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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARR, GILLIAN
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHRIS, PENN
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.5
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.6
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in Australasian Cinema (16/7/1982) vol.11 iss.12 p.34
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$1m. twin-cinema for Noosa in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
Subject: CINEMA BUILDINGS. AUSTRALIA Summary: Article on the new twin-cinema complex at Noosa which can seat over 600 patrons and features a lounge and bar
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2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999.
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4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968.
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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45th year proves big for C.I.B.F. of Victoria in Australasian Cinema (29/4/1983) vol.12 iss.7
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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The 1933 show in NFT (Sep-Oct 1983) p.10-15
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1985 successful year for Vic C.I.B.F. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.21
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'A Chorus Line' licensing in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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A.F.I. meeting report of the 23rd July in Filmnews (Australia) (Sep-75) vol.V iss.8 p.2
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; CINEMAS. AUSTRALIA Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.Notes: Article
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ABC buys sporting science fiction movie in Encore (Oct-Nov 1984) vol.2 iss.18 p.8
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
SEE
BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adelaide's silent nights : a pictorial history of Adelaide's picture theatres during the silent era 1896-1929 / by Dylan Walker Australia: National Film & Sound Archive, 1995].
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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Affective authorship : contemporary Asian Australian documentary in Studies in Australasian cinema (2008) vol.2 iss.2 p.157-170
Author: Smaill, Belinda PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ETHNIC GROUPS AND THE CINEMA ; PSYCHOLOGICAL EFFECTS OF FILMS ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002) Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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AFI awards in Filmnews (Australia) (Aug-79) vol.IX iss.8 p.1
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AFI awards now in September in Filmnews (Australia) (Aug-77) vol.VII iss.7 p.3
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[AFI cinema autumn calendar 89 : poster]
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[AFI cinema : poster, double-sided, promoting summer program at the Chauvel cinema, 1986-1987] / Australian Film Institute AT:
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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AFTER MIDNIGHT : (US, Mitchell Leisen, 1950)
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Agatha Christie : murder in four acts : a centenary celebration of 'the queen of crime' on stage, film, radio and tv with a foreword by Sir John Gielgud / Peter Haining London: Virgin Books, 1990.
Call No: 81CHR HAIAuthor: Haining, Peter Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 1990PhysDes: 160 p. ; b+w ill. : 30cmSubject: ADAPTATIONS ; CHRISTIE, AGATHA Summary: Study on the works of Agatha Christie and their adaptation to various forms of entertainment.ISBN: 1852272732Language: English
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968].
Call No: 792 BUNAuthor: Bunuel, Luis, 1900-1983 ; Dali, Salvador, 1904-1989, joint author ; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New YorkPublisher: Simon and SchusterPubDate: [c1968]PhysDes: 120 p. illus. 21 cmSubject: AGE D'OR, L' (FR, Luis Bunuel, 1930) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120LON: 1880 1880
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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All the chips fall into place in Sunday Herald Sun [Scene] (2/04/2017) p.3
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All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995.
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985.
Call No: 81CAS CARAuthor: Carney, Raymond Place: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: x, 335 p. : ill. ; 24 cmSubject: CASSAVETES, JOHN ; FACES (US, John Cassavetes, 1968) ; GLORIA (US, John Cassavetes, 1980) ; HUSBANDS (US, John Cassavetes, 1970) ; KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976) ; MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971) ; SHADOWS (US, John Cassavetes, 1960) ; TOO LATE BLUES (US, John Cassavetes, 1961) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311ISBN: 0520050991LON: 3055051Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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Amusing ourselves to death : public discourse in the age of show business / Neil Postman London: Methuen, 1987.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anatomy of motion picture art / Eric Elliott Territet, Switzerland: Pool, 1928].
Call No: 623 ELLAuthor: Elliott, Eric Place: Territet, SwitzerlandPublisher: PoolPubDate: 1928]PhysDes: 151 p. ; 20 cmSubject: CINEMATOGRAPHY ; CONTINUITY Notes: Includes indexLON: abn84031927; 3064414
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Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66
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Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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Anomalies in States legislation in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
Subject: CENSORSHIP. AUSTRALIA Summary: Article on VIDA highlighting the problems with the States' legislation of censorship on videos
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Are they safe at the cinema? : A considered answer to critics of the cinema / by Janet Hills London: British Film Institute, [1953?].
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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Interim
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The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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The Art of the Short Fiction Film : A shot by shot study of nine modern classics / Richard Raskin North Carolina: McFarland & Company Inc., 2002.
Call No: 725.221 (-091) RASAuthor: Raskin, Richard Source: USPlace: North CarolinaPublisher: McFarland & Company Inc.PubDate: 2002PhysDes: 184 p. : ill. ; 27 cmSubject: SHORT FILMS ; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957) ; DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986) ; CAT'S CRADLE (AT, Liz Hughes, 1992) Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.Notes: Includes contact information for obtaining copies of the films
Includes other highly recommended short fiction films
Includes bibliography
Includes indexISBN: 078641183x
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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poster
[Astor Cinema programmes : posters] [1982?-1986].
Call No: P ASTPubDate: [1982?-1986]PhysDes: 2 posters ; 55 X 27-60 X 42 cm.Subject: CINEMAS. AUSTRALIA. ASTOR Summary: Posters record exhibition details for the Astor Cinema for the dates indicated below. Images and image thumbnails of film posters included. One presented in calendar form from December 1985-February 1986, the other displays films showing from 17-19 September, apparently in 1982.Notes: Posters are curled, fold line on one.ID2: 138
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016.
Call No: 81WEL GEAAuthor: Gear, Matthew Asprey Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: ix, 292 pages ; 24 cmSubject: EXPRESSIONISM ; FASCISM AND THE CINEMA ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; MR. ARKADIN (FR/SP/IT, Orson Welles, 1955) ; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231173414Donation: donated by Senses of Cinema
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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journal article
Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; VILLAGE ROADSHOW ; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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newspaper article
Aust. film violence angers MP in West Australian (22/05/1979) p.-
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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reference folder
Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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Australian Centenary of Cinema newsletter / Australian Centenary of Cinema South Melbourne, Vic.: The Centenary, 1994-1996.
Call No: held no.1-no.8 Aug. 1994-June 1996 lacks no.4CorpAuthor: Australian Centenary of CinemaSource: ATPlace: South Melbourne, Vic.Publisher: The CentenaryPubDate: 1994-1996PhysDes: v. : ill. ; 30 cmSubject: CENTENARY OF CINEMA. AUSTRALIA Notes: Caption titleFrequency: IrregularLON: abn94345060; 11205019
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Australian Children's Television Action Committee newsletter / Australian Children's Television Action Committee Melbourne: The Committee, 1974.
Call No: held no.73-87 Aug. 1992-Feb 1996 incompleteCorpAuthor: Australian Children's Television Action Committee; Newsletter (Australian Children's Television Action Committee)Source: ATPlace: MelbournePublisher: The CommitteePubDate: 1974PhysDes: vSubject: CHILDREN AND TV. AUSTRALIA Notes: At head of title: ACTACLON: abn84267982; 3588978 11740175
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The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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The Australian cinematographer Cammeray, N.S.W.: Australian Cinematographers Society, 1998.
Call No: held no.1- June 1998-CorpAuthor: Australian Cinematographers SocietySource: ATPlace: Cammeray, N.S.W.Publisher: Australian Cinematographers SocietyPubDate: 1998PhysDes: v. : ill. ; 30 cmSubject: CINEMATOGRAPHY. AUSTRALIA Summary: The Australian Cinematographer is the quarterly journal produced by the Australian Cinematographers Society.
First published in 1998 the magazine is "produced by cinematographers for cinematographers". The magazine features articles and interviews about the technique of the craft, breaking down the technical aspects of Australian profiled films and cinematographers. It also features discussions about different issues facing the industry. -- AFIRCNotes: "Quarterly journal of the Australian Cinematographers Society"; From Issue 5, title changed to "Australian Cinematographer"ISSN: 1440-978XOrder Notes: CurrentLON: abn98181776; 13916524
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian Council for Children's Films and Television : a history 1957-1989 / by Betty Rankin Melbourne: The Council, 1990.
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993.
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Australian expertise attracts OS attention in Encore (12 Mar, 1999) vol.17 iss.4 p.17
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Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985.
Call No: 722-053.2EDGAuthor: Edgar, Don CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 30 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paperISBN: 0864210884Donation: donated by the family of Wayne Levy, 2006
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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poster
[Australian Film Institute autumn calendar 87 : poster]
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[Australian Film Institute calendar August-November 86 : poster]
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[Australian Film Institute spring calendar '87 : poster]
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[Australian Film Institute summer calendar 86-87 : poster]
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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The Australian Film Television and Radio School : Chasm in Filmviews (Winter 1987) vol.32 iss.132 p.32
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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Australian gothic in Australian Cinematographer (September 2015) iss.67 p.12 - 19
Author: Cecil, Garth PhysDes: ArticleSubject: CHAPMAN, SIMON ; GLITCH [TV](AT, 2015-) Summary: Cinematographer Simon Chapman talks about working on the Australian tv series Glitch. He talks about filming in rural Australia and has favourite shots to set up.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Australian video censorship classifications 88 Richmond North, Vic.: General Magazine Co., 1988.
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Aux portes de la nuit : Le roman d'un film de Marcel Carne / Marcel Lapierre Paris: L'Orillon, 1946.
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer.Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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Baby Peggy in "Captain January" in Classic Images (Febuary 1983) iss.92 p.30
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Back with the wind in Movie Trader (Jun 1999) p.8
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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Bad Boy Bubby / Gabrielle Murray (author) Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 79 BAD MURAuthor: Murray, Gabriel Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 152 pages : illustrations ; 19 cm.Series: controversiesSubject: BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CENSORSHIP. AUSTRALIA ; CENSORSHIP. UK ; ANIMALS IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITEISBN: 9780230296769Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index
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Bad film histories : ethnography and the early archive / Katherine Groo Minneapolis; London: University of Minnesota Press, 2019.
Call No: 769[39] GROAuthor: Groo, Katherine Edition: 2019Place: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: 2019PhysDes: 366 pages : illustrated ; 22 cmSubject: ANIMALS IN FILMS ; ANTHROPOLOGY AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; CAVELL, STANLEY ; DANCE IN FILMS ; DERRIDA, JACQUES ; ETHNOGRAPHIC FILMS ; FILM HISTORY ; FOUCAULT, MICHEL Summary: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive, examining the imprecisions and absences that define film history and its archives. Taking ethnographic cinema as a crucial case study, Katherine Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. -- publisher's web siteISBN: 9781517900335Donation: Senses of CinemaContents: Introduction: Untimely Historiographies, Ethnographic Particularities -- 1. Of Other Archives: The Excursive Minors of La Maison Lumière and Les Archives de la Planète -- 2. Historical Figures: Dance and the Unlettered Line -- 3. Following Derrida: Ethnocinematic Animals, Death Effects, and the Supplement of Expedition Cinema -- 4. Language Games, or the World Intertitled -- 5. Ethnography Won’t Wait: New Media and Material Histories -- Acknowledgments -- Notes -- Index
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Bananas in Pyjamas collection colouring book Reed for Kids, 1994.
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Banned : tales from the bizarre history of Australian obscenity / by James Cockington Sydney: ABC Books for the Australian Broadcasting Corporation, 2005.
Call No: 44 COCAuthor: Cockington, James Source: ATPlace: SydneyPublisher: ABC Books for the Australian Broadcasting CorporationPubDate: 2005PhysDes: ix, 246 p. : ill., ports ; 24 cmSubject: PORNOGRAPHY IN FILMS ; CENSORSHIP ; CENSORSHIP. AUSTRALIA ; ETHICS AND THE CINEMA ; ETHICS AND TV ; ETHICS IN FILMS ; AUSTRALIA Summary: "Banned takes a fearless look at the weird ways of Australian wowserism. It describes landmark legal cases such as the Oz trial in 1964 and the decision to allow full-frontal nudity in the rock opera Hair in 1969. It also tackles more obscure scandals such as police raids on 'immoral' pyjama parties in Surfer's Paradise in the 1950s, the bikini police, the sacking of a 'Romper Room' presenter for wearing too revealing a dress and Gra-Gra's infamous crow call, among many absurd others in the history of polite society. " -- BOOK JACKETISBN: 073331502XContents: Contents: Great moments in obscenity -- Beyond Victoriana -- Taking the waters -- W.J. Chidley's answer -- Dirty dancing and stage kissing -- Backless Betty from Bondi -- Mr Bandparts -- Inversion and perversion -- Boult--upright -- Fun in little Bohemia -- Battle of the bikinis -- Freak show -- Moral devastation -- Sex swaps -- The knight and the witch -- Pyjama parties -- Ruth, Lenny and the Lady Chatterley word -- Toplessness -- Much ado about nothing -- Naughty little boys -- Full frontal -- Grubby gra gra -- How far is too far? -- This is too far -- Morality for the new millennium.
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Bardot : a personal biography / Glenys Roberts London: Corgi Books, 1985.
Call No: 81BAR ROBAuthor: Roberts, Glenys Source: UKPlace: LondonPublisher: Corgi BooksPubDate: 1985PhysDes: 368 p. : ill. ; 18 cmSubject: BARDOT, BRIGITTE ; VADIM, ROGER ; FONDA, JANE ; TRINTIGNANT, JEAN-LOUIS ; CHARRIER, JACQUES ; MALLE, LOUIS ; LEVY, RAOUL ; MOREAU, JEANNE ; ET DIEU... CREA LA FEMME (FR, Roger Vadim, 1956) ISBN: 0552127108Donation: donated by the family of Wayne Levy, 2006
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Barnens o in News vol.1 iss.9
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Barnens o in News vol.3 iss.59
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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the best remaining seats : the golden age of the movie palace / by Ban M. Hall New York: Da Capo Press, 1988.
Call No: 38(73) HALAuthor: Hall, Ben M. Edition: 1987Place: New YorkPublisher: Da Capo PressPubDate: 1988PhysDes: 262 pages : ilustrated ; 28 cmSubject: CINEMA BUILDINGS. USA Notes: Foreword by Bosley Crowther; New preface by B. Andrew CorsiniISBN: 9780306803154
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Bibliography : so you want to be in films... or tv... or radio. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
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The big picture : Drive-ins make a comeback in modern guise in Sun Herald [Sydney] [S-Diary] (26/04/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; DRIVE-IN CINEMASAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: DRIVE-IN CINEMAS ; CINEMAS. AUSTRALIA. LUNAR DRIVE-IN ; KILDERRY, DAVID Summary: A brief history of Australia's drive-ins with the focus on one of the few drive-ins still in existence in Australia, the Lunar Drive-in located in Dandenong, Victoria and it's co-owner David Kilderry.
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The big picture : Where does it say female stars must be younger? in Sunday Age [M magazine] (16/08/2015) p.16
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Big U : Universal in the silent days / I. G. Edmonds South Brunswick [N.J.]: A. S. Barnes, c1977.
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Big world, small screen : the role of television in American society / Aletha C. Huston ... [et al.] Lincoln: University of Nebraska Press, 1993.
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Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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Birch Carroll & Coyle hold successful convention in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.13
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Birth : The Chicago Maternity Center story in Filmviews (March 1980) vol.25 iss.103 p.14
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blanchett wickedly good in timeless tale in Sunday Telegraph [Insider] (29/03/2015) p.126
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[Bliss : stills files]
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Blood, toil, tears and sex : [Certain Women] in Weekend Australian [Review] (22/04/2017) p.14
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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The blue dahlia : a screenplay / Raymond Chandler ; with a memoir by John Houseman ; edited, with an afterword by Matthew J. Bruccoli Carbondale: Southern Illinois University Press, 1976.
