Search Catalogue

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: [Dent, Nick]
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Rating: 3 out of 5 stars

Author: Hutchinson, Ivan
PhysDes: Article
Subject: BOLERO (US, John Derek, 1984)
Summary: Review

Author: Quinlivan, Beth; Maddox, Garry
PhysDes: Article
Subject: BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Status report on distribution of 1982/83 Australian features

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Author: Brill, Lesley
PhysDes: Serial
Subject: FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); HERO (US, Stephen Frears, 1992); BONFIRE OF THE VANITIES, THE (US, Brian De Palma, 1990)
Summary: An essay examining the intertextuality of Brian DePalma's "The Bonfire of the Vanities" (1990), Stephen Frear's "Hero" (1992) and Alfred Hitchcock's "Foreign Correspondent" (1940).

Call No: TITLE CLIPPINGS FILE; BLUE ZOO [TV] (AT, 2014)
Author: King, Simon
PhysDes: Clippings File Article
Subject: BLUE ZOO [TV] (AT, 2014)
Summary: Second series of Blue Zoo cancelled

Call No: PERSONALITY CLIPPINGS FILE; WEAVER, JACKI
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: WEAVER, JACKI; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; GOLDSTONE (AT, Ivan Sen, 2016); BLUNT TALK [TV](US, 2015-)
Summary: An article about Jacki Weaver's return to Australian cinema and an interview with her about her role in the Australian film, Last Cab to Darwin.

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE BLUM (GE, Erich Engel, 1948); BLUM AFFAIR, THE (GE, Erich Engel, 1948)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Blum Affair" (English title)

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: 79 PSY REB
Author: Rebello, Stephen
Place: London
Publisher: Mandarin
PubDate: 1992
PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.
Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955)
Notes: Originally published: London : Boyars, 1990. Bibliography: p. 207-211. Includes index.
ISBN: 0749309709
Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Davidson, John
Subject: BLU-RAY
Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Xbox Mod Chipped; -- Playstation 3

Call No: 79ALV LUM
Author: Lumby, Catharine
CorpAuthor: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press .
PubDate: 2008
PhysDes: 77 p. : ill, ports. ; 19 cm
Series: Australian screen classics
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; SEXUALITY AND THE CINEMA; BLUNDELL, GRAEME; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple was the most commercially successful Australian movie of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era, in which it was made, and the forces which fueled its success.
Notes: The Australian Screen Classics series is edited by Jane Mills; Bibliography: p.77-78
ISBN: 9780868198446

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1973?]
PhysDes: 1 photograph : b&w ; 19 x 25 cm.
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); BLUNDELL, GRAEME
Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.
Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 19 x 25 cm
Subject: BLUNDELL, GRAEME; FINNEY, ALAN; GORMAN, REG; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: 3 black and white photographs. Alvin standing, Alvin with bookmaker, Alvin playing pool with another character

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 71(73) MON
Author: Monaco, James
Source: US
Place: New York
Publisher: New American library
PubDate: 1979
PhysDes: 544 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL
Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB
Notes: Includes index.
Donation: donated by Senses of Cinema, 2010
Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 802.25(73) WIC
Author: Wicking, Christopher; Vahimagi, Tise, joint author
Place: London
Publisher: Talisman Books
PubDate: 1979
PhysDes: xxii, 262 p. ; 22 cm
Subject: DIRECTORS. USA; Peckinpah, Sam; BOETTICHER, BUDD; BARE, RICHARD L.
Notes: Includes index
ISBN: 0905983092 : ª7.50
LON: 1588061

Call No: 736 TUS
Author: Tuska, Jon
Place: Lincoln
Publisher: University of Nebraska Press
PubDate: 1988
PhysDes: p. cm
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; WOMEN IN FILMS; HERO IN FILMS; FORD, JOHN; HAWKS, HOWARD; HATHAWAY, HENRY; MANN, ANTHONY; BOETTICHER, BUDD; Peckinpah, Sam
Notes: "Bison."; Reprint. Originally published: Westport, Conn. : Greenwood Press, 1985. Originally published in series: Contributions to the study of popular culture; Includes index; Bibliography: p
ISBN: 0803294115 (pbk.)
LON: 5572169

Call No: 81 KOK MCW
Author: McWilliam, Kelly
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: 130 pages : illustrations ; 22 cm
Series: Visionaries: thinking through female filmmakers
Subject: KOKKINOS, ANA; ONLY THE BRAVE (AT, Ana Kokkinos, 1994); HEAD ON (AT, Ana Kokkinos, 1998); BOOK OF REVELATION (AT, Ana Kokkinos, 2005); BLESSED (AT, Ana Kokkinos, 2009); WOMEN FILMMAKERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.
Notes: Includes bibliographical references and index. Bibliography: (pages 112-125) Filmography: (pages 126-127)
ISBN: 9781474431071
Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.

