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Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

PhysDes: Article
Subject: INDEPENDENT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: AFI and NFTA to merge on July 1, 1979.
Notes: Article

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: FESTIVAL CATALOGUE SHELVES; held 2003 - 2005
Source: US
Place: US
PubDate: [1979 -]
Subject: FESTIVALS; FESTIVALS. ASPEN; INDEPENDENT FILMS; INDEPENDENT FILMS. USA
Notes: Shelf check for 2005 - not located in Various. US Film Festivals A-K

Call No: 761(94) FIT
Author: Fitzsimons, Trish; Laughren, Pat; Williamson, Dugald
Source: AT
Place: Port Melbourne, Vic.
Publisher: Cambridge University Press
PubDate: 2011
PhysDes: xvi, 287 pages : illustrations ; 25 cm
Subject: AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM FINANCE CORPORATION; DOCUMENTARIES. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; FILM AUSTRALIA; FUNDING. AUSTRALIA; INDEPENDENT FILMS; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; SCREEN AUSTRALIA; SPECIAL BROADCASTING SERVICE
Summary: "Drawing on interviews with leading industry sources and containing discussion of over 200 documentaries, this book brings to life over a century of documentary making and connects it to international debates in criticism, theory, history and practice." - TAKEN FROM BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780521167994 (pbk.)
Contents: 1. The documentary field -- 2. Braided channels - documentary voice -- 3. Cinematic scenes of life -- 4. New waves of documentary -- 5. Australian television takes on independent documentary -- 6. Documentary and the Film Finance Corporation -- 7. Changing relations: the Australian Film Commission, Film Australia and documentary in the era of the Film Finance Corporation -- 8. Australian broadcasting cultures and documentary practice since the late 1980s -- 9. Documentary and the edge of reality -- 10. Documentary and civics -- 11. Documentary present and future.

Author: Spencer, Megan
PhysDes: Article; Illustration(s)
Subject: INDEPENDENT FILMS. USA; INTERNET AND THE CINEMA; ADVERTISING FOR FILMS; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999)
Summary: Considers how "The Blair witch project", a low budget mockumentary, used the internet and a clever advertising campaign by distributor Artisan Entertainment to produce a box office success.

Call No: 761 SWA
Author: Swann, Paul
Source: UK
Place: Cambridge [England] ; New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: x, 216 p. : ill. ; 24 cm.
Series: Cambridge studies in film
Subject: DOCUMENTARY FILMS. UK; GPO FILM UNIT; GRIERSON, JOHN; LAW AND THE CINEMA; DISTRIBUTION; DISTRIBUTION. UK; ELTON, ARTHUR; EMPIRE MARKETING BOARD; INDEPENDENT FILMS; INDEPENDENT FILMS. UK; PROPAGANDA FILMS; POLITICAL FILMS
Summary: "The most important and influential development in British cinema was the documentary film movement led by John Grierson in the 1930s and 1940s. Paul Swann's study is a political and social history of this movement, which was characterized by actuality-based films made outside the commercial industry. Based upon new examinations of official government records, this book provides a fascinating picture of how Grierson manipulated the civil services bureaucracy both for his own ends and, in his view, for the good of his country." -- BOOK BLURB
Notes: Includes index.
ISBN: 0521334799

Call No: FESTIVAL CATALOGUE SHELVES; HELD 2004
Place: AG
PubDate: 2004
Subject: FESTIVALS. BUENOS AIRES INDEPENDENT CINEMA; ARGENTINA; DE ANTONIO, EMILE; BENNING, JAMES; EMIGHOLZ, HEINZ; FORD, JOHN; DE GREGORIO, EDUARDO; MEKAS, JONAS; ROCHA, GLAUBER; RUIZ, RAUL; SOKUROV, ALEKSANDR; INDEPENDENT FILMS; DOCUMENTARY FILMS

Call No: 21(73) BUS
CorpAuthor: Kodak Limited
Source: US
Place: Rochester, N.Y.
Publisher: Eastman Kodak
PubDate: 1978
PhysDes: 96 p. : ill. ; 28 cm
Series: Kodak publication ; no. H-55
Subject: INDEPENDENT FILMS; INDEPENDENT PRODUCTION; INDEPENDENT DISTRIBUTION
Summary: "This publication concentrates on the business side of planning, producing, and distributing effective nontheatrical motion picture films." - TAKEN FROM BACK COVER
Notes: Portions of the book were written for Kodak by Paul da Silva and Richard H. Rogers
ISBN: 0879852038

