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Call No: FESTIVAL CATALOGUE SHELVES
Place: London, UK
Publisher: [s.n.]
PubDate: 2006
PhysDes: 31 p. : ill. ; 30 cm
Subject: FESTIVALS. LONDON [VARIOUS]; QUEER CINEMA; SHORT FILMS; DOCUMENTARY FILMS; EUROPEAN CINEMA; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; WESTERNS; HOMOSEXUALITY IN FILMS
Notes: The 20th London Lesbian and Gay Film Festival includes a selection of feature length films, short films and documentaries. The festival also hosts various film retrospectives including a "Queer look at the Western" genre and "Gay TV". The catalogue also contains numerous colour stills, film synopses and an index.
ID2: 104

Call No: FESTIVAL CATALOGUE SHELVES
Place: Sydney, NSW
Publisher: [s.n.]
PubDate: 1978
PhysDes: 30 p. : ill. ; 28 cm
Subject: FESTIVALS. SYDNEY; FESTIVALS. AUSTRALIA. SYDNEY TRAVELLING; WORLD CINEMA; EUROPEAN CINEMA
Notes: The 25th Anniversary of the Sydney Film Festival program is an overview of the festival from its inception in 1954 through to 1978. This commemorative catalogue chronologically details the highlights and special events of each festival including directors and actors in attendance. The catalogue also includes numerous black and white stills of a variety of classic films that have featured at the festival. And also provided is an alphabetical listing of feature filmmakers whose work has been screened. The Travelling Film Festival is also mentioned detailing films shown and locations visited.

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: FESTIVAL CATALOGUE SHELVES; held 1980-1982, 1984, 1996
Place: Cape Town, South Africa
PubDate: 1980-1996
PhysDes: 5 v. : ill. ; 21-30 cm
Subject: FESTIVALS. CAPE TOWN; SOUTH AFRICA; WORLD CINEMA; DOCUMENTARY FILMS
Notes: The Cape Town International Film Festival includes a selection of feature length films and documentaries. The festival also hosts a variety of special programs related to film genres, as well as retrospectives on classic film directors. The catalogues also include numerous black and white stills and film synopses.
ID2: 106

Call No: 71(94) WOR
Author: Goldsmith, Ben (ed.), Ryan, Mark David (ed.), Lealand, Geoff (ed.)
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2015
PhysDes: 364 pages ; 24 cm
Series: Directory of world cinema ; 19
Subject: WORLD CINEMA; AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; NEW ZEALAND; MAORI CINEMA
Summary: "Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance of films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong. Accompany the critical essays in this volume are more than 60 film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar - but also different - and consistenly fascinating national cinemas." -- BOOK BLURB
Notes: Includes recommended reading; Includes filmography
ISBN: 9781841506340
Contents: Introduction: Australia -- Film of the Year -- Red Dog -- Festival Focus -- Brisbane International Film Festival -- Australian Film Locations -- Marketing Mix -- Finding International Audiences -- Star Study -- Errol Flynn -- Directors -- Jane Campion -- Arthur and Corrine Cantrill -- Ken G Hall -- Brian Trenchard Smith -- Action and Adventure -- Australian Animated Feature Films -- Comedian Comedy -- Crime -- Australian Gothic -- Horror -- Road Movie -- Science Fiction -- Thriller -- War -- The Australian Western -- Introduction: New Zealand -- Crossing the Ditch -- Directors -- Women Directors of Feature Films in New Zealand -- Annie Goldson -- Gaylene Preston -- Director Studies -- Costa Botes -- Yvonne Mackay -- Merata Mita -- Barry Barclay -- Christine Jeffs -- Experimental and Documentary Film -- Theatrical Documentary in New Zealand 2012 -- Genres of New Zealand Experimental Film -- 'Principled Patriotism' -- Emerging Asian New Zealand Film-makers in New Zealand Cinema

Call No: 71(93) DIR
Author: Goldsmith, Ben (ed.); Lealand, Geoff (ed.)
Place: Bristol, UK
Publisher: Intellect
PubDate: 2010
PhysDes: 339 p. : ill. ; 30 cm
Series: Directory of world cinema ; v. 3
Subject: AUSTRALIA; NEW ZEALAND; WORLD CINEMA; HOLMES, CECIL; Powell, Michael; WEIR, PETER; LUHRMANN, BAZ; HORROCKS, SHIRLEY; KOTHARI, SHUICHI; WARD, VINCENT; WHALE RIDER (NZ/GG, Niki Caro, 2002); PIANO, THE (AT, Jane Campion, 1993); WOLF CREEK (AT, Greg McLean, 2005)
Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.
Notes: Includes bibliographical references
ISBN: 9781841503684
Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346' Checked: 31/08/2021 1:24:36 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: FESTIVAL CATALOGUE SHELVES
Place: Rio de Janeiro, Brazil
Publisher: [s.n.]
PubDate: 2004
PhysDes: 312 p. : ill. ; 26 cm
Subject: FESTIVALS. RIO DE JANEIRO; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; BOLLYWOOD; LEONE, SERGIO
Notes: The Festival do Rio 2004 (Rio de Janeiro International Film Festival) includes a selection of feature length films, short films and documentaries. The festival also has a strong emphasis on Brazilian and Latin American cinema, South African cinema, Midnight movies, as well as retrospectives on Bollywood film and the films of Sergio Leone. The catalogue also includes numerous black and white and colour stills and film synopses. NB. The festival catalogue is in both English and Portugese languages and also contains an index section.