Call No: 62 DIC
Author: Dick, Bernard F
Edition: Third edition
Source: US/UK
Place: New York -- Hampshire
Publisher: St Martins Press -- Macmillan Press
PubDate: 1998
PhysDes: xv, 302 pages : illustrations ; 23 cm
Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY
Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover
Notes: Previous ed.: 1990 -- Includes bibliographical references and index
ISBN: 0312153996
Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library

Author: Black, Daniel
PhysDes: Article; Bibliography; Illustration(s)
Subject: ANIMATION; BODY IN FILMS
Summary: Animation is explored in relation to its preoccuption with the body's surface and external form.

Call No: 81ANT CHA
Author: Chatman, Seymour, 1928
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: 290 p. : ill. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982)
Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281
ISBN: 0520052056; 0520053419 (pbk.)
LON: 85001025; 3748072

Call No: 81ANT CAM
Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: [144] p. : illus. ; 17 x 18 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Notes: Bibliography: p. 144; "Filmography": p. 141- [144]
ISBN: 0289795982
LON: 70397126; 63651

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Call No: 412.3 KEL
Author: Keller, Sarah
Edition: 2020
Place: New York
Publisher: Columbia University Press
PhysDes: vii, 302 pages : illustrated ; 24 cm
Subject: APOCALYPSE IN FILMS; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BAZIN, ANDRE; FILM CULTURE; CINEPHILIA; DIGITAL CINEMA; FRANCE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015); STAR WARS [...] (US, 1977-2015); WAR OF THE WORLDS (US, Steven Spielberg, 2005); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web site
ISBN: 9780231180870
Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index

Call No: 736.11
Author: Grant, Kevin
Edition: August 2013
Place: Godalming, Surrey
Publisher: FAB Press
PubDate: May 2011
PhysDes: 480 pages : illustrated ; 26 cm
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE
Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made. Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today. Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age. Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious. Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site
Notes: Foreword by Franco Nero
ISBN: 9781903254615

Call No: 735.1 SZE
Author: Szendy, Peter; Bishop, Will; Webber, Samuel
Edition: 2015
Place: New York
Publisher: Fordham University Press
PubDate: 2015
PhysDes: xx, 160 p. : illustrations ; 22 cm
Series: French Voices
Subject: APOCALYPSE IN FILMS; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964); TERMINATOR, THE (US, James Cameron, 1984); [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); WATCHMEN (US, Zack Snyder, 2009); SUNSHINE (UK/US, Danny Boyle, 2007); BLADE RUNNER (US, Ridley Scott, 1982); [TWELVE] MONKEYS (US, Terry Gilliam, 1995); ROAD, THE (US, John Hillcoat, 2009); BLOB, THE (US, Chuck Russell, 1988)
Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web site
ISBN: 9780823264810

Call No: 71(5) KHO
Author: Khoo, Olivia
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 160 pages : illustrated ; 24 cm
Subject: ASIAN COUNTRIES; BLOCKBUSTERS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); DISTRIBUTION; FESTIVALS; COPRODUCTION; HOMOSEXUALITY IN FILMS; REMAKES; SHORT FILMS; 3D DIGITAL; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; WOMEN FILMMAKERS
Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web site
ISBN: 9781474461764
Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: TITLE CLIPPINGS FILE; BLIND AMBITION (AT, Richard Standeven, 2000)
Author: Keenan, Luke
PhysDes: Clippings File Article
Subject: SPORTS FILMS; BLIND AMBITION (UK, Richard Standeven, 2000)
Summary: Olympian Sam Rickard to play a vision impaired athelete in sporting film, Blind Ambition.

Call No: 81HEP MAY
Author: Maychick, Diana
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1994
PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm
Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]
Notes: First published ; London; Sidgwick & Jackson, 1993
ISBN: 0330333976

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Hoyts
PhysDes: 8 photographs : b&w ; 21 x 26 cm
Subject: BOND, ALAN; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: 8 labelled black and white photographs of scenes from the documentary 'Aussie Assault.'

