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Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-)
Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable

Call No: TITLE CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; NETFLIX

Call No: TITLE CLIPPINGS FILE in production; GET DOWN, THE [TV] in production
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: NETFLIX; LUHRMANN, BAZ; GET DOWN, THE [TV] (US, 2016)
Summary: Report on the upcoming Baz Luhrmann project, THE GET DOWN, which will be broadcast on Netflix. There is some information about other Netflix productions to be released in 2016

Call No: 210.31(73) FRI
Author: Fritz, Ben
Source: US
Place: Boston
Publisher: Eamon Dolan Book/ Houghton Mifflin Harcourt
PubDate: 2018
PhysDes: xxv, 278 pages ; 24 cm.
Subject: SONY CORPORATION; MARVEL ENTERTAINMENT; AMAZON; NETFLIX; IMAX; WALT DISNEY PRODUCTIONS; BUENA VISTA INTERNATIONAL; WARNER BROS.; FRANCHISES; STAR WARS [...] (US, 1977-2015)
Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.
Notes: Includes bibliographical references (pages 247-263) and index.
ISBN: 9780544789760
Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?

Call No: SUBJECT CLIPPINGS FILE; SCREEN PRODUCERS AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NETFLIX; SCREEN PRODUCERS AUSTRALIA
Summary: Screen Producers Australia has called upon Netflix and other foreign owned streaming services to contribute to Australian television production

Call No: SUBJECT CLIPPINGS FIULE; NETFLIX
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: NETFLIX; PAY TV. AUSTRALIA; FUNDING. AUSTRALIA
Summary: Pilots for new Netflix series could be shot in Australia if the recommendations of a parliamentary inquiry into the sustainability of the film and television industry are adopted.

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: NETFLIX; PAY TV. AUSTRALIA; DIGITAL DISTRIBUTION; INDUSTRY, TV. AUSTRALIA
Summary: Opinon piece stating that Netflix's arrival in Australia is not as big a deal as has been made out, and that TV watching is still the main way people connect with media.
Notes: Term Subscription Video On Demand (SVOD) used

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: NETFLIX; DUBBING; VIDEO ON DEMAND
Summary: A profile piece on the streaming media company Netflix, and their plans for the future

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: An article about Netflix. Freudenstein points out that Netflix will have to spend heavily on programs, especially Australian made ones to get noticed amid othe local subscription video-on-demand providers.

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. USA
Author: Flint, Joe -- Ramachandran, Shalini
PhysDes: Clippings File Article
Subject: NETFLIX; INDUSTRY, TV. USA; PRODUCTION, TV
Summary: Report on the changes that streaming channel Netflix and others are making on the television production industry in Hollywood

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: Mason, Max
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; NETFLIX; COPRODUCTION. AUSTRALIA; GLITCH [TV](AT, 2015-)
Summary: Comments by Managing Director of the ABC, Michelle Guthrie, on the deal where the ABC and Netflix co produced the TV series GLITCH and why she feels co-production is needed to create high quality television drama

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: An article about the launch results of Netflix into Australia

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Flint, Joe; Fritz, Ben
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: An article about Netflix and other video on demand services and their viewership and ratings data.

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: NETFLIX
URL status: URL: 'http://file://Q:/S/NETFLIX.zip' Checked: 31/08/2021 1:30:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Lallo, Michael
PhysDes: Clippings File Article
Subject: NETFLIX; VIDEO ON DEMAND; PRODUCTION, TV. AUSTRALIA
Summary: Report on the streaming video on demand services wishes for more suitable Australian content, with the success of shows like MISS FISHER'S MURDER MYSTERIES, WENTWORTH, and WOLF CREEK

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Chow, Ky
PhysDes: Clippings File Article
Subject: NETFLIX; DIGITAL DISTRIBUTION
Summary: Netflix talks about the Australian digital television market and how they are poised to enter that market

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Max Mason
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: US streaming giant Netflix wants tax offsets and funding rules for Australian produced programming to be broadened to allow it to access the incentives. In its submission to the Turnbull government's Australian and Children's Screen Content Review, the Californiabased company said support for content production would help make Australia an attractive destination for producing film and television.

Call No: SUBJECT CLIPPINGS FILE INTERNET AND TV. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Call No: 386.5-5 LOB
Author: Lobato, Ramon
Edition: 2019
Place: New York
Publisher: New York University Press
PhysDes: xii, 236 pages : illustrated ; 21 cm
Series: Critical Cultural Communication
Subject: NETFLIX; VIDEO ON DEMAND; DIGITAL DISTRIBUTION
Summary: Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging—including Netflix, the world’s largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape – the clash between the internet’s capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users (“this video is not available in your region”); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix’s ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment. -- publisher's web site
ISBN: 9781479804948

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: NETFLIX; PAY TV. AUSTRALIA; BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA
Summary: The CEO of Netflix, Reed Hastings, discusses the companies arrival onto the burgeoning Australian Subscriber Video on Demand (SVOD) market. Free to air broadcasters and other SVOD providers have warned Netflix that their arrival does not mean that they will take over the market.