Call No: 79 BLU CHAAuthor: Chandler, Raymond Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1976PhysDes: xxi, 139 pages : illustrations, plates, portraits ; 23 cmSubject: BLUE DAHLIA, THE (US, George Marshall, 1946) ; CHANDLER, RAYMOND Notes: Filmography: p. 138-139ISBN: 0809307669Contents: Lost fortnight, a memoir by John Houseman -- Editorial Note -- The Blue Dahlia, a screenplay by Raymond Chandler -- Afterword: Raymond Chandler and Hollywood by Matthew J. Bruccoli -- Appendix: Chandler on Hollywood, movies made from Chandler's plays, and screenplays written by Chandler
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Body Trauma TV : New Hospital Dramas / Jason Jacobs London: bfi Publishing, 2003.
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Bogart / Allen Eyles London: Macmillan, 1975.
Call No: 81BOG EYLAuthor: Eyles, Allen Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: 128 p. : ill. (some col.) ; 26 cm.Series: The Movie MakersSubject: ACTORS ; BOGART, HUMPHREY ; BACALL, LAUREN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; CASABLANCA (US, Michael Curtiz, 1942) ; PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127.ISBN: 333180208
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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Bollywood in Australia : transnationalism and cultural production / edited by Andrew Hassam and Makarand Paranjape Crawley, Western Australia: University of Western Australia Publishing, 2010.
Call No: 408.3 (540/94) BOLAuthor: Hassam, Andrew (ed.) ; Paranjape, Makarand (ed.) Source: ATPlace: Crawley, Western AustraliaPublisher: University of Western Australia PublishingPubDate: 2010PhysDes: 192p. ; 24cmSubject: AUSTRALIA ; BOLLYWOOD ; INDIA ; INDIAN CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; SALAAM NAMASTE (II, Siddarth Anand, 2005) ; CHAK DE! INDIA (II, Shimit Amin, 2007) Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India.
Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries.
Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity.
In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks."
--University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/ISBN: 9781921401084Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Boy's own adventure in Sun Herald [Inside Out] (19/02/2017) p.1
Call No: TITLE CLIPPINGS FILE; LION (AT, Garth Davis, 2016)Author: - PhysDes: Clippings File ArticleSubject: CASTING ; LION (AT, Garth Davis, 2016) Summary: Casting director Kirsty McGregor talks of the process of finding the ideal child to play Saroo in the film LION
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Ojo tachado. English : Bu±uel's Un chien andalou / Jenaro TalTns ; translated by Giulia Colaizzi Minneapolis: University of Minnesota Press, 1993.
Call No: 79CHI TALAuthor: TalTns, Jenaro, 1946 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1993PhysDes: xxiv, 192 p. : ill. ; 24 cmSubject: CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Rev. ed. and translation of: El ojo tachado. 1986; Includes bibliographical references (p. 181-187) and indexISBN: 0816620474 (pb : alk. paper); 0816620466 (alk. paper)LON: 9955225
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Bravo Maurice : a compilation from the autobiographical writings of Maurice Chevalier / translated [from the French] by Mary Fitton London: Allen & Unwin, 1973].
Call No: 81CHE CHEAuthor: Chevalier, Maurice, 1888-1972 Place: LondonPublisher: Allen & UnwinPubDate: 1973]PhysDes: 240 p. illus. 23 cmSubject: CHEVALIER, MAURICE Notes: Extracts from the author's Ma route et mes chansonsISBN: 0049200372LON: 73175090; 726682
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Bright stars born to shine in Daily Telegraph [BW Magazine] (06/08/2016) p.1
Call No: SUBJECT CLIPPINGS FILE; CHILD ACTORSAuthor: Hook, Chris PhysDes: Clippings File ArticleSubject: CHILD ACTORS Summary: Article looking at several Australian child actors on film, tv and stage, including Ed Oxenbould
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[Brilliant lies : stills file] Roadshow Film Distributors (distributor),
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Bring on the clones : the Thing and the Cat People in Photoplay M&V (September 1982) vol.33 iss.9 p.56-61
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Bris. charity books 'Table for Five' in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14
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British cinema now in National Film Theatre (January 1984) p.8
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967.
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Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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The Budapest film school / Hungarofilm Budapest, Hungary: Interpress, [1982?].
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[Buddies : stills file] / David Parker Ken Newton Media Consultants,
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Bunuel / John Baxter London: Fourth Estate, 1995.
Call No: 81BUN BAXAuthor: Baxter, John Source: USPlace: LondonPublisher: Fourth EstatePubDate: 1995PhysDes: 324 p. ; 20 cmSubject: BUNUEL, LUIS ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972) Summary: "The authorised biography of Luis Bunuel. Dangerous, enigmatic and elusive, Luis Bunuel counts among the greatest creative artists, and one of the least understood major film makers, of the twentieth century. His films, made over a ffity-year period, from his 1929 debut un Chien Andalou, to a late blossoming in the sixties and seventies with Belle de Jour and The Discreet Charm of the Bourgeoise, still retain their power to shock. John Baxter's superb biography brings Bunuel into the light for the first time, revealing the character behind the anarchism, the sensitivity behind the cynicism, and analysing his calculated use of the bizarre." - BOOK BLURBNotes: Includes bibliographical references (p. [314]-315) and index.ISBN: 1857023536
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By the book in Canberra Times [Panorama] (8/04/2017) p.14
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C'mon, get happy... / David Cassidy with Chip Deffaa New York, NY: Warner Books, 1994.
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Call for ban on Mad Max in [Sun] [Syd or Melb] (21/05/1979) p.11
Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)Author: - PhysDes: Clippings File ArticleSubject: CENSORSHIP. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) Summary: Federal MP and Deputy Chair of the Australian Crime Prevention Council has called for the banning of Mad Max
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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The Camera never lies in Australian Cinematographer (March 2016) iss.69 p.44 - 52
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Can't stop the musing in Sydney Morning Herald [Spectrum] (27/07/2016) p.13
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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CAPTAIN AMERICA: CIVIL WAR : (US, Anthony Russo/Joe Russo, 2016)
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Captain America keeps it civil in The Age [Melbourne] (29/04/2016) p.1
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CAPTAIN AMERICA : THE FIRST AVENGER : (US, Joe Johnston, 2011)
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CAPTAIN AMERICA: THE WINER SOLDIER : US, Anthony Russo and Joe Russo, 2014
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CAPTAIN BLOOD : (US, Michael Curtiz, 1935)
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CAPTAIN BOOMERANG : (FR, Nina Barbier, 1985)
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CAPTAIN BOYCOTT : (UK, Frank Launder, 1947)
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CAPTAIN CAREY, USA : (US, Mitchell Leiser, 1950)
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CAPTAIN CORELLI'S MANDOLIN : (UK/FR/US, John Madden, 2001)
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title clippings file
CAPTAIN EO : (US, Francis Ford Coppola, 1986)
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CAPTAIN FANTASTIC : (US, Matt Ross, 2016)
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script
Captain Fantastic / by Matt Ross 2/09/2014. Digital clippings file available
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script
Captain Flinn and the Pirate Dinosaurs : 106 - true north / written by Cleon Prineas [AT]: 6/09/2013. Digital clippings file available
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script
Captain Flinn and the Pirate Dinosaurs : torn map / written by Rachel Spratt [AT]: 2/05/2014. Digital clippings file available
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journal article
Captain Horatio Hornblower in Cinefantastique (Fall 1973) vol.3 iss.1 p.6
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CAPTAIN JACK : ( UK, Robert Young, 1999)
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CAPTAIN JAMES COOK : (AT/FR, Lawrence Gordon-Clarke, 1987)
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book
Captain James Cook : based on the screenplay by Peter Yeldham / John Hooker Ringwood, Vic.: Penguin, 1987.
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still
[Captain James Cook : stills file]
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journal article
Captain Lust and the pirate women in Screen International (1979) vol.1 iss.9 p.24
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CAPTAIN MARVEL : (US/AT, Anna Boden and Ryan Fleck, 2019)
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title clippings file
CAPTAIN NEMO AND THE UNDERWATER CITY : (UK, James Hill, 1969)
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CAPTAIN NOAH AND HIS FLOATING ZOO : (UK, Brian Cosgrove, Mark Hall, 1972)
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newspaper article
The Captain of his own soul in Herald Sun [Hit] (08/09/2016) p.36
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title clippings file
CAPTAIN PHILLIPS : US, Paul Greengrass, 2013
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CAPTAIN RON : (US, Thom Eberhardt, 1992)
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CAPTAIN, THE : (US/AT, Nash Edgerton/Spencer Susser, 2013)
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title clippings file
CAPTAIN THUNDERBOLT : (AT, Cecil Holmes, 1953)
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title clippings file
CAPTAIN UNDERPANTS : THE FIRST EPIC MOVIE : (US, David Soren, 2017)
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journal article
Captioned movies on the screen in Movie Trader (August 2000) p.12
PhysDes: ArticleSubject: CINEMAS. AUSTRALIA ; DEAF, FILMS FOR Summary: Cinemas in Melbourne and Sydney carry out a two-month trial of screening captioned movies to make cinema more accessible to deaf or hearing impaired people
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title clippings file
CAPTIVE : (UK/FR, Paul Mayersberg, 1986)
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title clippings file
CAPTIVE : (CA, Rodney Gibbons, 1998)
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CAPTIVE HEARTS : (US, Paul Almond, 1987)
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CAPTIVE IN THE LAND, A : (US/UR, John Berry, 1991)
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CAPTIVE, LA : (FR/BE, Chantal Akerman, 2000)
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digital clippings file
CAPTIVE, THE : (CN, Atom Egoyan, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CAPTIVE, THE (CN, Atom Egoyan, 2014) URL status: URL: 'http://file://Q:/T/CAPTIVE,_THE.zip'
Checked: 31/08/2021 1:32:10 PM
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title clippings file
CAPTIVES : (UK, Angela Pope, 1994)
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title clippings file
CAPTIVES OF CARE : (AT, Stephen Wallace, 1981)
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book
Captives of care / John Roarty Sydney: Hodder and Stoughton (Australia), 1981.
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title clippings file
CAPTIVITY : (US/RU, Roland Joffé, 2007)
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digital clippings file
CAPTURE [TV] : (UK, 2019) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CAPTURE [TV] (UK, 2019) Cross Reference: CAPTURE [TV] (UK, 2019)
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digital clippings file
CAPTURING CRICKET : (AT, Nel Minchin, 2020) Digital clippings file available
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title clippings file
CAPTURING THE FRIEDMANS : (US, Andrew Jalecki, 2003)
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title clippings file
CAR 54: WHERE ARE YOU : (US, Bill Fishman, 1994)
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journal article
Car-Napping in Kino (80) vol.2 iss.3 p.18
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title clippings file
CAR, THE : (US, Elliott Silverstein, 1977)
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title clippings file
CAR TROUBLE : UK, David Green, 1986
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title clippings file
CAR WASH : (US, Michael Schultz, 1976)
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journal article
Carabinieri si nasce in Cinema d'oggi (18 December 1985) vol.XIX iss.20 p.30
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personality clippings file
CARADEE, SERHAT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARADEE, SERHAT
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personality clippings file
CARADEE, SERHAT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARADEE, SERHAT
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title clippings file
CARANAVALESCO : (FR, Anne Lozouet-Le Breton, 197?)
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title clippings file
CARAPATE, LA : (FR, Gerard Oury, 1978)
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title clippings file
CARAVAGGIO : (UK, Derek Jarman, 1986)
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journal article
Caravaggio in Cinema Papers (November 1987) iss.66 p.44-45
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CARAVAGGIO: THE SOUL AND THE BLOOD : (IT, Jesus Garces Lambert, 2018)
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title clippings file
CARAVANS : (US/IR, James Fargo, 1978)
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CARAVANS FOR REFUGEES : (AT, Jim Shomos, 2013
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CARAX, LEOS
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARAX, LEOS
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title clippings file
CARBINE WILLIAMS : (US, Richard Thorpe, 1952)
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title clippings file
CARBON COPY : (US, Michael Schultz, 1981)
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CARBON CREATIVE
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CARBON THE UNAUTHORISED BIOGRAPHY : (CN/GG/AT, Daniella Ortega/Niobe Thompson, 2022) Digital clippings file available
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title clippings file
CARCAJOU ET PERIL BLANC : (CN, Arthur Lamthe, 1975)
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title clippings file
CARCRASH : (AT, David Caesar, 1995)
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still
[Carcrash : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 cm + 1 transparency : b&w ; 10 x 13 cmSubject: CARCRASH (AT, David Caesar, 1995) Summary: Two black and white photographs and one black and white transparency relating to the film CarcrashNotes: Contains duplicates of the same image
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CARDELLINI, LINDA
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title clippings file
CARDINAL [TV] : (CN, 2017 - )
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digital clippings file
CARDINALE, CLAUDIA Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CARDINALE, CLAUDIA URL status: URL: 'http://file://Q:/P/CARDINALE,_CLAUDIA.zip'
Checked: 31/08/2021 1:19:36 PM
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title clippings file
THE CARE BEARS ADVENTURE IN WONDERLAND : CN, Raymond Jafelice, 1987
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title clippings file
CARE BEARS MOVIE II: A NEW GENERATION : (CN, Dale Schott, 1986)
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title clippings file
CARE BEARS MOVIE, THE : (CN, Arna Selznick, 1985)
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Interim
serial
Care for kids education news : the education newsletter of the Australian Children's Television Foundation Fitzroy, Victoria: Australian Children's Television Foundation, [1997].
CorpAuthor: Australian Children's Television FoundationSource: ATPlace: Fitzroy, VictoriaPublisher: Australian Children's Television FoundationPubDate: [1997]Subject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN, FILMS FOR. AUSTRALIA ; EDUCATION, TV. AUSTRALIA Summary: The Australian Children’s Television Foundation (ACTF) is a non-profit organisation which formed in March 1982. When television was introduced to Australia in 1956, most of the content was imported and for many years the programs being shown in children’s viewing times were not actually designed for children.
The Children’s Television Standards introduced in 1979 was a direct outcome of community concern over television programming for children. These standards required a minimum amount of age specific, quality children’s programs on commercial television.
In 1979 Dr Patricia Edgar presented a paper in which she argued that quality programs for young people would not be made without a not-for-profit production company producing and developing programs. Not longer after, a proposal to establish the Australian Children’s Television Foundation was developed.
The ACTF have helped produce, distribute and market numerous Australian television shows and telemovies including 'Winners & More Winners' series (1985 - 1994), Round the Twist (1989-2000), Lift Off (1992-1994), Mortified! (2006-2007), Lockie Leonard (2006-2009) and Double Trouble (2007) and personal favourite 'Little Lunch' (2015-2016). As well as being responsible for many wonderful shows ACTF produced a number of different paper publications all available to view at the AFI RC including: 'Care for Kids Television News' (AFI RC hold No. 1 August 1982 – No. 133 November 2015); 'Care for Kids Education News'; Australian Children’s Television Action Committee and Australian Children’s Television Foundation Lift Off Outreach. -- AFIRCNotes: Caption title.
Care for kids education news is designed specifically for teachers in early childhood, primary and secondary settings.
Also available in an electronic version via the Internet at: http://www.actf.com.au/learning_centre_new/Ed_News/EdNewsIssues/ed_news_frameset.htmISSN: 1445100XMissing Issues: Issue 1, 3, 5-21,23Order Notes: current
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title clippings file
CARE OF THE SPITFIRE GRILL : (US, Lee David Zlotoff, 1996)
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title clippings file
CAREER GIRLS : (UK, Mike Leigh, 1997)
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title clippings file
CAREER OPPORTUNITIES : (US, Bryan Gordon, 1991)
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CAREERS IN FILMS
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CAREFREE GODDESSES : (JA, Teruhiko Kuze, 1988)
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CAREFUL : (CN, Guy Maddin, 1992)
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journal article
Careful box office winner at the Paris in Encore (19 Jul- 1 Aug 1984) vol.2 iss.11 p.3
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journal article
Careful dares to succeed in Video Age (August 1984) vol.3 iss.8 p.8
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title clippings file
CAREFUL HE MIGHT HEAR YOU : (AT, Carl Schutz, 1983)
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script
Careful, he might hear you : dialogue and continuity script [1983?].
