Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMAZONIA: VOICES FROM THE RAIN FOREST (US, Monti Aguirre & Glenn Switkes, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CENSORED VOICES (IS/GG, Mor Loushy, 2015)

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1999
PhysDes: vii, 266 p. : ill. ; 21 cm
Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION
Notes: Includes index
ISBN: 187635108X
LON: 20110282
Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY WITH TWO VOICES, A (AT, Daniel Jameison, 2012)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988)

Call No: 79DIS FAR
Author: Farley, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 95 p. : col. ill. ; 19 cm
Series: BFI modern classics
Subject: DAVIES, TERENCE; DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988)
Summary: Set in "a world before Elvis, in a Liverpool before the Beatles", Terence Davies' film Distant Voices, Still Lives is an elegiac and intensely autobiographical meditation on a post-War working-class childhood [taken from back cover]
Notes: Includes bibliographical references and index
ISBN: 1844571394

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARLEM DIARY: NINE VOICES OF RESILIENCE (US, Jonathan Stack, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEARING VOICES (US/CN, Sharon Greytak, 1991)

Call No: 65 TYL
Author: Tyler, Parker
Place: New York
Publisher: Holt
PubDate: 1947
PhysDes: xx, 283 p., [16]p. of plates : ill. ; 21 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; VOICES; COMEDIANS; WAR IN FILMS; SPELLBOUND (US, Alfred Hitchcock, 1945); SEVENTH VEIL, THE (UK, Compton Bennett, 1945); GRAPES OF WRATH, THE (US, John Ford, 1940)
Notes: Filmography: p. 279-283
LON: abn87043675; 5118157

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE WORLD, MANY VOICES (AT, Gabrielle Kelly & Nick Hart-Williams, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER VOICES, OTHER ROOMS (US, David Rocksavage, 1995)

Call No: 45:93 REV
Author: Rosenstone, Robert A
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: vi, 255 p. : ill. ; 24 cm
Series: Princeton studies in culture/power/history
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; MISSISSIPPI BURNING (US, Alan Parker, 1988); DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988); HOME AND THE WORLD, THE [; EIJANAIKA (JA, Shohei Imamura, 1981); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); MODERNS, THE (US, Alan Rudolph, 1988); RADIO BIKINI (US, Robert Stone, 1987); POKAJANIE (UR, Tengiz Abuladze, 1986 [prod.1984]); FROM THE POLE TO THE EQUATOR [DAL POLO ALL EQUATORE] (IT/GW, Yervant Gianikian/Angela Ricci Lucchi, 1987); WALKER (US, Alex Cox, 1987)
Notes: Includes bibliographical references (p. [215]-241) and index
ISBN: 069108629X (acid-free paper); 0691025347 (pbk. : acid-free paper)
LON: 94019563; 11000929

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROAD: VOICES FROM PRISON, THE [TV] (AT, Kerry O'Rourke, 1988)

Call No: TITLE CLIPPINGS FILE in production; VOICES, THE (US/GG, Marjane Satrapi, 2014)
Author: Sarah Thomas
PhysDes: Clippings File Article
Subject: VOICES, THE (US/GG, Marjane Satrapi, 2014)
Summary: Synopsis of the film in production.

Call No: 761 NIC
Author: Nichols, Bill
Source: US
Place: Oakland
Publisher: California University of California Press
PubDate: 2016
PhysDes: 281 p. ; ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; AUDIENCES; MUSIC IN FILMS; VOICES; SOCIAL ISSUES IN FILMS; ETHICS AND THE CINEMA; ETHICS IN FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); RESTREPO (US, Tim Hetherington/Sebastian Junger, 2010); THIN BLUE LINE, THE (US, Errol Morris, 1988); ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012); STEVE JOBS: THE MAN IN THE MACHINE (US, Alex Gibney, 2015)
Summary: "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.
Notes: Includes bibliographical references and index.
Contents: Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs about her film Investigation of a flame -- Breaking the frame, gender, violation and the avant-garde -- The coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda, and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the problem of impact.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRANGE VOICES [TV] (US, Arthur Allan Seidelman, 1987)

