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Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Zion, Lawrie
Subject: AUSTRALIA 2000s; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; CONNOLLY, ROBERT; LANTANA (AT, Ray Lawrence, 2001); LOOK BOTH WAYS (AT, Sarah Watt, 2005); BANK, THE (AT/IT, Robert Connolly, 2001)
Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.

Author: Cameron, Allan
PhysDes: Article
Subject: GENRES; FILM NOIR; LANTANA (AT, Ray Lawrence, 2001); SQUARE, THE (AT, Nash Edgerton, 2008); NOISE (AT, Matthew Saville, 2007)
Summary: Article focusing on the influence of noir across a broad variety of Australian films and settings, from The square (Nash Edgerton, 2008) to works that don't easily fit the established definitions of noir such as Pure shit (Bert Deling, 1975)

Author: Oscar Hillerstrom
PhysDes: Article
Subject: LANTANA (AT, Ray Lawrence, 2001)
Summary: Review of Lantana

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Transparency
Subject: LANTANA (AT, Ray Lawrence, 2001)

Call No: 79LAN BOV
Author: Bovell, Andrew
Source: AT
Place: Sydney
Publisher: Currency Press
PubDate: 2001
PhysDes: 97 p. : ill., ports. ; 21 cm
Subject: LANTANA (AT, Ray Lawrence, 2001); BOVELL, ANDREW
ISBN: 0868196592

Call No: 79LAN SIM
Author: Simmons, Gary
Source: AT
Place: Melbourne
Publisher: Australian Centre for the Moving Image
PubDate: 2005
PhysDes: x, 75 p. : ill. ; 22 cm
Series: ACMI study guides
Subject: LANTANA (AT, Ray Lawrence, 2001)
Summary: Lantana is now studied by Year 12 English students. While the film deals with adult lives in crisis that may seem removed from the experience of high school students, Lantana blends family melodrama with a murder mystery. This text invites speculation as to whodunnit and explores the film's moral complexities.
ISBN: 1920805133

Author: Rebecca Wallwork
PhysDes: Article
Subject: LANTANA (AT, Ray Lawrence, 2001)
Summary: D.V.D. review

Call No: TITLE CLIPPINGS FILE; LANTANA (AT, Ray Lawrence, 2001)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: LANTANA (AT, Ray Lawrence, 2001)
Summary: Short review of the film LANTANA

Author: Turk, Rachael; Bovell, Andrew
PhysDes: Article
Subject: SCRIPTWRITING; BOVELL, ANDREW; LANTANA (AT, Ray Lawrence, 2001); EDGE OF DARKNESS (UK/US, Martin Campbell, 2010)
Summary: Inteview with Andrew Bovell, script writer notable for his work on Strictly ballroom, Lantana, Edge of darkness, Blessed, and his collaborations with Ana Kokkinos.