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book
Careful, he might hear you / Sumner Locke Elliot Woollahra, N.S.W.: Pan Books, 1983.
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journal article
Careful he might hear you in Encore (August 1983) vol.7 iss.16 p.35
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dvd
Careful, He Might Hear You [DVD] [Northcote:Vic]: Umbrella Entertainment, 2007.
Call No: D Careful, he might hear youSource: ATPlace: [Northcote:Vic]Publisher: Umbrella EntertainmentPubDate: 2007PhysDes: 1 videodisc (DVD) (108 min.) : sd., col. ; 4 3/4 inSubject: CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) Summary: "In the turbulent years of the Great Depression an orphaned boy becomes a pawn in a bitter family feud as two aunts - snooty anglophile Vanessa (Wendy Hughes), and working-class Lila (Robyn Nevin) - battle for his custody. Newly returned from a world tour, wealthy socialite Vanessa lavishes her orphaned nephew with gifts, limousine rides, and affection; but the dowdy Lila is determined to fight her sister's custody claims in court. The case is complicated by the arrival of the boy's long absent father, Logan (John Hargreaves), an alcoholic who loves his son but is incapable of caring for him. Winner of eight AFI awards - including Best Picture, Best Actress (Hughes), and Best Supporting Actor (Hargreaves) - and adapted from the best-selling Sumner Locke Elliot novel, this lush, poetic period film classic is the essential story of an Australian boy's coming-of-age in the tough Depression years and is presented for the first time on DVD in this very special collectors edition." - DVD BACK COVERNotes: PG Mild themes.; Originally released as a motion picture Australia : Syme International; Productions in association with the New South Wales Film Corporation, c1983Technical Details: All regions.Credits: Director, Carl Schultz; producer, Jill Robb; screenplay by Michael Jenkins from the novel by Sumner Locke Elliott; music, Ray Cook; editor, Richard Francis-Bruce; photography, John SealeStandard Number: 3000000062494Performer: Wendy Hughes, Robin Nevin, Nicholas Gledhill, John Hargreaves
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still
[Careful he might hear you : stills file] / Robert McFarlane Syme International Productions?,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Syme International Productions?PhysDes: 23 photographs : b&w ; 12 x 15 cm - 20 x 25 cm + 1 transparency : col. ; 6 x 7 cm.Subject: HUGHES, WENDY ; NEVIN, ROBYN ; GLEDHILL, NICHOLAS ; HARGREAVES, JOHN ; SCHULTZ, CARL ; ROBB, JILL ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) Summary: Twenty-three black and white photographs and one colour transparency relating to the film Careful, he might hear youNotes: Contains duplicates. 1 image donated by Brian McFarlane
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journal article
"Careful He Might Hear You" voted Top Film, wins 8 Awards in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.1
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title clippings file
CARELESS LOVE : (AT, John Duigan, 2012)
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CARELL, STEVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARELL, STEVE
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CARER, THE : (UK, Janos Edelenyi, 2016)
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CAREY, MACDONALD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAREY, MACDONALD
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personality clippings file
CAREY, MARIAH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAREY, MARIAH
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CAREY, MICHELLE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAREY, MICHELLE
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CAREY, PETER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAREY, PETER
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personality clippings file
CAREY, WAYNE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAREY, WAYNE
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personality microfilm collection
CARFAGNO, EDWARD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARFAGNO, EDWARD
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title clippings file
CARGO : (AT, Ben Howling / Yolanda Ramke, 2017)
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poster
[Cargo: poster] [2017].
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title clippings file
CARIBE : CN, Michael Kennedy, 1987
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journal article
Caribia in Film in the Fed. Rep. of Germany iss.78 p.11
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personality microfilm collection
CARIDES, GIA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: CARIDES, GIA
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personality microfilm collection
CARIDES, ZOE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: CARIDES, ZOE
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journal article
Carl Davis on scoring champions in Cinema Score (Winter-Summer 1984/85) vol.13 iss.14 p.22
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CARL, PENNY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARL, PENNY
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title clippings file
CARLA CAMETTI PD [TV] : (AT, 2009)
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title clippings file
CARLA'S SONG : (UK/GG/SP, Kenneth Loach, 1996)
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CARLEI, CARLO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLEI, CARLO
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personality clippings file
CARLETON, RICHARD
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CARLILE, CLANCY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLILE, CLANCY
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personality microfilm collection
CARLIN, KEVIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLIN, KEVIN
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personality clippings file
CARLIN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARLIN, MICHAEL
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title clippings file
CARLITO'S WAY : (US, Brian De Palma, 1993)
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CARLO'S WAKE : (US, Mike Valerio, 1998)
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CARLONE, PIO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARLONE, PIO
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title clippings file
CARLOS : (FR/G, Olivier Assayas, 2010)
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script
Carlotta / created by Ric Pellizzeri, Lara Radulovich, David Hannam; written by David Hannam [AT]: 9/04/2013. Digital clippings file available
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title clippings file
CARLOTTA [TV] : (AT, 2013)
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CARLSEN, HENNING
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLSEN, HENNING
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personality microfilm collection
CARLSON, JUNE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLSON, JUNE
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subject clippings file
CARLTON FILM DISTRIBUTION
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CARLTON + GODARD = CINEMA : (AT, Nigel Buesst, 2003)
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CARLTON, ROB
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARLTON, ROB
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personality microfilm collection
CARLYLE, ROBERT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARLYLE, ROBERT
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personality microfilm collection
CARMAN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARMAN, MICHAEL
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title clippings file
CARMEN : (FR/IT, Francesco Rosi, 1984)
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title clippings file
CARMEN : (SP, Carlos Saura, 1983)
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journal article
Carmen in Cinema d'oggi (10 October 1984) vol.XVIII iss.17 p.11
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title clippings file
CARMEN JONES : (US, Otto Preminger, 1954)
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digital clippings file
CARMEN, LOENE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: CARMEN, LOENE
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title clippings file
CARMEN MIRANDA: BANANAS IS MY BUSINESS : (US, Helena Solberg, 1995)
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CARMET, JEAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARMET, JEAN
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CARNAGE : (AT, Tim Burns, 1978?)
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CARNAGE : (US, Roman Polanski, 2011)
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CARNAHAN, JOE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARNAHAN, JOE
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title clippings file
CARNAL KNOWLEDGE : (US, Mike Nichols, 1971)
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CARNE, JUDY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARNE, JUDY
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personality microfilm collection
CARNE, MARCEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARNE, MARCEL
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title clippings file
CARNE TREMULA : (FR/SP, Pedro Almodovar, 1997)
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CARNES, COLIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARNES, COLIN
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title clippings file
CARNET TROUVE CHEZ LES FOURMIS : (FR, Georges Senechal, 1974)
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CARNEY, ART
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARNEY, ART
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personality clippings file
CARNEY, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARNEY, JOHN
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personality clippings file
CARNEY, RAY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARNEY, RAY
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digital clippings file
CARNIVAL OF SOULS : US, Herk Harvey, 1962 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: CARNIVAL OF SOULS (US, Herk Harvey, 1962) URL status: URL: 'http://file://Q:/T/CARNIVAL_OF_SOULS.zip'
Checked: 31/08/2021 1:26:25 PM
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title clippings file
CARNIVAL ROCK : (US, Roger Corman, 1957)
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CARNIVORE REFLUX : (AT, James Calvert & Eddie White, 2006)
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CARNY : (US, Robert Kaylor, 1980)
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title clippings file
CARO DIARIO : (IT/FR, Nanni Moretti, 1993)
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CARO, NIKI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARO, NIKI
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digital clippings file
CAROL : (UK/US/FR, Todd Haynes, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CAROL (UK/US/FR, Todd Haynes, 2015) URL status: URL: 'http://file://Q:/T/CAROL.zip'
Checked: 31/08/2021 1:37:28 PM
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script
Carol / by Phyllis Nagy; based on the novel The Price of Salt by Patricia Highsmith Digital clippings file available
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title clippings file
CAROL FOR ANOTHER CHRISTMAS, A : (US, Joseph Mankiewicz, 1964)
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personality microfilm collection
CARON, LESLIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARON, LESLIE
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title clippings file
CAROUSEL : (US, Henry King, 1956)
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CAROW, HEINER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAROW, HEINER
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personality clippings file
CARPANI, RACHAEL
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CARPATI: 50 MILES, 50 YEARS : (US, Yale Strom, 1996)
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personality clippings
CARPENTER, JOHN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGSPhysDes: ClippingsSubject: CARPENTER, JOHN
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personality microfilm collection
CARPENTER, KIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARPENTER, KIM
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title clippings file
CARPETBAGGERS, THE : (US, Edward Dmytryk, 1964)
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title clippings file
CARPOOL : (US, Arhur Hiller, 1996)
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CARR, ALLAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARR, ALLAN
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personality clippings file
CARR, CHARMIAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARR, CHARMIAN
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personality clippings file
CARR, JIMMY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARR, JIMMY
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personality clippings file
CARRADINE, DAVID
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personality microfilm collection
CARRADINE, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARRADINE, JOHN
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personality microfilm collection
CARRADINE, KEITH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARRADINE, KEITH
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title clippings file
CARRE BLANC : (FR, Isabelle Pierson, 1986)
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CARRE, ISABELLE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARRE, ISABELLE
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personality clippings file
CARRELL, STEVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARRELL, STEVE
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digital clippings file
CARREY, JIM Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CARREY, JIM URL status: URL: 'http://file://Q:/P/CARREY,_JIM.zip'
Checked: 31/08/2021 12:47:29 PM
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personality clippings file
CARRICK, STEPHANIE
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title clippings file
CARRIE : (US, Brian De Palma, 1976)
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book
Carrie / Neil Mitchell Leighton Buzzard: Auteur Publishing, 2013.
Call No: 79CAR MITAuthor: Mitchell, Neil Edition: 2013Place: Leighton BuzzardPublisher: Auteur PublishingPubDate: 2013PhysDes: 100 p. ; illus. ; 19 cmSeries: Devil's AdvocatesSubject: CARRIE (US, Brian De Palma, 1976) Summary: Brian De Palma’s 1976 adaptation of Stephen King’s debut novel Carrie is one of the defining films of the 1970s New Hollywood and a horror classic in its own right. The story of a socially outcast teenage girl who discovers she possesses latent psychic power, leading to her retribution against her peers, teachers and abusive mother, Carrie was an enormous commercial critical success and still stands as one of the finest screen versions of a King novel. Neil Mitchell s contribution to the Devil’s Advocates series explores the film not just in terms of a formal breakdown – its themes, stylistic tropes, technical approaches, uses of colour and sound, dialogue and visual symbolism – but also the multitude of other factors that have contributed to its classic status. The act of adapting Stephen King’s novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma’s oeuvre, the subsequent versions and sequel as well as the social, political and cultural climate of the era (second wave feminism, sexuality, representations of adolescence, etc.) and the explosion of interest in and the evolution of the horror genre in the 1970s are all shown to have played an important part in the film’s success and enduring reputation as a whole. -- publisher's web siteISBN: 9781906733728
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title clippings file
CARRIED AWAY : (US, Bruno Barreto, 1996)
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personality microfilm collection
CARRIERE, JEAN-CLAUDE
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARRIERE, JEAN-CLAUDE
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title clippings file
CARRINGTON : (UK/FR, Christopher Hampton, 1995)
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personality clippings file
CARROLL, IAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, IAN
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personality clippings file
CARROLL, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, JOHN
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personality clippings file
CARROLL, LUKE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, LUKE
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personality microfilm collection
CARROLL, MATT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARROLL, MATT
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personality clippings file
CARROLL, MICK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, MICK
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personality clippings file
CARROLL, NOEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, NOEL
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personality microfilm collection
CARROLL, PETER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARROLL, PETER
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personality clippings file
CARROLL, TAMSIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARROLL, TAMSIN
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journal article
Carry me back in NZ Film (May-Aug 1982) iss.17 p.7
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title clippings file
CARRY ON COLUMBUS : (UK, Gerald Thomas, 1992)
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journal article
Carry on Cowboy in Aust. Film Guide (Feb 1967) p.19
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title clippings file
CARRY ON DOCTOR : (UK, Gerald Thomas, 1988)
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title clippings file
CARRY ON EMMANUELLE : (UK, Gerald Thomas, 1978)
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journal article
Carry on England in National Mutual Film Society Newsletter (Feb 1979) vol.10 iss.1
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title clippings file
CARRY ON MATRON : (UK, Gerald Thomas, 1972)
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title clippings file
CARRY ON SARGEANT : (CN, Bruce Bairnsfather, 1928)
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title clippings file
CARS : (US, John Lasseter and Joe Ranft, 2006)
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title clippings file
CARS 2 : (US, John Lasseter/Brad Lewis, 2011)
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Online resource
digital clippings file
CARS 3 : (US, Brian Fee, 2017) Digital clippings file available
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Online resource
digital clippings file
CARS ON TV Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CARS ON TV
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title clippings file
CARS THAT ATE PARIS, THE : (AT, Peter Weir, 1974)
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still
[Cars that ate Paris, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 16 photographs : b&w ; 13 x 18 cm.- 21 x 26 cm.Subject: MEILLON, JOHN ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: Sixteen black and white photographs relating to the film The cars that ate ParisNotes: Contains some duplicates. Four of these images have been donated to the Collection by Brian McFarlane
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personality microfilm collection
CARSAS, DIANE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARSAS, DIANE
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title clippings file
CARSKAJA OHOTA : (UR/CS/IT, Vitalij Mel`nikov, 1991)
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personality clippings file
CARSON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARSON, MICHAEL
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title clippings file
CARSON'S LAW : [TV] (AT, 1983)
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script
Carson's Law : Donnegan's Wake, Episode 27
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script
Carson's Law : Beyond All Reason 1984.
Call No: S CARAuthor: Saunders, Leon PubDate: 1984PhysDes: 123 pSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- stored with Crawford CollectionDonation: donated by the Australian Writers GuildID2: 266
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Crawford collection
script
Carson's law : episode 10 / written by Michael Brindley AT: c1982.
Call No: SC CAR : 10Author: Brindley, Michael Place: ATPubDate: c1982PhysDes: 64 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by scene breakdown (25 leaves), storyline and episode research (14 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 11 / written by Terry Stapleton AT: [1982?].
Call No: SC CAR : 11Author: Stapleton, Terry Edition: 1st draftPlace: ATPubDate: [1982?]PhysDes: 73 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by first draft of storyline ( 10 leaves), storyline and episode research (13 leaves) , episode research memo (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 12 / written by Beverley Phillips AT: [1982?].
Call No: SC CAR : 12Author: Phillips, Beverley Place: ATPubDate: [1982?]PhysDes: 80 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Includes character list, annotations -- Title suggestion handwritten on front cover "Welcome to the Party"-- Accompanied by Scene Breakdown (15 leaves with annotations), first draft Storyline (9 leaves), Storyline (10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 13 / written Anne Brooksbank AT: [1982?].
Call No: SC CAR : 13Author: Brooksbank, Anne Place: ATPubDate: [1982?]PhysDes: 90 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Includes character list -- Accompanied by first draft Storyline ( 10 leaves), Storyline( 10 leaves), Scene Breakdown( 21 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 14 / written by Bob Ellis AT: [1982?].
Call No: SC CAR : 14Author: Ellis, Bob Place: ATPubDate: [1982?]PhysDes: 71 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Includes character list, amendments -- Accompanied by first draft Storyline ( 10 leaves), Storyline and episode research ( 11 leaves), Scene Breakdown ( 15 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 15 / written by Galia Hardy AT: [1982?].