Call No: FESTIVAL CATALOGUE SHELVES held 1989
Source: SP
Place: Sitges [Barcelona]
Publisher: [s.n.]
PubDate: 1989
PhysDes: 146 p. : ill. ; 30 cm
Subject: FESTIVALS. SITGES; FANTASY FILMS; WORLD CINEMA
Notes: The Sitges International Fantasy Film Festival includes a selection of feature length films that deal primarily with the fantasy genre. There is a wide selection of foreign films that are included in the festival program, as well as film retrospectives on influential auteurs. The catalogue also includes numerous black and white and colour stills and film synopses relating to each film that is screened. NB. The festival catalogue is mainly restricted to the Spanish language with some sections in English.

Call No: FESTIVAL CATALOGUE SHELVES; Held 2003-2006
Source: France
Place: Fribourg, France
PubDate: 2003-2006
PhysDes: 4 v. : ill. ; 30 cm
Subject: FESTIVALS. FRANCE; WORLD CINEMA; EUROPEAN CINEMA
Notes: Shelved: Festivals. International. Europe. Misc; Most recent programme may be available from website: http://www.fiff.ch/
ID2: 111

Call No: FESTIVAL CATALOGUE SHELVES held 1963, 1965
Place: Lebanon
Publisher: [s.n.]
PubDate: 1963-1965
PhysDes: 2 v. : ill. ; 24 cm
Subject: FESTIVALS. LEBANON; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; EUROPEAN CINEMA
Notes: The Festival International du Cinema au Liban (Lebanon) includes a selection of feature length films from around the world. The catalogues also include numerous black and white stills and film synopses. NB. both film catalogues are in French and Arabic languages.
ID2: 104

