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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Batman : the official book of the movie / John Marriott London: Hamlyn, 1989.
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BATMAN : (US, Tim Burton, 1989)
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Batman / Novelisation by Craig Shaw Gardner based on the story by Sam Hamm and the screenplay by Sam Hamm and Warren Skaaren and the character created by Bob Kane London: Futura, 1989.
Call No: N79BAT GARAuthor: Shaw Gardner, Craig CorpAuthor: Warner Bros IncSource: UKPlace: LondonPublisher: FuturaPubDate: 1989PhysDes: 221 p. : col. ill. ; 18 cmSubject: BATMAN (US, Tim Burton, 1989) Notes: A motion picture by Warner Bros starring Jack Nicholson, Kim Basinger and Michael KeatonISBN: 0708843506Donation: donated by the family of Wayne Levy, 2006
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Batman / By Matt Yockey Detroit, Mich: Wayne State University Press, March 2014.
Call No: 79 BAT YOCAuthor: Yockey, Matt Place: Detroit, MichPublisher: Wayne State University PressPubDate: March 2014PhysDes: 160 p. : ill. ; 18 cmSeries: TV MilestonesSubject: BATMAN [TV] (US, 1965-67) ; BATMAN IN FILMS Summary: ABC’s action-comedy series Batman (1966–68) famously offered a dual address in its wildly popular portayal of a comic book hero in a live action format. Children uncritically accepted the show’s plots and characters, who were guided by lofty ideals and social values, while adults reacted to the clear parody of the values on display. In Batman, author Matt Yockey argues that the series served as a safe space for viewers to engage with changing attitudes about consumerism, politics, the Vietnam war, celebrity, race, and gender during a period when social meaning was increasingly contested in America.
Yockey examines Batman’s boundary pushing in four chapters. In "Bat-Civics," he analyzes the superhero as a conflicted symbol of American identity and considers the ways in which the Batman character parodied that status. Yockey then looks at the show’s experimentation with the superhero genre’s conservative gender and racial politics in "Bat-Difference" and investigates the significance of the show’s choices of stars and guest stars in "Bat-Casting." Finally, he considers how the series’ dual identity as straightforward crime serial and subversive mass culture text set it up for extratextual production in "Bat-Being."
The superhero is a conflicted symbol of American identity—representing both excessive individualism and the status quo—making it an especially useful figure for the kind of cultural work that Batman undertook. Batman fans, from popular culture enthusiasts to television history scholars, will enjoy this volume. -- publisher's blurbISBN: 9780814338186Language: EnglishDonation: Senses of Cinema
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BATMAN AND ROBIN : (US, Joel Schumacher, 1997)
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BATMAN BEGINS : (US, Christopher Nolan, 2005)
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[Batman begins : poster]
Call No: P BATPhysDes: 1 poster : col. ; 84 X 58 cm.Subject: BATMAN BEGINS (US, Christopher Nolan, 2005) Summary: Image: Has photo of Christian Bale (Batman)Notes: Has some fold lines; Double-sided; Harry Potter and the Globet of Fire on the other side.
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BATMAN FOREVER : (US, Joel Schumacher, 1995)
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Batman forever / novelisation by Peter David London: Warner Books, 1995.
Call No: N79 BAT DAVAuthor: David, Peter Source: UKPlace: LondonPublisher: Warner BooksPubDate: 1995PhysDes: 356p. : 8p. of plates ; 18cmSubject: BATMAN FOREVER (US, Joel Schumacher, 1995) Notes: Based on a screenplay written by Lee Batchler & Janet Scott Batchler and Akiva Goldsman.ISBN: 0751514209
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BATMAN: GOTHAM KNIGHT : (US/JA, Yasuhiro Aoki &Futoshi Higashide, 2008)
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BATMAN: MASK OF THE PHANTASM : (US, Eric Radomski & Bruce W. Timm, 1993)
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BATMAN RETURNS : (US, Tim Robbins, 1992)
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Batman returns : the official movie book / by Michael Singer New York: Bantam Books, 1992.
