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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASED ON A TRUE STORY [D'APRES UNE HISTOIRE VRAIE] (FR/BE/PL, Roman Polanski, 2017)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Author: Zaagsma, Frank
PhysDes: Article
Subject: HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); STRAUB, JEAN-MARIE
Summary: Article on Straub's latest film GESCHICHTSUNERRICHT. Includes extracts from the director on his approach to filmmaking.

Call No: 71(430) GER
Author: Rentschler, Eric
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: x, 385 p. : ill. ; 24 cm
Subject: GERMANY; ADAPTATIONS. GERMANY; STUDENT VON PRAG, DER (G, Stellan Rye, 1913); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); LIEBELEI (G, Max Ophuls, 1933); LEBENZEICHEN (GW, Werner Herzog, 1968); LOTTE IN WEIMAR (GE, Egon Gunther, 1975); LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956); JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966); WOZZECK (G, Georg C. Klaren, 1947); UNTERTAN, DER (GE, Wolfgang Staudte, 1951); FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940); ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937)
Notes: Includes index; Bibliography: p. [366]-378
ISBN: 0416603416 (pbk.); 0416603319
LON: 4216378

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975); STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975)

Call No: TITLE CLIPPINGS FILE
Subject: HISTOIRE D'UN SORT (FR, Ilan Flammer, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: HISTOIRE DE FEMMES, UNE (CN, Sophie Bissonnette & Martin Duckworth & Joyce Rock, 1980)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: DON'T TELL ME THE BOY WAS MAD [HISTOIRE DE FOU, UNE ] (FR, Robert Guédiguian, 2015)
Cross Reference: DON'T TELL ME THE BOY WAS MAD [HISTOIRE DE FOU, UNE ]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE DE MARIE ET JULIEN (FR, Jacques Rivette, 2003)
Cross Reference: STORY OF MARIE AND JULIEN, THE (FR, Jacques Rivette, 2003) SEE HISTORIE DE MARIE ET JULIEN
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE DE VENT, UNE (FR, Joris Ivens & Marceline Loridan, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HISTOIRE IMMORTELLE, L' (FR, Orson Welles, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTOIRE SIMPLE, UNE (FR/GW, Claude Sautet, 1978)

Call No: TITLE CLIPPINGS FILE; HISTOIRE D'O : (FR, Just Jaeckin, 1975)
Author: Holland, Norman N.
PhysDes: Article
Subject: PERCEPTION; SPECTATORSHIP; AUDIENCE RECEPTION; STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975)
ID2: 273

Call No: 81GOD MOR
Author: Morrey, Douglas
Source: UK/US
Place: Manchester and New York
Publisher: Manchester University Press
PubDate: 2005
PhysDes: 271 p : ill. ; 22 cm
Series: French film directors
Subject: CRITICISM; FRANCE; THEORY; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); CHINOISE, LA (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURB
Notes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and index
ISBN: 0719067596
Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --

Call No: 79HIS WIT
Author: Witt, Michael
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 2013
PhysDes: 284 pages ; 24 cm
Subject: GODARD, JEAN-LUC; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997)
Summary: Winner of the 2014 Limina Award for Best International Film Studies Book. Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has been widely hailed as a landmark in how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema. -- BOOK BLURB
ISBN: 9780253007285
Contents: Introduction: Godard's theorem -- Histoire(s) du cine´ma: a history -- The prior and parallel work -- Models and guides -- The rise and fall of the cinematograph -- Cinema, nationhood, and the new wave -- Making images in the age of spectacle -- The metamorphoses
AFIRC Location: Stacks

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NOTRE HISTOIRE (FR, Bertrand Blier, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: ON S'EST TROMPE D'HISTOIRE D'AMOUR (FR, Jean-Louis Bertuccelli, 1974)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: RESET [RELEVE HISTOIRE D'UNE CREATION] (FR, Thierry Demaizière, Alban Teurlai, 2015)
Cross Reference: RESET [RELEVE HISTOIRE D'UNE CREATION]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIMPLE HISTOIRE, UNE (FR, Marcel Hanoun, 1959); SIMPLE STORY, A (FR, Marcel Hanoun, 1959)

PhysDes: Article
Subject: HISTOIRE SIMPLE, UNE (FR/GW, Claude Sautet, 1978)
Summary: Review of "A Simple Story" (Une Histoire Simple); Credits

Call No: 21(4) CRA
Author: Cramer, Michael
Place: Minneapolis, MN
Publisher: University of Minnesota Press
PubDate: 2017
PhysDes: xxiii,276 p. : illustrations ; 22 cm
Subject: TELEVISION, FILMS MADE FOR; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; ROSSELLINI, ROBERTO; WATKINS, PETER; GODARD, JEAN-LUC; WAR GAME, THE (UK, Peter Watkins, 1966); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997)
Summary: Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices. Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information. As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well. - publisher's web site
ISBN: 9781517900397
Contents: Contents -- Introduction. The Land beyond Cinema: Television and Utopian Method -- 1. The Promise of Television: Making Utopia Possible -- 2. Television as Enlightenment: Roberto Rossellini’s History Lessons -- 3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC -- 4. Radical Communications: Jean-Luc Godard on and around Television -- 5. Utopia after Television: Media Mutations and Transplantations -- Acknowledgments -- Notes -- Index
ID2: 286

PhysDes: Article
Subject: HISTOIRE DE FEMMES, UNE (CN, Sophie Bissonnette & Martin Duckworth & Joyce Rock, 1980)
Summary: Short review