Search Catalogue

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: City Pictures
PhysDes: 3 photographs : b&w ; 13 x 18 cm
Subject: [FIFTY] 50 YEARS OF SILENCE (AT, Ned Lander, 1994)
Summary: Three black and white photographs from the documentary film 50 years of silence

PhysDes: Article
Subject: THEY CALL ME BRUCE (US, Elliott Hong, 1982); TOUGH ENOUGH (US, Richard Fleischer, 1983); MOLLY (AT, Ned Lander, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: News items from across Australia.

Author: Lowe, Barry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.

Call No: 71(94) BAR
Author: Barber, Susan
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PubDate: 9 Feb 2023
PhysDes: 280 pages ; 24 cm
Subject: AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ROAD MOVIES. AUSTRALIA; MOTHERS IN FILMS; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MAD MAX [...] (AT, 1979-85); BACKROADS (AT, Philip Noyce, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); DON'S PARTY (AT, Bruce Beresford, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HIGH TIDE (AT, Gillian Armstrong, 1987); MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TRACKER, THE (AT, Rolf de Heer, 2002); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web site
ISBN: 9781501390029
Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEATTY, NED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BESIEGED: THE NED KELLY STORY [TV] (AT, Barrie Dowdall & Gregory Miller, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD BROTHERS [TV] (AT, Rachel Perkins, Ned Lander & Trevor Graham, 1993)

Call No: 408.1(94) COU
Author: Couzens, Andrew James
Edition: 2019
Place: London ; New York
Publisher: Anthem Press
PubDate: 2019
PhysDes: ix, 246 pages : illustrated ; 24 cm
Series: Anthem studies in Australian literature and culture
Subject: NED KELLY IN FILMS; BUSHRANGERS IN FILMS; HISTORY OF CINEMA. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951); NED KELLY (UK, Tony Richardson, 1970); NED KELLY (AT/UK, Gregor Jordan, 2003); RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993); NED (AT, Abe Forsythe, 2003); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); LUCKY MILES (AT, Michael James Rowland, 2007)
Summary: The bushranger legend is an important component of Australia’s cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend’s establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend’s development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary. The cultural history recounted in ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation’s diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is an insight into the process through which the bushranger legend earned its cultural resonance in Australia. -- publisher's web site
ISBN: 9781783088911
Contents: List of Figures -- Acknowledgements -- Introduction: Defining the Bushranger Legend -- Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole -- Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend -- Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies -- Conclusion --Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DANCING IN THE MOONLIGHT (AT, Trevor Graham and Ned Lander, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Posters
Subject: DIRT CHEAP (AT, Marg Clancy & David Hay & Ned Lander, 1980)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DISAPPEARANCE OF ELEANOR RIGBY, THE (US, Ned Benson, 2014)
URL status: URL: 'http://file://Q:/T/DISAPPEARANCE_OF_ELEANOR_RIGBY,_THE.zip' Checked: 31/08/2021 1:46:27 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Michael Adams
PhysDes: Article
Subject: JAPANESE STORY (AT, Sue Brooks, 2003); NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: A look at recent Australian films that have failed at the box office and why this may be happening.

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE AWARDS; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); WILD DUCK, THE (AT, Henri Safran, 1983); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); MOLLY (AT, Ned Lander, 1983); PHAR LAP (AT, Simon Wincer, 1983); CITY'S EDGE, THE (AT, Ken Quinnell, 1983)
Summary: List of films, along with the director and producer, nominated for an AFI Award

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: [FIFTY] 50 YEARS OF SILENCE (AT, Ned Lander, 1994)

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

PhysDes: Article
Subject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983); CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983); BOOGENS, THE (US, James L. Conway, 1981); SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983); SPLASH (US, Ron Howard, 1984); MOLLY (AT, Ned Lander, 1983); RAZORBACK (AT, Russell Mulcahy, 1984); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); CROSS CREEK (US, Martin Ritt, 1983)
Summary: Lists of up-coming films and their crew details

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GREEN LIGHT (AT/UK/UAE, Ned Donohoe, 2019)