Call No: 210.2(94) TAK
Author: Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: [North Ryde, N.S.W.]
Publisher: Australian Film Television & Radio School and the Australian Film Commission
PubDate: c1988
PhysDes: 107 p. : ill. ; 30 cm
Series: Taking care of business
Subject: INDEPENDENT FILMS. AUSTRALIA; MELBOURNE SUPER 8 FILM GROUP; SUPER-8 MM FILMS. AUSTRALIA; BROPHY, PHILIP; CALLAS, PETER; SCOTT, BILL; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987); PALISADE (AT, Laurie McInnes, 1987); HOW THE WEST WAS LOST (AT, David Noakes, 1987); TENDER HOOKS (AT, Mary Callaghan, 1988); IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987); WITH TIME TO KILL (AT, James Clayden, 1986)
ISBN: 0642139261
LON: 6038265 6487289

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 802.25 MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: 2006
PhysDes: 451 pages : illustrations ; 23 cm
Subject: INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; ANGER, KENNETH; CONRAD, TONY; DORSKY, NATHANIEL; HILER, JEROME; AHWESH, PEGGY; BERLINER, ALAN; MOSS, ROBB; SOLOMAN, PHIL; BENNING, JAMES; LEIGHTON PIERCE; MULLER, MATTHIAS; LOCKHART, SHARON; REEVES, JENNIFER TODD; KANO, SHIHO; GEHR, ERNIE
Summary: "MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media. "
ISBN: 0520245954
Contents: Kenneth Anger -- Tony Conrad -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning -- J. Leighton Pierce -- Matthias Mu¨ller -- Sharon Lockhart -- Jennifer Todd Reeves -- Shiho Kano -- Ernie Gehr

Call No: 462-02(94) DON
Copy Management: Copy 1; Copy 2
Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda
Place: Richmond, Vic.
Publisher: Greenhouse
PubDate: 1987
PhysDes: 400 p. : ill., facsims., ports. ; 28 cm
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984)
Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 0864360584 : price unknown
LON: anb86436058; 5042996
Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis

Call No: 721.3(73) BIS
Author: Biskind, Peter
Place: London
Publisher: Bloomsbury
PubDate: 2004
PhysDes: 24 cm ; 545 p
Subject: DIRECTORS. USA; USA; AWARDS. ACADEMY; INDEPENDENT DISTRIBUTION; INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION; INDEPENDENT PRODUCTION. USA; DISTRIBUTION. USA; FESTIVALS. PARK CITY. SUNDANCE; MIRAMAX FILMS; AFFLECK, BEN; ALTMAN, ROBERT; ANDERS, ALLISON; ANDERSON, PAUL THOMAS; ANDERSON, WES; ARAKI, GREGG; ARONOFSKY, DARREN; ARTETA, MIGUEL; WEINSTEIN, BOB; WEINSTEIN, HARVEY; ALLEN, WOODY; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000); FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001); APOSTLE, THE (US, Robert Duvall, 1997); AMERICAN BEAUTY (US, Sam Mendes, 1999); RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].
ISBN: 0747565708
ID2: 341

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Author: Beresford, Bruce
PhysDes: Article
Subject: PROJECTION; PROJECTORS; HISTORY OF CINEMA; INDEPENDENT FILMS; BERESFORD, BRUCE; WOODSTOCK (US, Michael Wadleigh, 1970)
Summary: Continuation of Bruce Beresford's exploration of experimental film techniques, this time discussing screens and projection
Notes: Proceeding article by Max Taylor on Abel Gance (known for using similar screening techniques as those discussed by Beresford) continues pages 20-21

Source: UK
Place: UK
Publisher: Obraz Productions Ltd
Subject: INDEPENDENT FILMS; INDEPENDENT FILMMAKERS
Missing Issues: First issue: Issue 27, Spring 2005
Order Notes: Current

Author: Barnouw, Erik & Zimmermann, Patricia
PhysDes: Article
Subject: FLAHERTY, ROBERT; INDEPENDENT FILMS; FESTIVALS; DOCUMENTARY FILMS
Summary: A special edition Wide Angle on the history of the Robert Flaherty Film Seminar (The Flaherty), a festival for film screening, seminars, and scholarship. Includes interviews, articles, and recollections.