Call No: SC CAR : 15Author: Hardy, Galia Place: ATPubDate: [1982?]PhysDes: 82 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Accompanied by first draft Storyline ( 9 leaves, includes annotations), Storyline and episode research ( 15 leaves), Scene Breakdown ( 15 leaves) -- "The Lost Soul" episode title on cover of Scene BreakdownDonation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 16. Preselection / written by John Reeves AT: [1982?].
Call No: SC CAR : 16Author: Reeves, John Place: ATPubDate: [1982?]PhysDes: 85 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Script for episode 16 held as two halves -- Includes character list -- Accompanied by first draft Storyline ( 10 leaves), Storyline and episode research ( 13 leaves), Scene Breakdown (22 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 17. [Supplementary material] / written by Michael Joshua AT: 1982.
Call No: SC CAR : 17Author: Joshua, Michael Place: ATPubDate: 1982Subject: CARSON'S LAW [TV] (AT, 1983) Notes: Includes Scene Breakdown ( 28 leaves), first draft Storyline ( 13 leaves), Storyline and episode research (16 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 18 / written by Barry Creyton AT: [1982?].
Call No: SC CAR : 18Author: Creyton, Barry Place: ATPubDate: [1982?]PhysDes: 43 leaves ; 34 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by first draft of storyline (15 leaves), storyline and episode research (22 leaves), scene breakdown (15 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 19. The mistress / written by Alison Nisselle AT: [1982?].
Call No: SC CAR : 19Author: Nisselle, Alison Place: ATPubDate: [1982?]PhysDes: 104 leaves ; 34 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by first draft of storyline (15 leaves with annotations), storyline and episode research ( 21 leaves) , scene breakdown ( 27 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 20 / written by Charles Stamp AT: [1982?].
Call No: SC CAR : 20Author: Stamp, Charles Place: ATPubDate: [1982?]PhysDes: 57 leaves ; 34 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by first draft of storyline ( 18 leaves including annotations), storyline and episode research ( 20 leaves), scene breakdown (17 leaves)Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 1 & #4] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 54 photographs : b&w. ; 21 X 26 cm. + 4 photographs : b&w. ; 17 X 26 cm. + 1 contact sheet : b&w. ; 21 X 16 cm. + 2 contact sheets : b&w. 21 X 26 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Photographs and proof sheets relating to Carson's Law.Notes: Arrangement: Album #1 contains photographic prints only-- Photographs are arranged by episode number where known -- Accompanying many of the photographs is a 'title page' identifying information about the image, including actor, character names, episode number and scene breakdownDonation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 2] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 47 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #1 contains 35mm transparency slides only-- Photographs are arranged by episode number -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character name, episode number and scene breakdown -- Slide labels are on some of the images -- Duplicate images are stored in the rare books room.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 3] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 25 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #3 contains transparencies only -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character namesand scene breakdown (episode number is not identified) -- Duplicate images are stored in the rare books room -- Album 3 also contains a single frame transparency, unmounted 120mm format.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Amy, Tommy, Robert and Godfrey Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Amy (Christine Harris), Thomas (Chris Orchard, Robert (Ross Thompson) and Godfrey Carson (Kevin Miles)Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Billy, Jennifer, Amy and Sam Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Billy (Greg Caves), Jennifer (Lorraine Bayly), Amy (Christine Harris) pushing Sam (Edward Upton) on a billy cartNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: episode 71-77, movie making] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of production shoot 1920's styleNotes: Large format images are housed in the postage storage unit -- caption reads "Movie making, 1920's style, during the Crawford produced serial Carson's Law"Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Gerard Kent played by Noel Trevarthen] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Gerard the butler holding jewellsNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Godfrey and Felicity Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Godfrey (Kevin Miles) and Felicity Carson (Christine Amor).Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
crawford ephemera car
[Carson's Law. Graphic material]
Call No: CRAWFORD EPHEMERA CARPhysDes: 5 envelopes ; 26 x 38 cmSubject: CARSON'S LAW [TV] (AT, 1983) Summary: Assorted graphic materials commissioned by Crawford Productions for the series 'Carson's Law'Notes: Graphic design materials include mock -ups for the following items - wanted posters, ladies tickets, magazine pages, election posters and letterheadsDonation: Gift of Crawford ProductionsContents: Graphic design material ( 5 manila envelopes)
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poster
[Carson's law: poster] / Crawford Productions, Ten-10 Australia: 1982.
Call No: P CARAuthor: Quinn, B. CorpAuthor: Network 10Place: AustraliaPubDate: 1982PhysDes: 3 Posters : colour ; 66.5 x 98 cmSubject: CARSON'S LAW [TV] (AT, 1983) Summary: Image: in the lower foreground. forming a trainagular shape to the top middle, is a collage of sketches depicting characters and scenes from the tv series. To the upper righthandside of the image, behind the collage, is a mid shot, portrait-style photograph of the two lead characters, Godfrey Carson (Kevin Miles), and Jennifer Carson (Lorraine Bayly). To the lefthandside of the poster is the title of the series, with the tagline "A distinguished landmark of Australian television." In the bottom lefthandside corner is the Ten-10 logo, and in the upper righthandside is the Crawford Productions logo. The poster is in a sepia tone, to evoke the time period where the series is set (1920's).Notes: Relatively good condition with minor tears and folds around edges. 3 copies.Language: EnglishDonation: Crawford Productions
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Crawford collection
crawford publicity car
[Carson's law. Publicity material]
Call No: CRAWFORD PUBLICITY CARPhysDes: 1 folder ; 35 cm. + 1 plastic pocket (43 cm.)Subject: CRAWFORD PRODUCTIONS ; AUDIENCE RECEPTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; BAYLY, LORRAINE ; AMOR, CHRISTINE ; HARRIS, CHRISTINE ; CARSON'S LAW [TV] (AT, 1983) Summary: Publicity and media clippings about Crawford Productions series Carson's Law. Australian newspaper and magazine clippings are arranged in date order. Promotional material inculdes a press kit and Yorkshire Television promotional newspaper clippings.Donation: Gift of Crawford ProductionsContents: 1 blue folder containing press cuttings from Australian newspapers and magazines from 1 January 1984 to 31 May 1984 arranged in date order (253 leaves) plus two loose clippings , one dated 17 Octobeer 1985 and one undated -- 1 large plastic pocket containing the Carsons's Law press book (66 leaves) in a manila folder ; a promotional folder and flyer ; a manila folder containing Yorkshire Television promotional newspaper clippings from 5 British newspapers dated September 12 1885
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Crawford collection
still
[Carson's law: Sarah Carson attacked with knife] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Sarah Carson played by Melanie Oppenheimer being attacked by a man with a knife.Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Tommy Carson with drunk] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Tommy Carson (Chris Orchard) lying on the ground with drunk vagrantNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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personality clippings file
CARSTAIRS, PETER
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title clippings file
CARTA, A : (SP/PO/FR, Manoel de Oliveira, 1999)
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title clippings file
CARTA DE AMOR DE UN ASESINO : (SP, Francisco Regueiro, 1972)
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title clippings file
CARTAIO IL : (IT, Dario Argento, 2004)
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Online resource
digital clippings file
CARTEL LAND : (MX/US, Matthew Heineman, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CARTEL LAND (MX/US, Matthew Heineman, 2015) URL status: URL: 'http://file://Q:/T/CARTEL_LAND.zip'
Checked: 31/08/2021 1:38:49 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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personality microfilm collection
CARTER, ANGELA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARTER, ANGELA
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personality clippings file
CARTER, BENNY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, BENNY
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personality clippings file
CARTER, BIRDIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, BIRDIE
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personality microfilm collection
CARTER, CHRIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARTER, CHRIS
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personality clippings file
CARTER, CRAIG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, CRAIG
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personality clippings file
CARTER, DIXIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, DIXIE
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personality clippings file
CARTER, HELENA BONHAM
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personality clippings file
CARTER, JEFF
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, JEFF
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personality clippings file
CARTER, LYNDA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, LYNDA
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personality clippings file
CARTER, RICHARD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARTER, RICHARD
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personality clippings file
CARTER, ROBERT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: CARTER, ROBERT
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personality microfilm collection
CARTLIDGE, KATRIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARTLIDGE, KATRIN
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book
Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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Interim
book
Cartoon and puppet films in 1963 / Oldrich Adamec (editor) and Marie Benesova (compiler) 1963.
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subject clippings file
CARTOON CHARACTERS IN FILMS
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title clippings file
CARTOONISTS INC [TV] : (NZ, 2003)
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book
Cartoons : one hundred years of cinema animation / by Giannalberto Bendazzi ; [translated by Anna Taraboletti-Segre] Bloomington, Ind.: Indiana University Press, 1994.
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subject clippings file
CARTOONS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CARTOONS
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subject clippings file
CARTOONS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CARTOONS. USA
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personality clippings file
CARTWRIGHT, LYNNE
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personality clippings file
CARTWRIGHT, NANCY
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title clippings file
CARUGA : (CO, Rajko Grlic, 1993)
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personality microfilm collection
CARUSO, DAVID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARUSO, DAVID
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title clippings file
CARVED IN SILENCE : (US, Felicia Lowe, 1988)
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title clippings file
CARY GRANT: A CLASS APART : (US, Robert Trachtenberg, 2004)
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digital clippings file
CARY, TRISTAM Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CARY, TRISTAM
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personality clippings file
CARY, TRISTRAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARY, TRISTRAM
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title clippings file
CAS ROUSSELET, LE : (FR, Sylvain Dhomme, 197?)
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title clippings file
CASA DE BERNARDA ALBA, LA : (SP, Mario Camus, 1987)
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title clippings file
CASA IN BILICO, UNA : (IT, Antonietta De Lillo & Giorgio Magliulo, 1986)
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title clippings file
CASA NUOVA, VITA NUOVA : (IT, Giancarlo Planta, 1993)
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title clippings file
CASABLANCA : (US, Michael Curtiz, 1942)
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book
Casablanca / Edited by Richard J. Anobile London: Picador, 1974.
Call No: 79 CAS ANOEdition: 1974Place: LondonPublisher: PicadorPubDate: 1974PhysDes: 256 p. : illus. ; 28 cmSeries: The Film Classics LibrarySubject: CASABLANCA (US, Michael Curtiz, 1942) ISBN: 0330242148
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digital clippings file
CASABLANCA BEATS : (FR/MR, Nabil Ayouch, 2021) Digital clippings file available
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title clippings file
CASANOVA : (IT, Federico Fellini, 1976)
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title clippings file
CASANOVA : (US, Lasse Hallstrom, 2005)
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journal article
Casanova in Empire (Australian Ed.) (July 2006) iss.64 p.90
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title clippings file
CASANOVA AND COMPANY : (FR/IT/AU/GW, Francois Legrand [pseud. of Franz Antell], 1977)
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personality microfilm collection
CASARIL, GUY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASARIL, GUY
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title clippings file
CASE FOR THE CORONER, A [TV] : (AT, Hugh Piper, 2003)
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personality microfilm collection
Case, Justin
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASE, JUSTIN
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title clippings file
CASE OF THE LEGLESS VETERAN: JAMES KUTCHER, THE : (US, Howard Petrick, 1981)
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title clippings file
CASE OF THE MISSING MESSIAH, THE : (US?, Chris Brophy, 1989?)
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book
A casebook on film / Charles Thomas Samuels New York: Van Nostrand Reinhold, 1970.
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personality clippings file
CASEY, AMIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASEY, AMIE
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personality microfilm collection
CASEY, EARL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASEY, EARL
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personality microfilm collection
CASEY, KENDALL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Publicity; ClippingsSubject: CASEY, KENDALL
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personality clippings file
CASEY, RON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASEY, RON
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title clippings file
CASEY'S SHADOW : (US, Martin Ritt, 1978)
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personality microfilm collection
CASH, PAT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASH, PAT
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personality microfilm collection
CASH, ROSALIND
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASH, ROSALIND
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title clippings file
CASHBACK : (UK, Sean Ellis, 2006)
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title clippings file
CASHMERE MAFIA : [TV](US, 2007)
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book
Casino / Nicholas Pileggi & Martin Scorsese London: Faber and Faber, 1996.
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title clippings file
CASINO : (US, Martin Scorsese, 1995)
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title clippings file
CASINO ROYALE : (CZ/US/UK, Martin Campbell, 2006)
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title clippings file
CASINO ROYALE : (US/UK/GW/CZ, MARTIN CAMPBELL, 2006)
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personality microfilm collection
CASNOFF, PHILIP
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASNOFF, PHILIP
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title clippings file
CASO ALMERIA, EL : (SP, Pedro Costa Muste, 1984)
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title clippings file
CASO MORO, IL : (IT, Guiseppe Ferrara, 1986)
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title clippings file
CASOMAI : (IT, Alessandro D'Alatri, 2002)
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title clippings file
CASPER : (US, Brad Silberling, 1995)
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title clippings file
CASQUE D'OR : (FR, Jacques Becker, 1952)
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title clippings file
CASS : (AT, Chris Noonan, 1978)
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script
Cass [1977?].
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title clippings file
CASSANDRA : (AT, Colin Eggleston, 1987)
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title clippings file
CASSANDRA CROSSING, THE : (UK/IT/GW, George Pan Cosmatos, 1977)
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personality microfilm collection
Cassavetes, John
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; Publicity; StillsSubject: CASSAVETES, JOHN
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journal article
Cassavetes - lost but found in Filmnews (Australia) (May-89) vol.XIX iss.4 p.6
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personality microfilm collection
CASSAVETES, NICK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASSAVETES, NICK
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Interim
book
Cassavetes on Cassavetes / Ray Carney Boston, MA: Boston University, Boston MA, 1989.
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book
Cassavetes on Cassavetes / edited by Ray Carney London: Faber, 2001.
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title clippings file
CASSE-TETE CHINOIS : FR/US/BE, Cedric Klapisch, 2013
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newspaper article
Cassel brings cachet to Oz in Herald Sun [Hit] (28/05/2015) p.37
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personality clippings file
CASSEL, SEYMOUR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASSEL, SEYMOUR
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personality clippings file
CASSEL, VINCENT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASSEL, VINCENT
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personality clippings file
CASSELL, ALAN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASSELL, ALAN
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title clippings file
CASSIDY : [TV] (AT, Carl Schultz, 1989)
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title clippings file
CASSIE : (AT, Carl T. Woods, 1986)
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journal article
Cast a giant shadow in Aust. Film Guide (Feb 1967) p.17
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title clippings file
CAST AWAY : (US, Robert Zemeckis, 2000)
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title clippings file
CASTA DIVA : (NE, Eric De Kuyper, 1982)
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title clippings file
CASTA DIVINA, LA : (MX, Julian Pastor, 1977)
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personality clippings file
CASTALDI, PETER
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASTALDI, PETER
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title clippings file
CASTANET CLUB, THE : (AT, Neil Armfield, 1991)
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title clippings file
CASTAWAY : (UK, Nicholas Roeg, 1986)
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personality microfilm collection
CASTELLANETA, P.J.
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personality microfilm collection
CASTELLANI, RENATO
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personality clippings file
CASTELLI, MATT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: CASTELLI, MATT
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journal article
Il castello dei morti vivi in cinefantastique (Fall 1973) vol.3 iss.1 p.12
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journal article
El castillo de Fu Manchu in Cinefantastique (Fall 1973) vol.3 iss.1 p.16-17
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Online resource
digital clippings file
CASTING Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CASTING URL status: URL: 'http://file://Q:/S/CASTING.zip'
Checked: 31/08/2021 12:41:01 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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subject clippings file
CASTING. AUSTRALIA
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newspaper article
Casting clowns : Beresford tells all in Weekend Australian (18/06/2016) p.3
Call No: PERSONALITY CLIPPINGS FILE; MILLIKEN, SUEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Preview of a longer article in the same paper about the relationship between director Bruce Beresford and producer Sue Milliken and their trials and tribulations in trying to get films made in Hollywood. Their correspondence has been compiled into a book titled 'There's a fax from Bruce'
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title clippings file
CASTING JONBENET : (US/AT, Kitty Green, 2017)
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journal article
Casting the net wider in Encore (May 2000) vol.18 iss.4 p.32-36
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: CASTING. AUSTRALIA Summary: Describes current developments in casting in Australia. Prominent casting agents detail projects they have worked on .