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gliddon, Joshua
Subject: BLU-RAY; HIGH DEFINITION DVD
Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format. - In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 81LYN TOD
Author: Todd, Antony
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: ix, 181 p. : ill. ; 24 cm
Subject: AESTHETICS; AUTEUR THEORY; LYNCH, DAVID; DUNE (US, David Lynch, 1984); BLUE VELVET (US, David Lynch, 1986); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); MULHOLLAND DRIVE (US, David Lynch, 2001)
Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text. Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE. This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURB
Notes: includes bibliographical references; includes index
ISBN: 9781848855809
Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gliddon, Joshua
Subject: INDUSTRY, VIDEO; BLU-RAY; HIGH DEFINITION DVD; SONY CORPORATION; TOSHIBA CORPORATION
Summary: There are two DVD formats developed – the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content – The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content – Conventional DVDs hold a mere 5 gigabytes Both discs formats are not compatible for the same playing systems which has created competition within the industry – Warner brothers and Paramount are releasing discs with both formats. – MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray. – Universal has opted for exclusive release on HD–DVD – Sony’s Playstation 3 has Blu-ray drives – Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 303.31(94) MCK
Author: McKenzie, Jordi
Edition: 2008
PhysDes: 16 pages ; 12 cm
Subject: BOX OFFICE. AUSTRALIA; BLOCKBUSTERS
Notes: Abstract: Recent empirical literature has identified the importance of information transmission in creating box office blockbusters. It has been shown that box office revenue distributions are characterised by extremities of skew and variance that cannot be explained by such things as expensive budgets, star power, critical acclaim or awards. Empirical research of this industry has subsequently turned its attention to models of information transmission and the consequential implications for box office revenues. Using a large new Australian dataset, this paper adds to the literature by exploring the suitability of the a-stable distribution for various definitions of Australian box office revenues.

Call No: 44(410) BEH
Source: UK
Place: London
Publisher: BFI book published by Palgrave Macmillan
PubDate: 2012
PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm
Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005)
Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9781844574766
Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: BLUNDELL, GRAEME; MCGREGOR, ANGELA PUNCH; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982)
Summary: 1 black and white photograph of Tom (Graeme Blundell) and Melanie (Angela Punch McGregor)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Hoyts Distribution Pty. Limited
PhysDes: 3 photographs : b&w ; 20 x 25 cm
Subject: BLACK ROBE (CN/AT, Bruce Beresford, 1991); YOUNG, ADEN; BLUTHEAU, LOTHAIRE
Summary: Three black and white photographs relating to the film Black robe
Notes: 2 images donated by Brian McFarlane

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH (US, Adam Wingard, 2016)
URL status: URL: 'http://file://Q:/T/BLAIR_WITCH.zip' Checked: 31/08/2021 1:48:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH 2: BOOK OF SHADOWS (US, Joe Berlinger, 2000)

Author: Spencer, Megan
PhysDes: Article; Illustration(s)
Subject: INDEPENDENT FILMS. USA; INTERNET AND THE CINEMA; ADVERTISING FOR FILMS; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999)
Summary: Considers how "The Blair witch project", a low budget mockumentary, used the internet and a clever advertising campaign by distributor Artisan Entertainment to produce a box office success.

Call No: 79BLA STE
Author: Stern, D.A
Place: London
Publisher: Boxtree
PubDate: 1999
PhysDes: 191p. : ill ; 23cm
Subject: BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999)
Notes: First published 1999 by Onyx, an imprint of New American Library, a division of Penguin Putnam Inc, New York
ISBN: 0752218638
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAIS, GILLES

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAISE PASCAL (IT, Roberto Rossellini, 1972)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAKE, DAVID

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAKE, HAMISH
URL status: URL: 'http://file://Q:/P/BLAKE,_HAMISH.zip' Checked: 31/08/2021 1:16:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, JON

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, JULIA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, LES

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAKE MYSTERIES, THE [TV] (AT, 2019)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, RACHAEL

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, ROBERT

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, SALLY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAKE, SONNY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAKELY, RACHEL

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: BLAKEMORE, MICHAEL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAME (AT, Michael Henry, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAME IT ON RIO (US, Stanley Donen, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BLAME IT ON THE BELLBOY (UK/US, Mark Herman, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAME IT ON THE NIGHT (US, Gene Taft, 1984)

Call No: P BLA
Place: AT
PubDate: [2011]
PhysDes: 1 poster : col. ; 100 x 69 cm
Subject: BLAME (AT, Michael Henry, 2011)
Summary: Image: Red silhouette of a man holding knuckleduster in a black doorway, casting a red shadow that reads "Blame". Text: To get away with murder you can't make mistakes'
Notes: Two copies held The Australian content certification/rating has been stickered over the 'Check the classification' bar.
ID2: 44

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLANC, MEL

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLANC, MICHEL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANCANIEVES (SP/BE/FR, Pablo Berger, 2012)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLANCH, JEWEL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANCHARD, RON

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANCHARD, TERENCE

Call No: TITLE STILLS INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: BLANCHE FURY (UK, Marc Allégret, 1948)
Summary: Valerie Hobson and Stewart Granger in BLANCHE FURY
Notes: Image donated by Brian McFarlane

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANCHE, VIKKI

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLANCHETT, CATE
URL status: URL: 'http://file://Q:/P/BLANCHETT,_CATE.zip' Checked: 31/08/2021 12:45:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BLANCHETT, CATE
Summary: Cate Blanchett's acceptance speech for the Longford Lyell award she received at the 5th AACTA Awards

