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45 results out of 45

journal article		The 3-D world of Vlahos in Lumiere (May, 1973) iss.23 p.24-27 Author: Shirley, Graham PhysDes: Article Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. USA Summary: Interview with Petro Vlahos, 3-D specialist at the Motion Picture and Television Research Centre. More info
book		Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997. Call No: 236ALI SHA Author: Norton, Bill; Shay, Don Edition: First edition Source: UK Place: London Publisher: Titan Books PubDate: 1997 PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso ISBN: 1852866950 Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton --- More info
book		Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994. Call No: 20(94) TAY Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics Source: AT Place: Canberra Publisher: Bureau of Industry Economics PubDate: 1994 PhysDes: 27 p. ; 30 cm Series: Occasional paper (Bureau of Industry Economics) ; 20 Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector More info
journal article		Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24 PhysDes: Article Subject: ATLAB; SOUND EDITING; SOUND EFFECTS; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA Summary: Article on the technological updates at Atlab Australia, particularly in their sound department. More info
book		Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014. Call No: 409(-017.2) ATK Author: Atkinson, Sarah Source: US Place: New York Publisher: Bloomsbury Academic PubDate: 2014 PhysDes: xiv, 293 pages ; 24 cm. Subject: AUDIENCES; DIGITAL MEDIA AND THE CINEMA; MOBILE AND ONLINE MEDIA; MOBILE CINEMAS; POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back cover Notes: Includes bibliographical references, filmography and index. ISBN: 9781501308659 Donation: donated by Senses of Cinema, 2016 Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue. More info
book		Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988. Call No: 409(73) RYA Copy Management: Copy 1; Copy 2 Author: Ryan, Michael, 1951; Kellner, Douglas, 1943 Place: Bloomington, Ind. Publisher: Indiana University Press PubDate: 1988 PhysDes: xiii, 328 p. : ill. ; 25 cm Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324 ISBN: 0253313341 LON: 5193671 More info
newspaper article		Cheap shots in Saturday Age [Spectrum] (15/04/2017) p.15 Call No: SUBJECT CLIPPINGS FILE; BLACKMAGIC DESIGN Author: Edgar, Ray PhysDes: Clippings File Article Subject: CAMERAS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; BLACKMAGIC DESIGN Summary: Looking at Australian company Blackmagic Design's high quality low cost cameras and the impact they've had on film and tv production Notes: A More info
Interim book		The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956. Call No: 70 SPE Author: Spencer, D.A.; Waley, H.D. Edition: 2nd edition Source: UK Place: London Publisher: Oxford University Press PubDate: 1956 PhysDes: x, 202p. ; illus ; 22cm. Series: The Pageant of progress series (no.9) Subject: TECHNOLOGY AND THE CINEMA; PRODUCTION; SOCIETY AND THE CINEMA; CINEMATOGRAPHY; HISTORY AND THE CINEMA Notes: Includes bibliography and index. More info
book		The Cinematic apparatus / edited by Teresa de Lauretis and Stephen Heath London: Macmillan, 1980. Call No: 63(04) CIN Author: De Lauretis, Teresa; Heath, Stephen Place: London Publisher: Macmillan PubDate: 1980 PhysDes: x, 213 p., 8 p. of plates : ill. ; 23 cm Subject: TECHNOLOGY AND THE CINEMA; SOUND; COLOUR; ANIMATION Notes: Cinema films. Cinematography,. to 1978 - Conference proceedings (BNB/PRECIS); Conference papers; Includes index ISBN: 033340470X (pbk); 0333236475 LON: 1861271 More info
book		Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998. Call No: 71(73) CON Author: Neale, Stephen; Smith, Murray, 1962 Place: London New York Publisher: Routledge PubDate: 1998 PhysDes: xxii, 338 p. : ill. ; 24 cm Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and index ISBN: 0415170095; 0415170109 (pbk.) LON: 98005952; 13736490 More info