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journal article
The Castle : a critical study of a feature film text in Australian Screen Education (1999) iss.20/21 p.36-43
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newspaper article
The Castle : a movie that went straight to the poolroom in Sunday Herald Sun (9/04/2017) p.32
Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)Author: Paatsch, Leigh PhysDes: Clippings File ArticleSubject: CASTLE, THE (AT, Rob Sitch, 1997) Summary: Celebrating 20 years since the release of the well-loved Australian comedy THE CASTLE. Includes some key quotes from the film and a rundown of the key cast
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personality clippings file
CASTLE, DAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASTLE, DAN
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personality clippings file
CASTLE HUGHES, KEISHA
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personality microfilm collection
CASTLE, JANE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASTLE, JANE
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title clippings file
CASTLE KEEP : (US, Sydney Pollack, 1969)
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journal article
'Castle' snares $9 million dollar deal in Encore (Jan 28, 1998) vol.15 iss.21 p.3
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personality clippings file
CASTLE, TERRY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASTLE, TERRY
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title clippings file
CASTLE, THE : (AT, Rob Sitch, 1997)
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journal article
The Castle, the garbage bin and the high voltage tower : home truths in the suburban grotesque in Metro (2000) iss.123 p.8-12
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personality clippings file
CASTLE, WILLIAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASTLE, WILLIAM
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title clippings file
CASTO VARON ESPANOL, UN : (SP, Jaime de Arminan, 1973)
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title clippings file
CASTOR AND POLLUX : (AT, Phillip Noyce, 1973)
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journal article
Castrat Commandantur Satirlageer 23 in Foreign Sales Italian Movie Trade (1976) vol.2 iss.12 p.7
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personality clippings file
CASTRO, RICK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CASTRO, RICK
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title clippings file
CASUAL SEX? : (US, Genevieve Robert, 1988)
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title clippings file
CASUAL SHOPPER : (US?, Judith Barry, 1982?)
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title clippings file
CASUAL VACANCY, THE : [TV] (UK, 2015)
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title clippings file
CASUALTIES OF LOVE : (US, John Herzfield, 1992)
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title clippings file
CASUALTIES OF WAR : (US, Brian De Palma, 1989)
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title clippings file
CASUISTRY: THE ART OF KILLING A CAT : (CN, Zev Asher, 2004)
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personality microfilm collection
CASWELL, ROBERT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CASWELL, ROBERT
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title clippings file
CAT AND MOUSE : (UK, Daniel Petrie, 1974)
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title clippings file
CAT AND THE CANARY, THE : (US, Elliot Nugent, 1939)
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title clippings file
CAT FROM OUTER SPACE, THE : (US, Norman Tokar, 1978)
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title clippings file
CAT IN THE CAGE : (US/IT, Tony Zarindast, 1978)
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title clippings file
CAT IN THE HAT, THE : (US, Bo Welch, 2003)
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title clippings file
CAT PEOPLE : (US, Paul Schrader, 1982)
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title clippings file
CAT'S CRADLE : (AT, Liz Hughes, 1992)
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title clippings file
CAT'S EYE : (US, Lewis Teague, 1985)
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title clippings file
CAT'S MEOW, THE : (CN/G/UK, Peter Bogdanovich, 2001)
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title clippings file
CAT WOMEN ON THE MOON : (US, Arthur Hilton, 1953)
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Interim
book
Catalogue of Chinese films
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Interim
book
Catalogue of Soviet feature films for young audience / Sovexportfilm Moscow: Sovexportfilm, [1977?].
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subject clippings file
CATALOGUING AND CLASSIFICATION OF FILMS
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subject clippings file
CATALOGUING AND CLASSIFICATION OF TV PROGRAMMES
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title clippings file
CATALYST [TV] : (AT, 2001-)
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Online resource
digital clippings file
CATASTROPHE [TV] : (UK, 2015 - ) Digital clippings file available
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title clippings file
CATCH 22 : (US, Mike Nichols, 1970)
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title clippings file
CATCH A FIRE : (FR/UK/SA/US, Phillip Noyce, 2006)
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journal article
Catch a Fire in Empire (Australian Ed.) (April 2007) iss.73 p.102
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title clippings file
CATCH ME IF YOU CAN : (US, Steven Spielberg, 2002)
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title clippings file
CATCH THAT KID : (US, Bart Freundlich, 2004)
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Online resource
digital clippings file
CATCH THE FAIR ONE : (US, Josef Kubota Wladyka, 2021) Digital clippings file available
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title clippings file
CATCH-UP, THE [TV]
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title clippings file
CATCHER WAS A SPY, THE : (US, Ben Lewin, 2018)
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title clippings file
CATCHFIRE : (US, Dennis Hopper, 1990)
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Online resource
script
Catching Milat : part one / based on 'Sins of the Brother' by Mark Whittaker and Les Kennedy Broadway, NSW: 20/03/2014. Digital clippings file available
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Online resource
script
Catching Milat : part two / based on 'Sins of the Brother' by Mark Whittaker and Les Kennedy Broadway, NSW: 1/04/2014. Digital clippings file available
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title clippings file
CATCHING MILAT [TV] : (AT, Peter Andrikidis, 2015)
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personality clippings file
CATCHLOVE, DON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATCHLOVE, DON
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title clippings file
CATERINA VA IN CITTA : (IT, Paolo Virzi, 2003)
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subject clippings file
CATERING
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CATERING
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Levy Collection
book
Catering for children in prime time television / Virginia Carter and James Davern Melbourne: Australian Children's Television Foundation, 1985.
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title clippings file
CATERPILLAR WISH : (AT, Sandra Sciberras, 2006)
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script
The caterpillar wish / original screenplay Sandra Sciberras AT: 2005.
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personality clippings file
CATES, GIL, JR.
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATES, GIL, JR.
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personality clippings file
CATES, GILBERT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATES, GILBERT
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personality microfilm collection
CATES, PHOEBE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CATES, PHOEBE
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Online resource
digital clippings file
CATFISH : (US, Ariel Schulman/Henry Joost, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Press kitSubject: CATFISH (US, Ariel Schulman/Henry Joost, 2010) ID2: 62URL status: URL: 'http://file://Q:/T/CATFISH.zip'
Checked: 31/08/2021 1:21:13 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
CATFISH IN BLACK BEAN SAUCE : (US, Chi Muoi Lo, 1999)
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title clippings file
CATFISH: THE TV SHOW [TV] : (US, 2012)
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subject clippings file
CATFLAP ANIMATION
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Interim
book
The Cathay story / Wong Ain-ling (ed) Hong Kong: Hong Kong Film Archive, 2002.
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still
[Cathedral forms : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 12 x 16 cmSubject: CATHEDRAL FORMS (AT, Anne Pollack, 1983) Summary: Two black and white images from the animation "Cathedral forms"
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Online resource
digital clippings file
CATHERINE CALLED BIRDY : (UK/US, Lena Dunham, 2022) Digital clippings file available
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journal article
Catherine Cherie in Kino/films of FRG vol.2 iss.82 p.21-2
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title clippings file
CATHERINE DE HEILBRONN : (FR, Éric Rohmer, 1980)
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title clippings file
CATHERINE ET CIE : IT/FR, Michel Boisrond, 1975
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journal article
Catherine's marriage in Bulletin of Hungarian Cinematography vol.19 p.7-9
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title clippings file
CATHY COME HOME : (UK, Tony Garnett, 1984)
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title clippings file
CATHY'S CHILD : (AT, Donald Crombie, 1979)
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script
Cathy's child : release script [1979?].
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book
Cathy's child / Dick Wordley South Yarra, Vic.: Gazelle books, 1979.
Call No: N79CAT WORAuthor: Wordley, Dick Source: ATPlace: South Yarra, Vic.Publisher: Gazelle booksPubDate: 1979PhysDes: 207 p. ; 18 cm.Subject: CATHY'S CHILD (AT, Donald Crombie, 1979) Notes: First published as: A piece of paper, Sydney: Tempo Books, 1973ISBN: 0908132050
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poster
[Cathy's child : poster] 1979.
Call No: P CATSource: ATPubDate: 1979PhysDes: 1 poster : colour ; 76 x 35 cmSubject: CATHY'S CHILD (AT, Donald Crombie, 1979) Summary: Image: A mother crouches down to a a young girl and both look in to the lense, as if to have their photograph taken. Two men an older and a younger man, both in suits, are pictured, gazing away from the above females, far off to the left hand side.
Text: She was a woman looking for her child. He was a reporter looking for a story.Notes: Pinholes in corners. Yellowed and folded.
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title clippings file
CATLOW : (UK, Sam Wanamaker, 1971)
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personality clippings file
CATO, NANCY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATO, NANCY
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personality microfilm collection
CATON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: CATON, MICHAEL
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journal article
Catour in National Mutual Film society N 'letter (Feb 1979) vol.10 iss.1
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title clippings file
CATS : (UK/US, Tom Hooper, 2019)
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Online resource
digital clippings file
CATS AND DOGS THREE : (US, Sean McNamara, 2020) Digital clippings file available
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journal article
CATs and madmen in Metro education (1999) iss.17/18 p.12-15
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title clippings file
CATS & DOGS : (US, Lawrence Guterman, 2001)
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title clippings file -- press kit located in poster draw
CATS & DOGS : (US, Lawrence Guterman, 2001)
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title clippings file
CATS DON'T DANCE : (US, Mark Dindal, 1997)
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title clippings file
CATS' TALES : (AT, Ralph L Marsden, 1998)
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title clippings file
CATSKINNER KEEN : (CN, Donald Brittain, 1973)
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personality microfilm collection
Cattaneo, Peter
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CATTANEO, PETER ID2: 148
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personality clippings file
CATTELL, EDITH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATTELL, EDITH
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personality clippings file
CATTET, HELENE & FORZANI, BRUNO
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title clippings file
CATTLE ANNIE AND LITTLE BRITCHES : (US, Lamont Johnson, 1980)
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title clippings file
CATTLE-DRIVE : (US, John Woodruff, 1981?)
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title clippings file
CATTLE KING : (AT, Bill Bennett, 1986)
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personality clippings file
CATTRALL, KIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CATTRALL, KIM
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title clippings file
CATWALK : (US, Robert Leacock, 1995)
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title clippings file
CATWOMAN : (US, Pitof, 2004)
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title clippings file
CAUCHEMARS : (FR/CN, Eddy Matalon, 1976)
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title clippings file
CAUGHT : (US, James F. Collier, 1987)
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title clippings file
CAUGHT : (US, Robert M. Young, 1996)
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title clippings file
CAUGHT IN THE CROSSFIRE : (US, Alice Ray, 1993?)
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journal article
Caught in the fog in FIR (May 1979) p.279
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title clippings file
CAUGHT INSIDE : (US, ADAM BLAIKLOCK, 2010)
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title clippings file
CAUGHT UP : (US, Darin Scott, 1998)
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journal article
Cauldron of blood in Cinefantastique (Fall 1973) vol.3 iss.1 p.34
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personality clippings file
CAULFIELD, EMMA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAULFIELD, EMMA
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personality microfilm collection
CAULFIELD, MAXWELL
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personality clippings collection
CAULFIELD, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS COLLECTIONPhysDes: ClippingsSubject: CAULFIELD, MICHAEL
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title clippings file
CAUSE, THE : (AT, Tim Nicholls, 1994?)
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title clippings file
CAUSE TOUJOURS TU M`INTERESSES : (FR, Edouard Molinaro, 1979)
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Online resource
digital clippings file
CAUSEWAY : (US, Lila Neugebauer, 2022) Digital clippings file available
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title clippings file
CAUTIONARY TAIL, A : (AT, Simon Rippingale, 2013)
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personality clippings file
CAUVIN, BRICE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAUVIN, BRICE
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personality microfilm collection
CAVADINI, ALESSANDRO
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: CAVADINI, ALESSANDRO
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title clippings file
CAVAFY : (GR/FR, Iannis Smaragdis, 1996)
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personality clippings file
CAVALERI, NATHAN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: CAVALERI, NATHAN
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title clippings file
CAVALEUR, LE : (FR, Philippe de Broca, 1979)
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personality clippings file
CAVANAGH, KATY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVANAGH, KATY
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personality clippings file
CAVANAUGH, TONY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVANAUGH, TONY
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personality clippings file
CAVANI, LILIANA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVANI, LILIANA
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personality clippings file
CAVARRA, FRANCO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVARRA, FRANCO
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personality microfilm collection
CAVAZOS, LUMI
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAVAZOS, LUMI
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title clippings file
CAVE IN THE SNOW : (AT, Liz Thompson, 2002)
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personality clippings file
CAVE, JETHRO
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVE, JETHRO
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personality microfilm collection
CAVE, NICK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAVE, NICK
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title clippings file
CAVE OF FORGOTTEN DREAMS : (CN/US/FR/G/UK, Werner Herzog, 2010)
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title clippings file
CAVE, THE : (US/G, Bruce Hunt, 2005)
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title clippings file
CAVE, THE : (TH/IE, Tom Waller, 2019)
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personality clippings file
CAVELL, STANLEY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAVELL, STANLEY
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title clippings file
CAVEMAN : (US, Carl Gottlieb, 1981)
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title clippings file
CAVEMAN'S VALENTINE, THE : (US, Kasi Lemmons, 2001)
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title clippings file
CAVIAR ROUGE : (SZ/FR, Robert Hossein, 1985)
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personality microfilm collection
CAVIEZEL, JIM
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAVIEZEL, JIM
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personality microfilm collection
CAWLEY, EVONNE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CAWLEY, EVONNE
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personality clippings file
CAWTHORNE, RUSSELL
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personality clippings file
CAZALE, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CAZALE, JOHN
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title clippings file
CB4 : (US, Tamra Davis, 1993)
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newspaper article
CBD : Goodbye to Yellow Brick Road: Nah! in The Age (03/08/2015) p.22
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journal article
CBS/FOX/Video snap-up "Dundee" in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.20
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newspaper article
CBS is the real drama in the battle for control of Ten in AFR Weekend (2/09/2017) p.25
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journal article
CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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journal article
CBS Productions to distribute internationally 'Kiss of the Spider Woman' in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.7
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journal article
CBS Theatrical Films and Roadshow link in Australia in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
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journal article
CBS Theatrical's 'American Dreamer' begins principal lensing in Paris in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17
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subject clippings file
CD-ROM AND THE CINEMA
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title clippings file
CE CHER VICTOR : (FR, Robin Davis, 1975)
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title clippings file
CE JOUR COMME UN AUTRE : (FR, Jean-Pierre Provence, 197?)
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title clippings file
CE QUIL FAUT POUR VIVRE : (CN, Benoit Pilon, 2008)
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title clippings file
CEASE FIRE : (US, David Nutter, 1985)
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personality clippings file
CEBERANO, KATE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CEBERANO, KATE
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personality microfilm collection
CECCHI D'AMICO, SUSO
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personality clippings file
CECCHI D'AMICO, SUSO
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script
CECIEL B. DEMENTED [1998].