Call No: PERSONALITY CLIPPINGS FILE; BLANCHETT, CATE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BLANCHETT, CATE
Summary: Report on Cate Blanchett being named as the receipient of the Longford Lyell Award from the Australian Academy of Cinema and Television Arts. Quotes from her about the significance of the award.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANCS CASSES (FR, Philippe Venault, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BLANK CHECK (US, Rupert Wainwright, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANK CITY (US, Celine Danhier, 2009)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLANK, LES

Call No: D Blankety blanks
Place: [Melbourne]
Publisher: Umbrella Entertainment
PubDate: c2005.
PhysDes: 5 videodiscs (DVD) (743 min.) : sd., col. ; 4 3/4 in.
Subject: BLANKETY BLANKS [TV] (AT, 1977-79)
Summary: "In 1977, for 5 nights a week, Australia tuned in and laughed out loud as Graham Kennedy turned the game show format into a 30 minute tour de force of double entendres and inspired lunacy"--cover.
Notes: Includes interviews by Blankety blanks panellists Ugly Dave Gray, Carol Raye & John Paul Young. Special feature disc All at sea, [disc 5] is a saucy comedy treat starring cast members from Blankety blanks, Celebrity game, and No. 96 as a group of misfits attempting to run a holiday resort. Censorship classification : M - mature audiences.
Contents: Special feature disc All at sea.
Technical Details: 4 videodiscs dual layer format DVD 9, 1 videodisc DVD 5
Credits: A Reg Grundy production for the Ten Network Australia.
Also Titled: Graham Kennedy's blankety blanks; All at sea (Motion picture)
Standard Number: 3000000072851

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLANKETY BLANKS [TV] (AT, 1977-79)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BLANKMAN (US, Mike Binder, 1994)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLANKS, JAMIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLASSBLAUE FRAUENSCHRIFT, EINE (AU, Axel Corti, 1984); WOMAN'S PALE BLUE HANDWRITING, A (AU, Axel Corti, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: BLAST 'EM (CN, Joseph Blasioli, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAST FROM THE PAST (US, Hugh Wilson, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAST OF SILENCE (US, Allen Baron, 1961)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BLASTFIGHTER (IT, John Old, Jr. [pseud. of Lamberto Bava], 1985[prod.1983])

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLATTY, WILLIAM PETER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLAUE ENGEL, DER (G, Josef von Sternberg, 1930)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAUVOGEL (GE, Ulrich Weiss, 1979)

Call No: 722.81 (=9) HOW
Author: Howard, Josiah
Source: UK
Place: Guildford
Publisher: FAB Press
PubDate: 2008
PhysDes: 239 pages; illustrations ; 26 cm
Subject: BLAXPLOITATION FILMS; POSTERS
Summary: An overview of the Blaxploitation genre of cinema, with: interivews of key film directors, over 270 film listings, and colour poster reproductions for many of the films mentioned in the book
ISBN: 9781903254448
Contents: About the book -- defining Blaxploitation films -- What's Going On? -- Q&A: ten directors discuss their films -- Paul Bogart, Matt Cimer, Larry Cohen, Robert A. Endelson, Jamaa Fanaka, Jack Hill, Jonathan Kaplan, Arthur Marks, Cirio H. Santiago, Don Schain -- A-to-Z Blaxploitation filmography -- bibliography -- Blaxploitation Admat gallery -- index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAXPLOITATION FILMS

Call No: 722.81 (=9) KOV
Author: Koven, Mikel J
Source: UK
Place: Harpenden, Herts, UK
Publisher: Kamera Books
PubDate: 2010
PhysDes: 160 p., [8] p. of col. plates : col. ill., ports ; 20 cm
Subject: BLAXPLOITATION FILMS; ETHNIC GROUPS IN FILMS; ETHNIC GROUPS IN FILMS
Summary: In the early 1970s a type of film emerged that featured all-black casts; really cool soul, R 'n' B, and disco soundtracks; characters sporting big guns, big dashikis, and even bigger 'fros; and had some of the meanest, baddest attitudes to shoot their way across the screen. An antidote to the sanitized "safe" images of blackness that Sidney Poitier and Bill Cosby presented to America, these films depicted a reality about the world which African-American audiences could identify with, even if the stories themselves were pure fantasy. This guide reviews and discusses more than 60 Blaxploitation films, considering them from the perspectives of class and racial rebellion, genre, and Stickin' it to the Man. Subgenres covered include Blaxploitation horror films, kung-fu movies, westerns, and parodies
Notes: Includes bibliographical references and index
ISBN: 9781842433348

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: BLAZE (US, Ron Shelton, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAZE (US, Ethan Hawke, 2018)

PhysDes: Article
Subject: BLAZE GLORY (US, Chuck Menville/Len Jenson, 1969)
Summary: Short film review

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAZE, SHAYNNA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLAZEY, PETER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAZING BOARDS (US, Chris Bystrom, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEAK MOMENTS (UK, Mike Leigh, 1971)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEASDALE, ALAN