Call No: 751.0(73) SEX
Author: Sexton, Jamie
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2023
PhysDes: viii, 202 pages : illustrated
Series: Music and the moving image series
Subject: ROCK MUSIC IN FILMS; INDEPENDENT FILMS. USA; ARAKI, GREGG; COPPOLA, SOFIA; SMITHEREENS (US, Susan Seidelman, 1982); SUBURBIA (US, Penelope Spheeris, 1983); PARIAH (US, Randolph Kret, 1998); SORRY TO BOTHER YOU (US, Boots Riley, 2018); DECLINE OF WESTERN CIVILISATION, THE (US, Penelope Spheeris, 1981); LADIES AND GENTLEMEN THE FABULOUS STAINS (CN, Lou Adler, 1982)
Summary: The first academic book to explore indie music and indie music cultures on screen. Combines historical, cultural, aesthetic and industry analysis to explore the functions and broader appeal of indie music on film Includes analyses of indie punk scenes on film Examines gender and racial issues within indie music and film Freak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s. Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking. Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns. Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film. -- publisher's web site
ISBN: 9781474414067
Contents: Introduction -- A Brief History of Indie Music in American Indie Film -- Sonic Authorship 1: Gregg Araki -- Sonic Authorship 2: Sofia Coppola -- Documenting Scenes and Performers 1: Punk, Smithereens and Suburbia -- Documenting Scenes and Performers 2: Grunge and Riot Grrrl -- Indie Music, Film, and Race 1: Medicine for Melancholy and Pariah -- Indie Music, Film, and Race 2: Sorry to Bother You -- Conclusion -- Notes -- Bibliography -- Index

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: 62(04) GLO
Author: Galt, Rosalind (ed); Schoonover, Karl (ed)
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2010
PhysDes: xxiv, 384 p. : ill. ; 26 cm
Subject: AESTHETICS; INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; ART CINEMA
Summary: " 'Art Cinema' has for more than fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to uunderstanding film as a global phenomenon. This collection reassesses the field of art cinema in light of recent scholarship on world film cultures. In adddition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780195385632
Contents: Introduction : the impurity of art cinema / Rosalind Galt, Karl Schoonover -- Beyond Europe : on parametric transcendence / Mark Betz -- The fantastic trajectory of pink art cinema from Stalin to Bush / Sharon Hayashi -- Toward an inclusive, exclusive approach to art cinema / David Andrews -- Unthinking heterocentrism : bisexual representability in art cinema / Maria San Filippo -- Interactive art cinema : between "old" and "new" media with Un chien Andalou and eXistenZ / Adam Lowenstein -- Art/cinema and cosmopolitanism today / Brian Price -- Between auditorium and gallery : perception in Apichatpong Weerasethakul's films and installations / Jihoon Kim -- Pasolini's exquisite flowers : the "cinema of poetry" as a theory of art cinema / John David Rhodes -- From index to figure in the European art film : the case of The conformist / Angelo Restivo -- Surrealism in art and film : face and time / Angela Dalle Vacche -- The volcano and the barren hill : Gabriel Figueroa and the space of art cinema / Patrick Keating -- The essay film as a cinema of ideas / Timothy Corrigan -- The cloud-capped star : Ritwik Ghatak on the horizon of global art cinema / Manishita Dass -- Notes on art cinema and the emergence of sub-Saharan film / Philip Rosen -- Disentangling the international festival circuit : genre and Iranian cinema / Azadeh Farahmand -- European art cinema, affect, and postcolonialism : Herzog, Denis, and the Dardenne brothers / E. Ann Kaplan -- Offering tales they want to hear : transnational European film funding as neo-orientalism / Randall Halle -- Abderrahmane Sissako : second and third cinema in the first person / Rachel Gabara -- Tsai Ming-liang's haunted movie theater / Jean Ma -- Traveling theory, shorts, and players : Jorge Sanjine´s, new Latin American cinema, and the European art film / Dennis Hanlon.