journal article		Copyright, technology and transaction costs in Lumina (Summer 2010) iss.2 p.216-267 Author: Molloy, Simon PhysDes: Article Subject: TECHNOLOGY AND THE CINEMA; COPYRIGHT; INTERNET AND THE CINEMA Summary: This article considers development of a copyright register to facilitate acquisition of rights. More info
book		Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990]. Call No: 401"313" CUL Author: Hayward, Philip Place: London Publisher: J. Libbey PubDate: 1990] PhysDes: viii, 248 p. : ill. ; 25 cm Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988) Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index ISBN: 0861962664 LON: 7559951 More info
book		Electronic eros : bodies and desire in the postindustrial age / by Claudia Springer Austin, TX: University of Texas Press, c1996. Call No: 735.1 SPR Author: Springer, Claudia Source: US Place: Austin, TX Publisher: University of Texas Press PubDate: c1996 PhysDes: x, 182 pages : illustrations ; 23 cm Subject: AUTOMOBILES IN FILMS; BODY IN FILMS; COMIC STRIPS AND THE CINEMA; COMPUTERS AND THE CINEMA; COMPUTERS IN FILMS; COMPUTERS AND TV; FEMINISM AND THE CINEMA; FEMINISM AND TV; GENDER AND THE CINEMA; GENDER AND TELEVISION; POSTMODERNISM AND THE CINEMA; ROBOTS IN FILMS; ROBOTS ON TV; SCIENCE AND THE CINEMA; SCIENCE-FICTION FILMS; SEXUALITY AND THE CINEMA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND TV; TECHNOLOGY IN FILMS; TECHNOLOGY ON TV; VIRTUAL REALITY; BLADE RUNNER (US, Ridley Scott, 1982); EVE OF DESTRUCTION (US, Duncan Gibbins, 1991); LAWNMOWER MAN, THE (US, Brett Leonard, 1992); ROBOCOP (US, Paul Verhoeven, 1987); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984) Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURB Notes: Includes index ISBN: 0292776977 Donation: M.S. Counihan More info
newspaper article		Film app brings cinema to the blind in The Australian (13/04/2017) p.15 Call No: SUBJECT CLIPPINGS FILE; DISABLED AND THE CINEMA Author: Swan, David PhysDes: Clippings File Article Subject: PEOPLE WITH DISABILITIES AND THE CINEMA; DEMAND.FILM; TECHNOLOGY AND THE CINEMA Summary: Interview with Demand.Film chief David Doepel about his company's innovation called MovieReading, which allows sight imparied people to have a film's audio and a description of events to be played through a mobile phone app Notes: A More info
Interim book		The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002. Call No: 408 TUR Author: Graeme Turner (ed.) Place: London; New York Publisher: Routledge PubDate: 2002 PhysDes: 524 p. ; 24 cm Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption. ISBN: 0415252822 More info
book		Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993. Call No: 220"313" FUT Author: Hayward, Philip; Wollen, Tana, 1957 CorpAuthor: Arts Council of Great Britain Place: London Publisher: BFI Pub. Arts Council of Great Britain PubDate: 1993 PhysDes: xi, 212 p. : ill. (some col.) ; 22 cm Subject: TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; IMAX; SPECIAL EFFECTS; COMPUTER GRAPHICS; HIGH DEFINITION TV; MULTIMEDIA; VIRTUAL REALITY; VIDEO GAMES; COMPUTERS AND THE CINEMA; CINEMASCOPE; DIGITAL TECHNOLOGY Notes: Includes bibliographical references and index ISBN: 085170400X (pbk.); 0851703844 LON: 10057800 More info
book		The geopolitical aesthetic : cinema and space in the world system / Fredric Jameson Bloomington London: Indiana University Press BFI Pub., 1992. Call No: 62 JAM Author: Jameson, Fredric Place: Bloomington London Publisher: Indiana University Press BFI Pub. PubDate: 1992 PhysDes: xvi, 220 p. : ill. ; 23 cm Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983) Notes: Includes bibliographical references and index ISBN: 0253330939 (U.S.); 0851703119 (England) LON: 8458641 More info
book		Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997. Call No: 761 GIL Author: Gillezeau, Marcus Place: Sydney Publisher: Australian Film Commission PubDate: 1997 PhysDes: 25 p. ; 30cm Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT LON: abn98003903; 13617349 More info
