Special issue
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American cinematographer : Shooting in the U.K. July 1998.
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Archives recreate 'Our Century' in Encore (25 Feb, 1998) vol.16 iss.1 p.34
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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newspaper article
The Australians making magic behind the scenes in The Age (02/01/2017) p.10
Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: POST-PRODUCTION. AUSTRALIA ; TAXES. AUSTRALIA Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets
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Costly change hits post operators in Encore (25 Feb, 1998) vol.16 iss.1 p.25, 26
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA Summary: Examines the effect of new technology on post production in regard to quality and employment.
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Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996.
Call No: 220"313" OHAAuthor: Ohanian, Thomas A ; Phillips, Michael E Place: BostonPublisher: Focal PressPubDate: c1996PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cmSubject: DIGITAL TECHNOLOGY ; EDITING ; PRODUCTION ; POST-PRODUCTION ; LUCAS, GEORGE ; CAMERON, JAMES ; BAKER, RICK ; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]Notes: Includes bibliographical references (p. 257) and indexISBN: 0240802195 (paper : alk. paper)LON: 12009091
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Feature - post production in Encore (Apr 2000) vol.18 iss.3 p.22-38
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA ; HIGH DEFINITION TV ; SOUND ; EDITING. AUSTRALIA Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.
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Film Australia here to stay in Encore (May 2000) vol.18 iss.4 p.55
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Film business : a handbook for film producers / edited by Tom Jeffrey North Ryde, N.S.W. St Leonards, NSW: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 1995.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 2nd edPlace: North Ryde, N.S.W. St Leonards, NSWPublisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 1995PhysDes: x, 386 p. : ill., forms ; 25 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 0642227055LON: 11509898 11509898
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Film business : a handbook for producers / edited and compiled by Damien Parer North Ryde, N.S.W.: Australian Film, Television and Radio School, 1989.
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Film business : a handbook for film producers / edited by Tom Jeffrey Crows Nest, N.S.W.: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 2006.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 3rd edSource: ATPlace: Crows Nest, N.S.W.Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 2006PhysDes: x, 451 p. : forms ; 23 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 1741146461
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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The guerilla film makers handbook : and the film producers toolkit / by Chris Jones and Genevieve Jolliffe London: Cassell, 1996.
Call No: 222(41) JONAuthor: Jones, Chris, 1967 ; Jolliffe, Genevieve Place: LondonPublisher: CassellPubDate: 1996PhysDes: 448 p. : ill., forms, ports. ; 21 cmSubject: FINANCING. UK ; PRODUCTION. UK ; PRE-PRODUCTION. UK ; POST-PRODUCTION. UK ; PRODUCTION MANAGING. UK ; WHITE ANGEL (UK, Chris Jones, 1993) ; BOY MEETS GIRL (UK, Ray Brady, 1993) ; STAGGERED (UK, Martin Clunes, 1993) ; CLOCKWORK MICE (UK, Vadim Jean, 1994) ; SHOPPING (UK, Paul Anderson, 1994) Notes: Includes indexISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540Order Received: 1997LON: gb 97008239; 13003901
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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Independent feature film production : a complete guide from concept through distribution / by Gregory Goodell New York, N.Y.: St Martin's Press, c1982.
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journal article
Industry demands mobile editing in Encore (25 Feb, 1998) vol.16 iss.1 p.28
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Industry neglects assistant role in Encore (25 Feb, 1998) vol.16 iss.1 p.31
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Lawrence of Arabia : the 30th anniversary pictorial history / L. Robert Morris and Lawrence Raskin ; foreword by Martin Scorsese New York: Doubleday, c1992.
