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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 736.11
Author: Grant, Kevin
Edition: August 2013
Place: Godalming, Surrey
Publisher: FAB Press
PubDate: May 2011
PhysDes: 480 pages : illustrated ; 26 cm
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE
Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made. Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today. Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age. Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious. Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site
Notes: Foreword by Franco Nero
ISBN: 9781903254615

Call No: 233 POP
Author: Pope, Norris
Edition: 2013
Place: Jackson
Publisher: University Press of Mississippi
PhysDes: 168 pages : illustrated ; 22 cm
Subject: CAMERAS; CORMAN, ROGER; EASTWOOD, CLINT; KOVACS, LASZLO; HOPPER, DENNIS; FONDA, PETER; ZSIGMOND, VILMOS; EASY RIDER (US, Dennis Hopper, 1969); BULLITT (US, Peter Yates, 1968); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968)
ISBN: 9781496814685
Donation: donated by Senses of Cinema
Contents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site

Call No: 81 JAC JAC
Author: Jacob, Gilles
Edition: 2011
Place: London; New York
Publisher: Phaidon
PubDate: 2011
PhysDes: 383 pages : illustrated ; 25 cm
Subject: CANNES FILM FESTIVAL; STONE, SHARON; EASTWOOD, CLINT; ALLEN, WOODY; SCORSESE, MARTIN; KUBRICK, STANLEY; DEPARDIEU, GERARD
ISBN: 9780714861906

Call No: 81EAS MCG
Author: McGilligan, Patrick
Place: London
Publisher: HarperCollins
PubDate: 1999
PhysDes: 612 p., [30] p. of plates : ill., ports. ; 24 cm
Subject: EASTWOOD, CLINT
Notes: Includes index
ISBN: 000255528X : ª19.99; 000257120X
LON: 20089096

Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: EASTWOOD, CLINT

Call No: 81EAS VAU
Author: Vaux, Sara Anson
Source: US
Place: Grand Rapids, Michigan
Publisher: William B. Eerdmans Pub. Co.
PubDate: c2012
PhysDes: xvii, 259 p. : ill. ; 23 cm
Subject: ETHICS IN FILMS; EASTWOOD, CLINT; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); CHANGELING (US, Clint Eastwood, 2008); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006); GRAN TORINO (US/AT, Clint Eastwood, 2008); INVICTUS (US, Clint Eastwood, 2009)
Summary: Provides insight into Clint Eastwood's films - in particular the role of ethics
Notes: Formerly CIP; Includes bibliographical references, filmography and index
ISBN: 9780802862952
Contents: -- foreword / by Robert Jewett -- preface -- introduction -- The Angel of Death (The Avenging Angel) -- High Plains Drifter -- The Outlaw Josey Wales -- Pale Rider -- Unforgiven -- II.The Mysteries of Life -- Mystic River -- Million Dollar Baby -- Changeling -- Bird -- III.Eternal War or the Dawn of Peace? -- Flags of Our Fathers -- Letters from Iwo Jima -- Gran Torino -- Invictus -- IV.Hereafter: Eastwood and the Reconciling Community -- Hereafter: Beyond a Perfect World? -- The Gathering, the Meal, and the Reconciling Community -- Another Clint -- acknowledgments -- appendix a -- appendix b -- Eastwood filmography -- Clint Eastwood: select bibliography -- index --

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Universal Pictures
PubDate: c. 1973
PhysDes: 1 photograph : col. ; 21 x 26 cm.
Subject: HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); EASTWOOD, CLINT
Summary: Sitting on the dusty ground and leaning against a plank wood wall are a man wearing denim trousers, long sleeved shirt and leather boots. The girl is fair haired and is wearing a dress.
Notes: Australian classification stamp on image; White border surrounds image; Slight deterioration on reverse of photograph

Call No: 802.25 CAH
Source: UK
Place: Oxford, UK
Publisher: Berg
PubDate: 2006
PhysDes: v, 154 p. ; 19 cm
Subject: AUTEUR THEORY; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SCORSESE, MARTIN; EASTWOOD, CLINT; BURTON, TIM; COEN, JOEL & ETHAN
Summary: Interviews with Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, and Tim Burton.
Notes: Formerly CIP.; Includes filmographies.; Translated from the French.
ISBN: 1845204417

Call No: 736 KIT
Author: Kitses, Jim
Edition: 2nd ed.
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2004
PhysDes: 343 p. ; 23 cm
Subject: WESTERNS; CRITICISM: METHODOLOGY OF FILM CRITICISM; Peckinpah, Sam; LEONE, SERGIO; EASTWOOD, CLINT; MANN, ANTHONY; BOETTICHER, BUDD; FORD, JOHN
Notes: An expanded update on the 1969 edition, ‘Horizons West’ focuses on the ‘Western’ genre. It pays attention to the work of particular film directors (John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone, and Clint Eastwood) and the many themes that these people directed. Includes a brief assessment of criticism of the Western influenced by postmodernism and other cultural movements.
ISBN: 1844570509

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

PhysDes: Article
Subject: FIREFOX (US, Clint Eastwood, 1982); EASTWOOD, CLINT; LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982)
Summary: News and information on Roadshow-related productions.