Call No: 117(51) IGE
CorpAuthor: Hong Kong Film Archive
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 2001
PhysDes: 48 p. ; 30 cm
Subject: SHORT FILMS; INDEPENDENT FILMS; EXPERIMENTAL FILMS
Summary: Catalogue for the Hong Kong Film Archive exhibition “i-Generations”, which presented a history of the development of Hong Kong independent short films and videos from the 1960s to the present. The catalogue is in Cantonese and English.
ISBN: 9628050133
Language: English and Cantonese

Call No: 222 LAL
Author: LaLoggia, Nicole Shay; Wurmfeld, Eden H
Source: US
Place: Boston
Publisher: Focal Press
PubDate: c1999
PhysDes: xi, 289 p. : ill. ; 28 cm. + 1 computer laser disk (4 3/4 in.)
Subject: PRODUCING; INDEPENDENT FILMS; INDEPENDENT DISTRIBUTION; BUDGETING
Summary: "Backed by the resources of Independent Feature Project/West, co-authors Nicole Shay LaLoggia and Eden H. Wurmfeld have written the definitive low-budget production manual. Using examples from the Miramas film Swingers, this manual offers the independent filmmaker a single volume reference covering every aspect of making a film: script rights and rewrites, financing, break down, scheduling and budgeting, preproduction, production, postproduction, and distribution. A resource guide listing useful references and organizations, as well as a glossary, complete this manual. The companion CD-ROM features interviews with important figures in the independent film industry, including Billy Bob Thornton and Ang Lee. Forms and checklists that are illuminated in the test are also included on the CD for ease of use."
Notes: Includes index; Includes bibliographical references and index
ISBN: 0240803892 (alk. paper); 0240803892(pbk.)
LON: 14508498

Call No: 210.4 IND
Author: Baltruschat, Doris (ed.); Erickson, Mary P. (ed.)
Source: US
Place: Toronto
Publisher: University of Toronto Press
PubDate: c2015
PhysDes: xii, 313 pages : illustrations ; 23 cm.
Subject: FILMMAKING; INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; INDEPENDENT PRODUCTION; INDEPENDENT DIRECTORS; DIRECTORS; PRODUCERS; CRITICISM; EUROPEAN CINEMA; BRITISH CINEMA; UNITED KINGDOM; AUSTRALIA; PERU; GREECE; TURKEY; IRAQ; CITY OF SADNESS, A [; AFRICA; MALAYSIA; CANADA; USA
Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOK
Notes: Includes bibliographical references and filmography
ISBN: 9781442626836
Donation: Senses of Cinema
Contents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --

Call No: 71(94) HER
Author: Herd, Nick
CorpAuthor: Australian Film and Television School
Place: North Ryde, N.S.W.
Publisher: Australian Film and Televison School
PubDate: 1983
PhysDes: xi, 68 p. : ill. ; 25 cm
Subject: INDEPENDENT FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA; AUSTRALIA
Notes: Cinematography. Australia, 1960-1980 (ANB/PRECIS SIN 0683299); Bibliography: p. 54-57
ISBN: 064292547X : price unknown
LON: 2686388

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT FILMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT FILMS. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT FILMS. UK