Call No: 79LAW MORAuthor: Morris, Robert L. ; Raskin, Lawrence Source: USPlace: New YorkPublisher: DoubledayPubDate: c1992PhysDes: xvii, 237 pages : illustrations ; 29 cmSubject: ACADEMY AWARDS ; CINEMATOGRAPHY ; CASTING ; COSTUME DESIGNING ; COSTUMES ; LOCATION SHOOTING ; POSTERS ; POST-PRODUCTION ; PRE-PRODUCTION ; PREMIERES ; RESTORED FILMS ; Lean, David ; SPIEGEL, SAM ; LAWRENCE OF ARABIA (UK, David Lean, 1962) Summary: 'Two years in the making and the winner of seven Academy Awards, including Best Picture of the Year, the Sam Spiegel-David Lean screen classic LAWRENCE OF ARABIA has been seen and enjoyed by millions since its original release in 1962. This volume, specially compiled to herald the film's thirtieth anniversary, provides, for the first time, a visual and textual account of this remarkable epic's genesis, artistry, and influence, as well as a fascinating new look at the life and legend of T.E. Lawrence." [TAKEN FROM BOOK JACKET]Notes: Includes bibliographyISBN: 0385424787Donation: Simon WincerContents: Foreword / Martin Scorsese -- Chapter 1: the legend of Lawrence -- Chapter 2: the epics that never were -- Chapter 3: Spiegel and Lean -- Chapter 4: preproduction -- Chapter 5: on location -- Chapter 6: postproduction -- Chapter 7: premieres, reviews and Oscars: 1962 and 1963 -- Chapter 8: the lost picture show -- Chapter 9: reconstruction and restoration -- Chapter 10: premieres, reviews and video: 1989 -- Chapter 11: accolades and celebration -- Chapter 12: Lawrence of Arabia: an icon -- Cast and credits
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Malick adopts Animal Logic in Encore (12 Feb, 1999) vol.17 iss.2 p.37
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NAB post perspectives in Encore (June 2000) vol.18 iss.5 p.15
PhysDes: InterviewSubject: POST-PRODUCTION. AUSTRALIA Summary: Interview with four Australian post-production houses who attended National Association of Broadcasting Convention 2000.
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Omnilab spoof 'Matrix' effects for DB Breweries in Encore (June 2000) vol.18 iss.5 p.38
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subject clippings file
POST-PRODUCTION. AUSTRALIA
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Producing TV movies / Everett Chambers New York: Prentice Hall Press, 1986.
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Shooting to kill : how an independent producer blasts through the barriers to make movies that matter / Christine Vachon with David Edelstein New York: Avon Books, c1998.
Call No: 210.2(73) VACAuthor: Vachon, Christine ; Edelstein, David Place: New YorkPublisher: Avon BooksPubDate: c1998PhysDes: 335 p. : ill. ; 21 cmSubject: INDEPENDENT PRODUCTION ; BUDGETING ; DISTRIBUTION ; POST-PRODUCTION ; FINANCING ; HAYNES, TODD ; VACHON, CHRISTINE ; VELVET GOLDMINE (UK, Todd Haynes, 1998) ; I SHOT ANDY WARHOL (US, Mary Harron, 1996) ; KIDS (US, Larry Clark, 1995) ; SAFE (US, Todd Haynes, 1995) ; STONEWALL (US/UK, Nigel Finch, 1995) Notes: Includes indexISBN: 0380LON: 13921660
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newspaper article
Small screen goes big time in Sunday Age (26/06/2016) p.12
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Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015.
Call No: 244 SOUAuthor: Kalinak, Kathryn (ed.) Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2015PhysDes: 222 pages : illustrations ; 24 cmSeries: Behind the silver screen ; 10Subject: SOUND ; SOUND EFFECTS ; SOUND EDITING ; SOUND RECORDING ; SOUND TRACK ; SOUNDTRACKS ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; DIALOGUE ; CINEMATOGRAPHY ; HISTORY OF CINEMA ; POST-PRODUCTION ; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVERNotes: Includes bibliographical references (pages 203-206) and indexISBN: 9781784534059Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --
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The technique of documentary film production / by W. Hugh Baddeley ; with a preface by Paul Rotha London: Focal Press, 1975.
Call No: 761 BADAuthor: Baddeley, Hugh W. Edition: 4th rev. edPlace: LondonPublisher: Focal PressPubDate: 1975PhysDes: 282 p. : ill. ; 23 cmSeries: The library of communication techniquesSubject: BUDGETING ; CAMERAS ; CINEMATOGRAPHY ; DISTRIBUTION ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; INSURANCE, FILM ; LIGHTING ; LOCATION FINDING ; LOCATION SHOOTING ; MUSIC AND THE CINEMA ; PRE-PRODUCTION ; POST-PRODUCTION ; PRODUCTION ; PRODUCTION COSTS ; SCRIPTWRITING ; SOUNDTRACKS ; SOUND EDITING ; SOUND RECORDING Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production.
Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKETNotes: First ed. published 1963; Includes indexISBN: 0240509158; 0240509293 (pbk.)LON: 8735625 8735625URL status: URL: 'http://-'
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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Writing, directing, and producing documentary films and videos / Alan Rosenthal Carbondale: Southern Illinois University Press, 1996.
Call No: 761 ROSAuthor: Rosenthal, Alan, 1936 Edition: Rev. edSource: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1996PhysDes: xii, 301 p. : ill. ; 24 cmSubject: COMMENTARY ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; PRE-PRODUCTION ; PRODUCING ; PRODUCTION ; POST-PRODUCTION ; SCRIPTWRITING ; SOUND ; VOICE OVER Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book uniqueNotes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and indexISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper)LON: 95017159; 11606022
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