Call No: 81DAV EVE
Author: Everett, Wendy
Source: UK
Place: Manchester ; New York
Publisher: Manchester University Press
PubDate: 2004
PhysDes: ix, 246 p., [3] p. of plates : ill. ; 22cm
Subject: DAVIES, TERENCE; TERENCE DAVIES TRILOGY, THE (UK, Terence Davies, 1984[prod.1976-83]); DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988); LONG DAY CLOSES, THE (UK, Terence Davies, 1992); NEON BIBLE, THE (US/UK, Terence Davies, 1995); HOUSE OF MIRTH, THE (UK, Terence Davies, 2000)
Summary: The book looks at the films made by Terence Davies, and examines the various themes appearing in his work - time and memory, identity and selfhood, and the nature of literary adaptions. The book looks at the influence on his films, of the British Documentary movement, and it social realism, the European auteur tradition, and the great Hollywood musicals. It shows the importance of music in his films, and Davies's conviction that the film is closer to music than any other art form [Taken from the back of the book.]
Notes: Bibliography: p. [235]-240; Filmography: p, [226]-234; Includes index
ISBN: 0719060613 (hbk.); 0719060621 (pbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TILL HUMAN VOICES WAKE US (AT, Michael Petroni, 2001)

Call No: 244 SMI
Author: Smith, Jacob
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: c2008
PhysDes: viii, 294 p. : ill. ; 23 cm.
Subject: VOICES; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING
Summary: "This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and film. Writing in a clear and lively manner, Jacob Smith looks at these media and their industries through the lens of performance, bringing to light a fascinating nexus of performer, technology and audience. Combining film aesthetics, cultural histories of technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected niches to explore the development of a modern vocal performance. He analyzes an astoningshly diverse range of media texts - phonographic laughing records, broadcast laugh tracks, acting styles found in radio melodramas, singing styles heard on recordings of popular music, and secret recordings of prank phone calls - to illustrate how performance styles developed in response to technological mediation. " -- BOOK BLURB
Notes: "An Ahmanson book in the humanities"--P. [4] of cover; Includes bibliographical references (p. 271-286) and index
ISBN: 9780520254947
Contents: Pt. 1. Flooding Out -- 1. Recorded Laughter and the Performance of Authenticity -- 2. Erotic Performance on Record -- Pt. 2. A Finer Grain of the Voice -- 3. The Nearness of You; or, The Voice of Melodrama -- 4. Rough Mix -- Pt. 3. Bugging the Backstage -- 5. The Act of Being Yourself -- 6. Phony Performances.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES (US, Robert Markowitz, 1979)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES
URL status: URL: 'http://file://Q:/S/VOICES.zip' Checked: 31/08/2021 1:06:24 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES AGAINST VIOLENCE (US, Eugene Wooden, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES FROM A STEELTOWN (US, Tony Buba, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES FROM THE ATTIC (US, Debbie Goodstein, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES FROM THE FRONT (US, Robyn Hutt, Sandra Elgear, David Meleran, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES IN THE FOREST (AT, David Parer, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VOICES OF SARAFINA! (US, Nigel Noble, 1988)

Call No: LP Voices
Author: Cordell, Denny; Cummings, Burton; Duncan, Tommy; Mardin, Arif; Petty, Tom; Perry, Richard; Steele, Howard; Walker, Cindy; Webb, Jimmy; Wexler, Jerry; Wills, Bob
Source: US
Place: Los Angeles CA
Publisher: MGM: distributed by Elektra/Asylum Records
PubDate: 1979
PhysDes: 1 sound disc (29min) : analog, 33 1/3 rpm, stereo. ; 12 in
Subject: VOICES (US, Robert Markowitz, 1979)
Notes: Original songs and score by Jimmy Webb, except "Anything that's rock 'n' roll" written by Tom Petty; "Bubbles in my beer" written by Tommy Duncan, Cindy Walker and Bob Wills
Contents: -- side one -- I will always wait for you (3:19) -- Rosemarie's theme (1:03) -- Disco if you want to (3:30) -- The children's song (2:20) -- Family theme (1:30) -- Anything that's rock 'n' roll (2:23) -- I will always wait for you (1:52) -- Side two -- On a stage (2:49) -- Across the river (2:58) -- Bubbles in my beer (2:32) -- Rosemarie and Drew (1:04) -- Drunk as a punk (2:04) -- The children's song (1:14) -- Rosemarie's dance/I will always wait for you (4:03) --
Performer: Willie Nelson; Burton Cummings; Tom Petty and the heartbreakers; Andrew and David Williams
Music Type: Motion Picture Music
Publisher Number: MGM P-9002

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VOICES, THE (US/GG, Marjane Satrapi, 2014)
ID2: 281