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Author: Griffiths, Peter
PhysDes: Article
Subject: MUSIC, FILM
Summary: The Australasian Performing Rights Association (APRA) has created a new position to assist its members entering license agreements.

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: 336.2(94) AUS
Author: Nicholson, Dennis Way
Place: Sydney
Publisher: Australian Music Centre
PubDate: 1997
PhysDes: v, 288 p. ; 30 cm
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Notes: Includes index
ISBN: 0646317539
LON: 13141618

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1999
PhysDes: vii, 266 p. : ill. ; 21 cm
Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION
Notes: Includes index
ISBN: 187635108X
LON: 20110282
Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. CINESONIC; MUSIC, FILM; SOUND

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 772 DRA
Author: Coyle, Rebecca (ed.)
Source: US/UK
Place: London ; Oakville
Publisher: Equinox
PubDate: 2010
PhysDes: x, 258 p. : ill. ; 24 cm
Series: Genre, music and sound
Subject: ANIMATION; ANIMATORS; MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; SOUND; SOUND TRACKS
Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film. Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9781845533526
Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --

Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10 v. 9, No's 1, 3-10 v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Culver City, CA
Publisher: Vineyard Haven LLC
PubDate: 1993
Subject: MUSIC AND THE CINEMA; MUSIC FOR ANIMATED FILMS; MUSIC FOR SILENT FILMS; MUSIC, FILM; COMPOSERS; SOUND TRACKS
ISSN: 10774289
Order Notes: Current

Call No: 243.1 BOR
Author: Borum, Jeremy
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 250 pages ; illustrations ; 23 cm
Subject: COMPOSERS; MUSIC, FILM
Summary: As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers, Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game. -- publisher's website
ISBN: 9781442237292
Donation: Senses of Cinema

PhysDes: Focus Issue
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

PhysDes: Article
Subject: JAMES BOND IN FILMS; MUSIC, FILM; SOUNDTRACKS
Summary: Article on the success of the James Bond soundtrack.

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM; MUSIC, TV
Summary: Discusses current developments in the film and tv industry for people sourcing and providing music.

Call No: 751 MOT
Place: Belgium
Publisher: Soundtrack
PubDate: 1980
PhysDes: 155 p.
Subject: MUSIC, FILM; MUSIC, TV; SARDE, PHILIPPE; SHIRE, DAVID; RUSTICHELLI, CARLO; BENNETT, RICHARD RODNEY; BAXTER, LES; KAPER, BRONISLAU; NASCIMBENE, MARIO; MANCINI, HENRY; HERMANN, BERNARD; GOLDSMITH, JERRY; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); TAXI DRIVER (US, Martin Scorsese, 1976); OBSESSION (US, Brian de Palma, 1976); JAWS (US, Steven Spielberg, 1975); TOWERING INFERNO, THE (US, John Guillermin & Irwin Allen, 1974)
Order Received: 2000
Order Type: Donation

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC, FILM

Call No: 632.2 KUL
Author: Kulezic-Wilson, Danijela
Edition: 2015
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: 218 pages ; illustrations ; 21 cm
Series: Palgrave studies in audio-visual culture
Subject: DEAD MAN (US, Jim Jarmusch, 1995); PI (US, Darren Aronosky, 1998); ANNA KARENINA (UK, Joe Wright, 2012); NARRATIVE IN FILMS; MUSIC, FILM
Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.
ISBN: 9781137489982
Contents: List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography

Call No: 71(94) OXF REF
Author: Mayer, Geoff; McFarlane, Brian, 1934; Bertrand, Ina, 1939
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1999
PhysDes: 1 v
Subject: AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE; CITIES IN FILMS. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; FOOD IN FILMS; GENRES. AUSTRALIA; JEWS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; LOST FILMS. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; MEN IN FILMS. AUSTRALIA; MELODRAMA. AUSTRALIA; MUSIC, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; RELIGION AND THE CINEMA. AUSTRALIA; RURAL LIFE IN FILMS. AUSTRALIA; SHORT FILMS. AUSTRALIA; WAR AND THE CINEMA. AUSTRALIA; MCCALLUM, JOHN; MILLER, NATALIE; NEVIN, ROBYN; RABE, PAMELA; RUSH, GEOFFREY; TINGWELL, CHARLES (BUD); WILLIAMSON, DAVID; WITHERS, GOOGIE
Notes: Includes index; Bibliography
ISBN: 0195537971
LON: 20072774

PhysDes: Article
Subject: MUSIC, FILM; ANIMATION; WILLIAMS, PAUL; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on Paul Williams' career and future musical score for 'The Secrets of NIMH'.

Call No: 62 POS
Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.)
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1996
PhysDes: 564 p. : 23 cm
Series: Wisconsin studies in film
Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988)
Notes: Includes bibliographical references and index
ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)
LON: 95037052; 11859923

PhysDes: Article
Subject: FANTASIA (US, Walt Disney, 1940); GREATER UNION; MUSIC, FILM; ADVERTISING FOR FILMS
Summary: Promotional photos of the re-released 'Fantasia', supported by Gretaer Union and 2UE Radio Station.

