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20 years of the Yugoslav film / Text compiled by Slobodan Novakovic. Informative contributions by Samuilo Levi. Translated into English by V. Vahjik Beograd: Festival of Yugoslav Films, 1965.
Call No: 71(497.1) TWEAuthor: Novakovic, Slobodan Place: BeogradPublisher: Festival of Yugoslav FilmsPubDate: 1965PhysDes: 49 p. illus. 21 cmSubject: YUGOSLAVIA LON: 39434
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A certain culture - Yugoslav film 1995-96 Belgrade: Yugoslav Film Institute, [1996?].
Call No: REFERENCE SECTION; 023(497.1) YUGCorpAuthor: Yugoslav Film InstituteSource: YUPlace: BelgradePublisher: Yugoslav Film InstitutePubDate: [1996?]PhysDes: 28 p. ills.Subject: YUGOSLAVIA ; FILMOGRAPHIES
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Culture of the impossible - Yugoslav films 1994-95 including 1991-93 Belgrade, Serbia: Yugoslav Film Institute, [199?].
Call No: REFERENCE SECTION; 023(497.1) YUGCorpAuthor: Yugoslav Film InstituteSource: YUPlace: Belgrade, SerbiaPublisher: Yugoslav Film InstitutePubDate: [199?]PhysDes: 52 p. ills.Subject: YUGOSLAVIA ; FILMOGRAPHIES
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Dislocated screen memory : narrating trauma in post-Yugoslav cinema / Dijana Jelaca Basingstoke [England]: Palgrave Macmillan, 2016.
Call No: 71 (497.1) JELAuthor: Jelaca, Dijana Edition: 2016Place: Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2016PhysDes: xii, 276 p. : illus. ; 23 cmSubject: YUGOSLAVIA ; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013) ; SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995) ; LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996) ; GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurbISBN: 9781137515773
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Films of commitment : socialist cinema in Eastern Europe / Karoly Nemes ; [translated by AndrGas Boros-Kazai] [Budapest]: Corvina, c1985.
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journal article
Kaja in Melbourne film bulletin (Feb 1969) iss.7 p.17
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Katalog jugoslovenskog dokumentarnog i kratkometraznog filma / catalogue of the Yugoslav documentary and short films
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Liberated cinema : the Yugoslav experience, 1945-2001 / Daniel J. Goulding Bloomington: Indiana University Press, 2002.
Call No: 71(497.1) GOUAuthor: Goulding, Daniel J., 1935 Edition: rev. and expanded ed.Place: BloomingtonPublisher: Indiana University PressPubDate: 2002PhysDes: xiv, 285 p. : ill. ; 25 cmSubject: YUGOSLAVIA Summary: "...a sociocultural, thematic, and critical analysis of the most significant feature films produced in the former Yugoslavia and its successor states from the end of the Second World War to the present." -- from page x of the introduction.Notes: Includes index; Bibliography: p. 244-252
Filmography: p. 253-274ISBN: 0253342104Contents: -- Establishment and evolution of a national cinema, 1945-1950 -- Decentralization and breaking the mold, 1951-1960 -- New Film and Republican Ascendancy, 1961-1972 -- Confrontation with the revolutionary past -- Contemporary reality: critical visions -- Accomodation and resurgence: the New Yugoslav Cinema, 1973-1990 -- The breakup of Yugoslavia: cinematic reflections, 1991-2001
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Post new wave cinema in the Soviet Union and eastern Europe / edited by Daniel J. Goulding Bloomington: Indiana University Press, 1989.
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Sexualität und widerstand [= sexuality and resistance] : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder (Hg.) Berlin: Mandelbaum, 2018.
Call No: 749.0 SEXAuthor: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina Place: BerlinPublisher: MandelbaumPubDate: 2018PhysDes: 400 pages : illustrations ; 24 cmSubject: SEX IN FILMS ; PORNOGRAPHIC FILMS ; PORNOGRAPHY AND THE CINEMA ; PORNOGRAPHY IN FILMS ; SCIENTISTS IN FILMS ; SCIENCE IN FILMS ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; BERKELEY, BUSBY ; EISENSTEIN, SERGEI M. ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964) ; RANI RADOVI (YU, Zelmir Zilnik, 1969) ; YUGOSLAVIA ; REPRODUCTION IN FILMS ; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985) ; ZOMBIES IN FILMS AND TV ; BLACK PANTHER (US, Ryan Coogler, 2018) Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren?
Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Textgenres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURBNotes: In German and EnglishISBN: 9783854768265Language: German and EnglishDonation: Senses of CinemaContents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder --
"Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz --
'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser --
Experiment : Projektionenserie / Barbara Eichinger --
From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil --
Eisensteins sexuelle Politiken / Peter Grabher --
Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr --
"That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz --
Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck --
Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober --
Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo --
Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne --
Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder --
Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic --
Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek --
Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting --
Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold --
Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen --
What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs --
Come on Baby, Light my Fire / Sonja Gassner --
Frank Stern zum 75sten / Andreas Huyssen --
Verzeichnis der Autorinnen und Autoren.
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Yugoslav features
Call No: F023(497.1) "date" YUG [incomplete; held 1947/58 to 1968/9]CorpAuthor: Yugoslavia FilmSubject: YUGOSLAVIA ; FILMOGRAPHIES Notes: Filmography
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Yugoslav films 1991/92 Belgrade: Yugoslav Film Institute, [1992?].
Call No: REFERENCE SECTION; 023(497.1) YUGCorpAuthor: Yugoslav Film InstituteSource: YUPlace: BelgradePublisher: Yugoslav Film InstitutePubDate: [1992?]PhysDes: 32 p. ills.Subject: YUGOSLAVIA ; FILMOGRAPHIES
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The Yugoslav short films 1960.
Call No: F023(497.1)S "1960" YUGCorpAuthor: Festival jugoslovenskog filmaPubDate: 1960Subject: YUGOSLAVIA ; SHORT FILMS ; FILMOGRAPHIES Notes: FilmographyLanguage: English, French and German
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