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; DOCUMENTARY FILMS ; ANIMATION ; RENOIR, JEAN Notes: The Vancouver International Film Festival includes a selection of feature length films, short films, documentaries and animated films. The festival also hosts various film related seminars and retrospectives on classic film directors. The catalogues also include numerous black and white and colour stills and film synopses. The 1963 festival catalogue also includes a separate press book.ID2: 100
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Who's Who in Canadian Film and Television : Qui est qui au cinema et a la television au Canada / Academy of Canadian Cinema and Television Toronto, Ontario: Global Press, 1999.
Call No: REFERENCE SECTION; 058.7(71) WHO REFEdition: 2000Place: Toronto, OntarioPublisher: Global PressPubDate: 1999PhysDes: 860 p ; 21 cmSubject: CANADA ; INDUSTRY, FILM. CANADA Summary: From A to Z, writers to post-production sound mixers – the only comprehensive directory to behind-the-camera talent in Canada. This indispensable guide lists up-to-date addresses, biographies and filmographies of more than 2000 administrative support personnel, art directors, cinematographers, music personnel, communications personnel, sound personnel, creative support personnel, directors, editors, executives, producers, screenwriters, visual effects and animation specialists. For anyone who wants to know about the professionals in the Canadian film and television industry, here’s the essential information. [Taken from back cover.]ISBN: 0771576544ISSN: 08316309Language: English and French
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