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT FILMS. USA

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Call No: 301.4 PAR
Author: Parks, Stacey
Place: Amsterdam
Publisher: Elsevier
PubDate: 2007
PhysDes: xi, 202 p. ; 23 cm
Subject: ADVERTISING FOR FILMS; ADVERTISING; DISTRIBUTION; INDEPENDENT FILMS; PRODUCTION; DIRECTION
Summary: "This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or international buyers. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hear directly from buyers what they are seeking."--BOOK JACKET.
Notes: Includes index.
ISBN: 9780240809229
Contents: Introduction -- 1: History of distribution and state of the market -- a recent history of distribution -- the current state of the market: a reality check -- suggested exercises for part one -- 2: Before you start production: Getting a leg up on distribution -- get in touch with the market -- carefully consider genre and format -- casting for distribution -- hire a casting director -- submit offers to agents -- exploit your contacts and go for out-of-work actors -- financing strategies for distribution -- set money aside for the last mile -- how much money will I make? realsitic sales projections for your film -- make a business plan for your film -- suggested exercises for part two -- 3: Production geared toward distribution -- shooting format -- the importance of stills --starting publicity during producation: get the buz going -- suggested exercises for part three -- 4: Postproduction with an eye toward distribution -- get objective third-party feedback -- licence stock footage -- build your press kit -- suggested exercises for part four -- 5: It's in the can-now what? how to create a campaign -- appyling to film festivals: your strategy -- finding producer reps and sales agents - sales agencies to consider -- filmmaker case study: Percy Angress, in his own words -- Navigating international fim markets -- a film-market prep guide -- Some do's and don'ts when atending a film market -- should I have a distributor screening for my film? suggested exercises for part five -- 6: Getting a distribution deal -- the U.S. distribution deal and what to expect -- how to approach U.S. distributors yourself -- filmmaker case study: David Basulto, in his own words -- Foreign distribution and what to expect -- expenses required to market and distribute a film -- filmmaker case study: Robert Brinkmann, in his own words -- suggested exercises for part six -- 7: After the distribution deal -- when will I get paid?: distribution cash flow -- suggested exercises for part seven -- 8: Self-distribution and other alternatives to traditional distribution -- filmmaker case study: Tamar Halpern, in her own words -- on-demand DVD distribution -- internet distribution/Video on demand (VOD) -- posting your trailer -- online film markets -- filmmaker case study: Bradley Beesley, on his Okie Noodling Microcinema Tour -- art-house cinemas at which my films have screened -- platform theatrical release -- hybrid distribution model suggested exercises for part eight -- my very best advice to you -- Appendix A: anatomy of a distribution agreement -- Appendix B: sample U.S. distribution contract -- Appendix C: twelve ways to market your film for self-distribution -- Appendix D: more sample contracts -- Index

Call No: FESTIVAL CATALOGUE SHELVES held 1975-1976, 1979-1982
Source: G
Place: Berlin, Germany
Publisher: [s.n.]
PubDate: 1975-1982
PhysDes: 6 v. : ill. ; 21 cm
Subject: FESTIVALS. BERLIN; INDEPENDENT FILMS; DOCUMENTARY FILMS; AVANT-GARDE FILMS; WORLD CINEMA
Notes: The Internationales Forum des Jungen Films (International Forum of Young Cinema) is an independently run section of the International Berlin Festival. The festival includes works that promote the independent, documentary and avant-garde cinema in its broadest sense. The catalogues include numerous black and white stills and film synopses relating to each film that is screened. NB. the festival programs are in English, French and German languages.

Call No: P EXH
PhysDes: 1 poster : b&w ; 74 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; SHARKEY'S PARTY (AT, Peter Lawless, 1986)
Summary: Image: still from Sharkey's Party. Text: 'A 3 night extravaganza of new Oz independent film and video!!'
Notes: General wear and tear.

Call No: 210.2(94) TAK
Author: Stott, Jennifer; Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: Sydney
Publisher: Australian Film, Television & Radio School and the Australian Film Commission
PubDate: 1990, c1989
PhysDes: vi, 146 p. : ill. ; 30 cm
Series: Taking care of business
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); YOUNG EINSTEIN (AT, Yahoo Serious [pseud of Greg Praed], 1988); BODYWORK (AT, David Caesar, 1989); PURSUIT OF HAPPINESS, THE (AT, Martha Ansara, 1987)
ISBN: 064214981X
LON: 6830474

Call No: SUBJECT CLIPPINGS FILE; INDEPENDENT FILMS
PhysDes: Clippings
Subject: INDEPENDENT FILMS
Summary: An article about the success of films not financed by major studios. Sales and rentals of films in all physical formats have plummeted making it difficult for indie films to break even and a risky bet for investors

Call No: 802 PRO v.15
Author: Cowie, Peter; Edelmann, Pascal
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2007
PhysDes: xxxii, 356 pages : illustrations ; 21 cm
Subject: DOGMA; EUROPEAN CINEMA; FILMMAKING; FILM STUDY AND RESEARCH; HOMOSEXUALITY AND THE CINEMA; INDEPENDENT FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; ALMODOVAR, PEDRO; ANGELOPOULOS, THEO; BARDEM, JAVIER; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; CANTET, LAURENT; DARDENNE, JEAN-PIERRE & LUC; HOLLAND, AGNIESZKA; JACOB, IRENE; LOACH, KENNETH; MAKAVEJEV, DUSAN; MOREAU, JEANNE; DE OLIVEIRA, MANOEL; OZON, FRANCOIS; RIKLIS, ERAN; STORARO, VITTORIO; STEEN, PAPRIKA; SZABO, ISTVAN; TANOVIC, DANIS; THOMAS, JEREMY; ULLMANN, LIV; Wenders, Wim; WINTERBOTTOM, MICHAEL; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997)
Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurb
Notes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film Academy
ISBN: 9780571235292
Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA

Call No: 792 SCR
Author: MacDonald, Scott, 1942
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 339 p. : ill. ; 24 cm
Subject: SCRIPTS; INDEPENDENT FILMS; MULVEY, LAURA; WOLLEN, PETER; SNOW, MICHAEL; TRINH, T. MINH-HA; FRIEDRICH, SU; ONO, YOKO; GREAVES, WILLIAM; BENNING, JAMES; ROSE, PETER; FISHER, MORGAN; FLEMING, ANN MARIE; RAINER, YVONNE; FRAMPTON, HOLLIS; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983); NAKED SPACES (US, Trinh T. Minh-ha, 1985); PRIVILEGE (US, Yvonne Rainer, 1990); NEW SHOES : AN INTERVIEW IN EXACTLY 5 MINUTES (CN?, Ann Marie Fleming, 1990); YOU TAKE CARE NOW (CN?, Ann Marie Fleming, 1989); SYMBIOPSYCHOTAXIPLASM : TAKE ONE (US, William Greaves, 1991 [prod.1967]); ZORNS LEMMA (US, Hollis Frampton, 1970); POETIC JUSTICE (US, Hollis Frampton, 1972); GLORIA! (US, Hollis Frampton, 1979); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); GRAND OPERA (US, James Benning, 1979); HIM AND ME (GW, James Benning, 1982); SO IS THIS (CN, Michael Snow, 1982); PLEASURES OF THE TEXT (US, Peter Rose, 1985); SECONDARY CURRENTS (US, Peter Rose, 1983); STANDARD GAUGE (US, Morgan Fisher, 1985?); GENTLY DOWN THE STREAM (US, Su Friedrich, 1983); SINK OR SWIM (US, Su Friedrich, 1981)
Notes: Includes bibliographical references (p. 337-339)
ISBN: 0520080246 (cloth : alk. paper); 0520080254 (pbk. : alk. paper)
LON: 9335490

Call No: 210.2(94) SEL
Author: Herd, Nick
Edition: n.d.
Place: Carlton, Vic.
Publisher: Education Department of Victoria
PubDate: [1984?]
PhysDes: 27 pages ; 30cm
Subject: INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA

Call No: 721.210.4 SPA
Author: Spaner, David
Edition: 2012
Place: Vancouver
Publisher: Arsenal Pulp Press
PubDate: 2012
PhysDes: 304 pages : illustrated ; 23 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT FILMS; POLITICS AND THE CINEMA; FRANCE; UNITED KINGDOM; KOREA; MEXICO; ROMANIA; CANADA; USA
Summary: Shoot It! is a revealing history of how Hollywood, with its eye on the bottom line, lost its ability to support the work of creative filmmakers; it is also a passionate portrait of the independent filmmakers who have risen up to fill the void. The book examines the Hollywood studio system over several decades, from the period when it produced more quality yet commercially viable films, to today, when studios seem only interested in surefire sequels and comic-book adaptations aimed at a global audience. By the same token, Shoot It! also celebrates today's great movies produced outside of the studio system, chronicling the international independent film movement in seven countries (the United States, Canada, Mexico, Britain, France, Romania, and South Korea), from its roots (European New Waves, New York independents) to the revolutionary impact of digital technology. It also features commentary from indie film notables such as Mike Leigh, Gus Van Sant, Claire Denis, Miranda July, Woody Allen, Atom Egoyan, Catherine Breillat, Sally Potter, John Sayles, and Ken Loach. While the studios envisage a generic universe, repressing local film cultures along the way, talented independents continue to tell local stories with universal appeal. This book is a celebration of those determined filmmakers who, despite it all, overcome every obstacle and just shoot it. -- publisher's web site
ISBN: 9781551524085

