Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: S TWO
Author: Stein, Todd
Edition: Shooting Script
Place: AT/US
PubDate: 2015 Feb. 18
PhysDes: 101 leaves ; 30 cm.
Subject: [TWO TWENTY-TWO] 2:22 (AT/US, Paul Currie, 2017)
Summary: "A clever, roller-coaster thriller that centers on Dylan an air traffic controller who is given a jolt when he narrowly escapes being responsible for a mid air collision between two passenger planes. Caused by a mysterious blinding light that happened at 2:22, these strange occurrences continue and lead Dylan to meet Sarah, with whom he feels inexplicably linked. Together the two discover uncanny similarities with their current predicament and a double murder committed a generation ago. With a grim fate looming, Dylan must solve the mystery of 2:22 to preserve a love whose second chance has finally come." Written by AnonymousB - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S 237
Author: Thalluri, Murali K
Place: AT
PubDate: [2006]
PhysDes: 96 leaves
Subject: TWO THIRTY SEVEN 2:37 (AT, Murali K. Thalluri, 2006)
Notes: Includes separate final transcript including ADR; Production script; Donated by the Australian Film Institute

Call No: TITLLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: Bearns, Georgina
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: The final film from the Hunger Games series is about to be released. Geogina Bearns lists 18 reasons to watch the film.

Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGIC
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ANIMAL LOGIC; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: AGENT CODY BANKS 2: DESTINATION LONDON (US, Kevin Allen, 2004)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALL DOGS GO TO HEAVEN 2 (US, Larry Leker, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMAZING SPIDERMAN 2, THE (US, Marc Webb, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN NINJA 2: THE CONFRONTATION (US, Sam Firstenberg, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN PIE 2 (US, J.B. Rogers, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANCHORMAN 2: THE LEGEND CONTINUES (US, Adam McKay, 2013)

Call No: 792INF MAR
Author: Marchetti, Gina
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2007
PhysDes: xii, 210 pages : illustrations ; 19 cm
Series: The New Hong Kong Cinema
Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003)
Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 9789622098015
Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: S ANT
PubDate: [1983]
PhysDes: 33 leaves
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Notes: Unpublished script

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Australian Broadcasting Corporation
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983); AUSTRALIAN BROADCASTING CORPORATION
Summary: Group of twelve doctors rest by their skidoos during the International Biomedical Expedition to the Antarctic while ttravelling inland toward the South Pole
Notes: Still from television programme.; Fingerprints visible on reverse of the photograph.; Paper note attached to reverse of photograph with plastic adhesive tape which is deteriorating leaving yellowing stains.; Film synopsis on reverse

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 20 x 25 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Summary: 2 black and white photographs/still images from the documentary film - one of director David Parer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ARTHUR [TWO] 2: ON THE ROCKS (US, Bud Yorkin, 1988)

Call No: 735.2(94) RAY
Author: Rayner, Jonathan
Edition: 2022
Place: Cardiff
Publisher: University of Wales Press
PubDate: 2022
PhysDes: x, 294 pages : illustrated ; 23 cm
Series: Gothic Literary Studies
Subject: HORROR FILMS. AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); DYING BREED (AT, Jody Dwyer, 2008); KILLING GROUND (AT, Damien Power, 2016); LOST GULLY ROAD (AT, Donna McRae, 2017); LOVED ONES, THE (AT, Sean Byrne, 2009); MAD MAX (AT, George Miller, 1979); MYSTERY ROAD (AT Ivan Sen, 2013); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); WOLF CREEK (AT, Greg McLean, 2005); WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web site
ISBN: 9781786838896
Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index

Call No: 753.5 MSC
Author: McSweeney, Terence
Source: US/UK
Place: London
Publisher: Wallflower Press published by Columbia University Press
PubDate: c2018
PhysDes: vii, 310 pages : illustrations ; 24 cm
Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016)
Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9780231186254
Donation: Senses of Cinema
Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.

Author: Parks, Lyn
PhysDes: Article
Subject: GREASE 2 (US, Patricia Birch, 1982)

Call No: 79LIF QUA
Author: Quantock, Rod
Source: AT
Place: Port Melbourne, Vic.
Publisher: Mammoth Australia
PubDate: 1992
PhysDes: 32 p. : ill. ; 25 cm
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)
Summary: Centred around the Backsacks, characters in the Lift off television series. For children.
ISBN: 1863301917
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOMS 2, A [BAD MOMS CHRISTMAS, A] (US/C, Jon Lucas & Scott Moore, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BAD SANTA 2 (US, Mark Waters, 2016)
URL status: URL: 'http://file://Q:/T/BAD_SANTA_TWO.zip' Checked: 31/08/2021 1:48:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: BANKS, ELIZABETH; WILSON, REBEL; PITCH PERFECT (US, Jason Moore, 2012); PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Pitch Perfect 2 director Elizabeth Banks talks about the film and her career.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BARBERSHOP 2: BACK IN BUSINESS (US, Kevin Rodney Sullivan, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASIC INSTINCT 2 (US, Michael Caton-Jones, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASKET CASE 2 (US, Frank Henenlotter, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY [NUMBER TWO] #2 (US, Andy Warhol, 1965)
ID2: 350

Call No: TITLE CLIPPINGS FILE; MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Summary: Review of the film MY BIG FAT GREEK WEDDING 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG MOMMA'S HOUSE 2 (US, John Whitesell, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BLACK MIC-MAC 2 (FR, Marco Pauly, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLAIR WITCH 2: BOOK OF SHADOWS (US, Joe Berlinger, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS IN LOVE 2 (US, Todd Downing & Patrick McGuinn, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 2 (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAT 2 (RU, Aleksej Balabanov, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAKIN' 2 ELECTRIC BOOGALOO (US, Sam Firstenberg, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARS 2 (US, John Lasseter/Brad Lewis, 2011)

Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RIDE ALONG 2 (US, Tim Story, 2016)
Summary: Review of the film RIDE ALONG 2
Notes: same review - 'Buddy movie reworks cliched action, jokes' Canberra Times. 19 Feb 2016. p 6.
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: CHEAPER BY THE DOZEN 2 (US, Adam Shankman, 2005)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHILD'S PLAY 2 (US, John Lafia, 1990)

