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Aboriginal and Torres Strait Islander broadcasting : discussion paper / a discussion paper prepared jointly by the Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications, 1991.
Call No: 210.6-054(=995.1)(94) ABOSource: ATPublisher: Aboriginal and Torres Strait Islander Commission and the Department of Transport and CommunicationsPubDate: 1991PhysDes: 66 pages ; 30 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV Summary: Report on the situation of Aboriginal and Torres Strait Islander broadcasting in Australia and how changes in communications technology and funding may impact thisContents: Introduction -- Summary -- Aboriginal and Torres Strait Islander Broadcasting - What is it? -- The case for Aboriginal and Torres Strait Islander Broadcasting -- Historical Review -- Aboriginal and Torres Strait Islander Regional Media Associations -- Broadcasting for remote Aboriginal communities scheme (BRACS) -- Aboriginal and Torres Strait Islander Broadcasting on public radio stations -- Aboriginal and Torres Strait Islander use of national broadcasters -- Aboriginal and Torres Strait Islander involvement in commercial broadcasting -- training needs -- opportunities for Aboriginal and Torres Strait Islander involvement in emerging new services -- where next? -- attachments
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Aboriginal film and video guide / Awareness Through Films Group Canberra: Awareness Through Films Group, c1988.
Call No: 71(94) (=1-81) ABOSource: ATPlace: CanberraPublisher: Awareness Through Films GroupPubDate: c1988PhysDes: 56 pages : illustrations, maps, portraits ; 29 cmSubject: ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS ON TV ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ABORIGINAL AUSTRALIAN CINEMA Summary: Listing of films and documentaries about Aboriginals. The listings include for each production: key crew, running time, format, year of creation, distribution, and synopsis and commentaryNotes: Includes index -- "Distributed by Community Aid Abroad Offices and Awareness Through Films Group" -- inside front cover.ISBN: 0958779139
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subject clippings file
AUSTRALIAN ABORIGINES AND TV
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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journal article
Australians in a vacuum: the socio-political 'stuff' n Rachel Perkins' Radiance in Studies in Australasian cinema (2008) vol.2 iss.1 p.61-71
Author: Miller, Benjamin PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; RADIANCE (AT, Rachel Perkins, 1998) Summary: Rachel Perkins' film adaptation of Radiance was released in 1998. With very few exceptions, reviews and criticisms of the film have been polarized. These reviews and criticisms show that Aboriginality is often classified in one of two ways: as either de-politicized and thereby not Aboriginal (assimilationist), or politicized and thereby not 'normal' (segregationist). This paper addresses various criticisms of Radiance that categorize Aboriginality in either of these ways before providing a close reading of the 'socio-political stuff' in the film. What will be seen is how Perkins' work can be seen to deny either category through her representation of various, multiple Aboriginal identities.--Abstract
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Becoming Australian : a report on progress toward further representation of Australia's cultural diversity on ABC television / [Australian Broadcasting Corporation] [Australian Broadcasting Corporation], June 1992.
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The black list : film and tv projects since 1970 with Indigenous Australians in key creative roles Sydney: Screen Australia, 2010.
Call No: 71(94)(=1-81) BLACopy Management: Copy 1; Copy 2CorpAuthor: Screen AustraliaSource: ATPlace: SydneyPublisher: Screen AustraliaPubDate: 2010PhysDes: 267 p. : ill. (chiefly col.), ports. (chiefly col.) ; 15 x 21 cmSubject: AUSTRALIA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; INDIGENOUS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF TV ; HISTORY OF TV. AUSTRALIA Summary: "Produced by Screen Australia's Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer, or director of photography on a total of 674 screen productions. It provides descriptive listings of drama and documentary titles where Indigenous Australians have been credited in the key creative roles. Listings go back as far as 1970 for feature films and telemovies, to 1980 for documentaries and mini-series, and to 1988 for shorts and series. Titles are indexed by year and by filmmaker, and the book also features a statistical summary and timeline of key titles and events."--Screen Australia web site.Notes: "June 2010"--Cover verso; Includes indices; Also available in an electronic version via the Internet. Address as at 19/12/11: http://www.screenaustralia.gov.au/news_and_events/Media-Release-documents/2010/mr_100923_BlackList.pdfISBN: 9781920998110Contents: -- introduction -- chronology of Indigenous film & tv -- key statistics -- titles by year -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- title listings -- features -- tv drama -- documentaries: long -- documentaries: short -- short drama -- indexes -- by key creatives -- by titles (A-Z) --
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journal article
Blacks and the Blue Screen in Lumiere (November, 1973) iss.29 p.7
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Interim
book
Broadcasting : draft report Melbourne: Productivity Commission, 1999.
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book
Creating Australian television drama / Susan Lever North Melbourne, Victoria: Australian Scholarly Publishing, 2020.