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title clippings file
CECIL B. DEMENTED : (US, John Waters, 2000)
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title clippings file
CECIL TAYLOR UNIT : (FR, Raoul Sangla, 1972)
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title clippings file
CECILIA : (CU, Humberto Solas, 1982)
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title clippings file
CECILIA, LA : CECILIA, LA
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title clippings file
CEDAR BOYS : (AT, Serhat Caradee, 2009)
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personality clippings file
CEDAR, JOSEPH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CEDAR, JOSEPH
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title clippings file
CEDDO : (SG, Ousmane Sembene, 1977)
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title clippings file
CEKIST : (RU/FR, Aleksandr Rogozkin, 1992)
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title clippings file
CELA S`APPELLE L`AURORE : (FR/IT, Luis Bunuel, 1956)
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title clippings file
CELEBRATING BIRD: THE TRIUMPH OF CHARLIE PARKER : (US, Gary Giddins, 1987)
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CELEBRATION : (FR, Olivier Meyrou, 2007)
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CELEBRATIONS : (AT, Ivan Gaal, 1981)
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[Celebrations : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : col. ; 17 x 22 cmSubject: CELEBRATIONS (AT, Ivan Gaal, 1981) Summary: One colour photograph relating to the film Celebrations
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CELEBRITIES Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CELEBRITIES URL status: URL: 'http://file://Q:/S/CELEBRITIES.zip'
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CELEBRITIES. AUSTRALIA
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CELEBRITIES IN FILMS
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CELEBRITY : (US, Woody Allen, 1998)
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CELEBRITY APPRENTICE AUSTRALIA [TV] : (AT, 2011)
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CELEBRITY DOG SCHOOL [TV]
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CELEBRITY: DOMINICK DUNNE : (AT, Kirsty de Garis, 2008)
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CELEBRITY SPLASH [TV] : (AT, 2013 - )
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CELESTE : (GW, Percy Adlon, 1981)
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Celeste in Ausblick-Lookout-Woollahra (Feb-Jun 1987) p.7
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Celeste in Facets Features (Jan 1983) p.12-13
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Celeste in Facets features (Feb 1983) p.5
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CELESTE : (AT, Ben Hackworth, 2018)
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CELESTE [AND] & JESSE FOREVER : (US, Leo Toland Krieger, 2012)
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CELESTIAL AVENUE : (AT, Cameron Cairnes/Colin Cairnes, 2009)
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[Celestial avenue : poster] 2009.
Call No: P CELPubDate: 2009PhysDes: 1 poster : col. ; 100 X 69 cmSubject: CELESTIAL AVENUE (AT, Cameron Cairnes/Colin Cairnes, 2009) Summary: Image: red and dark red background. Actors in embrace in the middle top of image. Behind them is a Chinese character in red. Beneath them is a with woman in acting makeup, a baked bird, a female waiter, and a man in Chinese traditional garb. Title 'Celestial Avenue' in white and yellow on black background with Chinese characters above title. Text: 'A love story that will bring you to your Canton-knees!'
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CELIA : (AT, Ann Turner, 1988)
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Celia in Encore (10-23 Mar 1988) vol.6 iss.3 p.10-11
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Celia [DVD] [Northcote, Vic.]: Umbrella Entertainment, c2009.
Call No: D CeliaSource: ATPlace: [Northcote, Vic.]Publisher: Umbrella EntertainmentPubDate: c2009PhysDes: 1 videodisc (DVD) (ca. 98 min.) : sd., col. ; 4 3/4 inSubject: CELIA (AT, Ann Turner, 1988) Summary: "Celia (Rebecca Smart - Heartbreak High, The Coca Cola Kid, The Shiralee) is a fiercely independent and imaginative 9-year old who lives uncomfortably with her buttoned-down family in suburban Melbourne in the 1950s. Her church going parents are troubled be sexual frustrations and irrational fears about the rise of communism, causing Celia to find refuge with her treasured, tolerant grandmother. But when the latter dies, Celia's world falls apart until a friendship blossoms with new neigbour Alice (Victoria Longley in an AFI winning performance), a fun-loving , open minded woman with young children. Celia's father (Nicholas Eadie) also becomes enamoured by Alice, but cruelly forces her out of the neighbourhood when he discovers her communist sympathies. A beloved pet rabbit is now Celia's only source of affection, but when it too is taken, the child's world veers omniously between fantasy and reality, violence and tragedy. A classic tale of child-hood-loss-os-innocence, this brilliant Australian drama finally comes to DVD in a pristine new widescreen transfer."- DVD BACK COVERNotes: "DAVID1620"; Special features: Film review and interview with Ann Turner from the Sunday Show; David Stratton interviews Ann Turner (Audio); Still Gallery;; German Theatrical Trailer; Originally released as a motion picture in 1989; Censorship classification: MTechnical Details: PAL ; All Regions.Credits: Written and directed by Ann Turner, executive producer Bryce Menzies, producers Timothy White & Gordon GlennStandard Number: 3000000072028Performer: Rebecca Smart, Nicholas Eadie, Victoria Longley, Mary-Anne Fahey
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[Celia : stills file] Hoyts Distribution Release (distributor),
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[Celine and Julie go boating: poster] / Contemporary Films AT: Ranelagh,
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CELINE ET JULIE VONT EN BATEAU : (FR, Jacques Rivette, 1974)
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CELL, THE : (US, Tarsem, 2000)
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CELLAR, THE : (IE/BE/US, Brendan Muldowney, 2022) Digital clippings file available
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CELLULAR : (US, David R. Ellis, 2004)
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CELLULOID CLOSET, THE : (US, Robert Epstein & Jeffrey Friedman, 1995)
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CELLULOID HEROES : [TV] (AT, Robert Francis, 1995)
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Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING. AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
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CELOS, AMOR Y MERCADO COMUN : (SP, Alfonso Paso, 1973)
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CELOVEC NEVIDIMKA : (UR, Alexander Zakharov, 1985)
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CELOVEK S KINOAPPARATOM : (UR, Dziga Vertov, 1929)
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CELSIUS 41.11: THE TEMPERATURE AT WHICH THE BRAIN BEGINS TO DIE : (US, Kevin Knoblock, 2004)
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CELSO AND CORA : (AT, Gary Kildea, 1983)
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Celso and Cora in Metro (1985) vol.66 p.53
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Celso and Cora in Filmviews (Winter 1985) vol.30 iss.124 p.31-33
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Celso and Cora in Filmnews (Nov-Dec 1984) vol.14 iss.11 p.8-9
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poster
[Celso and Cora : poster] : a Manila story AT/PH: [1983?].
Call No: P CELPlace: AT/PHPubDate: [1983?]PhysDes: 1 poster : colour, photographs ; 72 x 35 cmSubject: CELSO AND CORA: A MANILA STORY (AT, Gary Kildea, 1983) Summary: Image: A photograph of a shirtless man, a woman, and two children in the upper part of the poster. A larger photograph of wooden houses and people washing clothes in the lower part of the poster.
Text: Released by Ronin Films
Produced in association with the Australian Film Commission; the Institute of Philippine Culture, Ateneo University, Manila; NAV Productions, Tokyo.
Grand Prix winner, Nyon International Film Festival/Best Feature Documentary, Chicago Film FestivalNotes: Good condition, creases.
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[Celso and Cora : stills file]
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CELTIC PRIDE : (US, Tom De Cerchio, 1996)
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CEMENT GARDEN, THE : (GG/UK/FR, Andrew Birkin, 1993)
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CEMETERY CLUB, THE : (US, Bill Duke, 1993)
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CEMETERY JUNCTION : (UK, Ricky Gervais & Stephen Merchant, 2010)
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CENA, JOHN
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CENOTAPH : (AT, Christopher Tuckfield, 1993)
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[CENSORED] : (AT, Sari Braithwaite, 2018)
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CENSORED VOICES : (IS/GG, Mor Loushy, 2015)
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CENSORSHIP
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CENSORSHIP
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book
Censorship and sexuality in Bombay cinema / Monika Mehta Austin, TX: University of Texas, 2011.
Call No: 440.2(540) MEHAuthor: Mehta, Monika Edition: 1stSource: USPlace: Austin, TXPublisher: University of TexasPubDate: 2011PhysDes: xi, 304 p. : ill. ; 24 cmSubject: SEXUALITY AND THE CINEMA ; CENSORSHIP. INDIA ; BOLLYWOOD ; WOMEN IN FILMS. INDIA ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; GUPT GYAN (II, B. K. Adarsh, 1974) ; KHAL NAYAK (II, Subhash Ghai, 1993) Summary: "India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminates censorships' role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring.
Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork (personal interviews and direct observation of censorship committees). By employing this interdisciplinary methodology and mobilizing Michel Foucault's insights on micropractices, Mehta places concerns of representation, film production, film reception, and state interventions in a productive dialogue. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact." -- BOOK BLURBNotes: Based on the author's thesis (doctoral)--University of Minnesota, 2001 -- Includes bibliographical references and index.ISBN: 9780292726925Donation: donated by Senses of Cinema, 2013Contents: Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections
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CENSORSHIP. AUSTRALIA
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CENSORSHIP. CANADA
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CENSORSHIP.CHINA Digital clippings file available
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journal article
Censorship flare-up with "Zorro" explained in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.5
Subject: CENSORSHIP. AUSTRALIA ; FILM Summary: Article explaining the events on 10/10/1974 when a 6pm screening of 'The Erotic Adventures of Zorro' was pulled due to a censorship mix-up
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CENSORSHIP. INDIA
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CENSORSHIP. INDONESIA
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CENSORSHIP. NEW ZEALAND
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journal article
Censorship, October 1984 in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.3
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book
The censorship papers : movie censorship letters from the Hays office, 1934-1968 / by Gerald Gardner New York: Dodd, Mead, 1987.
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book
Censorship procedure / The Law Reform Commission Sydney: The Commission, 1991.
Call No: 44(94) AUSCorpAuthor: Australia. Law Reform CommissionPlace: SydneyPublisher: The CommissionPubDate: 1991PhysDes: xix, 141 p. ; 25 cmSubject: CENSORSHIP. AUSTRALIA Notes: Includes bibliographical referencesISBN: 0642163332LON: 9634416
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CENSORSHIP, TV
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CENSORSHIP, TV
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CENSORSHIP TV. AUSTRALIA
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CENSORSHIP. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CENSORSHIP. UK
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CENSORSHIP. USA
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Censuring Salo : the unbanning of Pier Paolo Pasolini's Salo / Rebecca Huntley Sydney: University of New South Wales, 1995.
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CENT ET UNE NUITS, LES : (FR/UK, Agnes Varda, 1995)
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CENT MILLE DOLLARS AU SOLEIL : FR, Henri Verneuil, 1964
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CENT RANCUNES : FR, Caroline Roboh, 1992
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Centaur in Federation news (Mar-Jun 1978) iss.95/96 p.41
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CENTENARY OF CINEMA
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CENTENNIAL SUMMER : (US, Otto Preminger, 1946)
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CENTENNIAL [TV] : US, 1978-?
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CENTER OF THE WORLD, THE : (US, Wayne Wang, 2001)
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CENTER STAGE : (US, Nicholas Hytner, 2000)
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Cento giorni a palermo in Cinema d' oggi (4 Apr 1984) vol.XVIII iss.7 p.15
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CENTRAL AUSTRALIAN ABORIGINAL MEDIA ASSOCIATION
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CENTRAL CITY STUDIOS
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CENTRAL DO BRASIL : (BL/FR, Walter Salles, 1998)
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CENTRAL INTELLIGENCE : (US, Rawson Marshall Thurber, 2016)
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CENTRAL PARK FIVE, THE : (US, Ken Burns/Sarah Burns/David McMahon, 2012)
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Centre for Contemporary Photography Annual report / Centre for Contemporary Photography [Fitzroy, Vic.]: The Centre, [1993]. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 1998 -; Print copies no longer distributed; pdfs available from the website http://www.ccp.org.au/about.php; DIGITAL FILES; held 2000/01-2020/21CorpAuthor: Centre for Contemporary PhotographySource: ATPlace: [Fitzroy, Vic.]Publisher: The CentrePubDate: [1993]PhysDes: v. ; 30 cmSubject: Centre for Contemporary Photography Notes: Cover titleOrder Notes: Current [Online]LON: 9885541
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CENTRE FOR FUTURE STORYTELLING
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CENTRE PLACE : (AT, Ben Shackleford, 2009)
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CENTRESPREAD : (AT, Tony Patterson, 1981)
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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CENTURION : (UK, Neil Marshall, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Press kitSubject: CENTURION (UK, Neil Marshall, 2010) ID2: 62URL status: URL: 'http://file://Q:/T/CENTURION.zip'
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CENTURY : (UK, Stephen Poliakoff, 1993)
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book
A century of Australian cinema / edited by James Sabine for the Australian Film Institute Port Melbourne: Mandarin, 1995.
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book
A century of Chinese cinema : look back in glory / edited by Po Fung...[et al.] Hong Kong: Leisure and Cultural Services Department, 2001.
Call No: 71(51) CENCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Leisure and Cultural Services DepartmentPubDate: 2001PhysDes: 56 p. : b&w ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; CHINA IN FILMS ; TAIWAN Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.htmlISBN: 9628050117
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book
A century of cinema : Australian and French connections / edited by Jane Warren, Colin Nettelbeck and Wallace Kirsop Parkville, Vic.: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian Relations, 1996.
Call No: 408.3(94) AUSAuthor: Warren, Jane ; Kirsop, Wallace ; Nettelbeck, Colin W Place: Parkville, Vic.Publisher: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian RelationsPubDate: 1996PhysDes: 117 p., [20] p. of plates : ill., ports. ; 25 cmSubject: CENTENARY OF CINEMA. AUSTRALIA ; CENTENARY OF CINEMA. FRANCE ; MELODRAMA ; FRANCE ; AUSTRALIA ; NOUVELLE VAGUE ; CAHIERS DU CINEMA ; PARTIE D'ECARTE (FR, Louis Lumiere, 1895) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; SPENCER, WALTER BALDWIN ; DEPARDIEU, GERARD ; LUMIERE, AUGUSTE & LOUIS Notes: "The various essays in this volume were originally presented as papers at a University of Melbourne conference entitled 'A century of cinema : Australian and French connections. The conference was held in 1995 ..." --Introduction; Includes bibliographical referencesISBN: 0732513561LON: 12653307
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A century of cinema : the life & times of the State Cinema North Hobart: State Cinema, 2013.
Call No: 38(94) CLYAuthor: Clyde, Bill, Source: ATPlace: North HobartPublisher: State CinemaPubDate: 2013PhysDes: 65 pages : illustrations (some colour), facsimiles, plans, portraits ; 18 x 21 cm.Subject: CINEMAS. AUSTRALIA. STATE FILM THEATRE (TAS) Notes: Issued to commemorate the centenary of the State Cinema, North Hobart, Tasmania. Opening as the North Hobart Picture Palace in 1913, it was redeveloped as the Liberty Theatre in 1935, renamed the State Theatre in 1948, and re-opened as the State Cinema in 1976.ISBN: 9780646909677
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CENTURY OF CINEMA: 40,000 YEARS OF DREAMING, THE : (AT, George Miller, 1997)
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CERA, MICHAEL
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CERCLE ROUGE, LE : (FR/IT, Jean-Pierre Melville, 1970)
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CEREMONIE, LA : (FR/GG, Claude Chabrol, 1995)
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CEREMONY - THE DJUNGGUWAN OF NORTHEAST ARNHEM LAND : (AT, Trevor Graham, 2007)
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CERRO MAIOR : (PO, Luis Filipe Rocha, 1980)
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CERTAIN FURY : (US, Stephen Gyllenhaal, 1985)
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book
A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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CERTAIN WOMEN : (US, Kelly Reichardt, 2016) Digital clippings file available
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Certain women in Sunday Age [Inside Out] (23/04/2017) p.11
Call No: TITLE CLIPPINGS FILE; CERTAIN WOMEN (US, Kelly Reichardt, 2016)Author: [Mathieson, Craig] CM PhysDes: Clippings File ArticleSubject: CERTAIN WOMEN (US, Kelly Reichardt, 2016) Summary: Review of the film CERTAIN WOMEN, which is screening at a festival at ACMI celebrating the filmmaking of director Kelly Reichardt
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script
Cerulean blue / by Adrian Ortega 3/08/2017. Digital clippings file available
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personality microfilm collection
CERVANTES, BEHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CERVANTES, BEHN
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journal article
Ces Malades qui nous gouvernent in Cinema Francais (1981) vol.41 p.27
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Cesar / Stephen Heath London: bfi Publishing, 2004.