Call No: TITLE CLIPPINGS FILE; MONKEY KING 2, THE (CC, Cheang Pou-Soi, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MONKEY KING 2, THE (CC, Cheang Pou-Soi, 2016)
Summary: Review of the film THE MONKEY KING 2
Rating: 3 out of 5 stars

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Author: Lawson, Sylvia; Rosser, Edward
PhysDes: Article
Subject: CRITICISM; GODARD, JEAN-LUC; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938)
Summary: Reviews of Two or Three Things I Know About Her (FR, Jean-Luc Godard, 1967) and Sixty Glorious Years (UK, Herbert Wilcox, 1938)
Notes: Sixty Glorious Years has been renamed Queen of Destiny

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOUDY WITH A CHANCE OF MEATBALLS 2 (US, Cody Cameron/ Kris Pearn, 2013)

Call No: TITLE CLIPPINGS FILE; BAD SANTA 2 (US, Mark Waters, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BAD SANTA 2 (US, Mark Waters, 2016)
Summary: Review of the film BAD SANTA 2
Rating: 3.5 out of 5 stars

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONJURING 2, THE (US, James Wan, 2016)

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 751.1 CON
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2019
PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.
Series: Music and the moving image series
Subject: MUSICALS; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004); ACROSS THE UNIVERSE (US, Julie Taymor, 2007); FROZEN (US, Chris Buck & Jennifer Lee, 2013); MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008); MISERABLES, LES (UK, Tom Hooper, 2012); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)
Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).
Notes: Includes bibliographical references and index.
ISBN: 9781474431682
Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRADLE 2 THE GRAVE (US, Andrzej Bartkowiak, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CREEPSHOW 2 (US, Michael Gornick, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CREMASTER 2 (US, Matthew Barney, 1999)

Author: White, Taylor L.
PhysDes: Article
Subject: CRITTERS 2: THE MAIN COURSE (US, Mick Garris, 1988)
Notes: On the film 'Critters 2' and interview with director, Mick Garris

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRITTERS 2: THE MAIN COURSE (US, Mick Garris, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRUEL INTENTIONS 2 (US, Roger Kumble, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D [TWO] 2: THE MIGHTY DUCKS (US, Sam Weisman, 1994)
ID2: 165

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DADDY'S HOME 2 (US, Sean Anders, 2017)

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEADPOOL 2 (US, David Leitch, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DELTA FORCE 2: THE COLOMBIAN CONNECTION (US, Aaron Noris, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEMONI 2 - L`INCUBO RITORNIA (IT, Lamberto Bava, 1986)

Call No: TITLE CLIPPINGS FILE; ZOOLANDER 2 (US, Ben Stiller, 2016)
Author: Wilson, Jake
Subject: ZOOLANDER 2 (US, Ben Stiller, 2016)
Summary: Review of the film ZOOLANDER 2
Notes: article in The Age, 11 Feb 2016, p. 29 - 'Derek's back but sharp satire appears out of fashion -- article in Canberra Times, 13 Feb 2016, Panorama section, p. 22 - Blue Steel has lost its edge
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESPICABLE ME 2 (US, Pierre Coffin & Chris Renaud, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013); [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 DADS AND ONE MOM [2 PAPAS ET LA MAMAN, LES] (FR, Jean-Marc Longval, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: DIE HARD 2 (US, Renny Harlin, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRTY DANCING: HAVANA NIGHTS [DIRTY DANCING 2] (US, Guy Ferland, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [DOCTOR] DR DOLITTLE 2 (US, Steve Carr, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOMESTIC VIOLENCE 2 (US, Frederick Wiseman, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOU SAN 2 (HK, Jing Wong, 1994); GOD OF GAMBLERS' RETURN (HK, Jing Wong, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT AND A HALF] 8 1/2 WOMEN (US, Peter Greenaway, 2000)

Author: Lawrance, Peter
PhysDes: Article
Subject: BREAKIN' 2 ELECTRIC BOOGALOO (US, Sam Firstenberg, 1984)
Summary: Short Review

Call No: 735.1 SPR
Author: Springer, Claudia
Source: US
Place: Austin, TX
Publisher: University of Texas Press
PubDate: c1996
PhysDes: x, 182 pages : illustrations ; 23 cm
Subject: AUTOMOBILES IN FILMS; BODY IN FILMS; COMIC STRIPS AND THE CINEMA; COMPUTERS AND THE CINEMA; COMPUTERS IN FILMS; COMPUTERS AND TV; FEMINISM AND THE CINEMA; FEMINISM AND TV; GENDER AND THE CINEMA; GENDER AND TELEVISION; POSTMODERNISM AND THE CINEMA; ROBOTS IN FILMS; ROBOTS ON TV; SCIENCE AND THE CINEMA; SCIENCE-FICTION FILMS; SEXUALITY AND THE CINEMA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND TV; TECHNOLOGY IN FILMS; TECHNOLOGY ON TV; VIRTUAL REALITY; BLADE RUNNER (US, Ridley Scott, 1982); EVE OF DESTRUCTION (US, Duncan Gibbins, 1991); LAWNMOWER MAN, THE (US, Brett Leonard, 1992); ROBOCOP (US, Paul Verhoeven, 1987); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984)
Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURB
Notes: Includes index
ISBN: 0292776977
Donation: M.S. Counihan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EQUALIZER 2 , THE (US, Antoine Fuqua, 2018)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXTERMINATOR 2 (US, Mark Buntzman, 1984)

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PITCH PERFECT 2 (US, Elizabeth Banks, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Report on the strong showing of Pitch Perfect 2, and the overall strong performance of the Australian box office in 2015.
Notes: located in the BOX OFFICE. AUSTRALIA. 2015-2019 file

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: McDonald reviews MOCKINGJAY PART 2, the final installment of the Hunger Games franchise. The author is overall dissappointed with this film and feels it is the weakest of all four Hunger Games films.

Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FINAL DESTINATION 2 (US/CN, David R. Ellis, 2003)
ID2: 107

Call No: TITLE CLIPPINGS FILE; CONJURING 2, THE (US, James Wan, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: CONJURING 2, THE (US, James Wan, 2016)
Summary: Review of the horror film THE CONJURING 2, directed by Australian James Wan
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORTRESS 2 (US/LU, Geoff Murphy, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
ID2: 82

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FREE WILLY 2: THE ADVENTURE HOME (US, Dwight H. Little, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY THE 13TH PART 2 (US, Steve Miner, 1981)

Author: Jongeward, Steven
PhysDes: Article
Subject: FRIGHT NIGHT PART 2 (US, Tommy Lee Wallace, 1988)
Summary: On the film "Fright Night II" and interviews with director Tommy Lee Wallace and actor Roddy McDowall

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIGHT NIGHT PART 2 (US, Tommy Lee Wallace, 1988)

Call No: TITLE CLIPPINGS FILE; CONJURING 2, THE (US, James Wan, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: CONJURING 2, THE (US, James Wan, 2016)
Summary: Review of the horror film THE CONJURING 2 where the reviewer states that it is indeed a very scary and thrilling film
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Summary: Review of the film GUARDIANS OF THE GALAXY VOL. 2
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: Review

Call No: N79GEN MID; 2 copies
Author: Midlam, Amanda
Place: Sydney
Publisher: Angus & Robertson
PhysDes: 235 p. ; 19 cm
Subject: GENIE FROM DOWN UNDER 2, THE [TV] (AT/UK, 1998)
Donation: donated by the family of Wayne Levy, 2006
ID2: 48

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEORGE OF THE JUNGLE 2 (US, David Grossman, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GODS MUST BE CRAZY 2, THE (BT, Jamie Uys, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOSEBUMPS 2: HAUNTED HALLOWEEN (US/UK, Ari Sandel, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREASE 2 (US, Patricia Birch, 1982)

Author: Quinlan, David
PhysDes: Article
Subject: GREASE 2 (US, Patricia Birch, 1982)
Summary: Ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREAT ESCAPE 2: THE UNTOLD STORY (US, Jud Taylor & Paul Wendkos, 1988)

Call No: 71(45) VER
Author: Vermilye, Jerry
Place: Secaucus, N.J.
Publisher: Carol Pub. Group
PubDate: 1994
PhysDes: 254 p. : ill. ; 28 cm
Subject: ITALY; RISO AMARO (IT, Guiseppe de Santis, 1949); BELLISSIMA (IT, Luchino Visconti, 1951); AIDA (IT, Clemente Fracassi, 1953); SENSO (IT, Luchino Visconti, 1954); STRADA, LA (IT, Federico Fellini, 1954); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); AMARCORD (IT/FR, Frederico Fellini, 1973); PANE E CIOCCOLATA (IT, Franco Brusati, 1974); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); INNOCENTE, L' (IT/FR, Luchino Visconti, 1976); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986); GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986); OTELLO (IT, Franco Zeffirelli, 1986); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); FABIOLA (IT, Alessandro Blasetti, 1947); ROMA ORE 11 (IT, Giuseppe De Santis, 1951); AMICI PER LA PELLE (IT, Franco Rossi, 1955); BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); TOSCA [TV] (IT, 1992); STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990)
Notes: "A Citadel Press book."
ISBN: 0806514809 (pbk.) : $17.95
LON: 93045771; 10646564

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: GREMLINS 2: THE NEW BATCH (US, Joe Dante, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWN UPS 2 (US, Dennis Dugan, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRUDGE 2, THE (US, Takashi Shimizu, 2006)

Call No: TITLE CLIPPINGS FILE; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Author: Vicky Roach
PhysDes: Clippings File Article
Subject: GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Summary: Review of the film GUARDIANS OF THE GALAXY VOL. 2 (no rating given)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
URL status: URL: 'http://file://Q:/T/GUARDIANS_OF_THE_GALAXY_TWO.zip' Checked: 31/08/2021 1:50:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Summary: Review of the film GUARDIANS OF THE GALAXY VOL. 2
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUYS WHO NEVER LEARN 2 (JA, Norifumi Suzuki, 1988)

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: -
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Review of the film HOTEL TRANSYLVANIA 2
Rating: 2.5 out of 5 stars

Call No: 465.29 HAR
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2019
PhysDes: 235 pages : illustrations ; 25 cm.
Series: Fan phenomena
Subject: FANS; HARRY POTTER AND THE CHAMBER OF SECRETS (US/UK, Chris Columbus, 2002); HARRY POTTER AND THE DEATHLY HALLOWS: PART 1 (UK/US, David Yates, 2010); HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (UK/US, David Yates, 2011); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HARRY POTTER AND THE PHILOSOPHER'S STONE [HARRY POTTER] (UK/US, Chris Columbus, 2001); HARRY POTTER AND THE PRISONER OF AZKABAN (US, Alfonso Cuaron, 2004)
ISBN: 9781789380705
Contents: Introduction -- The Wizarding World of Harry Potter: Bringing the Books to Life, Erin Pyne -- Surveying Fanworks: Art, Dance, Fic, Music and Community, Madeline Wilson -- Aya Esther Hayashi, A. J. Holmes -- Lisa Gomez, Justin Zagri -- Valerie Estelle Frankel, Matt Maggiacomo -- Valerie Estelle Frankel, Ariel Birdoff -- Polyjuice and Potterheads: The Changing Face of Fandom from LiveJournal to Tumblr, Emily E. Roach -- The Magic of Video Game Adaptation: The Admirer Becomes the Caster in Harry Potter and the Philosopher's Stone/Sorceror's Stone, Cesar Alfonso Marino -- The Wizarding World of D&D: The Art of Roleplaying in the Potterverse, S. Evan Kreider -- Tommy Taylor Reveals Harry's True Power: Stories and Fans Can Reshape Our World, Joel Hawkes -- Buffy, Hamilton and Jon Snow Go to Hogwarts: Literary Affordance and the Hogwarts Houses as Interpretative Framework and Rhetorical Tool, Jessica Hautsch -- Harry's Magical Move to Broadway, Valerie Guempel -- Tuesdays with Malfoy: The Pain of Sharing Fandoms -- Recharming the Fans? The Expanded Works and Why They Don't Hold Up, Valerie Estelle Frankel

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (UK/US, David Yates, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997)

