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Author: Hodsdon, Bruce
PhysDes: Article
Subject: PREMINGER, OTTO; ADVISE AND CONSENT (US, Otto Preminger, 1962)
Summary: Article analyzes the construction of Preminger's 'Advice and Consent'.

Call No: 802.25(73) SAR
Author: Sarris, Andrew
Edition: [1st ed.]
Place: New York
Publisher: Dutton
PubDate: 1968
PhysDes: 383 p. 22 cm
Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON
LON: 31835

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1972
PhysDes: 48 p. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; FOREIGN FILMS USE: IMPORT OF FILMS; PREMINGER, OTTO; CAPRA, FRANK; WATKINS, PETER
Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.

Call No: 81PRE PRA
Author: Pratley, Gerald
Place: London New York
Publisher: A. Zwemmer A.S. Barnes
PubDate: 1971
PhysDes: 191 p. : ill. ; 16 cm
Series: The international film guide series
Subject: PREMINGER, OTTO
ISBN: 0302021523 (Zwemmer); 0498078604 (Barnes)
LON: 74141573; 470607

Call No: 233.6(73) KEA
Author: Keting, Patrick
Edition: 2019
Place: New York; Chichester, UK
Publisher: Columbia University Press
PhysDes: xi,350 pages : illustrated ; 24 cm
Subject: BERKELEY, BUSBY; BORDWELL, DAVID; CAMERA ANGLES; CITIZEN KANE (US, Orson Welles, 1941); CONVERGENCE; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); MAMOULIAN, ROUBEN; MURNAU, FRIEDRICH WILHEL; PREMINGER, OTTO; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); TOLAND, GREGG; VIDOR, KING; WELLES, ORSON
Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web site
ISBN: 9780231190510
Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index

Call No: 802.25 HOL
Author: Sarris, Andrew
Place: London
Publisher: Secker & Warburg
PubDate: c1967
PhysDes: 180p. : millus. ; 21 cm
Subject: CUKOR, GEORGE; MAMOULIAN, ROUBEN; PREMINGER, OTTO; STURGES, PRESTON; HUSTON, JOHN; LOSEY, JOSEPH; RAY, NICHOLAS; POLONSKY, ABRAHAM; WELLES, ORSON
ISBN: 0436441519
LON: 13212256 13212256
Donation: Patrick O'Brien

Call No: 62 THO
Author: Thomson, David, 1941
Place: London
Publisher: Secker & Warburg
PubDate: 1967
PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cm
Subject: CINEMATOGRAPHY; SOCIETY AND THE CINEMA; GRANT, CARY; MONROE, MARILYN; NOVAK, KIM; LANG, FRITZ; RENOIR, JEAN; HITCHCOCK, ALFRED; HAWKS, HOWARD; DEMY, JACQUES; RIVETTE, JACQUES; PREMINGER, OTTO
Notes: Includes index; "Filmography": p. 217-223
LON: xls00449773; 4094552
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 802.25(73) WHI
Author: Whittemore, Don; Cecchettini, Philip Alan
CorpAuthor: University of California, Berkeley; Film immigrants
Place: New York
Publisher: McGraw-Hill
PubDate: c1976
PhysDes: ix, 558 p. : ill. ; 23 cm
Subject: DIRECTORS. USA; CHAPLIN, CHARLES; VON STROHEIM, ERICH; LUBITSCH, ERNST; CURTIZ, MICHAEL; SJOSTROM, VICTOR; WHALE, JAMES; HITCHCOCK, ALFRED; MURNAU, FRIEDRICH WILHELM; FEJOS, PAUL; VORKAPICH, SLAVKO; LANG, FRITZ; PREMINGER, OTTO; FORMAN, MILOS
Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical references
ISBN: 0070700532; 0070700524 : $10.00
LON: 768655

Author: Amos, Lindsay
PhysDes: Article
Subject: PREMINGER, OTTO; SKIDOO (US, Otto Preminger, 1968)
Summary: Extensive article and interview with filmmaker Otto Preminger.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PREMINGER, OTTO

Call No: 802.25 BOG
Author: Aldrich, Robert, 1918; Bogdanovich, Peter, 1939
Edition: 1st ed
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1997
PhysDes: x, 849 p. : ill. ; 25 cm
Subject: LANG, FRITZ; HAWKS, HOWARD; VON STERNBERG, JOSEF; HITCHCOCK, ALFRED; LUMET, SIDNEY; DWAN, ALLAN; WALSH, RAOUL; MCCAREY, LEO; CUKOR, GEORGE; PREMINGER, OTTO; JONES, CHUCK; SIEGEL, DON; TASHLIN, FRANK; ALDRICH, ROBERT; ULMER, EDGAR G.; LEWIS, JOSEPH H.
Notes: Includes filmographies and index
ISBN: 0679447067
Order Received: 1997
LON: 96036442; 12700721

Call No: 701 WID
Author: Belton, John (ed.); Hall, Sheldon (ed.); Neale, Steve (ed.)
Source: UK
Place: New Barnet, U.K
Publisher: John Libbey
PubDate: c2010
PhysDes: viii, 236 p. : ill. ; 27 cm
Subject: WIDE-SCREEN SYSTEMS; CINEMASCOPE; IMAX; PREMINGER, OTTO; Peckinpah, Sam; MANN, ANTHONY
Summary: "The essays in this anthology provide a comprehensive portrait of widescreen cinema as an aesthetic and industrial phenomenon from the vantage point of twenty-first century film studies." - Book Blurb
Notes: Includes bibliographical references and index
ISBN: 9780861966943
Contents: -- Fox and 50mm film : John Belton -- Standing tall and wide: the selling of VistaVision : Tom Vincent -- IMAX: the Hollywood experience : Paul McDonald -- Cheap but wide: the stylistic exploitation of CinemaScope in black-and-white low-budget American films : Lisa Dombrowski -- Preminger and Peckinpah: seeing and shaping widescreen worlds : John Gibbs and Douglas Pye -- The art of the palpable: composition and staging in the widescreen films of Anthony Mann : Steve Neale -- Alternative versions in the early years of CinemaScope : Sheldon Hall -- Conspicuous consumption: the spectacle of widescreen comedy in the Populuxe era : Kathrina Glitre -- The scope of their ambition: British independent film production and the widescreen formats in the 1950s : Steve Chibnall -- Before Techniscope: the penetration of foreign widescreen technology in Italy, 1953-59 : Federico Vitella -- Widescreen composition and transnational influence: early anamorphic filmmaking in Japan : Eric Crosby -- Another Shaw production: anamorphic adventures in Hong Kong : David Bordwell --

Call No: 81 PRE FUJ
Author: Fujiwara, Chris
Edition: 2008
Place: New York and London
Publisher: Faber and Faber
PubDate: 2008
PhysDes: xiv, 480 pages : illustrated ; 24cm
Subject: PREMINGER, OTTO
Summary: Otto Preminger was one of Hollywood’s first truly independent producer/directors. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise and Consent), Preminger broke the censorship of the Hollywood Production Code and the blacklist, while creating some of Hollywood’s most enduring film noir classics. Chris Fujiwara’s critical biography – the first in more than thirty years – follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work. -- publisher's web site
ISBN: 9780571223701
Donation: James Sabine