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Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (GW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (GW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACCEPTABLE LOSS, AN (US, Joe Chappelle, 2018)
Notes: Simon import_04/07/19

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ACCUSED OF MURDER (US, Joe Kane, 1956)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMAZON WOMEN ON THE MOON (US, Robert K. Weiss & Joe Dante & John Landis & Carl Gottlieb & Peter Horton, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICA'S SWEETHEARTS (US, Joe Roth, 2001)

Call No: 735.2 WAL
Author: Waller, Gregory A. (Gregory Albert), 1950
Place: Urbana
Publisher: University of Illinois Press
PubDate: c1987
PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm
Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-)
Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219
ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)
LON: 5194657

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN ISM: JOE MCCARTHY, AN (US, Glenn Silber, 1982)

Call No: 802.24(73) SCH
Author: Wright, Thomas Lee, 1953; Schanzer, Karl
Place: New York
Publisher: Avon Books
PubDate: c1993
PhysDes: xii, 274 p. ; 22 cm
Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON
ISBN: 0380767279 : $12.00 ($14.00 Can.)
LON: 9905548 9905548

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ANDERSON, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANNA KARENINA (UK, Joe Wright, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCTIC (IC, Joe Penna, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASPHALT (G, Joe May, 1929)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATONEMENT (UK/FR, Joe Wright, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATTACK THE BLOCK (UK/FR, Joe Cornish, 2011)

Call No: 753.5 MSC
Author: McSweeney, Terence
Source: US/UK
Place: London
Publisher: Wallflower Press published by Columbia University Press
PubDate: c2018
PhysDes: vii, 310 pages : illustrations ; 24 cm
Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9780231186254
Donation: Senses of Cinema
Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AVENGERS: INFINITY WAR (US, Anthony Russo / Joe Russo, 2018)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBERA, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BENJI THE HUNTED (US, Joe Camp, 1987)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BERLINGER, JOE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BESSER, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH 2: BOOK OF SHADOWS (US, Joe Berlinger, 2000)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BOSS LEVEL (US, Joe Carnahan, 2021)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BREWSTER, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BROTHER'S KEEPER (US, Joe Berlinger & Bruce Sinofsky, 1992)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BUGNER, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BURBS, THE (US, Joe Dante, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Maddox speaks with directors Anthony and Joe Russon about the third Captain America film, CAPTAIN AMERICA: CIVIL WAR.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARNAHAN, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CARS (US, John Lasseter and Joe Ranft, 2006)

Author: Marks, Dick
PhysDes: Article
Subject: LIGHTING; DOCUMENTARY FILMS. AUSTRALIA; NATURE IN FILMS; SHEMESH, JOE
Summary: Cinematographer, Joe Shemesh discusses his experience filming spiders inside caves for the documentary, Sixteen Legs, about the Tasmanian Cave Spider

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CHERRY (US, Anthony Russo, Joe Russo, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHICAGO JOE AND THE SHOWGIRL (UK, Bernard Rose, 1990)

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS WITH THE KRANKS (US, Joe Roth, 2004)

Author: Timms, Peter
PhysDes: Article
Subject: STORK (AT, Tim Burstall, 1971); DEEP END (GW/US, Jerzy Skolimowski, 1970); JOE (US, John G. Avildsen, 1970); KLUTE (US, Alan J. Pakula, 1971)
Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIVIC LIFE (UK, Christine Molloy/Joe Lawlor, 2003-2010)

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: TITLE CLIPPINGS FILE; EXPLORERS (US, Joe Dante, 1985)
Author: Wilson, Jake
PubDate: 1/4/2018
PhysDes: Clippings File_Article
Subject: EXPLORERS (US, Joe Dante, 1985)
Summary: Review favourably compares Dante's childrens adventure films with Spielberg's

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CODE NAME : ZEBRA (US, Joe Tornatore, 1987)

PhysDes: Article
Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Peterson, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983)
Summary: List of current, coming, and completed films for Columbia Pictures.

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: 409.5 NUL
Author: Nulman, Eugene
Edition: 2022
Place: Abingdon, Oxon, UK
Publisher: Routledge
PhysDes: 144 pages ; 25cm
Series: Routledge Advances in Sociology
Subject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019); ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019); PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019); [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019); JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); COVID NINETEEN; TRUMP, DONALD
Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web site
ISBN: 9781032002750
Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAR DICTATOR [COUP D'ETAT] (US, Lisa Addario & Joe Syracuse, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: COUPE DE VILLE (US, Joe Roth, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COURIER, THE (UK, Frank Deasy & Joe Lee, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY JOE (IT/US, Carlo Lizzani, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DADDY'S BOYS (US, Joe Minion, 1988)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DANTE, JOE

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Neala Johnson interviews Sebastian Stan about his role in CAPTAIN AMERICA: CIVIL WAR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARKEST HOUR (UK, Joe Wright, 2017)

Author: McNally, John
PhysDes: Article
Subject: JOE (US, John G. Avildsen, 1970); CRITICISM
Summary: Review of JOE.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 20 photographs : b&w ; 13 x 19 cm - 26 x 21 cm
Subject: FRIELS, COLIN; BUDAY, HELEN; PETRUZZI, JOE; DAVIS, MILES; DE HEER, ROLF; DINGO (AT/FR, Rolf de Heer, 1991)
Summary: Twenty black and white photographs relating to the film Dingo
Notes: Contains several duplicates of photographs

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOSSA AND JOE [TV] (AT, Caroline Ahearn, 2003-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRINKING BUDDIES (US, Joe Swanberg, 2013)

PhysDes: Article
Subject: EASY MONEY (US, John Signorelli, 1983); ORION PICTURES; PESCI, JOE; DANGERFIELD, RODNEY; FITZGERALD, GERALDINE; JASON-LEIGH, JENNIFER; EWELL, TOM; NOONAN, TOM; JONES, JEFFREY P.
Summary: Cast list for 'Easy Money' which has finished shooting in New York and Florida.