Call No: 62 FIL
Author: MacKenzie, Scott (ed.)
Source: US
Place: Berkeley London
Publisher: University of California Press
PubDate: 2014
PhysDes: xxi, 651 p. ; 26 cm
Subject: AVANT-GARDE FILMS; CONSTRUCTIVISM; SURREALISM AND THE CINEMA; STRUCTURALISM; NOUVELLE VAGUE; IMPERIALISM AND THE CINEMA; GENDER AND THE CINEMA; FEMINISM AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARIES; PHILOSOPHY AND THE CINEMA; WORLD CINEMA; LATIN AMERICAN COUNTRIES; AESTHETICS; ARCHIVES & INSTITUTES, FILM
Summary: Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture. -- extract taken from the back of the book
Notes: Includes index -- Includes bibliographical references and index.
ISSN: 9780520276741
Contents: Introduction. “An Invention without a Future” -- 1. The Avant-Garde(s) -- The Futurist Cinema (Italy, 1916) F.T. Marinetti, Bruno Corra, et al. -- Lenin Decree (USSR, 1919) Vladimir Ilyich Lenin -- The ABCs of Cinema (France, 1917–1921) Blaise Cendrars -- WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov -- The Method of Making Workers’ Films (USSR, 1925) Sergei Eisenstein -- Constructivism in the Cinema (USSR, 1928) Alexei Gan -- Preface: Un chien Andalou (France, 1928) Luis Buñuel -- Manifesto of the Surrealists Concerning L’Age d’or (France, 193) The Surrealist Group -- Manifesto on “Que Viva Mexico” (USA, 1933) The Editors of Experimental Film -- Spirit of Truth (France, 1933) Le Corbusier -- An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) László Moholy-Nagy -- Light*Form*Movement*Sound (USA, 1935) Mary Ellen Bute -- Prolegomena for All Future Cinema (France, 1952) Guy Debord -- No More Flat Feet! (France, 1952) Lettriste International -- The Lettristes Disavow the Insulters of Chaplin (France, 1952) Jean-Isidore Isou, Maurice Lemaître, and Gabriel Pomerand -- The Only Dynamic Art (USA, 1953) Jim Davis -- A Statement of Principles (USA, 1961) Maya Deren -- The First Statement of the New American Cinema Group (USA, 1961) New American Cinema Group -- Foundation for the Invention and Creation of Absurd Movies (USA, 1962) Ron Rice -- From Metaphors on Vision (USA, 1963) Stan Brakhage -- Kuchar 8mm Film Manifesto (USA, 1964) George Kuchar -- Film Andepandan [Independents] Manifesto (Japan, 1964) Takahiko Iimura, Koichiro Ishizaki, et al. -- Discontinuous Films (Canada, 1967) Keewatin Dewdney -- Hand-Made Films Manifesto (Australia, 1968) Ubu Films, Thoms -- Cinema Manifesto (Australia, 1971) Arthur Cantrill and Corinne Cantrill -- For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) Hollis Frampton -- Elements of the Void (Greece, 1972) Gregory Markopoulos -- Small Gauge Manifesto (USA, 1980) JoAnn Elam and Chuck Kleinhans -- Cinema of Transgression Manifesto (USA, 1985) Nick Zedd -- Modern, All Too Modern (USA, 1988) Keith Sanborn -- Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) Peggy Ahwesh, Caroline Avery, et al. -- Anti-1 Years of Cinema Manifesto (USA, 1996) Jonas Mekas -- The Decalogue (Czech Republic, 1999) Jan Švankmajer -- Your Film Farm Manifesto on Process Cinema (Canada, 212) Philip Hoffman -- 2. National and Transnational Cinemas -- From “The Glass Eye” (Italy, 1933) Leo Longanesi -- The Archers’ Manifesto (UK, 1942) Michael Powell and Emeric Pressburger -- What Is Wrong with Indian Films? (India, 1948) Satyajit Ray -- Buñuel the Poet (Mexico, 1951) Octavio Paz -- French Cinema Is Over (France, 1952) Serge Berna, Guy Debord, et al. -- Some Ideas on the Cinema (Italy, 1953) Cesare Zavattini -- A Certain Tendency in French Cinema (France, 1954) François Truffaut -- Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955) Juan Antonio Bardem -- Free Cinema Manifestos (UK, 1956–1959) Committee for Free Cinema -- The Oberhausen Manifesto (West Germany, 1962) Alexander Kluge, Edgar Reitz, et al. -- Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. -- The Mannheim Declaration (West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. -- Sitges Manifesto (Spain, 1967) Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos -- How to Make a Canadian Film (Canada, 1967) Guy Glover -- How to Not Make a Canadian Film (Canada, 1967) Claude Jutra -- From “The Estates General of the French Cinema, May 1968” (France, 1968) Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz -- Manifesto of the New Cinema Movement (India, 1968) Arun Kaul and Mrinal Sen -- What Is to Be Done? (France, 1970) Jean-Luc Godard -- The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. -- Hamburg Declaration of German Filmmakers (West Germany, 1979) Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. -- Manifesto I (Denmark, 1984) Lars von Trier -- Manifesto II (Denmark, 1987) Lars von Trier -- Manifesto III: I Confess! (Denmark, 199) Lars von Trier -- The Cinema We Need (Canada, 1985) R. Bruce Elder -- Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) Ola Balogun -- Manifesto of 1988 (German Democratic Republic, 1988) Young DEFA Filmmakers -- In Praise of a Poor Cinema (Scotland, 1993) Colin McArthur -- Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) Lars von Trier and Thomas Vinterberg -- I Sinema Manifesto (Indonesia, 1999) Dimas Djayadinigrat, Enison Sinaro, et al. -- 3. Third Cinemas, Colonialism, Decolonization, and Postcolonialism -- Manifesto of the New Cinema Group (Mexico, 1961) El grupo nuevo cine -- Cinema and Underdevelopment (Argentina, 1962) Fernando Birri -- The Aesthetics of Hunger (Brazil, 1965) Glauber Rocha -- For an Imperfect Cinema (Cuba, 1969) -- Julio García Espinosa Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) Fernando Solanas and Octavio Getino -- Film Makers and the Popular Government Political Manifesto (Chile, 1970) Comité de cine de la unidad popular -- Consciousness of a Need (Uruguay, 1970) Mario Handler -- Militant Cinema: An Internal Category of Third Cinema (Argentina, 1971) Octavio Getino and Fernando Solanas -- For Colombia 1971: Militancy and Cinema (Colombia, 1971) Carlos Alvarez -- The Cinema: Another Face of Colonised Québec (Canada, 1971) Association professionnelle des cinéastes du Québec -- 8 Millimeters versus 8 Millions (Mexico, 1972) Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. -- Manifesto of the Palestinian Cinema Group (Palestine, 1973) Palestinian Cinema Group -- Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) Fernando Birri, Ousmane Sembene, Jorge Silva, et al. -- The Luz e Ação Manifesto (Brazil, 1973) Carlos Diegues, Glauber Rocha, et al. -- Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) Jorge Sanjinés -- Manifesto of the National Front of Cinematographers (Mexico, 1975) Paul Leduc, Jorge Fons, et al. -- The Algiers Charter on African Cinema (Algeria, 1975) FEPACI (Fédération panafricaine des cinéastes) -- Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) Nicaraguan Institute of Cinema -- What Is the Cinema for Us? (Mauritania, 1979) Med Hondo -- Niamey Manifesto of African Filmmakers (Niger, 1982) FEPACI (Fédération panafricaine des cinéastes) -- Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983) John Akomfrah -- From Birth Certificate of the International School of Cinema and Television in San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) Fernando Birri -- FeCAViP Manifesto (France, 1990) Federation of Caribbean Audiovisual Professionals -- Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) SADCC (South African Development Coordination Conference) -- Pocha Manifesto #1 (USA, 1994) Sandra Peña-Sarmiento -- Poor Cinema Manifesto (Cuba, 24) Humberto Solás -- Jollywood Manifesto (Haiti, 28) Ciné Institute -- The Toronto Declaration: No Celebration of Occupation (Canada, 29) John Greyson, Naomi Klein, et al. -- 4. Gender, Feminist, Queer, Sexuality, and Porn Manifestos -- Woman’s Place in Photoplay Production (USA, 1914) Alice Guy-Blaché -- Hands Off Love (France, 1927) Maxime Alexandre, Louis Aragon, et al. -- The Perfect Filmic Appositeness of Maria Montez (USA, 1962) Jack Smith -- On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) Yoko Ono -- Statement (USA, 1969) Kenneth Anger -- Wet Dream Film Festival Manifesto (The Netherlands, 1970) S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity) -- Women’s Cinema as Counter-Cinema (UK, 1973) Claire Johnston -- Manifesto for a Non-sexist Cinema (Canada, 1974) FECIP (Fédération européenne du cinéma progressiste) -- Womanifesto (USA, 1975) Feminists in the Media -- Visual Pleasure and Narrative Cinema (UK, 1975) Laura Mulvey -- An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977) Vilgot Sjöman -- For the Self-Expression of the Arab Woman (France, 1978) Heiny Srour, Salma Baccar, and Magda Wassef -- Manifesto of the Women Filmmakers (West Germany, 1979) Verband der Filmarbeiterinnen -- Wimmin’s Fire Brigade Communiqué (Canada, 1982) Wimmin’s Fire Brigade -- Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986) Yvonne Rainer -- The Post Porn Modernist Manifesto (USA, 1989) Annie Sprinkle, Veronica Vera, et al. -- Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) FEPACI (Fédération panafricaine des cinéastes) -- Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998) Vibeke Windeløv, Lene Børglum, et al. -- Cinema with Tits (Spain, 1998) Icíar Bollaín -- My Porn Manifesto (France, 22) Ovidie -- No More Mr. Nice Gay: A Manifesto (USA, 29) Todd Verow -- Barefoot Filmmaking Manifesto (UK, 29) Sally Potter -- Dirty Diaries Manifesto (Sweden, 29) Mia Engberg -- 5. Militating Hollywood -- Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 193) Motion Picture Producers and Distributors of America -- Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) William Randolph Hearst -- Statement of Principles (USA, 1944) Motion Picture Alliance for the Preservation of American Ideals -- Screen Guide for Americans (USA, 1947) Ayn Rand -- White Elephant Art vs. Termite Art (USA, 1962) Manny Farber -- Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972) Kuumba Workshop -- The World Is Changing: Some Thoughts on Our Business (USA, 1991) Jeffrey Katzenberg -- Full Frontal Manifesto (USA, 21) Steven Soderbergh -- 6. The Creative Treatment of Actuality-- Towards a Social Cinema (France, 1930) Jean Vigo -- From “First Principles of Documentary” (UK, 1932) John Grierson -- Manifesto on the Documentary Film (UK, 1933) Oswell Blakeston -- Declaration of the Group of Thirty (France, 1953) Jean Painlevé, Jacques-Yves Cousteau, Alain Resnais, et al. -- Initial Statement of the Newsreel (USA, 1967) New York Newsreel -- Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) Robert Kramer, New York Newsreel -- Documentary Filmmakers Make Their Case (Poland, 1971) Bohdan Kosinski, Krzysztof Kieslowski, and Tomasz Zygadlo -- The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) Kidlat Tahimik, Stephen Teo, et al. -- Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999) Werner Herzog -- Defocus Manifesto (Denmark, 2) Lars von Trier -- Kill the Documentary as We Know It (USA, 22) Jill Godmilow -- Ethnographic Cinema (EC): A Manifesto{ths}/{ths}A Provocation (USA, 23) Jay Ruby -- Reality Cinema Manifesto (Russia, 25) Vitaly Manskiy -- Documentary Manifesto (USA, 28) Albert Maysles -- China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, 211) By several documentary filmmakers who participated and also who did not participate in the festival -- 7. States, Dictatorships, the Comintern, and Theocracies -- Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) Willi Münzenberg -- The Legion of Decency Pledge (USA, 1938) Archbishop John McNicholas -- Creative Film (Germany, 1935) Joseph Goebbels -- Vigilanti Cura: On Motion Pictures (Vatican City, 1936) Pope Pius XI -- Four Cardinal Points of A Revolução de Maio (Portugal, 1937) António Lopes Ribeiro -- From On the Art of Cinema (North Korea, 1973) Kim Jong-il -- 8. Archives, Museums, Festivals, and Cinematheques -- A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898) Boleslaw Matuszewski -- The Film Prayer (USA, c. 192) A. P. Hollis -- The Film Society (UK, 1925) Iris Barry -- Filmliga Manifesto (The Netherlands, 1927) Joris Ivens, Henrik Scholte, Men’no Ter Bbaak, et al. -- Statement of Purposes (USA, 1948) Amos Vogel, Cinema 16 -- The Importance of Film Archives (UK, 1948) Ernest Lindgren -- A Plea for a Canadian Film Archive (Canada, 1949) Hye Bossin -- Open Letter to Film-Makers of the World (USA, 1966) Jonas Mekas -- A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) Committee for the Defense of La Cinémathèque française -- Filmmakers versus the Museum of Modern Art (USA, 1969) Hollis Frampton, Ken Jacobs, and Michael Snow -- Anthology Film Archives Manifesto (USA, 1970) P. Adams Sitney -- Toward an Ethnographic Film Archive (USA, 1971) Alan Lomax -- Brooklyn Babylon Cinema Manifesto (USA, 1998) Scott Miller Berry and Stephen Kent Jusick -- Don’t Throw Film Away: The FIAF 7th Anniversary Manifesto (France, 28) Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Group -- The Lindgren Manifesto: The Film Curator of the Future (Italy, 21) Paolo Cherchi Usai -- Film Festival Form: A Manifesto (UK, 212) Mark Cousins -- 9. Sounds and Silence -- A Statement on Sound (USSR, 1928) Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov -- A Rejection of the Talkies (USA, 1931) Charlie Chaplin -- A Dialogue on Sound: A Manifesto (UK, 1934) Basil Wright and B. Vivian Braun -- Amalfi Manifesto (Italy, 1967) Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. -- 10. The Digital Revolution -- Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966) Stan VanDerBeek -- The Digital Revolution and the Future Cinema (Iran, 2) Samira Makhmalbaf -- The Pluginmanifesto (UK, 21) Ana Kronschnabl -- Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 23) Khavn de la Cruz -- 11. Aesthetics and the Futures of the Cinema -- The Birth of the Sixth Art (France, 1911) Ricciotto Canudo -- Memo from Walt Disney to Don Graham (USA, 1935) Walt Disney -- The Birth of a New Avant Garde: La caméra-stylo (France, 1948) Alexandre Astruc -- From Preface to Film (UK, 1954) Raymond Williams -- The Snakeskin (Sweden, 1965) Ingmar Bergman -- Manifesto (Italy, 1965) Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. -- Manifesto on the Release of La Chinoise (France, 1967) Jean-Luc Godard -- Direct Action Cinema Manifesto (USA, 1985) Rob Nilsson -- Remodernist Film Manifesto (USA, 28) Jesse Richards -- The Age of Amateur Cinema Will Return (People’s Republic of China, 21) Jia Zhangke --