Call No: 451-054(73) WIL
Author: Willis, Sharon
Place: Durham, N.C.
Publisher: Duke University Press
PubDate: 1997
PhysDes: 266 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; ACTION FILMS; GENDER AND THE CINEMA. USA; MEN IN FILMS; WOMEN IN FILMS; LEE, SPIKE; LYNCH, DAVID; TARANTINO, QUENTIN; DIE HARD (US, John McTiernan, 1988); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); BASIC INSTINCT (US, Paul Verhoeven, 1992); THELMA & LOUISE (US, Ridley Scott, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WILD AT HEART (US, David Lynch, 1990); PULP FICTION (US, Quentin Tarantino, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FATAL ATTRACTION (US, Adrian Lyne, 1987)
Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino
Notes: Includes bibliographical references (p. [217]-257) and index
ISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)
LON: 97013147; 13158378
Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH SCHOOL MUSICAL 2 (US, Kenny Ortega, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HO CHING 2 (HK, Lee Kung-Lok, 2014); NAKED AMBITION 2 (HK, Lee Kung-Lok, 2014)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Boland, Michaela
Subject: BLOCKBUSTERS; SEQUELS; BOX OFFICE. AUSTRALIA; SHREK (US, Vicky Jenson & Andrew Adamson, 2001); SHREK 2 (US, Kelly Asbury & Andrew Adamson & Conrad Vernon, 2004); BOURNE IDENTITY, THE (US, Doug Liman, 2002); BOURNE SUPREMACY, THE (US, Paul Greengrass, 2004); SPIDER-MAN (US, Sam Raimi, 2002); SPIDER-MAN 2 (US, Sam Raimi, 2004)
Summary: The importance of Sequels within the business that markets and selling tested product within a risky film industry and which will hopefully drag the kids away from gaming, mobile phones and whatever other entertainment pursuits have been engaging them and their wallets. - A Rule of thumb suggests a sequel will gross about 10 to 20 per cent less than its predecessor; studios relish this security in an otherwise very uncertain business. - To maintain integrity a sequel must feature some elements of the original, such as key cast and the calibre of the director (if not the same director). But some franchises have been so well released they built on the original audience - Box Office numbers dropped 10 per cent in 2005 and bounced back in 2006, but not to the 907 million gross that Australian cinemas had achieved in 2004 Film Release patterns are integral to how much the film will generate in sales. (Summer Blockbusters, Releases for award nominations); accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: FILM SALES – DVD Shrek 2 – Sold extremely well on DVD FILMS SALES – CINEMA RELEASE Shrek 2 – 50 Million/18 million more than Shrek 1 The Bourne Identity – 13 million in Australia The Bourne Supremacy – 16 million Spider-man 31 million in Australia Spiderman 2 24.4 million

Call No: 738.1 BRE
Author: Brerton, Pat
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2004
PhysDes: 270 p. ; 24 cm
Subject: NATURE IN FILMS; ENVIRONMENTAL ISSUES IN FILMS; WESTERNS; LANDSCAPES IN FILMS; ROAD MOVIES; CONSPIRACY FILMS; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BLADE RUNNER (US, Ridley Scott, 1982); DANCES WITH WOLVES (US, Kevin Costner, 1990); EASY RIDER (US, Dennis Hopper,1969); INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957); JAWS (US, Steven Spielberg, 1975); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); MEN IN BLACK (US, Barry Sonnenfeld, 1997); SOYLENT GREEN (US, Richard Fleischer, 1973); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); THELMA & LOUISE (US, Ridley Scott, 1991); TITANIC (US, James Cameron, 1997); YEARLING, THE (US, Clarence Brown, 1947)
Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "
Notes: Bibliography: p. 241-267 Filmography: p. 9-10
ISBN: 1841501174
Donation: donated by Senses of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HORRIBLE BOSSES 2 (US, Sean Anders, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOUSE PARTY 2 (US, Doug McHenry & George Jackson, 1991)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOW TO TRAIN YOUR DRAGON 2 (US, Dean De Blois, 2014)
URL status: URL: 'http://file://Q:/T/HOW_TO_TRAIN_YOUR_DRAGON_TWO.zip' Checked: 31/08/2021 1:29:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79 HUN DRI
Author: Driscoll, Catherine; Heatwole, Alexandra
Edition: 2018
Place: Abingdon
Publisher: Routledge
PubDate: 2018
PhysDes: 112 pages : illustrated ; 23 cm
Series: cinema and youth cultures
Subject: HUNGER GAMES, THE (US, Gary Ross, 2012); HUNGER GAMES, THE : CATCHING FIRE (US, Francis Lawrence, 2013); HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014); HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015); TEEN FILMS
Summary: The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge. -- publisher's web site
ISBN: 9781138683068
Contents: Introduction ‘The Hunger Games’ Chapter 1 Choose Your Own Adventure: Survival, Adulthood and Other Fantasies Chapter 2 Katniss Everdeen, Girl Hero Chapter 3 The Train from District 12: Panem as Dystopia Chapter 4 Team Katniss: In the Arena of Romance Chapter 5 ‘The Hunger Memes’: Film, Fans, and Speculation as Critique

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Marr, Merissa
Subject: DREAMWORKS SKG; DISTRIBUTION. DVD; SHREK 2 (US, Kelly Asbury & Andrew Adamson & Conrad Vernon, 2004)
Summary: Dreamworks had to call off a a secondary stock offering due to unexpected retailer returns of their blockbuster hit Shrek 2. seems to confirm that DVD sales have hit a wall and will not shoot forever upwards
Notes: accessed from: Proquest. Proquest-CSA LLC. RMIT University Library. (14 May 2007).
Quotations: -- "It has sold more than 35 million DVD and VHS copies world-wide so far"; -- Sales to consumers (of DVD's) have reached more than $15 billion annually.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INBETWEENERS 2, THE (UK, Damon Beesley & Iain Morris, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INCREDIBLES 2, THE (US, Brad Bird, 2018)