Call No: 79CES HEAAuthor: Heath, Stephen CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 88 p. ; 19 cmSeries: BFI Film ClassicsSubject: CESAR (FR, Marcel Pagnol, 1936) Summary: Examines the career of French writer director Marcel Pagnol (1895-1974) within the context of the development of “talking pictures”. Provides a synopsis of the first two films in the Marseille trilogy ‘Marius’ (directed by Alexander Korda, 1931) and ‘Fanny’ (directed by Marc All gret, 1932) Although Pagnol did not direct the first two films in the trilogy- he was closely involved in their making. The conclusion of the trilogy ’C sar’ (written and directed by Pagnol) is examined in terms of speech, accent, theatricality and cinema, culture and stereotypes. The importance of Marseille as the setting is discussed and the setting’s cultural-historical impact on the main character.ISBN: 0 85170 833 1
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CESARE DEVE MORIRE : (IT, Paolo Taviani/Vittoria Taviani, 2012)
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Cesljugari in News. Yugoslavian film vol.127 p.6
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CET OBSCUR OBJET DU DESIR : (FR/SP, Luis Bunuel, 1977)
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CEUX QUI M'AIMENT PRENDRONT LE TRAIN : (FR, Patrice Chereau, 1998)
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CEYLAN, NURI BILGE
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CH`ING SHAONIEN NA CHA : (TZ/HK, Tsai Ming-liang, 1993)
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CH JONES - MOON : (AT, Ben Tiefholz, 2002)
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CHA CHA REAL SMOOTH : (US, Cooper Raiff, 2022) Digital clippings file available
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CHA NO AJI : (JA, Katsuhito Ishii, 2004)
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CHAALCHITRA : (II, Mrinal Sen, 1981)
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CHABERT, LACEY
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CHABROL, CLAUDE
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CHAC : (MX, Rolando Klein, 1975)
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CHACUN CHERCHE SON CHAT : (FR, Cedric Klapisch, 1996)
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CHACUN SON CINEMA : (FR, 2009)
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CHADHA, GURINDER
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CHADHA, GURINDER
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CHADHA, RICHA
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CHADWICK, KENT
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CHADWICK, SARAH
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: CHADWICK, SARAH
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CHAFFEY, DON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAFFEY, DON
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CHAHINE, YOUSSEF
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAHINE, YOUSSEF
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CHAIKIN, JUDY
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CHAIN : (US/GG, Jem Cohen, 2004)
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CHAIN LETTERS : (US, Mark Rappaport, 1985)
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CHAIN OF DESIRE : (US, Temistocles Lopez, 1992)
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title clippings file
CHAIN REACTION : (US, Andrew Davis, 1996)
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book
The chain reaction / Keith Hetherington Melbourne: Unicorn Books, 1980.
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music lp
the Chain Reaction [sound recording] : original soundtrack / music by Andrew Thomas Wilson, producer Spencer Lee Australia: 7 Records, 1980?.
Call No: LP The Chain ReactionAuthor: Chopin ; Lee, Spencer ; Mozart ; Wilson, Andrew Thomas Source: ATPlace: AustraliaPublisher: 7 RecordsPubDate: 1980?PhysDes: 1 sound disc (? min): 33 1/3 rpm, 12 inSubject: CHAIN REACTION, THE (AT, Ian Barry, 1980) Contents: -- side one -- awakening / Wilson & Lee -- the beast / Wilson & Lee -- decontamination / Wilson & Lee & & Mozart -- heinrich's theme / Wilson & Lee & Chopin -- waldo / Wilson & Lee -- a swim in the river / Wilson & Lee -- chain reaction / Wilson & Lee -- side two -- once more with feling / Wilson & Lee -- paradise valley / Wilson & Lee -- car chase / Wilson & Lee -- carmel's theme -- Wilson & Lee -- waldo arrives / Wilson & Lee -- the hand at the window / Wilson & Lee -- message to a friend (end titles) / Wilson & Lee --Performer: Andrew Thomas Wilson; Gary Fredericks; Tony Doyle; Paul WheelerMusic Type: Motion Picture MusicPublisher Number: 7 Records: MLF 360
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title clippings file
CHAIN, THE : (US, Jack Gold, 1985)
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title clippings file
CHAINED : (US, Clarence Brown, 1934)
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title clippings file
CHAINED HEAT : (US/GW, Paul Nicolas, 1983)
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title clippings file
CHAINON MANQUANT, LE : (BE/FR, Picha [pseud. of Jean-Paul Walravens], 1980)
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CHAINSAW : (AT, Dennis Tupicoff, 2008)
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CHAINSAW-BULL BORN BAD : (AT, Shirley Barrett, 1991)
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title clippings file
CHAIRY TALE, A : (CN, Norman McLaren, 1957)
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title clippings file
CHAK DE! INDIA : (II, Shimit Amin, 2007)
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CHAKUSHIN ARI : (JA, Takashi Miike, 2003)
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CHALET GIRL : (UK, Phil Traill, 2011)
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title clippings file
CHALK : (US, Rob Nilsson, 1996)
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title clippings file
CHALK GARDEN, THE : (UK, Ronald Neame, 1964)
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title clippings file
CHALLENGE, THE : (US, John Frankenheimer, 1982)
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title clippings file
CHALLENGE, THE : [TV] (AT, Chris Thomson, 1986)
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CHALLENGING IMPOSSIBILITY : (US, Sanjay Rawal & Natabara Mark Rollosson, 2011)
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personality clippings file
CHALLIS, CHRISTOPHER
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title clippings file
CHALTE CHALTE : (II, Aziz Mirza, 2003)
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CHAMBER, THE : (US, James Foley, 1996)
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personality microfilm collection
CHAMBERLAIN, RICHARD
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personality microfilm collection
CHAMBERLIN, FREDERICK MAURICE
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personality clippings file
CHAMBERS, TANIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAMBERS, TANIA
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title clippings file
CHAMBRE EN VILLE, UNE : (FR, Jacques Demy, 1982)
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journal article
La chambre voisine in Cinema Francais (1980) vol.37 p.8-11
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title clippings file
CHAMELEON : (CN, Stefan Anastasiu, 1984)
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title clippings file
CHAMELEON 3: DARK ANGEL [TV] : (US/AT, John Lafia, 2000)
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title clippings file
CHAMELEON STREET : (US, Wendell B. Harris, 1989)
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title clippings file
CHAMP NOBODY WANTED, THE : (UK, James Hayes, 2003)
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title clippings file
CHAMP, THE : (US, Franco Zeffirelli, 1979)
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title clippings file
CHAMPAGNE CHARLIE : (CN, Allan Eastman, 1988)
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journal article
Champagne in paradiso in Cinema d' oggi (4 Apr 1984) vol.XVIII iss.7 p.15
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title clippings file
CHAMPAGNE SAFARI, THE : (CN, George Ungar, 1995)
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journal article
Champignons in Filmviews (Spring 1985) vol.30 iss.125 p.34-35
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title clippings file
CHAMPIONS : (UK, John Irvin, 1984)
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title clippings file
CHAMPIONS FOREVER : (US, Dimitri Logothetis, 1989)
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CHAMPIONS OF THE AUSTRALIAN TURF : (AT, Peter James, 1989)
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CHAMPIONS OF THE WILD : (CN, Brian Ray, 2004)
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digital clippings file
CHAMPS : (US, Bert Marcus, 2014) Digital clippings file available
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personality clippings file
CHAMPTALOUP, DAVID
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personality microfilm collection
CHAN, CHARLIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: PublicitySubject: CHAN, CHARLIE
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personality microfilm collection
CHAN, EVANS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, EVANS
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personality clippings file
CHAN FRUIT
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAN, FRUIT
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title clippings file
CHAN IS MISSING : (US, Wayne Wang, 1982)
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journal article
Chan is missing in Filmnews (Apr 1985) vol.15 iss.3 p.12
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personality microfilm collection
CHAN, JACKIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, JACKIE
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personality microfilm collection
CHAN, PAULINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, PAULINE
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personality clippings file
CHAN, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAN, PETER
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personality microfilm collection
CHAN, TONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAN, TONY
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journal article
Une chanbre en ville by Jacques Demy in Unifrance F. vol.9 iss.82 p.19-20
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script
Chances : A Serial for Television, Release Script, Part 2 1988.
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title clippings file
CHANCES ARE : (US, Emile Ardolino, 1989)
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dvd
Chances. Volume 1 [DVD] [Australia]: Umbrella Entertainment, [2004].
Call No: D Chances volume 1Edition: 2 disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2004]PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) ; TELEVISION. AUSTRALIA Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries AustraliaNotes: DAVID0334.; Censorship rating: M 15+Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.Technical Details: All region, PAL.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023154Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.
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dvd
Chances. Volume 2 [DVD] [Australia]: Umbrella Entertainment, 2004.
Call No: D Chances volume 2Edition: Two disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: 2004PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) Summary: You'll meet visiting vampires, Count Vladamir Caldura and Circe who set up shop at Tran-Sylvania Waters and start their search for a rare blood type to revive the master race. -- Libraries AustraliaNotes: DAVID0349; Censorship rating: M 15+.Contents: Special features: Extensive liner notes by Andrew Mercado, author of "The super Aussie soap book"; Original episode previews; Image galleryTechnical Details: PAL ; All regions.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023413Performer: Jeremy Sims, Patsy Stephen, Stephen Whittaker, Karen Richards, Michael Caton.
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personality microfilm collection
CHANDLER, JEFF
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANDLER, JEFF
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personality microfilm collection
CHANDLER, RAYMOND
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANDLER, RAYMOND
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subject clippings file
CHANDON PICTURES
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title clippings file
CHANDON PICTURES [TV] : (AT, 2007)
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title clippings file
CHANEL SOLITAIRE : (FR/UK, George Kaczender, 1981)
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journal article
"Chanel Solitaire" opens at Pitt Centre on May 28th in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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digital clippings file
CHANEY, LON Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Publicity; ClippingsSubject: CHANEY, LON URL status: URL: 'http://file://Q:/P/CHANEY,_LON.zip'
Checked: 31/08/2021 12:47:22 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
CHANG : (US, Ernest B. Schoedsack & Merian C. Cooper, 1927)
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Interim
book
Chang Cheh : a memoir / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2004.
Call No: 81CHACorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2004PhysDes: 255 p ; 24 cmSubject: CHANG, CHEH Summary: The late director Chang Cheh (1924-2002) was a key advocator of the 'new century of wuxia' movement in the Hong Kong cinema. In the Memoir, Chang unveils to the readers his rarely known childhood, his aspired involvement in politics in his earlier years, and the hit trends he brought about in momentous phases of the Hong Kong cinema. The book contains precious stills and photos of the director at work, a complete filmography, and a preface written by director John Woo and renowned film critic Sek Kei as a tribute to the late master.ISBN: 9628050265
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personality clippings file
CHANG-DONG, LEE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANG-DONG, LEE
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personality clippings file
CHANG, YUNG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANG, YUNG
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newspaper article
Change ABC charter so kids get real story in The Australian (5/06/2017) p.23
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title clippings file
CHANGE COMING : AT Mark Alston 2008
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title clippings file
CHANGE MY RACE [TV] : (AT, 2013)
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title clippings file
CHANGE OF FACE : [TV] (AT, Franco di Chiera, 1988)
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title clippings file
CHANGE OF HEART, A : (AT, Rod Hay, 1998)
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title clippings file
CHANGE OF SEASONS, A : (UK, Richard Lang, 1980)
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title clippings file
CHANGED FOREVER: THE MAKING OF AUSTRALIA [TV] : [TV] (AT, 2015)
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title clippings file
CHANGELING : (US, Clint Eastwood, 2008)
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title clippings file
CHANGELING, THE : (CN, Peter Medak, 1980)
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CHANGEMENT D'ADRESSE : (FR, Emmanuel Mouret, 2006
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title clippings file
CHANGEOVER, THE : (NZ, Miranda Harcourt / Stuart McKenzie, 2017)
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title clippings file
CHANGES : (AT, Karen Altman, 1979)
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journal article
Changes, changes in Federation news (Mar-Jun 1978) iss.95/96 p.29
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title clippings file
CHANGI [TV] : (AT, Kate Woods, 2001)
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title clippings file
CHANGING AUSTRALIA: A LAND OF CONTRASTS [TV] : AT, 1988-?
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title clippings file
CHANGING LANES : (US, Roger Michell, 2002)
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title clippings file
CHANGING MINDS: THE INSIDE STORY [TV] : (AT, 2015)
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title clippings file
CHANGING OUR PLAYGROUND : (AT, Margaret Ann Smith, 1996)
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title clippings file
CHANGING SCHOOLS : (AT, Penny Robins, 1985)
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title clippings file
CHANGING THE NEEDLE : (AT, Martha Ansara, 1982)
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subject clippings file
CHANNEL 0-28
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL 0-28
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digital clippings file
CHANNEL 31 Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL 31 URL status: URL: 'http://file://Q:/S/CHANNEL_THIRTY-ONE.zip'
Checked: 31/08/2021 12:41:03 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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subject clippings file
CHANNEL COMMUNICATIONS
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subject clippings file
CHANNEL FOUR
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNEL FOUR
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book
Channel Four : television with a difference / Stephen Lambert London: bfi Publishing, 1982.
Call No: 201.24CHA LAMAuthor: Lambert, Stephen Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1982PhysDes: vi, 178 p. : ill. ; 21 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURBNotes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431ISBN: 0851701248Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --
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journal article
Channel [V] produces live music in Encore (Jan 29, 1999) vol.17 iss.1 p.20
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subject clippings file
CHANNELVISION
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CHANNELVISION
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personality microfilm collection
CHANNING, STOCKARD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHANNING, STOCKARD
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personality clippings file
CHANOIS, JEAN-PAUL LE
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title clippings file
CHANSON POUR JULIE : (CN, Jacques Vallee, 1976)
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title clippings file
CHANT DU DEPART, LE : (FR, Pascal Aubier, 1975)
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book
The chant of Jimmie Blacksmith / Thomas Keneally [Sydney]: Fontana, 1978.
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book
The chant of Jimmie Blacksmith / Henry Reynolds Sydney and Canberra: Currency Press and the Australian Film Commission, 2008.
Call No: 79CHA REYAuthor: Reynolds, Henry Place: Sydney and CanberraPublisher: Currency Press and the Australian Film CommissionPubDate: 2008PhysDes: 80 p. : ports. ; 19 cmSeries: Australian Screen ClassicsSubject: HISTORY AND THE CINEMA. AUSTRALIA ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; KENEALLY, THOMAS Summary: In this compelling critique, Henry Reynolds explores the difficult relationship between fiction and history. Reynolds views The Chant of Jimmie Blacksmith in its political and historical context, and examines the ways in which a study of Australian cinema is also a study of Australian social issues.-BlurbNotes: Chant of Jimmie Blacksmith (Motion picture) directed by Fred Schepisi.
Bibliography: p.76-78.ISBN: 9780868198248Language: EnglishContents: Australian Screen Classics -- Acknowledgements -- 1: A Thrice-Told Tale -- 2: Jimmy Governor's Short, Tragic Tale -- 3: Looking for a Legend -- 4: Governor Becomes Blacksmith -- 5: The Rampage of the Blacksmith Brothers -- 6: The Critics Respond -- 7: Audiences Confronted -- 8: The Historian's Reflections -- Notes -- Bibliography -- Filmography -- Credits
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dvd
The chant of Jimmie Blacksmith [DVD] Australia: Umbrella Entertainment, 2008.