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 25 X 20 cm.
Subject: Bleazby, Carl
Summary: Studio headshot of Carl Bleazby
Notes: image yellowing; details written in pen on reverse; agents stamp, stickers with name and address on reverse

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEED FOR THIS (US, Ben Younger, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEEDER, THE (US, Philippe Falardeau, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BLEEDING HEART (US, Diane Bell, 2015)
Cross Reference: BLEEDING HEART

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEEDING STEEL (CC, Lijia Zhang, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEIERNE ZEIT, DIE (GW, Margarethe von Trotta, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLENDED (US, Frank Coraci, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESS THE CHILD (US, Chuck Russell, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLESSED (AT, Ana Kokkinos, 2009)
URL status: URL: 'http://file://Q:/T/BLESSED.zip' Checked: 31/08/2021 1:18:51 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESSED MARY: A SAINT FOR ALL AUSTRALIANS (AT, Serge Ou, 2010)

Call No: P BLE
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: BLESSED (AT, Ana Kokkinos, 2009)
Summary: Image: Two female characters. Text: Everyone has to find their own way home.
ID2: 43

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESSING (US, Paul Zehrer, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BLESSURE (FR, Michel Gerard, 1985)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLETHYN, BRENDA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEU COMME L'ENFER (FR, Yves Boisset, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLEU DE VILLES, LE (FR, Stephanie Brize, 1999)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: BLEUTH, JOHN

PhysDes: Clippings
Subject: BLICK - UND DIE LIEBE BRICHT AUS, EIN (GW, Jutta Bruckner, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BLICK - UND DIE LIEBE BRICHT AUS, EIN (GW, Jutta Bruckner, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIGHT (UK, John Smith, 1996)

Call No: PERSONAILITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLIGHT, ROSEMARY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND (US, Frederick Wiseman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND AMBITION (UK, Richard Standeven, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND COMPANY (AT, Alkinos Tsilimidos, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BLIND DATE (US, Blake Edwards, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND DATE [TV] (AT, 2018 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND FAITH (US, Ernest Dickerson, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND FLIGHT (UK, John Furse, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND FURY (US, Phillip Noyce, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND SIDE, THE (US, John Lee Hancock, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDED BY THE LIGHT (UK/US, Gurinder Chadha, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDER (AT, Richard Gray, 2013)

Call No: S BLI
Author: Didier, Scott; Gray, Richard; Gray, Michele
PubDate: 2012
PhysDes: 107 leaves ; 30 cm
Subject: BLINDER (AT, Richard Gray, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BLINDFOLD (US, Lawrence L. Simeone, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDMAN'S BLUFF (AT, Rachel Ward, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDNESS (CN/BL/JA, Fernando Meirelles, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDSIGHT (UK, Lucy Walker, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDSPOTTING (US, Carlos Lopez Estrada, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLING: A PLANET ROCK (USA, Raquel Cepeda, 2007)

PhysDes: Clippings
Subject: BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013)

Call No: S BLI
Author: Coppola, Sofia
Edition: Shooting script
PubDate: 2012 Mar. 16
PhysDes: 46 leaves
Subject: BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: BLINK (US, Micheal Apted, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINKY AND ME (US/PL, Tomasz Magierski, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLINKY BILL (AT, Yoram Gross, 1992)
ID2: 152

Call No: DIGITAL FILE
Author: Edquist, Fin
Place: Camperdown, NSW
PubDate: 8/05/2015
PhysDes: 117 leaves
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 79 BLI YOR
CorpAuthor: Yoram Gross film studios
Source: AT
Place: Melbourne
Publisher: Budget Books
PubDate: 1992
PhysDes: 32 p. : illus. ; 14 x 13 cm
Series: Blink Bill mini books
Subject: BLINKY BILL [TV] (AT, 1984)
ISBN: 0732317568
Donation: donated by the family of Wayne Levy, 2006

Call No: 92 BLI GRO
CorpAuthor: Yoram Gross film studios
Source: AT
Place: Melbourne
Publisher: Budget Books
PubDate: 1992
PhysDes: 32 p. : illus. ; 14 x 13 cm
Series: Blinky Bill mini books
Subject: BLINKY BILL [TV] (AT, 1984)
ISBN: 0732317592
Donation: donated by the family of Wayne Levy, 2006

Call No: P BLI
Place: Australia
PubDate: 1992
PhysDes: 1 poster : colour ; 34 x 63 cm
Subject: BLINKY BILL (AT, Yoram Gross, 1992)
Summary: Image: Cartoon illustration of Blinky Bill and his friends fleeing from a bulldozer. Text: "Adults at children's prices"
Notes: poster

Call No: 92 BLI GRO
CorpAuthor: Yoram Gross film studios
Source: AT
Place: Melbourne
Publisher: Budget Books
PubDate: 1992
PhysDes: 13 cm;
Series: Blinky Bill mini books
Subject: BLINKY BILL [TV] (AT, 1984)
ISBN: 0732317576