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMANUELLE E GLI ULTIMA CANNIBALI (IT, Joe D`Amato [pseud. of Aristide Massaccessi], 1977)

PhysDes: Article
Subject: EMANUELLE IN AMERICA (IT, Joe D`Amato [pseud. of Aristide Massaccessi], 1977)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ESZTERHAS, JOE

PhysDes: Article
Subject: EVA NERA (IT, Joe D' Amato, 1976)

PhysDes: Article
Subject: EVA NERA (IT, Joe D' Amato, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: EXPLORERS (US, Joe Dante, 1985)

Author: Enker, Debi
PhysDes: Article
Subject: EXPLORERS (US, Joe Dante, 1985)
Summary: short review

Call No: 246.8 WEE
Author: Weetch, Owen
Source: UK
Place: Basingstoke
Publisher: Palgrave Macmillan
PubDate: [2016]
PhysDes: xi, 168 pages : illustrations (colour) ; 22 cm
Series: Palgrave close readings in film and television
Subject: 3-D ANIMATION; 3-D AND THE CINEMA; 3-D FILMS; AVATAR (US, James Cameron, 2009); GRAVITY (US/UK, Alfonso Cuaron, 2013); HOLE, THE (US, Joe Dante, 2009); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); FROZEN (US, Chris Buck & Jennifer Lee, 2013)
Summary: "This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Greta Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes." - taken from back cover.
Notes: Includes index. -- Includes glossary of stereoscopic terms.
ISBN: 9781349712946
Contents: 1.Introduction: The Expressivity of Space -- 2.'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 3.`You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 4.`You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 5.`There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 6.`Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- 7.Conclusion: A Special Plea for Off-the-Screen Space.

Call No: TITLE CLIPPINGS FILE; JOE CINQUE'S CONSOLATION (in production)
Author: Rudra, Natasha
PhysDes: Clippings File Article
Subject: JOE CINQUE'S CONSOLATION (in production); DINNER PARTY, THE (AT, Scott Murden, 2009)
Summary: Background on the new film Joe Cinque's Consulation, which is being adapted from the Helen Garner novel of the same name.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXTREMELY WICKED SHOCKINGLY EVIL AND VILE (US, Joe Berlinger, 2019)
Notes: Simon import_04/07/19

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: TITLE CLIPPINGS FILE
PhysDes: DVD
Subject: FAT SICK AND NEARLY DEAD (AT, Joe Cross, Kurt Engfehr, 2010)
Notes: Simon Strong import 14_Oct2019

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

PhysDes: Article
Subject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989); BODYWORK (AT, David Caesar, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); DEAD POETS SOCIETY (US, Peter Weir, 1989); MULL (AT, Don McLennan, 1988); SWEETIE (AT, Jane Campion, 1989); SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988); DEAD CALM (AT, Phillip Noyce, 1989)
Summary: Review, credits and images of Australian releases

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Film review of CAPTAIN AMERICA: CIVIL WAR directed by Anthony and Joe Russo
Rating: 3.5 out of 5 stars

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FRANKLIN ADVENTURE, THE (AT, Joe Connor, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: G.I. JOE: THE RISE OF COBRA (US, Stephen Sommers, 2009)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAME ROOM, THE (AT, Joe Tornatore, 1999)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GIBBONS, JOE

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAY MAN, THE (US/CZ, Anthony Russo/Joe Russo, 2022)

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: GREMLINS (US, Joe Dante, 1984)

Call No: 79GRE GIP
Author: Gipe, George
CorpAuthor: Chris Columbus
Source: US
Place: New York
Publisher: Avon Books
PubDate: 1984
PhysDes: 77 p., [8] p. of plates : ill. (some col.) ; 19 cm
Series: An Avon Camelot book
Subject: GREMLINS (US, Joe Dante, 1984)
Notes: Cover title: Steven Spielberg presents Gremlins
ISBN: 0380890038

PhysDes: Article
Subject: GREMLINS (US, Joe Dante, 1984)
Summary: On Jerry Goldsmith anf his recent film scores

Author: Lawrance, Peter
PhysDes: Article
Subject: GREMLINS (US, Joe Dante, 1984)
Summary: Short Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: GREMLINS 2: THE NEW BATCH (US, Joe Dante, 1990)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GREY, THE (US, Joe Carnahan, 2011)

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: N79GUY CAI
Author: Cairn, James; Trumbo, Dalton, 1905-1976; Boehm, David,; Sprague, Chandler, b.1886,
Place: London
Publisher: Hollywood Publications
PubDate: 1946
PhysDes: 118 p. : ill. ; 21 cm
Series: Film classics series
Subject: GUY NAMED JOE, A (US, Victor Fleming, 1943)
Notes: On t.p. verso: "from an original story by Chandler Sprague and David Boehm" "Spencer Tracy"; Screenplay by Dalton Trumbo
LON: 11586795