Interim book		Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004. Call No: 222(94) GIL Author: Marcus Gillezeau Place: Sydney Publisher: Currency Press PubDate: 2004 PhysDes: 340 p ; 21 cm Subject: PRODUCTION; PRODUCTION COSTS; PRODUCTION TECHNOLOGY; PRODUCTION, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; FINANCING. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; PRE-PRODUCTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover]. ISBN: 0868196827 More info
book		Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994. Call No: 451-01(73) JEF Author: Jeffords, Susan, 1953 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 1994 PhysDes: 212 p. : ill. ; 23 cm Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and index ISBN: 0813520029; 0813520037 (pbk.) LON: 9874831 More info
book		Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994. Call No: 201(73) WAS Author: Wasko, Janet Place: Cambridge, U.K. Publisher: Polity Press PubDate: 1994 PhysDes: x, 308 p. ill. ; 23cm Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER Notes: Includes index; Bibliography: p. [255]-301 ISBN: 0745603181; 074560319X (pbk.) LON: 11620231 More info
journal article		How I Learned to Stop Worrying : (And Love Colin Bennett!) Part 2 in Montage (September 1970) p.9-13 Author: Smith, Edward PhysDes: Article; Stills Review Subject: KUBRICK, STANLEY; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); TECHNOLOGY AND THE CINEMA Summary: Essay analyses Kubrick's "2001: A Space Odyssey" according to the director's themes of discovery and man's relationship with technology. More info
book		Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996. Call No: 409(04) IMM Author: Moser, Mary Anne MacLeod, Douglas Source: US Place: Cambridge, Mass. Publisher: MIT Press PubDate: c1996 PhysDes: xxv, 339p. : ill. ; 24cm Subject: VIRTUAL REALITY; TECHNOLOGY AND THE CINEMA; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture. Notes: Includes bibliographical references and index ISBN: 0262133148 Language: English Contents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie. Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun. More info
book		In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992. Call No: 24 MUR Author: Murch, Walter CorpAuthor: Australian Film, Television and Radio School Source: AT Place: Sydney Publisher: Australian Film, Television & Radio School PubDate: c1992 PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb] Notes: Includes bibliographical references and index ISBN: 0642180377 : price unknown LON: 9030756 9030756 More info
book		Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000. Call No: 220"313"(94) INN CorpAuthor: Prime Minister's Science, Engineering and Innovation Council (Australia) Source: AT Place: Canberra Publisher: Dept. of Industry, Science and Resources PubDate: 2000 PhysDes: viii, 54 p. : ill. ; 25 cm Subject: INDUSTRY, FILM. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; GOVERNMENT AID. AUSTRALIA Notes: ISR 2000/112; "A paper prepared by an independent working group for consideration by the Prime Minister's Science, Engineering and Innovation Council at its fifth meeting, 2 June 2000" ISBN: 0642720711 LON: 21659459 More info
Interim book		Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005. Call No: 771(94) INT Author: Tofts, Darren Source: AT Place: Fishermens Bend, Vic. Publisher: Craftsman House PubDate: 2005 PhysDes: 145 p. ; 24 cm Series: New Art Subject: VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; AESTHETICS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover]. ISBN: 097573038X More info
book		Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993. Call No: 604DRU Author: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts : Publisher: MIT Press PubDate: 1993 PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cm Subject: VIDEO ART; EXPERIMENTAL FILMS; AESTHETICS; TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket]. Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196 ISBN: 026204143X More info