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Greater Union Destributors (distributor)
PhysDes: 2 photographs : b&w ; 13 x 17 cm. + 1 brochure : col. ; 30 cm x 21 cm
Subject: BLINKY BILL (AT, Yoram Gross, 1992)
Summary: Two black and white photographs and one colour advertisement brochure relating to Blinky Bill

Call No: N79BLI PAL
Author: Palmer, John
CorpAuthor: Sally Odgers
Source: AT
Place: Melbourne
Publisher: Budget Books
PubDate: 1992
PhysDes: 96 p. : col. ill. ; 30 cm
Subject: BLINKY BILL (AT, Yoram Gross, 1992)
Notes: With illustrations from the film ; based on the characters of Dorothy Wall
ISBN: 0732316464
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)

Call No: 79 BLI YOR
CorpAuthor: Yoram Gross film studios
Source: AT
Place: Melbourne
Publisher: Budget Books
PubDate: 1992
PhysDes: 13 cm;
Series: Blinky Bill mini books
Subject: BLINKY BILL [TV] (AT, 1984)
ISBN: 073231755X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINKY BILL [TV] (AT, 1984)

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: Dent, Nick
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Notes: Synopsis of the recent adaptation.
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLISS (US, Lance Young, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BLISS (AT, Ray Lawrence, 1985)

Author: Cordaiy, Hunter
PhysDes: Article
Subject: BLISS (AT, Ray Lawrence, 1985)
Summary: Review

Author: Buckley, Tony
PhysDes: Article
Subject: BLISS (AT, Ray Lawrence, 1985)
Summary: Interview

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLISS (US, Mike Cahill, 2021)

PhysDes: Article
Subject: BLISS (AT, Ray Lawrence, 1985)

PhysDes: Article
Subject: BLISS (AT, Ray Lawrence, 1985)

PhysDes: Article
Subject: BLISS (AT, Ray Lawrence, 1985)
Summary: "Bliss" named best Australian film by Sydney Film Critics Circle. All nominations and winners listed

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLISS, DIANA

Subject: BLISS (AT, Ray Lawrence, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); CANNES FILM FESTIVAL; INDUSTRY, FILM. AUSTRALIA
Summary: Report on 'Bliss' and 'The Coca Cola Kid' screening at Cannes

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 11 x 17 cm - 20 x 25 cm + 1 transparency : col. ; 120 mm
Subject: DE TELIGA, SARAH; JONES, HELEN; OTTO, BARRY; BUCHANAN, MILES; CURRAN, LYNETTE; CARIDES, GIA; BLISS (AT, Ray Lawrence, 1985)
Summary: Five black and white photographs and one small colour transparency relating to the film Bliss

Call No: 79BLI CAR
Author: Carey, Peter, 1943; Lawrence, Ray
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1986, c1985
PhysDes: 142 p. : ill., port. ; 20 cm
Subject: BLISS (AT, Ray Lawrence, 1985)
Notes: First published: London : Faber and Faber, 1986
ISBN: 0702219096 : $12.95 Aust
LON: anb70221909; 4794229

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLITHE SPIRIT (UK, Edward Hall, 2020)

PhysDes: Article
Subject: BLOB, THE (US, Irvin S Yeaworth Jr., 1958)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOB, THE (US, Chuck Russell, 1988)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLOCH, ROBERT

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLOCK, DARREN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOCK PARTY (US, Michel Gondry, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCK, THE [TV] (AT, 2003-)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCKBUSTER

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCKBUSTERS
URL status: URL: 'http://file://Q:/S/BLOCKBUSTERS.zip' Checked: 31/08/2021 12:40:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCKBUSTERS. AUSTRALIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCKERS (US, Kay Cannon, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOCKBUSTER [BLOKBASTER] (RU, Roman Volobuev, 2017)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLOM, GARY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOMKAMP, NEILL

PhysDes: Article
Subject: BLOMSTRANDE TIDER (SW, John Olsson, 1979)
Notes: Swedish Film Institute

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLONDE (US, Andrew Dominik, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLONDE [TV] (US, Joyce Chopra, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLONDE VENUS (US, Josef von Sternberg, 1932)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLONSKI, ANNETTE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLONSKY, NIKKI

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOOD AND ASH (AT, Emma Freeman, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOOD AND WINE (US, Bob Rafelson, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD BROTHER (US, John Pogue, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD BROTHERS [TV] (AT, Rachel Perkins, Ned Lander & Trevor Graham, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD DIAMOND (US, Edward Zwick, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD DINER (US, Jackie Kong, 1987)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOOD FATHER (FR, Jean - Francois Richet, 2016)
URL status: URL: 'http://file://Q:/T/BLOOD_FATHER.zip' Checked: 31/08/2021 1:43:18 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD HOOK (US, James Mallon, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BLOOD IN BLOOD OUT (US, Taylor Hackford, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: BLOOD MONEY (AT, Chris Fitchett, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD MONEY (US, Lucky McKee, 2017)

