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pan (us, joe wright, 2015)		in Sunday Herald Sun [Arts & Entertainment] (27/9/15) p.85 Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015) Author: Dent, Nick PhysDes: Clippings Subject: PAN (US, Joe Wright, 2015) Rating: 3 out of 5 stars More info
pan (us, joe wright, 2015)		in Sunday Telegraph [Insider] (27/9/15) p.120 Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015) Author: Dent, Nick PhysDes: Clippings Subject: PAN (US, Joe Wright, 2015) Rating: 3 out of 5 stars More info
Online resource book		American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required) Call No: 408.3 (73/94) AME Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.) Source: SZ/AT Place: Cham, Switzerland Publisher: Palgrave Macmillan PubDate: c2018 PhysDes: xvii, 333 pages : illustrations ; 22 cm Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER Notes: Includes bibliographical references and index ISBN: 9783319666754 Donation: Stephen Gaunson Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index -- More info
title clippings file		BEYOND THE KNOWN WORLD : (NZ/ II, Pan Nalin, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BEYOND THE KNOWN WORLD (NZ/II, Pan Nalin, 2017) More info
title clippings file		CASSANDRA CROSSING, THE : (UK/IT/GW, George Pan Cosmatos, 1977) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CASSANDRA CROSSING, THE (UK/IT/GW, George Pan Cosmatos, 1977) More info
book		The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010. Call No: 747.2-053.2 Author: Lury, Karen Edition: 2010 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 2010 PhysDes: 210 p. : illustrations ; 22cm Series: Rutgers Series in Childhood Studies Subject: CHILDREN AND THE CINEMA; TEMPLE, SHIRLEY; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962); GRUDGE, THE (US/JA, Takashi Shimizu, 2004); HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001); LOLITA (US, Stanley Kubrick, 1962); TAXI DRIVER (US, Martin Scorsese, 1976); MAN ON FIRE (US, Tony Scott, 2004); ZERKALO (UR, Andrei Tarkovsky, 1975); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); EMPIRE OF THE SUN (US, Stephen Spielberg, 1987); PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006); BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema. Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web site ISBN: 9780813548968 More info
title clippings file		COBRA : (US, George Pan Cosmatos, 1986) Call No: TITLE CLIPPINGS FILE PhysDes: Stills; Clippings; Press kit Subject: COBRA (US, George Pan Cosmatos, 1986) More info
title clippings file		ESCAPE TO ATHENA : (UK, George Pan Cosmatos, 1979) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ESCAPE TO ATHENA (UK, George Pan Cosmatos, 1979) More info
title clippings file		FAITH CONNECTIONS : (II/FR, Pan Nalin, 2013) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FAITH CONNECTIONS (II/FR, Pan Nalin, 2013) More info
subject clippings file		FESTIVALS. LONDON [VARIOUS] Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: FESTIVALS. LONDON [VARIOUS]; FESTIVALS. LONDON. PAN-ASIAN; FESTIVALS. LONDON. SHORT More info
subject clippings file		FESTIVALS. LOS ANGELES [VARIOUS] Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: FESTIVALS. LOS ANGELES [VARIOUS]; FESTIVALS. LOS ANGELES. PAN AFRICAN; FESTIVALS. LOS ANGELES. SHORTS; FESTIVALS. LOS ANGELES. WIDESCREEN More info
book		Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016. Call No: 71(943) CRA Author: Craven, Allison Source: UK/US Place: London ; New York Publisher: Anthem Press PubDate: 2016 PhysDes: xii, 158 pages ; 24 cm Series: Anthem studies in Australian literature and culture Subject: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LANDSCAPES IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; SEA IN FILMS; IRISHMAN, THE (AT, Don Crombie, 1978); JEDDA (AT, Charles Chauvel, 1955); AGE OF CONSENT (AT, Michael Powell, 1969); NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008); UNINHABITED (AT, Bill Bennett, 2010); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PETER PAN (US, P.J. Hogan, 2003); REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005); STRAITS, THE [TV] (AT, 2012-); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destination ISBN: 9781783085491 Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion More info
title clippings file		FLASH IN THE PAN, A : (AT, Mike Patterson, 1977) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: FLASH IN THE PAN, A (AT, Mike Patterson, 1977) More info
title clippings file		IO, PETER PAN : (IT, Enzo Decaro, 1990) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity Subject: IO, PETER PAN (IT, Enzo Decaro, 1990) More info
title clippings file		LABERINTO DEL FAUNO, EL : (MX/SP/US, Guillermo del Toro, 2006) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: LABERINTO DEL FAUNO, EL (MX/SP/US, Guillermo del Toro, 2006); PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) More info
title clippings file		LEVIATHAN : (US/IT, George Pan Cosmatos, 1989) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Clippings Subject: LEVIATHAN (US/IT, George Pan Cosmatos, 1989) More info
title clippings file		OF UNKNOWN ORIGIN : (CN, George Pan Cosmatos, 1983) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: OF UNKNOWN ORIGIN (CN, George Pan Cosmatos, 1983) More info
book		Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990. Call No: 792(047.1) GEL Author: Van Gelder, Peter Place: London Publisher: Aurum PubDate: 1990 PhysDes: 288 p. : ill. ; 24 cm Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); MASH (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN:* 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed LON: bnc85410161; 7335916 More info