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HALLOWEEN: THE CURSE OF MICHAEL MYERS (US, Joe Chappelle, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANNA (US/UK/G, Joe Wright, 2011)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HASHAM, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELL ON WHEELS [TV] (CN/UK, Joe Gayton, Tony Gayton, 2011 -)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HIDALGO (US, Joe Johnston, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD BOULEVARD (US, Joe Dante & Allan Arkush, 1976)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 18 x 13 cm
Subject: MANTEGNA, JOE; HOMICIDE (US, David Mamet, 1991)
Summary: One black and white photograph from the 1991 film 'Homicide

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: HONEY, I SHRUNK THE KIDS (US, Joe Johnston, 1989)

Call No: 735.2-053.2(73) LES
Author: Lester, Catherine
Edition: 2022
Place: London ; New York
Publisher: Bloomsbury Academic
PubDate: 2022
PhysDes: vii, 220 pages : illustrated ; 25 cm
Subject: HORROR FILMS; CHILDREN, FILMS FOR; CHILDREN, EFFECTS OF FILM ON; CORALINE (US, Henry Selick, 2009); GREMLINS (US, Joe Dante, 1984); HOLE, THE (US, Joe Dante, 2009); MONSTER HOUSE (US, Gil Kenan, 2006); MONSTER SQUAD, THE (US, Fred Dekker, 1987); NIGHTMARE BEFORE CHRISTMAS, THE (US, Henry Selick, 1993); PARANORMAN (US, Chris Butler/Sam Fell, 2012); SOMETHING WICKED THIS WAY COMES (US, Jack Clayton, 1983); WATCHER IN THE WOODS (UK, John Hough, 1980)
Summary: Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience? -- publisher's web page
ISBN: 9781350135260

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW NOT TO GET A GIRL (AT, Josh Nolan-Legudi/Joe Goudie/James Mathias, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOWLING, THE (CN, Joe Dante, 1981)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HYAMS, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF I EVER SEE YOU AGAIN (US, Joe Brooks, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INNERSPACE (US, Joe Dante, 1987)

Author: Doherty, Thomas
PhysDes: Article
Subject: INNERSPACE (US, Joe Dante, 1987)
Summary: Review of "Innerspace" and interview with special effects person Dennis Muren

Author: Martin, Adrian
PhysDes: Article
Subject: INNERSPACE (US, Joe Dante, 1987)
Summary: Review; Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INTENT TO DESTROY (US, Joe Berlinger, 2017)

PhysDes: Article
Subject: JOE WILSON (AT, Jack Thompson, 1985)
Summary: Thompson to make directing debut on mini series 'Joe Wilson.'

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JAMES, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAWS 3-D (US, Joe Alves, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JESUIT JOE (US/FR, Olivier Austen, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: JOE (AT, Beaumont Smith, 1924)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE (US, John G. Avildsen, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE (US, David Gordon Green, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE AND CASPAR HIT THE ROAD (UK, Brian Klein, 2015)

Call No: 81MON KAH
Author: Kahn, Roger
Source: UK
Place: London
Publisher: Sidgwick & Jackson
PubDate: 1987
PhysDes: 269 p. : ill. ; 25 cm
Subject: MONROE, MARILYN; DI MAGGIO, JOE
ISBN: 0283994274

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: JOE AND MAXI (US, Joel Gold & Maxi Cohen, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE CAMILLERI: AUSTRALIA'S MALTESE FALCON (AT, Fiona Cochrane, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE CHAIKIN GOING ON (US, Steven Gomer, 1983)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE. 2016
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; DEATH AND LIFE OF OTTO BLOOM, THE (AT, Cris Jones, 2016); JOE CINQUE'S CONSOLATION (in production)
Summary: Listing of films to be shown at the 2016 Melbourne International Film Festival. Artistic Director Michelle Carey is quoted in regards to the screening of the Australian drama JOE CINQUE'S CONSOLATION based upon the novel by Helen Garner

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE CINQUE'S CONSOLATION (AT, Sotiris Dounoukos, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOE DIRT (US, Dennie Gordon, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE GOULD'S SECRET (US, Stanely Tucci, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989)

Call No: P JOE
PhysDes: 1 poster : col. ; 100 X 67 cm.
Subject: JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989)
Summary: Image: grainy photos of some characters.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOE'S APARTMENT (US, Joe Payson, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983)

PhysDes: Article
Subject: JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: JOE'S ENCYCLOPEDIA (AT, Rick Lappas, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOE SOMEBODY (US, John Pasquin, 2001)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 flyer: b&w ; 26 x 21 cm ; 1 photograph : b&w ; 22 x 17 cm
Subject: JOE (AT, Beaumont Smith, 1924)
Summary: 1 film flyer and 1 black & white photograph of Arthur Tauchert leaning over a farm fence with a young boy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: JOE STRUMMER: THE FUTURE IS UNWRITTEN (IE/UK, Julien Temple, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE THE KING (US, Frank Whaley, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Publicity; Clippings
Subject: JOE VERSUS THE VOLCANO (US, John Patrick Shanley, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOE WILSON (AT, Goeffrey Nottage, 1988)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JOEL, JOE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSTON, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JONATHAN LIVINGSTONE CEO (AT, Joe Villanti, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY TO REALITY (AT, Joe Natoli, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JUMANJI (US, Joe Johnston, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JURASSIC PARK III (US, Joe Johnston, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST CRAZY ABOUT HORSES (US, Tim Lovejoy & Joe Wemple & Victor Kanefsky, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEPER, THE (US, Joe Brewster, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KID WHO WOULD BE KING, THE (UK/US, Joe Cornish, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILLER JOE (US, William Friedkin, 2011)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KISCH, JOE