Call No: 224(94) LEVAuthor: Lever, Susan Edition: 2020Place: North Melbourne, VictoriaPublisher: Australian Scholarly PublishingPubDate: 2020PhysDes: viii,282 pages ; 24cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ADAPTATIONS ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN FILM COMMISSION ; BELLBIRD [TV] (AT, 1967-1977) ; BRITISH BROADCASTING CORPORATION ; COX, DEB ; CRAWFORD PRODUCTIONS ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY DRAMAS ; GREEN, CLIFFORD ; HOMICIDE [TV] (AT, 1964-1975) ; HOPGOOD, ALAN ; KELLY, MARGARET ; MELODRAMA. AUSTRALIA ; MORPHETT, TONY ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; NINE NETWORK ; POWER WITHOUT GLORY [TV] (AT, 1976) ; SEVEN NETWORK ; SPECIAL BROADCASTING SERVICE ; YELDHAM, PETER Summary: Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. -- publisher's web siteISBN: 9781925984880
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Developing dialogues / Susun Forde, Kerrie Foxwell & Michael Meadows Bristol, UK: Intellect, 2009.
Call No: 201.1-4(94)(=1-81) FORAuthor: Forde, Susan ; Foxwell, Kerrie ; Meadows, Michael Place: Bristol, UKPublisher: IntellectPubDate: 2009PhysDes: 186 p. ; 23 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; RADIO BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The audience-producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study globally to chart the rise of its new relationship. Based on studies of radio and television audiences in Australia, the authors argue that community radio and television worldwide represents an essential service for indigenous and ethnic audiences. "Developing Dialogues" offers international researchers a new social, cultural and historical perspective on the emergence of the unique Australian community broadcasting sector within the context of other global trends. It will appeal to scholars of media and cultural studies, as well as to industry practitioners and policy makersNotes: includes bibliographical references and indexISBN: 9781841502755
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DVD
book
Dreaming in motion : celebrating Australia's indigenous filmmakers / Australian Film Commission Sydney, NSW: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; 023(94)-54 (=1-81) AUSCorpAuthor: Australian Film CommissionSource: ATPlace: Sydney, NSWPublisher: Australian Film CommissionPubDate: 2007PhysDes: 72 p. : ill. (chiefly col.) ; 24 x 24 cm + 1 DVD (12 cm.)Subject: ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV Summary: "Dreaming in motion celebrates the achievements over more than a decade of Australia's Indigenous filmmakers and the role played in their collective success by the Indigenous Branch of the Australian Film Commission. Filmmaker entries include personal statements, biographies, filmographies, lists of festival screenings and awards, and accounts of acclaimed films."--From section of folded front cover.Notes: Includes index.; Region 4 DVD.; "Produced by RealTime for the Industry and Cultural Development Division and the Indigenous Branch of the Australian Film Commission."--Verso of title-page.; DVD in plastic envelope in section of folded front cover. It is divided into 2 sections: Filmmakers, and, Films.; Includes bibliographical references and index.; Also available in electronic format via the Internet. Address as at 22/06/2007: http://www.afc.gov.au/profile/pubs/indig.aspx.ISBN: 19020998039
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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First Australians / edited by Rachel Perkins and Marcia Langton Carlton, Vic.: The Miegunyah Press, 2010.
Call No: 79FIR FIRAuthor: Atkinson, Wayne ; Boyce, James ; Kimber, RG ; Kinnane, Steve ; Langton, Marcia (ed.) ; Loos, Noel ; Pascoe, Bruce ; Perkins, Rachel (ed.) Source: ATPlace: Carlton, Vic.Publisher: The Miegunyah PressPubDate: 2010PhysDes: xxvi, 286p. : 24cmSubject: INDIGENOUS ; ABORIGINAL AUSTRALIANS AND TV ; FIRST AUSTRALIANS, THE [TV] (AT, Beck Cole, Rachel Perkins, 2008) Summary: "This book is the dramatic story of the collision of two worlds that created contemporary Australia. Told from the perspective of Australia's first people, it vividly brings to life the events that unfolded when the oldest living culture in the world was overrun by the world's greatest empire. Seven of Australia's leading historians reveal the true stories of individuals-both black and white- caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. Their story begins in 1788 in Warrane, now known as Sydney, with the firendship between an Englishman, Governor Phillip, and the kidnapped warrior Bennelong. It ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. " -- BOOK BLURBNotes: "Based on the bestselling, award-winning SBS series"--Cover; Includes bibliographic references (p. 251-278) and indexISBN: 9780522857269 (pbk.)Contents: -- contents -- prologue: Marcia Langton -- Ngura Barbagai: country lost -- Towlangany: to tell lies -- Wurrbunj Narrap: lament for country -- Altyere: dreaming -- Marda-Marda: two bloods -- Ngariarty: speaking strong -- Kara Ged: homeland -- epilogue -- notes -- acknowledgments -- index --
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newspaper article
First watch : worlds apart: journey into a dystopian future that melds indigenous storytelling with the blockbuster narrative of a superhero adventure in Weekend Australian [Review] (28/05/2016) p.27
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book
For a cultural future : Francis Jupurrurla makes TV at Yuendumu / Eric Michaels Artspace, 1987.
