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Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BICKMORE, CARRIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIGHT LIGHTS: STARRING CARRIE FISHER AND DEBBIE REYNOLDS (US, Alexis Bloom & Fisher Stevens, 2016)

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARRIE (US, Brian De Palma, 1976)

Call No: 79CAR MIT
Author: Mitchell, Neil
Edition: 2013
Place: Leighton Buzzard
Publisher: Auteur Publishing
PubDate: 2013
PhysDes: 100 p. ; illus. ; 19 cm
Series: Devil's Advocates
Subject: CARRIE (US, Brian De Palma, 1976)
Summary: Brian De Palma’s 1976 adaptation of Stephen King’s debut novel Carrie is one of the defining films of the 1970s New Hollywood and a horror classic in its own right. The story of a socially outcast teenage girl who discovers she possesses latent psychic power, leading to her retribution against her peers, teachers and abusive mother, Carrie was an enormous commercial critical success and still stands as one of the finest screen versions of a King novel. Neil Mitchell s contribution to the Devil’s Advocates series explores the film not just in terms of a formal breakdown – its themes, stylistic tropes, technical approaches, uses of colour and sound, dialogue and visual symbolism – but also the multitude of other factors that have contributed to its classic status. The act of adapting Stephen King’s novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma’s oeuvre, the subsequent versions and sequel as well as the social, political and cultural climate of the era (second wave feminism, sexuality, representations of adolescence, etc.) and the explosion of interest in and the evolution of the horror genre in the 1970s are all shown to have played an important part in the film’s success and enduring reputation as a whole. -- publisher's web site
ISBN: 9781906733728

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: 735.2 DRE
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xv, 456 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968)
Notes: Includes bibliographical references (p. 433-438) and index
ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)
LON: 12195767

Author: Brown, Royal S
PhysDes: Article
Subject: CARRIE (US, Brian De Palma, 1976)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FISHER, CARRIE

Author: Pedlar, Garth
PhysDes: Article
Subject: CARRIE OF THE CHOROUS (US, Dave Fleischer, 1926)

Call No: SUBJECT CLIPPINGS FILE; AWARDS. LOGIE
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AWARDS. LOGIE; BICKMORE, CARRIE
Summary: Review of the 2015 Logie Awards

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 626:396 CRE
Author: Creed, Barbara
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: viii, 182 p., [24] p. of plates : ill. ; 24 cm
Series: Popular fiction series
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; HORROR FILMS; SEX AND THE CINEMA; SEX IN FILMS; PSYCHO (US, Alfred Hitchcock, 1960); ALIEN [...] (UK/US, 1979-92); EXORCIST, THE (US, William Friedkin, 1973); CARRIE (US, Brian De Palma, 1976); BROOD, THE (CN, David Cronenberg, 1979); HUNGER, THE (US, Tony Scott, 1983)
Notes: Includes bibliographical references (p. 167-171) and index
ISBN: 0415052599 (pbk.); 0415052580
LON: 93000445; 9905552

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MOSS, CARRIE-ANNE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OTIS, CARRIE

Call No: 81 FIS MIZ
Author: Mizejewski, Linda; Zuk, Tanya D.
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PhysDes: xii, 306 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: FISHER, CARRIE; STAR WARS [...] (US, 1977-2015); FEMINISM AND THE CINEMA. USA; ACTORS
Summary: Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess Leia is the first full-length exploration of Carrie Fisher’s career as actress, writer, and advocate. Fisher’s entangled relationship with the iconic Princess Leia is a focal point of this volume. Editors Linda Mizejewski and Tanya D. Zuk have assembled a collection that engages with the multiple interfaces between Fisher’s most famous character and her other life-giving work. The contributors offer insights into Fisher as science-fiction idol, author, feminist inspiration, and Lucasfilm commodity. Jennifer M. Fogel examines the thorny "ownership" of Fisher’s image as a conflation of fan nostalgia, merchandise commodity, and eventually, feminist icon. Philipp Dominik Keidl looks at how Carrie Fisher and her iconic character are positioned within the male-centric history of Star Wars. Andrew Kemp-Wilcox researches the 2016 controversy over a virtual Princess Leia that emerged after Carrie Fisher’s death. Tanya D. Zuk investigates the use of Princess Leia and Carrie images during the Women’s March as memetic reconfigurations of historical propaganda to leverage political and fannish ideological positions. Linda Mizejewski explores Carrie Fisher’s autobiographical writing, while Ken Feil takes a look at Fisher’s playful blurring of truth and fiction in her screenplays. Kristen Anderson Wagner identifies Fisher’s use of humor and anger to challenge public expectations for older actresses. Cynthia Hoffner and Sejung Park highlight Fisher’s mental health advocacy, and Slade Kinnecott personalizes how Fisher’s candidness and guidance about mental health were especially cherished by those who lacked a support system in their own lives. Our Blessed Rebel Queen is distinct in its interdisciplinary approach, drawing from a variety of methodologies and theoretical frameworks. Longtime fans of Carrie Fisher and her body of work will welcome this smart and thoughtful tribute to a multimedia legend. -- publisher's web site
ISBN: 9780814346860

