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Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm
Subject: JEROME 'JOCK' LEVY; GOW, KEITH; DISHER, NORMA; WHITTERON, JOHN; HUGHES, JOHN (AT); FILM WORK (AT, John Hughes, 1981)
Summary: Two black and white photographs taken during the filming of the Film-work

Call No: 81HUG CUM
Author: Cumming, John
Source: AT
Place: St Kilda West, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2014
PhysDes: 298p. : 24cm
Series: The Moving Image
Subject: PRODUCTION; HISTORY OF CINEMA. AUSTRALIA; AUSTRALIA; HUGHES, JOHN (AT); MENACE (AT, John Hughes, 1977); NOVEMBER ELEVEN (AT, ?, 1978?); FILM WORK (AT, John Hughes, 1981); TRAPS (AT, John Hughes, 1985); ALL THAT IS SOLID (AT, John Hughes, 19887); ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992); WHAT I HAVE WRITTEN (AT, John Hughes, 1996); ARCHIVE PROJECT THE (AT, John Hughes, 2005); INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009); LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013)
Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURB
ISBN: 9781876467234
Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HUGHES, JOHN (AT)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HUGHES, JOHN E.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUGHES, JOHN (US)

Call No: 81 HUG HON
Author: Honeycutt, Kirk
Source: Peter Kemp
Place: New York
Publisher: Race Point Publishing
PubDate: [2015]
PhysDes: vii, 215 pages : illustrations (chiefly colour) ; 29 cm
Subject: HUGHES, JOHN (US); FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); PLANES, TRAINS AND AUTOMOBILES (US, John Hughes, 1987); BREAKFAST CLUB, THE (US, John Hughes, 1985); PRETTY IN PINK (US, Howard Deutch, 1986); SIXTEEN CANDLES (US, John Hughes, 1984); WEIRD SCIENCE (US, John Hughes, 1985); HOME ALONE (US, Chris Columbus, 1990)
Summary: Hughes allegedly wrote Ferris Bueller's Day Off in four days, Planes, Trains and Automobiles in three days, The Breakfast Club in two days, and Vacation in a week. He never went to film school or studied cinema. And he spent most of his incredible career in the Midwest, far from the Hollywood Hills. John Hughes was indeed one of the most prolific and successful filmmakers in Hollywood history. He helped launch the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, Macaulay Culkin, and Judd Nelson. He made John Candy a household name. In this first illustrated tribute to the legendary filmmaker, author Kirk Honeycutt offers a behind-the-scenes look at the genius that was John Hughes--from his humble beginnings in direct mail to his blockbuster success with classics like Pretty in Pink, Sixteen Candles, Weird Science, and Home Alone. Honeycutt also explores the darker side of John Hughes: his extreme sensitivity, his stormy professional relationships, and the devastation Hughes experienced after the death of his closest friend, John Candy. This book features fresh interviews with Matthew Broderick, Ally Sheedy, Judd Nelson, Steve Martin, and Jon Cryer, and a foreword from Home Alone director Chris Columbus. "I stumbled into this business, I didn't train for it. I yelled "Action!" on my first two movies before the camera was turned on." - John HughesJohn Hughes wrote 46 movies, produced 23, and directed 8. He never went to film school, never spent time studying film and its history, but was unusually adept in three key areas °´4 writing, directing and producing.Classics like Mr. Mom; Sixteen Candles; The Breakfast Club; European Vacation; Weird Science; Pretty in Pink; Ferris Bueller's Day Off; Planes, Trains, and Automobiles; Uncle Buck; Christmas Vacation; Home Alone; and Beethoven will forever live on in the history of film. Launching the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, and James Spader, and working with greats like John Candy and Chevy Chase, John Hughes's influence can still be felt today.John Hughes: A Life in Film, by Kirk Honeycutt, former chief film critic at The Hollywood Reporter, is the first complete illustrated tribute to the legendary writer and director, and includes fresh interviews with Judd Nelson, Matthew Broderick, Christopher Columbus, Steve Martin, and more
Notes: Includes John Hughes filmography (page 201). Includes bibliographic references (pages 203-205) and index.Adult.
ISBN: 9781631060229
Donation: Peter Kemp