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1999
Subject: MUSIC, FILM; COMPOSING

Call No: 634.6 FOR
Author: Ford, Andrew
Source: AT
Place: Collingwood, Victoria
Publisher: Black Inc.
PubDate: c2010
PhysDes: v, 312 pages. ; 24 cm
Subject: MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; FILM; CRITICISM; SOUND; SOUND TRACKS; SOUND EFFECTS; SOUNDTRACKS
Summary: "The sound of pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Sweeping or sparse, classical or pop, music can play a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices."--BACK COVER
Notes: Includes index; Includes bibliographical references and index
ISBN: 9781863955102
Contents: -- Introduction -- The role of music -- Five composers -- Ennio Morricone -- Richard Rodney Bennett -- Dick Hyman -- Lalo Schifrin -- Howard Shore -- Listening to the movies -- classical music in films -- pop goes the score -- pictures of sound -- listening for clues in Hitchcock -- the sound of voices -- the sounds of silence (and bumps in the night) -- Five directors -- Bruce Beresford -- Sally Potter -- Wim Wenders -- Peter Greenaway -- Peter Weir -- Epilogue: The shared experience of sound -- some further reading & acknowledgments -- films mentioned in this book -- index --

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Summary: Discusses developments opportunities for tie-ins between film and tv and soundtrack albums.

PhysDes: Article
Subject: DRAUGHTSMAN'S CONTRACT, THE (UK, Peter Greenaway, 1982); GREENAWAY, PETER; NYMAN, MICHAEL; MUSIC, FILM; FESTIVALS. MELBOURNE
Summary: Announcement of 'The Draightman's Contract' to be the opening film at the Sydney and Melbourne film festivals. Director Peter Greenaway and composer Michael Nyman will be at the Sydney premiere.

Call No: 243(087) HUB
Author: Hubai, Gergely
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 2012
PhysDes: xx, 476 p. ; 26 cm
Subject: MUSIC, FILM; SOUND TRACKS
Summary: A film is finished and almost ready to make its way into theaters, but one or more of its prime movers (producer, director, studio brass) contends that it doesn't feel right. What can be almost instantaneously changed to give it a new "feel"? The last element that was added--its music! So, often regardless of whether a film actually needs a new score, a new composer is hired at the last minute to quickly replace a previous composer's often-heartfelt work. In Hollywood and around the world, scores have been rejected and replaced for every conceivable reason--style, quality, composer's name recognition, test-audience's reaction, a picture's reediting, etc. Sometimes new music improves a film; sometimes it doesn't. Such score replacements, which are more common than one might imagine, affect the work of the most famous and respected composers in the business as much as they do novice and unknown composers. In Torn Music (which takes its title from one of the most famous score replacements, the film Torn Curtain, which put an end to the long and fruitful collaboration of director Alfred Hitchcock and composer Bernard Herrmann), author Gergely Hubai presents the often strange, and sometimes wild, stories behind 300 rejected and replaced film scores from the 1930s through the 2000s. In these pages are behind-the-scenes tales about the music for popular films and forgotten films, high cinema art and lowbrow exploitation movies, as well as television programs and even a video game
ISBN: 9781935247050
Donation: donated by Senses of Cinema, 2013

Call No: REFERENCE SECTION; 058 INT "1996"
Author: Cowie, Peter
Place: London
Publisher: Hamlyn
PubDate: [1995]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: ARMSTRONG, GILLIAN; HOU HSIAO-HSIEN; KIAROSTAMI, ABBAS; STONE, OLIVER; TRIER, LARS VON; FESTIVALS. HONG KONG; LASER DISCS, FILMS ON; MUSIC, FILM
Notes: Includes index to advertisers
ISBN: 060058822X (pbk.)
LON: 12059614

Call No: REFERENCE SECTION; 058 INT "1997"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1996
PhysDes: 424 p. : ill., ports. ; 25 cm
Subject: LASER DISCS, FILMS ON; MUSIC, FILM; ANIMATION; FESTIVALS. HAUGESUND; ANGELOPOULOS, THEO; MANN, MICHAEL; MORETTI, NANNI; VERHOEVEN, PAUL; WANG, WAYNE
ISBN: 0233990232
LON: 13485291

Call No: REFERENCE SECTION; 058 INT "1998"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1997
PhysDes: 432 p. : ill., ports. ; 25 cm
Subject: SPAIN; FESTIVALS. MILL VALLEY; MUSIC, FILM; ANIMATION; BESSON, LUC; BRANAGH, KENNETH; COEN, JOEL & ETHAN; GREENAWAY, PETER; LEE, ANG
ISBN: 0233991832
LON: 13851765