newspaper article		La La Land snaps up tech's newest starlets in The Australian [IT Today] (14/03/2017) p.29 Call No: SUBJECT CLIPPINGS FILE; SOCIAL MEDIA AND THE CINEMA Author: Swan, David PhysDes: Clippings File Article Subject: TECHNOLOGY AND THE CINEMA. USA; SOCIAL MEDIA AND THE CINEMA; SNAP [company] Summary: Looking at Los Angeles as a new key location for high level social media and tech companies with reference to the cities strong links to media (Hollywood film and tv) More info
book		The language of interactivity : [conference abstracts of] the Australian Film Commission's Multimedia Conference, 11-13 April 1996 [Sydney?]: Australian Film Commission, 1996. Call No: 775(94) AUS CorpAuthor: Australian Film Commission. Multimedia Conference, (1996 : Sydney); Australian Film Commission Source: AT Place: [Sydney?] Publisher: Australian Film Commission PubDate: 1996 PhysDes: 48 p. ; 30 cm Subject: CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA; INTERNET AND THE CINEMA; MULTIMEDIA; COMPUTER GAMES; COMPUTERS AND THE CINEMA; TECHNOLOGY AND THE CINEMA LON: 12753158 More info
book		Living screens : melodrama and plasticity in contemporary film and television / Monique Rooney London -- Lanham, Maryland: Rowman & Littlefield International Ltd, 2015. Call No: 733 ROO Author: Rooney, Monique Source: UK Place: London -- Lanham, Maryland Publisher: Rowman & Littlefield International Ltd PubDate: 2015 PhysDes: x, 197 pages : illustrations ; 23 cm Series: Disruptions Subject: MELODRAMA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND TV; WEINER, MATTHEW; HAYNES, TODD; VON TRIER, LARS; MAD MEN [TV] (US, 2007); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); MILDRED PIERCE [TV](US, 2011) Summary: Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner s Mad Men, Lars von Trier s Melancholia and Todd Haynes s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a plastic form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation Notes: Includes bibliographical references (pages 171-188), filmography (pages 188-189), and index ISBN: 9781783480470 Contents: Introduction -- Mad Men: melodrama and metamorphosis -- Turned back: advertising, televisual melodrama and metamorphosis in Mad Men -- Earth-object: melodrama and plasticity in Lars Von Trier's Melancholia -- Melodrama and plasticity in Todd Haynes's Mildred Pierce -- Postlude: Animated statue, melody, encore (moi!) More info
Interim book		The New media book / Edited by Dan Harries London: bfi Publishing, 2002. Call No: 775 NEW Author: Harries, Dan Source: UK Place: London Publisher: bfi Publishing PubDate: 2002 PhysDes: x, 240p. : illust. (b&w , colour) : 24cm. Subject: DIGITAL MEDIA AND THE CINEMA; TECHNOLOGY AND THE CINEMA; INTERACTIVE CINEMA; PIRACY; GLOBALISATION Notes: Includes notes, further reading and index. ISBN: 0851709257 More info
book		The Oxford handbook of new audiovisual aesthetics / edited by John Richardson, Claudia Gorbman, Carol Vernallis New York: Oxford University Press, c2013. Call No: 220 OXF Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol Source: US Place: New York Publisher: Oxford University Press PubDate: c2013 PhysDes: Oxford University Press Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image. Notes: Includes bibliographical references and index. ISBN: 9780199733866 Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora More info
journal article		Peep at the Peepshows in Montage (1962) vol.1 iss.1 p.7 and 11 Author: Wilson, Robert F. PhysDes: Article Subject: TECHNOLOGY AND THE CINEMA; HISTORY AND THE CINEMA Summary: Brief history of the peepshow as an antecendent of modern day cinema. More info