Call No: TITLE CLIPPINGS FILE; JOE CINQUE'S CONSOLATION (AT, Sotiris Dounoukos, 2016)
Author: Purdon, Fiona
PhysDes: Clippings File Article
Subject: JOE CINQUE'S CONSOLATION (AT, Sotiris Dounoukos, 2016)
Summary: Interview with Jerome Mayer who plays the title character in the Australian film JOE CINQUE'S CONSOLATION and the film's director Sotiris Dounoukos

PhysDes: Article
Subject: LADIES' DOCTOR (IT, Joe D'Amato, 1977)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LARA, JOE

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST BLACK MAN IN SAN FRANCISCO, THE (US, Joe Talbot, 2019)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LET IT RIDE (US, Joe Pytka, 1989)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: LITTLE JOE (AT/UK/G, Jessica Hausner, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOONEY TUNES: BACK IN ACTION (US, Joe Dante, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: LOVE! VALOUR! COMPASSION! (US, Joe Mantello, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MADMAN (US, Joe Giannone, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MCKELLEN: PLAYING THE PART (UK, Joe Stephenson, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: MEET JOE BLACK (US, Martin Brest, 1998)

Author: Williams, Ross
PhysDes: Article; Review
Subject: JOE (US, John G. Avildsen, 1970); TRUFFAUT, FRANCOIS; ROHMER, ERIC; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); GODARD, JEAN-LUC; ANDRADE, JOAQUIM PEDRO DE; SKOLIMOWSKI, JERZY; KUROSAWA AKIRA; TRISTANA (SP/IT/FR, Luis Bunuel, 1970); BUNUEL, LUIS; FAUTE DE L'ABBE MOURET, LA (FR/IT, Georges Franju, 1970); FRANJU, GEORGES; KES (UK, Kenneth Loach, 1970); LOACH, KENNETH; SZABO, ISTVAN
Summary: Review of the highlights of the 1971 Melbourne Film Festival.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: METALLICA: SOME KIND OF MONSTER (US, Joe Berlinger & Bruce Sinofsky, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MIGHTY JOE YOUNG (US, Ron Underwood, 1998)

Call No: 225 MIL
Author: Milne, Peter, 1896
CorpAuthor: New York institute of photography
Place: New York
Publisher: Falk Publishing Co
PubDate: [c1922]
PhysDes: 234 p. illus. 24 cm
Subject: DIRECTION; DEMILLE, CECIL B.; GRIFFITH, DAVID WARK; BORZAGE, FRANK; INCE, THOMAS HARPER; LUBITSCH, ERNST; DEMILLE, WILLIAM; INGRAM, REX; MAY, JOE; NEILAN, MARSHALL
Notes: "Used as a supplementary text in New York institute of photography."
LON: 1091908

Author: Evely, Christine
PhysDes: Article; Illustration(s)
Subject: EDUCATION, USE OF FILMS IN; PERCEPTION; MIGHTY JOE YOUNG (US, Ron Underwood, 1998)
Summary: Evely uses "Mighty Joe Young" to illustrate how film texts can be used to teach about the students' world and screen literacy.

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 632.2 KUL
Author: Kulezic-Wilson, Danijela
Edition: 2015
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: 218 pages ; illustrations ; 21 cm
Series: Palgrave studies in audio-visual culture
Subject: DEAD MAN (US, Jim Jarmusch, 1995); PI (US, Darren Aronosky, 1998); ANNA KARENINA (UK, Joe Wright, 2012); NARRATIVE IN FILMS; MUSIC, FILM
Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.
ISBN: 9781137489982
Contents: List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: MUSTANG...THE HOUSE THAT JOE BUILT (US, Robert Guralnick, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY NAME IS JOE (UK/GG, Kenneth Loach, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: NARC (US, Joe Carnahan, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAVAJO JOE (IT/SP, Sergio Corbucci, 1966)

Call No: 451-053.6(73) BRI
Author: Brickman, Barbara Jane
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: c2012
PhysDes: ix, 263 pages : illustrations ; 23 cm
Subject: ROCK FILMS; MUSICALS. USA; PSYCHOANALYSIS AND THE CINEMA; TEEN FILMS; BENSON, ROBBIE; DEAN, JAMES; FOSTER, JODIE; BADLANDS (US, Terrence Malick, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); FREAKY FRIDAY (US, Gary Nelson, 1977); HALLOWEEN (US, John Carpenter, 1978); ODE TO BILLY JOE (US, Max Baer, 1976); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974)
Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround them
Notes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. -- Also issued online
ISBN: 9781628922783
Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue

Subject: GREMLINS (US, Joe Dante, 1984); BOX OFFICE
Summary: Review for 'Gremlins' and the box office success it has achieved

PhysDes: Article
Subject: TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983); PERSONAL BEST (US, Robert Towne, 1982); EMBASSY ROADSHOW
Summary: News on up-coming films by Roadshow

PhysDes: Article
Subject: PORKY'S II: THE NEXT DAY (CN/US, Bob Clark, 1983); YELLOWBEARD (UK, Mel Damski, 1983); NOW AND FOREVER (AT, Adrian Carr, 1983); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Updates for Roadshow films

