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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEVERLY HILLS COP (US, Martin Brest, 1984)

Subject: BEVERLY HILLS COP (US, Martin Brest, 1984); BOX OFFICE
Summary: Report on the success of 'Beverly Hills Cop'

Subject: BEVERLY HILLS COP (US, Martin Brest, 1984)
Summary: Article on the success of 'Beverley Hills Cop'

Author: Lawrance, Peter
PhysDes: Article
Subject: BEVERLY HILLS COP (US, Martin Brest, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: BEVERLY HILLS COP II (US, Tony Scott, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEVERLY HILLS COP III (US, John Landis, 1994)

Call No: 630.1 DEC
Author: Brunette, Peter; Wills, David
Source: US
Place: Cambridge; New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xi, 314 pages : illustrations ; 26 cm
Series: Cambridge studies in new art history and criticism
Subject: DERRIDA, JACQUES; EISENSTEIN, SERGEI M.; ANDY HARDY IN FILMS; BEVERLY HILLS COP (US, Martin Brest, 1984)
Summary: "Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television, and architecture. Working with the ideas of French philosopher Jacques Derrida, these essays explore the full range of his analyses, from Of Grammatology and The Truth in Painting to recent discussions on photography and drawing." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 052144781X
Donation: Adrian Miles
Contents: Introduction -- The spatial arts : an interview with Jacques Derrida / Peter Brunette and David Wills -- Color has not yet been named : objectivity in deconstruction / Stephen Melville -- Light in painting : dis-seminating art history / Mieke Bal -- The dissimulation of painting / Marie-Claire Ropars-Wuilleumier -- The heuristics of deconstruction / Gregory I. Ulmer -- Impure mimesis, or the ends of the aesthetic / D.N. Rodowick -- Starting out from the frame (vignettes) / Jean-Claude Lebensztejn -- Modernity again : the museum as trompe l'oeil / Donald Preziosi -- Brushed path, slate line, stone circle : on Martin Heidegger, Richard Long, and Jacques Derrida / Herman Rapaport -- Frank Stella and Jacques Derrida : toward a postmodern ethics of singularity / Charles Altieri -- Sketch : counterpoints of the eye : hand-eye coordination : translation and ... / John P. Leavey, Jr. -- The domestication of the house : deconstruction after architecture / Mark Wigley -- Tabbles of bower / Jennifer Bloomer -- Cinema-graphia : Eisenstein, Derrida, and the sign of cinema / Laura R. Oswald -- Hermes goes Hollywood : disarticulating the cops 'n' robbers genre / Tom Conley and John M. Ingham -- The signature experiment finds Andy Hardy / Robert B. Ray -- Sending postcards in TV land / Richard Dienst.

Author: Salter, Denbeigh
Subject: DANCE WITH A STRANGER (UK, Mike Newell, 1985); BEVERLY HILLS COP (US, Martin Brest, 1984)
Summary: Film news from Hollywood

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 81STA ROV
Author: Rovin, Jeff
Source: UK
Place: Sevenoaks
Publisher: New English Library
PubDate: 1987
PhysDes: 254 p., [8] p. of plates : ports. ; 18cm
Subject: STALLONE, SYLVESTER; ROCKY BALBOA; FIRST BLOOD (US, Ted Kotcheff, 1982); RAMBO III (US, Peter MacDonald, 1988); BEVERLY HILLS COP (US, Martin Brest, 1984)
ISBN: 0450409384
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: BEVERLY HILLS COP (US, Martin Brest, 1984)

Subject: BEVERLY HILLS COP (US, Martin Brest, 1984); WITNESS (US, Peter Weir, 1985); MASK (US, Peter Bogdanovich, 1985); UNITED INTERNATIONAL PICTURES; BOX OFFICE
Summary: Article on the successes of 'Beverley Hills Cop', 'Witness', 'Mask' and 'Friday 13th Part V'

Call No: 632.43 VOG
Author: Vogler, Christopher, 1949
Edition: 2nd rev. ed
Place: London
Publisher: Pan
PubDate: 1998
PhysDes: xxiii,326 p. ; 22 cm
Subject: SCRIPTWRITING; MYTH AND THE CINEMA; BEVERLY HILLS COP (US, Martin Brest, 1984); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); OFFICER AND A GENTLEMAN, AN (US, Taylor Hackford, 1982); PULP FICTION (US, Quentin Tarantino, 1994); ROMANCING THE STONE (US, Robert Zemeckis, 1984); COMEDIES; STAR WARS (US, George Lucas, 1977); TITANIC (US, James Cameron, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: This ed. originally published: London: Boxtree, 1996; Bibliography: p302. - Includes index
ISBN: 0330375911(pbk.) : ª14.99
LON: 14527333