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book
From the dark side : survey of the portrayal of Aborigines and Torres Strait Islanders on commercial television / by Lester Bostock North Sydney: Australian Broadcasting Authority, c1993.
Call No: 410.1=1-81 BOSAuthor: Bostock, Lester CorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: North SydneyPublisher: Australian Broadcasting AuthorityPubDate: c1993PhysDes: 38 p ; 30 cmSeries: Monograph (Australian Broadcasting Authority) ; 3 supplementSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; TELEVISION. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY Summary: Research arising from the Australian Broadcasting Tribunal study reported in 'The people we see on TV - cultural diversity on television'. This study was commissioned to investigate attitudes of Aborigines and Torres Strait Islanders to their portrayal on national television.Notes: Supplement to monograph 3; At head of title: Kuri Productions Pty. Ltd.ISBN: 0642191905
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The greater perspective : guidelines for the production of television and film about Aboriginal and Torres Strait Islanders / researched and compiled by Lester Bostock [Sydney]: Special Broadcasting Service, 1990.
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australian aboriginal cinema
Indigenous dingo yarn gripping in The Age (20/10/2016) p.26
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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national indigenous television
NITV goes for gold in Games coverage in The Australian (17/7/2017) p.26
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newspaper article
Pearson's big questions on covering indigenous issues in The Australian (23/11/2016) p.13
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Reverse shots : indigenous film and media in an international context / edited by Wendy Gay Pearson and Susan Knabe Waterloo, Ontario, Canada: Wilfred Laurier University Press, c2015.
Call No: 451-054 (=1-81)(71):(93):(94) REVAuthor: Pearson, Wendy Gay (ed.) ; Knabe, Susan (ed.) Source: CNPlace: Waterloo, Ontario, CanadaPublisher: Wilfred Laurier University PressPubDate: c2015PhysDes: xi, 372 pages : illustrations ; 23 cmSeries: Film and media studies series; Film + media studiesSubject: CRITICISM ; MEDIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; INDIGENOUS ; AUSTRALIA ; NEW ZEALAND ; NEW ZEALAND
MAORI CINEMA ; NORWAY ; CANADA ; DIGITAL TECHNOLOGY ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS ON TV ; ETHNIC GROUPS IN FILMS Summary: "From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity.
The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway. "
--BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781554583355Contents: -- pt. I dream makers -- Introduction Globalizing Indigenous Film and Media / Susan Knabe -- One: He Who Dreams: Reflections on an Indigenous Life in Film / Michael Greyeyes -- pt. II decolonizing histories -- Two: Speakin' Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices / Ernie Blackmore -- Three:Taking Pictures B(l)ack: The Work of Tracey Moffatt / Susan Knabe -- Four.The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema / Kerstin Knopf -- Five: Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair's The Djarn Djarns and Black Talk / Colleen McGloin -- Six."Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes / Wendy Gay Pearson -- pt. III mediating practices -- Seven: Ka Whawhai Tonu Matou: Indigenous Television in Aotearoa/New Zealand / jo smith and Sue Abel -- Eight: Superhighway across the Sky ... Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser / Jenny Fraser and Adam Szymanski -- Nine: On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South / Erin Morton and Taryn Sirove -- pt. IV documentary approaches -- Ten: The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary / Stephen Foster and Mike Evans -- Eleven: "Whacking the Indigenous Funny Bone": Native Humour and Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, and Puppy Stew / Ute Lischke -- Twelve: Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro / Maeghan Pirie -- Thirteen:"I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History / Gail Vanstone -- pt. V other perspectives --Fourteen: Filming Indigeneity as Flanerie: Dialectic and Subtext in Terrance Odette's Heater / Tanis MacDonald -- Fifteen: Playing with Land Issues: Subversive Hybridity in The Price of Milk / Davinia Thornley -- glossary -- bibliography -- index --
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Shimmering screens : making media in an aboriginal community / Jennifer Deger Minneapolis: University of Minnesota Press, 2006.
Call No: 49[572] (94) DEGAuthor: Deger, Jennifer Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2006PhysDes: xxxv, 267 p. ; 26 cmSeries: Visible EvidenceSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ANTHROPOLOGY AND TV Summary: Volume 19 in the Visible Evidence series of books.; Taking an ethnographer's viewpoint the book explores the impact of media within the Yolungu Aboriginal community in Gapuwiyak and also the process of this community producing a documentary.ISBN: 0816649227
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