Call No: 753.1 GER
Author: Geraghty, Christine
Source: US
Place: Lanham, MD
Publisher: Rowman & Littlefield
PubDate: 2008
PhysDes: vii, 223 p. ; ill. ; 23 cm
Series: Genre and beyond
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. PROUST, MARCEL; ADAPTATIONS. WOOLF, VIRGINIA; ADAPTATIONS. WILLIAMS TENNESSEE; BAZIN, ANDRE; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PRIDE AND PREJUDICE (UK, Joe Wright, 2005); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); BROKEBACK MOUNTAIN (US, Ang Lee, 2005)
Summary: "Going beyond the process of adaptation of literature to film, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories of and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and look back on the BBC's 1995 mini-series as well as Jane Austen's novel. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage with our recollections-elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."-BOOK JACKET
Notes: includes filmography; includes bibliographical references; includes index
ISBN: 9780742538214
Donation: donated by Senses of Cinema
Contents: -- Acknowledgments -- Introduction -- 1. Narrative and Characterization in Classic Adaptations: David Copperfield, Oliver Twist, and Pride and Prejudice -- 2. Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce -- 3. Tennessee Williams on Film: Space, Melodrama, and Stardom -- 4. Feminism, Authorship, and Genre: Adaptations of the Novels of Edna Ferber and Pearl S. Buck -- 5. Revising the Western: Movement and Description in The Last of the Mohicans and Brokeback Mountain -- 6. Space, Setting, and Mobility in Old New York: The Heiress, The House of Mirth, and Gangs of New York -- Conclusion -- Filmography -- Selected Bibliography -- Index -- About the Author --
ID2: 87

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NUTCRACKER AND THE FOUR REALMS (US, Lasse Hallström & Joe Johnston, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: OCTOBER SKY (US, Joe Johnston, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ODE TO BILLY JOE (US, Max Baer, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: OH HEAVENLY DOG (US, Joe Camp, 1980)

Call No: 79TWI FAR
Author: Farber, Stephen; Green, Marc, 1943
Edition: 1st ed
Place: New York
Publisher: Arbor House/Morrow
PubDate: 1988
PhysDes: 394 p., [8] p. of plates : ill. ; 24 cm
Subject: SAFETY; LAWSUITS; STUNTS; LANDIS, JOHN; SPIELBERG, STEVEN; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
Summary: "Death in the movies isn't supposed to be real. But on July 23, 1982, a spectacular explosion on the set of TWILIGHT ZONE: THE MOVIE knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster. How could this tragedy occur? Was anyone to blame? OUTRAGEOUS CONDUCT reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the publicity-conscious district attorney and the furious film director, John Landis." [Taken from book jacket]
Notes: Includes index
ISBN: 087795948X : $18.95
LON: 88010432; 5821084

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Film review of CAPTAIN AMERICA: CIVIL WAR. Top ten Australian box office listing included.
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PAGEMASTER, THE (US, Maurice Hunt & Joe Johnston, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PANTANLIANO, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: PAPER CLIPS (US, Joe Fab & Elliot Berlin, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARADISE LOST [THREE] 3: PURGATORY (US, Joe Berlinger, 2011)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PESCI, JOE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PETRUZZI, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: PHANTOMS (US, Joe Chappelle, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PIRANHA (US, Joe Dante, 1978)

Call No: 772 ROS
Author: Rosing, Lilian Munk
Edition: Paperback edition
Source: US/UK
Place: New York; London
Publisher: Bloomsbury Academic, an imprint of Bloomsburg Publishing
PubDate: 2017
PhysDes: 181 pages : illustrations ; 23 cm
Subject: PIXAR; ANIMATION; THEORY; LACAN, JACQUES; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998); MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001); FINDING NEMO (US, Andrew Stanton & Lee Unkrich, 2003); INCREDIBLES, THE (US, Brad Bird, 2004); CARS (US, John Lasseter and Joe Ranft, 2006); RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007); WALL-E (US, Andrew Stanton, 2008); UP (US, Pete Docter and Bob Peterson, 2009)
Summary: The films from Pixar Animation Studios are among the most popular family films today. From Monsters Inc. to Toy Story and Wall-E, Pixar's animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications of that animation? Pixar with Lacan has the double aim of analyzing pixar films while at once exemplifying important psychoanalytic concepts (the voice, the gaze, the partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/the real/the symbolic, desire and drive, the four discourses, masculine/feminine). In so doing , Lilian Munk Rosing expertly examines the ideological implications of the images of human existance in Pixar films.-- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781501320170
Contents: -- Introduction -- Beyond the Name of the Father: Toy Story -- Big O is Watching You: Toy Story 2 -- Sadism in the Kindergarten: Toy Story 3 -- entertainment as warfare : A Bug's Life -- There is Nothing More Toxic than a Human Child: Monsters, Inc -- Just Keep Swimming: Finding Nemo -- More than Super: The Incredibles -- the Mother Road: Cars -- Man is a Puppet, Soul is a Rat: Ratatouille -- Humanity Stuck in Vacation Hell: Wall-E -- His Master's Voice: Up -- epilogue: animation and capitalism -- references -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; OST sampler CD
Subject: PRIDE AND PREJUDICE (UK, Joe Wright, 2005)
ID2: 248

