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Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1989
Subject: HISTORY OF CINEMA. 1980's

Call No: 761(94) DOC
Copy Management: Copy 1; Copy 2
Author: Beilby, Peter; Lansell, Ross
CorpAuthor: Film Victoria
Place: North Melbourne
Publisher: Cinema Papers in association with Film Victoria
PubDate: c1982
PhysDes: 205 p. : ill., ports. ; 27 cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; GOVERNMENT ORGANIZATIONS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; PRODUCTION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; BAKER, SUZANNE; EDWARDS, JOHN; MCMAHON, TERENCE; BRADBURY, DAVID; NOONAN, CHRIS; HURLEY, FRANK; GRIERSON, JOHN
Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.
Notes: Includes index
ISBN: 0959564721 : $12.95 Aust
LON: 2380995
Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: 409 PAL
Author: Palmer, William J.
Source: US
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1993
PhysDes: xv, 335 pages : illustrations ; 24 cm
Subject: HISTORY OF CINEMA. 1980's; SOCIETY AND THE CINEMA; VIETNAM WAR IN FILMS; WAR AND THE CINEMA; NUCLEAR WARFARE IN FILMS; TERRORISM AND THE CINEMA; FEMINISM AND THE CINEMA
Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780809320295
Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history

Call No: 722.81 GRI
Author: Fisher, Austin (ed.); Walker, Johnny (ed.)
Source: US/UK
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2016
PhysDes: 266 pages ; 25 cm
Series: Global exploitation cinemas
Subject: EXPLOITATION FILMS; BLAXPLOITATION FILMS; HORROR FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; EROTIC FILMS; MOVEMENTS AND STYLES IN FILM HISTORY; POPULAR CULTURE AND THE CINEMA; CRITICISM
Summary: "The pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed. It is, arguably, an image that has remained unchanged in the mind's eye of many exploitation film fans and academics alike. Whether in the pages of fanzines or scholarly works, it is often recounted how, should one have walked down this street between the 1960s and the 1980s, one would have undergone a kaleidoscopic encounter with an array of disparate “exploitation” films from all over the world that were being offered cheaply to urbanites by a swathe of vibrant movie theatres. The contributors to Grindhouse: Cultural Exchange on 42nd Street, and Beyond consider “grindhouse cinema” from a variety of cultural and methodological positions. Some seek to deconstruct the etymology of “grindhouse” itself, add flesh to the bones of its cadaverous history, or examine the term's contemporary relevance in the context of both media production and consumerism. Others offer new inroads into hitherto unexamined examples of exploitation film history, presenting snapshots of cultural moments that many of us thought we already understood." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781628927498
Contents: -- Table of Contents -- Acknowledgments -- Introduction: 42nd Street, and Beyond -- Austin Fisher and Johnny Walker -- Chapter 1 -- Grinding out the Grindhouse: Exploitation, Myth and Memory / Glenn Ward -- Chapter 2 -- Where Did We Come In?: The Economics of Unruly Audiences, Their Cinemas and Tastes, From Serial Houses to Grind Houses / Phyll Smith -- Chapter 3 -- Temporary Fleapits and Scabs' Alley:The Theatrical Dissemination of Italian Cannibal Films in Melbourne, Australia / Dean Brandum -- Chapter 4 -- Run, Angel, Run: Serial Production and the Biker Movie, 1966-72 / Peter Stanfield -- Chapter 5 -- "The Smashing, Crashing, Pileup of the Century": The Carsploitation Film / Robert J Read -- Chapter 6 -- Cars and Girls (and Burgers and Weed): Branding, Mainstreaming, and Crown International Pictures' SoCal Drive-in Movies / Richard Nowell -- Chapter 7 -- From "Sex Entertainment for the Whole Family" to Mature Pictures: I Jomfruens Tegn and Transnational Erotic Cinema / Kevin Heffernan -- Chapter 8 -- 'Bigger Than A Payphone, Smaller Than A Cadillac': Porn Stardom in Exhausted: John C Holmes The Real Story / Neil Jackson -- Chapter 9 -- From Opera House to Grindhouse (And Back Again): Ozploitation In and Beyond Australia / Alexandra Heller-Nicholas -- Chapter 10 -- Go West, Brother: the Politics of Landscape in the Blaxploitation Western / Austin Fisher -- Chapter 11 -- Red Power, White Movies: Billy Jack, Johnny Firecloud, and the Cultural Politics of the "Indiansploitation" Cycle / David Church -- Chapter 12 -- Sleazy Strip-Joints and Perverse Porn Circuses: The Remediation of Grindhouse in the Porn Productions of Jack the Zipper / Clarissa Smith -- Select Bibliography -- Contributors -- index --