Call No: 451-053.6(73) SMI
Author: Smith, Frances
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2017
PhysDes: viii, 213 pages : illustrations ; 24 cm
Subject: TEEN FILM; HUGHES, JOHN (US); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); HEATHERS (US, Michael Lehmann, 1989); TWILIGHT (US, Catherine Hardwicke, 2008); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN GIRLS (US, Mark Waters, 2004); SHE'S ALL THAT (US, Robert Iscove, 1999)
Summary: "Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to critical concepts of intersectionality, postfeminism and the posthuman. This book is an innovative overview of the Hollywood teen movie and its construction of teen identity." -- taken from back cover
Notes: Includes bibliographical references (pages 192-202), filmography (pages 203-208), and index.
ISBN: 9781474431729
Contents: List of Figures -- Acknowledgements -- 1.Introduction -- 2.Rethinking the Teen Movie -- 3.Acting Up: Performing Masculine Delinquency in the Teen Movie -- 4.Making Over: Gender and Class at the High School Prom -- 5.Looking Back: Nostalgia, Postfeminism and the Teen Movie -- 6.Becoming Other: The Posthuman and the Teen Movie -- 7.Conclusion: Not Another Teen Movie? -- Bibliography -- Filmography -- Index

Author: Dzenis, Anna
PhysDes: Article; Study guide; Bibliography; Illustration(s)
Subject: DOCUMENTARIES. AUSTRALIA; HUGHES, JOHN (AT); RIVER OF DREAMS (AT, John Hughes, 1999)
Summary: Details the issues of cultural interpretation confronting contemporary documentary film-makers, as illustrated in John Hughes' documentary "River of dreams".

Call No: 451-053.6 GOR
Author: Gora, Susannah
Edition: First Paperback edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: 2010
PhysDes: xiv, 367 pages ; 25 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; CRITICISM; HISTORY OF CINEMA. 1980's; HUGHES, JOHN (US); SIXTEEN CANDLES (US, John Hughes, 1984); BREAKFAST CLUB, THE (US, John Hughes, 1985); PRETTY IN PINK (US, Howard Deutch, 1986); FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); SOME KIND OF WONDERFUL (US, Howard Deutch, 1987); SAY ANYTHING (US, Cameron Crowe, 1989); ST. ELMO'S FIRE (US, Joel Schumacher, 1985)
Summary: " From Sixteen Candles, The Breakfast Club, and St. Elmo's Fire to Pretty in Pink, Ferris Bueller's Day Off, and Say Anything, the films of the Brat Pack have influenced an entire generation who still want to believe life always turns out like an eighties movie. You Couldn't ignore Me If You Tried takes us back to that golden age of youth cinema, telling for the first time the complete story behind how these films were made. Through original and revealing interviews with scores of key players like Molly Ringwald, Matthew Broderick, Judd Nelson, Anthony Michael Hall, Andrew McCarthy, Rob Lowe, John Cusack, Cameron Crowe, and Ally Sheedy, author Susannah Gora has crafted a sweeping tribute to a body of films that stirred an entire generation and a gripping account of the people who brought these films to life." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780307716606
Contents: -- acknowledgments -- introduction -- Nothing compares to Hughes: teen cinema and the man who would change it forever -- Eternal flame: Sixteen Candles lights up the screen -- Breakfast of champions: The Breakfast Club": "breaks the rules, bares their souls," and revolutionizes the teen film genre -- Not just for Breakfast anymore: inside the heat of St. Elmo's Fire -- Becoming "The Brat Pack": a magazine writer coins the term that permanently labels young Hollywood -- Sitting Pretty: Ringwald and Hughes reteam for Pretty in Pink, a rose-tinted look at teenage love -- We got the beat: behind the music of the Brat Pack films -- I love Ferris in the springtime: Ferris Bueller crafts the perfect day off before graduating from high school, and John Hughes graduates from directing teen films -- Teens in Wonderland: the drama behind Some Kind of Wonderful -- The end of the innocence: the Brat Pack makes the tough transition to adulthood, while John Hughes's power in Hollywood grows -- -- Anything, and everything: in the last of the great eighties youth films, Cameron Crowe and John Cusack Say Anything about the passion of young love -- Pack to the future: the eighties become the nineties, John Hughes becomes the creator of one of the highest-grossing comedies of all time, and the Brat Pack actors become the people they are today -- Life moves pretty fast: John Hughes's final years -- Don't you forget about me: how the Brat Pack and their films changed a generation -- When the light gets into your heart -- notes -- index --