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Review
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDIOUS: CHAPTER 2 (US/CN, James Wan, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSPECTOR GADGET 2 (US, Alex Zamm, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: INTO THE UNKNOWN: THE MAKING OF FROZEN 2 (US, 2020)
Cross Reference: INTO THE UNKNOWN THE MAKING OF FROZEN 2 (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IRON MAN 2 (US, Jon Favreau, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAWS 2 (US, Jeannot Szwarc, 1978)

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN WICK: CHAPTER 2 (US/HK/IT/CN, Chad Stahelski, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUI KUEN 2 (HK, Cha-Liang Liu, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUNGLE 2 JUNGLE (US, John Pasquin, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JUNGLE BOOK 2, THE (US/AT, Steven Trenbirth, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KICK-ASS 2 (US/UK/JA, Jeff Wadlow, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KICKBOXER 2: THE ROAD BACK (US, Albert Pyun, 1991)

Author: Mooney, Jacqueline
PhysDes: Article; Illustration(s)
Subject: NICKELODEON AUSTRALIA; PAY TV. AUSTRALIA; ADVENTURES OF HOT CHUNKS, THE (SERIES 2) [TV] (AT, Eddie Mort, 1999)
Summary: Report on animated series planned by Pay TV company, Nickelodeon Australia, focussing on the second series of "The Adventures of hot chunks".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILEROW 2-OCH (PL, Juliusz Machulski, 1999)

Call No: P KIL
Place: AT
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: KILL BILL VOL. 2 (US, Quentin Tarantino, 2004)
Summary: Image: Uma Thruman in bridal gown with veil, holding a long sword. Text: 'The bride is back for the final cut'.
Notes: Small tear towards bottom right hand side.; Double-sided.
ID2: 20

Call No: P KIL
Place: AT
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: KILL BILL VOL. 2 (US, Quentin Tarantino, 2004)
Summary: Image: A list on note paper pierced by a long sword on which there is an inverted engraving of a lion. Text: 'The new film by Quentin Tarantino'.Text: (on image of note) 'Death List Five. 3 Budd. 4 Elle Driver. 5 BILL'.
Notes: Small tears and scratches on bottom left side.; Small tears on top right corner.; Double-sided.
ID2: 20

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUNG FU PANDA 2 (US, Jennifer Yuh, 2011)

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LAWNMOWER MAN 2: BEYOND CYBERSPACE (US, Farhad Mann, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAD BALLOON SEASON 2 [TV] (UK, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LEGALLY BLONDE 2: RED, WHITE & BLONDE (US, Charles Herman-Wurmfeld, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: LETHAL WEAPON 2 (US, Richard Donner, 1989)

Call No: TITLE CLIPPINGS FILE; SECRET IN THEIR EYES (US, Billy Ray, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: HUTCHERSON, JOSH; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: Interview with Josh Hutcherson where he discusses his role in the film THE HUNGER GAMES: MOCKINGJAY PART 2

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)
Summary: 2 black and white photographs of child playing with meccano and child hiding behind a giant vase

Call No: 67(04) KAE
Author: Kael, Pauline
Place: London
Publisher: Cape
PubDate: 1966
PhysDes: ix, 365 p. ; 22 cm.
Subject: CRITICISM; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); SCIUSCIA (IT, Vittorio De Sica, 1946); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); WEST SIDE STORY (US, Robert Wise, 1961); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); MARK, THE (UK, Guy Green, 1961); INNOCENTS, THE (UK, Jack Clayton, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); TASTE OF HONEY, A (UK, Tony Richardson, 1961); VICTIM (UK, Basil Dearden, 1961); LOLITA (US, Stanley Kubrick, 1962); JULES ET JIM (FR, Francois Truffaut, 1962); NOBI (JA, Kon Ichikawa, 1959); BILLY BUDD (UK, Peter Ustinov, 1962); YOJIMBO (JA, Akira Kurosawa, 1961); DEVI (II, Satyajit Ray, 1960); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963)
Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.
Notes: Includes index.
LON: nun00460852; 4159070

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAGASCAR: ESCAPE 2 AFRICA (US, Eric Darnell & Tom McGrath, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADAME CLAUDE 2 (FR, Francois Mimet, 1981)

Call No: 79TER SHA
Author: Shay, Don; Duncan, Jody
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1991
PhysDes: 127 p. : ill. (some col.), ports ; 28cm.
Subject: CAMERON, JAMES; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Summary: An illustrated, behind-the-scenes look at the making of the film Terminator 2 : Judgement Day. Includes photographs, production drawings and interviews with cast and crew.
ISBN: 0553353462
Donation: Simon Wincer
Contents: Introduction -- Chapter 1: A true continuation: an interview with James Cameron -- On the set: Reseda, California -- Chapter 2: A boy and his terminator -- On the set: San Jose, California -- Chapter 3: Make it look cool -- On the set: Long Beach, California -- Chapter 4: Putting out fires, day to day -- On the set: Fontana, California -- Chapter 5: Coming together again -- On the set: Fontana, California -- Chapter 6: Action in every paragraph -- On the set: Fontana, California -- Chapter 7: More is more -- On the set: Lake View Terrace, California -- Chapter 8: Tricks and more tricks -- On the set: Valencia, California -- Chapter 9: Your basic logistical hell: an interview with James Cameron

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MALEFICENT 2

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: 735.2:203 MER
Author: Nowell, Richard (ed.)
Source: US/UK
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: xiv, 264 pages : illustrations (black and white) ; 23 cm
Subject: HORROR FILMS; ECONOMICS AND THE CINEMA; PRODUCTION; HORROR FILMS. AUSTRALIA; CRITICISM; DIRECTION; LITERATURE AND THE CINEMA; THEORY; DISTRIBUTION; ADVERTISING FOR FILMS; SCREAM (US, Wes Craven, 1996); SCREAM 2 (US, Wes Craven, 1997); SCREAM 3 (US, Wes Craven, 2000); SCREAM 4 (US, Wes Craven, 2011)
Summary: "Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes." - Publisher's Website
Notes: Formerly CIP; Includes bibliographical references and index; Also issued online
ISBN: 9781623564209
Contents: -- Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MESSIAH 2: VENGEANCE IS MINE [TV] (UK, David Richards, 2003)