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: An article about the launch and susbscription campaign of Netflix in Australia

Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: NETFLIX; STAN; PRODUCTION, TV. AUSTRALIA; VIDEO ON DEMAND; STATE AND TV. AUSTRALIA
Summary: Report on the chatter that streaming subscription services in Australia may need to produce more Australian productions to be allowed to continue to broadcast in Austalia

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: NETFLIX

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Gotterfried, Miriam
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: Forecasting and reviewing the ongoing growth of Netflix

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Stephen Brook
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: Netflix is making 'significant' investments in Australian content and funding rules should be freed up to assist it, the global streaming channel has told a government inquiry into local content. It is believed to be the first time the channel, with more than 100 million subscribers, has made a public submission to a policy review in Australia.

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Hennessy, Annabel
PhysDes: Clippings
Subject: NETFLIX; CATALOGUING AND CLASSIFICATION OF FILMS; CHILDREN AND TV. AUSTRALIA; STATE AND TV. AUSTRALIA; [THIRTEEN] 13 REASONS WHY [TV] (US, 2017)
Summary: A government audit of Netflix classifications will be conducted due to concerns as Netflix has been allowed to choose its own ratings

Call No: SUBJECT CLIPPINGS FILE AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Call No: SUBJECT CLIPPINGS FILE NATIONAL CONTENT. AUSTRALIA.
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: White, Dominic -- McIntyre, Paul
PhysDes: Clippings File Article
Subject: NETFLIX; FOXTEL; TELEVISION. AUSTRALIA; VIDEO ON DEMAND; AUDIENCE RESEARCH. AUSTRALIA
Summary: Lenghty discussion about the impact of Netflix and other video on demand services in Australia and what the future holds for the various

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
Author: Eltham, Ben
PhysDes: Clippings File_Article
Subject: NETFLIX; MOBILE AND ONLINE MEDIA; VIDEO ON DEMAND; QUOTA. AUSTRALIA
Summary: Examining the Australian content of material on Netflix and other Australian streaming providers and whether there should be some quotas put on these streaming services as there are on Australian TV broadcasters

Call No: SUBJECT CLIPPINGS FILE; STAN
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; STAN; NETFLIX
Summary: Interview with Stan chief executive Mike Sneesby who discusses the companies strategy to promote Australian productions with its video on demand service

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; STAN; VIDEO ON DEMAND
Summary: Report on the various SVOD (Streaming Video on Demand) services in Australia that are producing exclusive content. Discusses two of the services, Stan, and Netflix in some detail

Call No: VIDEO ON DEMAND
PhysDes: Clippings File Article
Subject: VIDEO ON DEMAND; STAN; NETFLIX
Summary: Stan is the first SVOD to commission exclusive content for it s service. Other subscription video-on-demand have been acquiring and licensing local content.

Call No: SUBJECT CLIPPINGS FILE; NETFLIX
PhysDes: Clippings File Article
Subject: NETFLIX
Summary: Report on various types of Video on Demand services in Australia. Stan is the first SVOD to commission exclusive content for it s service. Other subscription video-on-demand have been acquiring and licensing local content.

Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMAND
Author: Francis, Hannah
PhysDes: Clippings File Article
Subject: STREAMING USE: VIDEO ON DEMAND; VIDEO ON DEMAND; NETFLIX; STAN; QUICKFLIX; PRESTO
Summary: Looking at the explosion of internet film and tv distribution services in Australia, and the impact it has had on the internet industry

Call No: SUBJECT CLIPPINGS FILE; FOXTEL
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FOXTEL
Summary: Report of the launch of new Foxtel channel ARTS, where Foxtel CEO Richard Freudenstein has attacked Netflix. Quotes from Graeme Blundell and Marta Dusseldorp.

Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Max Mason
PhysDes: Clippings File Article
Subject: NATIONAL CONTENT. AUSTRALIA; VIDEO ON DEMAND; NETFLIX; AMAZON; TAXES. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: Subscription video on-demand services such as Netflix, Stan and Amazon should have access to government production incentives, but they need to have local content obligations, Screen Producers Australia argues. m In its submission to the Turnbull government's Australian and Children's Screen Content Review, SPA argues, among 12 recommendations it is making, that government incentives should be platform agnostic, so that streaming services can have access to incentives, such as tax offsets.