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Call No: 61[929:7] VAC
Author: Vacche, Angela Dalle
Source: US
Place: Austin, Texas
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xi, 303 pages : illustrations ; 23 cm
Subject: ART AND THE CINEMA; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); THERESE (FR, Alain Cavalier, 1986)
Summary: "The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity." - taken from back cover.
Notes: Includes index -- Includes bibliographical references (p. [267]-292)
ISBN: 0292715838
Contents: Introduction: A Thematic and Intertextual Approach -- Ch. 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval -- Ch. 2. Michelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement -- Ch. 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images -- Ch. 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting -- Ch. 5. Andrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting -- Ch. 6. F. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema -- Ch. 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing -- Ch. 8. Alain Cavalier's Therese: Still Life and the Close-Up as Feminine Space
ID2: 343

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 81GOD
Author: MacCabe, Collin
Source: UK
Place: London
Publisher: Macmillan
PubDate: 1980
PhysDes: 175 p. : ill. ; 23 cm
Series: British Film Institute cinema series
Subject: AVANT-GARDE FILMS; THEORY; POLITICS AND THE CINEMA; GODARD, JEAN-LUC; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PRAVDA (FR, Jean-Luc Godard, 1970)
Notes: "Check list of Godard's work in film and television": p. 169-173. Bibliography: p. 174-175.
ISBN: 0333290747
Language: English

Author: Hibberd, Jack
PhysDes: Review
Subject: GODARD, JEAN-LUC; WEEK-END (FR/IT, Jean-Luc Godard, 1968); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)
Summary: Unfavourable review of Godard's "Week End", naming it as one of the worst films the director has ever made.

Call No: 81GOD ROU
Author: Roud, Richard
Place: London
Publisher: Secker & Warburg in association with the British Film Institute
PubDate: 1967
PhysDes: 176 p. : front. (facsim.), ill. (incl. ports.) ; 20cm
Series: Cinema one ; 1
Subject: OUTSIDERS IN FILMS; POLITICS AND THE CINEMA; GODARD, JEAN-LUC; CHINOISE, LA (FR, Jean-Luc Godard, 1967); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)
Summary: This book explains Godard's aims, as a film maker, and the play between the documentary,( truth )and fiction,( beauty) elements in his films. It shows the connection of his films to the philosophy of Hegel and Existentialism. It shows the contrast between personal and social preoccupations
Notes: Filmography: p. 156-173
LON: 68078901; 18597

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 747.19 RUS
Author: Russell, Catherine, 1959
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1995
PhysDes: vii, 271 p. : ill. ; 24 cm
Subject: NOUVELLE VAGUE; NARRATIVE IN FILMS; DEATH IN FILMS; ALLEGORY IN FILMS; MELODRAMA; LANG, FRITZ; Wenders, Wim; OSHIMA, NAGISA; GODARD, JEAN-LUC; ALTMAN, ROBERT; BENJAMIN, WALTER; LYNCH, DAVID; Peckinpah, Sam; PENN, ARTHUR; RAY, NICHOLAS; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NASHVILLE (US, Robert Altman, 1975); NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979); SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960); SHONEN (JA, Nagisa Oshima, 1969); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Notes: Includes bibliographical references (p. 253-262) and index
ISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)
LON: 10942855

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)

Call No: 79PIE GOD
Author: Godard, Jean-Luc, 1930; Whitehead, Peter,
Place: London
Publisher: Lorrimer
PubDate: 1969
PhysDes: 104 p., [16] p. of plates (some col.)
Series: Modern film scripts
Subject: PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)
Notes: Original French film 1965; No. 15 of the series: "Classic and modern scripts"
LON: 3842727

Call No: 81GOD CRO
Author: Crofts, Steve
Place: [London] : [s.n.], 1972
PhysDes: 80 p. ; 30 cm
Subject: NARRATIVE IN FILMS; SEMIOLOGY; THEORY; LANGUAGE AND THE CINEMA; AESTHETICS; POLITICS AND THE CINEMA; GODARD, JEAN-LUC; WEEK-END (FR/IT, Jean-Luc Godard, 1968); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)
LON: abn98241654; 14031909