Call No: P GRE
Place: AT
PubDate: 2019
PhysDes: 1 poster : colour ; 101 x 70 cm
Subject: GREEN LIGHT (AT/UK/UAE, Ned Donohoe, 2019)
Summary: Image: Two men are standing in front of what appears to be the backdoors of an emergency vehicle with the green-and-white medical cross in clear view. The words "legalise" and "cannabis" have been spray-painted above and beneath the word "Medical" inside the green-and-white cross. Tagline: "Saving lives at any cost"
Notes: Six copies

Author: Lindley, Howard
PhysDes: Article
Subject: NED KELLY (UK, Tony Richardson, 1970); JAGGER, MICK; CRITICISM
Summary: Review of NED KELLY

PhysDes: Article
Subject: MOLLY (AT, Ned Lander, 1983); MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; PREMIERES. AUSTRALIA
Summary: Report on the premiere of 'Molly' at the Motion Picture Exhibitors Association of Queensland.

Author: Gaunson, Stephen
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; JAGGER, MICK; NED KELLY (UK, Tony Richardson, 1970)
Summary: The writer examines British director Tony Richardson's international version of Ned Kelly (1970) in the context of international Australian films and the national Australian cinema. -- Provided by publisher

Call No: S KEL
Author: McDonagh, John Michael
PubDate: 2002
PhysDes: 106 p.
Subject: NED KELLY (AT/UK, Gregor Jordan, 2003)
Notes: Unpublished script; Film under tile of "Ned Kelly"; Donated by the Australian Film Institute

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NED KELLY IN FILMS

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LANDER, NED

Call No: 79LAS CAR
Author: Carlyon, Les
CorpAuthor: HSV7
Source: AT
Place: South Melbourne
Publisher: HSV7
PubDate: c1980
PhysDes: 80 p. : ill. (some col.) ; 27 cm
Subject: AUSTRALIA; BUSHRANGERS IN FILMS; DOCUMENTARY FILMS; DOCUMENTARY FILMS. AUSTRALIA; NED KELLY IN FILMS; LAST OUTLAW, THE (AT, Ian Jones, 1980)
Summary: A book on the life of famous Australian bushranger Ned Kelly (and family). Focuses on the movie 'The Last Outlaw' directed by Ian Jones.
Notes: Cover title; "Written by Les Carlyon, with contributions by Ian Jones and Dr. John McQuilton"--p. [2]
Contents: -- Ned Kelly: the man -- a special chemistry -- Ian Jones and Bronwyn Binns -- getting it right -- the magic valley -- rebuilding the past -- Les Binns: art director -- a clan and a family -- mates to the death -- the land war -- the police-- historys verdict --map: Kelly country -- an age of transition -- the sour dream of land -- milestones -- 1: the fitzpatrick incident -- 2: stringybark creek -- 3: glenrowan -- sir Redmond Barry -- 4: a trial, and a hanging -- the clothes they wore -- Jane Hyland: costume designer -- guns of the Kelly story -- the Kelly armour -- fact & fantasy -- when the Kellys rode -- John Baird: horsemaster -- profiles -- the people of the story -- the music man -- Brian May: composer -- production credits -- sponsors -- the cast --

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: S MOL
Author: Roope, Phillip; Thomas, Mark; Linstead, Hilary; Lander, Ned
PubDate: [1983?]
PhysDes: 124 leaves
Subject: MOLLY (AT, Ned Lander, 1983)
Notes: Unpublished script
URL status: URL: 'http://file://Q:/scripts/MOLLY.zip' Checked: 31/08/2021 12:54:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Postcards; Clippings; Press kit
Subject: MOLLY (AT, Ned Lander, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NED (AT, Abe Forsythe, 2003)

Call No: S NED
Author: Forsythe, Abe
PubDate: 2002
PhysDes: 91 p.
Subject: NED (AT, Abe Forsythe, 2003)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NED KELLY (UK, Tony Richardson, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Press kit; Clippings; CD-ROM
Subject: NED KELLY (AT/UK, Gregor Jordan, 2003)

Call No: 79 NED MCD
Author: McDonagh, J.M.
Place: Strawberry Hills, N.S.W.
Publisher: Currency Press
PubDate: 2003
PhysDes: 96 p. : col. ill. ; 21 cm
Subject: NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: “The book is the script of the movie ‘Ned Kelly’, which was based upon the novel ‘Our Sunshine’ by Robert Drewe. Ned Kelly was one of the most infamous outlaws of the 19th century in Australia and the movie covers his life and times up to his death. The book contains a forward by ‘Ned Kelly’ film director Gregor Jordon, and an introduction on the history of Ned Kelly by film critic Peter Galvin.” (back cover)
Notes: Credits