Call No: 71(53) KHA
Author: Khatib, Lina
Source: UK
Place: London ; New York
Publisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan
PubDate: 2006
PhysDes: viii, 242 p. : ill. ; 24 cm
Subject: ARAB COUNTRIES; MIDDLE EASTERN COUNTRIES; MIDDLE EASTERN COUNTRIES IN FILMS; WORLD CINEMA; POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; TERRORISM AND THE CINEMA; RELIGION IN FILMS
Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781845111915
Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide

Call No: 62(082) GEN
Author: Codell, Julie F.
Source: US
Place: Malden, Massachusetts
Publisher: Blackwell Publishing
PubDate: 2006
PhysDes: ix, 474 pages ; 25 cm
Subject: BOLLYWOOD; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM; FILM NOIR; GENDER AND THE CINEMA; GENRES; WORLD CINEMA; GLOBALISATION; RACIAL ISSUES AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IRAN; MELODRAMA; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; RACIAL ISSUES IN FILMS; ETHNIC GROUPS IN FILMS; WORLD CINEMA; KAIGE, CHEN; NAIR, MIRA; CRYING GAME, THE (UK, Neil Jordan, 1992); FIGHT CLUB (US, David Fincher, 1999); HSI YEN (TZ, Ang Lee, 1993); INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995); SMOKE SIGNALS (US, Chris Eyre, 1998); ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999) SEE TODO SOBRE MI MADRE; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); TRAFFIC (US, Steven Soderbergh, 2000)
Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included."
ISBN: 1405132337
Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements

Call No: FESTIVAL CATALOGUE SHELVES held 1975-1976, 1979-1982
Source: G
Place: Berlin, Germany
Publisher: [s.n.]
PubDate: 1975-1982
PhysDes: 6 v. : ill. ; 21 cm
Subject: FESTIVALS. BERLIN; INDEPENDENT FILMS; DOCUMENTARY FILMS; AVANT-GARDE FILMS; WORLD CINEMA
Notes: The Internationales Forum des Jungen Films (International Forum of Young Cinema) is an independently run section of the International Berlin Festival. The festival includes works that promote the independent, documentary and avant-garde cinema in its broadest sense. The catalogues include numerous black and white stills and film synopses relating to each film that is screened. NB. the festival programs are in English, French and German languages.

Call No: 408.1(540) ROY
Author: Roy, Anjali Gera
Source: II
Place: New Delhi
Publisher: Sage Publications
PubDate: 2012
PhysDes: 334 p. ; 23 cm
Subject: BOLLYWOOD; HISTORY OF CINEMA. INDIA; INDIA; INDIAN CINEMA; WORLD CINEMA
Summary: "Few would deny that the most significant weapon in India's cultural and artisitc armory is its avowedly commerical cinema, now known as Bollywood. This anthology aims to portray the "soft" power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy. In addition to contributions that directly engage with the notion of soft power, a number of essays in the volume testify to the attractiveness of Bollywood cinema for ethnically diverse groups across the world, probe the reasons for its appeal, and explore its audiences' identification with cinematic narratives. Established and emerging scholars in literature, theater, film, dance, music, media, cultural studies, and sociology from different parts of the world present their views from multidisciplinary perspectives based on case studies from Australia, New Zealand, the UK, Germany, Russia, the US, Senegal, Pakistan, Bangladesh, Indonesia and Canada, in addition to India" -- BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9788132107323
Contents: -- list of tables -- list of abbreviations -- forword by Ishtiaq Ahmed -- acknowledgments -- Chapter 1: Introduction / Anjali Gera Roy -- Brand Bollywood and the new Bollywood film. -- Chapter two: Mainstream Hindi cinema and brand Bollywood: the transformation of a cultural artifact / M. K. Raghavendra -- Chapter 3: Post-national B(H)ollywood and the national imaginary / Meena T. Pillai -- Bollywood's soft power: some facts and figures. --Chapter 4: Bollywood and soft power: content trends and hybridity in popular Hindi cinema / David J. Schaefer and Kavita Karan -- Chapter 5: A regional mosaic: linguistic diversity and India's film trade / Sunitha Chitrapu -- Indian films' traditional markets: South Asia, Southeast Asia, Africa, and Russia. -- Chapter 6: "Dada negativity" and Pakistani characters in Bollywood films / Kamal ud Din and Nukhbah Taj Langah -- Chapter 7: Soft power and Pakistani viewers / Shahnaz Khan -- Chapter 8: Bollywood film culture in Indonesia's mediascapes / Shuri Mariasih Gietty Tambunan -- Chapter 9: Indian films in the USSR and Russia: past, present, and future / Elena Igorevna Doroshenko --Chapter 10: Indophilie and Bollywood's popularity in Senegal: strands of identity dynamics / Gwenda Vander Steene -- Chapter 11: "Bollywoodization" as (H)Indianization? Bangladesh film industry under national protection / Zakir Hossain Raju -- New territories: Bollywood in the West Australia, Canada, Europe, and New Zealand. -- Chapter 12: From tawa'if to wife? making sense of Bollywood's courtesan genre / Teresa Hubel -- Chapter 13; Bollywood in da club: social space in Toronto's "South Asian" community / Omme-Salma Rahemtullah -- Chapter 14: Bollywood internet forums and Australian cultural diplomacy / Andrew Hassam -- Chapter 15: Addressing the nonresident: soft power, Bollywood, and the diasporic audience / Adrian Athique -- chapter 16: Bollywood's circuits in Germany / Florian Krauss -- about the editor and contributors -- index --