Call No: TITLE CLIPPINGS FILE; JOE CINQUE'S CONSOLATION (AT, Sotiris Dounoukos, 2016)
Author: Doherty, Megan
PhysDes: Clippings File Article
Subject: JOE CINQUE'S CONSOLATION (AT, Sotiris Dounoukos, 2016)
Summary: Snippet on JOE CINQUE'S CONSOLATION acceptance into the 2016 Toronto Film Festival

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: QUEENAN, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: R.I.P. REST IN PIECES: A PORTRAIT OF JOE COLEMAN (AU, Robert-Adrian Pejo, 1997)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: REP Distribution
PhysDes: 8 photographs : b&w ; 21 x 26 cm
Subject: CROFT, JAMIE; WATERS, JOHN (AT); FURNESS, DEBORRA-LEE; ROBARDS, JASON; PETRUZZI, JOE; REAL MACAW, THE (AT, Mario Andreacchio, 1998)
Summary: 8 labelled black and white photograph of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REVENGE OF THE NERDS II: NERDS IN PARADISE (US, Joe Roth, 1987)

PhysDes: Article
Subject: FAT CITY (US, John Huston, 1972); JOE VALACHI (IT/FR, Terence Young, 1972); CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972)
Summary: Reviews of THE DISCREET CHARM OF THE BOURGEOISIE, FAT CITY, HEAT, RULING CLASS, JOE VALACHI, and UNDER MILK WOOD.

Call No: 224(73) MUR
Author: Murphy, Murphy
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xi, 337 pages : illustrations ; 23 cm.
Subject: SCRIPTS; SCRIPTWRITERS. USA; CASSAVETES, JOHN; LODEN, BARBARA; GREAVES, WILLIAM; VAN SANT, GUS; SWANBERG, JOE; MEKAS, JONAS; WARHOL, ANDY; CLARKE, SHIRLEY; MAILER, NORMAN; FERRARA, ABEL; KEITEL, HARVEY; VAN SANT, GUS; SWANBERG, JOE
Summary: "Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practice." -- Taken from Trove
Notes: Includes bibliographical references and index.
ISBN: 9780231191975
Donation: Senses of Cinema
Contents: Introduction. Across the spectrum: from improvisation to psychodrama -- And I hate actors: the new American cinema -- Let's not phony it up anymore: the films of John Cassavetes -- Place-based realism: Mackenzie, Loden, and Burnett -- Experiments in psychodrama: Mekas, Warhol, Clarke, and Mailer -- Human life isn't necessarily well-written: the films of William Greaves: symbiopsychotaxiplasm: take one and take 2 1/ 2 -- Beyond the method: Abel Ferrara and Harvey Keitel -- Tied to a machine: the films of Gus Van Sant -- Like how you talk: the films of Joe Swanberg -- Improvisation and place: Putty Hill, Stand clear of the closing doors, and the films of Sean Baker -- Rediscovering psychodrama: Frownland, Heaven knows what, and Stinking heaven -- The line between reality and staging: Actor Martinez, Actress, and The witness -- Conclusion: blending fiction and documentary

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROBINSON, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ROCKETEER (US, Joe Johnston, 1991)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1991]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: ROCKETEER (US, Joe Johnston, 1991); CONNELLY, JENNIFER; CAMPBELL, BILL
Summary: Production still of Jennifer Connelly and Bill Campbell at the movies
Notes: Label on reverse

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1991]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: ROCKETEER (US, Joe Johnston, 1991); CONNELLY, JENNIFER; DALTON, TIMOTHY
Summary: Production still of Jennifer Connelly and Timothy Dalton with a car in the background
Notes: Label on reverse

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1991]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: ROCKETEER (US, Joe Johnston, 1991); CAMPBELL, BILL; ARKIN, ALAN
Summary: Alan Arkin assists Bill Campbell with 'Rocketeer' atire
Notes: Label on reverse

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROSE PLAYS JULIE (IE/UK, Joe Lawlor, Christine Molloy, 2019)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ROTH, JOE

Call No: 71(41) PET
Author: Petrie, Duncan J., 1963
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 250 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; NATIONAL IDENTITY AND THE CINEMA. UK : SCOTLAND; CHANNEL FOUR; DOUGLAS, BILL; FORSYTH, BILL; Grierson, John; BOYLE, DANNY; MACKENDRICK, ALEXANDER; Powell, Michael; MULLAN, PETER; MCDOUGALL, PETER; GRIGOR, MURRAY; CAUGHIE, JOHN; MACKENZIE, JOHN; BROTHERS, THE (UK, David MacDonald, 1947); SHIPBUILDERS, THE (UK, John Baxter, 1943); WHISKY GALORE (UK, Alexander MacKendrick, 1949); BRAVEHEART (US, Mel Gibson, 1995); BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); MY NAME IS JOE (UK/GG, Kenneth Loach, 1998); ORPHANS (UK, Peter Mullan, 1997); RATCATCHER (UK, Lynne Ramsey, 1999); ROB ROY (US, Michael Caton-Jones, 1995); SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996)
Notes: Includes bibliographical references (p. [231]-237) and index
ISBN: 085170784X(cased) : No price; 0851707858(pbk.) : ¦14.99
LON: 21532814

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEARCHING FOR TONY JOE (US, Christopher Chaput/Joseph Strickland, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEDUCTION OF JOE TYNAN, THE (US, Jerry Shatzberg, 1979)