Author: Michael Adams
PhysDes: Article
Subject: LEDGER, HEATH; WATTS, NAOMI; NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: Review of Ned Kelly

Author: Chris Murray
PhysDes: Article
Subject: LEDGER, HEATH; NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: D.V.D. review

Call No: D NED KELLY
Source: AT
Publisher: Warner Home Video
PhysDes: 1 videodisc (DVD) (105 min.) : sd., col. ; 4 3/4 in
Subject: NED KELLY (AT/UK, Gregor Jordan, 2003)

Call No: 408.1 GAU
Author: Gaunson, Stephen
Source: UK/US
Place: Bristol, UK
Publisher: Intellect
PubDate: 2013
PhysDes: xii, 166 p. : ill. ; 23 cm
Subject: NED KELLY IN FILMS; BUSHRANGERS IN FILMS; HISTORY OF CINEMA. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951); NED KELLY (UK, Tony Richardson, 1970); NED KELLY (AT/UK, Gregor Jordan, 2003); RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993); NED (AT, Abe Forsythe, 2003)
Summary: "Immortalized in a series of onscreen productions Ned Kelly has become one of the most resilient screen presences in the history of Australian cinema. Covering all nine feature films, three miniseries, and two TV movies, this book provides a study of all Kelly films that have been made." -- LIBARIES AUSTRALIA The Kelly films: -- The Perth Fragment (1906) -- The Story of the Kelly Gang (Charles Tait 1906) -- The story of the Kelly Gang (William Gibson and Millard Johnson 1910) -- The Kelly Gang (Harry Southwell 1919) -- When the Kellys were out (Harry Southwell 1923) -- When the Kellys rode (Harry Southwell 1934) --The Glenrowan affair (Rupert Kathner 1951) -- Ned Kelly: Australian paintings by Sidney Nolan (Tim Burstall 1960) -- Ned Kelly (William Sterling 1960) -- The Stringybark Massacre (Garry Shead 1967) -- Ned Kelly (Tony Richardson 1970) -- The Trial of Ned Kelly (John Gauci 1977) -- The last outlaw (Kevin James Dobson and George Miller 1980) -- Reckless Kelly (Yahoo Serious 1993) -- Ned Kelly (Gregor Jordan 2003) -- Ned (Abe Forsythe 2003) --
Notes: Includes bibliographic references and index; Replacement copy accessioned 8 December 2017
ISBN: 9781841506364
Contents: -- list of figures -- foreword -- acknowledgments -- the Kelly films -- backstory -- introduction -- chapter 1: 'Bandits on the margin of the margin': 1906-1951 -- chapter 2: the Hagiographic bandit: 1960-2003 -- chapter 3: new age Ned: social banditry and Romance -- chapter 4: outlawed: Stringybark and the Jerilderie letter -- chapter 5: the noble bandit: Irish sympathy and other sympathy -- chapter 6: 'Die like a Kelly, Son': Glenrowan and trial -- conclusion -- appendix: cast and crew -- works cited -- index --
ID2: 190
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=1334337' Checked: 31/08/2021 1:25:46 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 79 NED CLU
Author: Clune, Frank
Place: Sydney
Publisher: Pacific Books
PubDate: 1962
PhysDes: 196 p. ; 18 cm
Subject: NED KELLY (UK, Tony Richardson, 1970)
ISBN: 0207120781