Call No: FESTIVAL CATALOGUE SHELVES held 2000-2001, 2003, 2006
CorpAuthor: New Zealand Film Festival Trust
Source: NZ
Place: New Zealand
Publisher: The Festival
PubDate: 2000-2006
PhysDes: 4 v. : ill. ; 23-24 cm
Subject: FESTIVALS. NEW ZEALAND; WORLD CINEMA; EUROPEAN CINEMA; NEW ZEALAND IN FILMS
Notes: The New Zealand International Film Festivals is a compilation of feature length films, documentaries, animated and short films that have previously toured the country under a different festival title. The festival program contains numerous black and white and colour stills, as well as film synopses of each film screened. Also includes an index. NB. Prior to 2003, the festival was titled: The New Zealand Film Festival.

Call No: 64REA DEL
Author: De Luca, Tiago
Source: US/UK
Place: London
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xii, 268 pages : illustrations ; 24 cm
Series: Tauris world cinema series
Subject: REALISM IN FILMS; THEORY; CRITICISM; WORLD CINEMA; REYGADAS, CARLOS; TSAI, MING LIANG; VAN SANT, GUS
Summary: "Over the last decade, a realist tendency has made a resurgence on the world cinema map. What are its main aesthetic and political characteristics? How does it relate to the realist canon and world cinema history? What are the different facets of this phenomenon as expressed in diverse cinemas across the globe? Drawing on foundational realist theories and recent takes on the body and the senses, this illuminating book aims to provide in-depth answers to these questions by examining the fascinating work of Carlos Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (USA), including award-winning films such "Japon", "Vive l'amour" and "Elephant". In their common allegiance to the long take, these are cinemas characterised by a sensory mode of address based on the protracted inspection of physical reality. Their hyperbolic focus on material phenomena, de Luca argues, translates into phenomenological film experiences that provide an antidote to a world saturated by simulation processes." -- BOOK JACKET
Notes: Formerly CIP; Includes bibliographical references (pages 243-258) and index
ISBN: 9781780766300
Donation: Senses of Cinema
Contents: -- list of illustrations -- acknowledgments -- introduction -- 1: Carlos Reygadas: cinema of the impossible -- 2: Tsai Ming-liang: cinema of bodies -- 3: Gus Van Sant and visionary realism -- conclusion -- notes -- bibliography -- index --

Call No: FESTIVAL CATALOGUE SHELVES held 1965, 1968
Place: Mexico
Publisher: [s.n.]
PubDate: 1965-1968
PhysDes: 3 v. : ill. ; 27-31 cm
Subject: FESTIVALS. MEXICO; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; EUROPEAN CINEMA
Notes: The Resena Mundial de los Festivales Cinematograficos (World Review of Film Festivals) includes a selection of feature length films that have been awarded first prizes at other international film festivals throughout the year. The festival also hosts various retrospectives with an emphasis on Mexican cinema. The catalogues also include numerous black and white stills and film synopses. The 1965 festival catalogue also includes a separate press book with information pertaing to the history of the festival itself. NB. The press book is in English, Spanish and French languages, but the festival catalogues are only in Spanish.
ID2: 104

Call No: FESTIVAL CATALOGUE SHELVES held 2009
Source: CC
Place: Shanghai, China
Publisher: [s.n.]
PubDate: 2009
PhysDes: 4 v. : ill. ; 21-29 cm
Subject: FESTIVALS. SHANGHAI INTERNATIONAL FILM; WORLD CINEMA; DOCUMENTARY FILMS; SHORT FILMS; BOYLE, DANNY; HITCHCOCK, ALFRED; NOUVELLE VAGUE
Notes: The Shanghai International Film Festival includes a selection of feature length films, short films, documentaries and retrospectives on such directors as Danny Boyle and Alfred Hitchcock, as well as a focus on French New Wave (Nouvelle Vague) films. The catalogue also includes numerous black and white and colour stills and film synopses relating to each film that is screened. The 2009 festival catalogue also includes a pocket guide, mini guide and film market guide.

Call No: 70 GRU
Author: Grunes, Dennis
Source: UK
Place: London
Publisher: Sands Films Cinema Club
PubDate: 2010
PhysDes: 550 p. ; 22 cm
Subject: CRITICISM; HISTORY OF CINEMA; WORLD CINEMA
Summary: "An essential guide to the history of world cinema; this book provides a good introduction to over a thousand important films arranged chronologically, from the birth of Cinema till now. Each film is presented and reviewed in short entries and each decade is headed by a longer article with a deeper analysis of outstanding films of that period. A comprehensive index makes this book an excellent starting point for the study of art house film history. " -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780955384318

Call No: FESTIVAL CATALOGUE SHELVES
Place: Durban, South Africa
Publisher: [s.n.]
PubDate: 1984
PhysDes: 1 v. : ill. ; 21 cm
Subject: FESTIVALS. DURBAN; SOUTH AFRICA; WORLD CINEMA; EUROPEAN CINEMA; ANIMATION
Notes: The Sixth Durban International Film Festival includes a selection of feature length films and animated films. The festival program includes a special focus on contemporary German cinema, as well as compilations of British and Canadian animation. The catalogue also includes numerous black and white stills and film synopses.