Call No: 403(73) MIL
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2014
PhysDes: viii, 207 pages ; 23 cm
Subject: HOMOSEXUALITY AND TV. USA; GLEE [TV] (US, Ryan Murphy, 2009); [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013); SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013); PRETTY LITTLE LIARS [TV] (US, 2010-2017); [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017); MINDY PROJECT, THE [TV] (US, 2012-2017)
Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back cover
Notes: Includes bibliographical references and index
ISBN: 9780786478804
Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MISS CONGENIALITY 2: ARMED AND FABULOUS (US, John Pasquin, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISSING IN ACTION 2 - THE BEGINNING (US, Lance Hood, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: MISSION IMPOSSIBLE 2 (US, John Woo, 2000)

Call No: TITLE CLIPPINGS FILE; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Summary: Review of the film GUARDIANS OF THE GALAXY VOL. 2
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INFERNAL AFFAIRS 2 [MOU GAAN DOU II] (HK/CC/SI, Andrew Lau & Alan Mak, 2003)

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 721.303.311 BAR
Author: Barraclough, David
Place: London
Publisher: New Burlington Books
PubDate: 1992
PhysDes: 128 p. : ill. (some col.) ; 29 cm
Subject: BOX OFFICE; STARS; HEAVEN'S GATE (US, Michael Cimino, 1980); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes index
ISBN: 1853483966
LON: abn92256397; 9219298

Call No: TITLE CLIPPINGS FILE; WOLF CREEK 2 (AT, Greg Mclean, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: Positive review of the outback thriller.
Rating: 3.5 out of 5 stars

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; BIRCH CARROLL AND COYLE; CHARITY APPEALS AND THE CINEMA; GREASE 2 (US, Patricia Birch, 1982); CINEMA BUILDINGS. AUSTRALIA
Summary: Article on the renovations and re-opening of The Star cinema in Mt. Isa.

Call No: TITLE CLIPPINGS FILE; MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: VARDALOS, NIA; MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Summary: Interivew with Nia Vardals the star, writer, and executive producer of MY BIG FAT GREEK WEDDING 2

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)

Call No: DIGITAL FILE
Author: Vardalos, Nia
PhysDes: 102 leaves
Subject: MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE; BAD SANTA 2 (US, Mark Waters, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BAD SANTA 2 (US, Mark Waters, 2016)
Summary: Review of the film BAD SANTA 2
Rating: 1.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY GIRL 2 (US, Howard Zieff, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAJEUN MOKSORI 2 (KO, Byun Young-joo, 1995); HABITUAL SADNESS (KO, Byun Young-joo, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NAKED GUN 2 1/2: THE SMELL OF FEAR (US, David Zucker, 1991)

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Article talking about the film HOTEL TRANSYLVANIA 2 with quotes from various cast and crew

PhysDes: Article
Subject: VIDEO CLASSICS; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; UNITED INTERNATIONAL PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; UNITED ARTISTS; Metro-Goldwyn-Mayer; ROCKY III (US, Sylvester Stallone, 1982); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); THING, THE (US, John Carpenter, 1982); SHOGUN ASSASSIN (US, Robert Huston, 1980); GREASE 2 (US, Patricia Birch, 1982); POLTERGEIST (US, Tobe Hooper, 1982); URBAN COWBOY (US, James Bridges, 1980)
Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTMARE ON ELM STREET, PART 2: FREDDY'S REVENGE, A (US, Jack Sholder, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: NINE 1/2 WEEKS (US, Adrian Lyne, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO. 2 (NZ, Toa Fraser, 2006)

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: Review of the film THE HUNGER GAMES: MOCKINGJAY PART 2
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOT FORGOTTEN PROGRAM NUMBER 2 (US, Greg Sharits, 198?)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOW YOU SEE ME 2 (US, Jon M. Chu, 2016)
URL status: URL: 'http://file://Q:/T/NOW_YOU_SEE_ME_TWO.zip' Checked: 31/08/2021 1:43:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NUT JOB 2, THE : NUTTY BY NATURE (KO/CN, Cal Brunker, 2017)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 cm
Subject: CHILDREN AND TV. AUSTRALIA; GODECKI, MARZENA; WALKER, JEFFREY; OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)
Summary: 13 black and white photographs of scenes from the science fiction children's TV show and of the Ocean Girl, Marzena Godecki.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: OCEAN GIRL 2 [TV] (AT, Jonathan Schiff, 1995)

Call No: 81YAN CHA
Author: Chang, Bryan (ed.) and Li, Cheuk-to (ed.)
Edition: 1st ed.
Source: HK
Place: Hong Kong
Publisher: Hong Kong International Film Festival Society
PubDate: 2008
PhysDes: 144p.; col. ill. : 26cm
Series: HKIFF Society Series, no. 9, March 2008
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; YANG, EDWARD; HAI-T'AN-TE YI-T'IEN (TZ, Yang Teh-Chang, 1983); DULI SHIDAI (TZ, Edward Yang [pseud. Yang Teh-Chang], 1994); GUANG YIN DE GU SHI (TZ, Edward Yang, 1982); QING MEI ZHU MA (TZ, Edward Yang, 1985); KONG BU FEN ZI (TZ, Edward Yang, 1986); GU LING JIE SHAO NIAN SHA REN SHI JIAN (TZ, Edward Yang, 1991); MA JIANG (TZ, Edward Yang, 1996); YI YI (TZ, Edward Yang, 2000); WINTER OF 1905, THE / WIND, THE (TZ, Edward Yang, 2004); [ELEVEN] 11 WOMEN: FLOATING WEEDS, PART 1 & 2 (TZ, Edward Yang, 1982)
Summary: Collection of interviews, essays, film notes and some of Yang's short stories, this is a tribute to the work of a prolific Asian film-maker.Contains synopsis of films, a bio-filmography and both colour and black and white illustrations. In both Chinese and English translations.
Notes: English and Chinese; Bio-filmography: p.140-143
ISBN: 9789889918149
Language: English; Chinese

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONG BAK: THE BEGINNING [ONG-BAK 2] (TH, Tony Jaa/Panna Rittikrai, 2008)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963)
ID2: 299
URL status: URL: 'http://file://Q:/T/EIGHT_AND_A_HALF.zip' Checked: 31/08/2021 1:47:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PADDINGTON 2 (UK/US, Paul King, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PAUL BLART: MALL COP 2 (US, Andy Fickman , 2015)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PINK PANTHER 2 (US, Herald Zwart, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)