PhysDes: Article
Subject: ANTHROPHAGUS (IT, Joe D'Amato, 1980)
Notes: Synopsis. - credits.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SENECA, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SEX WITH STRANGERS (US, Joe Gantz & Harry Gantz, 2001)

Call No: TITLE CLIPPINGS FILE; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: OLSEN, ELIZABETH; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: Interview with Elizabeth Olsen about her career and her role in the film CAPTAIN AMERICA: CIVIL WAR
Notes: same article in Sunday Herald Sun, same date, p 86

Call No: 751.1 KRE
Author: Kreuger, Miles
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: x, 246 p. : ill. ; 29 cm
Subject: Metro-Goldwyn-Mayer; MUSIC AND THE CINEMA; MUSICALS. USA; THEATRE AND THE CINEMA; BALLARD, LUCIEN; BROWN, JOE E.; DUNNE, IRENE; FERBER, ENDA; GARDNER, AVA; HAMMERSTEIN, OSCAR, II; KERN, JEROME; LA PLANTE, LAURA; ROBESON, PAUL; RODGERS, RICHARD; ZIEGFELD, FLORENZ; TILL THE CLOUDS ROLL BY (US, Richard Whorf, 1946); SHOWBOAT (US, Harry A. Pollard, 1929); SHOWBOAT (US, George Sidney, 1951)
Notes: Discography: p. 236-239 Includes index
ISBN: 0195022750
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (GW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (GW, Joe Lacy, 1967)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SIRACUSA, JOE

Call No: 735(73) BIS
Author: Biskind, Peter
Source: UK
Publisher: Penguin Books
PubDate: 2019
PhysDes: 12 unnumbered pages, 272 pages ; 20 cm
Subject: AVATAR (US, James Cameron, 2009); CAMERON, JAMES; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016); DARK KNIGHT, THE (US, Christopher Nolan, 2008); GAME OF THRONES [TV] (US, 2011-); HAWKINS, SALLY; LEFT BEHIND (US, Vic Sarin, 2001); MARTIAN, THE (US, Ridley Scott, 2015); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); SHAPE OF WATER, THE (US, Guillermo del Toro, 2017); TRUE BLOOD [TV] (US, 2008-); WALKING DEAD, THE [TV] (US, 2010 - ); ZOMBIES IN FILMS AND TV; SUPERHEROES IN FILMS; APOCALYPSE IN FILMS
Summary: A bestselling cultural journalist takes us on a wild ride through pop culture, showing how it paved the way for today's extreme politics Are Batman and 24's Jack Bauer heroic loners defending our way of life - or right-wing vigilantes attacking it? Is Avatar just a National Geographic version of Star Wars or a passionate assault on capitalism? And what about Game of Thrones - sword and sorcery fantasy, or lesson in mainstream politics? In The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day's work. Welcome to the new normal. -- publisher's website
Notes: Includes bibliographical references and index.
ISBN: 9780241373873
Contents: Beyond the fringe : an introduction -- Part I. Winter has come. Apocalypse now -- Bleeding hearts -- Doing the right thing -- Part II. Who'll stop the rain?. Gone fishin' -- Coming apart -- Draining the swamp -- Part III. Breaking bad. The silence of the lambs -- Beauty in the beast -- License to kill -- Part IV. Heaven can't wait. What a piece of work was man -- Anywhere but here -- No exit -- Conclusion : the return of the center.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLEEPOVER (US, Joe Nussbaum, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SMALL SOLDIERS (US, Joe Dante, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SMOKIN' ACES (UK/FR/US, Joe Carnahan, 2006)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SNAKE EYES GI JOE ORIGINS (CA/US, Robert Schwentke, 2021)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 17 x 17 cm - 21 x 26 cm
Subject: GILLIES, MAX; BOLZA, JOE; THORNEYCROFT, BOB; SOFT SOAP (AT, Ivan Gaal, 1976)
Summary: Three black and white photographs relating to the film 'Soft soap'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOLOIST, THE (UK/US/FR, Joe Wright, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SPACE JAM (US, Joe Pytka, 1996)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SPANO, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPYING (US, Joe Gibbons, 1979)

Call No: 81SPI MOT
Author: Mott, Donald R; Saunders, Cheryl McAllister
Source: UK
Place: Bromley, Kent
Publisher: Columbus
PubDate: 1986
PhysDes: xv, 199 p. ; 22 cm
Series: Columbus filmmakers
Subject: DIRECTORS; SUBURBS IN FILMS; YOUNG PEOPLE AND THE CINEMA; SPIELBERG, STEVEN; LUCAS, GEORGE; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DUEL (US, Steven Spielberg, 1972); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); JAWS (US, Steven Spielberg, 1975); [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979); POLTERGEIST (US, Tobe Hooper, 1982); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]
Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187
ISBN: 0862872375 (pbk) : ª5.95
LON: bnb86287237; 4636614

Call No: 81SPI PER
Author: Perry, George
Source: UK
Place: London
Publisher: Orion
PubDate: 1998
PhysDes: 144 p. : ill. (some col.), ports. ; 20 cm
Subject: SPIELBERG, STEVEN; ALWAYS (US, Steven Spielberg, 1989); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DUEL (US, Steven Spielberg, 1972); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EMPIRE OF THE SUN (US, Stephen Spielberg, 1987); HOOK (US, Steven Spielberg, 1991); INDIANA JONES AND THE LAST CRUSADE (US, Steven Spielberg, 1989); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); JAWS (US, Steven Spielberg, 1975); JURASSIC PARK (US, Steven Spielberg,, 1993); LOST WORLD: JURASSIC PARK, THE (US, Steven Spielberg, 1997); [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
ISBN: 0752811940