Call No: S BLO
Author: Fitchett, Chris; Ruane, John; Ryan, Ellery
Place: AT
PubDate: [1979?]
PhysDes: 55 leaves
Subject: BLOOD MONEY (AT, Chris Fitchett, 1979)
Summary: An ageing professional criminal learns that he is dying of cancer so he returns to Melbourne to repay debts and settle scores.
Notes: Third draft

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Posters; Publicity; Stills
Subject: BLOOD OATH (AT, Stephen Wallace, 1990)

Call No: N79BLO WILL
Author: Williams, Brian A.
Source: AT
Place: North Ryde, NSW
Publisher: Collins/Angus Robertson
PubDate: 1990
PhysDes: 279 p. ; 18 cm
Subject: BLOOD OATH (AT, Stephen Wallace, 1990)
ISBN: 0207166935
Donation: donated by the family of Wayne Levy, 2006

Call No: P BLO
Place: Australia
PubDate: 1990
PhysDes: 1 poster : colour ; 34 x 68 cm
Subject: BLOOD OATH (AT, Stephen Wallace, 1990)
Summary: Image: A standing woman and sitting man wearing army fatigues. Text: "a journey from blind justice to soaring compassion"
Notes: poster / calendar

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 19 cm - 20 x 25 cm
Subject: BROWN, BRYAN; UNGER, DEBORAH; BLOOD OATH (AT, Stephen Wallace, 1990)
Summary: Seven black and white photographs relating to the film Blood oath

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD OF OTHERS, THE [TV] (CN/FR, Claude Chabrol, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD ON THE CHANDELIER (AT, Jeffrey Norris, 1995)

Author: Marks, Dick
PhysDes: Article
Subject: SHORT FILMS. AUSTRALIA; ROUSE, JEREMY; BRIAND, BEN; BLOOD PULLS A GUN (AT, Ben Briand, 2014)
Summary: Director of Photography, Jeremy Rouse discusses his work with writer/director Ben Briand on the short film, Blood Pulls a Gun

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills; Article
Subject: BLOOD SIMPLE (US, Joel Coen, 1984)
URL status: URL: 'http://file://Q:/T/BLOOD_SIMPLE.zip' Checked: 31/08/2021 12:52:12 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79BLO COE
Author: Coen, Joel; Coen, Ethan
Place: New York
Publisher: Faber and Faber
PubDate: 1988
PhysDes: 111 p. : 18 cm.
Subject: BLOOD SIMPLE (US, Joel Coen, 1984)
ISBN: 0571202322

Author: D'Menzie, Marcellene
PhysDes: Article
Subject: BLOOD SIMPLE (US, Joel Coen, 1984)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD & THUNDER : THE SOUND OF ALBERTS (AT, Paul Clarke, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: BLOOD TIDE (UK/GR, Richard Jefferies, 1982)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BLOOD TIES (FR/US, Guillaume Canet, 2013)
Cross Reference: BLOOD TIES

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD VESSEL (AT, Justin Dix,2019)
Cross Reference: BLOOD VESSEL (AT, Justin Dix,2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD WORK (US, Clint Eastwood, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLOODBATH AT THE HOUSE OF DEATH (UK, Ray Cameron, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODBROTHERS (US, Robert Mulligan, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODHOUNDS OF BROADWAY (US, Howard Brookner, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODLINE (US, Terence Young, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODLOCK (AT, Nash Edgerton & Kieran Darcy Smith, 1999)

Author: Strickland, Christopher
PhysDes: Review; Illustration(s)
Subject: BLOODLOCK (AT, Kieran Darcy-Smith & Nash Edgerton, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BLOODLUST (AT, Richard Wolstencroft & Jon Hewitt, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODMOON (AT, Alec Mills, 1990)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSHOT (US/C, Dave Wilson, 2020)
Cross Reference: BLOODSHOT (US/C, Dave Wilson, 2020)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSHOT HEART (AT, Parish Malfitano, 2020)
Cross Reference: BLOODSHOT HEART (AT, Parish Malfitano, 2020)

Call No: DIGITAL FILE
Author: Malfitano, Parish
Edition: revision 4
PubDate: 27/07/2018
PhysDes: 97 leaves
Subject: BLOODSHOT HEART (AT, Parish Malfitano, 2020)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSPORT (US, Newt Arnold, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 18 x 20 cm - 20 x 25 cm
Subject: BLOODSPORT (AT, Graham Irwin, 1979)
Summary: Two black and white photographs relating to the short feature film Bloodsport