PhysDes: Article
Subject: FIREFOX (US, Clint Eastwood, 1982); EASTWOOD, CLINT; YOUNG DOCTORS IN LOVE (US, Garry Marshall, 1982); CANNERY ROW (US, David S. Ward, 1982)
Summary: News from upcoming Roadshow productions.

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 62(04)(73) HAR
Author: Harmetz, Aljean
Edition: First edition
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1983
PhysDes: xvii, 263 pages ; 22 cm
Subject: BOX OFFICE. USA; CABLE TV. USA; COLUMBIA PICTURES; INDUSTRY, FILM. USA; RATING FOR FILMS. USA; ARKOFF, SAMUEL; ASTAIRE, FRED; BURTT, BEN; DANIELS, ANTHONY; EASTWOOD, CLINT; FONDA, JANE; KASDAN, LAWRENCE; LANGE, JESSICA; LUCAS, GEORGE; NICHOLSON, JACK; Peckinpah, Sam; PICKFORD, MARY; RITT, MARTIN; Stanwyck, Barbara; WILDER, BILLY; ZUKOR, ADOLPH; STAR WARS (US, George Lucas, 1977)
Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.
Notes: Many pages have rough edges
ISBN: 0394528867
Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm

Call No: 45:179 SCR
Author: French, Karl
Place: London
Publisher: Bloomsbury
PubDate: 1996
PhysDes: vi, 250 p. ; 21 cm
Subject: VIOLENCE IN FILMS; VIOLENCE ON TV; SERIAL KILLERS IN FILMS; CENSORSHIP; DELINQUENTS IN FILMS; CHILDREN, EFFECTS OF FILM ON; WATERS, JOHN (US); MCCALLION, JAMES; STONE, OLIVER; EASTWOOD, CLINT; GRISHAM, JOHN; AMIS, MARTIN; SCHWARZENEGGER, ARNOLD; STALLONE, SYLVESTER; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); CHILD'S PLAY [...] (US, 1988-1991)
ISBN: 0747525498
LON: abn96397172; 12886978

Call No: 802.27 SHI
Author: Pomerance, Murray
Source: US/UK
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: c2012
PhysDes: ix, 268 p. : ill. ; 24 cm
Series: Star decades: American culture/American cinema
Subject: ACTORS; STARS; HISTORY OF CINEMA; DAMON, MATT; DEPP, JOHNNY; DOWNEY, ROBERT, Jr.; EASTWOOD, CLINT; FREEMAN, MORGAN; Aniston, Jennifer; FEY, TINA; BLACK, JACK; SANDLER, ADAM; STILLER, BEN; BARDEM, JAVIER; DEL TORO, BENICIO; HOFFMAN, PHILIP; SWANK, HILARY; ZELLWEGER, RENEE; LEDGER, HEATH; DICAPRIO, LEONARDO; PENN, SEAN; WINSLET, KATE; BLANCHETT, CATE; PITT, BRAD; JOLIE, ANGELINA; CLOONEY, GEORGE; FERRELL, WILL; GYLLENHAAL, MAGGIE
Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9780813551487
Donation: Donated by Senses of Cinema, 2013
Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --

Call No: 736.2 FRA
Author: Frayling, Christopher
Place: London Boston
Publisher: Routledge & Kegan Paul
PubDate: 1981
PhysDes: xvi, 304 p. : ill. ; 24 cm
Series: Cinema and society
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; BERTOLUCCI, BERNARDO; EASTWOOD, CLINT; FORD, JOHN; MORRICONE, ENNIO; SOLLIMA, SERGIO; VOLONTE, GIAN MARIA; WRIGHT, WILL; MAY, KARL; ECO, UMBERTO; CORBUCCI, SERGIO; DAMIANI, DAMIANO; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966)
Notes: Includes indexes; Bibliography: p. 289-294
ISBN: 0710005040 (pbk.); 0710005032 (hard)
LON: 1933684

Call No: TITLE CLIPPINGS FILE; TROUBLE WITH THE CURVE (US, Robert Lorenz, 2012)
Author: David Stratton
PhysDes: Clippings File Article
Subject: TROUBLE WITH THE CURVE (US, Robert Lorenz, 2012); EASTWOOD, CLINT
Summary: Ambivalent review focussing on Eastwood's role.
Rating: 3.5 out of 5 stars

Call No: REFERENCE SECTION; 058 INT "1995"
Author: Cowie, Peter
Edition: 31st ed
Place: London Hollywood
Publisher: Hamlyn Samuel French
PubDate: [1994]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: POLAND; FESTIVALS. LA ROCHELLE; CAMPION, JANE; EASTWOOD, CLINT; KAURISMAKI, AKI; LOACH, KENNETH; Tarantino, Quentin
Notes: Includes index to advertisers
ISBN: 0600585166 (pbk.)
LON: 11327343