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Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLANCHETT, CATE
URL status: URL: 'http://file://Q:/P/BLANCHETT,_CATE.zip' Checked: 31/08/2021 12:45:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BLANCHETT, CATE
Summary: Cate Blanchett's acceptance speech for the Longford Lyell award she received at the 5th AACTA Awards

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BLANCHETT, CATE
Summary: Report on Cate Blanchett being named as the receipient of the Longford Lyell Award from the Australian Academy of Cinema and Television Arts. Quotes from her about the significance of the award.

Call No: SUBJECT CLIPPINGS FILE; BLANCHETT, CATE
Author: Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE
Summary: Cover story about a multi-screened installation by German artist Julian Rosefeldt, in which Cate Blanchett take son 13 different characters drawn from the manifestos put out by several 20th century art movements

PhysDes: Article
Subject: BLANCHETT, CATE; LITTLE FISH (AT, Rowan Woods, 2005); AVIATOR, THE (US, Martin Scorsese, 2004)
Summary: Review of Cate Blanchett's films of 2005

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE
Summary: Cate Blanchett is to direct a TV drama about Cornelia Rau. Stateless will recieve funding from Screen Australia.

Author: Michael Hutack
PhysDes: Article
Subject: BLANCHETT, CATE; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001)
Summary: Review

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE in production; STATELESS in production
Author: Dennehy, Luke -- Epstein, Jackie -- Te Koha, Nui
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE; STATELESS [TV] (AT, 2020)
Summary: Snippet on STATELESS, one of the 23 projects to obtain development funding by Screen Australia

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE; CINDERELLA (US/UK, Kenneth Branagh, 2015)
Summary: Brief article about Cate Blanchett's family expanding after an adaption of a baby and the good reception for her role in Cinderella

Author: Matthew Coyte
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; HAZLEHURST, NONI; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: On-set interviews with the cast and crew of Little Fish

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 17 x 22 cm + 1 slide: col. ; 25 mm - 35 mm
Subject: BLANCHETT, CATE; DINGO, ERNIE; VIDLER, STEVEN; MAZA, BOB; SAUNDERS, JUSTINE; PEDERSEN, AARON; ANDREW, AURIEL; HEARTLAND [TV] (AT, 1994)
Summary: Seven black and white photographs and one colour side from the television mini-series 'Heartland'

Author: Colin Kennedy
PhysDes: Article
Subject: BLANCHETT, CATE; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001)
Summary: Interview with Cate Blanchett on her career and latest film, Charlotte Gray

PhysDes: Article
Subject: BLANCHETT, CATE; NEILL, SAM; WEAVING, HUGO; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Preview review of Little Fish

Author: Michael Adams
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Review of Little Fish

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Mike Lyon Photography Pty Ltd
PhysDes: 28 photographs : b&w ; 17 x 22 cm - 21 x 26 cm
Subject: BLANCHETT, CATE; FIENNES, RALPH; ARMSTRONG, GILLIAN; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997)
Summary: Twenty-eight black and white photographs from the film 'Oscar and Lucinda'
Notes: Contains some duplicates

Call No: TITLE CLIPPINGS FILE in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE; STATELESS [TV] (AT, 2020)
Summary: Snippet on the film STATELESS, which is about the case of Cornelia Rau who was held in Australia as an illegal immigrant

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: BLANCHETT, CATE; MARTIN, TONY; PARKLANDS (AT, Kathryn Millard, 1996)
Summary: Two black and white photographs from the film Parklands

Call No: TITLE CLIPPINGS FILE; RED (AT, Del Kathryn Barton, 2017)
Author: Booth, Meredith
PhysDes: Clippings File Article
Subject: BARTON, DEL KATHRYN; BLANCHETT, CATE; RED (AT, Del Kathryn Barton, 2017)
Summary: Interview with Del Kathryn Barton. about her short film RED. The film premiered at the Art Gallery of South Australia last week and it features actor Cate Blanchett.

Call No: 802.27 SHI
Author: Pomerance, Murray
Source: US/UK
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: c2012
PhysDes: ix, 268 p. : ill. ; 24 cm
Series: Star decades: American culture/American cinema
Subject: ACTORS; STARS; HISTORY OF CINEMA; DAMON, MATT; DEPP, JOHNNY; DOWNEY, ROBERT, Jr.; EASTWOOD, CLINT; FREEMAN, MORGAN; Aniston, Jennifer; FEY, TINA; BLACK, JACK; SANDLER, ADAM; STILLER, BEN; BARDEM, JAVIER; DEL TORO, BENICIO; HOFFMAN, PHILIP; SWANK, HILARY; ZELLWEGER, RENEE; LEDGER, HEATH; DICAPRIO, LEONARDO; PENN, SEAN; WINSLET, KATE; BLANCHETT, CATE; PITT, BRAD; JOLIE, ANGELINA; CLOONEY, GEORGE; FERRELL, WILL; GYLLENHAAL, MAGGIE
Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9780813551487
Donation: Donated by Senses of Cinema, 2013
Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE; MENDELSOHN, BEN
Summary: Report on actors Cate Blanchett and Ben Mendelsohn getting nominations at the Independent Spirit Awards

Call No: TITLE CLIPPINGS FILE; CINDERELLA (US, Kenneth Branagh, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CINDERELLA (US/UK, Kenneth Branagh, 2015); BLANCHETT, CATE
Summary: Cate Blanchett is getting rave reviews for her performance in the upcoming film Cinderella.

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: TITLE CLIPPINGS FILE; TRUTH (US/AT, James Vanderbilt, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: JOURNALISTS IN FILMS; BLANCHETT, CATE; REDFORD, ROBERT; TRUTH (US/AT, James Vanderbilt, 2015)
Summary: Cover story on the film TRUTH, and its main actors, Cate Blanchett and Robert Redford

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BLANCHETT, CATE; CINDERELLA (US/UK, Kenneth Branagh, 2015)
Summary: An article about Cate Blanchett and her career.

PhysDes: Article
Subject: BLANCHETT, CATE
Summary: Empire's 'Woman of the Year' winner- Cate Blanchett