book		Questions of cinema / Stephen Heath London: Macmillan, 1981. Call No: 62 HEA Author: Heath, Stephen Place: London Publisher: Macmillan PubDate: 1981 PhysDes: viii, 257 p. : ill. ; 23 cm Series: Communications and culture (Basingstoke, England) Subject: IDEOLOGY AND THE CINEMA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; STRUCTURAL FILMS; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) Notes: Includes bibliographical references and indexes ISBN: 0333261224 (hardcover). - 0333195287 (papercover) LON: abn81039737; 2085540 URL status: URL: 'http://-' Checked: 31/08/2021 12:38:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Replications : a robotic history of the science fiction film / J.P. Telotte Urbana: University of Illinois Press, 1995. Call No: 735.14 TEL Author: Telotte, J. P., 1949 Place: Urbana Publisher: University of Illinois Press PubDate: 1995 PhysDes: 222 p. : ill. ; 24 cm Subject: SCIENCE-FICTION FILMS; ROBOTS IN FILMS; DOUBLES; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TECHNOLOGY AND THE CINEMA; BLADE RUNNER (US, Ridley Scott, 1982); METROPOLIS (G, Fritz Lang, 1926); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); CHERRY 200 (US, Steve de Jarnatt, 1988); FUTUREWORLD (US, Richard Heffron, 1976); TOTAL RECALL (US, Paul Verhoeven, 1990); WESTWORLD (US, Michael Crichton, 1973) Notes: Filmography: p. [197]-208; Includes bibliographical references (p. [209]-215) and index ISBN: 0252021770 (cloth : acidb-sfree paper); 0252064666 (paper) LON: 95006586; 11513238 More info
journal article		Serving Processes in Montage (September 1967) p.21-28 Author: White, Eric PhysDes: Article Subject: CINERAMA; CINEMASCOPE; WIDE-SCREEN SYSTEMS; CINEMAS; EXHIBITION; EXHIBITION. AUSTRALIA; EXHIBITION. USA; CINEMAS. USA; TECHNICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS. AUSTRALIA; TECHNICAL DEVELOPMENTS. USA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND THE CINEMA. USA Summary: Detailed history of the development of wide-screen systems for filming and exhibition of movies c1950s-. Includes disgrams showing how polarising filters work in 'Natural Vision'. More info
journal article		Sound Profile: Smart Theatre Systems in Australasian Cinema (29/10/1982) vol.11 iss.19 p.24 Author: Lond, Harley W. PhysDes: Article Subject: SOUND; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA Summary: Review of various new sound systems availble for theatres More info
book		Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984. Call No: 236 FIN Author: Finch, Christopher Source: US Place: New York Publisher: Abbeville Press PubDate: c1984 PhysDes: 252 p. : ill. (some col.) ; 27 cm Subject: COMPUTER GRAPHICS; DIGITAL TECHNOLOGY; COMPUTERS AND THE CINEMA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTER GENERATED IMAGERY; COSTUME DESIGNING; TECHNICAL DEVELOPMENTS; MOTION CONTROL; MAKE UP; TECHNOLOGY AND THE CINEMA; PRODUCTION TECHNOLOGY; SPECIAL EFFECTS; CINEMATOGRAPHY; SET DESIGNING; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURB Notes: Includes index; Bibliography: p. 244 ISBN: 0896594521 Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index -- More info
book		The spectacular modern woman : Feminine visibility in the 1920s / Liz Conor Bloomington, Indiana: Indiana University Press, 2004. Call No: 451 02 "192" CON Author: Conor, Liz Edition: 1st ed. Source: USA Place: Bloomington, Indiana Publisher: Indiana University Press PubDate: 2004 PhysDes: 334 p. : b+w ill. ; 23 cm Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOMEN, FILMS FOR; PROSTITUTES IN FILMS; POPULAR CULTURE AND THE CINEMA; HISTORY AND THE CINEMA; MEDIA; TECHNOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; ADVERTISING; CARTOONS; CELEBRITIES IN FILMS; IMPERIALISM AND THE CINEMA; FASHION AND THE CINEMA; MODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; DE BEAUVOIR, SIMONE; KELLERMAN, ANNETTE; VALENTINO, RUDOLPH; LYELL, LOTTIE; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GREENHIDE (AT, Charles Chauvel, 1926) Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover]. ISBN: 0253216702 More info