Call No: 79BAT SINAuthor: Singer, Michael Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1992PhysDes: 80 p. : col. ill. ; 29 cm.Subject: BURTON, TIM ; BATMAN RETURNS (US, Tim Burton, 1992) Summary: This book goes behind the scenes of the film of the film Batman Returns to give the inside story on how it was made. Contains interviews with cast and crew, and pictorial material including production illustrations, costume and set designs and movie stills.ISBN: 0553370308Donation: Simon WincerContents: Foreword -- Batman returns: Burton's way -- Walking the tightrope: Denise De Novi -- The bat, the cat, the penguin: a brief history -- The player: The Penguin, Catwoman, Max Shreck, Alfred, Commissioner Gordon, The Mayor, The Ice Princess, Chip Shreck, The Red TRinagle Circus Gang -- High kicks, mean whips, fast cars and big booms: Attack on Gotham Plaza, the street fight, Batman and Catwoman's rooftop tangle, the Batmobile's wild ride, The Penguin crashes the party -- Behind the scenes: the production team, production design, costumes, special FX, hot gadgets and cool wheels, credits
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BATMAN, THE : (US, Matt Reeves, 2022) Digital clippings file available
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Batman: The Animated Series / Joe Sutcliffe Sanders Detroit, Mich: Wayne State University Press, 2021.
Call No: 79 BAT SANAuthor: Sanders, Joe Sutcliffe Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2021PhysDes: 128 p. : ill. ; 18 cmSeries: TV MilestonesSubject: BATMAN: THE ANIMATED SERIES [ADVENTURES OF BATMAN AND ROBIN, THE] [TV] (US, 1992-1995) ; BATMAN IN FILMS Summary: It’s possible that no other version of Batman has been more influential than the one that debuted as a children’s cartoon in 1992. For millions of fans around the world, the voices of Batman and the Joker introduced in Batman: The Animated Series (BTAS) remain the default. The characters, designs, and major themes of the show went on to shape other cartoons, films, and bestselling video games. In this study, Joe Sutliff Sanders argues that BTAS is not only a milestone of television but a milestone in the public persona of one of the most recognizable characters in the world.
The series introduced a new generation to Batman and provided the foundation for a family of cartoons that expanded the superhero universe. It introduced or reinvented major characters including Mr. Freeze, Robin, the Joker, and Harley Quinn. In three chapters, Sanders pursues the intricate arguments that still energize BTAS. Chapter 1 explores the visuals of the show, the artistic histories and tensions that inform its revolutionary style, and what ideas—intentional and otherwise—its aesthetic implies. Chapter 2 turns to the task of defining a "good" wealthy person against a backdrop of "bad," getting to the heart of one of Batman’s most problematic characteristics. Lastly, chapter 3 considers Harley Quinn, a character who emblemizes much of what made BTAS successful. From her first appearance, Harley has been both sexy and witty, victor and victim, and this chapter explains the duality that defines her.
Since its debut in 1992, BTAS has garnered multiple awards, launched or developed the careers of countless important artists, and created aesthetic styles—in terms of both visuals and voice acting—that continue to resonate. Sanders’s book follows an informative and exciting path through the material and is designed to be accessible to aficionados as well as relative newcomers. Batman fans, popular culture enthusiasts, and media studies scholars will find within these pages insights and ironies to provoke endless conversations.-- publisher's blurbISBN: 9780814345405Language: EnglishDonation: Senses of Cinema
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BATMAN : THE MOVIE : (US, Leslie H. Martinson, 1966)
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BATMAN V SUPERMAN: DAWN OF JUSTICE : (US, Zack Synder, 2016)
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Brilliantly batty in Sunday Herald Sun [Scene] (26/03/2017) p.2
Call No: TITLE CLIPPINGS FILE; LEGO BATMAN MOVIE, THE (US, Chris McKay, 2017)PhysDes: Clippings File ArticleSubject: LEGO BATMAN MOVIE. THE (US, Chris McKay, 2017) Summary: Review of the film THE LEGO BATMAN MOVIERating: 4 out of 5 stars
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Built to order in The Age [E.G.] (31/03/2017) p.4
Call No: TITLE CLIPPINGS FILE; LEGO BATMAN MOVIE, THE (US, Chris McKay, 2017)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: ANIMAL LOGIC ; LEGO BATMAN MOVIE. THE (US, Chris McKay, 2017) Summary: Interview with Chris McKay about the making of THE LEGO BATMAN MOVIE and with production designer Grant Freckelton on the role Animal Logic played in the film's production
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Cape fear in AFR Weekend (02/04/2016) p.51
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A chip off the old block in Herald Sun [Hit] (30/03/2017) p.30
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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Everything is awesome for Lego studio in Sun Herald [General News] (08/03/2015) p.19
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Eyeing the Donald in Sunday Canberra Times [Relax] (2/04/2017) p.8
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Film reboots / edited by Daniel Herbert and Constantine Verevis Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FILAuthor: Herbert, Daniel ; Verevis, Constantine Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: 244 pages : illustrated ; 25 cmSeries: Screen SerialitiesSubject: REMAKES ; FRANCHISES ; BATMAN IN FILMS ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; GHOSTBUSTERS (US, Paul Feig, 2016) ; STAR TREK ; STAR WARS [...] (US, 1977-2015) Notes: Bringing together the latest developments in the study of serial formatting practices – remakes, sequels, series – Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today. -- publisher's web siteISBN: 9781474451369Contents: Introduction: Film Reboots / Daniel Herbert and Constantine Verevis.