title clippings file		PAN : (US, Joe Wright, 2015) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: PAN (US, Joe Wright, 2015) More info
personality microfilm collection		PAN, HERMES Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: PAN, HERMES More info
title clippings file		PAN PARFAIT, UN : (FR, Pascal Chaumeil, 2012) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FLY ME TO THE MOON [PAN PARFAIT, UN] (FR, Pascal Chaumeil, 2012) More info
book		Pan's labyrinth / Mar Diestro-Dopido. London: Palgrave Macmillan, 2013. Call No: 79PAN DIE Author: Diestro-Dopido, Mar Source: UK Place: London Publisher: Palgrave Macmillan PubDate: 2013 PhysDes: 104 pages : illustrations ; 19 cm. Series: BFI film classics Subject: PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) SEE LABERTINO DEL FAUNO, EL; LABERINTO DEL FAUNO, EL (MX/SP/US, Guillermo del Toro, 2006) Notes: Published on behalf of the British Film Institute. -- Formerly CIP. -- Bibliography: pages 101-104. ISBN: 9781844576418 Contents: Machine generated contents note: 1.The Horror(s) of War -- 2.Vidal and Amnesia -- 3.Ofelia and Memory -- 4.The End. More info
title clippings file		PAN TADEUSZ : (PL/FR, Andrzej Wajda, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: PAN TADEUSZ (PL/FR, Andrzej Wajda, 2000) More info
book		People will talk / by John Kobal [London]: Aurum Press, 1986. Call No: 802 (047.53) KOB Author: Kobal, John Source: UK Place: [London] Publisher: Aurum Press PubDate: 1986 PhysDes: xvii, 728 p. : ports. ; 25 cm Subject: STARS; BACLANOVA, OLGA; BANKHEAD, TALLULAH; BERGMAN, INGRID; BLONDELL, JOAN; BRENT, EVELYN; BROOKS, LOUISE; MCCREA, JOEL; COBURN, BOB; COLE, JACK; Crawford, Joan; DUNNE, IRENE; DUPREZ, JUNE; ENGSTEAD, JOAN; FONTAINE, JOAN; FREED, ARTHUR; GISH, DOROTHY; GODOWSKY, DAGMAR; HATHAWAY, HENRY; HAWKS, HOWARD; HEPBURN, KATHARINE; HOPKINS, MIRIAM; HORN, CAMILLA; HURRELL, GEROGE; LOOS, ANITA; LOUIS, JEAN; LINDSAY, LOIS; LACEY, MADISON; Lupino, Ida; MARSHALL, MELBA; MILESTONE, LEWIS; MOORE, COLLEEN; PAN, HERMES; YOUNG, LORETTA; POWELL, ELEANOR; SHERIDAN, ANN; SHERMAN, VINCENT; STANLEY, KIM; Stanwyck, Barbara; STEN., ANNA; WEST, MAE; WILLINGER, LASZLO Summary: Interviews with past Hollywood stars Notes: Includes index ISBN: 0394536606 More info
title clippings file		PETER PAN : (US, P.J. Hogan, 2003) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Clippings Subject: PETER PAN (US, P.J. Hogan, 2003) More info
title clippings file		PETER PAN : (US, 1953) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: PETER PAN (US, 1953) More info
book		The philosophy of tv noir / edited by Steven M. Sanders and Aeon J. Skoble Lexington, KN: University of Kentucky Press, c2008. Call No: 734.1 PHI Author: Sanders, Steven M.; Skoble, Aeon J. Place: Lexington, KN Publisher: University of Kentucky Press PubDate: c2008 PhysDes: viiii, 272 p. ; 24 cm Series: the philosophy of popular culure Subject: AESTHETICS; ALIENS IN FILMS; CHARACTERIZATION IN FILMS; ETHICS AND TV; FILM NOIR; RELIGION AND TV; CARTER, CHRIS; FOUCAULT, MICHEL; GREENE, GRAHAM; BIG SLEEP, THE (US, Howard Hawkes, 1946); CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-); DARK CITY (US, Alex Proyas, 1997); D.O.A. (US, Ruldolph Mate, 1950); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FUGITIVE, THE (US, Andrew Davis, 1993); HE WALKS BY NIGHT (US, Alfred Werker, 1948); LEVIATHAN (US/IT, George Pan Cosmatos, 1989); NAKED CITY [TV] (US, 1958-1963); X-FILES, THE [TV] (US, 1993-) Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKET Notes: Includes bibliographical references and index ISBN: 9780813124490 Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. More info
Levy Collection book		Rambo : first blood part II / David Morrell New York: Jove, 1985. Call No: N79RAM MOR Author: Morrell, David Source: UK Place: New York Publisher: Jove PubDate: 1985 PhysDes: 241 p. ; 18cm Subject: RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) Notes: from the screenplay by Sylvester Stallone and James Cameron ISBN: 0515083992 Donation: donated by the family of Wayne Levy, 2006 More info
title clippings file		RAMBO: FIRST BLOOD PART II : (US, George Pan Cosmatos, 1985) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: RAMBO: FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) More info
journal article		'Rambo: First Blood Part II' huge opening in the US in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4 Subject: RAMBO: FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); BOX OFFICE. USA Summary: Article on the success of the latest Rambo film in America More info
Online resource digital clippings file		SAMSARA : (GG, Pan Nalin, 2002) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit; Press kit Subject: SAMSARA (GG, Pan Nalin, 2002) URL status: URL: 'http://file://Q:/T/SAMSARA.zip' Checked: 31/08/2021 1:08:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
title clippings file		TAI-PAN : (US, Daryl Duke, 1986) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: TAI-PAN (US, Daryl Duke, 1986) More info
title clippings file		TOMBSTONE : (US, George Pan Cosmatos, 1993) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: TOMBSTONE (US, George Pan Cosmatos, 1993) More info
title clippings file		WO BU SHI PAN JIN LIAN : (CC, Feng Xiaogang , 2016) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: I AM NOT MADAME BOVARY [WO BU SHI PAN JIN LIAN] (CC, Feng Xiaogang , 2016) More info

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