Call No: 408.1 GAU
Author: Gaunson, Stephen
Source: AT
PubDate: 2010
PhysDes: 278p. ; 30cm
Subject: NED KELLY IN FILMS; POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; HISTORY AND THE CINEMA; HISTORY AND THE CINEMA. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951); NED KELLY (UK, Tony Richardson, 1970); NED KELLY (AT/UK, Gregor Jordan, 2003); RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993); NED (AT, Abe Forsythe, 2003)
Summary: "This PhD thesis investigates the fascinating subject of the Ned Kelly movies. Since the early days of Australian film production, movies on Kelly were appearing at regular intervals, and certainly, they are a significant addition to cinema studies and cultural history. Yet, beyond the movies, this thesis discusses Kelly's nineteenth century cultural industry, which played a significant role in commodifying Ned as an important figure of popular entertainment. Indeed, the performance customs and social practices established during Kelly's historic Outbreak of 1878-1880 were taken into the moving pictures in the twentieth century. Kelly's representation though has not been a fixed artefact, and by examining his twentieth and twenty-first century cinema representation, this thesis explores how the origins of his popular image have continued in popular culture. With this thesis adding to the growing field of research on celluloid bandits, it demonstrates the importance of understanding how the Kelly films shift beyond the normal parameters of cinema studies and delve into broader areas of cultural history. As it argues, the Kelly movies are significantly influenced by popular history as well as Kelly's tradition of visual imagery, folk songs and literature. " -- ABSTRACT
Notes: A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy. School of Media and Communication, RMIT University.
Contents: -- abstract -- glossary -- abbreviations -- movies evaluated in this study -- introduction -- the social bandit -- literature review -- overview of chapters -- chapter 1: The Kelly Outbreak -- April 1878 - October 1878 -- December 1878 - June 1880 -- July 1880 - November 1880 -- chapter 2: Ned Kelly becomes a social bandit -- the early movies: 1906 - 1951 -- the later movies: 1970 - 2003 -- chapter three: Irish representation -- landscape -- dancing and singing -- the Jerilderie letter part 1 -- chapter 4: Kelly sympathy -- friends, relatives and lovers -- Ned's new chums -- Aboriginals -- chapter 5: The Victoria police -- the Jerilderie letter part 2 -- Aboriginal 'black' trackers -- chapter 6: The noble robber -- dandy Ned -- James 'Sandy' Gloster -- bail up -- chapter 7: 'Die like a Kelly, Son' -- Aaron Sherritt -- protective armour -- death -- conclusion -- appendix: cast and crew -- movies cited -- literature cited --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NED WEATHERED (AT, Lee Whitmore, 1984)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 11 x 16 cm ; 2 sketches : b&w ; 17 x 22 cm
Subject: NED WEATHERED (AT, Lee Whitmore, 1984)
Notes: 2 duplicates

PhysDes: Article
Subject: SCRUBBERS (UK, Mai Zetterling, 1982); MOLLY (AT, Ned Lander, 1983)
Summary: Updates on various Greater Union films

PhysDes: Article
Subject: LEDGER, HEATH; NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: On-set interview with Heath Ledger on playing and filming Ned Kelly

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUTLAWED: THE REAL NED KELLY (AT, Mark Lewis, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARDON OR PUNISH: THE RE-TRIAL OF NED KELLY [TV] (AT, Prod.- Geraldine Willesee, 1989)

Call No: 771 THO
Author: Thoms, Albie, 1941
Place: Glebe, N.S.W.
Publisher: Wild & Woolley
PubDate: 1978
PhysDes: 427p. ; 21cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Index; Includes bibliographical references
ISBN: 0909331588 : $11.66 Aust; 0909331596 (Paperback) : $6.95 Aust
LON: 1473377

Call No: 771 THO
Author: Thoms, Albie
Place: Sydney
Publisher: Wild and Woolley
PubDate: 1978
PhysDes: 427 p. ; 21 cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Partial collection of previously published articles. Includes bibliographical references and index.
ISBN: 0909331596

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roll Film!
PhysDes: 14 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: SCHOFIELD, NELL; HACKETT, JAY; CAPELJA, JAD; PAUL, SANDY; HUGHES, TONY; RHOE, GEOFF; LANDER, NED; SHEARMAN, MICHAEL; OLSEN, JOANNE; BRETT, LEANDER; MEDANA, JULIE; PUBERTY BLUES (AT, Bruce Beresford, 1981)
Summary: Fourteen black and white photographs from the film 'Puberty blues'
Notes: Contains a couple of duplicates

Call No: 751.0 (94)"199"COY
Author: Coyle, Rebecca (ed)
Edition: 1st
Source: UK
Place: Eastleigh
Publisher: John Libby Publishing
PubDate: 2005
PhysDes: 257 p. : ill. ; 23 cm
Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA
Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]
ISBN: 0861966589
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
URL status: URL: 'http://-' Checked: 31/08/2021 1:13:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DISAPPEARANCE OF ELEANOR RIGBY, THE
Author: Stratton, David
PhysDes: Clippings File Article
Subject: DISAPPEARANCE OF ELEANOR RIGBY, THE (US, Ned Benson, 2014)
Notes: split
Rating: 3.5 out of 5 stars