book		The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996. Call No: 201(4) FIN Author: Finney, Angus, 1964 Place: London Publisher: Cassell PubDate: 1996 PhysDes: x, 262 p. ; 24 cm Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; EDUCATION, FILM. EUROPEAN COUNTRIES; STARS. EUROPEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES; POLYGRAM; EURIMAGES; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); TRAINSPOTTING (UK, Danny Boyle, 1996); FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994); ROB ROY (US, Michael Caton-Jones, 1995); TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994); BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); GUILTRIP (IE, Gerard Stembridge, 1995); ANTONIA (NE/BE/UK, Marleen Gorris, 1995); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255 ISBN: 0304333026 (pbk) LON: abn96337602; 12766083 More info
book		Synthetics : aspects of art and technology in Australia, 1956-1975 / Stephen Jones Cambridge, Massachusetts: MIT Press, Call No: 220"313" JON Author: Jones, Stephen Edition: 2011 Place: Cambridge, Massachusetts Publisher: MIT Press PhysDes: xii,395 p. : illustrated ; 24 cm Series: Leonardo Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERS AND THE CINEMA; BURNS, TIM; CANTRILL, ARTHUR & CORINNE; GLASHEEN, MICHAEL; PERRY, DAVID; THOMS, ALBIE; ULURU (AT, Michael Glasheen, 1978) Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer. Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web site ISBN: 9780262014960 Donation: Megan McMurchy More info
book		The technique of motion picture production : a symposium of papers presented at the 51st semi-annual convention of the Society of Motion Picture Engineers, Hollywood, California / for the Society of Motion Picture Engineers New York: Interscience, 1944. Call No: 220 TEC CorpAuthor: Society of Motion Picture Engineers Source: US Place: New York Publisher: Interscience PubDate: 1944 PhysDes: viii, 150 p. : ill. ; 24 cm Subject: CONFERENCES. USA; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; PROJECTION; SOUND REPRODUCTION; TECHNOLOGY AND THE CINEMA; TECHNICOLOR Summary: Convention of the Society of Motion Picture Engineers Notes: Second printing : 1946 includes index Donation: donated by the family of Wayne Levy, 2006 More info
Online resource digital clippings file		TECHNOLOGY AND THE CINEMA Digital clippings file available Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: TECHNOLOGY AND THE CINEMA URL status: URL: 'http://file://Q:/S/TECHNOLOGY_AND_THE_CINEMA.zip' Checked: 31/08/2021 12:54:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
newspaper article		Technology helps stars live forever in Canberra Times [Saturday Forum] (04/02/2017) p.2 Call No: SUBJECT CLIPPINGS FILE; ACTORS Author: Bailey, John PhysDes: Clippings File Article Subject: TECHNOLOGY AND THE CINEMA; ACTORS; STARS; SPECIAL EFFECTS; COMPUTER GENERATED IMAGERY; CONGRESS, THE (US, Ari Folman, 2013) Summary: Examining ethical and practical issues of having computer generated likenesses of real actors in film (including those who have died - eg. Peter Cushing as Moff Tarkin in Rogue One). The issue is examined in the film THE CONGRESS More info
Interim book		Technoscience in contemporary film : Beyond science fiction / Wood, Aylish Manchester: Manchester University Press, 2002. Call No: 735 WOO Author: Aylish Wood Source: UK Place: New York; Manchester Publisher: Manchester University Press PubDate: 2002 PhysDes: 200 p ; 21 cm Series: Inside Popular Film Subject: TECHNOLOGY AND THE CINEMA. USA; SCIENCE IN FILMS; SCIENCE-FICTION FILMS Summary: Technoscience in contemporary film is an innovative analysis of images of science and technology from popular films of the 1980s and 1990s. It argues that films as diverse as the science fiction film Jurassic Park, the melodrama Lorenzo's Oil and the Gremlin comic fantasies contribute to popular understandings of science and technology.[Taken from back cover] ISBN: 0719057736 More info

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