Call No: 210.2(73) PIE
Author: Pierson, John
Place: London
Publisher: Faber and Faber
PubDate: 1996, c1995
PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cm
Subject: INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION. USA; FESTIVALS. PARK CITY. SUNDANCE; WARNER BROS.; MIRAMAX FILMS; SMITH, KEVIN; WEISS, ROB; MOORE, MICHAEL; TROCHE, ROSE; TURNER, GUINEVERE; LEE, SPIKE; LINKLATER, RICHARD; BORDEN, LIZZIE; Pierson, John; GOMEZ, NICK; JARMUSCH, JIM; MORRIS, ERROL; AMONGST FRIENDS (US, Rob Weiss, 1993); ANNA (US, Yurek Bogayevicz, 1987); CLERKS (US, Kevin Smith, 1994); MALLRATS (US, Kevin Smith, 1995); GO FISH (US, Rose Troche, 1994); PARTING GLANCES (US, Bill Sherwood, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); WORKING GIRLS (US, Lizzie Borden, 1986); ROGER AND ME (US, Michael Moore, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); HOOP DREAMS (US, Steve James, 1994); SLACKER (US, Richard Linklater, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes index
ISBN: 0571179142 (pbk.)
LON: 13149590

Call No: 210.55(41/94) ROB
Author: Robins, Penny
Source: AT
Place: Fitzroy, Vic.
PhysDes: 17 p. ; 22 cm
Subject: CHANNEL FOUR; INDEPENDENT FILMS. AUSTRALIA; INDEPENDENT FILMS. UK; INDEPENDENT PRODUCTION. AUSTRALIA

Call No: 802.25(71) MOT
Author: Mottram, James
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2006
PhysDes: xxix, 480 p. : ill. ; 24cm
Subject: INDEPENDENT FILMS. USA; SUNDANCE INSTITUTE; SODERBERGH, STEVEN; Tarantino, Quentin; RUSSELL, DAVID O.; RODRIGUEZ, ROBERT; LINKLATER, RICHARD; FINCHER, DAVID; JONZE, SPIKE; ANDERSON, PAUL THOMAS; ANDERSON, WES; LEONARD, ELMORE; COPPOLA, SOFIA; PEIRCE, KIMBERLY; SINGER, BRYAN; KAUFMAN, CHARLIE; PAYNE, ALEXANDER
Summary: From Publishers Weekly Mottram covers the same territory Sharon Waxman did in 2005's Rebels on the Backlot, including extensive considerations of directors Steven Soderbergh and Quentin Tarantino, but the British film journalist adds several filmmakers into the mix, including Sofia Coppola and Wes Anderson, concentrating primarily on hot young talents discovered at the Sundance Film Festival. He's also more interested in what's on the screen than Waxman was, so nearly every chapter has lengthy analyses of the movies discussed. But these interpretive flights distract from the reportage, especially when Mottram dismisses successful directors like Robert Rodriguez (who arguably have taken back Hollywood) because he doesn't consider movies like Spy Kids mature enough for serious consideration, or when he insists on linking every modern maverick to a counterpart in '70s cinema. He also links some films together by simplistic means, grouping a trilogy of films set in high schools in one chapter and building another chapter around Elmore Leonard adaptations. Mottram does give insight into the career trajectories of a few of his subjects, most notably Soderbergh, David Fincher and Bryan Singer, making his history a useful starting point.
Notes: Includes notes, general index and index of films
ISBN: 0571222676

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: 210.4(047.1) GIL
Author: Gilroy, Frank D.
Source: US
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1993
PhysDes: xiv, 361 p. ; 25 cm
Subject: FILMMAKING; INDEPENDENT FILMS; PRODUCTION; DIRECTION; GILROY, FRANK D.
Summary: The book offers answers to such questions as... How do you raise money for an independent film? How do you work upa budget? How do you shoot in Super 16 and blow up to 35? How do you find a distributor? [Taken from back cover.]
Notes: Includes filmography (p. 349-351) and index.
ISBN: 0809319187
Donation: donated by the family of Wayne Levy, 2006

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Author: Woods, Mark
PhysDes: Article; Illustration(s)
Subject: PREMIUM MOVIE PARTNERSHIP; INDEPENDENT FILMS. AUSTRALIA
Summary: Despite the resignation of Marion Pilowsky, the Premium Movie Partnership pledges to continue supporting Australian independent films.