Author: Eisenberg, Daniel
PhysDes: Article
Subject: NED KELLY (AT/UK, Gregor Jordan, 2003); ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, THE (US, Andrew Dominik, 2007)
Summary: The article explore the respective histories of Ned Kelly and Jesse James on film. It situates the two recent films: Ned Kelly (Jordan 2003) and The Assassination of Jesse James by the Coward Robert Ford (Dominik 2007) in relation to their predecessors
Notes: The frontier outlaws of Australia and America have a long and storied relationship with cinema. Two of the most recent cinematic adaptations of these legends, Ned Kelly and The Assassination of Jesse James by the Coward Robert Ford, act as excellent entry points into an exploration of this subject. By comparing the narrative structures of the two films in relation to the concept of `the Outlaw Legend' and by highlighting the two films' respective positionings of the spectator - as filtered by concepts of national identity - an insight into the interwoven elements of man, myth and movie becomes apparent (Abstract)

Call No: 81LUC POL
Author: Pollock, Dale
Source: UK
Place: London
Publisher: Elm Tree
PubDate: 1983
PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cm
Subject: AUTOMOBILES IN FILMS; DIRECTORS; LUCASFILM; PRODUCTION. USA; COPPOLA, FRANCIS FORD; LADD, ALAN, Jr.; TANEN, NED; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]
Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289
ISBN: 0241110343 : ª9.95
LON: abn84206746; 3369213

Author: Michael Adams
PhysDes: Article
Subject: LEDGER, HEATH; EDGERTON, JOEL; WATTS, NAOMI; NED KELLY (AT/UK, Gregor Jordan, 2003)
Summary: Feature article on Heath Ledger's new role as Ned Kelly in Gregor Jordan's Ned Kelly. Includes interviews with Joel Edgarton, Orlando Bloom and Naomi Watts

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STORY OF NED, THE (AT, Simon Weaving, 2007)

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAKING NED DEVINE (UK/FR, Kirk Jones, 1998)

Call No: TITLE CLIPPINGS FILE; LEGEND OF NED KELLY, THE (in prod)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: NED KELLY IN FILMS; LEGEND OF NED KELLY, THE (in prod)
Summary: A fundraising push is on to allow a new production THE LEGEND OF NED KELLY to begin

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Posters; Clippings
Subject: WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)

Call No: LP Wrong Side of the Road
Author: Us Mob; No Fixed Address
Place: Australia
Publisher: Black Australia Records; manufactured and distributed by EMI Records Australia Pty Ltd
PubDate: 1981
PhysDes: 3 card inserts 300 x 600 mm ; apparently cut from gatefold LP covers for a promotional display. One signed "Best wishes Deb, Ned Lander". No disc.
Subject: WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Notes: Recorded at Grapevine Studios, Adeleide.; Engineer: Jim Barber; Mixed at E.M.I. Studio 301; Engineer: Christo; Photographs from the movie 'Wrong Side of the Road': Carol Ruff; Cover design: Jan McKay, Jeff Stewart; Produced by Philip Roberts, Graeme Isaac.
Contents: -- Side 1 (No Fixed Address) -- We Have Survived -- Get a Grip -- The Vision -- Black Man's Rights -- Greenhouse Holiday -- The Vision (Version) -- Side 2 (Us Mob) -- Genocide -- Wrong Side of the Road -- Suicidal Contemplation -- Sunshine -- Tough Living -- Survive
Performer: Us Mob; Ronnie Ansell (Bass); Wally McArthur (Drums); Carroll Karpany (Guitar); Pedro Butler (Guitar/vocals); No Fixed Address; Les Graham (Lead guitar); Chris Jones (Guitar/vocals); Veronica Rankine (Saxophone/harmony vocals); John John Miller (Bass); Bart Willoughby (Drums/vocals/Percussion/Didgeridoo)
Music Type: Rock Music

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 8 photographs : b&w ; 12 X 15 cm.-20 X 25 cm.
Subject: WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Summary: A series of photographs/still images from the film.
Notes: 1 image donated by Brian McFarlane