Call No: 772 ROS
Author: Rosing, Lilian Munk
Edition: Paperback edition
Source: US/UK
Place: New York; London
Publisher: Bloomsbury Academic, an imprint of Bloomsburg Publishing
PubDate: 2017
PhysDes: 181 pages : illustrations ; 23 cm
Subject: PIXAR; ANIMATION; THEORY; LACAN, JACQUES; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998); MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001); FINDING NEMO (US, Andrew Stanton & Lee Unkrich, 2003); INCREDIBLES, THE (US, Brad Bird, 2004); CARS (US, John Lasseter and Joe Ranft, 2006); RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007); WALL-E (US, Andrew Stanton, 2008); UP (US, Pete Docter and Bob Peterson, 2009)
Summary: The films from Pixar Animation Studios are among the most popular family films today. From Monsters Inc. to Toy Story and Wall-E, Pixar's animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications of that animation? Pixar with Lacan has the double aim of analyzing pixar films while at once exemplifying important psychoanalytic concepts (the voice, the gaze, the partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/the real/the symbolic, desire and drive, the four discourses, masculine/feminine). In so doing , Lilian Munk Rosing expertly examines the ideological implications of the images of human existance in Pixar films.-- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781501320170
Contents: -- Introduction -- Beyond the Name of the Father: Toy Story -- Big O is Watching You: Toy Story 2 -- Sadism in the Kindergarten: Toy Story 3 -- entertainment as warfare : A Bug's Life -- There is Nothing More Toxic than a Human Child: Monsters, Inc -- Just Keep Swimming: Finding Nemo -- More than Super: The Incredibles -- the Mother Road: Cars -- Man is a Puppet, Soul is a Rat: Ratatouille -- Humanity Stuck in Vacation Hell: Wall-E -- His Master's Voice: Up -- epilogue: animation and capitalism -- references -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PLAYING THE GAME: EPISODE 2 - AFRICA - BLACK STAR RISING (AT, Paul Du Cane, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters; Clippings
Subject: POLICE ACADEMY 2: THEIR FIRST ASSIGNMENT (US, Jerry Paris, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: PREDATOR 2 (US, Stephen Hopkins, 1990)

Author: Dacre, Anna
PhysDes: Article; Bibliography
Subject: ROBOTS IN FILMS; POSTMODERNISM AND THE CINEMA; JAMESON, FREDRIC; PREDATOR (US, John McTiernan, 1987); PREDATOR 2 (US, Stephen Hopkins, 1990)
Summary: Postmodernism, cyborgs and the science-fiction genre, particluarly the "Predator" film series, are explored in relation to the work of Fredric Jameson.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRIME SUSPECT 2 [TV] (UK, John Strickland, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PRINCESS DIARIES 2, THE (US, Garry Marshall, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PROBLEM CHILD 2 (US, Brian Levant, 1991)

Call No: 735.14 HOC
Author: Rushing, Janice Hocker; Frentz, Thomas S
Place: Chicago
Publisher: University of Chicago Press
PubDate: 1995
PhysDes: x, 261 p. : ill. ; 24 cm
Series: New practices of inquiry
Subject: ROBOTS IN FILMS; MYTH AND THE CINEMA; JAWS (US, Steven Spielberg, 1975); DEER HUNTER, THE (US, Michael Cimino, 1978); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); BLADE RUNNER (US, Ridley Scott, 1982); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984)
Notes: Includes bibliographical references (p. 222-244) and index
ISBN: 0226731677 (paper : alk. paper); 0226731669 (cloth : alk. paper)
LON: 95030431; 11723431

Call No: 79PSY BLO
Author: Bloch, Robert
Source: UK
Place: London
Publisher: Corgi
PubDate: 1982
PhysDes: 281 p. ; 18cm
Subject: PSYCHO 2 (US, Richard Franklin, 1982)
ISBN: 055212186X

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAGE: CARRIE 2, THE (US, Katt Shea, 1999)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RAID 2, THE [RAID 2, THE : BERANDAL](IO/US, Gareth Evans, 2014)
URL status: URL: 'http://file://Q:/T/RAID_TWO.zip' Checked: 31/08/2021 1:35:59 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RE-ANIMATOR 2 (US, Brian Yuzna, 1991)

Author: Nicholls, Rod
PhysDes: Article
Subject: FELLINI, FEDERICO; SATYRICON (IT/FR, Federico Fellini, 1969); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963)
Summary: Article on the stialistic films of Federico Fellini.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED 2 (US/FR/CN, Dean Parisot, 2013)

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Poor film review of HOTEL TRANSYLVANIA 2
Notes: This film review was also published in Canberra Times on november 28 2015 and in The Age on the 26 November 2015
Rating: 2 out of 5 stars

Call No: 735.14 TEL
Author: Telotte, J. P., 1949
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1995
PhysDes: 222 p. : ill. ; 24 cm
Subject: SCIENCE-FICTION FILMS; ROBOTS IN FILMS; DOUBLES; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TECHNOLOGY AND THE CINEMA; BLADE RUNNER (US, Ridley Scott, 1982); METROPOLIS (G, Fritz Lang, 1926); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); CHERRY 200 (US, Steve de Jarnatt, 1988); FUTUREWORLD (US, Richard Heffron, 1976); TOTAL RECALL (US, Paul Verhoeven, 1990); WESTWORLD (US, Michael Crichton, 1973)
Notes: Filmography: p. [197]-208; Includes bibliographical references (p. [209]-215) and index
ISBN: 0252021770 (cloth : acidb-sfree paper); 0252064666 (paper)
LON: 95006586; 11513238

Call No: TITLE CLIPPINGS FILE; KICK ASS 2 (US/UK/JA, Jeff Wadlow, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: KICK ASS 2 (US/UK/JA, Jeff Wadlow, 2013)
Summary: Review of film Kick-Ass 2
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIDE ALONG 2 (US, Tim Story, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RING 2 (JA, Hideo Nakata, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RING 2, THE (US Hideo Nakata, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIO 2 (US, Carlos Saldanha, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ROBOCOP 2 (US, Irvin Kershner, 1990)