Call No: 408.3 TRA
Author: Ezra, Elizabeth (ed.) Rowden, Terry (ed.)
Source: UK
Place: Abingdon, Oxon, UK
Publisher: Routledge
PubDate: 2006
PhysDes: 244 pages ; 25 cm
Series: in focus: Routledge film readers
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; DIASPORIC CINEMA; TERRORISM AND THE CINEMA; INDIGENOUS; MIGRATION; GLOBALISATION; WORLD CINEMA
Summary: "Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections: From National to Transnational Cinema / Global Cinema in the Digital Age / Motion Pictures: Film, Migration and Diaspora / Tourists and Terrorists." -- PUBLISHERS WEB SITE
ISBN: 9780415371589
Contents: Introduction: What is Transnational Cinema? / Elizabeth Ezra and Terry Rowden -- Introduction to Section I: From National to Transnational Cinema -- The Limiting Imagination of National Cinema? / Andrew Higson -- Africans Filming Africa: Questioning Theories of an Authentic African Cinema / David Murphy -- Post-Third-Worldist Culture: Gender, Nation, and the Cinema / Ella Shohat -- Bombay Boys and Girls: Transnational Gender and Sexual Politics in the New Indian Cinema in English / Jigna Desai -- Introduction to Section II: Global Cinema in the Digital Age -- The Instantaneous Worldwide Release: Coming Soon to Everyone, Everywhere / Robert E. Davis -- Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies Between the Internet and Media Entertainment Culture /Elana Shefrin -- Transnational Documentary: A Manifesto / John Hess and Patricia R. Zimmermann -- Introduction to Section III: Motion Pictures: Film, Migration, and Diaspora -- Situating Accented Cinema? / Hamid Naficy -- Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement / Peter Bloom -- Diaspora and National Identity: Exporting 'China' through the Hong Kong Cinema / David Desser -- Migrancy and the Latin American Cinemascape: Towards a Post-National Critical Praxis / Ann Marie Stock -- Introduction to Section IV: Tourists and Terrorists -- Romance And/As Tourism: Heritage Whiteness and the (Inter)National Imaginary in the New Woman's Film? / Diane Negra -- Four Forms for Terrorism: Horror, Dystopia, Thriller, and Noir / John S. Nelson -- Terror and After... / Homi K. Bhabha --

Call No: FESTIVAL CATALOGUE SHELVES
Place: Virgin Islands, United States
Publisher: Virgin Islands International Film Festival Ltd
PubDate: 1975
PhysDes: 1 v. : ill. ; 28 cm
Subject: FESTIVALS. VIRGIN ISLANDS; WORLD CINEMA; SHORT FILMS; FRANKENHEIMER, JOHN
Notes: The Virgin Islands International Film Festival includes a selection of feature length films and short films from around the world. The festival also has a retrospective on the work of director, John Frankenheimer, as well as a focus on short films and commercials. The catalogue also includes numerous black and white stills and film synopses.

Call No: FESTIVAL CATALOGUE SHELVES; Held 1998-2000
Source: SZ
Place: Nyon, Switzerland
PubDate: 1998-2000
PhysDes: 3 v. : ill. ; 19 cm
Subject: FESTIVALS. NYON. VISIONS DU REEL; WORLD CINEMA; DOCUMENTARY FILMS; DOCUMENTARIES
Language: French, German and English
ID2: 111

Call No: FESTIVAL CATALOGUE SHELVES; held 1983, 1992-1995, 1997-1998
CorpAuthor: New Zealand Federation of Film Societies; Wellington Film Society
Source: NZ
Place: Wellington [N.Z.]
Publisher: Wellington Film Society
PubDate: 1983-1998
PhysDes: 6 v. : ill. ; 21-23 cm
Subject: FESTIVALS. WELLINGTON; FESTIVALS. NEW ZEALAND; WORLD CINEMA; EUROPEAN CINEMA; NEW ZEALAND IN FILMS
Notes: The Wellington Film Festival includes a selection of feature length films, short films, documentaries and animated films, as well as director retrospectives. The catalogues also include numerous black and white and colour stills and film synopses relating to each film that is screened. The 1994 festival catalogue also includes a separate pamphlet.
Frequency: Annual
LON: 13339652

Call No: 64REA NAG
Author: Nagib, Lucia
Place: New York ; London
Publisher: Continuum
PubDate: 2011
PhysDes: xiv, 293 p. : ill. ; 23 cm.
Subject: REALISM IN FILMS; WORLD CINEMA; MONTEIRO, JOAO CESAR; HERZOG, WERNER; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); CRIME DELICADO (BL, Beto Brant, 2005); TERRA EM TRANSE (BL, Glauber Rocha, 1967); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ); YAABA (UV, Idrissa Ouedraogo, 1989); [FOUR HUNDRED] 400 BLOWS, THE [; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964)
Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.
ISBN: 9781441165831
Donation: donated by the author.