PART I: INDUSTRY AND COMMERCE -- 1. Rethinking the ‘Supersystem’: Film Reboots and the Teenage Mutant Ninja Turtles / Daniel Herbert -- 2. Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom / Erin Hanna -- 3. The Many Reboots of the Batman / Eileen R. Meehan.
PART II: STRUCTURE AND NARRATIVE -- 4. The Edge of Reality: Replicating Blade Runner / Constantine Verevis -- 5. Gender, Genre and the Reboot: From Ocean’s 11/Eleven to Ocean’s 8/Eight / Jennifer Forrest -- 6. Understanding Twin Peaks: The Return as a ‘Film Reboot’ via Anti-Franchise Discourses Within Media Franchising / Matt Hills -- 7. All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot / Nicholas Benson & Jonathan Gray
PART III: POLITICS AND IDENTITY -- 8. Resistance and Empire: Star Wars and the Social Justice Reboot / Derek Johnson -- 9. Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky / Chuck Tryon -- 10. Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot / Claire Perkins
PART IV: FANS AND AUDIENCES -- 11. Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise / Kathleen Loock -- 12. Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies / James Fleury -- 13. Anticipating the Reboot: Teasing Top Gun 2 / Paul Grainge -- 14. A Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema / William Proctor
Contributors -- Notes
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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Huge expectations for Lego spin-off in The Age (09/02/2017) p.26
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If I only had a brain : scarecrows in film and television / Cinemaniacs (Australia) [Australia]: Cinemaniacs (Australia), 2018.
Call No: 735.5 CINCorpAuthor: Cinemaniacs (Australia)Source: ATPlace: [Australia]Publisher: Cinemaniacs (Australia)PubDate: 2018PhysDes: 238 pages, ill. 24cmSubject: FANTASTIC FILMS ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; RETURN TO OZ (US, Walter Murch, 1985) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; WIZ, THE (US, Sidney Lumet, 1978) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ISBN: 9780648269939Donation: The LedaTape OrganisationContents: A Note from Editor-In-Chief Lee Gambin --1900+ The Scarecrows of Oz --1920 The Scarecrow --1936 I'd Love to Take Orders From You --1939 The Wizard of Oz --1961 Captain Clegg AKA Night Creature --1963 Dr Syn alias the Scarecrow --1969+ Batman Superman Hour and Superfriends --1972 Journey Back to Oz --1978 The Wiz --1979+ Worzel Gummidge --1981 Dark Night of the Scarecrow --1984 Children of the Corn: Julie Maddalena Interview --1986 The Singing Detective --1988 Friday the 13th: The Series - Scarecrow --1988 Scarecrows --1988 Scarecrows: Norman Cabrera Interview --1992+ Scarecrows in the DC Animated Universe --1995 Night of the Scarecrow: Jeff Burr Interview --2001+ Do You Even Scarecrow Bro? --2001+ Jeepers Creepers --2001+ Jeeppers Creepers: Jonathan Breck Inteview --2004 Dead Birds --2005 Batman Begins --2006 Supernatural - Scarecrow --2007 Dr Who - Human Nature and the Family of Blood --2007 El Orfanato --2003 Wicked
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LEGO BATMAN MOVIE, THE : (US, Chris McKay, 2017)
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Not even daleks and Voldemort can save this sulky Batman from himself in Sydney Morning Herald (30/03/2017) p.21
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Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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Short cuts : Taking a punt on superheroes? in The Age (24/03/2016) p.32
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Soul survivor takes on terrorists in Weekend Australian [Review] (8/04/2017) p.15
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Subpar battle yields few heroics in The Age (24/03/2016) p.32
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