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSUCKING FREAKS (US, Joel M. Reed, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODY CHILD, THE (US, Nina Menkes, 1996)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODY HELL (US/AT, Alister Grierson, 2020)
Cross Reference: BLOODY HELL (US/AT, Alister Grierson, 2020)

Call No: DIGITAL FILE
Author: Benjamin, Robert; Paul, Joshua
Edition: pink script amendments
Place: [US]
PubDate: 28/03/2019
PhysDes: 128 leaves
Subject: BLOODY HELL (US/AT, Alister Grierson, 2020)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BLOODY KIDS (UK, Stephen Frears, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODY MAMA (US, Roger Corman, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [BLOODY MORNING] (CC, Li Shaohong, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BLOODY SUNDAY (IE/UK, Paul Greengrass, 2002)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: BLOOM, CLAIRE

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOM, ORLANDO
URL status: URL: 'http://file://Q:/P/BLOOM,_ORLANDO.zip' Checked: 31/08/2021 1:09:31 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOM [TV] (AT, 2019-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLOOMFIELD (UK, Richard Harris, 1971)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOPERS

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOSFELDS, ANDREA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOSSOMS OF FIRE, THE (US, Maureen Gosling and Ellen Osborne, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOW (US, Ted Demme, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOW DRY (G/UK/US, Paddy Breathnach, 2001)

Author: Martin, Adrian
PhysDes: Article
Subject: BLOW OUT (US, Brian De Palma, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOW OUT (US, Brian De Palma, 1981)

Author: Hibberd, Jack
PhysDes: Article
Subject: BLOWUP (UK/IT, Michelangelo Antonioni, 1966); ANTONIONI, MICHELANGELO; HEMMINGS, DAVID
Summary: Critical response to an earlier letter to the editors regarding Hibberd's interpretation of the mime scene which closes Antonioni's film "Blow Up".

PhysDes: Article
Subject: BLOW YOUR OWN TRUMPET (UK, Cecil Musk, 1958)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOWIN' IN THE WIND (AT, David Bradbury, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOWIN' IN THE WIND (AT, David Bradbury, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOWN AWAY (US, Stephen Hopkins, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOWN AWAY (US, Stephen Hopkins, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOWN AWAY (AT, Paul Witzig, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOWN AWAY [TV] (AT, Danielle MacLean, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOWOUT (AT, Peter Eastgate & Glenn Leahy, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOWPIPES AND BULLDOZERS (AT, Jeni Kendell & Paul Tait, 1989)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Article
Subject: BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
URL status: URL: 'http://file://Q:/T/BLOW_UP.zip' Checked: 31/08/2021 12:52:15 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BLU-RAY

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Davidson, John
Subject: BLU-RAY; HIGH DEFINITION DVD; JB HI-FI LIMITED
Summary: Blu Ray format DVD to be released at JB Hi Fi. Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: Scott Browning – Mktg Mgr JB Hi fi Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote) “JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Familari, Peter
Subject: BLU-RAY; HIGH DEFINITION DVD
Summary: The format battle between Blu-ray and HD DVD and how it might be played out ala VHS vs BETA.
Notes: accessed from: Herald Sun, News Ltd. RMIT University. (18 May 2007).

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUDGERS (AT, John Fabian, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE (UK, Derek Jarman, 1993)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLUE (AT, Karina Holden, 2017)

PhysDes: Article
Subject: BLUE AND THE GREY, THE [TV] (US, Andrew V McLaglen, 1982)
Summary: Review of Bruce Broughton's film score

Call No: 79BLA MAN
Author: Mann, Heinrich, 1871-1950; Von Sternberg, Josef, 1894-1969; Liebmann, Robert. Blaue Engel. English
Edition: Combined ed
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1979
PhysDes: 339 p., [6] leaves of plates : ill. ; 22 cm
Subject: BLAUE ENGEL, DER (G, Josef von Sternberg, 1930)
Notes: Includes translations of H. Mann's Professor Unrat and the continuity written by R. Liebmann for the film Der Blaue Engel
ISBN: 0804425914 : $12.50; 0804464685 (pbk.)
LON: 78020934; 1466657

Call No: 79BLA VON
Author: Von Sternberg, Josef, 1894-1969; Mann, Heinrich, 1871-1950. Professor Unrat
Place: London
Publisher: Lorrimer
PubDate: c.1968
PhysDes: illus
Subject: BLAUE ENGEL, DER (G, Josef von Sternberg, 1930)
Notes: Script of the motion picture "The Blue Angel," a free adaptation of the novel "Professor Unrat" by Heinrich Mann, directed by Joseph Von Sternberg
LON: nla07041875; 6387943

Call No: 79BLA PRA
Author: Prawer, S.S.
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 79p. : illus. : 19cm.
Series: BFI film classics
Subject: BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); DIETRICH, MARLENE; VON STERNBERG, JOSEF
Notes: Includes notes, credits and selected bibliography.
ISBN: 0851709354