Call No: D The chant of Jimmie BlacksmithEdition: 30th Anniversary collectors edition.Place: AustraliaPublisher: Umbrella EntertainmentPubDate: 2008PhysDes: 2 videodiscs (DVD) (117 min.) : digital, col. ; 4 3/4 in.Subject: CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) Summary: Based on historical fact, the story follows the life of a certain half caste Aboriginal named Jimmy Governor. Jimmy marries a white girl hoping to achieve assimilation into white society but, instead, he becomes an object of loathing and ridicule. In the winter of 1900, after some harassment from farmers, he murders a family near Gilgandra in New South Wales. He and his full blood Aborigine brother, Joey embark upon an odyssey of murdering whites. Hunted and hounded, he is eventually captured, tried, sentenced to death, and executed. -- Libraries Australia.Notes: Originally released as a motion picture in 1978.
Includes special features.
"The film was made with the financial assistance of the Australian Film Commission and the Victorian Film Corporation" --Container.
Censorship classification: M.
Originally produced Melbourne : The Film House, 1978.
In English. no subtitles.
Nominated: Palm D'or - Cannes Film Festival (1978) -- Libraries AustraliaContents: Special features: Exclusive new widescreen telecine transfer; Featurette - interviews with key cast and crew including Fred Schepisi and Tommy Lewis; Interview with Tommy Lewis; Audio commentary with Fred Schepisi; Q&A session with Fred Schepisi and Geoffrey Rush filmed at the Melbourne International Film Festival 2008; Making us Blacksmiths - documentary on the casting of Aboriginal lead actors Tommy Lewis and Freddy Reynolds; Stills gallery; Theatrical trailerTechnical Details: PAL ; All regions.Credits: Director and producer, Fred Schepisi.Standard Number: 3000000069974Performer: Tommy Lewis, Freddy Reynolds, Ray Barrett, Jack Thompson, Angela Punch.
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digital clippings file
CHANT OF JIMMIE BLACKSMITH, THE : (AT, Fred Schepisi, 1978) Digital clippings file available
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still
[Chant of Jimmie Blacksmith, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x18 cm + 1 transparency : col. ; 7 x 6 cmSubject: CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) Summary: One colour transparency relating to the film The chant of Jimmie Blacksmith and one photograph of Jimmie (Tommy Lewis) striding through the bush.Notes: Black and white image donate by Brian McFarlane
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title clippings file
CHANTAL AKERMAN PAR CHANTAL AKERMAN : (FR, Chantal Akerman, 1997)
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CHANTERY, LES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHANTERY, LES
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title clippings file
CHAOS : (FR, Coline Serreau, 2001)
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CHAOS : CN/UK, Tony Giglio, 2005
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newspaper article
Chaos puts faith in DVD deal with Beyond International in The Age [Business] (18/04/2002) p.4
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERSubject: BEYOND INTERNATIONAL ; CHAOS INTERNATIONAL Summary: Chaos, company best known for online music, will go into DVD production in association with Beyond International.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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digital clippings file
CHAOS WALKING : (US/CN/HK, Doug Liman, 2021) Digital clippings file available
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personality microfilm collection
CHAPA, DAMIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPA, DAMIAN
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personality microfilm collection
CHAPELLE, POLA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPELLE, POLA
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title clippings file
CHAPERONE, THE : (UK/AT/US, Michael Engler, 2018)
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book
Chaplin / Roger Manvell London: Hutchinson, 1975.
Call No: 81CHA MANAuthor: Manvell, Roger, 1909 Place: LondonPublisher: HutchinsonPubDate: 1975PhysDes: xiii, 240 p. ; 23 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. [227]-230ISBN: 0091238005 : ª3.50LON: 75326633; 278988
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book
Chaplin : genesis of a clown / [by] Raoul Sobel and David Francis London New York: Quartet Books, 1977.
Call No: 81CHA SOBAuthor: Sobel, Raoul ; Francis, David, 1935- joint author Place: London New YorkPublisher: Quartet BooksPubDate: 1977PhysDes: 253 p. : ill., facsims., ports. ; 23 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 223-227; Filmography: p. 229-242ISBN: 070432105X; 0704331349 (pbk.) : ª2.95LON: 80454946; 1235325
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book
Chaplin : his life and art / David Robinson London: Collins, 1985.
Call No: 81CHA ROBAuthor: Robinson, David, 1930 Place: LondonPublisher: CollinsPubDate: 1985PhysDes: 792 p., [80] p. of plates : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Filmography: p. 699-745; Bibliography: p. 778-782ISBN: 000216387X : ª15.00LON: bnb00216387; 3712863
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book
Chaplin / Denis Gifford London: Macmillan, 1974.
Call No: 81CHA GIFAuthor: Gifford, Denis Place: LondonPublisher: MacmillanPubDate: 1974PhysDes: 128 p. : ill. (some col.), facsims. (some col.), ports. ; 26 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 126-127ISBN: 0333156528 : ª1.95LON: 74196642; 353811
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title clippings file
CHAPLIN : (US, Richard Attenborough, 1992)
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book
Chaplin / Julian Smith Boston MA: Twayne Publishers, 1984.
Call No: 81CHA SMIAuthor: Smith, Julian Source: USPlace: Boston MAPublisher: Twayne PublishersPubDate: 1984PhysDes: 161 p. : ill. ; 23 cm.Series: Twayne's filmmakers seriesSubject: CHAPLIN, CHARLES ; COMEDIANS Notes: Includes index.
Bibliography: p. 152-153.
Filmography: p. 154-158.ISBN: 080579302X (pbk.)
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book
Chaplin : The dictator and the tramp / edited by Frank Scheide and Hooman Mehran London: British Film Institute, 2004.
Call No: 81CHA SCHAuthor: Scheide, Frank ; Mehran, Hooman CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2004PhysDes: 150 p. ; 23 cmSeries: ChaplinSubject: CHAPLIN, CHARLES ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) Summary: A collection of essays about Charles Chaplin (1899-1977) written by some of the world’s leading authorities on Chaplin and early film comedy. The primary focus of the volume is Chaplin’s 1940 film satire on Nazi Germany, The Great Dictator. This film has recently attracted intense interest during its wide international theatrical and DVD re-release. The Great Dictator is also the subject of a remarkable documentary, The Tramp and the Dictator, by the distinguished historian and film-maker Kevin Brownlow, who serves as adviser to this publication, and has made available research material and interviews gathered in the course of the production. [Taken from back cover]ISBN: 1844570371
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personality microfilm collection
CHAPLIN, BEN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPLIN, BEN
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personality microfilm collection
CHAPLIN, CHARLES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PublicitySubject: CHAPLIN, CHARLES
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personality clippings file
CHAPLIN, GERALDINE
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book
Chaplin, last of the clowns / by Parker Tyler [New York]: The Vanguard Press, 1948.
Call No: 81CHA TYLAuthor: Tyler, Parker Place: [New York]Publisher: The Vanguard PressPubDate: 1948PhysDes: 180 p. [16] p. of plates : ill., ports. ; 21 cmSubject: CHAPLIN, CHARLES LON: abn87098784; 5225220
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book
Chaplin's films : a filmography : Chaplin i Sverige. English / [by] Uno Asplund ; Translated from the Swedish by Paul Britten Austin [Melbourne]: Wren, 1973].
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personality microfilm collection
CHAPLIN, SAUL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPLIN, SAUL
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newspaper article
Chaplin speaks : on critics, Beatles, mood of London in The Age (04/04/1967) p.-
Call No: TITLE CLIPPINGS FILE; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967)Author: Wyndham, Frances PhysDes: Clippings File ArticleSubject: CHAPLIN, CHARLES ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) Summary: Candid interview with Charles Chaplin with the focus on the recent film 'A Countess from Hong Kong' and the critical backlash he received. Chaplin talks about his cynicism in regards to 'Swinging London', and a movie by the band 'The Beatles'Notes: old clips pile from June 2015
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book
Chaplin, the immortal tramp : the life and work of Charles Chaplin / by R.J. Minney London: George Newnes, 1954.
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book
Chapliniana : a commentary on Charlie Chaplin's 81 movies / Harry M. Geduld Bloomington IN: Indiana University Press, c1987.
Call No: 81CHA GEDAuthor: Geduld, Harry M. Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c1987PhysDes: 293 p. ; 22 cmSubject: KEYSTONE ; CHAPLIN, CHARLES Notes: contents: v.1. The keystone films
copy signed
Includes bibliographies and index.ISBN: 0253313368Donation: donated by the family of Wayne Levy, 2006
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personality clippings file
CHAPMAN, ALEX
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, ALEX
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personality clippings file
CHAPMAN, CHRIS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, CHRIS
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personality clippings file
CHAPMAN, GRAHAM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, GRAHAM
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personality microfilm collection
CHAPMAN, JAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPMAN, JAN
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personality clippings file
CHAPMAN, JEAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, JEAN
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personality clippings file
CHAPMAN, KEITH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPMAN, KEITH
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personality clippings file
CHAPMAN, MARGUERITE
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CHAPMAN, PENNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHAPMAN, PENNY
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journal article
Chapman resigns from ABC to establish own company in Encore (25 Feb, 1998) vol.16 iss.1 p.6
Author: Prisk, Tracey PhysDes: Article; Illustration(s)Subject: CHAPMAN, PENNY Summary: ABC general manager of network television, Penny Chapman, has resigned and established her own company, Chapman Pictures.
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CHAPPAQUA : (US, Conrad Rooks, 1966)
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Chappaqua in Photon iss.19 p.45
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CHAPPAQUIDDICK : (US, John Curran, 2017)
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personality clippings file
CHAPPEL, TIM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPPEL, TIM
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personality clippings file
Chappell, Lisa
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: Chappell, Lisa
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personality clippings file
CHAPPELLE, DAVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHAPPELLE, DAVE
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title clippings file
CHAPPIE : (US/MX, Neill Blomkamp, 2015)
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newspaper article
Chappie a hero to warm to in The Age [Arts & Entertainment] (12/03/2015) p.32
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CHAPTER TWO : (US, Robert Moore, 1979)
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CHARACTER ACTORS
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CHARACTERIZATION IN FILMS
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subject clippings file
CHARACTERS ON TV
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title clippings file
CHARADE : (US, Stanley Donen, 1963)
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title clippings file
CHARGE AT FEATHER RIVER, THE : (US, Gordon Douglas, 1953)
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digital clippings file
CHARIOTS OF FIRE : (UK, Hugh Hudson, 1981) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) URL status: URL: 'http://file://Q:/T/CHARIOTS_OF_FIRE.zip'
Checked: 31/08/2021 12:53:36 PM
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journal article
Chariots of fire in The Movie (1982) vol.124 p.2474-2475
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journal article
"Chariots of Fire" in top US import in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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personality clippings file
CHARISSE, CYD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARISSE, CYD
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CHARITY APPEALS AND THE CINEMA
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CHARLEEN : (US, Ross McElwee, 1979)
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title clippings file
CHARLENE DOES MED AT UNI : (AT, Margot Oliver, 1977)
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still
[Charlene does med at uni : stills file]
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title clippings file
CHARLES BLACKMAN: DREAMS AND SHADOWS : (AT, Richard Moore, 1993)
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still
[Charles Blackman: dreams and shadows : stills file] / Corrie Ancone
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book
Charles Chaplin : an appreciation / Charles Silver New York: Museum of Modern Art, 1989.
Call No: 81CHA SILAuthor: Silver, Charles CorpAuthor: Museum of Modern Art (New York, N.Y.)Place: New YorkPublisher: Museum of Modern ArtPubDate: 1989PhysDes: 79 p. : ill. ; 27 cmSubject: CHAPLIN, CHARLES Notes: "Published in conjunction with the exhibition 'Chaplin: a centennial celebration' at the Museum of Modern Art, New York, January 1-June 30, 1989"--T.p. verso; Includes filmography (p. 70-72)ISBN: 0870703064LON: 88063507; 7123988
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book
Charles Chaplin my life in pictures / Chaplin, Charles London: Bodley Head, 1974.
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book
Charles Chauvel : epic director : a guide to the National Film and Sound Archive's collection Canberra, A.C.T.: National Film and Sound Archive, 1997.
Call No: 81CHA NATCorpAuthor: National Film and Sound Archive (Australia)Place: Canberra, A.C.T.Publisher: National Film and Sound ArchivePubDate: 1997PhysDes: v, 43 p. : ill., ports. ; 30 cmSubject: CHAUVEL, CHARLES ; NATIONAL FILM AND SOUND ARCHIVE Notes: Includes bibliographical references (p. 39-40)ISBN: 0642274215LON: abn97192300; 13255476
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book
Charles & Elsa Chauvel, movie pioneers / Susanne Chauvel Carlsson St. Lucia, Qld.: University of Queensland Press, 1989.
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title clippings file
CHARLES ET LUCIE : (FR, Nelly Kaplan, 1979)
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digital clippings file
CHARLES, JACK Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, JACK
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personality microfilm collection
CHARLES, KATY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHARLES, KATY
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personality clippings file
CHARLES, LARRY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, LARRY
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title clippings file
CHARLES MINGUS: TRIUMPH OF THE UNDERDOG : (UK, Don McGlynn, 1997)
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CHARLES, NICOLA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLES, NICOLA
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journal article
Charles Perkins in Australian Screen Education (1999) iss.20/21 p.94-96
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personality microfilm collection
CHARLESON, IAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CHARLESON, IAN
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personality clippings file
CHARLESTON, ANNE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHARLESTON, ANNE
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title clippings file
CHARLEY'S WEB : (AT, Simon Heath, 1984)
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journal article
Charley Squash goes to town in Federation news (March-June 1978) iss.95/6 p.41-2
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CHARLEY VARRICK : (US, Donald Siegel, 1973)
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CHARLIE AND BOOTS : (AT, Mark Murphy, 2009)
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poster
[Charlie and Boots : poster] AT:
Call No: P CHAPlace: ATPhysDes: 1 poster : col. ; 100 cm x 70 cmSubject: CHARLIE AND BOOTS (AT, Dean Murphy, 2009) Summary: [Image: Two men leaning on a holden kingswood sedan in a rural setting. Text 'They're on the road to somewhere...'Notes: Double-sided, mirrored on verso.
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CHARLIE AND THE CHOCOLATE FACTORY : (US/UK/AT, Tim Burton, 2005)
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CHARLIE BARTLETT : (US, Jon Poll, 2007)
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CHARLIE BRAVO : (FR, Claude Bernard-Aubert, 1980)
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CHARLIE CHAN IN FILMS
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book
Charlie Chaplin / by Theodore Huff London: Cassell, 1952.
Call No: 81CHA HUFAuthor: Huff, Theodore Place: LondonPublisher: CassellPubDate: 1952PhysDes: 320 p. : ill. ; 22 cmSubject: CHAPLIN, CHARLES LON: cln00833526; 8128172
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book
Charlie Chaplin : a centenary celebation / edited by Peter Haining London: Foulsham, c1989.
Call No: 81CHA HAIAuthor: Haining, Peter Place: LondonPublisher: FoulshamPubDate: c1989PhysDes: 144 p. : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES ISBN: 0572013183
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book
Charlie Chaplin: early comedies London: Studio Vista, 1968.
Call No: 81CHA QUIAuthor: Quigly, Isabel, 1926 Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: 159 p. illus., facsims., ports. 19 cmSubject: CHAPLIN, CHARLES ISBN: 028937023XLON: 75366460; 284963
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book
Charlie Chaplin intime / May Reeves; souvenirs recueillis par Claire Goll Paris : Gallimard, 1935:
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title clippings file
CHARLIE DINGO : (FR, Gilles Behat, 1987)
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CHARLIE HOBOKEN : (US, Thomas Mazziotti, 1998?)
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CHARLIE'S ANGELS : [TV] (US, 1976-81)
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CHARLIE'S ANGELS : (US, McG, 2000)
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CHARLIE'S ANGELS : US, 1976-77?)
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CHARLIE'S ANGELS : (US, Elizabeth Banks, 2019)
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CHARLIE'S ANGELS: FULL THROTTLE : (US, McG, 2003)
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digital clippings file
CHARLIE'S COUNTRY : (AT, Rolf de Heer, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Press kitSubject: CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) URL status: URL: 'http://file://Q:/T/CHARLIE'S_COUNTRY.zip'
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