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: STREETS OF GOLD (US, Joe Roth, 1986)

Call No: 81BON BON
Author: Bonomo, Joe
Source: US
Place: New York
Publisher: Bonomo Studios
PubDate: 1968
PhysDes: 352 p. : ill., ports. ; 28 cm
Subject: BONOMO, JOE
Summary: Biographical account of Joe Bonomo (1901-1978), Hollywood actor and stuntman famous in the 1920s and 1930s
Notes: "The daredevil exploits of the mightiest man in the movies" -- Front cover; Over 750 thrilling action photos
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SWANBERG, JOE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYDNEY WHITE (US, Joe Nussbaum, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TE RENENGA WAIRUA (NZ, Joe Wylie, 1983)

Call No: P PAG
PhysDes: 1 poster : col. ; 63 X 59 cm.
Subject: PAGEMASTER, THE (US, Maurice Hunt & Joe Johnston, 1994)
Summary: Image: cartoon photo of the characters. Text: 'All the adventure your imagination can hold.'
Notes: Have some fold lines; Double sided with Pagemaster study notes.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIEVES QUARTET (US, Joe Chappelle, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIN PINK LINE, THE (US, Joe Dietl & Michael Irpino, 1998)

Call No: 81COL COL
Author: Collins, Joe
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1986
PhysDes: 235 p. : ill. ; 18 cm
Subject: COLLINS, JACKIE; COLLINS, JOAN; COLLINS, JOE
ISBN: 0747230082
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TRAVELLER (UK/IE, Joe Comerford, 1981)

Author: Reid, Mary-Anne
PhysDes: Article
Subject: JOE WILSON (AT, Goeffrey Nottage, 1988)
Summary: Location report on 'Jow Wilson' ; Credits

Call No: N79TWI BLO
Author: Bloch, Robert
Source: AT
Place: Cammeray [N.S.W.]
Publisher: QB Books
PubDate: 1983
PhysDes: 205 p. : ill., [16] p. of plates ; 18 cm
Subject: TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
ISBN: 0725514876

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Posters
Subject: TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDER AFRICAN SKIES (US/SA, Joe Berlinger, 2012)

PhysDes: Article
Subject: UNDERSEA WORLD OF JACQUES COUSTEAU, THE [TV] (US, Philippe Cousteau/Patrick Watson/Joe Thompson, 1966-1976)
Summary: Episode Title: Beneath the frozen world

Call No: 79TWE QUE
Author: Queenan, Joe
Place: London
Publisher: Picador
PubDate: 1996
PhysDes: 310 p. ; 20 cm
Subject: [TWELVE] 12 STEPS TO DEATH (US, Joe Queenan, 1995)
Notes: First published 1995 by Hyperion, U.S.A
ISBN: 033034112X
LON: abn96308160; 12686178

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD, GUTS, BULLETS AND OCTANE (US, Joe Carnahan, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM EXPERIENCE, THE (US, Daniel Keller & Country Joe McDonald, 1987)

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: VISKOCIL, JOE

PhysDes: Article
Subject: TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983); RISKY BUSINESS (US, Paul Brickman, 1983); GREMLINS (US, Joe Dante, 1984)
Summary: Title and crew list of current Warner Bros. productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WATCHER, THE (US, Joe Charbanic, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WELCOME TO COLLINWOOD (US, Anthony Russo & Joe Russo, 2002)

Author: Maddox, Garry
PhysDes: Article
Subject: JOE WILSON (AT, Goeffrey Nottage, 1988)
Summary: Jack Thompson sacked from mini-series 'Jow Wilson' after two weeks shooting.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOLFMAN, THE (UK/US, Joe Johnston, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WONDERWALL (UK, Joe Massot, 1968)

Call No: 772 SPI
Author: Spiegel, Josh
Source: US
Place: Philadelphia
Publisher: The Critical Press
PubDate: c2015
PhysDes: vi, 105p. ;
Subject: ANIMATION; PIXAR; NOSTALGIA IN FILMS; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); CARS (US, John Lasseter and Joe Ranft, 2006); UP (US, Pete Docter and Bob Peterson, 2009); MONSTERS UNIVERSITY (US, Dan Scanlon, 2013)
Summary: " Since its first feature film in 1995, Pixar Animation Studios has often been treated as a powerful, influential, and forward-thinking animation company. However, many of its films are incredibly besotted with a nostalgic longing for the past. From the Toy Story trilogy to the first Cars film, many of Pixar’s films are about chasing what used to be instead of embracing the future. In this book, published on the 20th anniversary of the original Toy Story’s release, Josh Spiegel examines some of the films from Pixar and Disney over the past 20 years that have embodied one of the most important lines of dialogue in Disney history, courtesy of theme-park narration: “Here, tomorrow is today. And yesterday is forever.” -- BOOK BACK COVER BLURB
ISBN: 9781941629239
Contents: -- acknowledgments -- introduction -- Toy Story and Cars -- Toy Story 2 and Up -- Toy Story 3 and Monsters University -- Disney animation in the 2010s -- conclusion -- notes -- about the author --