PhysDes: Focus Issue
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

Call No: FESTIVAL CATALOGUE SHELVES
Edition: 1991
Source: HK
Place: Hong Kong
Publisher: Urban Council
PubDate: 1991
PhysDes: 164p. : illus. : 29cm.
Series: Hong Kong International Film Festival Catalogue
Subject: HISTORY OF CINEMA. 1980's
Notes: The 15th International Hong Kong Film Festival 28.3-12.4 1991
ISBN: 9627040339
Language: Cantonese and English

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 71(73) KIN
Author: King, Geoff
Source: USA
Place: New York
Publisher: I.B. Tauris
PubDate: 2002
PhysDes: 296 p. ; 23 cm
Subject: BLOCKBUSTERS; GENRES; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; USA. 1950's; USA. 1960's; USA. 1970's
Summary: Recent Hollywood is examined from three main perspectives: film style, industry and social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. One of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. Issues covered include: the Hollywood Renaissance from the late 1960s to the mid late 1970s; industrial factors shaping the construction of the corporate blockbuster; the role of auteur directors, genre and stardom in New Hollywood; narrative spectacle in the contemporary blockbuster and the relationship between production for the big and small screen.
Notes: Bibliography: p.274-284 Index: p.285-296
ISBN: 1860647499 (hbk.) 1860647502 (pbk.)

Call No: 71(94) HOD
Author: Hodsdon, Barrett.
Source: AT
Place: Shenton Park, WA
Publisher: Bernt Porridge Group
PubDate: 2001
PhysDes: 205 p. : ill., 24 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; SYDNEY FILMMAKERS CO-OPERATIVE
Notes: Includes index.
ISBN: 0957921004

Call No: FESTIVAL CATALOGUE SHELVES
Source: HK
Place: Hong Kong
Publisher: Urban Council
PubDate: 1986
PhysDes: 56p. : illus. : 26cm.
Series: Hong Kong International Film Festival Catalogue
Subject: HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's
Notes: This special section of the 10th HKIFF charts the changes and major trends in Hong Kong Film between 1976 and 1985.
Language: Cantonese and English

Call No: 451-053.6 GOR
Author: Gora, Susannah
Edition: First Paperback edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: 2010
PhysDes: xiv, 367 pages ; 25 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; CRITICISM; HISTORY OF CINEMA. 1980's; HUGHES, JOHN (US); SIXTEEN CANDLES (US, John Hughes, 1984); BREAKFAST CLUB, THE (US, John Hughes, 1985); PRETTY IN PINK (US, Howard Deutch, 1986); FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); SOME KIND OF WONDERFUL (US, Howard Deutch, 1987); SAY ANYTHING (US, Cameron Crowe, 1989); ST. ELMO'S FIRE (US, Joel Schumacher, 1985)
Summary: " From Sixteen Candles, The Breakfast Club, and St. Elmo's Fire to Pretty in Pink, Ferris Bueller's Day Off, and Say Anything, the films of the Brat Pack have influenced an entire generation who still want to believe life always turns out like an eighties movie. You Couldn't ignore Me If You Tried takes us back to that golden age of youth cinema, telling for the first time the complete story behind how these films were made. Through original and revealing interviews with scores of key players like Molly Ringwald, Matthew Broderick, Judd Nelson, Anthony Michael Hall, Andrew McCarthy, Rob Lowe, John Cusack, Cameron Crowe, and Ally Sheedy, author Susannah Gora has crafted a sweeping tribute to a body of films that stirred an entire generation and a gripping account of the people who brought these films to life." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780307716606
Contents: -- acknowledgments -- introduction -- Nothing compares to Hughes: teen cinema and the man who would change it forever -- Eternal flame: Sixteen Candles lights up the screen -- Breakfast of champions: The Breakfast Club": "breaks the rules, bares their souls," and revolutionizes the teen film genre -- Not just for Breakfast anymore: inside the heat of St. Elmo's Fire -- Becoming "The Brat Pack": a magazine writer coins the term that permanently labels young Hollywood -- Sitting Pretty: Ringwald and Hughes reteam for Pretty in Pink, a rose-tinted look at teenage love -- We got the beat: behind the music of the Brat Pack films -- I love Ferris in the springtime: Ferris Bueller crafts the perfect day off before graduating from high school, and John Hughes graduates from directing teen films -- Teens in Wonderland: the drama behind Some Kind of Wonderful -- The end of the innocence: the Brat Pack makes the tough transition to adulthood, while John Hughes's power in Hollywood grows -- -- Anything, and everything: in the last of the great eighties youth films, Cameron Crowe and John Cusack Say Anything about the passion of young love -- Pack to the future: the eighties become the nineties, John Hughes becomes the creator of one of the highest-grossing comedies of all time, and the Brat Pack actors become the people they are today -- Life moves pretty fast: John Hughes's final years -- Don't you forget about me: how the Brat Pack and their films changed a generation -- When the light gets into your heart -- notes -- index --