Call No: TITLE CLIPPINGS FILE; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: DEBICKI, ELIZABETH; GUARDIANS OF THE GALAXY VOL. 2 (US, James Gunn, 2017)
Summary: Interview with Australian actor Elizabeth Debicki about her career and her role in the film GUARDIANS OF THE GALAXY VOL. 2, with comments from film director James Gunn
Notes: A

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RUSH HOUR 2 (US, Brett Ratner, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SACRED SEX 2 (AT, Cynthia Cornop, 1993)

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: Review of the film THE HUNGER GAMES: MOCKINGJAY PART 2
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SANTA CLAUSE 2, THE (US, Michael Lembeck, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SCARY MOVIE 2 (US, Keenan Ivory Wayans, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCOOBY-DOO 2: MONSTERS UNLEASHED (US, Raja Gosnell, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SCREAM 2 (US, Wes Craven, 1997)

Call No: 45:2 SCR
Author: Ostwalt, Conrad Eugene, 1959; Martin, Joel W., 1956
Place: Boulder
Publisher: Westview Press
PubDate: c1995
PhysDes: x, 193 p. ; 24 cm
Subject: MYTH AND THE CINEMA. USA; RELIGION AND THE CINEMA. USA; IDEOLOGY AND THE CINEMA. USA; DISASTERS IN FILMS; ALLEGORY IN FILMS; WOMEN IN FILMS; HERO IN FILMS; RACIAL ISSUES AND THE CINEMA; ALIENS IN FILMS; VIETNAM WAR IN FILMS; NINE 1/2 WEEKS (US, Adrian Lyne, 1986); PSYCHO (US, Alfred Hitchcock, 1960); BLOOD SIMPLE (US, Joel Coen, 1984); PLATOON (US, Oliver Stone, 1986); STAR WARS (US, George Lucas, 1977); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ROCKY (US, John G. Avildsen, 1976); IRONWEED (US, Hector Babenco, 1987); BLUE VELVET (US, David Lynch, 1986)
Notes: Includes bibliographical references (p. 161-182) and index
ISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)
LON: 11259176

Call No: TITLE CLIPPINGS FILE; BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)
Summary: Review of the film BAD NEIGHBOURS 2
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Review
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEX AND THE CITY 2 ( US, Michael Patrick King, 2010)

Call No: 734 SHA
Author: Copjec, Joan
Place: London ; New York
Publisher: Verso
PubDate: 1993
PhysDes: xii, 300 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; WOMEN IN FILMS; CHANDLER, RAYMOND; BLUE GARDENIA, THE (US, Fritz Lang, 1953); RAW DEAL (US, Anthony Mann, 1948); SECRET BEYOND THE DOOR... (US, Fritz Lang, 1948); DOUBLE INDEMNITY (US, Billy Wilder, 1944); RAGE IN HARLEM, A (UK/US, Bill Duke, 1991); BLUE VELVET (US, David Lynch, 1986); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references
ISBN: 0860914607 : $59.85; 0860916251 (pbk.) : $18.95
LON: bnb86091460; 10424769

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SHORT CIRCUIT 2 (US, Kenneth Johnson, 1988)

Call No: SUBJECT CLIPPINGS FILE; LEGO MOVIE, THE sequel in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)
Summary: Sequel to The Lego Movie to be directed by Rob Schrab.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; OST promo CD
Subject: SHREK 2 (US, Kelly Asbury & Andrew Adamson & Conrad Vernon, 2004)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: SISTER ACT 2 : BACK IN THE HABIT (US, Bill Duke, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SMURFS 2, THE (US, Raja Gosnell, 2013)

Call No: TITLE CLIPPINGS FILE; AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: AS IT IS IN HEAVEN 2 [SA OCK PA JORDEN] (SW, Kay Pollak, 2015)
Summary: Stratton reviews the Swedish film AS IT IS IN HEAVEN 2
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: BAD NEIGHBOURS 2 (US, Nicholas Stoller, 2016)
Summary: Review of BAD NEIGHBOURS 2
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SPEED 2: CRUISE CONTROL (US, Jan De Bont, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SPIDER-MAN 2 (US, Sam Raimi, 2004)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Tourtellotte, Bob
Subject: FINANCING. USA; BLOCKBUSTERS; MERCHANDISING; MEMORABILIA; THEME PARKS AND THE CINEMA; SONY CORPORATION; SPIDER-MAN (US, Sam Raimi, 2002); SPIDER-MAN 2 (US, Sam Raimi, 2004)
Summary: Investigation into the massive investment Sony Corporation have put into the Spider-Man franchise. Some mentions of DVD and VHS sales.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SPY KIDS 2: THE ISLAND OF LOST DREAMS (US, Robert Rodriguez, 2002)

Call No: TITLE CLIPPINGS FILE; NOW YOU SEE ME 2 (US, Jon M Chu, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: NOW YOU SEE ME 2 (US, Jon M Chu, 2016)
Summary: Review of NOW YOU SEE ME 2
Notes: similar published in The Age: 'All-star cast can't work magic in same-old-tricks sequel' p 24, same date; Canberra Times: 'Oh, it's you again'. 4 June 2016, Section Panorama, p 19.
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEINER- DAS EISERNE KREUZ, 2. TEIL (GW, Andrew V. McLaglen, 1979); BREAKTHROUGH (GW, Andrew V. McLaglen, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEP UP 2: THE STREETS (US, John Chu, 2008)

Call No: 632.2(73) THO
Author: Thompson, Kristin, 1950
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1999
PhysDes: 398 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; TOOTSIE (US, Sydney Pollack, 1982); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); GROUNDHOG DAY (US, Harold Ramis, 1993); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); AMADEUS (US, Milos Forman, 1984); HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990); PARENTHOOD (US, Ron Howard, 1989); ALIEN (UK, Ridley Scott, 1979); HANNAH AND HER SISTERS (US, Woody Allen, 1986); FIELD, SYD; JAWS (US, Steven Spielberg, 1975); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references and index
ISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95
LON: 14524218

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRIPPED TO KILL 2 (US, Kate Shea Ruben, 1989)