Call No: 408.1 WOR
Author: Durovicova, Natasa (ed.); Newman, Kathleen (ed.)
Source: US/UK
Place: New York
Publisher: Routledge
PubDate: c2010
PhysDes: xv, 368 p. : 23 cm
Subject: NATIONAL CULTURE AND THE CINEMA; GLOBALISATION; WORLD CINEMA
Summary: "The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational". This anthology examines the premises and consequences of the coexistance of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. " -- BOOK BLURB
ISBN: 9780415976541
Contents: -- Preface -- acknowledgments -- Part One: The Geopolitical Imaginary of Cinema Studies -- 1. Transnational Film Theory: Decentered Subjectivity, Decentered Capitalism / Kathleen Newman -- 2. On the Plurality of Cinematic Transnationalism / Mette Hjort -- 3. Tracking "Global Media" in the Outposts of Globalization / Bhaskar Sarkar -- 4. Time Zones and Jetlag: The Flows and Phases of World Cinema / Dudley Andrew -- 5. Vector, Flow, Zone: Towards a History of Cinematic Translatio / Natasa Durovicova -- Part Two: Cinema as Transnational Exchange -- 6. Chinese Cinema and Transnational Film Studies / Yingjin Zhang -- 7. A National Cinema Abroad: From Production to Viewing /Toby Miller -- 8. Aural Identity, Genealogies of Sound Technologies, and Hispanic Transnationality on Screen / Marvin D'Lugo -- 9. How Movies Move (Between Hong Kong and Bulawayo, Between Screen and Stage...) / Lesley Stern -- 10. New Paradoxes of Africa's Cinemas / Olivier Barlet -- 11. The Transnational Other: Street Kids in Contemporary Brazilian Cinema / Joao Luiz Vieira -- Part Three: Comparative Perspectives -- 12. Fantasy in Action / Paul Willemen -- 13. Vernacular Modernism: Tracking Cinema on a Global Scale / Miriam Hansen -- 14. Globalization and Hybridization / Fredric Jameson -- 15. From Playtime to The World: The Expansion and Depletion of Space Within Global Economies / Jonathan Rosenbaum --Bibliography -- Contributors -- Index --

Call No: 756(592.3) WOR
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2014
PhysDes: 122 pages ; col. ill., col. maps ; 23 cm
Series: World film locations
Subject: WORLD CINEMA; SINGAPORE; LANDSCAPES IN FILMS; CITIES IN FILMS; LOCATION SHOOTING
Summary: "A vibrant city and country nestled at the foot of the Malaysian peninsula, Singapore has long been a crossroads, a stopping point, and a cultural hub where goods, inventions, and ideas are shared and traded. Though Singapore was home to a flourishing Chinese and Malay film industry in the 1950s and 1960s, between independence in 1965 and the early 1990s, few movies were made in Singapore. A new era for cinema in the sovereign city-state started with the international recognition of Eric Khoo's first features, followed by a New Wave comprised of graduates from local film schools. In recent years the Singapore film industry has produced commercial successful fare, such as the horror movie The Maid, as well as more artistic films like Sandcastle, the first Singaporean film to be selected for International Critic's Week at Cannes, and Ilo Ilo, which won the Camera d'or at Cannes in 2013. Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travelers to a rich, but less known, international cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes recommended further reading; Includes filmography
ISBN: 9781783203611
Donation: donated by Senses of Cinema, 2014
Contents: Maps/Scenes -- Scenes 1-7 -- 1910-1958 -- Scenes 8-14 -- 1961-1966 -- Scenes 15-21 -- 1967-1990 -- Scenes 22-28 -- 1995-2002 -- Scenes 29-35 -- 2004-2009 -- Scenes 36-42 -- 2009-2013 -- Essays -- Singapore: City of the Imagination / Toh Hun Ping -- Malay Screen in a Predominantly Chinese Singapore / Yvonne Ng Uhde -- The Outsider's Singapore: A Brief History of 'Western' Film-makers' Expeditions in Singapore / Ben Slater -- A History of Saying No: Singapore International Film Festival and Censorship / Daniel Hui -- Eric Khoo / Silvia Wong -- The Cultural Materialism of Singapore in Jack Neo's Cinema / Stephen Teo -- A View of Public Housing in Singapore Cinema / Warren Sin

Call No: 756(495) WOR
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2014
PhysDes: 128 pages : col. ill., col. maps ; 23 cm
Series: World film locations
Subject: GREECE; CITIES IN FILMS; WORLD CINEMA; LOCATION SHOOTING
Summary: "A filmic guidebook of the Greek capital. World Film Locations: Athens takes readers to film locations in the central historical district with excursions to the periphery of Athens--popular neighbourhoods, poor suburbs, and slums often represented in postwar neorealist films--and then on to garden cities and upper class suburbs, especially those preferred by the auteurs of the 1970s. Of course, no Grecian vacation would be complete without a visit to the sea, and summer resorts, hotels, and beaches near Athens are frequent backdrops for international productions. However, more recent economic strife has emptied city neigbourhoods, created urban violence, and caused an increase in riots in the Mediterranean city, and representations of this on film are juxtaposed with images of the eternal and idyllic city. Featuring both Greek and foreign productions from various genres and historical periods, World Film Locations: Athens ultimately works to establish connections between the various aethetics of dominant representations of Athens." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography; Includes recommended further reading
ISBN: 9781783203598
Donation: donated by Senses of Cinema, 2014
Contents: Maps/Scenes -- Scenes 1-8: 1924-1956 -- Scenes 9-16: 1956-1966 -- Scenes 17-24: 1968-1984 -- Scenes 25-32: 1982-2003 -- Scenes 33-39: 2005-2010 -- Scenes 40-46: 2011-2014 -- Essays -- Athens: City of the Imagination / Anna Poupou and Eirini Sifaki -- Open-air Cinemas in Post-war Athens / Dimitris Eleftheriotis -- Athens in Burning / Dimitris Papanikolaou -- Nikos Panayotopoulous's Athens: From Relic of Antiquity to Hipster Urban Refuge / Athena Kartalou -- Controversies of Space in Popular Greek Cinema (1950-70)" From the Courtyard to the Living Room / Angeliki Milonaki -- Dirtopia and Its Urban Subcultures: Cinematic Athens in the Post-dictatorship Era / Afroditi Nikolaidou and Anna Poupou -- Athens in the 1960s Greek Musical / Lydia Papadimitriou