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PERSUASION (US, Carrie Cracknell, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAGE: CARRIE 2, THE (US, Katt Shea, 1999)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 20 cm
Subject: RETURN OF THE JEDI (US, Richard Marquand, 1983); RETURN OF THE JEDI (US, Richard Marquand, 1983) SEE ALSO: STAR WARS [...] (US, 1977-99); FISHER, CARRIE
Summary: Two publicity stills included in the one photograph. Top image is of Carrie Fisher in the role of Princess Leia being held captive by Jabba the Hutt. Bottom image is of a battle being fought around the Empire's new Death Star.
Notes: AFI sticker on the back of the photograph

Call No: TITLE STILL INTERATIONAL
Source: AT
PhysDes: 2 photographs : b&w ; 26 x 21 cm.
Subject: RETURN OF THE JEDI (US, Richard Marquand, 1983); FISHER, CARRIE
Summary: The upper image shows Princess Leia in under garments seated infront of Jabba the Hut. The lower image shows small space craft dog fighting while in low orbit of a planet with a large globular spacecraft in the background
Notes: One print with two photographs; Adhesive sticker on reverse

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 2 photographs : b&w ; 26 x 21 cm.
Subject: STAR WARS (US, George Lucas, 1977); FORD, HARRISON; FISHER, CARRIE; HAMILL, MARK
Summary: Photograph containing two film stills from the film Star Wars the upper image shows three figures Luke Skywalker, Hans Solo and Princess Leia Luke Skywalker and Hans Solo are holding weapons. The lower still shows robots (storm troopers) in a bright environment with one riding a big beast.
Notes: Photograph contains two film stills; Advesive sticker on the reverse; Images titled with "star wars special edition"

Call No: 451-053.6(73) SHA
Author: Shary, Timothy
Source: US/UK
Place: London ; New York
Publisher: Wallflower Press
PubDate: copyright 2005
PhysDes: 125 pages : illustrations ; 21 cm
Series: Short Cuts ; 28
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA. USA; BREAKFAST CLUB, THE (US, John Hughes, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); CARRIE (US, Brian De Palma, 1976); HEATHERS (US, Michael Lehmann, 1989)
Summary: "Teen Movies: American Youth on Screen is a detailed look at the depiction of teens on film, of the influence they have had in and on cinema and the different impact they have had throughout film's history. Timothy Shary looks at the development of the teen movie from the earliest days of cinema - the rebellion, the romance, the sex and the horror - up to the modern-day portrayal of ever-changing youth. Films studied include Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), I Know What You Did Last Summer (1997) and American Pie (1999)."--BOOK BACK COVER
Notes: "A Wallflower paperback"--T.p. verso; Includes bibliographical references (p. 113-118) and index
ISBN: 9781904764496
Contents: -- acknowledgments -- introduction -- 1 The teen film in its infancy, 1895-1948 -- 2 The teen film matures, 1949-1967 -- 3 Youth film rebels, 1968-1979 -- 4 Teen cinema is reborn in abundance, 1978-1995 -- 5 The teen film takes on a new century, 1994-2004 -- conclusion -- notes -- bibliography -- index --